Foreign Film-making Project – Teacher’s Pack Contents 1. Overview of the Project 2. Stage 1 - Development 3. Stage 2 – Pre-production: Scripting 4. Stage 3 – Pre-production: Storyboard & Shot-list 5. Stage 4 – Post Production: Editing 6. Links and contacts 1 Produced by Jane Driver Project Overview Aim The aim of the film competition is for students in Key Stage 3 to write, direct and produce a short film of any genre (max. 5mins) in a foreign language (with English subtitles). Process There are two training days for Co-ordinators and one member of each participating group will be held at Comberton Village College on 24th November 2010 and 9th February 2011. Making a short film is a complicated and lengthy process, so schools should launch the competition at the beginning of the autumn term. Students should be encouraged to work independently on the project during their lunch / break / after school. They should meet regularly with the School Co-ordinator to ensure that they are on schedule to meet each deadline. The competition has 5 stages to guide the participating groups through the film-making process. There is a deadline for completion of each stage of the competition which is worth a percentage of the overall score for the film. Participating groups must submit evidence of completion of each stage through their School Co-ordinator and this is assessed centrally by a judging panel at Anglia Ruskin University (ARU) who will allocate scores at each stage. Films may be produced in any language apart from English and all films must have English subtitles. Participating groups are only permitted to use digital video cameras / Flip cameras and Microsoft Movie-Maker – no professional film-making software is permitted. Films should be a maximum of 5 minutes in duration and should not be animated films. A Premiere Evening will take place at the end of the project where the best entries will be premiered at the Picturehouse Cinema, Cambridge. After the screenings there will be a formal awards ceremony. 2 Produced by Jane Driver Stage 1 - Development Teams should: a. allocate pre-production roles: i. Producer ii. Director (has the overall vision for the film) iii. Art Director (has a more visual role – thinks about lighting, camera angles, set, etc..) iv. Camera b. decide on an idea and genre for a film – i.e. an action film, fly on the wall documentary, comedy sketches, etc.. c. pitch their idea to their supervisor who will provide feedback about the feasibility of the idea. The pitch should be a short presentation to sell their idea, this should be videoed and submitted to ARU. d. write a film proposal. This is a written version of the pitch and should consist of a two-line idea proposal. e. produce an outline of the film. This is a short paragraph detailing what happens in the film. Deadline – 26th Nov 2010. Percentage of overall score – 5% 3 Produced by Jane Driver Stage 1 - Development School Co-ordinator Team Name Participants’ Roles Name Email Surname Forename(s) Additional Team Members Video of Pitch enclosed Film Proposal Y/N Outline plot (max. 50 words) *For office use only Comments Stage % mark /5 4 Produced by Jane Driver Stage 2 – Preproduction: Scripting Teams should: a. produce a script for the film in the Target Language (TL). b. submit the script using the film industry script format (example enclosed) Deadline – 17th Dec 2010 Percentage of overall mark – 30% 5 Produced by Jane Driver EXAMPLE INDUSTRY SCRIPT FORMAT “STYLING WITH MICROSOFT WORD XP” by Cynthia Randall (Title with author(s) – centrally justified) 6 Produced by Jane Driver 1234 Your Street City, State ZIP Code Telephone Number (address and contact details centrally justified) 7 Produced by Jane Driver FADE IN: IN A PICKLE IS CATHY Cathy is sitting at her computer. She is frustrated and mumbling to herself. (camera instructions are in capitals and left justified. Instructions for the set are not in capitals but are also leftjustified) JOHN How’s it going, Cath? You don’t sound so good. CATHY No, I’m not. I’ve been messing with styles and formatting in Word, and I can’t figure out how to show just the ones I want. JOHN Yeah, they changed the styles and formatting feature in XP - you are using Word XP, right? CATHY Yes. JOHN It’s a bit weird at first but is an improvement over the last version. Here, let me show you. (the script is centrally 8 Produced by Jane Driver justified and not capitalized - apart from the character’s name. John takes hold of the mouse and pokes around in Word for a few minutes to see what styles Cathy has been working with. JOHN So you’re building a screenwriting template, eh? CATHY Trying to. JOHN It’s these 11 styles you want, right? – character, dialog, Cathy, interjecting, points to each style in the task pane… CATHY Scene heading, the end, title, trans in, trans out, your address, your name, and action. JOHN A girl who can finish my sentences powerful stuff, Cath. And speaking of action: You’ve been a bit low on the gas lately, if you know what I mean… (John has been 9 Produced by Jane Driver trying to date Cathy since the second grade; they’re now in first year university and Cathy still has no interest.)