College, Saratoga, New York

Bibliographies compiled by Phoebe Kowalewski

EVELYNE AXELL

Born: 1935, Namur, Belgium

Died: 9 September 1972, Zwijnaerde, Belgium

EDUCATION

Self-taught

SELECTED SOLO EXHIBITIONS

1967

1969

Axell, Palais des Beaux-Arts, Brussels

Evelyne Axell, Galerie Contour, Brussels

Axell, Galerie Estro Armonico, Brussels

1971

1972

1978

1980

1997

Axell, Galerie Richard Foncke, Ghent, Belgium

Axell, Pierre et les Opalines, Galerie Daniel Templon, Paris

Axell, Palais des Beaux-Arts, Brussels

Evelyne Axell, Galerie Flat 5, Bruges

Cutureel Centrum, Arnhem, The Netherlands

Axell, Galerie Contour, Brussels

Evelyne Axell, Palais des Beaux-Arts, Brussels

Axell. Derniers dessins. Galerie Jacqueline Ledoux, Namur

1999

2000

Evelyne Axell et les années 60. Un frisson de la vie (Het ruisen van het leven), Musée des Beaux-Arts d’Ixelles, Brussels

Evenlyne Axell en de jaren zestig, Provinciaal Museum voor Moderne Kunst,

Ostende

Evelyne Axell, 1935-1972. L’amazone du Pop Art, Centre Wallonie-Bruxelles,

Paris

Evelyne Axell Mémoire de Bacchante, Iselp, Brussels

Evenlyne Axell 1935-1972, Erotomobiles, The Mayor Gallery, London 2003

2004 Axell. Le Pop Art jusqu’au Paradis, Maison de la Culture de la province de

Namur, Belgium

Musée Provincial Félicien-Rops, Namur, Belgium

Galerie Détour, Jambes, Belgium

SELECTED GROUP EXHIBITIONS

1965

1966

1967

1967-68

Arts d’Extrème-Occident, Galerie Angle Aigü, Brussels

Jeune peinture belge, Palais des Beaux-Arts, Brussels

Boîtes à secrets, à surprises, Galerie Maya, Brussels

Schwarz galleria d’Arte, Milan

Biennale des Jeunes, Paris

Premio Lissone, Milan

Galerie Accent, Brussels

1968

1969

1970

Brussels

Alternative Attuali, L’Aquila

Jeune peinture belge, Palais des Beaux-Arts, Brussels

Images et signes de notre temps, Musées Royaux des Beaux-Arts de Belgique,

1971

1972

Pop Art—Nouveau Réalisme—Néo Dada et tendances apparentées, Casino Knokke,

Belgium

Le plastique et l’art contemporain, Grand Palais, porte de Versailles, Paris

Belgische Kunst 1960-1970, Kunstverein, Cologne

Multiples, Galerie Rive gauche, Brussels

Prix International, Knokke, Belgium

Winter Art Show, Brussels

Galerie Klang, Cologne

Tweede Triënnale, Bruges, Belgium

Galerie Richard Foncke, Ghent, Belgium

D’aprés—Omaggi e dissacrazioni nell’arte contemporanea, Lugano, Switzerland

Kunstmesse, Galerie Maya, Cologne

Derde Actuele Kunstmarkt, Bruges, Belgium

La Vénus de Milo ou les dangers de la célébrité, Musée du Louvre, Paris

1975

1979

Belgium

1980

Brussels

1987

1991

Namur,

De Permeke à nos jours, Palais des Beaux-Arts, Brussels

La Femme dans l’art, Musées royaux des Beaux-Arts de Belgique, Brussels

De jaren ’60—Kunst in België, Centre d’expositions Sint-Pietersabdij, Ghent,

Vies de femmes 1830-1980, Europalia Belgique, banque Bruxelles Lambert,

Femmes artistes en Namurois, Halle al’Chair, Namur, Belgium

Autoportraits en Belgique depuis 1945, Maison de la Culture de la province de

1992

1999-00

2001

2002

Belgium

ARTificial WOMEN, Galerie Cotthem, Zottegem, Belgium

De Picasso à Magritte. 40 toiles pour 40 ans de jumelage entre Biarritz et Ixelles, Musée

Bellevue, Biarritz

La vie en Pop, Galerie 51, Paris

Portrait en Namurois, Musée provincial des Arts anciens du Namurois, Namur,

Belgium

The 1960’s, Painting and Collages, The Mayor Gallery, London/ FIAC, Paris

Tefaf, Maastricht, The Netherlands/ Foire d’art, Basel

2003

2004

SELECTED PUBLIC COLLECTIONS

Dexia Banque, Brussels

Galerie Richard Foncke, Ghent, Belgium

Galleria Arturo Schwarz, Milan

The Mayor Gallery, London

Musée d’Art contemporain, Ghent, Belgium

Musée d’Art moderne, Ostend, Belgium

Musée d’Art moderne, Sintra, Portugal

Musée d’Ixelles, Brussels

Musées royaux des Beaux-Arts de Belgique, Brussels

Plasticarium, Brussels

SELECTED PUBLICATIONS

Antoine, Jean, et al. Evelyne Axell et les années. Un frisson de la vie (Het ruisen van het leven). Ghent:

Snoeck-Ducaju & zoon, 1997.

- - - , et al. Evelyne Axell. Brussels: Palais des Beaux-Arts, 1978.

- - - , et al. “In Memoriam Evelyne Axell,” Clés pour les arts, November 1972.

- - -, Claude Lorent, Marcel Moreau. Evelyne Axell, 1935-1972/ L’amazone du Pop Art.

Tournai: La Renaissance du Livre, 2000.

Axell, Evelyne. Axell. S.l: s.n, 1972.

- - - . Evelyne Axell: 1935 - 1972, Erotomobiles; 4th June - 18th July 2003, The Mayor Gallery,

London. London: The Mayor Gallery, 2003.

- - - , and Jean Dypréau. Axell. [s.l.]: [s.n.], 1967.

- - - , and Nathalie Roux. Evelyne Axell: du viol d'Ingres au retour de Tarzan. Roche-la-Molière,

France: iac éditions, 2006.

Bonafoux, Pascal. Moi je, par soi-meme. L’autoportrait au XX e siècle. Paris: Diane de Selliers,

2004.

Bussche, Willy Van Den. Tweede Triënnale. Bruges, 1971.

Collard, Jacques. 50 Artistes de Belgique. Viva Press, 1984.

Decan, Liesbeth. Evelyne Axell (1935-1972). Louvain: Katholieke Universiteit Leuven 2002.

Decelle, Phi!ippe. L’Utopie du tout plastique 1960-1973. Paris: Norma, 1994.

Delarge, Jean-Pierre. Dictionaire des arts plastiques modernes et contemporains. Paris: Gründ, 2001.

Délaunois, Alain. “L’aventure Pop d’Evelyne Axell,” Trends, 13 November 1997.

Le Dictionaire des peintures belges du XIV e siècle à nos jours. Tournai: La Renaissance du Livre,

1995.

Dumas, Hélène. “Axell, la Guerrière du Pop Art,” Ideat, December 2000.

Dupont, Pierre-Paul. Femmes artistes en Namurois. Namur, 1997.

Dypréau, Jean. Axell. Brussels: Galerie Contour, 1972.

Eemans, Marc. Le Nu de Rops à Delvaux. Brussels: ARTO, 1981.

Gassiot-Talabot, Gérald. Axell. Brussels: Palais des Beaux-Arts, 1971.

Geirlandt, Karel. Evelyne Axell. Bruges Galerie Flat 5, 1971.

Langui, Emile. Axell. Ghent: Galerie Richard Foncke, 1969.

Lorent, Claude. “Evelyne Axell, Rèver la vie,” Art et Culture, November 1997.

Matthys, Francis. “Le parcours météorique de la Pop artiste Evelyne Axell,” La Libre Belgique,

13 November 1997.

Minioudaki, Kalliopi. “Pop’s Ladies and Bad Girls: Axell, Pauline Boty and Rosalyn

Drexler,” Oxford Art Journal v. 20, no. 3, (2007): 404-30.

Musée d'Ixelles. Axell (1935-1972): le Pop Art au féminin. Brussels: Musée des Beaux-Arts d'Ixelles, 2000.

Ozbag, Karin. La Diffusion du Pop Art en Belgique. L’oeuvre d’Evelyne Axell (1935-1972). Une

vision des faits sociopolitiques contemporains. Brussels: Université libre de Bruxelles, 2003.

Pierre, José. Dictionaire de poche, Le Pop Art. Paris: Hazan, 1975.

Restany, Pierre. Pierre et les Opalines. Paris: Galerie Daniel Templon, 1969.

Richardeau, Louis. Arts plastiques dans la province de Namur 1945-1990. Namur: Crédit communal, 1991.

Wilson, Sarah. Evelyne Axell: From Pop Art to Paradise = Le Pop Art Jusqu'au Paradis. Paris:

Somogy, 2004.

Boty

PAULINE BOTY

Born: 6 March 1938, London

Died: 1 July 1966, London

EDUCATION

1954-58 Wimbledon School of Art, London

1958-61 Royal College of Art, London


1963 Grabowski Gallery, London

1993

1998

Mayor Gallery, London

Pauline Boty- The Only Blonde in the World, The Mayor Gallery &

Whitford Fine Art, London


1957

1959

Young Contemporaries, RBA Galleries, London

Young Contemporaries, RBA Galleries, London

1960-61

1961

1962

1963

1965

1966

1976-77

Modern Stained Glass, Arts Council Tour

Blake, Boty, Porter, Reeve, AIA Gallery, London

New Art, Festival of Labour, Congress House, London

New Approaches to the Figure, Arthur Jeffress Gallery, London

Pop Art, Midland Group Gallery, Nottingham

Contemporary Art, Grabowski Gallery, London

Spring Exhibition, Cartwright Memorial Hall, Bradford

Spring Exhibition, Cartwright Memorial Hall, Bradford

1981

1982

1993

1995

1996 traveling exhibition, Poland: Muzeum Narodowe, Warsaw;

Muzeum Narodowe, Gdansk; Biuro Wystaw Artystycznych, Szczecin;

Muzeum Ziemi Lubuskiej, Zielona Gora

Realizm Spoleczny Pop-Artu, Muzeum Sztuki, Lodz

Miedzy Hiperealizmem a Pop-Artem, Muzeum Regionale, Radomsko,

Poland

Pop-Art, Galeria "Pro", Koszalin, Poland

The Sixties Art Scene in London, Barbican Art Gallery, London

Post War to Pop, Whitford Fine Art, London

Les Sixties: Great Britain and France 1962-1973, Musée d'Historie

1997

2004

2008

2009

Contemporaine, Paris; traveled to: Museum and Art Gallery, Bradford

The Pop '60's Transatlantic Crossing, Centro Cultural de Belém, Lisbon

Art & the 60s: This was Tomorrow, Tate Britain, London

Post-war to Pop: Modern British Painting: Abstraction, Pop & Op,

Whitford Fine Art, London

Awkward Objects: Alina Szapocznikow and Maria Bartuszova, Pauline Boty, Louise

Bourgeois, Eva Hesse, and Paulina Olowska, Museum of Modern Art, Warsaw


Berardo Museum, Lisbon

Tate Britain, London

Tate Liverpool, Liverpool


Adams, Brooks. “Art is All You Need: The Sixties art scene in London: Barbican Gallery,

London,” Art in America, September 1993, 50-1+.

Durrant, Sabine. “The Darling of Her Generation: Pauline Boty,” The Independent, 7 March

1993.



Rawsthorn, Alice. "Tomorrow's Girl," The Guardian (London), 19 June 2004.

Smith, Adam. “Now You See Her: Pauline Boty: First Lady of British Pop,” www.writingroom.com, 2002.

“The Swinging Sixties: Twist and Shout,” The Economist, 3 April 1993, 82.

Watling, Susan and David Alan Mellor. Pauline Boty (1938-1966). London: AM Publications,

1998.

Chryssa

CHRYSSA

Born: 31 December 1933, Athens, Greece

Lives: Greece

EDUCATION

1953-54 Académie de la Grande, Chaumiére, Paris

1954-55 California School of Fine Arts, San Francisco


1961 Betty Parsons Gallery, New York

1962

Solomon R. Guggenheim Museum, New York

Cordier and Ekstrom, New York

1963

1965

1966

1968

1969

1970

1972

1973

Museum of Modern Art, New York

Institute of Contemporary Art, Philadelphia

Pace Gallery, New York

Pace Gallery, New York

Harvard University, Cambridge, Massachusetts

Walker Art Center, Minneapolis

Galerie Rive Droite, Paris

Galerie der Spiegel, Cologne

Obelisk Gallery, Boston

Graphics Gallery, San Francisco

Galleria d'Arte Contemporenea, Turin

Whitney Museum of American Art, New York

Galerie Denise René, New York

Galerie Denise René,-Hans Mayer, Düsseldorf

1974

1976

1978

1979

1980

1982

Galerie Denise René, Paris

Musée d'Art Contemporain, Montreal

Andre Emmerich Galerie, Zürich



Oeuvres Rècentes, Musée d'Art Moderne de la Ville de Paris

National Pinacotheque Museum Alexander Soutsos, Athens

Albright-Knox Art Gallery, Buffalo

1988

1991

Leo Castelli Gallery, New York



1966

1967

68th American Exhibition, Art Institute of Chicago

Light-Motion-Space, Walker Art Center, Minneapolis

Art of the 60's, Los Angeles County Museum of Art, traveled to the

1968

1970

1971

1972

1991

1997

2000

Philadelphia Museum of Art

Documenta 4, Kassel, Germany

Annual Exhibition of Contemporary American Sculpture, Whitney

Museum of American Art, New York

Annual Exhibition of Contemporary American Sculpture, Whitney


Biennale, Venice

Princeton University Art Museum, Princeton


European Cultural Center of Delphi, Delphi, Greece

Fluorescence, Galerie Denise René—Rive Gauche, Paris

Fluorescence, Galerie Denise René—Espace Marais, Paris

2002

2003

Popcorn and politics -Activists of Art, Kiasma - Museum of

Contemporary Art, Helsinki


Acquisitions 2001-2002: Paintings and Installations, National Museum

2005 of Contemporary Art, Athens


2007

The Years of Defiance: The Art of the 70s in Greece, National Museum of Contemporary Art, Athens

The Art of Greece Meets China, Platform China, Beijing

Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution,

Washington, DC

Greek Contemporary Art, Belgravia Gallery, London 2008



Corcoran Gallery of Art, Washington, D.C.

Empire State Plaza, New York

Hayden Gallery, Massachusetts Institute of Technology, Cambridge, Massachusetts

Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution, Washington, D.C.

The Metropolitan Museum of Art, New York

Musée d'Art Contemporain, Montreal

Museum Boymans van Beuningen, Rotterdam, The Netherlands

Museum of Contemporary Art, Chicago


National Museum of Contemporary Art, Athens

Nationalgalerie, Berlin

Philadelphia Museum of Art, Philadelphia

Pinacotheque Nationale, Athens

San Francisco Museum of Modern Art, San Francisco


Tate Modern, London




"A Times Square of the Mind," Time, 18 March 1966, 100-101.

Alloway, Lawrence. "Easel Painting at the Guggenheim," Art International vol. 5, no. 10,

(Christmas 1961): 26-34.

"Americans 1963," Art International vol. 7, no. 6 (25 June 1963): 71-5.

Baker, Elizabeth C. "Reviews and Previews: Chryssa," Artnews, March 1966, 12.

- - - . "The Light Brigade," Artnews, March 1967, 52-55, 63-66.

Benedikt, Michael. "New York: Notes on the Whitney Annual 1966," Art International, 20

February 1967, 56-62.

Berkson, William. "In the Galleries: Chryssa," Arts Magazine, May 1966, 60-61.

Bourdon, David, Jr. "Nya amerikanska realister," Konstrevy vol. 39, no. 2, (1963): 42.

Bryant, Edward. "Christmas for Connoisseurs," Art in America vol. 53, no. 6, (December

1965-January 1966): 38-44.

Calas, Nicholas. "Chryssa and Time's Magic Square," Art International vol. 6, no. 1, (February

1962): 35-37.

Campbell, Vivian. "Chryssa—Some Observations," Art International vol. 17, no. 4 (April

1973): 28-30.

Chryssa: Cityscapes. New York: Thames and Hudson, 1990.

Cyr, Don. "Chryssa," School Arts vol. 66, no. 7 (March 1967): 23-28.

Edgar, Natalie. "Reviews and Previews: Chryssa," Artnews, January 1962, 12.

Frankfurter, Alfred. "In Search of Art History at the Carnegie," Artnews, December 1961, 28-

31, 49-52.

Hubbard, Guy. "Classroom Use: Chryssa's sculpture The Gates to Time Square," Arts &

Activities vol. 134, no. 3 (November 2003): 27-30.

Hughes, Robert. "Mysteries of Neon," Time, 4 June 1973, 97.

Hunter, Sam. Chryssa. New York: H.N. Abrams, 1974.

- - - . "Chryssa: 'esthetic sobriety, finesse and fanatical patience,'" Artnews, January 1973, 63-

66.

Kozloff, Max. "American Sculpture in Transition," Arts Magazine, May-June 1964, 19-25.

Letocha, Louise. "Chryssa: sculptures au neon, dessins et collages," Ateliers vol. 3, no. 6, (15

November 1975): 2.

Mellow, James R. "Chryssa Sculptures With Neon Tubes," New York Times, 21 April 1973,

23.

"Now It's Neon," Life, 21 May 1965, 116-119.

Perreault, John. "Neon: off the streets and into the galleries," Village Voice, 3 May 1973.

Petersen, Valerie. "Reviews and Previews: Chryssa," Artnews, February 1961, 19.

- - - . "Reviews and Previews: Chryssa," Artnews, November 1962, 11-12.

Piene, Nan R. "Light Art," Art in America, May-June 1967, 24-47.

Reaney, James. "The Role of the Inscription in Painting," Canadian Art vol. 23, no. 4,

(October 1966): 41-45.

Restany, Pierre. "Le cas Chryssa, ou le langage comme destin," Connaissance des Arts, July

1979, 64-67.

- - - . Chryssa. trans. John Shepley, New York: N.H. Abrams, 1977.

- - - . "Chryssa: le language et sa realité comme destin," Art Press, March-April 1975, 9-11.

Roberts, Colette. "Chryssa, sculpture et neon," Aujourd'hui, May 1963, 21.

Rubin, William. "The International Style: Notes on Pittsburgh Triennial," Art International, 20

November 1961, 26-34.

Sandler, Irving H. "New York Letter," Art International, 1 March 1961, 40-45.

Tannenbaum, Judith. "Chryssa: Gallerie Denise René." Arts Magazine, December 1976, 36.

Tillim, Sidney. "In the Galleries: Chryssa," Arts Magazine, December 1962, 48.

Waldman, Diane. "Chryssa." Art International, April 1968, 42-44.

Celmins

VIJA CELMINS

Born: 25 October 1938, Riga, Latvia

Lives: New York

EDUCATION

BFA John Herron Institute, Indianapolis

MFA University of California at Los Angeles


1965 Dickson Art Center, UCLA, (MFA exhibition)

1966 David Stuart Galleries, Los Angeles

1969 Riko Mizuno Gallery, Los Angeles

1973 Riko Mizuno Gallery, Los Angeles


1975 Felicity Samuel Gallery, London

Broxton Gallery, Los Angeles

1978 Security Pacific National Bank, Los Angeles

1980 Vija Celmins: A Survey Exhibition, originating at the Newport

Harbor Art Museum, Newport Beach, California, traveled to: the Arts Club of

Chicago; Hudson River Museum, Yonkers; Corcoran Gallery of

Art, Washington, D.C.

1983 Drawings and Painted Bronzes, David McKee Gallery, New York

1988 Vija Celmins, New Paintings, David McKee Gallery, New York

1990 Vija Celmins: Drawings and Prints, Pence Gallery, Santa Monica, California

1992 Vija Celmins, New Paintings, McKee Gallery, New York

1992-94 Vija Celmins Retrospective, organized by the Institute of Contemporary

Art, Philadelphia, traveled to: Henry Art Gallery, University of

Washington, Seattle; Walker Art Center, Minneapolis; Whitney Museum

of American Art, New York; Museum of Contemporary Art, Los Angeles

1993 Vija Celmins - Printed Matter, University Gallery, Fine Arts Center,

University of Massachusetts, Amherst

1994 Vija Celmins - Prints, 1970-1992, Cirrus Gallery, Los Angeles

1995 Vija Celmins, Fondation Cartier pour l’art contemporain, Paris

1996 Night Sky Paintings & Drawings 1994-1996, McKee Gallery, New York

1996-97 Vija Celmins: Works 1964-1996, organized by and exhibited at the

Institute of Contemporary Art, London, traveled to: the Museo Nacional de

Arte Reina Sofia, Madrid, Spain; Kunstmuseum Winterthur, Switzerland;

Museum für Moderne Kunst, Frankfurt, Germany

1999 Vija Celmins, Anthony d'Offay Gallery, London

2000-01 Vija Celmins Prints, Cirrus Gallery, Los Angeles

2001 Vija Celmins, New Paintings, McKee Gallery, New York, second place

for best show in a commercial gallery, International Association of Art

Critics (AICA)

Vija Celmins Drawings, Museum für Gegenwartskunst, Basel,

Switzerland

2002 The Prints of Vija Celmins, The Metropolitan Museum of Art, New York

2002-03 Vija Celmins: Works from the Edward R. Broida Collection, Museum of

Fine Arts Houston, Houston, Texas

2003 Celmins Prints, Herron School of Art, Indianapolis

Vija Celmins Prints, Susan Sheehan Gallery, New York

2004 The Paradise [15], Vija Celmins, The Douglas Hyde Gallery, Trinity

College, Dublin, Ireland

2006 Drawing Retrospective, Centre Pompidou, Paris

2007 Vija Celmins: A Drawing Retrospective, Hammer Galleries, UCLA


1969 Contemporary American Drawings, Modern Art Museum of Fort Worth

1970 Annual of Contemporary American Sculpture, Whitney Museum of

American Art, New York

1970-71

California

Paperworks, The Museum of Modern Art, Art Lending Service, New York

1971 Continuing Surrealism, La Jolla Museum of Contemporary Art, La Jolla,

24 Young Los Angeles Artists, Los Angeles County Museum of Art

1972 California Prints, The Museum of Modern Art, New York

A Survey of West Coast Art from the Permanent Collection and Loan

Collections, Pasadena Art Museum, Pasadena, California

L.A., San Francisco Art Institute, California

Eighteenth National Print Exhibition, Brooklyn Museum, New York;

California Palace of the Legion of Honor, San Francisco

1973 Ten Years of Contemporary Art Council Acquisitions, Los Angeles

County Museum of Art

American Drawings 1963-1973, Whitney Museum of American Art, New

York

Young American Artists - Drawings and Grafics (sic), Sweden

(traveling exhibition)

1974 Seventy First American Exhibition, Art Institute of Chicago

1975 A Drawing Show, Newport Harbor Art Museum, Newport Beach, California

Recent Drawings, The Huntsville Museum of Art, AL; Princeton

University, New Jersey; Cummer Gallery of Art, Jackonsville, Florida; State

University of New York, Stony Brook

1976 America 1976, Corcoran Gallery of Art, Washington, D.C., traveled to:

Wadsworth

Athenaeum, Hartford, Connecticut; Fogg Art Museum, Cambridge,

Massachusetts;

The Minneapolis Institute of Arts, Minneapolis; Milwaukee Art Center,

Milwaukee;

Forth Worth Art Museum, Fort Worth; San Francisco Museum of Modern

Art;

High Museum of Art, Atlanta; The Brooklyn Museum, New York

1977 American Artists: A New Decade, The Detroit Institute of Arts, Detroit;

Modern Art Museum of Fort Worth; Grand Rapids Art Museum, Grand

Rapids,

Michigan

Painting and Sculpture in California: The Modern Era, San Francisco

Museum of Modern Art; National Collection of Fine Arts, Smithsonian

Institution, Washington, D.C.

30 Years of American Printmaking, The Brooklyn Museum, New York

Biennale Exhibition, Whitney Museum of American Art, New York

1979 The Decade in Review: Selection of the 1970's, Whitney Museum of


1981 Contemporary American Realism, Pennsylvania Academy of Art,

Philadelphia

The Image of the House in Contemporary Works on Paper, Hayden

Gallery, Massachusetts Institute of Technology, Cambridge

The Contemporary American Landscape, Hirschl and Adler Contemporary

Art, New York

1983 Drawings by Painters, Long Beach Museum of Art, California; The Oakland

Museum, California

The American Artist as Printmaker: 23rd National Print Exhibition,

Brooklyn Museum, New York

1983-84 American Still life 1945-1983, Contemporary Arts Museum, Houston, Texas;

Albright-Knox Art Gallery, Buffalo; Columbus Museum of Art, Ohio;

Neuberger Museum, Purchase, New York; Portland Art Museum, Oregon

Hassam & Speicher Fund Purchase Exhibition, American Academy and

Institute of Arts & Letters, New York

1984 American Women Artists-Part 1: 20th Century Pioneers, Sidney Janis

Gallery, New York

Automobile and Culture, Museum of Contemporary Art, Los Angeles

Landscapes, Matthews Hamilton Gallery, Philadelphia

Gemini, G.E.L., Art and Collaboration, The New York Academy for the

Sciences, NewYork and The National Gallery of Art, Washington, D.C.

1985 Focus on Realism: Selections from the Collection of Glenn C. Janss, Boise

Gallery of Art Idaho (traveled to San Francisco Museum of Modern Art)

Fifty Artists, Fifty Printers, University of New Mexico Art Museum,

Albuquerque

1986 Pasadena Collects, Pasadena Art Museum, California

Public and Private: American Prints Today, Brooklyn Museum of Art, New York

1986-87 Individuals: A Selected History of Contemporary Art, 1945-1986,

Museum of Contemporary Art, Los Angeles

1987-88 Collaborative American Printmaking from Whistler to the Present, Joe and Emily Lowe Art Gallery, Syracuse, New York

Holyoke College Art Museum, South Hadley, Massachusetts

1988 Welcome Back: Works by Contemporary Artists from Indiana, Herron

Gallery, Indianapolis Center for Contemporary Art

Of Another Nature, Loughelton Gallery, New York

1989 Making Their Mark: Women Artists Move into the Mainstream,

Cincinnati Art Museum, Ohio, traveled to: New Orleans Museum of Art;

Denver

Art Museum; Pennsylvania Academy of the Fine Arts, Philadelphia

L.A. Pop in the Sixties, Newport Harbor Art Museum, Newport Beach,

California (traveling exhibition)

Boundaries: A Traditional of Drawing at Herron School of Art, Herron

School of Art Gallery, Indiana University, Indianapolis

Multiples, Marc Richards Gallery, Los Angeles

Contemporary Prints and Drawings from the Mellon Bank Collection,

Allegheny College, Meadville, Pennsylvania

The 1980's: Prints from the Collection of Joshua P. Smith, National

Gallery of Art, Washington, D.C.

1990 The Persistence of Vision, Tibor de Nagy Gallery, New York

Home, Asher-Faure Gallery, West Hollywood, California

1991 The Times, The Chronicle, and The Observer, Kent Fine Art, New York

(curated by Douglas Blau)

The Contemporary Drawing: Existence Passage and the Dream, Rose Art

Museum, Brandeis University, Waltham, Massachusetts

A Bestiary, Paula Cooper, New York

Women Artists, Miramar Gallery, Sarasota, Florida

1991-92 For 25 Years: Gemini G.E.L., The Museum of Modern Art, New York

1992 Selections from the Broida Collection, Palm Beach Community College

Museum of Art, Florida

44th Annual Academy - Institute Purchase Exhibition, American

Academy and Institute of Arts and Letters, New York

Elemental Nature, Midtown Payson Gallery, New York

Contemporary Icons: From the Sublime to the Fetishistic, Bertha and

Karl Leubsdorf Art Gallery at Hunter College, New York

1993 Les Environs, Pamela Auchincloss Gallery, New York

About Nature, Cleveland Center for Contemporary Art, Ohio

Azur, Fondation Cartier pour l’art contemporain, Paris

Landscape, Myth vs. Reality, Barbara Mathes Gallery, New York

45th Annual American Academy Purchase Exhibition, American

Academy of Arts and Letters, New York

On Paper, Asher Faure Gallery, Los Angeles

Drawings, 30th Anniversary Exhibition for the Foundation for the

Performance Arts, Leo Castelli Gallery, New York

1994 Contemporary Master Prints, Fletcher/Priest Gallery, Worcester, Massachusetts

Love in the Ruins: Art and the Inspiration of L.A ., Long Beach Museum

of Art, CA

The World of Tomorrow, Thomas Solomon's Garage, Los Angeles

Facts and Figures: Selections from the Lannan Foundation Collection,

Lannan Foundation, Los Angeles.

