Match cutting This is a cut that relates to the topic or the surrounding of your character. This is the skill of cutting 2 or more Parallel editing scenes that are in different locations but happening at the same time. where one character is shown looking at Shot-reverse-shot another character, and then the other character is shown looking back at the first character. an event's duration on-screen to be Elliptical editing shorter than its duration in the story. Match on action 180º-degree rule 30º- degree rule Matching eyelines Rhythm This is where the editor cuts from an action in one shot and continues the action in another shot. a camera should be placed somewhere inside 180 degrees on a particular side of the invisible line of a shot containing two people filmed in sequence. The camera should move at least 30 degrees between and within shots of the same subject. This is where the shot will match the characters eye line and show the audience what they are viewing Editing rhythm is what editors use to keep pace of the film up to match the action that is going on in the film Montage It is the style of editing where the director is trying to make the films reality relate to the reality of the audiences using different techniques. The maker will purposely use a variety of different shots that seem out of place but relate to the narrative. Selecting specific pieces from a film to create a continuous whole. Sequence This is a series of shots that are in order of when actions happen. Dissolve This is a fade out of one image and fade in of another, also called a cross fade. Use of music How you adapt and chose your music to suit your film Sound mixing The skill of combing multiple sounds to create the effect desired Diegetic sound This is sound that is coming from something within the frame that is visible Continuity editing Discontinuity editing Non-digetic sound This is music that is overlayed in post production that does not come from anything on screen. KEY TERMS IN POST-PRODUCTION