(extra background information is centrally justified in small letters in brackets) CATHY John, stop it! I need to get this done! JOHN Okay, okay, now where was I? So when you’ve got all the styles you want, the way to show just them and not all the others - which, by the way, belong to Normal.dot - is to first enter each style in the document, and then here at the bottom of the task pane in the Show box, choose Formatting in use. See, now when you go to choose a style from the Formatting toolbar or from the task pane, just your 10 Produced by Jane Driver 11 styles appear. CATHY And these styles will always be here? I mean, when I close the template and open it again, everything will be the same? JOHN Word saves the last state you were working in – this is called “sticky”. Just your 11 styles will be in the styles list on the Formatting toolbar and shown in the task pane. But when you reopen Word, the task pane won’t be open. You’ll need to click the Formatting and styles button on the Formatting toolbar to open it back up again. CATHY Okay. And it looks like I can still add, modify, and delete styles in Formatting in use view, yes? JOHN Yep. CATHY Thanks, John! You’ve been a big help. 11 Produced by Jane Driver JOHN Yeah, you probably owe me one come to think of it. CATHY Owe you one! Owe you one what? JOHN Relax Cathy. I’ve had enough action for one day. See you in Biology. Smiling, John closes the door behind him. FADE OUT THE END 12 Produced by Jane Driver Stage 2 – Preproduction: Scripting School Co-ordinator Team Name Participants’ Roles Name Email Surname Forename(s) Additional Team Members Script in industry format enclosed *For office use only Comments Stage % mark Y/N /30 13 Produced by Jane Driver Stage 3 – Preproduction: Storyboarding and Shot-list Teams should: a. Produce a story board of each shot in their film. The storyboard is a series of sketches, each sketch depicts a shot in the film and helps the directors and the camera to set up and frame the shot adequately. An example story board and a storyboard template is enclosed. The story board can be in the form of stickman figures, no extra points are allocated for the quality of the artwork. b. Produce a shot-list. Each of the shots on the storyboard should be given a number. During the shoot, it may not be feasible to shoot each shot in the order depicted in the storyboard, rather it may be better to shoot all shots in each location together. The shot list is a list of numbers showing the order that all the shots will be filmed. Deadline – 28th Jan 2011 Percentage of overall mark – 15% 14 Produced by Jane Driver Example Storyboards 1. 15 Produced by Jane Driver 2. Storyboard Template 16 Produced by Jane Driver 17 Produced by Jane Driver Example Shot-list Stikkup shot list - Shots 1 to 6 Shot 1: Long Shot establishing the view of a bank that is not too well known. Shot 2: Medium Shot of Dick and Tom walk across the view of the camera. You get a view of their head and the side of their body. This shot is to only to show they have arrived at the bank. Shot 3: Big Close Up Shot of Dick and Tom. They look at each other and then they separate. Shot 4: Medium Long Shot of Dick walking to the writing desk. Shot 5: Medium Shot of Dick at the writing desk. Shot 6: Extreme close-up shot of Dick’s hand picking up a deposit slip and writing on the deposit slip “This is a stiikup. Put all your muny in this bag”. 18 Produced by Jane Driver Shot-list Template Shot Description of the Shot Shot 1 Shot 2 Shot 3 Shot 4 Shot 5 Shot 6 Shot 7 Shot 8 Shot 9 Shot 10 Shot 11 Shot 12 19 Produced by Jane Driver 20 Produced by Jane Driver Stage 3 – Preproduction: Storyboarding and Shot-list School Co-ordinator Team Name Participants’ Roles Name Email Surname Forename(s) Additional Team Members Storyboard enclosed Shot-list enclosed *For office use only Comments Stage % mark Y/N Y/N /15 21 Produced by Jane Driver Stage 4: Production Teams should: a. film the movie. Students should film the shots using their shotlist and storyboard to help them. b. save the shots they are going to use in Microsoft Moviemaker. They should now put the shots in the correct order so that they are ready for editing and they should delete any outtakes. Suggested deadline: 19th March 2011 PLEASE NOTE: THIS DATE IS FOR GUIDANCE ONLY – THERE IS NOTHING TO SUBMIT 22 Produced by Jane Driver Stage 5 – Production and Post-Production Teams should: a. edit the movie. Teams should use Microsoft Moviemaker to edit the shots, ensuring that the film runs in sequence and that the transitions between shots are smooth. b. add subtitles. Teams should use Microsoft Moviemaker to add English subtitles to their films – this is so that parents, judges and other viewers can understand the film. c. add music. If required, teams can add music to their films to add ambience. Please note that this music must be opensource and not subject to copyright rules. Deadline – 20th May 2011 Percentage of overall score – 50% 23 Produced by Jane Driver Stage 5 – Post-Production School Co-ordinator Team Name Participants’ Roles Name Email Surname Forename(s) Additional Team Members Completed film enclosed *For office use only Comments Stage % mark Y/N /50 24 Produced by Jane Driver