Fine Lines, Anthony Slayter-Ralph, Santa Barbara, California

Institute of Cultural Anxiety, Institute of Contemporary Art, London

1995 About Place: Recent Art of the Americas, Art Institute of Chicago

Contemporary Drawing: Exploring the Territory, curated by Mark

Rosenthal, Aspen Art Museum, Colorado

American Art Today: Night Paintings, The Art Museum at Florida

International University, Miami

American Academy Invitational Exhibition of Painting and Sculpture,

American Academy of Arts and Letters, New York

1996 Group Exhibition, Daniel Weinberg Gallery, San Francisco

About Photography, Tokyo Metropolitan Museum of Photography, Japan

Views From Abroad: European Perspectives on American Art 2, Whitney

Museum of American Art, New York; Museum für Moderne Kunst,

Frankfurt

1997 Birth of the Cool: American Painting, Deichtorhallen, Hamburg,

Germany: traveled to Kunsthaus, Zürich, Switzerland

Scene of the Crime, The Armand Hammer Museum, UCLA, Los Angeles

Sunshine & Noir: Art in L.A. 1960 - 1997, Louisiana Museum of Modern

Art, Denmark, Kunstmuseum, Wolfsburg, Germany; Castello di Rivoli,

Turin, Italy; Armand Hammer Museum, Los Angeles

Views from Abroad: European Perspectives on American Art 2, Museum

für Moderne Kunst, Frankfurt am Main, Germany

Whitney Biennial 1997, Whitney Museum of American Art, New York

Heaven: Public View, Private View, P.S. 1, New York

Spiders and Webs, Barbara Krakow Gallery, Boston

1997-98 The Collection of the Fondation Cartier pour l'art contemporain,

Fondation Cartier pour l'art contemporain, Paris

1998 The Edward R. Broida Collection, Orlando Museum of Art

Terra Incognita, Neues Museum Weserburg, Bremen, Germany

Fondation Cartier pour l'art contemporain, Paris

Photo Image: Printmaking 60s to 90s, Museum of Fine Arts, Boston

êtrenature, Fondation Cartier pour l'art contemporain, Paris

Speed: Visions of an Accelerated Age, Whitechapel Art Gallery, London

Sea Change, The Parrish Art Museum, Southampton, New York

C, Elizabeth Cherry Contemporary Art, Tucson, Arizona

1999 Powder, Aspen Art Museum, Colorado

Flashes: Contemporary Trends, The Cartier Collection, The Exhibition

Center of the Centro Cultural de Belem, Portugal

Examining Pictures: Exhibiting Paintings, Whitechapel Art Gallery,

London; traveled to Museum of Contemporary Art, Chicago

Paint / Land / Beauty, Northern Gallery for Contemporary Art,

Sunderland, England

La realitat i el desig, La Fundació Joan Miro, Barcelona

1999-00 Cosmos: From Romanticism to the Avant-garde, The Montreal Museum

of Fine Arts, Canada: traveled to Centre de Cultura Contemporania de

Barcelona

Regarding Beauty: A View of the Late Twentieth Century, Hirshhorn

Museum and Sculpture Garden, Smithsonian Institution, Washington

D.C. traveled to Das Haus der Kunst, Munich, Germany

The American Century, Art & Culture 1900-2000, Part II, 1950-2000,


2000 The Sea & the Sky, Beaver College Art Gallery, Glenside, Pennsylvania traveled to

Royal Hibernian Academy, Dublin, Ireland

Lost, Ikon Gallery, Birmingham, England

NEW works, McKee Gallery, New York

Conceptual Realism, Rosenwald-Wolf Gallery, The University of the

Arts, Philadelphia

2000-01 Celebrating Modern Art: The Anderson Collection, San Francisco

Museum of Modern Art

Prints and Multiples, Senior & Shopmaker Gallery, New York

2001 Centenary Exhibition, The Whitechapel Art Gallery Centenary, London

Les années Pop: Cinéma et politique: 1956-1970, Musée National d'art

Moderne, Centre Georges Pompidou, Paris

Collaborations with Parkett: 1984 to Now, The Museum of Modern Art,

New York

What Is a Print?, The Museum of Modern Art, New York

Kindly Lent Their Owner, The Private Collection of Steve Martin,

Bellagio Gallery of Fine Art, Las Vegas

At Sea, (Contemplation) Tate Liverpool, England

OEuvres sur papier (acquisitions 1996-2001), Musée National d'art

2001-02

Moderne, Centre Georges Pompidou, Galerie d'Art graphique, Paris

EMPATHY: Beyond the Horizon, Pori Art Museum, Finland: traveled to

College of Fine Arts, Sydney, Australia.

The Inward Eye, Transcendence in Contemporary Art, Contemporary

Arts Museum, Houston

2002 Women Artists: Their Work and Influence 1950's - 70's, Gallery Paule

Anglim, San Francisco

Time to Consider, The Arts Respond to 9.11, Deutsche Bank Lobby

Gallery, New York

Painting: a passionate response, Sixteen American artists, The Painting

Center, New York

Whitney Biennial 2002, Whitney Museum of American Art, New York

From the Observatory, Paula Cooper Gallery, New York

Insecta Magnifica, Wave Hill Glyndor Gallery, Bronx, New York

Annal Benefit, Art Resources Transfer, New York

American Standard (Para) Normality and Everyday Life, Barbara

Gladstone Gallery, New York

Regarding Landscape, Art Gallery at York University, Koffler Gallery and the Museum of Contemporary Canadian Art

Tempo, The Museum of Modern Art, New York

Biella Print Triennial, Museo del Territorio Biellese, Italy

Living with Art, the young collectors home, Red Dot, New York

Group Print Exhibition, Richard Levy Gallery, Albuquerque, New Mexico

2002-03 The Museum, the Collection, the Director and his Loves, MMK Museum für Moderne Kunst, Frankfurt am Main, Germany

110 Years: The Permanent Collection of the Modern Art Museum of Fort

Worth, Modern Art Museum of Fort Worth, Texas

2003 Making an Impression: Printmaking at the Herron School of Art, Herron

Gallery, Indianapolis

New Prints, Berthot, Celmins, Puryear, McKee Gallery, New York

For the Record: Drawing Contemporary Life, Vancouver Art Gallery,

Canada

Hyperrealismes USA 1965-75, Musée d'Art Moderne et Contemporain de

Strasbourg, France

Painting. From Rauschenberg to Murakami, 1964-2003, Venice

Biennale, Museo Correr, Italy

Stranger in the Village: Contemporary Drawings and Photographs from

The Museum of Modern Art at Guild Hall, East Hampton, New York

2003-2004 Defying Gravity: Contemporary Art and Flight, North Carolina Museum of Art, Raleigh

Pencil: Drawings from the Collection, The Museum of Modern Art,

Queens

Happiness: A Survival Guide for Art and Life (Harmony), The Mori Art

Museum, Tokyo

The Power of Wings: A SAVy Curated Exhibition, Duke University

Museum of Art, Durham, North Carolina

2004 The not-so-still life, San Jose Museum of Art, CA: traveled to Pasadena

Museum of California Art

Art by MacArthur Fellows, Carl Solway Gallery, Cincinnati, Ohio

From Here to Eternity, Ingleby Gallery, Edinburgh, Scotland

North Fork/South Fork: East End Art Now, The Parrish Art Museum,

Southampton, New York

Off The Wall, Works from the JP Morgan Chase Collection, Bruce

Museum of Arts and Science, Greenwich, Connecticut

Summer Camp, Patricia Faure Gallery, Santa Monica, California

2004-05

Living Dust, Norwich Gallery, Norwich School of Art and Design,

Norfolk, England

Contemporary Masters, Alan Koppel Gallery, Chicago

The Undiscovered Country, Hammer Museum, Los Angeles

A Very Liquid Heaven, Tang Museum and Art Gallery, Skidmore

College, Saratoga Springs, New York

2005 Contemporary Voices, works from the UBS Art Collection, Museum of

Modern Art, New York

2005-06 Imagined Worlds, AXA Gallery, organized by International Print Center,

New York

2006 A Trace of A Trace of A Trace, Perry Rubenstein Gallery, New York

Celmins, Gibbs + Martin, Timothy Taylor Gallery, London

Step Into Liquid, Museum of Contemporary Art, Denver

Against the Grain: Contemporary Art from the Edward R. Broida

Collection, The Museum of Modern Art, New York

Selections from the Collection of Edward R. Broida, National Gallery of

Art, Washington D.C.

McKee Gallery, New York

Plane/Figure, Kunstmuseum Winterthur, Switzerland

Magritte and Contemporary Art: The Treachery of Image, Los Angeles 2006-07

County Museum of Art, CA

2007 Under the Starry Sky, Museum Franz Gertsch, Burgdorf, Switzerland

The Painting of Modern Life, Hayward Gallery, London

The Third Mind, Palais de Tokyo, Paris


Baltimore Museum of Art

Carnegie Institute, Museum of Art, Pittsburgh

Centro Cultural, Mexico City

Fondation Cartier Pour l'Art Contemporain, Paris

High Museum of Art, Atlanta

Kunstmuseum, Winterthur

Los Angeles County Museum of Art

Metropolitan Museum of Art, New York

Modern Art Museum, Fort Worth

Mount Holyoke College Museum of Art, South Hadley


Musée National d'Art Moderne, Centre Georges Pompidou, Paris

National Gallery of Art, Washington, D.C.

Newport Harbor Art Museum, Newport Beach

Oakland Museum of Art, Oakland

Orlando Museum of Art, Orlando

Philadelphia Museum of Art

San Francisco Museum of Modern Art




Against the Grain: Contemporary Art from the Edward R. Broida Collection. New York: The

Museum of Modern Art, 2006.

American Identities: Twentieth-Century Prints from the Nancy Gray Sherrill, Class of 1954 Collection,

Wellesley: Davis Museum and Cultural Center, Wellesley College, 2004.

art: 21, Art in the Twenty-First Century. New York: Harry N. Abrams, Inc., 2003.

Auping, Michael. Modern Art Museum of Fort Worth 110. London: III Third Millennium

Publishing Limited, 2002.

Bemis, Mary, and Belinda Recio, ed. Nature Through Her Eyes: Art and Literature by Women.

Berkeley: The Nature Company, 1994.

Celebrating Modern Art: Highlights of the Anderson Collection. San Francisco Museum of Modern

Art. printed and bound by Mondadori printing, Italy, 2000.

Deren, Coke van. The Painter and the Photograph. Albuquerque: University of New Mexico

Press, 1972.

Examining Pictures: Exhibiting Paintings. Whitechapel Art Gallery. Manchester: Cornerhouse

Publications, 1999.

Fine, Ruth E. Gemini G.E.L.: Art and Collaboration. Abbeville Press, New York, 1984.

Fineberg, Jonathan. Art Since 1940: Strategies of Being. 2nd Edition, New York: Harry N.

Abrams, Inc., 2000.

Gianelli, Ida. Biella Print Triennia.15th edition, Museo del Territorio Biellese, Italy, 2002.

Grant, Simon. “Vija Celmins,” The Burlington Magazine, January 2007, 63-4.

Kindly Lent Their Owner, The Private Collection of Steve Martin. essays by Steve Martin. Las Vegas:

Bellagio Gallery of Fine Art, G.G. Inc., 2001.

La realitat i el desig. Barcelona: La Fundacio Joan Miro, 1999.

Lippard, Lucy. Pop Art. New York: Praeger Publishers, 1966.

Lock, Charmaine. The Image of the House in Contemporary Art. University of Houston, 1981.

New Art. Roxana Marcoci, Diana Murphy, and Eve Sinaiko, editors. New York: Harry N.

Abrams, Inc., 1997.

OEuvres sur papier (acquisitions 1996-2001). Paris: Éditions du Centre Pompidou, 2001.

Paschal, Huston, and Linda Johnson Dougherty. Defying Gravity: Contemporary Art and Flight.

Raleigh: North Carolina Museum of Art and London: Prestel Publishing Ltd., 2003.

Plagens, Peter. Sunshine Muse: Contemporary Art on the West Coast. New York: Praeger

Publishers, 1974.

Realizzazione editoriale. Umberto Allemandi & C., Torino-Londra-Venezia, September 2002.

Rippner, Samantha. The Prints of Vija Celmins. New York: The Metropolitan Museum of Art and New Haven: Yale University Press, 2002.

Robertson, Jean, and McDaniel, Craig. Painting as a Language: Material, Technique, Form and

Content. New York: Harcourt College Publishers, 2000.

Selz, Peter. Art of Engagement: Visual Politics in California and Beyond. with an essay by Susan

Landauer, San Jose Museum of Art. Berkeley: University of California Press, 2006.

Serle, Adrain. Vija Celmins, Drawings of the Night Sky. Anthony d’Offay London.

Smith, Terry, ed. Impossible Presence. Sydney: Power Publications, The Power Institute, 2001.

Stebbins, Theodore E. American Master Drawings and Watercolors. New York: Harper & Row,

1976.

Tannenbaum, Judith. Vija Celmins. with essays by Douglas Blau and Dave Hickey.

Philadelphia: Institute of Contemporary Art, 1992.

Tarullo, Hope. “Vija Celmins,” Current Biography, January 2005, 9-14.

Treasure from the Art Institute of Chicago. New York: Hudson Hills Press, 2000.

The Undiscovered Country. essay by Russell Ferguson. Hammer Museum, 2004.

The View. text by Czeslaw Milosz and mezzotints by Vija Celmins. New York: Whitney

Museum of American Art, 1985.

Vija Celmins. Fondation Cartier pour l'art contemporain. a collaboration for Parkett

Magazine, No. 44, 1995.

Vija Celmins. with interview by Chuck Close. A.R.T. Press. Los Angeles: Art Resources

Transfer, Inc., 1992.

Vija Celmins. essay by Bill Berkson, New York: McKee Gallery, 2001.

Vija Celmins: A Survey Exhibition, Susan C. Larsen, organized by Betty Turnbull, Los Angeles:

Fellows of Contemporary Art, 1979 (catalogue).

Vija Celmins, Lane Relyea, Robert Gober, Briony Fer. London: Phaidon Press Limited, 2004.

Vija Celmins Works 1964-96. London: Institute of Contemporary Arts, New York: DAP

(Distributed Arts Publishers), 1996.

Whiting, Cecile. “’It’s Only a Paper Moon’: The Cyborg Eye of Vija Celmins,” American Art,

Spring 2009, 36-55.

Whitney, American Visionaries: Selections from the Whitney Museum of American Art. introduction by

Maxwell L. Anderson. New York: Harry N. Abrams, Inc., 2001.

Wolf, Sylvia, and Michal Royner. The Space Between. New York: Whitney Museum of

American Art and Göttingen, Germany: Steidl Verlag, 2002.

De Saint Phalle

NIKI DE SAINT PHALLE

Born: 29 October 1930, Neuilly-sur-Seine, France

Died: 21 May 2002, La Jolla, California

EDUCATION

Self-taught


1956 Niki Mathews New-York Gemälde, Gouachen, Galerie

Restaurant Gotthard, St. Gallen, Switzerland

1961

1962

Feu à volonté, organized by Pierre Restany, Galerie J, Paris

Galerie Køpcke, Copenhagen


Alexander Iolas Gallery, New York

Action de Tir, Everett Ellin Gallery, Los Angeles, (“shooting” performance), assisted by Ed Kienholz and Jean Tinguely

“Shooting” performance, assisted by Ed Kienholz, Malibu, California

1963

1964

1965

1966

1967

1968

“Shooting” performance, Virginia Dwan residence, Malibu, California

King Kong, The Dwan Gallery, Los Angeles (“shooting” performance)

Niki de Saint Phalle: You Are My Dragon, Hanover Gallery, London

The Dwan Gallery, Los Angeles, in collaboration with the Alexander Iolas

Gallery, New York

Galerie Alexandre Iolas, Geneva

Galerie Alexandre Iolas, Paris



Nana Power, Stedelijk Museum, Amsterdam

Niki de Saint Phalle: voir les mini-nanas en plâtre peint et aussi des

dessins, Galerie Espace, Amsterdam

Fondation Maeght, St. Paul-de-Vence, France


Last Night I Had a Dream, Galerie Alexandre Iolas, Paris

Hanover Gallery, London

1969

Kunstverein, Dusseldorf (retrospective)

Stadttheater, Kassel, Germany (decors for Ich, with Rainer von Diez)

Gimpel & Hanover Galerie, Zurich

Niki de Saint Phalle: Werke 1962-1968, Hannover Kunstverein,

Künstlerhaus, Hannover

Plastiken, Zeichnungen und Graphiken von Niki de Saint Phalle, Galerie

Stangl, Munich

Galerie Alexandre Iolas, Geneva

Galerie Seriaal, Amsterdam

Galerie Ad Libitum, Antwerp (with Jean Tinguely)

Kunstmusuem, Lucerne (retrospective)

New Lithographs and Sculptures, Frank Perls Gallery, Beverly Hills

1969-70

1970

Hanover Gallery, London

Niki de Saint Phalle: Le Rêve de Diane, Galerie Alexandre Iolas, Paris

Les Halles, Paris

Niki de Saint Phalle: Nana Power, La Hune, Paris

Galerie Der Spiegel, Cologne

Please Give Me a Few Seconds of Your Eternity, Galleria Iolas, Milan

Gimpel & Hanover Gallery, Zurich

Musee des Beaux-Arts, Lille, France

1971 Niki de Saint Phalle: "the devouring mothers" and other sculptures, Galerie

Espace, Amsterdam

Niki de Saint Phalle: Serigrafien und kleine Skulpturen,

Kammerkunsthalle, Bern

La Galleria, Cavalieri Hilton, Rome

Galerie Runquist, Stockholm

Galleria Carmine, Rome

Gimpel & Weitzenhoffer, New York

Niki de Saint Phalle: Nana Power polykroma skulpturer, Svensk-Franska

Konstgallerier, Stockholm

Niki de Saint Phalle: new multiples and graphics, Galerie Seriaal,

Amsterdam

1972 Galerie Rive Gauche, Brussels

Galerie Alexandre Iolas, Paris

Galerie Bonnier, Geneva

Galerie Stangl, Munich

1972-73 Niki de Saint Phalle: Devouring Mothers, Gimpel Fils, London

1973 Niki de Saint Phalle: Devouring Mothers, Gimpel & Weitzenhoffer, New

York

1974 Niki de Saint Phalle: Projets & Réalisations d'Architecture, Galerie

Alexandre Iolas, Paris

1975 Musée d’Art et d’Industrie, Arles, France

Galerie Le Point, Beirut

Festival Europalia-France 1975, Palais des Beaux-Arts, Brussels

1976 Nordijyllands Konstmuseum, Aalborg, Denmark


Beelden, modellen en maquettes van Niki de Saint Phalle, Museum

Boymans-van Beuningen, Rotterdam

1977

1978

1979

Fondation Veianneman, Kruishoutem, Belgium


Banque Lambert, Brussels

Watari Gallery, Tokyo

1980

Monumental Projects, Gimpel & Weitzenhoffer, New York

Gallery Iolas, Athens

Centre Georges Pompidou, Paris (retrospective), traveled to: Austria;

Germany; Sweden; Britain and Israel

Galerie Bischofberger, Zurich

Bawag Foundation, Vienna

Ulmer Museum, Ulm, Germany

Museum of Fine Arts, Columbus, Ohio; toured the United States

1981

1982

Galerie Bonnier, Brussels


Gimpel Fils, London

1983 Gallery Esperanze, Montreal

1985 Casino Knokke, Belgium

Gimpel Fils, London

1987


Galerie Klaus Littmann, Basel

Space Niki/Sagacho Exhibition Space, Tokyo

Niki de Saint Phalle - Bilder – Figuren – Phantastische Gärten, Kunsthalle der Hypo-Kulturstiftung, Munich

Fantastic Visions: Works by Niki de Saint Phalle, Nassau County Museum of Fine Art, Roslyn, Long Island

1988

1989


Gimpel Fils, London

Galerie de France, Paris

1990 Tirs…et autres revoltes 1961-1964, Galerie de France and JGM Galerie,

Paris


1991 Gimpel Fils, London

1992-93 Niki de Saint Phalle Retrospective, organized by the Kunst- und

Ausstellungshalle, Bonn: traveled, with slight modifications for each exhibition, to the McLellan Galleries, Glasgow; the Musee d’Art Moderne

de la Ville de Paris; the Musee d’Art et d’Histoire, Fribourg, Switzerland

1998 Niki de Saint Phalle Retrospective, curated by Martha Longenecker, The

Mingei International Museum, San Diego

2002 From Niki Mathews to Niki de Saint Phalle, The Sprengel Museum,

Hannover

2004 Kunsthalle Nürnberg, Nuremberg

Galerie Hafenrichter & Flügel (ex Galeria2000), Nuremberg

2005 Niki de Saint Phalle: Grafik und Objekte, Galerie am Dom, Wetzlar

Niki de Saint Phalle: Der Tarot Garten: Skulpturen, Entwürfe,

Zeichnungen, The Sprengel Museum, Hannover

2006 National Museum of Contemporary Art Korea, Deoksugung, Korea

Dreams of Midsummer, Macao Museum, Macao

Niki de Saint Phalle Retrospective, The Nagoya City Art Museum,

Nagoya, Japan

2007

2008

Fischerplatz Gallery, Ulm

Tate Liverpool, Liverpool


1961 Comparisons: Peinture – Sculpture, Musée d’Art Moderne de la Ville de

Paris, Paris

Bewogen Beweging, organized by Pontus Hultén, Stedelijk Museum,

Amsterdam: traveled to Moderna Museet, Stockholm; Louisiana Museum,

Humblebaek, Denmark

The Art of the Assemblage, The Museum of Modern Art, New York: traveled to Dallas Museum of Contemporary Art, Dallas; San Francisco

Museum of Art, San Francisco

Festival of Nouveau Réalistes, organized by Pierre Restany, Galerie

Muratore, Nice

Nouveaux Réalistes, organized by Daniel Spoerri, Galerie Samlaren,

Stockholm

Le Nouveau Réalisme à Paris et New York, organized by Pierre Restany,


Variations II, performance by John Cage, with Jasper Johns, Robert

Rauschenberg, and Jean Tinguely, American Embassy, Paris (Saint Phalle performed “shooting”)

Der Surrealismus und verwandte Strömungen in der Schweiz,

1962

Kunstsammlung der Stadt Thun, Thun, Switzerland

DYLABY- dynamisch labyrint, organized by Pontus Hultén and Willem

Sandburg, Stedelijk Museum, Amsterdam

Comparisons: Peinture – Sculpture, Musée d’Art Moderne de la Ville de

Paris, Paris

Oggetto-Pittura, Galleria La Sallita, Rome

Donner à voir no. 1, Galerie Creuze, Paris

1963

1964

1965

1966

Troisième Biennale de Paris: Manifestation Biennale et Internationale des

Jeunes Artistes, Musée d’Art Moderne, Paris

Some Recent Accessions 1961-1963, The Museum of Fine Arts, Houston

Les Nouveaux Réalistes, Neue Galerie im Künstlerhaus, Munich

Mythologies Quotidiennes, Musée d'Art Moderne de la Ville de Paris, Paris

Perspektiven, Galerie Felix Handschin, Basel

Le Merveilleux Moderne: Det Underbara Moderna, Det Underbara Idag,

Lunds Konsthall, Lund, Sweden

XXIe Salon de Mai, Musée d'Art Moderne de la Ville de Paris, Paris

Pop por, pop corn, corny, Jean Larcade, Art Contemporain, Paris

La figuration narrative: dans l'art contemporain, organized by Gérald

Gassiot-Talabot, Galerie Creuze (Salle Balzac), Paris

4 European Artists and the Figure, Art Institute of Chicago

Contemporary Art from the Museum Collections with New Accessions, The

Museum of Fine Arts, Houston

Winterfest 1966, War Memorial Auditorium, Boston

1967

1968

Editions MAT 1964, Walker Art Center, Minneapolis

Weiss auf Weiss, Kunsthalle Bern, Bern

Hon-en katedral, organized by Pontus Hultén, Moderna Museet, Stockholm

Alcoa Collection of Contemporary Art: An Exhibition of Works Acquired

from the G. David Thompson Collection, Museum of Art, The Carnegie

Institute, Pittsburgh

La fureur poétique, organized by José Pierre, Animation Recherche

Confrontation, Musée d’Art Moderne de la Ville de Paris, Paris

Französische Malerei der Gegenwart-Tendances de la Peinture Française

Contemporaine, Kunsthaus, Hamburg

Table d'orientation pour une sculpture d'aujourd'hui, Galerie Henri

Creuzevault, Paris

La Paradis Fantastique, French Pavilion at Expo ’67, Montreal: traveled to Albright-Knox Museum, Buffalo;

Central Park, New York (with Jean Tinguely)

Dada, Surrealism and Their Heritage, curated by William S. Rubin,


The Obsessive Image, ICA, London

1970-71

1971

1972

1973

1977

1978

1969

1969-70

1970

1980

1981

1982

1983

Le décor quotidian de la vie en 1968: expansions et environnements, Musée

Galliéra, Paris

L'Art Vivant 1965-1968, Fondation Maeght, Saint-Paul-de-Vence

Contemporary American Sculpture, Selection 2, Whitney Museum of American Art,

New York

Niki de Saint Phalle & Jean Tinguely, Galerie Ad Libitum, Antwerp

Selections from the Joseph Randall Shapiro Collection, Museum of

Contemporary, Chicago

Figuren Gestalten Personen/Personen Gestalten Figuren, Frankfurter

Kunstverein, Frankfurt am Main

Pop Art, Casino Communal, Knokke, Belgium

Open Air Sculpture II: Syon Park Summer 1970, Gimpel Fils at Syon Park,

Middlesex, England

Nouveau Réalisme 1960-1970, Galerie Mathias Fels, Paris

10th Anniversary of the Nouveau Réalistes, Rotondo della Besana, Milan

3 -> new multiple art, Whitechapel Art Gallery, London, sponsored by the

Arts Council of Great Britain

Multiplication, Södertälje Konsthall, Södertälje, Sweden

ROSC '71: the poetry of vision, Royal Dublin Society, Dublin

12 Ans d’Art Contemporain en France, Grand Palais, Paris

A Salute to the Contemporary Arts Museum: Twentieth Century Art from

the Museum of Fine Arts, The Museum of Fine Arts, Houston

Jahresgaben 1973, Kunstverein Hannover, Hannover

3 villes, 3 collections: Grenoble…Marseille…Saint Étienne l'Avant-Garde

1960-1976, Musée Cantini, Marseille

Collection Hammer, Kunstmuseum, Basel

Nouveaux Réalistes, organized by Pierre Restany, Zoumboulakis Galleries,

Athens

Réel, Réalisme? Réalité? Du Popart au Néo-réalisme 1958-1978ˆ, Abbaye de Beaulieu-en-Rouergue, Beaulieu-en-Rouergue, France

Biennale de Paris '59-'73, The Seibu Museum of Art, Tokyo

The Figurative Tradition and the Whitney Museum of American Art,


American Sculpture: Gifts of Howard and Jean Lipman, Whitney Museum of American Art, New York

Skulptur im 20.Jahrhundert, Wenkenpark, Basel

Skulpturen zur Landesgartenschau, Hochbauamt der Stadt Ulm und Ulmer

Museum, Ulm, Germany

Fantastic Architecture, organized by Joost Eiffers and Michael Schuyt,

Stedelijk Museum, Amsterdam

L'empreinte du Nouveau Réalisme, Galerie Bonnier, Genèva

Rosenthal: Hundert Jahre Porzellan, Kestner-Museum, Hannover,

Germany: traveled to Focke-Museum, Bremen; Kunstgewebemuseum,

Cologne; Germanisches Nationalmuseum, Nuremberg; Münchner

Stadtmuseum, Munich

Heiter bis aggressive, Galerie Bellerive, Zürich

Autour de la Fontaine Stravinsky de Niki de Saint Phalle et Jean Tinguely,

Musée d'Art Moderne de la Ville de Paris, Paris

1984

1984-85

1985

1985-86

Olga Hirshhorn Collection: A Collector's Eye, Laumeier Sculpture Park,

St. Louis

Artistic Collaboration in the Twentieth Century, Hirshhorn Museum and

Sculpture Garden, Smithsonian Institution, Washington, D.C., traveled to:

Milwaukee Art Museum, Milwaukee; J.B. Speed Art Museum, Louisville,

Kentucky

Nouveau Réalisme and Pop, Museum of Contemporary Art, Chicago

Sixteen Sculptors, Gimpel & Weitzenhoffer, New York

Mr. & Mrs. Joseph Randall Shapiro Collection, The Art Institute of

Chicago

Oeuvre Unique, Galerie Colette Creuzevault, Paris

Sights for Small Eyes, Heckscher Museum, Huntington, New York

Animals: Contemporary Visions, Robert L. Kidd Associates/Gallery,

Birmingham, Michigan

1986

1987

New Works in Plastic, Fitchburg Art Museum, Fitchburg, Massachusetts

1960: Les Nouveaux Réalistes, Musée d'Art Moderne de la Ville Paris,

Paris

Sacred Spaces, Everson Museum of Art, Syracuse, New York

1960: Les Nouveaux Réalistes, Kunstmuseum Winterthur, Winterthur

Art Through >Naïve< Eyes, Urban Gallery, New York

Trois femmes sculpteurs: Germaine Richier, Niki de Saint Phalle, Alicia

Panalba, Galerie Colette Creuzevault, Paris

1988

Venice Biennale

Présence de I'Art Contemporain Français, Zentralbibliothek, Prague

1988-89 Golem! Danger, Deliverance and Art, The Jewish Museum, New York

1988/1992 Art Kites, organized by the Goethe Institute, Osaka, Japan

1989

Nouveaux Réalistes: Works from 1957 to 1963, Zabriskie Gallery, New

York

Sculptures du vingtième siècle: de Rodin aux années soixantes, JGM

Galerie, Paris

Corps-Figures: La figuration humaine dans la sculpture du XX siècle,

Artcurial, Paris

Sculpture Reliefs and Drawings, Gimpel Fils, London

Sculptures Dessins Reliefs, Galerie Colette Creuzevault, Paris

1990

1991

Dimension: Petit, l'art Suisse entre petite sculpture et objet d'Alberto

Giacometti à nos jours, Musée Cantonal des Beaux-Arts, Lausanne

Art in Europe and America: The 1950s and 1960s, Wexner Center for the

Visual Arts, The Ohio State University, Columbus

Années 60: I'objet-sculpture, JGM Galerie, Paris

Le Territoire de l'Art, the Russian Museum, St.Petersburg

Vénus: Prénom d'un rendez-vous artistique et archéologique, Moulins

Albigeois, Albi, France

Virginia Dwan et les Nouveaux Réalistes: Los Angeles, les années 60:

Arman, Klein, Raysse, Niki de Saint-Phalle, Tinguely, Galerie Montaigne,

Paris

12th International Biennale of Drawings, Museum of Modern Art, Rijeka,

Croatia

The Pop Art Show, The Royal Academy of Arts, London: traveled to

Museum Ludwig, Cologne; Reina Sofia, Madrid

Une touché Suisse: Trente ans d'activité, Galerie Bonnier au Pont de la

Machine, Geneva

Choix de l'atelier, JGM Galerie, Paris

Le coeur et raison, Musée des Jacobines-Morlaix, Morlaix, France



The Art Museum, Princeton University, Princeton

Banque Lambert, Brussels

California State University Library, Los Angeles

The Chase Manhattan Bank, New York

The Hakone Open Air Museum, Hakone, Japan

Herbert F. Johnson Museum of Art, Cornell University, Ithaca

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Hugh Lane Municipal Gallery of Modern Art, Dublin

Künstlerhaus, Vienna

Marie-Louise and Gunnat Didrikson Foundation, Helsinki

The Menil Collection, Houston

Mingei International Museum, San Diego

Moderna Museet, Stockholm, Sweden

Musée des Arts Décoratifs, Paris

Musée d’Art Contemporain, Dunkerque

Musée d’Art et d’Industrie, Saint-Etienne

Musée d’Art Moderne de la ville de Paris, Paris

Musée d’Art Moderne et d’Art Contemporain, Nice

Museum Boymans-van Beuningen, Rotterdam

Museum of Art, New Orleans

The Museum of Contemporary Art, Los Angeles

The Museum of Fine Arts, Houston

National Museum of Art, Osaka

Pinacoteca do Estado, São Paulo

San Diego Museum of Art, San Diego

Setagaya Art Museum, Tokyo



Tate Modern, London

Victoria Albert Museum, London




Applin, Jo. "Alberto Burri and Niki de Saint Phalle: Relief Sculpture and Violence in the

1960s," Source, Winter-Spring 2008, 77-81.

Ashberry, John. Reported Sightings: Art Chronicles 1957-1987. Cambridge: Harvard University

Press, 1991.

Blum, Mary. “Niki de Saint Phalle: Bursting Out of the Frame,” International Herald Tribune,

21 June 1993.

Boulez, Pierre, et al. Jean Tinguely, Niki de Saint Phalle, Stravinsky Brunnen. Bern: Benteli Verlag,

1985.

Braff, Phyllis. “Nanas, Guns and Gardens,” Art in America, December 1992.

Broderson, Deborah. "The Tarot Garden of Niki de Saint Phalle." Sculpture, December 2002,

16-17.

Cabanne, Pierre and Pierre Restany. L'Avant-Garde au Xxe siécle. Paris: André Balland, 1969.

Carrick, Jill. "Phallic Victories? Niki de Saint Phalle's Tirs," Art History vol. 26 no. 5,

November 2003, pp. 700-29.

Castelman, Riva. Prints of the Twentieth Century: A History. London: Thames and Hudson, 1976.

Revised edition 1988.

Celant, Germano. Ambiante: Arte del Futurismo alla Body Art. Venice: Edizione Biennale di

Venezia, 1977.

Heller, Nancy G. Women Artists: An Illustrated History. New York: Abbeville Press, 1987.

Hultén, Pontus. Jean Tinguely: A Magic Stronger Than Death. New York: Abbeville Press, 1987.

- - - . Niki de Saint Phalle: Kunst-und Ausstellungshalle der Bundesrepublik Deutschland. Stuttgart: G.

Hatje, 1992.

Jones, Barbara. "Ain't Gonna Let Her In: Niki de Saint Phalle and Her Absence from

Feminist Art History," Women's Art Magazine no. 66, September/October 1995, 14-15.

Jouffroy, Alain, et al. New Art Around the World: Painting and Sculpture. New York: Harry N.

Abrams, 1966.

Kultermann, Udo. Histoire mondiale de la sculpture: Art contemporain, Paris: Hachette Réalités,

1980.

Lippard, Lucy. Pop Art. London: Thames and Hudson, 1966.

Livingstone, Marco. Pop Art: A Continuing History. New York: Harry N. Abrams, 1990.

Manuell, Mollie. "Mystical Garden of Myth," Raw Vision, no. 60, Autumn 2007, 40-41.

Mathews, Harry, The Way Home: Collected Longer Prose. London: Atlas Press, 1989.

Mashun, Carol Anne. Pop Art and the Critics. Ann Arbor: UMI Research Press, 1987.

Nana Power: die Frauen der Niki de Saint Phalle, Berlin: Nicolai 2005

Naylor, Colin and Genesis P. Orridge. Contemporary Artists. London: St. James Press. New

York: St. Martin's Press, 1977.

Niki de Saint Phalle, Milan: Gallerie Tolas 1970.

Niki de Saint Phalle. Contemporary Great Masters. Tokyo: Kodansha Ltd., 1994.

"Niki de Saint Phalle Garden in Escondido," Artweek vol. 30 no. 10 (December

2003/January 2004) 3, 28.

Niki de Saint Phalle: Insider/Outsider World Inspired Art. La Jolla: Mingei International Museum,

1998.

Niki de Saint Phalle: Kunst- und Austellungshalle der Bundesrepublik Deutschland, exhibition catalogue with text by Pontus Hultén. Stuttgart: G. Hatje, 1992.

Niki de Saint-Phalle: Please Give Me a Few Seconds of Your Eternity, Milan 1970

O'Hara, Frank. In Memory of My Feelings. New York: The Museum of Modern Art, 1967.

Plazy, Gilles. "Niki de Saint Phalle," Cimaise vol. 49 no. 269 (March/April 2002): 20-24.

Popper, Franck. Art Action Participation 1: le déclin de l'objet. Paris: Editions du Chêne, 1975.

Restany, Pierre. Portrait of Niki de Saint Phalle. Tokyo: Parco, 1986.

- - - . " Niki de Saint Phalle," Domus no. 850, July/August 2002, 130-31.

Rischbieter, Henning, ed. Art and the Stage in the 20th Century: Painting and Sculptors Work for the

Theater. Greenwich: NY Graphic Society, 1968.

Rubin, William S. and Marchelin Pleynet. Paris—New York: Situations de l'art. Paris: Editions du Chêne, 1978.

Saint Phalle, Niki de. AIDS: You Can't Catch it Holding Hands. San Francisco: Lapis, 1987.

- - - . Harry and Me, 1950-1960: the Family Years. Wabern: Benteli, 2006.

- - - . My Love. Los Angeles: Art Catalogues [distributor] [1971?]

- - - . “Tarot Cards in Sculpture. Milan: G. Ponsio, 1985.

- - - .The Wounded Animal. London: Gimpel Fils 1988.

- - - , and Bezzola, Leonardo. The Birth of a Monster. Zürich: Niki de Saint Phalle, Leonardo

Bezzola and others, 1991.

- - - and Carole Hobi. Traces: an Autobiography: Remembering 1930-1949. Lausanne: Acatos

1999.

- - - and Michiko Matsumoto. Portrait of Niki de Saint Phalle. Tokyo: Parco 1986.

- - - and Hans-Georg Preissel. The Grotto. Ostfildern-Ruit: Hatje Cantz Verlag; New York: distribution in the US, D.A.P., Distributed Art Publishers 2003.

- - - and Michael Quasthoff. La Fête: Niki de Saint Phalle. Hannover: Sprengel Museum

Hannover 2000

- - - , Carla Schulz-Hoffmann and Pountus Hultén. Niki de Saint Phalle: My Art, My Dream.

Munich; London: Prestel 2003

- - - and Charles A. Thorsen. Niki in the Garden: Sculptures by Niki de Saint Phalle at Garfield

Park Conservatory, Chicago, Illinois, July, 2007. San Francisco, 2007.

Seitz, William C. The Art of the Assemblage. New York: The Museum of Modern Art, 1961.

Shore, Robert. "The Mirror Crack'd." World of Interiors vol. 20 no. 12, December 2000, pp.

82-87.

Spinka, Erin. "A Not-so-secret Garden: Giant Sculptures in Escondido, Calif., Celebrate

Local Mythology." American City & County vol. 119 no. 2, February 2004, 66.

Thornberry, Joanna. Niki de Saint Phalle. University of London, 1995.

Tompkins, Calvin. Off the Wall: Robert Rauschenberg and the Art World of Our Time. Garden City:

Doubleday & Co., 1980.

Violand-Hobi, Heidi E. Niki de Saint Phalle & Jean Tinguely. Munich; London: Prestel, 2004.

Drexler

ROSALYN DREXLER

Born: 1926, New York

Lives: Newark, NJ

EDUCATION

Self-taught


1960 Rosalyn Drexler: Sculpture, Reuben Gallery, New York

1963

1964

O.K. Harris Gallery, Provincetown, Massachusetts

Rosalyn Drexler, Kornblee Gallery, New York

1965

1966

1967

1973

1976

1978

1986

Rosalyn Drexler, Ward-Nasse Gallery, Boston un Gallery, Provincetown, Massachusetts


Feingarten Gallery, Chicago


Rosalyn Drexler, The Contemporary Gallery, Jewish Community Center,

Kansas City, Missouri

Rockland State College, Suffern, New York

Rosalyn Drexler, The Visual Arts Gallery, Saint Catherine College, St. Paul

P.S. 1 Contemporary Art Center, Long Island City, New York

Rosalyn Drexler: Intimate Emotions, Grey Art Gallery and Study Center, New

York University, New York, traveled to: Greenville County Museum of Art,

Greenville, South Carolina; University of Iowa Museum of Art, Iowa City

Life: The Magic Show: Recent Paintings, LaMaMa La Galleria, New York 1992

1998

2000

2004

2006

1964

Nothing Personal: Recent Paintings, Maurine and Robert Rothschild Gallery, The

Bunting Institute, Radcliffe College, Cambridge, Massachusetts

I Won't Hurt You: Paintings 1962–1999, Nicholas Davies Gallery in association with Mitchell Algus Gallery, New York

Rosalyn Drexler; To Smithereens: Paintings 1961–2003, Rosenwald-Wolf Gallery,

The University of the Arts, Philadelphia

Rosalyn Drexler and the Ends of Man, Paul Robeson Gallery, Rutgers, The

State University of New Jersey, Newark

2007

1962

1963

Rosalyn Drexler: I am the Beautiful Stranger – Paintings from the ‘60s,

PaceWildenstein, 545 West 22 nd Street, New York


1960 New Forms–New Media II, Martha Jackson Gallery, New York

Homage to Albert Camus, Stuttman Gallery, New York

1961 Group Show (Sol Bloom, John Button, Rosalyn Drexler, Morton Lucks,

Kenneth Kilstrom, Renata McLean, Henry Raleigh, Salvatore Sirugo, Tom

Wesselmann), Tanager Gallery, New York

H.C.E. Gallery, Provincetown, Massachusetts

Great Jones Gallery, New York

The Closing Show 1952–1962, Tanager Gallery, New York

Sculpture, Riverside Museum, New York

J. Morris Gallery, Toronto

Pop Art U.S.A, Oakland Art Museum, Oakland, California

Rosalyn Drexler and Tom Doyle, Zabriskie Gallery, New York

The New Formalists, Museum of Art, The University of Michigan, Ann

Arbor

Mixed Media and Pop Art, The Albright-Knox Art Gallery, Buffalo

Washington Gallery of Modern Art, Washington, D.C.

The New Art, Davison Art Center, Wesleyan University, Middletown,

Connecticut

Some Contemporary American Figure Painters, Wadsworth Atheneum

Museum of Art, Hartford, Connecticut

1984–86

1987

The New Portrait, P.S. 1 Institute for Contemporary Art, Long Island City,

New York

1+1=2, Bernice Steinbaum Gallery, New York, traveled to: Boca Raton

Center for the Arts, Boca Raton, Florida; Pensacola Museum of Art,

Pensacola, Florida; Brentwood Gallery, St. Louis, Missouri; Carson-

Sapiro Gallery, Denver, Colorado; Art Gallery, University of California,

Irvine; Brainerd Art Gallery, State University, College of Arts and

Sciences, Potsdam, New York; Alexandria Museum, Alexandria, Louisiana;

Artemisia, Chicago; Kalamazoo Art Institute, Kalamazoo, Michigan; The

College of Wooster, Wooster, Ohio; University of Northern Iowa Gallery of

Art, Cedar Falls; Fine Arts Gallery, University of the South, Sewanee,

Tennessee; Joan Whitney Payson Gallery, West Brook College, Portland,

Maine; Guild Hall, East Hampton, New York

Made in U.S.A.: An Americanization in Modern Art, the ‘50s and ‘60s,

1991

1992

1993

2001

2007–08

University Art Museum, University of California, Berkeley, traveled to:

Nelson-Atkins Museum of Art, Kansas City, Missouri; Virginia Museum of Fine Arts, Richmond

Back Room: The Abortion Project, Simon Watson Gallery, New York

Invitational, A.I.R. Gallery, New York

In the Ring, Snug Harbor Cultural Center, Staten Island, New York

Pop Art: U.S./U.K. Connections '56-'66, The Menil Collection, Houston

Beauty and the Blonde: An Exploration of American Art and Popular

Culture, Mildred Lane Kemper Art Museum, Washington University, St.

Louis, Missouri


The Greenville County Museum of Art, South Carolina

The Hirshhorn Museum and Sculpture Garden, Washington, D.C.

The Wadsworth Athenaeum, Hartford, Connecticut

The Walker Art Center, Minneapolis

The Whitney Museum of American Art, New York


Benedict, Michael. “New York Letter,” Art International, September 1966.

Blackburn, Sara. “The World of Lady Wrestler,” Washington Post, 19 March 1972.

Bochner, Mel. “Exhibition at Kornblee Gallery,” Art Magazine 40, May 1966, 63.

Bourdon, David. “A Bout With Rosalyn Drexler,” Village Voice, 1965, 5–6.

Bruckner, D.J.R. “Stage: Life and Death by Rosalyn Drexler,” The New York Times, 20 April

1986, Section 1: 68.

Campbell, Lawrence. “Three More Faces Of Eve by Pollet, DeKooning, and Drexler,” Art

News, March 1964, 30–31.

Danatt, Adrian. “NY Artist Q&A: Rosalyn Drexler,” The Art Newspaper, March 2000, 77.

Denham, Alice. “Dead- End Kid, Bad Guy by Roselyn Drexel,” The Nation, 26 June 1982.

De Salvo, Donna. “Underrated: Rosalyn Drexler,” Art News, December 2000, 121–130.

Drexler, Rosalyn. Art Does (Not!) Exist. Normal, IL: FC2, 1996.

- - - . Bad Guy. New York: Dutton, 1982.

- - - . The Cosmopolitan Girl. New York: M. Evans; Philadelphia: distributed in the U.S by

Lippincott, 1974.

- - - . Dear: a New Play. New York: Applause, 1997.

- - - . I am the Beautiful Stranger. New York: Grossman, 1965.

- - - . Intimate Emotions: catalogue of a traveling exhibition. [unknown], 1986.

- - - . The Investigation & Hot Buttered Roll, London: Methuen, 1969.

- - - . The Line of Least Existence, and other plays. Introduction by Richard Gilman. New York:

Random House, 1967.

- - - . “Lovers” (1963). The New Yorker, 19 March 2007, 32.

- - - . One or Another. New York: E.P. Dutton, 1970.

- - - . Rosalyn Drexler: I am the Beautiful Stranger. Essay by Arne Glimcher. New York:

PaceWildenstein, 2007.

- - - . To Smithereens. New York: New American Library, 1972.

- - - . Starburn: the Story of Jenni Love. New York: Simon & Schuster, 1979.

- - - . Submissions of a Lady Wrestler. Cranston, Rhode Island, 1976.

- - - . Transients Welcome: Three One-Act Plays. New York: Broadway Play Publishers, 1984.

- - - . Vulgar Lives: a novel. Portland, Oregon: Chiasmus Press, 2007.

“The Drexlers at Home,” Location vol.1, no. 2 (Summer 1964): 75–82.

Duncan, Michael. “Rosalyn Drexler At Mitchell Algus and Nicholas Davies,” Art in America,

September 2000, 153.

“Eight Artists Reply: Why Have There been No Great Women Artists?” Art News, January

1971, 40–41.

Fallon, Roberta. “Gallery Pride: A Selective Look at Some of this Season’s Art World

Highlights,” Philadelphia Weekly, 24–30 March 2004.

- - - . “Resurrection Muse: One of Pop Art’s Forgotten Mavericks Comes to Rosenwald-

Wolf in A Stunning Retrospective.” Philadelphia Weekly, 31 March 2004.

- - - . “Rosalyn Drexler: ‘You couldn’t have known my work. How could You?’” Artblog, 27

March 2004.

Feinstein, Roni. “Strangers No More,” Art in America, June/July 2007, 174–177.

Fisher, J. “Rosalyn Drexler; Grey Art Gallery and Study Center,” Artforum International

October 1986, 127–128.

“Galleries-Chelsea: Rosalyn Drexler,” The New Yorker, 16 April 2007.

Goldin, Amy. “Exhibition at Kornblee Gallery,” Arts Magazine, September 1965, 62.

Johnston, Jill. “Rosalyn Drexler and Tom Doyle [Zabriskie; April 15–May 4],” Art News,

April 1963, 14.

Kelly, Edward. “Neo Dada,” Art Voices vol. 3, no. 4 (April/May 1964).

Lamont, Rosette. “Rosalyn Drexler: The Desire to Astonish Oneself,” Otherstages, 10 March

1983.

Latiolais, M. “Rosalyn Drexler, Art Does (Not!) Exist,” Review of Contemporary Fiction: FC2,

1996: 177–178.

Lingeman, Richard R. “The Inner Logic of Punk Rock,” The New York Times Sunday Book

Review, 1979.

McElreavy, T. “Rosalyn Drexler: Nothing Personal,” Art New England vol. 19, no. 16

(October/November 1998): 40.



Nusbaum, Eliot. “Drexler’s Pulp ‘Work Links’ 60s–80s Styles,” The Register, 1986.

“Painting Violence as Art,” Boston Globe, 1998.

“Pop Art Diskussion,” Das Kunstwerk, April 1964, 25.

“Rosalyn Drexler and the Ends of Man,” The Star Ledger, 28 September 2006, 22.

Rosenthal, Nan. “Exhibition at Kornblee,” Art in America, April 1965, 120.

Russell, John. “Intimate Emotions,” The New York Times, 25 July 1986.

Seidel, Miriam. “Rosalyn Drexler at Rosenwald-Wolf Gallery,” Art in America, December

2004, 143–144.

Sontag, Susan. “Going to Theater, etc,” Partisan Review, Summer 1964.

Tillim, Sidney. “Exhibition at Kornblee Gallery,” Arts Magazine, May 1964, 38–39.

Wilson, Judith. “Rosalyn Drexler at Grey Art Gallery,” Art in America, November 1986, 163–

164.

Yau, John. “Rosalyn Drexler: I am the Beautiful Stranger—Paintings of the ‘60s,” The

Brooklyn Rail, 16 March–21 April 2007, 36.

Eisenhauer

LETTY EISENHAUER

Lives: New York

EDUCATION

University of Sarasota, Sarasota, Florida

John Jay College of Criminal Justice, New York

Direct Psychoanalytic Institute, Doylestown, Pennsylvania

Pace University, School/Community Psychology Program, New York

New York University

Columbia University

Douglass College, New Brunswick, New Jersey

LARGE TEMPORARY ENVIRONMENTAL SCULPTURES

1973 Celebrations in Wesleyan Places, Delaware, Ohio, May

One to One Festival, Central Park, New York, May

Eeyore’s Birthday, Prospect Park, Brooklyn, New York, June

Festival of the Avant Garde, New York, November

1974

1975

Rain and Shine Events for Lincoln center’s Flowertime, New York, April

Egespo (Easter Festival), Central Park, New York, April

Bryant Park Dance Festival, New York, June

Fourth of July in Old New York, New York, July

Forest Fantasies, ArtPark, Buffalo, August

Opening Day Events, Rutgers, the State University of New Jersey, Newark,

September

Festival of the Avant Garde, New York, October

Fantasy Landscape, Pennsylvania, November

Welcome to Wave Hill, Riverdale, New York, October


1963 Yam Festival Exhibitions, Smolin Gallery, New York

Hat Show, Smolin Gallery, New York

1964

Auction, under the auspices of the Smolin Gallery, New York

Boxes, Dwan Gallery, Los Angeles

About Travel, PVI Gallery, New York

New Work, YMHA, Philadelphia

SELECTED PERFORMANCES (HAPPENINGS)

1961 Spring Happening by Allan Kaprow, Reuben Gallery, New York, March

1962 Ritual for the Dead by Allan Kaprow

Spring

& 2

1963

1964

11, 12,

Courtyard by Allan Kaprow, Renaissance Hotel, Greenwich Village, New

York,

November

Store Days I, Injun I and II, World’s Fair II by Claes Oldenburg, New York,

(member of repertory cast)

Two Generous Women by Dick Higgins, The Living Theater, New York, May 1

Graphis by Dick Higgins, The Living Theater, New York, May 1 & 2

Bon Marche by Allan Kaprow, International Theater Festival, Paris

Yam Festival, New York and North Brunswick, New Jersey, May

Orange by Allan Kaprow, Miami Art Council, Miami

Originale by Karlheinz Stockhausen, Judson Hall, New York, September 8, 9,

Watts,

13

You by Wolf Vostell, Great Neack, Long Island, New York, April 19

Fluxus Festival, May (performances for George Brecht, Al Hansen, Robert

1965

1966

George Macunis, Ben Petterson, Dick Higgins, etc.)

Calling by Allan Kaprow, August

Washes by Claes Oldenburg, (Part of New York Theater?) May

Movies by Claes Oldenburg, December

The Tart (dedicated to L.L. Eisenhauer) by Dick Higgins

Kisses Sweeter than Wine by Öyvind Fahlstrom, part of the series Nine Evenings:

Theater and Engineering, 69 th Regiment Armory, New York, October 13-23

SELECTED PERFORMANCES (FILM)

1962 The Burning of a City by Dick Higgins

1964

1970

York n.d.

Pat’s Birthday by Claes Oldenburg and Robert Breer

Fist Fight by Robert Breer

Somebody Died (by Rito?) untitled film by Robert Watts shown at the Museum of Modern Art, New

Up Your Legs Forever by Yoko Ono

Zipper by Letty Eisenhauer and Vance Stevens

SELECTED PERFORMANCES (DANCE)

1966 series

Solo by Deborah Hay and Carriage Discreetness by Yvonne Rainer, parts of the

Nine Evenings: Theater and Engineering, (also designed costumes for Solo), 69 th

1968

Regiment

Armory, New York, October 13-23

Spring Concert by Deborah Hay

Works for Large Group Featuring the Third Eye by Deborah Hay

1972

New York

Celebrations in City Places by Marilyn Wood, Seagram Building and its Plaza, and Fountain Square, Cincinnati


Collins, Bradford R. “Modern Romance: Lichtenstein’s Comic Book Paintings, American Art vol. 17 no. 2 (Summer 2003), 61-85.

Eisenhauer, Letty Lou. “Transformations from Nature; Letty Lou Eisenhauer discusses the work of Bob Watts,” Art & Artists, November 1973, 20-3.

- - - . “Ed Emshwiller: Beginnings,” Art & Artists, March 1974, 28-33.

- - - . “Portrait: Bob Delford Brown,” Art & Artists, July 1973, 34-7.

- - - , and Dick Higgins. “Graphis,” The Tulane Drama Review vol 10, no. 2 (Winter 1965): 123-

31.

Higgins, Dick. “The Tart, or Miss America,” The Tulane Drama Review vol 10, no. 2 (Winter

1965): 132-44.

Sandford, Mariellen R. Happenings and Other Acts. Worlds of performance. London:

Routledge

Escobar

MARISOL

Born: 22 May 1930, Paris

Lives: New York

EDUCATION

1949 Ecole de Beaux-Arts, Paris

Academie Julian, Paris

1950 Art Students League, New York

1951-54 New School for Social Research, New York

Hans Hofmann School, New York


1958 Leo Castelli Gallery, New York

1962 Stable Gallery, New York

1964 Stable Gallery, New York

1965 Arts Club of Chicago

1966 Sidney Janis Gallery, New York

1967 Hanover Gallery, London

Sidney Janis Gallery, New York

1968 Boymans-van Beuningen Museum, Rotterdam

1970 Moore College of Art, Philadelphia (retrospective)

1971 Art Museum, Worcester, Massachusetts (retrospective)

1973 Prints 1961-1973, Cultural Center, New York


1974

1975

Estudio Actual, Caracas

Trisolini Gallery of Ohio University, Athens, Ohio


Makler Gallery, Philadelphia

1977 Contemporary Arts Museum, Houston

1978 Marisol Drawings, Chatham College Pittsburgh, Pennsylvania

1981 Artists and Artistes by Marisol, Sidney Janis Gallery, New York

1984

1988


Boca Raton Museum of Art, Florida

Dolly Fiterman Gallery Minneapolis, Minneapolis


Marisol: Recent Sculpture, Galerie Tokoro, Tokyo

1991 Marisol Portrait Sculpture, National Portrait Gallery, Smithsonian

Institution, Washington, D.C. (retrospective)

Marisol: Selected Sculpture, Riva Yares Gallery Scottsdale, Arizona

1992 Tenri Gallery, New York

1995

Marisol, New Jersey Center for Visual Arts Summit, New Jersey

Hadone Open Air Museum, Japan (retrospective)

The Museum of Modern Art Shiga, Japan (retrospective)

Iwai City Art Museum Fukushima, Japan (retrospective)

Kagoshima City Museum of Art Kagoshima, Japan (retrospective)

Marlborough Gallery, New York

1998 Marlborough Gallery, New York

2001-2002 Marisol, Neuberger Museum of Art, Purchase College, State University

2007 of New York: traveled to Delaware Art Museum

Marisol: Works 1960-2007, Neuhoff Edelman Gallery, New York


1958 Festival of Two Worlds, Spoleto, Italy

1959

1961

1962

The 1959 Pittsburgh International, Museum of Art, Carnegie Institute

Pittsburgh, Pennsylvania

Pan American Art, The Art Institute of Chicago

Work in 3 Dimensions, Leo Castelli, New York

The Art of Assemblage, Museum of Modern Art, New York: traveled to

Museum of Contemporary Art, Dallas; Museum of Modern Art, San

Francisco

Recent Acquisitions, Museum of Modern Art, New York

1963

1964

1965

Annual Exhibition of Sculpture and Drawings, The Whitney Museum of


3 Generations, Sidney Janis Gallery, New York

Painting of a Decade, Tate Gallery, London

The 1964 Pittsburgh International, Museum of Art, Carnegie Institute


Between the Fairs, Whitney Museum of American Art, New York

Op and Pop, Sidney Janis Gallery, New York

The New American Realism , Worcester Art Museum, Massachusetts

1966 Art of the U.S.A. 1670-1966, Whitney Museum, New York

The Harry N. Abrams Family Collection, The Jewish Museum, New York

Erotic Art '66, Sidney Janis Gallery, New York

Latin American Art Since Independence, traveling exhibition, The Museum of Modern Art, New York

Whitney Annual: Sculpture and Prints, The Whitney Museum of American

Art, New York

1967

Tribute to Frank O'Hara, The Museum of Modern Art, New York

International der Zeichnung, Darmstadt, Germany

American Sculpture of the 60’s, Los Angeles County Museum of Art

The 1967 Pittsburgh International, Museum of Art, Carnegie Institute,

1968


Homage to Marilyn Monroe, Sidney Janis Gallery, New York

Biennale, Venice

1969

The Sidney and Harriet Janis Collection, The Museum of Modern Art,

New York

Word and Image, Museum of Modern Art, New York

Documenta IV, Kassel, Germany

Pop Art Redefined, Hayward Gallery, London

Modern International Sculpture, First Prize, Hakone Open Air Museum

Hakone, Japan

29th Annual Exhibition, Art Institute of Chicago

1969-70

1970

American Drawings of the 60's: A Selection, The New School, New York

7 Artists, Sidney Janis Gallery, New York

Women Artists, Skidmore College, Saratoga Springs, New York

Carnegie International Exhibition of Painting and Sculpture, Museum of

Art, Carnegie Institute Pittsburgh, Pennsylvania

L'Art vivant American, Fondation Maeght, Saint-Paul, France

1971 Abstract Expressionism and Pop Art, Sidney Janis Gallery, New York

Modern International Sculpture, Hakone Open Air Museum, Hakone,

1972

1973

1974

1975

1976

1977

1978

Japan

Colossal Scale, Sidney Janis Gallery, New York

Jewelry as Sculpture as Jewelry, Institute of Contemporary Art, Boston,

Massachusetts

Twenty-fifth Anniversary Part II, Sidney Janis Gallery, New York

The Nude in America, New York Cultural Center

Realismus und Realitat, Kunsthalle, Darmstadt, Germany

6 Americans, Sidney Janis Gallery, New York

The Art Students League of New York 100th Anniversary, Kennedy

Galleries, New York

The Dada/Surrealist Heritage, Clark Art Institute, Williamstown,

Massachusetts

The Golden Door: Artist-Immigrants of America, 1876-1976, Hirshhorn

Museum, Smithsonian Institution, Washington, D.C.

American Sculpture: Folk & Modern, Queens Museum, Queens, New

York

7 Americans, Sidney Janis Gallery, New York

Another Aspect of Pop Art, P.S. 1 Long Island City, New York

1979

1981

1983

1984

The Opposite Sex, University of Missouri, Columbia

New Dimensions in Drawing, Aldrich Museum Ridgefield, Connecticut

American Women Artists Part I: 20th Century Pioneers, Sidney Janis

Gallery, New York

New Portraits, Institute for Art & Urban Resources, P.S. 1 Long Island

City, New York

Drawing Since 1974, Hirshhorn Museum & Sculpture Garden,

Washington, D.C.

Masters of the Sixties, Marisa del Re Gallery, New York

Ways of Wood, Sculpture Center, New York

1985 Forms in Wood, American Sculpture of the 1950's, Philadelphia Museum

of Art

Dorothy C. Miller, With an Eye to American Art, Smith College Museum of Art, Massachusetts

1987

1988

The Artist's Mother: Portraits and Homages, The Heckscher Museum,

Huntington, New York

Urban Figures, Whitney Museum of American Art at Philip Morris, New

York

1990 Body Language! The Figure in the Art of Our Time, Rose Art Museum,

Brandeis University, Waltham, Massachusetts

Seoul International Art Festival, The National Museum of Contemporary

Art, Seoul, Korea

1991 Masterworks of Contemporary Sculpture (1970-1990), traveling, Isetan

Museum, Tokyo, Japan

1992 20th Century Masters: Works on Paper, Sidney Janis Gallery, New York

1993 Venezuelan Masters of the 20th Century in American Collections, The

Venezuelan Center Gallery, New York

Figure: Contemporary Sculpture, Marlborough Gallery, New York

1996 Latin Viewpoints into the Mainstream, Nassau County Museum of Art,

Roslyn Harbor, New York

1997 Art 1997 CHICAGO: 5th Annual Expo of International Galleries

Featuring Modern and Contemporary Art, Navy Pier, Chicago

The Feminine Image, Nassau County Museum of Art, Roslyn Harbor, New

York

Spring 1997 Exhibition: Marisol, Robert Murray, Jay Wholley, Grounds for Sculpture, Hamilton, New Jersey


Arts Club of Chicago, Chicago

Albright Knox Art Gallery, Buffalo

Brandeis University, Waltham

Hadone Open-Air Museum, Japan



National Portrait Gallery, Washington, D.C.

Wallraf-Richartz Museum, Cologne


Yale University Art Gallery, New Haven


Amaya, Mario. "Face Sculptures," Financial Times, 20 September 1967.

Amman, J.C. "Venedig: 34 Biennale," Werk, August 1968.

André, Michael. "Marisol at Marlborough," Art in America, December 1995.

- - - . "New York Reviews Marisol," Artnews, May 1975.

Angeline, John. "Marisol," Art Nexus. January/March 1996.

Antin, David. "Portrait," Kunstwerk. April-June 1966.

"Art in Focus: Marisol," American Artist, August 1986.

“Art: Marisol,” Time, 7 June 1963.

“Art: Sculpture—The Dollmaker,” Time, 28 May 1965.

"Artists in Focus: Marisol," American Artist, August 1986.

Ashton, Dore. "Exhibition at the Stable," Studio International, May 1964.

- - - . American Art Since 1945. New York: Oxford University Press, 1982.

Barnitz, Jacqueline. “The Marisol Mask,” Hispanic Arts, Autumn 1967.

Barrio-Garay, J.L. "El auge de la escultura en exposiciones individuales," Goya, July-August

1973.

Bernstein, Roberta. "Marisol as Portraitist: Artist and Artistes," Arts Magazine, May 1981.

- - - . "Marisol's Self Portraits: The Dream and the Dreamer." Arts Magazine. March 1985.

- - - . Marisol. New York: Art Life, Ltd., 1995.

Boime, Albert. "The Postwar Redefinition of Self: Marisol's Yearbook Illustrations for the

Class of '49," American Art, Spring 1996.

Brown, Gordon. "Marisol at Janis," Arts Magazine, June 1966.

Browner, Millicent. "Sculptress, Own Model, Is 'Beatnik' No Longer." Indianapolis Star, 22

November 1961.

Campbell, Lawrence. “The Creative Eye of the Artist Marisol,” Cosmopolitan, June 1964.

Campos, Manuel. "Mesa de Discusion: Marisol Triunfa en Nueva New York," La Revista

(Caracas), 14 June 1964.

Canaday, John. "Americans Once More," The New York Times, 26 May 1963.

- - - . "Life Size Dolls on Display at Janis," The New York Times, 16 April 1966.

- - - . "Toys by Artists are Good Art and Good Toys," The New York Times, 22 December

1963.

Chapman, Daniel. “Marisol…A Brilliant Sculptress Shapes the Heads of State,” Look, 14

November 1967.

Creeley, Robert. Presences: A Text for Marisol. New York: Charles Scribner's Sons, 1976.

Cyr, Don. “A Conversation with Marisol,” Arts and Activities, 1968.

Diamant de Sujo, Clara. "The Itinerary of Marisol," In XXXIV Biennale. Venice: XXXIV

Biennale, 1968.

Dreishspoon, Douglas. "Marisol Portrait Sculpture," Art Journal, Winter 1991.

Edelman, Robert G. "Marisol," Art in America, October 1984.

Edinberg, Joyce. "Sculptor Marisol Re-creates 'Last Supper' in Wood, Stone," The Daily

Journal, 30 June 1984.

"En Nueva York muestra de la escultura Venezolana Marisol represent del 'Pop Art.," La

Esfera (Caracas), 4 March 1964.

Escobar, Marisol. Marisol Escobar. Worchester, Mass.: Art Museum. 1971.

Feldman, B.W. "Portrait Gallery Displays Marisol's Clever Sculptures," The Capital, 17 April

1991.

Gablik, Suzi and John Russell. Pop Art Redefined. London: Thames and Hudson, 1969.

Glueck, Grace. “It’s Not Pop, It’s Not Up—It’s Marisol,” The New York Times Magazine, 7

March 1965.

- - - . "A Marisol Sculpture Creates a Storm, and Loses, in Hawaii," The New York Times, 31

March 1967.

- - - . "Marisol Shows Her Brooklyn Bridge Memorial," The New York Times, 16 April 1988.

Gold, Barbara. “Portrait of Marisol,” Interplay, January 1968.

Goldberg, Jeff. "Marisol—In Her Own Words," People Magazine, 24 March 1975.

Grove, Nancy. "Forum: Marisol's Black Bird Love," Drawing, September-October 1993.

- - - . Magical Mixtures: Marisol Portrait Sculpture. Washington, DC: Smithsonisn Institution

Press for the National Portrait Gallery, 1991.

Gruen, John. "Art: Marisol—Top to Bottom," New York Herald Tribune, 8 March 1964.

- - - . "Art: Op and Pop," New York Herald Tribune, 12 December 1965.

Henry, Gerrit. “Reviews and Previews: Marisol,” Artnews, Summer 1973.

Hess, Thomas B. “The Disrespectful Hand Maiden,” Artnews, January 1965.

Janis, Sidney. “Marisol,” Arts Magazine, November 1984.

Kingsley, April. “New York Letter: Marisol.” Art International, October 1973.

Kiplinger, Suzanne. “Art: Marisol at the Stable,” The Village Voice, 20 November 1962.

Kozloff, Max. “New York Letter: Marisol,” Art International, September 1962.

Lewis, JoAnn. “Marisol’s Heady People,” The Washington Post, 5 April 1991.

Lippard, Lucy. Pop Art. New York: Praeger, 1966.

Mahsun, Carol Anne, ed. Pop Art: the Critical Dialogue. Anne Arbor: UMI Research Press,

1989.

"Marisol," American Artist, August 1988.

Marisol. Caracas: Estudio Actual, 1973.

Marisol. Chicago: The Arts Club of Chicago, 1966.

"Marisol: Escultora Laconia," El Nacional (Caracas), 3 September 1966.

Marisol. Philadelphia: Moore College of Art, 1970.

Marisol. Rotterdam: Museum Boysmans-van-Beuningen, 1968.

"Marisol." Time, 7 June 1963.

Marisol. Worcester, Massachusetts: Worcester Art Museum, 1971.

Marisol Prints 1961-1973. New York: New York Cultural Center, 1973.

“Marisol’s Mannequins,” Horizon, March 1963.

Medina, José Ramon. Marisol. Caracas: Ediciones Armitano, 1968.

O’Doherty, Brian. “Marisol: The Enigma of the Self-Image.” The New York Times, 1 March

1964.

Perrault, John. “The Identity Behind Marisol’s Face,” The Village Voice, 17 May 1973.

Picard, Lili. "Wo Wilde Avantgarde Gefordert Wird," Die-Welt, 9 August 1962.

Ratcliff, Carter. Marisol: Realms of Perceptual Memory. New York: Marlborough Gallery, Inc.,

1998.

Sandler, Irving. "In the Art Galleries." New York Post, 20 May 1962.

Schwartz, Barbara. “Sidney Janis Exhibition,” Craft Horizons, August 1975.

- - - . “Sidney Janis Exhibition.” Craft Horizons, August 1973.

Seitz, William C. The Art of the Assemblage. New York: MoMA, distributed by Doubleday &

Co., 1962.

Simon, Herbert. “Marisol, Robert Murray and Jay Wholley,” Sculpture, September 1997.

Stein, Harvey. “Artists in Focus: Marisol,” American Artist, August 1986.

Steinem, Gloria. “Marisol: The Face Behind the Mask,” Glamour, June 1964.

Tillim, Sidney. “In the Galleries: Marisol,” Arts Magazine, April 1964.

Wasserman, Edith. “Remember Dada? Today We Can Call Him Pop,” Art Education, May

1966.

Westfall, Stephen. "Arts Review: Marisol," Arts Magazine, June 1981.

Grebenak

Dorothy Grebenak

Born June 3, 1913 Oxford, Nebraska

Died June 13, 1990 London, England

Education Self Taught

Exhibitions

1957 Object Art ’57, Zabriskie Gallery, NY

1963 Something Wild, Allan Stone Gallery, NY

1964 Odd Man In, Allan Stone Gallery, NY

1965 Pop Art and The American Tradition, Milwaukee Museum of Art, WS

1969 The Art of Money, Chelsea Gallery, NY

The Museum of Contemporary Arts & Crafts, Houston, TX, n.d.

Brooklyn Museum, NY, n.d.

Publications

Lawrence Campbell. “Something Wild,” Art News, vol. 62, December 1963, p 17

Sidney Tillim, “Something Wild at Allan Stone Gallery,” Arts Magazine, vol. 38,

February 1964, p 27

Valerie Petersen, Exhibition at Stone Gallery, Art News, Vol. 63, January 1965, p 13

Tracy Atkinson, Pop Art and The American Tradition, Milwaukee Museum of Art, WS,

April 9 – May 9, 1965

Marshall Matusow, Art Collector’s Almanac No. 1, Huntington Station, NY: Art

Collector’s Almanac Inc., 1965

Lucy R. Lippard, Pop Art, NY: Frederick A. Praeger, 1966

Fred McDarrah, Photo of Grebenak’s Doom published in the Village Voice January 5,

1967

Jean Lipman, “Money for Money’s Sake,” Art in America, Vol. 58, January 1970, p79

Haworth

JANN HAWORTH

Born: 1942, Hollywood, California

Lives: Provo, Utah

EDUCATION

1961 Courtauld Institute, London, Art History Cert. Student

1962-63 Slade School of Fine Art, London

1959-61 University of California, Los Angeles


1966 Robert Fraser Gallery, London

Gallerie 20, Amsterdam

1968 Studio Marconi, Milan

1969 Robert Fraser Gallery, London


1972 Arnolfini Gallery, Bristol

1974 Waddington Galleries, London

1993 Gimpel Fils Gallery, London

1995 Gimpel Fils Gallery, London

2000 Sundance Screening Room, Utah

2006 James Mayor, London

2008 City Library Gallery, Salt Lake City (show of new work)

Gallerie du Centre, Paris (show of new work)


1963 Young Contemporaries, London

Four Young Artists, Institute of Contemporary Arts, London

Traveling Student Art Show, Arts Council

1967 Edinburgh 400, Edinburgh, Scotland

I Tempo dell’imagine, Commune di Bologne Ente

Manifestazione Artistche, Bologna

1968 Works from 1956 to 1967 [Clive Barker, Peter Blake, Richard

Hamilton, Jann Haworth, and Colin Self] Robert Fraser Gallery, London

Obsessive Image, Institute of Contemporary Arts, London

Royal Academy of Arts Summer Show, London

Pop Art, Hayward Gallery, London

1969 Obsessive Eye, touring show, USA

1970 Pop Art 1970, Mayfair Gallery

Figure Environments, Walker Art Center, Minneapolis, traveled to:

Cincinnati Art Museum, Ohio; and Dallas Museum of Fine Arts, Texas

1974 Festival Gallery Linely House, Bath

1975 Royal Academy of Arts Summer Show, London

Edinburgh Festival, Fine Art Society

British Sculpture and Objects, Kinsman, Morrison Gallery

1976 Royal Academy of Arts Summer Show, London

1977 Bodmin Fine Arts, Cornwall and touring

1979 Gainsborough House Museum, Sudbury and touring

1980 Wren Library, Trinity College, Bristol City Museum of Art

1980-82 Christmas Show, Portal Gallery, London

1983-85 Bath Art Fair, Portal Gallery, England

1993 Four Arts in Performance, Crafts Council London and touring

Reflet Restitution, Abbaye St. Andre, France

Art in Boxes, Jane England and Co., London

Arts in Performance, Crafts Council touring exhibition

1994 Worlds in a Box, Whitechapel, London, Sainsbury

Center, and City Gallery, Sheffield

1996 London Art Fair, Gimpel Fils

2004 Art and The 60’s, Tate Great Britain London

Pop Art UK, Galleria Civica di Modena, Modena, Italy

2005 SLC Pepper Stencil Graffiti Wall Mural. 400W between 200 and 300 S in Salt Lake City. (director and contributor)

British Pop: Museo del Bellas Arte de Bilbao, curated by Marco Livingstone

2007 Utah Artists Salt Lake Art Center Post Modern Utah

337 Building: Paint and Demolish, Salt Lake City

2007-08 Pop Art 1956-1968, Scuderie Del Quirinale, Rome


Arts Council of Great Britain

Charterhouse School, Surrey, Great Britain

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC

Walker Art Center, Minneapolis, Minnesota

Museum Folkwang, Essen, Germany

São Paulo Museum, São Paulo, Brazil

Ludwig Collection, Cologne, Germany

Berardo Collection, Sintra Museum of Modern Art de Belem, Lisbon, Portugal


Jann Haworth. London: Gimpel Fils, 1993.

Cooper, Michael and Roylance, Bryan. Blinds and Shutters. Guildford, Surrey: Genesis, 1990.

Finch, Christopher. Image as Language. Pelican, 1969.

Haworth, Jann. Collage. London: Merehurst. 1994.

- - - . “Littlest Mermaid,” (Art Reproduction), Sculpture International, 1969, 30.

- - - . “Los Angeles Times Bedspread,” (Art Reproduction), Art in America, July 1969, 78.

- - - . “Mae West, W.C. Fields & Shirley Temple” (Art Reproduction), Art Review, June 2006,

28.

- - - . “Maid,” (Art Reproduction), Sculpture International, 1969, 30.

- - - . “Nun,” (Art Reproduction), Studio International, October 1972, xi.

- - - . Paint. London: Merehurst. 1995.

- - - . Painting and Sticking Miriam and Jann Haworth, London: Merehurst 1995.

- - - .“Sgt. Pepper: Take Two” The Independent [UK]. 2004.

- - - . “Snake Lady,” (Art Reproduction), Art International, November 1971, 7.

Livingstone, Marco. Pop Art. London: Thames and Hudson, 1990.

Martin, George. Summer of Love. London: MacMillan, 1994.

Melville, Robert. “Note on the Work of Jann Haworth,” Art International, December 1971,

82-83.

Osterwold, Tilman. Pop Art. Cologne: Cosmo Press, 1989.

Pierre, José. Pop Art: An Illustrated Dictionary. Eyre Methuen, 1977.

Russell, J. “Art News From London,” Artnews, May 1966, 53.

Usherwood, Nicholas. The Brotherhood of Ruralists. London: Lund Humphries, 1981.

KAY KURT

Born: Dubuque, IO, 1944

Lives: Duluth, MN

EDUCATION

1966

1968

BFA Clark College, Dubuque, Iowa

MFA University of Wisconsin, Madison


1968

1970

1975

Graduate Show, Wisconsin Center, Madison, Wisconsin

Clark College, Dubuque

Kornblee Gallery, New York

Louis K. Meisel, New York

1979

1980

1981

1983

1991

2003

1966

1967

1968

1969

Grand Paintings-Ten Year-One Woman Retrospective, Kornblee Gallery, New

York

Viewpoint Series-One Woman Show, Walker Art Center, Minneapolis

Tweed Museum, Duluth

Art Museum, Grand Rapids


A Closer Look, Museum of Art, Dubuque

Northern Galleries, Northern State University, Aberdeen


Midwest Biennial, Joslyn Museum, Omaha

Biennial, Wisconsin Art Association, Madison

Wisconsin Salon of Art, Madison


1970

1971

1972

The Dominant Woman, Finch College, New York

Trinity College, Hartford

Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis

New Realism, SUNY, New York

Unmanly Art, Suffolk Museum, Suffolk

Contemporary Realists, Cleveland Museum of Art, Cleveland

1976

1977

1978

1980

1981

1982

1983

1984

1985

1986

1987

1988

1989

1990

1992

1993

1995

1973

1974

1996

1997

1999

2000

Realism Now, New York Cultural Center, New York

Whitney Biennial, Whitney Museum of American Art, New York

The Super Realist Vision, DeCordova Museum, Lincoln

Woman's Work: American Art, Museum of Philadelphia Civic Center,

Philadelphia

The Fine Art of Food, Land Art Gallery at Scripps College, Claremont

Selections in Contemporary Realism, Art Institute, Akron

Friends of the Corcoran, Corcoran Gallery, Washington, DC

Close to Home, Genesis Gallery, New York

Arrowhead Art Show, Tweed Museum, Duluth

Faculty Choice, Tweed Museum, Duluth

New Realism, Art Museum, Jacksonville

Out of the House, Whitney Museum-Downtown, New York

Some Observations About Scale, Kornblee Gallery, New York

Seven Artists, New Gallery, Russell Sage College, Troy

Art Department Alumni Exhibition, Elvehjem Museum of Art, Madison

Menagerie, Goddard-Riverside Community Center, New York

Billboard Project Art in the Air, Duluth Art Institute, Duluth

Twelve Midwest Realists, Sioux City Art Center, Sioux City

Realism, Katherine Nash Gallery, University of Minnesota, Minneapolis

Drawings-Invitational Exhibition, Duluth Art Institute, Duluth

American Realism, 20th Century Drawings and Watercolors, San Francisco

Museum of Modern Art, San Francisco

47th Arrowhead Biennial Exhibition, Duluth Art Institute, Duluth

The Drawing Show, Katherine Nash Gallery, University of Minnesota,

Minneapolis

Forum Gallery, New York

14th Annual Invitational Drawing Exhibition, Emporia State University,

Emporia

47th Arrowhead Biennial Exhibition, Duluth Art Institute, Duluth

The American Still Life, Minnesota Museum, St. Paul

Paintings and Drawings, Suzanne Kohn Gallery, Minneapolis

International Frankenstein Exhibition and Symposium, University of

Ingolstadt, Eichstätt

Inaugural Group Show, Artworks Gallery WARM/Duluth Chapter,

Minneapolis

Joy Kops Gallery, Duluth

Gallery 416, Minneapolis

Festival Gallery of Artists, Dubuquefest/Art Festival, Dubuque

Duluth Artists, Joy Kops Gallery, Duluth

Self Portraits, Joy Kops Gallery, Duluth

Wet Paint, Joy Kops Gallery, Duluth

Celebrate: Women in the Arts, Duluth Art Institute, Duluth

Celebrate: Women in the Arts, Tweed Museum Duluth

Duluth Exchange Exhibit, Thunder Bay Art Gallery, Thunder Bay

Becoming Who We Are, College of St. Scholastica, Duluth

Lizzard's Gallery, Duluth

Sivertson Gallery, Duluth


Corcoran Gallery, Washington, DC

Glenn C. Janss Collection, Boise Art Museum, Boise, Idaho


Roy H. Neuberger Museum, Purchase

Tweed Museum, University of Minnesota, Duluth




Amaya, Mario. "Tray by Ten Artists," Art in America, January 1971, 48-57.

"Close to Home: Genesis Gallery, New York; exhibit," Arts Magazine, December 1976, 33.

Dixon, George. "The Art of Kay Kurt," Minnesota Monthly, November 1980.

French-Frazier, Nina. "Kay Kurt," Art International, March/April 1980.

Friedman, Jon R. "Kornblee Gallery, New York; exhibit," Arts Magazine, February 1980, 15.

- - - . "Kay Kurt," Arts Magazine, February 1980, 15.

King, Shannon. "Candy Whets Artist's Appetite for Whimsy," Minneapolis Star, 7 November

1980.

"Kornblee Gallery, New York; exhibit," Art International, March 1980, 56-57.

Kurt, Kay and Graham William John Beal. Kay Kurt, Paintings: Walker Art Center, 9 November

1980- 4 January 1981. Minneapolis: Walker Art Center, 1980.

Russell, John. "Review: Kay Kurt," New York Times, 21 December 1979.

- - - . "Review: Kay Kurt and Others," New York Times, 9 December 1983.

Tweed Museum of Art. "Kay Kurt (1944- ): Jordan Almonds (painting), 1975-1979,"

American Painting at the Tweed Museum of Art and Glensheen, the University of Minnesota, Duluth,

Duluth: The Museum, 1982.

Van Baron, Judith. "Review," Arts Magazine, March 1974.

Kusama

YAYOI KUSAMA

Born: 22 or 29 March 1929, Matsumato, Nagano Prefecture, Japan

Lives: Tokyo, Japan

EDUCATION

1948-51 Kyoto Municipal School of Arts and Crafts, Kyoto

1957-58 Art Student League, New York


1957

1959

Zoe Dusanne Gallery, Seattle

Brata Gallery, New York

1960

1961

1962

1963

1964

1965

Recent Paintings by Yayoi Kusama, Nova Gallery, Boston

Gres Gallery, Washington, D.C.

Recent Paintings: Yayoi Kusama, Stephen Radich Gallery, New York

Yayoi Kusama: Watercolors, Gres Gallery, Washington, D.C.

Robert Hanamura Gallery, Chicago

Aggregation: One Thousand Boats Show, Gertrude Stein Gallery, New York

Kusama: Driving Image Show, R. Castellane Gallery, New York

1966

Internationale Galerij Orez, Hague

Floor Show, R. Castellane Gallery, New York

Driving Image Show, Naviglio Gallery, Milan and M.E. Thelen Gallery, Essen,

Germany

Kusama’s Peep Show/Endless Love Show, R. Castellane Gallery, New York

Chrysler Museum, Provincetown

Love Room, Internationale Galerij Orez, Hague 1967

1968 Mickery Gallery, Holland

Lichter Gallery, Germany

1971 Cage/Painting/Woman, Internationale Galerij Orez, Hague

1975 Message of Death from Hades, Nishimura Gallery, Tokyo

1976 Yayoi Kusama: Obsessional Art, A Requiem for Death and Life, Osaka Formes

Gallery, Tokyo

1980 Unknown Works by Yayoi Kusama: The Flash That Burns Grass, American Center,

Tokyo

Yayoi Kusama: Self Obliteration of Nets and Polka Dots, Gallery Toshin, Tokyo

Yayoi Kusama: Infinity and Repetition of Nets and Polka Dots, Gallery Toshin,

Tokyo

1981 Kiku Sui, Massachusetts

1982 Obsession Yayoi Kusama, Fuji /television Gallery, Tokyo

Galleria del Navigrio, Milan

1983 Yayoi Kusama: Encounter of Souls, Jardin de Luseine, Harajuku, Tokyo

Supplement Gallery, Tokyo

Kusama’s Self-Obliteration (Performance), Video Gallery Scan, Tokyo

Yayoi Kusama: 1950-1970, Internationale Galerij Orez, Hague

1984 Fuji Television Gallery, Tokyo

1986 Infinity ∞ Explosion, Fuji Television Gallery, Tokyo

Nabis Gallery, Tokyo

Gallerie Christian Cheneau, Paris

Musée des Beaux-Arts de Calais, France

1987 Kitakyushu Municipal Museum of Art, Fukuoka, Japan

Musée Municipal de Dole, France

1988 Yayoi Kusama: Soul Burning Flashes, Fuji Television Gallery, Tokyo

Yayoi Kusama: Soul Burning Flashes, Hakone Open-Air Museum, Kanagawa,

Japan

1989 Yayoi Kusama: Retrospective, Center for International Contemporary Arts, New

York

Soul Burning Flash, The Museum of Museum Art, Oxford, England

Yayoi Kusama: Soul Burning Flashes, Bunkamura Gallery, Tokyo

1991 Yayoi Kusama: Collage 1952-83, Nabis Gallery, Tokyo

MOMA Contemporary, Fukuoka, Japan

Bunkamura Gallery, Tokyo

Yayoi Kusama, Fuji Television Gallery, Tokyo

1992 Bunkamura Gallery, Tokyo


Bursting Galaxies, The Sogetsu Art Museum, Tokyo and Niigata City Art

Museum, Niigata

1993 HAM Collection Yayoi Kusama 1952-1993, Gallery HAM, Nagoya, Japan


Galleria Valentina Moncada, Rome

Galleria d’Arte del Naviglio, Venice

The 45 th Venice Biennale

1994 Komagane Kogen Art Museum, Nagano, Japan

Nagano Prefectural Shinano Art Museum, Japan


Yayoi Kusama: My Solitary Way to Death, Fuji Television Gallery, Japan

Galleria Cardazzo, Venice


Infinity of Space and Light in the 1950s and 1960s: Yayoi Kusama from the

Collection of Richard Castellane, Esquire, Picker Art Gallery, Colgate

University, Hamilton, New York

1995 Yayoi Kusama: I Who Committed Suicide, Ota Fine Arts, Tokyo

Recent Prints Memorial Shot, Fuji Television Gallery, Tokyo

1996 A Panorama of My Youth, MOMA Contemporary, Fukuoka, Japan

Yayoi Kusama: The 1950s and 1960s, Paula Cooper Gallery, New York

Yayoi Kusama: 10 Paintings from 60s to the Present, Ota Fine Arts, Tokyo

Yayoi Kusama: Recent Works, Robert Miller Gallery, New York

Repetition, Art Gallery Artium, Fukuoka, Japan

Photo Collage Repetitive Vision, MOMA Contemporary, Fukuoka, Japan

1997 Baumgartner Galleries, Inc., Washington, D.C.

The Arts Club of Chicago, Chicago

Yayoi Kusama: Kusama’s Kusama, Ota Fine Arts, Tokyo

Margo Leavin Gallery, Los Angeles

1998 Love Forever: YAYOI KUSAMA 1958-1968, Los Angeles County Museum

of Art, Los Angeles, traveled to: The Museum of Modern Art, New York;

1999

Walker Art Center, Minneapolis, Museum of Contemporary Art, Tokyo

Yayoi Kusama: Self Obliteration, MOMA Contemporary, Fukuoka, Japan

Yayoi Kusama ’50-‘70s, Taka Ishii Gallery, Santa Monica

Yayoi Kusama NOW, Robert Miller Gallery, New York

Yayoi Kusama: Works from the ‘50s, Peter Blum Gallery, New York

Yayoi Kusama: Recent Oil Paintings, Ota Fine Arts, Tokyo

Komagne Kogen Art Museum, Nagano, Japan

Yayoi Kusama: Drawings, Paintings and Works on Paper, Susanne Hiberry Gallery,

Birmingham, Michigan

Victoria Nirro Gallery, London

Piece Unique, Paris

Yayoi Kusama Now, Kantor Gallery, Los Angeles

Beyond My Illusion, MOMA Contemporary, Fukuoka, Japan

The 7 th Yayoi Kusama Exhibition, Bunkamura Gallery, Tokyo

Love Forever: YAYOI KUSAMA 1958-1968, Museum of Contemporary Art,

Tokyo

In Full Bloom: YAYOI KUSAMA, Years in Japan, Museum of Contemporary

Art, Tokyo

Crown Art Center, Taipei

Gallery Pierre, Taichung

Where Am I?, Ota Fine Arts, Tokyo

Yayoi Kusama: Works from the 1950s, Blumarts Inc., New York

Galleri Lars Bohman, Stockholm

Message from Yayoi Kusama, Matsumoto Municipal Museum, Nagano, Japan

Gallery Sekiryu, Nagano, Japan

Mubanso, Nagano, Japan

Yayoi Kusama: Installations, Robert Miller Gallery, New York

2000 Serpentine Gallery, London

2000-3

2001

Piece Unique, Paris

Yayoi Kusama Prints, Paris

Yayoi Kusama Early Drawings from the Collection of Richard Castellane, The Art

Museum, Princeton University, New Jersey, traveled to: Birmingham

Museum of Art, Alabama; Art Gallery of York University, Toronto;

Indianapolis Museum of Art, Indiana; Munson-Williams-Proctor Arts

Institute, Utica

Yayoi Kusama: Recent Works, Ota Fine Arts, Tokyo

Jean Art Gallery, Seoul

Yayoi Kusama, Le consortium, Dijon, traveled to: Maison de la culture du

Japon; Kunsthallen Brandts Aedefabrik, Denmark; Kunsthalle Vienna;

Artsonje Center, Seoul; Artsonje Museum, Gyeongsangbuk-do, South

Korea

Death of an Illusion; Piece Unique, Paris


Ota Fine Arts, Tokyo

2002

Studio Guenzani, Milan

Yayoi Kusama: Solitude of the Earth, Robert Miller Gallery, New York

Yayoi Kusama: Mixed Media, MOMA Contemporary, Fukuoka, Japan

Rosalyn Oxley 9 Gallery, Sydney

Yayoi Kusama Silkscreen, Mubanso, Nagano, Japan

Masuda City Museum, Shimane, Japan

Gallery Inoue, Nagano, Japan


Book Cellar Amus, Osaka

Yayoi Kusama/Furniture, graf, Osaka


Yayoi Kusama Permanent Collection, Matsumoto City Museum of Art,

Nagano, Japan

Yayoi Kusama Dot Paradise in Shangri-La, Kirishima Open-Air Museum,

Kagoshima, Japan

Mubanso, Nagano, Japan

Robert Miller Gallery, New York

Galeria DECO, Sao Paulo

2003

2003-4

2004

2005

2006

2007

2007-8

Bass Museum, Miami

Yayoi Kusama Prints& Pumpkin Ceramic Object Exhibition, Jean Art

Center, Seoul


Yayoi Kusama: Beyond the Labyrinth, Marugame Genichiro-Inokuma

Museum of Contemporary Art, Kagawa, Japan, traveled to: Kushiro

Museum, Hokkaido

Yayoi Kusama Prints, Fuji Television Gallery, Tokyo

Kusama Yayoi Love Forever, Fabian & Claude Water Galerie, Zürich

J. Johnson Gallery, Florida

Piece Unique, Paris

Yayoi Kusama, Kunstverein Braunschweig, Germany, traveled to: Zacheta

National Gallery of Art, Warsaw

Kusamatrix, Mori Art Museum, Tokyo, traveled to: Art Park Museum of

Contemporary Art, Sapporo Art Park, Hokkaido, Japan


Yayoi Kusama: Eternity-Modernity, The National Museum of Modern Art,

Tokyo

Yayoi Kusama: Colorist, Ota Fine Arts, Tokyo

Yayoi Kusama: Eternity-Modernity, The National Museum of Modern Art,

Tokyo


Rosalyn Oxley 9 Gallery, Sydney


Yayoi Kusama: Eight Pieces for Burning Soul, Hiroshima City Museum of

Contemporary Art, Hiroshima

Studio Guenzani, Milan

Yayoi Kusama: Furniture by Graf, Galleria Carla Sozzani, Milan

Yayoi Kusama: Sailing by the Sea of Infinity, Contemporary Art Museum,

Kumamoto, Japan

Yayoi Kusama: 60s Fashion, MOMA Contemporary, Fukuoka, Japan

Yayoi Kusama: Part I: Prints 1980-1983/Painting (recent work), Fuji

Television Gallery, Tokyo

Yayoi Kusama: The Place for My Soul, Matsumoto City Museum of Art,

Nagano, Japan

Yayoi Kusama Ka!, 100 Tonson Gallery, Bangkok

Yayoi Seoul, Jean Art Gallery, Seoul

Sakima Art Museum, Okinawa, Japan

Iwami Art Museum, Shimane, Japan

Yayoi Kusama solo exhibition “Yayoi in Forever,” Forever Museum of

Contemporary Art Gallery, Akita, Japan

Yayoi Kusama: Metamorphosis, Galleria Civica Modena, Italy

Ardnt & Partner, Berlin

Crimson Eye, Piece Unique, Paris


Victoria Miro, London

Shizuoka Prefectural Museum of Art, Japan

Yayoi Kusama: Dots Obsession-Dots Transformed into Love, Haus der Kunst,

2008

2008-9

Munich, traveled to WIELS, Brussels; la Grande Halle de la Villette, Paris

Matsumoto City Museum of Art, Nagano, Japan

Matsumoto City Museum of Art, Nagano, Japan

Victoria Miro, London


Yayoi Kusama: Mirror Years, Museum Boijmans Van Beuningen, Rotterdam, traveled to: Museum of Contemporary Art, Sydney

2009 Gagosian Gallery, New York

Yayoi Kusama: Flowers That Bloom at Midnight, Gagosian Gallery, Los Angeles

Yayoi Kusama: Outdoor Sculptures, Victoria Miro, London


1955 The International Watercolor Exhibition Preview, Bridgestone Museum of Art,

1959

1960

Tokyo

The International Watercolor Exhibition: 18 th Biennial, Brooklyn Museum, New

York

The International Watercolor Exhibition: 20 th Biennial, Brooklyn Museum, New

York

Monochrome Malerei, Stadtisches Museum in Leverkusen, Germany

Paintings and Drawings from the Collection of Mr. & Mrs. Patrick B. McGinnis,

De Cordova Museum, Lincoln, Massachusetts

1961 International Malerei, Galerie 59, Stadt Wolframs-Eschenbach,

Aschaffenburg, Germany

Yayoi Kusama: Watercolors, Gres Gallery, Washington, D.C.

1964 The New Art, Davison Art Center, Wesleyan University, Connecticut

1965 New Eyes, Chrysler Museum of Art, Provincetown

The New Style of Works of International Avant-Garde, Galerie de Bezige,

Amsterdam

Nul 1965, Stedelijk Museum, Amsterdam

Reecent Acquisitions, Whitney Museum of American Art, New York

White on White, De Cordova Museum, Lincoln, Massachusetts

Japanese Artists Abroad Europe and America, National Museum of Modern

Art, Tokyo

1966 The 33 rd

Inner and Outer Space, Moderna Museet, Stockholm

Venice Biennale

The Object Transformed, The Museum of Modern Art, New York

1967 Ausstellung: Serielle Formationen, Studio Galerie, Johann Wolfgang

Goethe University, Frankfurt

1968 Three Blind Mice de Collecties: Visser, Peeters, Becht, Stedelijk van

Abbemuseum, Eindhoven, traveled to: Sint Pietersabdij, Ghent

Visual Arts Committee Presents Selections from the NYU Art Collection, NYU

Gould Student Center Gallery, New York

Soft and Apparently Soft Sculpture, Cedar Rapids, Iowa and New York

1970 Zero Unexecuted, Institute of the History of Arts, University of

Amsterdam

1974 Woman’s Work: American Art 1974, The Museum of Philadelphia Civic

Center, Philadelphia

1975 Contemporary Art from the College Collection, Jaffe-Friede Gallery,

Dartmouth College, Hanover, New Hampshire

1977 Improbable Furniture, Institute of Contemporary Art, University of

Pennsylvania, Philadelphia, traveled to: La Jolla Museum of

Contemporary Art, La Jolla, California

The Third Moscow International Art Exhibition

1978 Shapes of Chair: From Design to Art, National Museum of International

Art, Osaka

Acquisitions, Jaffe-Friede, Strauss and Barrows Galleries, Dartmouth

College, Hanover, New Hampshire

1980 Illusory Scenes, National Museum of International Art, Osaka, Japan

1981 My Manifesto for 1981, Abe Studio, Tokyo; Sendai Civic Gallery,

Miyagi, Japan

Art Kites

1981-82 The 1960s: A Decade of Change in Contemporary Japanese Art, The

National Museum of Modern Art, Tokyo, traveled to: The National

Museum of Modern Art, Kyoto

1982 Exhibition of Recent Acquisitions, National Museum of International Art,

Osaka, Japan

November Steps: Artists of Today, Yokohama Citizens’ Gallery,

Kanagawa, Japan

1983 Dada in Japan/Japanese Avant-garde from 1920 to 1970: A Photo

Documentation, Kunstmuseum, Düsseldorf

Trends in Contemporary Art II: The 1960s: Towards Diversity, Tokyo

Metropolitan Art Museum

The First Show: Paintings and Sculptures from Eight Collections: 1940-1980,

The Museum of Contemporary Art, Los Angeles

1984 Collectie Becht, Stedelijk Museum, Amsterdam

Two Decades of Contemporary Painting: 1960-1980, Gunma Prefectural

Museum of Modern Art, Gunma, Japan

Blam! The Explosion of Pop, Minimalism and Performance: 1958-1964,


1985 Japanese Contemporary Paintings, National Gallery of Modern Art, Jaipur

House, India Gate, New Delhi

40 Years of Japanese Contemporary Art, Tokyo Metropolitan Art Museum,

Tokyo

Reconstruction: Avant-garde Art in Japan, 1945-1965, Museum of Modern

Art, Oxford

1986 Contemporary Japanese Art, Taipei Fine Arts Museum, Taipei

Art: A Dialogue on Peace, Onkurayama Memorial Hall, Yokohama,

Kanagawa, Japan

Japom des Avent Gardes 1910-1970, Centre Georges Pompidou, Paris

1987 Medusa’s Magic: European Mannerism, Künstlerhaus, Vienna

Recent Acquisitions, The National Museum of Art, Osaka, Japan

Collection Agnes et Frits Becht, The Centre Regional d’art Contemporain

Midi-Pyrenees, Lagere, France

1988 Large Works from the Permanent Collection, Neuberger Museum, State

University of New York, Purchase

Art Kites, Mie Prefectural Museum of Art, Japan

1989 An Aspect of Contemporary Painting: Structure of Repetition, Takamatsu City

Museum of Art, Kagawa, Japan

Exhibition of New Collection from Apr. 1, 1986-Mar. 31, 1989, Kitakyushu

Municipal Museum of Art, Fukuoka, Japan

20ste Biennale Middelheim-Japanese: Europalia 89, Openluchtmuseum voor

Beeldhouwkunst Middelheim, Antwerp

The “Junk” Aesthetic: Assemblage of the 1950s and Early 1960s, Whitney


Kanagawa, Japan

1990 The Art of Collage/Assemblage from the Museum Collection, Tokyo

Metropolitan Art Museum, Tokyo

The Silent Dialogue: Still Life in the West and Japan, Shizuoka Prefectural

Museum of Art, Japan

Art and Vision: from Japanese Modern Art, Miyagi Museum of Art,

Sendai, Miyagi, Japan

Olympic International Exhibition, Jean Gallery, Seoul

1990-91 AERONART (a hot air balloon exhibition designed by various artists),

Grand Palais, Paris, traveled to: CNIT, Paris; Loire Castles;

Kronenbourg Gallery, Paris

1991 Nobori Exhibition, Sumida Riverside Hall, Tokyo

The World of Box, ATM Contemporary Art Gallery, Mito Art, Ibaraki,

Japan

The 2 nd Tokyo Art Expo 1991, The Tokyo International Trade Center,

Harumi, Japan

Contemporary Art in Monochrome: from the Museum Collection, Tokyo


Landscape into Modern Art: from the Museum Collection, Tokyo

Metropolitan Art Museum

1992 Adam & Eve, The Museum of Modern Art, Saitama, Japan

1993 Vision, Illusion, and Anti-Illusion from the Museum Collection, Tokyo


Abject Art: Repulsion and Desire in Contemporary Art, Whitney Museum of American Art, New York

Art From US, Landmark Hall, Yokohama, Japan

Japanese Outsider Art: Inhabitants of Another World, Setagaya Art

Museum, Tokyo

Osaka City Museum, Osaka, Japan

1994 Cross and Square Grids, The Museum of Modern Art, Saitama, Japan

When the Body Becomes Art, Itabashi Art Museum, Tokyo

Memento Mori: Visions of Death c. 1500-1994, Machida City Museum of

Graphic Arts, Tokyo, traveled to: Tochigi Prefectural Museum of Fine Art,

Japan

Very Special Art, The Ueno Royal Museum, Tokyo, traveled to: The Hakone

Open-Air Museum, Kanagawa, Japan

Aspects (1979-1994), Hara Museum ARC, Gunma, Japan

Out of Bounds, Benesse House Naoshima Contemporary Art Museum,

Okayama, Japan

1996

1994-95

1995

Museum City Tenjin ’94, Super Suburb

Japanese Art After 1945: Scream Against the Sky, Yokohama Art Museum, traveled to: Guggenheim Museum, Soho, New York; San Francisco

Museum of Art, San Francisco

ARS 95 Helsinki, Museum of Contemporary Art, Finnish National

Gallery, Helsinki

Japan Today, Louisiana Museum of Modern Art, Humlebaek, Denmark, traveled to: Kunst Hus, Oslo; Waino Aaitosen Museo, Turku, Finland;

Liljevaichs Konsthall, Stockholm

Division of Labor: ‘Women’s Work’ in Contemporary Art, Bronx Museum of the Arts, New York

Marx Faux, Ronald Feldman Fine Arts Inc., New York

Japanese Culture: The Fifty Post War Years, Meguro Museum of Art, Tokyo, traveled to: Hiroshima City Museum of Contemporary Art, Hiroshima;

Museum of Modern Art, Hyogo, Japan; Fukuoka Art Museum, Fukuoka,

Japan

About Lines: Non-existing Modernism and Invisible Realism, Itabashi Art

Museum, Tokyo

Photographs, Ota Fine Arts, Tokyo

A Technique of Contemporary Art (1) Collage, Nerima Museum of Art, Tokyo

Revolution: Art of the Sixties from Warhol to Beuys, Museum of Contemporary

Art, Tokyo

Imagery Forest, Inazawa City Ogisu Memorial Museum of Art, Aichi, Japan

Kanagawa International Prints Festival, Kanagawa Prefectural Hall, Japan

With Drawing, Ronald Feldman Fine Arts Inc., New York

1964: A Turning Point in Japanese Art, Museum of Contemporary Art, Tokyo

Collection in Focus: Selected Drawings, Museum of Contemporary Art, Tokyo

Inside the Visible: an Elliptical Traverse of 20 th Century Art, The Institute of

Contemporary Art, Boston

GEKI and GEKI: Art Then Art Now, Hara Museum ARC, Gunma, Japan

The 31 st ‘Artist Today’ Exhibition, Yokohama Citizens’ Gallery, Kanagawa,

Japan

Inside of Works, Outside of Works, Itabashi Art Museum, Tokyo

Art of Post-war 1960s Avant-Garde, Kurashiki Municipal Art Museum,

Okayama, Japan

Art at Home Ideal Standard Life, Spiral Garden, Tokyo

Now Here, Louisiana Museum of Modern Art, Humlebaek, Denmark

L’informe: Mode d’emploi, Center Georges Pompidou, Paris

A Decade of Avant-garde Artists, Itabashi Art Museum, Tokyo

Shedding Light on Art in Japan 1953, Meguro Museum of Art, Tokyo

Materials and Forms: Nine Artists’ Attitudes, Ibaraki Prefectural Museum of

Art, Japan

Form Beyond Forms: 16 Abstract Paintings in Japan, Fukushima Prefectural

Museum of Art, Japan

New Collection Commissioned on the Theme ‘Hiroshima,’ Hiroshima City

Museum of Contemporary Art, Hiroshima

Female Identity, Okayama Prefectural Art Museum, Japan

New Installations, Mattress Factory, Pittsburgh, Massachusetts

1998

1997 New Collections, The Museum of Modern Art, Saitama, Japan

The Maximal Sixties, The Museum of Modern Art, New York

Drawing the Line (and Crossing It), Peter Blum Gallery, New York

De-Genderism, Setagaya Art Museum, Tokyo

Japan Today, MAK-Austrian Museum of Applied Arts, Vienna

Art Fashion, Guggenheim Museum, Soho, New York

Contemporary Art: How Can They Possibly Understand It, Itabashi Art

Museum, Tokyo

Floating Images of Woman in Art History, Tochigi Prefectural Museum of

Fine Art, Japan

Japanese Summer 1960-64, Art Tower Mit, Ibaraki, Japan

Yayoi Kusama: A Snake; Andy Warhol: Silver Clouds, D’Amerio Terras, New

York

Out of Actions: Between Performance and the Object, 1949-1979, Museum of

Contemporary Art, Los Angeles

1998 Taipei Biennial: Site of Desire, Taipei Fine Arts Museum, Taipei

Now and Forever Part 1, Matthew Marks Gallery, New York

Wakuwaku! Dokidoki! Summer Museum!!, The Museum of Modern Art,

Saitama, Japan

To and From Shuzo Takiguchi, The National Museum of Art, Osaka, Japan

The XX IV Bienal de Sao Paulo

Towards Another Normality, Hara Museum ARC, Gunma, Japan

The Botanical Garden of Fantasy, The Hiratsuka Museum of Art, Kanagawa,

Japan

Taipei Art Fair International When East Meets West, Taipei World Trade

Center, Taipei

1998-99 Art Now in Japan and Korea Between the Unknown Straits, Meguro Museum of

Art, Tokyo, traveled to National Museum of Art, Osaka, Japan

Mirror Images: Women, Surrealism and Self-Representation, M.I.T. List Visual Arts

Center, Cambridge, Massachusetts, traveled to: Miami Art Museum,

Miami; San Francisco Museum of Modern Art, San Francisco

Inner Eye: Contemporary Art from the Marc and Livia Straus Collection, Samuel

P. Harn Museum of Art, University of Florida, Gainesville; Knoxville

Museum of Art, Knoxville; Georgia Museum of Art, University of

1999

Georgia, Athens; The Chrysler Museum of Art, Norfolk, Virginia

Contemporary Art Lessons, Akita Senshu Museum of Art, Japan

Oct of Action 1949-1979: Between Performance and Object, Museum of

Contemporary Art, Tokyo

Narrative Art from the Collection, Tochigi Prefectural Museum of Fine Arts,

Japan

Contemporary Classicism, Neuberger Museum of Art, Purchase College, State

University of New York, Purchase

SPIRAL TV, Spiral Garden, Tokyo

Museum of Modern Art, Saitama, Japan

Visions of the Body: Fashion or Invisible Corset, The National Museum of Modern

Art, Kyoto

The Balloon Art Festival, Granship Shizuoka Convention & Arts Center, Japan

Niigata City Art Museum, Japan

Art Jungle, The Museum of Modern Art, Toyama, Japan

2000 Vacant Lot, Toyota Municipal Museum of Art, Aichi, Japan

Art Buffet: Selections from the Hara Museum’s Permanent Collection, Hara Museum

ARC, Japan

Permanent Collection, Niigata City Art Museum, Niigata, Japan

The Permanent Exhibition, Takamatsu City Museum of Art, Takamatsu City

Museum of Art, Takamatsu, Japan

One Heart, One World, New York, São Paulo, Paris, Hanoi, Australia, Tokyo,

Sendai, Takamatsu, Kumamoto, Matsuyama, Osaka, Chiba, Gunma, Niigata,

Yamagata

Biennale of Sydney 2000

Department Store of Contemporary Art, Yamanashi Prefectural Museum of Art,

Japan

The Museum of Modern Art, Kamakura, Japan

Japanese Art of the 20 th

2001

Century, Museum of Contemporary Art, Tokyo

Hyper Mental, Kunsthaus, Zürich

Century City, Tate Modern, London

Eternal White, The Japan Foundation, Rome

Les années Pop, Centre Georges Pompidou, Paris

Parkett Artists’ Editions, The Museum of Modern Art, New York

Global Visions: Art After 1980 from Museum Collections, Museum of

Contemporary Art, Tokyo

Louise Bourgeois, Yayoi Kusama: Works from 1942 to 2000, Peter Blum Gallery,

New York

Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London

The Museum of Modern Art, Saitama, Japan

Toyama Kenmin Kaikan Museum of Art, Japan

International Triennale of Contemporary Art Yokohama 2001, Pacifico Yokohama

Convention Hall and Red Brick Warehouse No. 1, Kanagawa, Japan

Facts of Life, Heyward Gallery, London

Selections from the Hara Museum’s Permanent Collection, Hara Museum ARC,

Gunma, Japan graf, Osaka, Japan

Silver, Leo Castelli, New York

2002 The Unfinished Century: Legacies of 20 th Century Art, The National Museum of

Modern Art, Tokyo

Box Art, The Museum of Art, Kochi, Japan

Acquisitions, Masuda City Museum, Shimane, Japan

Korea, Japan, Contemporary Art 2002, Jean Art Gallery, Seoul

Expo.02 Instant and Eternity, Murten, Mora, Switzerland

Fetish: Art/World, USLA FOWLER Museum of Cultural History, Los

Angeles

Exhibition of Contemporary Paintings, Gallery Sekiryu, Nagano, Japan

Sleeping/Dreaming/Awakening, Kawamura Memorial Museum of Art, Chiba,

Japan

Transformation Art, The Museum of Modern Art, Gunma, Japan

Chat @ the MIMOCA, Marugame Genichiro-Inokuma Museum of

Contemporary Art (MIMOCA), Kagawa, Japan

2004

Hot Air, Carlow Town, Ireland

Fukuoka Art Museum, Japan

Asia-Pacific Triennial of Contemporary Art 2002, Queensland Art Gallery,

Queensland, Australia

Nagano Prefectural Shinano Art Museum, Nagano, Japan

Vitality in Modern Collection from Iwaki City Art Museum, Utsunomiya Museum

of Art, Tochigi, Japan

Exhibition of Museum Collection, The Museum of Modern Art, Saitama, Japan

Private Luxury, Manno Art Museum, Osaka, Japan

Attitude 2002, Contemporary Art Museum, Kumamoto, Japan

The Growth of the Museum Collection: 1952-2002, The National Museum of

Modern Art, Tokyo

FIAC, Paris

Collection 1, Chateau d’Arenthon, Geneva

Mostra SESC des Artes, SESC, São Paulo

Loud & Clear, BALTIC Centre for Contemporary Art, Gateshead, England

2003 Walking in the City, apexart, New Yotk

Pop and More From the Frederick R. Weisman Art Foundation Collection,

Luckman Gallery, Los Angeles

Selections from the Hara Museum’s Permanent Collections, Hara Museum of Art,

Tokyo, traveled to: Hara Museum ARC, Gunma, Japan

Twinkling Touch: Japanese and Western Pointillism, Shizuoka Prefectural

Museum of Art, Shizuoka, Japan

On this Side of the Sky UNESCO Salutes Women in Art, UNESCO Women and Gender Equality Unit, Paris

Transition, SCAI The Bathhouse, Tokyo

Girls don’t cry, Parco Museum, Tokyo

Color Charity Exhibition 2003: Yellow, Spiral Garden, Tokyo

Yonago City Museum of Art, Tottori, Japan

Do Hope For the Future, Laforet Museum Harajuku, Tokyo

2003: An Art Voyage, Chiba City Museum of Art, Chiba, Japan

Shunan City Museum of Art and History, Yamaguchi, Japan

Echigo-Tsumari Art Triennial 2003, Echigo-Tsumari Region, Niigata, Japan

Nerima Art Museum, Tokyo

Biennale d’art Contemporain de Lyon 2003, Lyon, France

FIAC, Paris

Inaugural Exhibition HAPPINESS, Mori Art Museum, Tokyo

Korea Japan Contemporary Art 2003, Jean Art Center, Seoul

Primary Matters: The Minimalist Sensibility, 1959 to the Present, San Francisco

Museum of Modern Art, San Francisco

Obsession, Galica Arte Contemporanea, Milan

Lille 2004, Lille, France

The 2004 Whitney Biennial, Whitney Museum of American Art, New York

Yayoi Kusama: Paintings, Patricia Piccinini: Sculpture, Patti Smith: Photographs.


Art & Life, Hara Museum ARC, Gunma, Japan

Remaking Modernism in Japan: 1900-2000, The Museum of Contemporary

Art, Tokyo, traveled to: The University Art Museum-Tokyo National

University of Fine Arts and Music, Tokyo

And or Versus?: Adventures in Images, Yokohama Museum of Art, Kanagawa,

Japan

Lee Ufan: Yayoi Kusama, Jean Art Center, Seoul

Modern Means: Continuity and Change in Art: 1880 to the Present, Highlights from

the Museum of Modern Art, Mori Art Museum, Tokyo

Why Not Live For Art?, Tokyo Opera City Art Gallery, Tokyo

Ground-Field-Surface, Robert Miller Gallery, New York

KIAF 2004, Coex, Seoul

Couple, Ota Fine Arts, Tokyo

Water Level of Image: Transformation and Reflection of Narcissus, Toyota

Municipal Museum of Art, Aichi, Japan

Japanese Contemporary Art Performance: Eijanika! Yes Future! Le Japon Post

XX Siecle, Collection Lambert en Avignon, France

Maestros in Early Period, Ota Fine Arts, Tokyo

Chiba City Museum of Art, Chiba, Japan

Exhibition of Museum Collection, The Museum of Modern Art, Saitama,

Japan

Welcome to the World of Art!: A Beautiful Journey…of Life, The Museum of

Modern Art, Toyama, Japan

In Bed Images from a Vital Stage, Toyota Municipal Museum of Art, Aichi,

Japan

2004-5

Yayoi Kusama: Steel Balls and Soft White Objects; Victor Vasarely: Black and

White Painting from the 1950s, Robert Miller Gallery, New York

Gallery, New York

Yonago City Museum of Art, Tottori, Japan

Seoul Art Fair, Hangaram Art Center, Seoul

On Conceptual Clothing, Musashino Art University and Library, Tokyo

Shanghai Art Fair, Shanghai

The Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, The

New Orleans Museum of Art, New Orleans, traveled to: Bakersfield

Museum of Art, California

2005 Drifting Objects of Dreams: The Collection of Shuzo Takiguchi, Setagaya Art

Museum, Tokyo

Art-Robe: Women Artists at the Nexus of Art and Fashion, UNESCO

Headquarters, Paris

Homestyle, Leo Castelli Gallery, New York

Kiss the Frog! The Art of Transformation, Nasjonalmuseet for kunst, arkitekur og

design, Oslo

Chikaku Time and Memory in Japan, Kunsthaus Graz, Graz, Austria

POP POP POP: The Facet of Korean and Japanese Contemporary Art: Gana Art

Center, Seoul

On Conceptual Clothing, Kirishima Open-Air Museum, Kagoshima, Japan

Curator’s Eye: Dot & Net, The Museum of Modern Art, Saitama, Japan

Japanese Women Artists in the Avant-garde Movement, 1950-1975, Tochigi

Prefectural Museum of Fine Arts, Tochigi, Japan

Bienal de Valencia, Valencia, Spain

ARTSingapore2005, Art-2 Gallery, Singapore

take art collection, Spiral Garden, Tokyo

Shunan City Museum of Art and History, Yamaguchi, Japan

2005-7 Summer of Love: Art of the Psychedelic Era, Tate Liverpool, traveled to: Schirn

Kunsthalle, Frankfurt; Kunsthalle Wien, Vienna; Whitney Museum of


Snoopy Life Design Happinessmis the 55 th Anniversary, Tokyo International Forum,

Hall A, Tokyo, traveled to: Hangaram Design Museum, Seoul

2006 Vision II, Toyota Municipal Museum of Art, Aichi, Japan

Line and Surface Works on Paper, Peter Blum Gallery, New York

Tokyo-Berlin/Berlin-Tokyo, Mori Museum, Tokyo, traveled to: Neue

Nationalgalerie, Berlin

Part Object Part Sculpture, Wexner Center for the Arts, Columbus, Ohio

Permanent Collection, the Museum of Modern Art, Saitama, Japan

ZERO. International Avant-garde of the ‘50s and ‘60s, Museum Kunst Palast,

Düsseldorf

Singapore Biennale

Art and Object: Affinity of the Jomon and the Contemporary, Aomori Museum of

Art, Aomori, Japan

Idol!, Yokohama Museum of Art, Kanagawa, Japan

Naoshima Standard Exhibition, Benesse Art Site Naoshima, Kagawa, Japan

Collage and Photomontage, Tokyo Metropolitan Museum of Photography,

Tokyo

Real Utopia Stories of the Unlimited, 21 st Century Museum of Art, Kanazawa,

Ishikawa, Japan

2007-8 Beautiful New World: Contemporary Visual Culture from Japan, Long March

Project, “798” Dashanzi Art District, Beijing, traveled to: Guangdong

2008

2009

Museum of Art, Guangzhou, China

Japan! Culture + Hyper Culture, The Kennedy Center, Washington, D.C.

Yayoi Kusama, Steven Parrino, Anselm Reyle, Gagosian Gallery, New York

Akasaka Art Flower 08, Akasaka Sacas, Tokyo

Walking in My Mind, The Hayward Gallery, London

Big in Japan, The Contemporary Art Centre, Vilnius, Lithuania



Baltimore Museum of Art, Baltimore

Chiba City Museum of Art, Chiba, Japan

Hiroshima City Museum of Contemporary Art

Kunstmuseum Düsseldorf, Düsseldorf

Los Angeles County Museum of Art, Los Angeles

Musée national d’art moderne, Centre Georges Pompidou, Paris

Museum of Contemporary Art, Tokyo

Museum Ludwig, Cologne


Museum Moderner Kunst, Stiftung Ludwig, Vienna

National Museum of Art, Osaka, Japan

National Museum of Modern Art, Tokyo


Storm King Art Center, Mountainville, New York

Tate Modern, London

University of California, Berkeley




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Tamaki, Masatoshi. Yayoi Kusama. Milan: Galleria d’Arte del Naviglio, 1982.

Tatehata, Akira. Yayoi Kusama. Tokyo: Japan Foundation, 1993.

- - - . Love Forever: Yayoi Kusama, 1958-1968. Los Angeles County Museum of Art, 1998.

Tillim, Sidney. “In the Galleries: Yayoi Kusama,” Arts Magazine, October 1959.

- - - . “Bonnie and Clyde in the Nude: As Directed by Kusama, High Priestess of Self-

Obliteration,” Man to Man, May 1969.

Weaver, Neal. “The Polka Dot Girl Strikes Again, or Kusama’s Infamous Spectacular,” After

Dark, May 1968.

“World Snap: Yayoi Kusama Decorates the Garden of Italian Pavilion at the Venice

Biennale,” Geijutsu Shincho, September 1966.

Yalkut, Jud. “The Polka Dot Way of Life (Conversations with Yayoi Kusama),” New York

Free Press, 15 February 1968.

Yoshida, Yoshie. “Obsession: Interview with Yayoi Kusama,” Ato bijon (Tokyo), June 1982.

Zelevansky, Lynn. Love Forever: Yayoi Kusama, 1958-1968. Los Angeles County Museum of

Art, 1998.

LEE LOZANO

Born: 1930, Newark, New Jersey

Died: 1999, Dallas, Texas

EDUCATION

1951 University of Chicago

1960 The Art Institute of Chicago


1966 Bianchini Gallery, New York

The New Gery, Bennington College, Bennington, Vermont

1969 Galerie Ricke, Cologne

1970 Whitney Museum of American Art, New York

1971 Lee Lozano: Infofiction, Nova Scotia College of Art & Design, Halifax

1988 Lee Lozano: The Sixties, Weatherspoon Art Gallery, University of North

Carolina, Greensboro, North Carolina

1995 Rosen & van Liere, New York

1998 Minimalism, Margarete Roeder Gallery, New York NY

Tool Paintings, Rosen & van Liere, New York

Early 60s, Mitchell Algus Gallery, New York

Lee Lozano/Matrix:135, Wadswoth Atheneum, Hartford, Connecticut

2000 A wave painting and some drawings, van Liere Fine Arts, New York

2001 Language Pieces, Büro Friedrich, Berlin

2004 Lee Lozano: paintings and drawings, 871 Fine Arts, San Francisco

Lee Lozano: drawn from life 1961-1971, PS1 Contemporary Art Center,

New York

2005 Lee Lozano: work on paper from the 1960’s, Studio B, Los Angeles

2006 Seek the Extremes: Dorothy Iannone und Lee Lozano, Kunsthalle Wien,

Vienna

Win first don’t last/Win last don’t care, Kunsthalle Basel: traveled to Van

Abbe Museum, Eindhoven, The Netherlands

2007 Lee Lozano: No Title. 1969, Hauser & Wirth, London


1964 Green Gallery, New York

Contemporary Erotica, Van Bovenkamp Gallery, New York

The New Art, Davison Art Center, Wesleyan University, Middletown,

Connecticut

1965 Green Gallery, New York

The 74th Annual Exhibition, Sheldon Art Gallery, University of Nebraska,

Lincoln

1966 1st Annual Art to Artschwager Show, Noah Goldowsky & Richard

Bellamy, New York

Bianchini Gallery, New York

Normal Art, curated by Joseph Kosuth, The Lannis Museum of Normal Art,

New York

New Acquisitions: 1963-1966: The James A. Michener Foundation

Collection, Allentown Art Museum, Allentown, Pennsylvania

1967 Contemporary Paintings from the Michener Foundation Collection, Old

Dominion College, Norfolk, Virginia

1968 Gordon, Lozano, Ryman & Stanley, The Contemporary Art Center,

Cincinnati, Ohio

1969 Language III, Dwan Gallery, New York

Number 7, curated by Lucy Lippard, Paula Cooper Gallery, New York

Art/Peace Event, New York Shakespeare Festival, Public Theatre, New

York

31st Biennial Exhibition, Corcoran Gallery, Washington, DC

Galerie Ricke, Cologne

8 Painters, Watson Gallery, Wheaton College, Norton, Massachusetts

Drawings, Gallery of the Art Resources Center, Whitney Museum, New

York

1970 Suermondt Ludwig Museum, Aachen

Klischee + Antiklischee: Bildformen der Gegenwart, Neue Galerie im

alten Kurhaus, Aachen

Some New York Painting, Reese Palley Gallery, San Francisco

Bilder, Skulpturen, Objekte & Zeichnungen, Galerie Ricke, Cologne

Drawings, Paula Cooper Gallery, New York

Art and Things: Painting in the Sixties from the Michener Collection,

University Arts Museum, University of Texas, Austin

1982 Abstract Art: 1960-1969, curated by Donald Droll, PS1 Institute for Art

and Urban Resources, New York

1983 Art on Paper, Weatherspoon Art Gallery, University of North Carolina,

Greensboro, North Carolina

1991 Basel Art Fair, Margarete Roeder Gallery, Basel, Switzerland

1994 1969: a Year Revisited, Grey Art Gallery, New York University, New

York

1996 Margarete Roeder Gallery, New York

Graphite: Lee Bontecou, Helmut Federle, Lee Lozano, Robert

Moskowitz, Cary Smith, Myron Stout, Robert Therrien, Lawrence

Markley, New York

1998 The Sixties in the Seventies, Ubu Gallery, New York

1999 Afterimage: Drawing Through Process, Museum of Contemporary Art,

Los Angeles

Global Conceptualism: Points of Origin 1950s-1980s, Queens Museum,

Queens, New York

2000 Afterimage, Contemporary Arts Museum, Houston, Texas

Worthless (Invaluable), Moderna Galerija Ljubljana, Ljubljana, Slovenia

Painting of the Sixties and Seventies, Margarete Roeder Gallery, New

York

2001 Extreme Connoisseurship, Carpenter Center for the Visual Art & Fogg

Museum, Harvard University, Cambridge, Massachusetts

Non-composition: 15 case studies, Wadsworth Atheneum, Hartford,

Connecticut

Miss World 1972, Daniel Reich Gallery, New York

2002 Kunst verlassen, Galerie der Hochschule für Grafik und Design/Academy

of the Visual Arts, Leipzig

Einfach Kunst: Sammlung Rolf Ricke, Neues Museum Nürnberg,

Nuremberg

2003 Drawings, drawings, drawings. Margarete Roeder Gallery, New York

Karaoke Death Machine, Daniel Reich Gallery, New York

Chocolate, what else: The Rolf Ricke Collection, Kunstraum Innsbruck,

Innsbruck, Austria

Transgrassive Women: Yayoi Kusama, Lee Lozano, Ana Mendieta and

Joan Semmel, Jack S. Blanton Museum of Art, The University of Texas,

Austin

I can't be you, Andrew Kreps Gallery, New York

Work Ethic, Baltimore Museum of Art; traveled to: Des Moines Art

Center, Des Moines, Iowa; Wexner Center for the Arts, Columbus, Ohio

2004 Collection (or How I Spent a Year), P.S. 1 MoMA, Long Island

Kurze Karrieren, Museum Moderner Kunst Stiftung Ludwig, Vienna

Word of Mouth. A Selection: Part 1, Dinter Fine Arts, New York

2005 Looking at Words. The Formal Presence of Text in Modern and

Contemporary Works on Paper, Andrea Rosen Gallery, New York

Sweet Temptations. Dialoge mit der Sammlung Rolf Ricke, Kunstverein

St. Gallen Kunstmuseum, St. Gallen, Switzerland

Drawing from the Modern, 1945-1975, The Museum of Modern Art,

New York

2006 Konzept. Aktion. Sprache, MUMOK, Vienna

Into Me/Out of Me, KW Institute for Contemporary Art, Berlin; traveled

to: MARCO, Rome

BLOCK PARTY: An Exhibition of Drawings, Daniel Weinsberg

Gallery,

Los Angeles

Twice Drawn, Tang Art Museum, Skidmore College, Saratoga Springs,

New York

Nineteen Sixty-Eight, Solo Projects, Studio B, Los Angeles

Into Me/Out of Me, P.S. 1, Long Island

Exquisite Corpse-Cadavre Exquis: a game played between Mitchell

Algus and Bob Nickas, Mitchell Algus Gallery, New York

Motor Immobile, Greene Naftall Gallery, New York

High Times, Hard Times. New York Painting 1967-1975,

Weatherspoon

Art Museum, University of North Carolina, Greensboro, North

Carolina; traveled to: American University Museum at the Katzen Arts

Center, Washington, DC

2007 What is Painting? Contemporary Art from the Collection, Museum of

Modern Art, New York

Das Kapital, MMK Frankfurt, Frankfurt

documenta 12, Kassel, Germany

Beneath the Underdog, Gagosian Gallery, New York

Sam Durant, Robert Heinecken, Lee Lozano, Cady Noland and Richard

Prince, Rowley Kennerk Gallery, Chicago

WACK! Art and Feminist Revolution, 1965-1980, The Museum of

Contemporary Art, Los Angeles

Mixed Signals, Ronald Feldman Fine Arts, New York

High Times, Hard Times. New York Painting 1967-1975, The

National

Academy Museum of Fine Arts, New York; traveled to: Museo

Tamayo Arte Contemoraneo, Mexico City

2008 Solitaire: Lee Lozano, Sylvia Plimack Mangold and Joan Semmel,

Wexner Center for the Arts, Columbus; traveled to: Wadsworth

Athenaeum Museum of Art, Hartford, Connecticut


Jack S. Blanton Museum of Art, Austin, Texas

MIT List Visual Arts Center, Cambridge, Massachusetts

Museum für Moderner Kunst, Frankfurt

Museum of Modern Art, New York, New York


Adrian, Dennis. "Lee Lozano." Artforum (New York), vol. V, no. 5, January 1967.

Alberro, Alexander; Stimson, Blake, ed. Conceptual Art: A Critical Anthology.

Cambridge: The MIT Press, 2001.

Arning, Bill. "Lost and found: the long, strange trip of Lee Lozano." Time Out (New

York), no. 131, 26 March-2 April 1998, p. 44.

Avgikos, Jan. "Lee Lozano." Artforum (New York), vol. XLII, no. 9, May 2004, p. 214.

Baker, Kenneth. "Lee Lozano re-emerges." San Francisco Chronicle, (San Francisco), 5

June 2004.

Basting, Barbara. "Eine originelle Rebellin der Kunst wird wieder entdeckt." Tages-

Anzeiger (Zürich), 26 June 2006, p. 47.

Beck, Martin. "Geschichtskorrektur." Die Springerin (Vienna), no. 4, June-August 1998.

Benedikt, Michael. "Lee Lozano." ARTNews (New York), vol. LXV, no. 7, November

1966, pp. 14-15.

Benzer, Christa. "Sex im Summer of Love." Der Standard (Vienna), 8-9 July 2006, p. 38.

Binswanger, Michèle. "Extrem, obskur, verrückt." Facts (Zürich), 15 June 2006, p. 66.

Blackburn, Meg. "Lee Lozano." NY Arts Magazine (New York), no. 20, April 1998, p.

10.

Borchardt-Binrbaumer, Brigitte. "Reise in weibliche Extreme." Wiener Zeitung (Vienna),

7 July 2006.

Briski, Mika, ed. Worthless (Invaluable). Ljubljana: Moderna galerija Ljubljana/Museum of Modern Art, 2000 (catalogue).

Bui, Pong. "Katy Siegel and David Reed." The Brooklyn Rail, (New York), February

2007.

------------. "Lee Lozano." Time Out (London), 18 April 2007, p. 38.

Buss, Esther. "Art Dreamer." Texte zur Kunst (Berlin), no. 63, September 2006, pp. 217-

220.

---------. "In Wellen an den Rändern." Die Tageszeitung (Berlin), 22 July 2006.

Castle, Frederic. "Threat Art." ARTNews (New York), vol. 67, no. 6, October 1968, p.

54-55, 65-66.

The Contemporary Arts Center, ed. Gordon, Lozano, Ryman, Stanley. [text by Leonard,

William and Robert Christgau]. Cincinnati: The Contemporary Arts Center, 1968

(brochure).

The Corcoran Gallery of Art, ed. Thirty-First Biennial Exhibition of Contemporary

American Painting. Washington, DC: The Corcoran Gallery of Art, 1969 (catalogue).

Cotter, Holland. "Dealers Gather at the River, Convenient to Lofts With Bare Walls."

The New York Times (New York), 11 March 2005, p. E36.

---------. "1969: A Year Revisited." Art in Review (insert in The New York Times) (New

York), 15 July 1994.

Documenta, Museum Fridericianum, Documenta 12 Magazine, Modernity?, N.1.

Cologne: Taschen GmbH, 2007.

Donegan, Cheryl. "All Weapons are Boomerangs." Modern Painters (London), October

2006, pp. 76-79.

Douglas, Sarah. "If you can’t beat ArtBasel/Miami Beach-copy it." The Art Newspaper

(New York), no. 157, April 2005, p. 58.

--------. "All the fun of the art fair." The Irish Times (Dublin), 12 March 2005.

Etienne, Noémie. "ma vie, mon art." profil/Femme, 3 June 2006, p.2.

--------. "Twice Drawn." Art on Paper (New York), vol. 10, no. 5, May/June 2006, p. 72

(review).

Ferrell, John. "Process art expressed via drawing." San Gabriel Valley Tribune (Covina)

9 August 1999.

Frank, Peter. "Afterimage, defining eye." LA Weekly (Los Angeles) 13 August 1999.

GM. "Harte Bilder, radikale Künstlerin." NZZ am Sonntag (Zürich) 6 August 2006, p.

51.

Gebetsroither, Ines. "Dorothy Iannone, Lee Lozano: Seek the Extremes …!" Spike

(Vienna), Autumn 2006, p. 76.

Goddard, Donald. "Lee Lozano: Drawn from Life, 1961-1971." New York Art World

(New York), 2004.

Graw, Isabelle. "Schon gehört? Schon gesehen? Überlegungen zu Gossip, Kunst und

Celebrity Culture." Texte zur Kunst (Cologne), no. 61, March 2006, pp. 41-53.

Hafner, Hans-Jürgen. "Lee Lozano." Kunstforum International, Ruppichteroth, Bd. 182,

October-November 2006, pp.372-374.

--------. "...formely known as Lee Lozano?" Spike (Vienna), December 2004, pp. 42-49.

Hainley, Bruce. "On E." Frieze (London), Issue 102, October 2006, pp. 12-12, ill., 242 –

247.

Heartney, Eleanor. "Lee Lozano: return of a Rebel." Art in America (New York), no. 5,

May 1999, pp. 146-149.

Heidenreich, Stefan. "Nichts gegessen." Frankfurter Allgemeine Zeitung (Frankfurt), 28

April 2001.

Heiser, Jörg. "Gewinne zuletzt und dir ist’s auch egal." Süddeutsche Zeitung, no. 154, 7

July 2006, p. 11.

Higgs, Matthew. "Lee Lozano, Drawn from Life: 1961-1971." Artforum (New York), vol. XLIII, no. 4, December 2004, pp. 156-157.

Hughes, Robert, ed. The Shock of the New. New York: Alfred A. Knopf Inc., 1991.

I.,T. "Basel Retrospektive für eine Rebellin." Schweizer Illustrierte (Zürich), p. 74.

Johnson, Ken. "Lee Lozano." Weekend (insert in The New York Times), (New York) 6

March 1998.

Johnson, Reed. "Under the hood of modern art." Daily News (Los Angeles), 6 August

1999.

Kattenberg, Pete. "Wat zij wil." Persoonlijk (Amsterdam) 14 October 2006, p. 22.

Kinmont, Ben, ed. Project Series: Lee Lozano. New York Agency, 1998.

Kelsey, John. "On the ground." Artforum (New York), vol. XLIII, no. 4, December 2004, cover, pp. 54-56, p. 65.

Kinmont, Ben. "The Third Sculpture." Documents sur l’art (Dijon), no. 12, 2000.

Koch, Alexander. "Kunst verlassen #2: Kunstausstieg als kritische Praxis am Kunstfeld."

Transversale. Erkundungen in Kunst und Wissenschaft. Ein europäisches Jahrbuch.

Paris/Paderborn: Wilhelm Fink Verlag, 2005.

-------------. "Kunst verlassen #3: Macht der Kunst? “Kurze Karrieren“ im Wiener

Museum Moderner Kunst." Texte zur Kunst (Cologne), no. 55, September, 2004, pp.

194-197.

----------. "Kunst verlassen #4: Waarover we (kunnen) spreken als we over het „uit de kunst stappen“ spreken (Wovon wir sprechen (können), wenn wir vom Ausstieg aus der

Kunst sprechen)." De Witte Raaf (Brussels), no. 112, September – October, 2004, pp. cover, 6-7.

Kunitz, Daniel. "A Determined Anti-Decorousness." The New York Sun (New York), 5

February 2004.

Kunsthalle Wien; Folie, Sabine; Matt, Gerald. Seek the Extremes…. Nuremberg: Verlag für moderne Kunst Nürnberg, 2006 (catalogue).

Lambrecht, Luk. "Lee Lozano – Van Abbemuseum in Eindhoven." www.knack.be/blog

,

2006.

------------. "Lee Lozano in Van Abbemuseum." Weekblad voor Deurne (Deurne), 9

November 2006, p. 27.

Lamm, April. "Lee Lozano and Bik van der Pol." Frieze (London), no. 61, September

2001.

Lange, Christy. "Bound to Fail. Open Systems-I." Tate etc. (London), Issue 4, Summer

2005, pp. 28-35.

Linville, Kasha. "Lee Lozano, Whitney Museum." Artforum (New York) vol. IX, no. 6,

February 1971 (review).

Lippard, Lucy. "Escape Attempts." Reconsidering the Object in Art: 1965. Ann Goldstein and Anne Rorimer, ed. Los Angeles: Museum of Contemporary Art, 1996 (catalogue).

----------, ed. Six Years: the Dematerialization of the Art Object from 1966 to 1972. New

York: Praeger Publishers Inc., 1973.

McNally, Owen. "The Revival of a Recluse: Lee Lozano." The Hartford Courant

(Hartford) 25 January 1998.

--------. "Lee Lozano at Wadsworth." Flash Art (Milan), vol. XXXI, no. 198, January-

February 1998, p. 44.

Merkel, Klaus. "Kaputt in Hollywood/Modernes Antiquariat." www.regioartline.org, 27 August 2006.

Molesworth, Helen. "Lee Lozano – Kunsthalle Basel." Artforum (New York), September

2006, pp. 362-364 (review).

---------. "Tune in, Torn on, drop out: the rejection of Lee Lozano." Art Journal [a publication of the College Art Association of America], New York, Winter 2002, pp. 64-

70.

Morris, Catherine. "No woman, no why." Time Out (New York), 26 February 2004.

The Museum of Modern Art, ed. Open Hearing. New York: The Museum of Modern Art,

1969, (catalogue).

Necol, Jane; Poirier, Maurice. "The 60s in Abstract: 13 Statements and an Essay" Art in

America (New York), vol. LXXI, no. 9, October 1983, pp. 122-137 (interview).

Neuburger, Zusanne; Saxenhuber, Hedwig, ed. Kurze Karrieren: Im Museum Moderner

Kunst, Wien. Cologne: Verlag der Buchhandlung Walther König, 2004 (catalogue).

Neues Museum Nürnberg. Einfach Kunst: Sammlung Rolf Ricke. [text by Grisebach

Lucius, Ingvild Goetz, Dave Hicke, et al.], Nuremberg, 2002 (catalogue).

Nickas, Bob. "Lee Lozano. Kunsthalle Basel" Artforum (New York), no. 9, May 2006, p.

161 (review).

Pagel, David. "Afterimage Reviews Artists Making Rational Art on Paper." Los Angeles

Times (Los Angeles), 21 April 1999.

Perreault, John. "Lee Lozano at PS1: A Method to Her Madness." www.artsjournal.com

[The Daily Digest of Arts, Culture & Ideas], 21 March 2004.

---------. "Art &.…" The Village Voice (New York), vol. XV, no. 51, 17 December 1970, pp. 25-27 .

----------. "Scenes." The Village Voice (New York), 15 October1970, pp. 10-11.

-----------. 'Time' [review of Corocan Gallery exhibition], 7 February 1969.

Perret, Mai-Thu. "Lee Lozano." Metropolis M (Utrecht), no. 1, February-March 2005, p.

98-100.

Pincoffs, Ruth Posey. "Lee Lozano." The James A. Michener Collection: Twentieth

Century American Painting. [preface by Earl A. Powell III]. Austin: University Art

Museum, University of Texas at Austin, 1977.

Reed, David. "The Morning After: a Roundtable." Artforum (New York), vol. XLI, no. 7,

March 2003, pp. 206-211, pp. 267-270.

Rexer, Lyle. "Long Live Loz." Review. The Critical State of Visual Art in New York

(New York) 15 February 1998, cover, pp. 5-6.

Robins, Corinne. "The Circle in Orbit." Art in America (New York), vol. LVI, no. 6,

November-December 1968, pp. 62-6.

MARA McAFEE

Born: 1929, Beverly Hills, California

Died: January 1984, Los Angeles

EDUCATION

University of Minnesota, Minneapolis

Chouinard Art Institute, Los Angeles

Art Students League, New York

Grande Chaumiere, Paris

St. Martin’s Academy, London


1962

1963

Amel Gallery, New York

Mara McAfee’s Modern Mechanical Men, Amel Gallery, New York

1966 Portfolio Gallery, Amagansett, New York


1960 National Academy, New York

National Exchange, Bradley University, Peoria, Illinois

1962

1963

Amel Gallery, New York

First Annual Drawing Competition, Long Beach State College, Long Beach

Greer Gallery, New York

Janet Nessler Gallery, New York

Collectors Graphics, Peridot Gallery, New York

Pop Goes the Easel, Contemporary Art Museum, Houston

Pop Art USA, Oakland Art Museum, Oakland

Mixed Media and Pop Art, Buffalo Fine Arts Academy and Albright-Knox

Gallery, Buffalo

The Popular Image, Sara Lawrence College, Bronxville, New York

University of Massachusetts

Pop and Circumstance, the Four Seasons, New York 1964



Houston Center For Contemporary Art, Houston

Oakland Museum of California, Oakland

Smithsonian American Art Museum, Washington, D.C.


Bussacco, Michael. Heritage Press Sandglass Companion Book: 1960-1983. Archbald,

Pennsylvania: Tribute Books, 2009.

“Exhibition at Amel Gallery,” Artnews, November 1962, 52.

“Exhibition at Amel Gallery,” Artnews, November 1963, 51.

Falk, Peter H., ed. Who Was Who in American Art, 1564-1975: 400 Years of Artists in America.

Madison, Connecticut: Sound View Press, 1999.

Finkelstein, Alfred. “Pop Art: Glorification vs. Satire,” San Francisco Sunday Chronicle, 15

September 1963.

Kelly, Edward. “A Review of Neo-Dada: Satire, Protest, Just Plain Fun, and What Next?

The Dubious Modes of Anti, No, and Pop Art,” Art Voices from around the world, April – May

1964, 11-14.

Lippard, Lucy R. Pop Art, New York: Frederick A. Praeger, Inc., 1966.

McAfee, Mara. The Art of Mara McAfee, New York: Simon & Schuster, 1981.

- - - , and Aldous Huxley. Brave New World. Avon, Connecticut: Ltd. Editions Club, 1974.

Matusow, Marshall. The Art Collectors Almanac No. 1. Huntington Station, New York: The Art

Collectors Almanac Inc, 1965.

O’Doherty, Brian. “Did you Hear the One About Mara McAfee?” The New York Times, L22

(date unknown).

Reed, Walt. The Illustrator in America, 1860-2000. New York: Society of Illustrators, 2001.

- - - , and Roger Reed. The Illustrator in America, 1880-1980: A Century of Illustration. New York:

Published for the Society of Illustrators by Madison Square Press, 1984.

Tillim, Sidney. “Exhibition at Amel Gallery,” Arts Magazine, December 1962, 48.

PATTY MUCHA

Born: Milwaukee

Lives: St. Johnsbury, Vermont

EDUCATION

1953-57

1950s

University of Wisconsin, Milwaukee

Milwaukee Art Institute, Milwaukee

Layton School of Design

Oxbow School of Painting, Saugatuck, Michigan


1991

1993

Mucha, Catamount Arts Gallery, St. Johnsbury, Vermont

Portraits, Quimby Art Gallery, Lyndon State College, Lyndonville, Vermont

Wings of Art, Burlington International Airport, Burlington, Vermont

1994

2004

2006

2009

Northern Lights Bookstore and Café. St. Johnsbury, Vermont

Greensboro Free Library, Greensboro, Vermont

On the Farm, Catamount Arts Gallery, St. Johnsbury, Vermont

To The New York Eye-land, The Gallery at Wren, Bethlehem, New

Hampshire

Exploring Eroticism, WREN Art Gallery, Bethlehem, New Hampshire

Patty Mucha: A Mini-Retrospective, Catamount Arts Gallery, St. Johnsbury,

Vermont


1991 Shades of Pastel, Maryland Pastel Society, Baltimore, Maryland

1992

1993

1994

1995

Art Show '91, T.W. Wood Gallery, Montpelier, Vermont

31st Art Exhibition/National Show, Poudre Valley Art League, Fort Collins,

Colorado

SVA Members Spring/Summer Exhibition, Southern Vermont Art Center,

Manchester, Vermont

Christmas Show, Wickwire Gallery, Lyndonville, Vermont

Small Works '92, Catskill Art Society, Hurleyville, New York

Art in the Round Barn, Green Mountain Cultural Center, Waitsfield,

Vermont

A Gift of Art, T.W. Wood Gallery, Montpelier, Vermont

Arts Alive, Duck Bay Art Gallery, Burlington, Vermont

Juried Summer Exhibition at AVA, AVA Gallery & Art Center, Lebanon,

New Hampshire

Annual Holiday Exhibit, AVA Gallery & Art Center, Lebanon,

New Hampshire

The 15th Wildlife Art Exhibition, VINS, Woodstock, Vermont

Sacred Spaces/Sacred Views, Catamount Arts Gallery, St. Johnsbury,

Vermont

Annual Holiday Exhibit, AVA Gallery & Art Center, Lebanon,

New Hampshire

10th Annual Art for Art's Sake, Helen Day Art Center, Stowe, Vermont

AVA's Ark, AVA Gallery & Art Center, Lebanon, New Hampshire

1996-99

1997

1998

1999

2000

Peep Show, Then & Now, Annual CGG Shows, Catamount Arts Gallery, St.

Johnsbury, Vermont

Basin Harbor Invitational, Basin Harbor, Vermont

Artists' of the Garden, Helen Day Art Center, Stowe, Vermont

ARA 23rd Annual Exhibition, Fletcher Free Library, Burlington, Vermont

Y2K, Catamount Arts Gallery, St. Johnsbury, Vermont

A Gift of Art, Annual ARA Group Show, T.W. Wood Gallery, Montpelier,

Vermont

Drawings/Works on Paper, Catamount Arts Gallery, St. Johnsbury,

Vermont

Art with a Message/Social Commentary, Catamount Arts Gallery,

St. Johnsbury, Vermont

In a Pastoral Setting, Shelburne Farms, Shelburne, Vermont

Black & White & Red All Over, Catamount Arts Gallery, St. Johnsbury, 2001

2002-3

Vermont

Animals; Fantasy; Raw Elements, Catamount Arts Gallery, St. Johnsbury,

Vermont

NOTEWORTHY COLLABORATIONS (mainly in New York during the 1960s)

 Soft Sculptures: assisted in their production with Claes Oldenburg

 Happenings: performed in a variety of these with artists Claes Oldenburg, Bob

Whitman, Dick Higgins and Jim Dine

 Films: performed in Shoot the Moon (Red Grooms & Rudy Burckhardt); Birth of the

Flag (Stan Vanderbeek); Pat’s Birthday (Bob Breer); Store Days (Oldenburg’s

Happenings) Raymond Saroff

 Art Exhibitions: City Gallery (Delancey Street Museum); Judson Gallery, Judson

Memorial Church, New York

PERFORMANCE POETRY

1978 Patty (Oldenburg) Mucha/Gerry Stork, The Firehouse, Burlington, Vermont

1979

1980

1981

Patty (Oldenburg) Mucha/Nuala Archer, Live Words, Live Words at the Jazz Gallery,

Milwaukee

Karen Edwards/Patty (Oldenburg)/Jayne Nodland, El Centro, New York

Patty Mucha, Poetry, The Mill, Burlington, Vermont

Patty Mucha/Barbara Barg, St. Mark’s Poetry Project, St. Mark’s Church, New

York

C.U.L. (Columbia University Lecture) Performance (in group), New York

Patty Mucha/Mary Mebane, Live Words at the Jazz Gallery, Milwaukee

Patty Mucha/John Guth, Songs & Poems, Grommet Studio, New York

1963

1966

1968

1974

1976

1978

1979

1981

1982

1983

1984

Museet,


Crawford, Holly. Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art

Practices. Lanham: University Press of America, 2008.

Galloway, Anne. “Vermont Artist Recalls Life With Claes Oldenburg and Presents Her Own

Work,” Seven Days: Vermont’s Independent Voice, 22 July 2009.

<http://www.7dvt.com/2009vermont-artist-recalls-life-claes-oldenburg-and-presents-herown-work>

Haywood, Robert E. “Demon in the Kitchen: Oldenburg’s Alterations,” Art in America,

October 1995, 86-93+.

Mucha, Patty. "Memoir—Sewing in the Sixties." Art in America, November 2002, 79.

- - - . Crossfire. New York: New Wilderness Audiographics, 1991. (audio cassette).

- - - . See Vermont: Poems, 1974-1978. Burlington, Vermont: Poets Mimeo Cooperative, 1979

(published under the name Patty Oldenburg).

- - - . Poems Traveling, 1971-1973. [s.l.]: Panorama, 1973. (published under the name Patty

Oldenburg).

Shannon, Joshua A. “Claes Oldenburg’s ‘The Street’ and Urban Renewal in Greenwich

Village, 1960,” The Art Bulletin, March 2004, 136-61.

BARBRO ÖSTLIHN

Born: 20 May 1930, Bromma, Stockholm

Died: 27 January 1995, Paris

EDUCATION

1951-54 Konsthögskolan (College of Art and Design), Stockholm

1954-59 Kungl. Konsthögskolan (The Royal College of Fine Arts), Stockholm


1986

Cordier & Ekstrom, New York

Tibor de Nagy Gallery, New York

Tibor de Nagy, New York

Galerie Burén, Stockholm

Foster Gallery, University of Wisconsin, Eau Claire

Galerie Aronowitsch, Stockholm

Marian Goodman Gallery, New York

Galerie Baudoin Lebon, Paris



Galerie Baudoin Lebon, Paris


Barbro Östlihn: Målningar från New York, Stockholm, Paris 1963-1983, Moderna

Stockholm

Galerie Larsson, Gävle, Sweden


1988

1991

1992

1995

1998

Europas



Galleri Ari Nova, Göteborg, Sweden


Det extatiska huset—Barbo Östlihns New York måleri, Arkipelag Stockholm—

1999

Suédois, Paris

Kulturhuvudstad

Barbo Östlihn, Peintures new yorkaises des années soixante, Le Centre Culturel


1961 Aspect, Liljevalchs Konsthall, Stockholm

1964

1967

For Eyes and Ears, Cordier & Ekstrom, New York

The Non Profit Foundation for Contemporary Performance Art, Merce Cunningham to

Broadway, Allen Stone Gallery, New York

Contemporary American Painting and Sculpture, University of Illinois, Urbana

1969 show at

Hilton Hotel, New York (arr. NUNSKU)

Moderna Museet, Stockholm (exhibition of works that would have been

1970

NUNSKU)

1972

1978

1981 the Biennale in São Paulo had Sweden participated)

Pop-Art, Hayward Gallery, London

Licht, Objekt, Bewegung, Raum, Düsseldorf, Nürnberg, Stuttgart (arr.

Colossal Scale, Sidney Janis Gallery, New York

Sammanfattning, Galerie Aronowitsch, Stockholm

Déserts, Centre International de Recherche de Création et d’Animation

(CIRCA), Avignon, France

Moderna Museet Stockholm á Bruxelles, Palais des Beaux-Arts, Brussels

1982

1983

1984

1985-86

Cordier & Ekstrom, New York

Geometric Art at Vassar, Vassar College Art Gallery, Poughkeepsie, New York

Vive l’enfant, Le Centre Culturel Suédois, Paris

Svensk konst i Kina, Peking, Guangzhou, Kunming (arr. NUNSKU)

Kvinnliga konstnärer i samlingarna, Norrköpings Konstmuseum, Norrköping, 1992

Sweden

1996

1998

Göteborg,

Par i konsten, Norrköpings Konstmuseum 50 år, Norrköping, Sweden

Hjärtat sitter till vänster, svensk konst 1964-74, Göteborgs Konstmuseum,

2003

Sweden; Uppsala Konstmuseum, Uppsala, Sweden

Moderna Museet c/o Malmö Konsthall, Malmö Konsthall, Malmö, Sweden


Moderna Museet, Stockholm


Allgårdh, Sophie. Svensk konst i världen: trender, lanseringer och reaktioner 1965-1996. Stockholm:

Carlsson, 2000.

Ashton, Dore. “New York Commentary,” Studio International, February 1964.

Barbro Östlihn: målningar från New York-Stockholm-Paris, 1962-1983. with texts by Charles

Dreyfus, Torsten Ekborn, and Olle Granath. Moderna museets utställningskatalog, nr. 188.

Stockholm: Moderna Museet, 1984.

Benedikt, Michael. “New York Letter,” Art International, April 1966.

Borgegård, Eva. Ur samlingen, 250 konstnärer från A-Ö, Västerås Konstmuseum, Västerås kulturnämnds skriftserie nr 34, 2000.

Dreyfus, Charles. “Barbro Östlihn,” Canal no. 45/46, 1982.

- - - . Déserts, Avignon: CIRCA, 1981.

Fahlström, Öyvind. “Barbro Östlihn,” Art International, February 1968.

Granath, Olle. Another Light. Stockholm: Swedish Institute, 1970.

Hess, Thomas B., and Elizabeth C. Baker. Art and Sexual Politics; Women's Liberation, Women

Artists, and Art History. New York: Macmillan, 1973.

Holmer, Kerstin, and Birgitta Flensburg. Nörrköpings Konstmuseum: Katalog. Nörrköping:

Nörrköpings Konstmuseum, 2000.

Judd, Donald. “In the Galleries,” Arts Magazine, January 1964.

- - - . Complete Writings 1959-1975: Gallery Reviews, Articles, Letters to the Editor, Reports,

Statements, Complaints. Halifax: Press of the Nova Scotia College of Art and Design, 1975.

Karlsson, Bo A., Ulf Kihlander and Ola Åstrand, ed. Hjärtat sitter till vänster, svensk 1964-74.

Göteborg: Göteborgs Konstmuseum, 1998.

Öhrner, Annika. “Barbro Östlihn och Öyvind Fahlström,” Par i konsten, Norrköpings

Konstmuseum 50 år, ed. Helena Persson and Kerstin. Norrköping: Norrköpings

Konstmuseum, 1996.

- - - . “Det extatiska huset – Barbro Östlihns New York måleri,” Arkipelag Stockholm 98.

Stockholm: Europas Kulturhuvudstad, 1998.

- - - , and Peter Samuelsson. Barbro Östlihn: liv och konst. Norrköping: Norrköpings konstmuseum, 2003.

Rose, Barbara. “New York Letter,” Art International, January 1964.

Russell, John, and Suzi Gablik. Pop Art Redefined. New York: Frederick A. Praeger, 1969.

Springfeldt, Björn. “Barbro Östlihn,” Moderna Museet c/o Malmö Konsthall. Stockholm:

Moderna Museet; Malmö: Malmö Konsthall, 2003.

Sydhoff, Beate. Sveriges konst på 1900-talet, del 2, 1945-1975. Sveriges Allmänna

Konstförening, 2000.

FAITH RINGGOLD

Born: 8 October 1930, New York

Lives: Englewood, NJ

EDUCATION

B.S., M.A. City College of New York


1967

1970

1973

1984

1987

1988

1989

1990

Spectrum Gallery, New York

American Black, Spectrum Gallery, New York

Ten Year Retrospective, Voorhees Gallery, Rutgers University, New Brunswick,

New Jersey

Twenty Year Retrospective, Studio Museum, Harlem, New York

Change: Faith Ringgold’s Over 100 Pound Weight Loss Performance Story Quilt,

Bernice

Steinbaum Gallery, New York

Bernice Steinbaum, New York

Faith Ringgold: Paintings and Sculpture, Vaughn Cultural Center, St. Louis

Retrospective Exhibition, Sims Gallery, New Orleans

Faith Ringgold, Henry Art Gallery, University of Washington, Seattle

Faith Ringgold: Stories of Compassion and Conscience, Sawhill Art Gallery, James

Madison University, Harrisonburg, Virginia

1991

Faith Ringgold: A Twenty-Five Year Survey, Miami University Art Museum,

Oxford, Ohio, traveled to: Albright-Knox Art Gallery, Buffalo

Faith Ringgold, Greenville County Museum, Greenville, South Carolina

Faith Ringgold: Story Quilts, DuPont Gallery, Washington and Lee University,

Lexington, Virginia

Faith Ringgold: The French Collection, Bernice Steinbaum Gallery, New York

Faith Ringgold: A Twenty-Five Year Survey, Musueum of Art, Davenport, Iowa,

1992

1992-93 traveled

1995

1996

1997

1998 to: University of Michigan Museum of Art, Ann Arbor; Women’s Center

Gallery, University of California, Santa Barbara; Mills College Art Gallery,

Oakland, California; Tacoma Museum, Tacoma, Washington

Faith Ringgold: 40 Years of Selected Works, ACA Galleries, New York

Faith Ringgold: The French Connection Story Quilts, Hudson River Museum,

Yonkers, New York

Magical Tales of Lonnie, San Diego Children’s Museum, San Diego

Faith Ringgold, The American Collection and Selected Works: Story quilts, Paintings,

Drawings

and Prints, ACA Galleries, New York

1998-2000 Dancing at the Louvre: Faith Ringgold’s French Connection and Other Story Quilts,

Akron

1999

2001-04

Museum of Art, Akron, Ohio, traveled to: University Art Museum and

Pacific Film Archive, Berkeley, California; The New Museum of

Contemporary Art, New York; The Baltimore Museum of Art; Fort Wayne,

Indiana; Chicago Cultural Center, Chicago; Contemporary Art Center of

Virginia, Virginia Beach, Virginia; Wichita Art Museum, Kansas; Kalamazoo

Institute for the Arts, Michigan; Contemporary Art Center, Madison

Faith Ringgold, The Rye Arts Center, New York

Coming to Jones Road and Other Stories, ACA Galleries, New York, traveled to:

York College of Pennsylvania, York; San Diego Mesa College, San Diego;

Blanden Memorial Art Museum, Fort Dodge, Iowa; Ellen Noel Art Museum,

Odessa, Texas; Virginia Polytechnic Institute, Blacksburg, Virginia; Saint

Joseph College, West Hartford, Connecticut; The Longwood Center for the

Visual Arts, Farmville, Virginia; HUB Robeson Galleries, Pennsylvania State

University, University Park; Zora Neale Hurston National Museum of Fine

2003-04

2005

2006

Fairfield

2006-07

2008

2007-08

Art, Eatonville, Florida; Selby Gallery, Ringling School of Art and Design,

Sarasota

Manchester Craftsmen’s Guild, Pittsburgh

Mama Can Sing, Papa Can Blow, ACA Galleries, New York

Louisiana Art & Science Museum, Baton Rouge (traveling exhibition)

Morris Museum, Morristown, New Jersey (traveling exhibition)

The Thomas J. Walsh Gallery, the Regina A. Quick Center for the Arts,

University, Fairfield, Connecticut

Brattleboro Museum & Art Center, Brattleboro, Vermont

Ritz Theater & LaVilla Museum, Jacksonville, Florida

Wadsworth Atheneum Museum, Hartford, Connecticut

Jundt Art Museum, Gonzaga University, Spokane, Washington

Boise Art Museum, Boise, Idaho (traveling exhibition)

Thorne-Sagendorph Art Gallery, Keene State College, Keene, New

Hampshire

A Declaration of Independence: 50 Years of Art by Faith Ringgold, Mason Gross 2009

School of the Arts Galleries, Rutgers University, New Brunswick, New Jersey


1966 Contemporary Art of the American Negro, Harlem, New York (organized by

1968

1971

1972

1977

1980

1985

Romare Bearden)

In Honor of Dr. Martin Luther King, The Museum of Modern Art, New York

Where We At, Acts of Art Gallery, New York

American Women Artists, Kunsthaus Hamburg

Festac 77, Lagos, Nigeria

The Artist and the Quilt (traveling exhibition)

Tradition & Conflict: Images of a Turbulent Decade 1963-1973, Studio Museum,

Harlem, New York

The Family in Contemporary Art, Nexus Gallery, Philadelphia

Selections from the Bernice Steinbaum Gallery, Axis Twenty, Inc., Atlanta

Prophets and Translators: Black Artists in Transition, The Chrysler Museum,

1989

1990

Norfolk,

1991

Center,

Virginia

African-American Works on Paper: from the Cochran Collection, Lamar Dodd Art

LaGrange College, LaGrange, Georgia

1994

Other Voices: Mediating Between Ethnic Traditions and the Modernist Mainstream,

The Baxter

Gallery, Portland School of Art, Portland, Maine

Reina Sofia Museum, Madrid

1996

Cairo Biennial

Bearing Witness: Contemporary Works by African American Women Artists, Spelman

1999-00

2000

2001

2004

2004-08

2005-06

2006

2007

2008

2008-09

2009

1996-97

1997

1998

1999

College, Atlanta (traveling exhibition)

Retreat and Renewal: The Painters and Sculptors of the MacDowell Colony, The

Currier Gallery of Art, Manchester, Vermont, travelled to: The Equitable

Gallery, New York; Wichita Art Museum, Wichita, Kansas; Ft. Wayne

Museum of Art, Ft. Wayne, Indiana

Important American Paintings and European Sculpture, ACA Galleries, New York

Winter Group Exhibition, ACA Galleries, New York

The New Jersey Arts Annual, The Newark Museum, Newark

ACA Galleries, New York

Portraiture: Not by Definition, Westby Art Gallery, Rowan University,

Glassboro, New Jersey

ADAA Art Show, ACA Galleries, New York

Beyond the Veil: The Arts of African American Artists at Centuries End, Cornell

Fine Arts Museum, Winter Park, Florida

Interludes: Romare Bearden, Richard Mayhew, Faith Ringgold, Benny Andrews, Barkley

Hendricks, Thomas Walsh Art Gallery, Fairfield, Connecticut

Images and Words: Women’s Voices, SUNY at Stony Brook, Stony Brook, New

York, traveled to: Northern Michigan University, Marquette, Michigan; The

Regina A. Quick Center for the Arts, St. Bonaventure University, St.

Bonaventure, New York

National Association of Women Artists Sculpture Exhibition, The Jane Vorhees

Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey

American Century: Art and Culture 1950-2000: Part 2, Whitney Museum of


Months and Moons, ACA Galleries, New York

Inaugural Exhibition: 68 Years/68 Masters, ACA Galleries, New York

New Prints 2001—summer, International Print Center New York, New York

Invitational Exhibition of Painting and Sculpture, American Academy of Arts and

Letters, New York

New York, New York, The Opelousas Museum of Art, Opelousas, Louisiana

Picture Stories: A Celebration of African American Illustrators, traveling exhibition organized by Smith Kramer, Inc.

Art of Engagement, Jack Rutberg Fine Arts, Los Angeles

Anyone Can Fly Foundation: Winter 2006, ACA Galleries, New York

Nihonbashi Mitsukoshi, Tokyo (traveling exhibition)

Portraiture Now, National Portrait Gallery, Washington, D.C.

WACK! Art and the Feminist Revolution, The Museum of Contemporary Art,

Los Angeles

Wheaton College, Norton, Massachusetts

Creative Destinations: 16 th Anniversary Exhibition of African American Art, Art in the Atrium, Inc., Morris County Administration and Records Bldg.,

Morristown, New Jersey

[un]common threads, Michael Rosenfeld Gallery, New York

Transformation AGO: Contemporary Art, 1960-1970, Art Gallery of Ontario,

Toronto

Rebelle: Art and Feminism 1969-2009, Museum voor Moderne Kunst Arnhem,

Arnhem, The Netherlands

Harlem Sewn Up: Quilted Reflections of a Community, Dwyer Cultural Center, New

York


AARP, Washington, D.C.

American Craft Museum, New York

ARCO Chemical, Philadelphia

Baltimore Museum of Fine Arts, Baltimore

Boston Museum of Fine Arts, Boston

Brooklyn Children’s Museum, New York

Chase Manhattan Bank, New York

Coca-Cola, Atlanta

Fort Wayne Museum of Fine Arts, Fort Wayne, Indiana

Harold Washington Library Center, Chicago

The High Museum of Art, Atlanta



National Museum of American Art, Washington, D.C.

Newark Museum, Newark, New Jersey

Philadelphia Museum of Art, Philadelphia

Phillip Morris Collection, New York

The Solomon R. Guggenheim Museum, New York

Spelman College Museum, Atlanta

Spenser Museum, Lawrence, Kansas

St. Louis Art Museum, St. Louis

The Studio Museum in Harlem, New York

Williams College Museum of Art, Williamstown, Massachusetts

MARTHA ROSLER

Born: 1943, Brooklyn, New York

Lives: Brooklyn, New York

EDUCATION

1965 BFA Brooklyn College of the City University of New York

1974 MFA University of California, San Diego


1973 Monumental Garage Sale, University of California, San Diego

Vital Statistics of a Citizen, Simply Obtained, University of California, San

Diego

1974 A Gourmet Experience, University of California, San Diego

1975 The Kitchen, New York (with Allan Sekula)

1976 Parachute Center for Cultural Affairs, Calgary

1977 Martha Rosler: New American Filmmakers Series, Whitney Museum of


What’s Your Name Little Girl?, CLOSE Artists’ radio, KPFK Los Angeles

Traveling Garage Sale, La Mamelle Gallery garage, San Francisco

Foul Play in the Chicken House, Long Beach Museum of Art, California

1978 Martha Rosler, Véhicule Art, Montréal, Canada

Martha Rosler, Video Free America, San Francisco, CA

Domination and the Everyday, Los Angeles Institute of Contemporary Art

Getting the News in What’s Cooking II, University of California, San Diego

1979 Getting the News, Alberta College of Art, Calgary, University Art

Museum, University of California, Berkeley Institute of Contemporary

Arts, London

1980 Sketch for a Ritual of Mutual Atonement: For Alice, Interaction Arts, New

York

Anna Leonowens Gallery, Nova Scotia College of Art & Design, Halifax

1981-82 Watchwords of the Eighties, Documenta 7, Kassel; Oberlin College Art

Museum, Ohio; Walter Phillips Gallery, Banff Centre School of Fine Art;

Mercer Union Gallery, Toronto; Dance Theatre Workshop, New York curated by Lucy Lippard

1983 Martha Rosler: Six Videotapes, 1975-1983,The Office, New York

1985 University/Community Video, Minneapolis

Fascination with the (Game of the) Exploding (Historical) Hollow Leg,

Sibell-Wolle Fine Arts Gallery, University of Colorado, Boulder

1986 Los Angeles Center of Photographic Studies and EZTV, Los Angeles

Camerawork, San Francisco

Installation Gallery, San Diego

Electronic Arts Gallery, Minneapolis

1987 Focus: Martha Rosler, Institute of Contemporary Art, Boston,

Global Taste: A Meal in Three Courses,Video Installation at Cornell

1988

Cinema, Ithaca

Born to Be Sold, Martha Rosler: Four Works, American Film Institute

Video Festival, Los Angeles, CA, Viewpoints on Video Cable Series,

organized by the Premiere screening

1989 If you lived here... , Dia Art Foundation, New York, (Six-month project including group shows, screenings, readings, and other activities, and a series of open forums on housing, homelessness, and visions of the city)

Housing Is a Human Right, Times Square Spectacolor animated

signboard, New York

1990 Housing Is a Human Right (Project on housing and homelessness in the city of Oxford and Oxfordshire),The City of Oxford and at the Museum of

Modern Art, Oxford, England

Martha Rosler, In Series: “Politische Diskurse,” Galerie 7.0.7. Frankfurt

1991 The Machine Wreckers: The Lady Luddites, Third Frauen Film Festival,

Dortmund

1993 In the Place of the Public, Jay Gorney Modern Art, New York,

Monográfico de Martha Rosler, Instiut Valencià de la Dona, Valencia

An Empty Space in Ottensen, Contaminated by History, Capital and

Asbestos, In the series “Stadtfahrt (City Tour),” Hamburg

1994 In the Place of the Public, Contemporary Arts Center, Cincinnati

Videotapes of Martha Rosler, Palais des Beaux Arts, Brussels

1995 Martha Rosler: Segundo Bienal del Video, Museo de Arte Contemporáneo,

Santiago, Chile

1996 Everyday Objects: Videotapes by Martha Rosler, Art Gallery of Ontario,

Toronto

Martha Rosler Reads Vogue: Wishing, Dreaming, Winning, Spending,

Paper Tiger Television, Bronxnet, New York

Born to Be Sold, Free Speech TV, Boulder, Colorado

1997 Transitions and Digressions, Jay Gorney Fine Art, New York

Rights of Passage, Galerie Anne de Villepoix, Paris

1998 Martha Rosler: Positions in the Life World, Ikon Gallery, Birmingham

In the Place of the Public, Frankfurt Airport, sponsored by the airport and

Museum für Moderne Kunst

Martha Rosler, INIT: Kunsthalle, Berlin

1999 OOPS! Or, Nobody Loves a Hegemon, Galerie Christian Nagel, Cologne

Martha Rosler: Positionen in der Lebenswelt, Generali Foundation, Vienna;

MACBA, Museu d’art contemporani, Barcelona; Villeurbanne, France

2000 Martha Rosler: Positions in the Life World, New Museum in collaboration with the International Center of Photography, New York

Martha Rosler: Video, Kiasma Museum Of Contemporary Art, Helsinki

2004 Photomontages 1965 – 2004, Gorney Bravin + Lee Gallery, New York

2005 Martha Rosler Library, 53 Ludlow Street, New York

Martha Rosler: London Garage Sale, Institute of Contemporary Arts,

London

Martha Rosler - If not now, when?, Hannover Sprengel Museum

2006 Art Social Life; The Case of Video Art, unitednationsplaza, Berlin

Martha Rosler: Kriegsschauplatze, Galerie Christian Nagel, Berlin

2007 Martha Rosler Library, unitednationsplaza, Berlin

Virtual Minefield, Location One, New York


1975 The Evening News (with Alan Sekula), Cable-TV screening, College Art

Association, Hilton Hotel, Los Angeles

1979 Whitney Biennial, Whitney Museum of American Art, New York

1980 A Decade if Women’s Performance Art, Contemporary Arts Center, New

Orleans and traveling, Sponsored by the National Women’s Caucus for

Art

1985 The Art of Memory, The Loss of History, New Museum of Contemporary

Art, New York

Disinformation: The Manufacture of Discontent, The Alternative

Museum, New York

1995 Public Information: Desire, Disaster, Document, San Francisco Museum

of Modern Art, San Francisco

1997 Views from Abroad III, Whitney Museum of American Art, New York,

(Selections from the Whitney Permanent Collection made by the Tate

Gallery, London)

1999 Ruins in Reverse: Time and Progress in Contemporary Art, In the Place

of the Public: Airport Series, CEPA Gallery, Buffalo, Suite of bus

cards and subway light boxes in the exhibition

2000 The Museum of Contemporary Art, New York

Performance for the project Indiscipline, Romances of the Meal, Brussels

2000 Hors Champ: Agenda Caravanes, Centre Georges Pompidou, Paris,

Two-person screening (with Peter Boggers)

2002 Vin & Sprithistoriska Museet, Stockholm, with Richard Billingham


Maison Européenne de la Photographie, Paris

Gloria: Another Look at Feminist Art in the 1970s, White Columns, New

York, traveled to: The Paley and Levy Galleries, Moore College of Art

and Design, Philadelphia; Rhode Island School of Design, Providence

Through Women's Eyes —Video Art by Women Artists, Museum of

Contemporary Art, Taipei, Taiwan

2005 Persistent Vestiges: Drawings from the American-Vietnam War, The

Drawing Center, New York, NY

Inside Out Loud, Mildred Lane Kemper Art Museum, Washington

University, St. Louis

Open Systems: Rethinking Art c.1970, Tate Modern, London.

curated by Donna De Salvo

2006 The Downtown Show: The New York Art Scene, 1974-1984, Grey Art

Gallery, New York University: traveled to Andy Warhol Museum,

Pittsburgh and Austin Museum, Austin

Kapital, Kent Gallery, New York

War Fare, Museum of Contemporary Photography, Chicago, with

Ashley Gilbertson, Sean Hemmerle, Sarah Pickering, and Sean

Snyder

Los Angeles 1955-1985, Birth of an Artistic Capital, Centre

Georges Pompidou, Paris

Sous Le Pavé, Université Rennes 2, Galerie Art & Essai, Rennes, France

2007 Tomorrow , Art Sonje Center and Kumho Museum of Art , Seoul

WACK! Art and the Feminist Revolution , Museum of Contemporary Art,

Los Angeles

Skulptur Projekte Muenster

Documenta 12, Kassel, Germany

Beauty and the Blond, Kemper Art Museum, Washington University in

St. Louis

Resistance is, Whitney Museum of American Art, New York

Food for Thought: A Video Art Sampler, Jewish Museum, New York

2008 WACK! Art and the Feminist Revolution, P.S.1 Contemporary Art Center,

New York


Art Gallery of Ontario, Toronto

Art Institute of Chicago

Bard College, Annandale on Hudson

Barnard College of Columbia University, New York

Brown University, Providence

Centre Georges Pompidou, Paris

Columbia University, New York

École National Supérieure des Beaux Arts, Paris

Goldsmiths College, University of London

Harvard University, Cambridge, Massachusetts

International Center of Photography, New York

Institut für Kunstgeschichte, Bern

IVAM

-Centre Julio González (Institut Valencia Arte Moderna) Valencia

Korea University, Seoul

Kunstmuseum Basel

Louisiana Museum of Modern Art, Humlebaek, Denmark

Massachusetts Institute of Technology, Cambridge



Museo Nacional Centro de Arte, Madrid

Museu de Arte Moderna do Rio de Janeiro

Museu d’Art Contemporani di Barcelona

Museum of Contemporary Art, Taipei


National Museum of Women in the Arts, Washington, D.C.

Neue Berliner Kunstverein, Berlin

Princeton University, Princeton, New Jersey

San Francisco Museum of Modern Art

Tate Modern, London

Victoria and Albert Museum, London



MARJORIE STRIDER

Born: 1934, Guthrie, Oklahoma

Lives: Saugerties, New York

EDUCATION

B.A. Kansas City Art Institute


1965

1966

1968

1971

1973

1974

The Pace Gallery, New York

The Pace Gallery, New York

Park College, Parksville, Missouri

Building Work, 112 Greene Street, New York (outdoor installation)

Nancy Hoffman Gallery, New York

Strider: Sculpture and Drawings 1972-1974, Weatherspoon Art Gallery,

University of North Carolina, Greensboro

1976

Nancy Hoffman Gallery, New York

Clocktower, New York

City University Graduate Center, New York

Colby-Sawyer College, New London, New Hampshire 1978

1982-85 Marjorie Strider: 10 Years, 1970-1980, Myers Fine Art Gallery, State University of New York at Plattsburgh: traveled to Hillwood Art Gallery, C.W. Post

Center, Long Island University, Greenvale, New York; The Sculpture Center,

New York; The College of Wooster, Wooster, Ohio; The Alexandria

Museum, Visual Art Center, Alexandria, Louisiana; The Gibbes Art Gallery,

Charleston, South Carolina; Joslyn Art Museum, Omaha, Nebraska; Museum of Art, The University of Arizona, Tucson; The McNay Art Institute, San

Antonio, Texas; Museum of Art, The University of Oklahoma, Norman;

Brainerd Art Gallery, State University of New York at Potsdam; The Robert

Hull Fleming Museum, University of Vermont, Burlington; Trout Gallery,

Dickinson College, Carlisle, Pennsylvania

1984 Wall Sculpture and Drawings, Bernice Steinbaum Gallery, New York

Recent Sculpture U.S.A., P.M. and Stein Gallery, New York

1986 Broadway Windows, New York University, New York

1988-90 Sunflower Plaza, Finn Square, New York (outdoor installation)

1993

1995

1999

2001

2003

2005

Andre Zarre Gallery, New York

Recent Paintings, Andre Zarre Gallery, New York

1997 Building Work: This Time, 237 West Broadway, New York (outdoor

installation)

1998 Sarasota Pour, Selby Gallery, Ringling School of Art and Design, Sarasota,

Florida (outdoor installation)

Neuberger Museum, Purchase, New York

Truck Work, Gardener, New York

Flying Boat, New York

Big Fish, Insiders Art Gallery, Cornwall Bridge, Connecticut

2007 Andre Zarre Gallery, New York


1963 Images, New, Real, Pop, University of Massachusetts, Amherst

1964 Anti-Sensitivity Art, Ohio University Gallery, Athens

One Hundred American Drawings, Byron Gallery, New York

First International Girlie Exhibition, The Pace Gallery, New York and

Boston

1965 New American Realism, Institute of Contemporary Art, Boston, traveled to:

Cornell University; and Worcester Museum, Worcester, Massachusetts

Beyond Realism, The Pace Gallery, New York

1966 Acquisitions 1962-1965, Albright-Knox Art Gallery, Buffalo

Group Exhibition, Aspen

For the benefit of Experiments in Art and Technology, Inc., Leo Castelli Gallery, New

York

1967 Eight Artists, The Pace Gallery, New York

1968 Art of the 1960s-- Selections from the Collection of Hanford Yang, The

Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

1969 Poster Show, Dwan Gallery, New York

The Dominant Woman, Finch College, New York

1970 Whitney Annual, Whitney Museum of American Art, New York

Light and Motion, and Sound, The Hudson River Museum, Yonkers

Felix Handschin Gallery, Basel

Art in the Mind, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio

National Welfare Rights Organization Benefit Sale, Richard L. Feigen & Co., New

York

Festival of Contemporary Art, "The Municipal Art Museum of Yokohama; The

Kawatoku Art Gallery in Motioka; The Municipal Museum of Sendai, Japan

1971 New Realism-Old Realism, Dannenberg & Roman Contemporaries, Inc., New

York

Collage of Indignation IT, Hundred Acres Gallery/Lower Gallery, New York

Twenty Six by Twenty Six, Vassar College Art Gallery, Poughkeepsie, New York

Andre, Castoro, Strider, 112 Greene Street, New York

1972 Changing Terms, Museum School Gallery, Boston

American Women Artists Show, Kunsthalle Hamburg, Germany

Unmanly Art, Suffolk Museum, Stony Brook, New York

1973 The Male Nude, School of Visual Arts Gallery, New York

Women's Prints, Brentano's, New York

In Spaces, Sarah Lawrence College Gallery, Bronxville, New York

The Emerging Real, Storm King Art Center, Mountaineville, New York

The Graphic Way, The New School for Social Research Art Center, New York

Art/Peace Event, New York Shakespeare Festival, Public Theater, New York

Artlift 549, an exhibition of work by women artists, Women's Interart Center, New

York

Hand Colored Prints, Brooke Alexander, Inc.; Contemporary Arts Museum,

Houston, Webb & Parsons, Bedford Village, New York; Graphics I and II,

Boston

Outdoor sculpture exhibit, Area Sculpture-Ward's Island, New York

1974 Artists Make Toys, The Clocktower, New York

Anonymous Was A Woman, California Institute of the Arts, Valencia

Works on Paper, Virginia Museum, Richmond

1975

1974 Art on Paper, Weatherspoon Art Gallery, University of North Carolina,

Greensboro

Summer Show, Nancy Hoffman Gallery, New York

Invitational Exhibition, Xerox Corporation, Rochester

Limited Editions: Dated, Numbered, and Signed, Storm King Art Center,

Mountaineville, New York

Outdoor Sculpture, Storm King Art Center, Mountaineville, New York

Indianapolis Bicentennial, Indianapolis

Civic Center, Philadelphia

Focus, Samuel Fleisher Museum, Philadelphia

Paintings and Sculpture: Charles Amoldi, Cynthia Carlson, Ree Morton, Joel Shapiro,

Marjorie Strider, The Museum of Modem Art Penthouse, New York

Women Artists, The Gallery, Ben Shahn Hall, William Patterson College,

Wayne, New Jersey

Inaugural Exhibition, Grey Art Gallery and Study Center, New York

University, New York

1976 American Artists: A Celebration, McNay Art Institute, San Antonio

Rooms, P. S. 1, Long Island City, New York

Allusions: Gianakos, Schmidt, Strider, Fine Arts Gallery, University of

Colorado, Boulder

Prints and Techniques: Selections from the New York University Art Collection,

Grey Art Gallery and Study Center, New York University, New York

The Art of the Woman: Reprise, The Bronx Museum of the Arts, New York

Contemporary Drawing Invitational Show, Center for Music, Drama, and Art,

1977

Lake Placid School of Art, Lake Placid, New York

Acquisitions 1974-1977, Hirshhorn Museum and Sculpture Garden,

Washington, D.C.

Selected Prints, Brooke Alexander Gallery, New York

Ten Years, P.S. 1, Long Island City, New York

Copper, Brass, Bronze, University of Arizona, Tucson

Space Mattel, Women's Interart Center, New York

Drawings and Collage, Selections from the New York University Art Collection,

Grey Art Gallery and Study Center, New York University, New York

1978

1979

The Year of the Woman: Reprise, The Bronx Museum of the Arts, New York

Women in Art: Working Papers, Hardwick College, Oneonta, New York

Project Rebuild, Museo Civico e Gallerie d'Arte Antica e d'Arte Moderna,

Udine, Italy

A Selection of Prints from the New York University Art Collection, The College

Gallery, Keane College of New Jersey, Union

Out of the House, Whitney Museum of American Art, Downtown, New York

Art of the '70s, P.S. 1, Long Island City, New York

Benefit Auction for Carol Bellamy, Witkin Gallery, New York

9 x 30, A Festival of Small Sculpture, Martha Jackson Gallery, New York

Venezia Revenice, Palazzo Grassi, Venice

Not Photography (Photography), Fine Arts Building, New York

Summertime, Droll/Kolbert Gallery, New York

Outdoor Sculpture Exhibition, Foley Square, New York and

Wards Island, New York

Bonnie Benedek Sculpture Garden, East Hampton, New York

1980

The Fabric Workshop-Experimental Prints, The Ben Shahn Gallery, William

Patterson College, Wayne, New Jersey

Baseball Exhibition, Spectrum Fine Arts, New York

Material Pleasures: The Fabric Workshop at ICA, Institute of Contemporary Art,

University of Pennsylvania, Philadelphia

Illusion and Material, The Ben Shahn Gallery, William Patterson College,

Wayne, New Jersey

Scottsdale Center for the Arts, Scottsdale, Arizona (winner of competition for outdoor sculpture)

Mysterious and Magical Realism, Aldrich Museum, Ridgefield, Connecticut

Material Pleasures: An exhibition of clothing designed by artists at the Fabric

Workshop in Philadelphia, Museum of Contemporary Art, Chicago

1981

Regalia, Arts for Living Center, Henry Street Settlement, New York

Heresies Benefit, Hillwood Art Gallery, C.W. Post Center, Long Island

University, New York

Exhibition DumbDumb, P. S. 122, New York

Decorative Sculpture, The Sculpture Center, New York

Alternatives in Retrospect, The New Museum, New York

The Drawing Biennale, Lisbon, Portugal

1981-82 Usable Art, Myers Fine Arts Gallery, State University of New York at

Plattsburgh, traveled to: The Queens Museum of Art, Flushing, New York;

Brainerd Art Gallery, State University of New York at Potsdam;

Danforth Museum, Framingham, Massachusetts

1981-83 Great Lakes Colleges Association Artist Sponsors Exhibition, Ohio Wesleyan

University, Delaware, Ohio (traveling exhibition)

Still Life Today, Michael C. Rockefeller Gallery, State University College at

Fredonia, New York, traveled to: Tyler Art Gallery, State University

College at Oswego; Root Art Center, Hamilton College, Clinton, New

York; College of Saint Rose, Albany, New York; Skidmore College,

Sarasota Springs, New York; Federal Reserve Bank of New York, New

Library Art Gallery, Jamestown, New York; The Hyde Collection, Glens

Falls, New York; Federal Reserve Board, Washington, D.C.

1981-84 Art Materialized: Selections from the Fabric Workshop, The New Gallery for

Contemporary Art, Cleveland, traveled to: The Gibbes Art Gallery,

Charleston; The Hudson River Museum, Yonkers, New York;

USF Art Galleries, University of South Florida, Tampa;

1982

The Art Museum and Galleries, California State University, Long Beach;

Alberta College of Art Gallery, Calgary; Pensacola Museum of Art,

Pensacola, Florida

Gloria Luria Gallery, Bay Harbor Islands, Florida

Cloudworks, Stewart Neill Gallery, New York

1983 Outdoor Sculpture, Hillwood Art Gallery, C.W. Post Center, Long Island

University, Greenvale, New York,

Terminal New York, Terminal, Brooklyn, New York

1984 Bronze Sculpture in America, 1850 to the Present, The Newark Museum,

Newark, New Jersey

The Tremaine Collection: 20 th Century Masters, The Spirit of Modernism,

The Wadsworth Atheneum, Hartford, Connecticut

A New Beginning, The Hudson River Museum, Yonkers, New York

Animals, Stamford Museum, Stamford, Connecticut

Synthesis-The Fusing of Painting and Sculpture, The First Women's Bank, New

York

1985 Alumni Show, William Rock Hill Nelson Museum, Kansas City Art Institute

Kansas City, Missouri

Women in Art, The Peck School, Morristown, New Jersey

American Art: American Women, Stamford Museum, Stamford, Connecticut

Adornments, Bernice Steinbaum Gallery, New York

Independent Curators, Inc. Benefit, The Puck Building, New York

1986 Out of the Ordinary, Mary Delahoyd Gallery, New York

Let's Play House, Bernice Steinbaum Gallery, New York

New Liberty Monuments, Newhouse Gallery, Snug Harbor Cultural Center,

Staten Island, New York

The Embellishment of the Statue of Liberty, Barney's, New York

1987 New Works, Danforth Museum, Framingham, Massachusetts

1988 Lines of Vision: Drawings by Contemporary American Women, Herbert F.

Johnson Museum of Art, Cornell University, Ithaca, New York (traveling

1989

1991

1992

1993

1994

1995

1996

1997

1998

1999

2002 exhibition)

Unrealism, Fayerweather Gallery, University of Virginia, Charlottesville

Contemporary American Printmaking 1960 to the Present, Newark Public

Library, Newark, New Jersey (in cooperation with the Newark Museum)

Contemporary Sculpture at Chesterwood, Stockbridge, Massachusetts

In the Process, Mary Delahoyd Gallery, New York

I x 7, Andre Zarre Gallery, New York

Thick and Thin, Islip Art Museum, Islip, New York

Invitational, American Academy of Arts and Letters, New York

Twentieth Anniversary Exhibition, Andre Zarre Gallery, New York

Abstract Expressionism, An Ongoing Legacy, The Gallery at Kohn, Pederson,

Fox, New York, traveled to: The Gallery at Hastings-on-Hudson, New

York

Sculpture in the Streets, Stamford, Connecticut

Inaugural Exhibition, Dietrich Gallery, New York

Paper and Canvas, Andre Zarre Gallery, New York

Center for the Arts, Vero Beach, Florida

Sonnenschein, Nath, and Rosenthal, New York

The Gerschon Gallery, Chicago, Illinois

Berta Walker Gallery, Provincetown, Massachusetts

Dietrich Gallery, New York

Sculpture in the Streets, Stamford, Connecticut

Patchwork, Andre Zarre Gallery, New York

Mary Delahoyd Gallery, New York

Max's Kansas City 30th Anniversary Reunion, 65 Thompson Street, New York

In Small Dimensions, Andre Zarre Gallery, New York

From Secret Drawers, Andre Zarre Gallery, New York

Sniper's Nest: Art That Has Lived with Lucy R. Lippard, Douglas F. Cooley

Memorial Art Gallery, Reed College, Portland, Oregon

Contemporary Classicism, The Neuberger Museum, Purchase, New York

Selections from the Permanent Collection, Radford University, Radford, Virginia

Christmas Invitational, Andre Zarre Gallery, New York

PERFORMANCES

1964 Originale by Karlheinz Stockhausen, Judson Hall, New York, September 8, 9,

11, 12, 13

1969 Stagework, Paula Cooper Gallery, New York, May 15, 16, 17

At a Distance, Paula Cooper Gallery, New York, May 15, 16, 17

Water, (with Hannah Weiner), St. Mark's Church, New York, February 12

Street Works I, New York, March 15.

Street Works II, New York, April 18.

New York, October.

Street Works V, New York, December 21.

1970

Street Works III, New York, May 25.

Street Works IV, (sponsored by the Architectural League of New York),

1971

Event, Max's Kansas City, New York, May 2.

Framework, The 92nd Street Y, New York, November 9.

For D. W., The University of Iowa Museum of Art, Iowa City, July 31.

Cinematic, The University of Iowa Museum of Art, Iowa City, August 5.

Color Me (A Two-part Autobiographical Work), The University of Iowa Museum of Art, Iowa City, August 5.

World Works, Madrid, Spain, March 21.

Cherry Smash, The Whitney Museum of American Art, New York, March 23 and 24.


The Albright-Knox Gallery, Buffalo

University of Colorado, Boulder, Colorado

Danforth Museum, Framingham, Massachusetts

Des Moines Art Center, Des Moines, Iowa

First National Bank, Seattle, Washington

The Solomon R. Guggenheim Museum, New York

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Indianapolis Museum of Art, Indianapolis, Indiana

McNay Art Museum, San Antonio, Texas

New York University, New York

Newark Museum, Newark, New Jersey

Santa Fe Museum of Art, Santa Fe, New Mexico

Storm King Art Center, Mountainville, New York

Temple University, Philadelphia,

The Wadsworth Atheneum, Hartford, Connecticut


Alloway, Lawrence. Great Drawings of All Time: The Twentieth Century, Volume 2. New York:

Shorewood/Talisman, 1981.

Ashberry, John. "Decoration Days," New York, 2 July 1979, 51.

Battcock, Gregory. "New York," Art and Artists, March 1971, 64.

- - - , ed. Super Realism: A Critical Anthology, New York: Dutton, 1975, 315.

Bourdon, David. "Marjorie Strider at Andre Zarre," Art in America, July 1993, 99.

Canaday, John. "Art: From Clean Fun to Plain Smut," The New York Times, 7 January 1964, 31.

Compton, Michael. Pop Art. London: Hamlyn, 1970.

Crimp, Douglas. "Reviews and Previews," Art News, January 1973, 77

- - - . "Marjorie Strider at Nancy Hoffman Gallery," Art International, March 1973, 69.

Frank, Peter. "Museums on the Metroliner," The Village Voice, 16 July 1979, 64.

Genauer, Emily. "Heard Any Good Paintings Lately?" The New York Herald Tribune, 26 January 1964, 35.

Glueck, Grace. "Art Notes," The New York Times, 27 September 1964.

- - - . "Through a Glass Brightly: Artists' Creations Abound In City's Windows," The New York Times, 25 April

1986, CI, C32.

Henry, Gerrit. "Marjorie Strider," Arts, October 1975, 4.

Hess, Thomas B. “The Return of Heavy Paint," New York, 18 December 1972, 110.

- - - . "Something Old, Something New, Something Borrowed," New York Magazine, 22 January 1973, 63.

- - - and Linda Nochlin, eds. Woman as Sex Object. New York: Newsweek, Inc., 1972.

- - - and Elizabeth C. Baker, eds. Art and Sexual Politics. New York: MacMillan, 1971.

Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, 1972.

Johnston, Jill. Marmalade Me. New York: Dutton, 1971.

Judd, Don. "Marjorie Strider at Pace Gallery," Arts, February 1965, 56.

Kincaid, Jamaica. "Erotica!" Ms., January 1975, 32.

Kirby, Michael. The Art of Time. New York: Dutton, 1969.

- - - , ed. The New Theatre: Performance, Documentation. New York: New York University Press, The Drama Review

Series, 1974.

Kultermann, Udo. The New Sculpture. New York: Frederick A. Praeger, 1968.

Kurtz, Bruce. "The Last of Max's," Artforum, April 1984, 27.

Kuspit, Donald. "Strider's Projecting Presences," Art in America, May/June 1976, 88-89.

- - - . "Marjorie Strider at the Weatherspoon Gallery," Art in America,

March-April 1975, 99.

Lippard, Lucy. Pop Art. New York: Frederick A. Praeger, 1966.

- - - . From the Center: Feminist Essays on Women's Art. New York: E.P. Dutton & Co., Inc., 1976.

- - - ..Strider: Sculpture and Drawings 1972-1974. Greensboro, North Carolina: Weatherspoon Art Gallery, 1974.

- - - . Six Years: the Dematerialization of the Art Object. New York: Praeger, 1973.

- - - . The Pink Glass Swan: Selected Essays on Feminist Art. New York: New Press, 1995.

"Marjorie Strider at Nancy Hoffman Gallery," Art News, January 1973, 77.

"Marjorie Strider at Pace Gallery," Art International, March 1965, 51.

McDonaah, Don. "Choreographers Put Dancers to a Trial Of Time and Space,"

The New York Times, 16 February 1970.

- - - . "3 Choreographers Perform in Village," The New York Times, 16 May 1969.

Perreault, John. "Art, Only a Dummy." The Village Voice, 14 May 1970, 16-17.

- - - . "Art, on the Street," The Village Voice, 27 March 1969, 16-17.

- - - . "Art, Taking to the Street," The Village Voice, 16 October 1969, 15.

- - - . "Oozing, with Sunshine and Spleen," The Village Voice, 18 January 1973, 29.

- - - . "The Not Planar Dimension," Soho Weekly News, 28 January 1984, 56.

Phillips, Deborah. "Decorative Sculpture," Art News, April 1984, 190-191.

Picard, Lil. "Pluralismus-Konfusion oder Vitalitat," Kunstforum, March/April 1973, 161-162.

Pincus-Witten, Robert. Postminimalism. New York: Out of London Press, 1977.

Russell, John. "An Unwanted School in Queens Becomes An Ideal Art Center," The

New York Times, 30 June 1976, D41.

Schjeldahl, Peter. "Street Works," Art International, October 1969, 76.

Semmel, Joan. A New Eros. New York: Hacker Art Books, 1977.

Sewall-Ruskin, Yvonne. High On Rebellion. New York: Thunders Mouth Press, 1998.

Sichel, Berta. "Marjorie Strider at Andre Zarre," Flash Art, October 1993, 88-89.

Sobol, Blair. "Fashion Show Poetry Event," The Village Voice, 23 January 1969.

Strider, Marjorie. "Moving Out, Moving Up," Art News, January 1971, 41.

- - - ."Radical, Scale, Size." Art and Artist, January 1972, 30-3 1.

Stroud, Marion Boulton, ed. An Industrious Art, Innovation in Pattern and Print at the Fabric Workshop. Philadelphia:

The Fabric Workshop; New York: W.W. Norton & Company, 1992.

"Traditional and Avant-Garde," The Village Voice, 23 January 1964, cover.

Van Wagner, Judith Collischan (with essays by Lawrence Alloway, April Kingsley, Donald Kuspit, John

Perreault). Marjorie Strider: 10 Years, 1970-1980. Greenvale, New York: C.W. Post Center, Long Island

University, 1982.

- - - . Lines of Vision, Drawings by Contemporary Women. New York: Hudson Hills Press, 1988.

Wallach, Amei. "A School of Studios-P.S. I Becomes an Art Colony," Newsday, 10 June

1976, 3A.

- - - . "Artist of good things gone awry," Newsday, 28 November 1982.

Watkins, Eileen. "Newark Museum mounts bronze sculpture exhibit," Sunday Star-Ledger, 2 December 1975, 5.

Zelanski, Paul and Mary Pat Fisher. Shaping Space. New York: Holt, Rinehart, and Winston, 1987.

ALINA SZAPOCZNIKOW

Born: 1926, Kalisz, Poland

Died: 1973, Praz-Coutant, France

EDUCATION

1945-46 Trained at studio Otokar Velimsky, Prague

1946-47 Artistic Industrial College of Studio Josef Wagner, Prague

1948-50 Ecole Nationale Supérieure des Beaux-Arts, Paris

SELECTED SOLO EXHIBTIONS

1967

1973

1989

1990

1998

Alina Szapocznikow, a retrospective, Galeria Zacheta, Warsaw

Alina Szapocnikow. Tumeurs, Herbier, Musée d’Art Moderne de la Ville de Paris,

Paris

Alina Szapocnikow, 1926-1973, Galerie KUL, Lublin, Poland

Alina Szapocnikow, 1926-1973, Biblioteka Polska, Paris

Alina Szapocnikow, 1926-1973, Galeria Zacheta, Warsaw

Alina Szapocnikow, 1926-1973, retrospective, Galeria Zacheta, Warsaw, traveled

2000

2004

2007

2007-8

1960

1965-66

1970

1996

1997

1998

1999 to: Museum Narodowe, Krakow; Museum Sztuki, Lodz; Museum

Narodowe, Wroclaw

Czeskie Museum Sztuki, Prague

Capturing Life, Alina Szapocnikow, IRSA, Warsaw

Galerie Gisela Capitain, Cologne

Broadway 1602, New York


1957

1958

Alina Szapocnikow and Jerzy Tchorzewski, Warsaw

Biennial of Sculpture in Sonsbeek, Arnheim, The Netherlands

Venice Biennale

Galerie Lacloche, Paris

Art Concepts from Europe, Bonino Gallery, New York

Rzezba Plska XX wieku w zbliorach, Muzeum Narodowego w Warszawie,

Muzeum Narodowe, Warsaw

Portret. Figura wieloznaczna. Malarstwo I rezezba z kolekcji, Museum Sztuki w

Lodzi, Gniezno, Poland

Poland Art 1945-1996, Nemzeti Museum, Musarnok, Budapest

Figura w rzezbie polskiej XIX/XX wieku, Galeria Zacheta, Warsaw

Galeria Zacheta, Warsaw

2004

2007

2008

2009

Flesh at War with Enigma, Kunsthalle Basel, Basel, curated by Anke Kempkes

Documenta XII, Kassel, Germany

Vera Janoukovâ, Eva Kmentovâ, Alina Szapocznikow: Three Sculptors, Queen

Anne’s Summerhouse, Prague Castle, Prague

Awkward Objects: Alina Szapocznikow and Maria Bartuszova, Pauline Boty, Louise

Bourgeois, Eva Hesse, and Paulina Olowska, Museum of Modern Art, Warsaw

The Photographic Object, The Photographers’ Gallery, London

The International Incheon, Women Artist’s Biennale, Incheon, South Korea


Musée d’Art Moderne de la Ville de Paris, Paris

MUSEION - Museum für moderne und zeitgenössische Kunst, Bolzano, Italy

Muzeum Narodwe w Poznaniu / National Museum Poznan, Poznan, Poland

Muzeum Sztuki w Lodz, Lodz

National Museum Wroclaw, Wroclaw


Bartelik, Marek. “Alina Szapocznikow: Galeria Zacheta,” Artforum International, January 1999,

128.

Burton, Johanna. “Alina Szapocznikow: Broadway 1602,” Artforum International, February

2008, 291.

Chmielewski, Amy. Alina Szapocznikow's Body of Work: Sculptures, 1953-1972. Dissertation

(MA)--University of London (Courtauld Institute of Art), 2006.

Chrzanowska-Pienkos, Jolanta, and Marzena Beata Guzowska. Alina Szapocznikow: 1926-

1973, May - July 1998, Galeria Sztuki Wspó ł czesnej Zacheta. Warsaw: GSW Zacheta, 1998.

Field, Virginia. “Visit to Poland,” Art Journal, Spring 1963, 158.

Grabski, Józef, and Maja Lavergne. Alina Szapocznikow: zatrzymac zycie : rysunki i rzeby: katalog

= Alina Szapocznikow: capturing life: drawings and sculptures: catalogue. Kraków: IRSA, 2004.

Grant, Simon. “Refreshing the Scars,” Apollo, December 2008, 69-70.

“Le XVIe Salon de la jeune sculpture,” Aujourd’hui, October 1964, 46-7.

Jakubowska, Agata. Portret wielokrotny dzie ł a Aliny Szapocznikow. Seria Historia sztuki, nr. 32.

Poznan: Wydawnictwo Naukowe UAM, 2008.

Rottenberg, Anda, Jolanta Chrzanowska-Pienkos, and Maja Lavergne. Alina Szapocznikow

[1926-1973]. Warsaw: Institute for the Promotion of Art Foundation, 1998.

Szapocznikow, Alina. “Les tumeurs (1969) (art reproduction),” Metro no. 16-17, 259.

- - - . Alina Szapocznikow, 1926-1973; tumeurs, herbier. Paris: Musée d'art moderne de la ville de

Paris, 1973.

- - - . Alina Szapocznikow, 1968: [ce catalogue a été édité à l'occasion de l'exposition de Alina

Szapocznikow à la Galerie Cogeime s.a., Bruxelles, du 12 novembre au 3 décembre 1968]. Brussels:

Galerie Cogeime s.a, 1968.

- - - , and Jolanta Chrzanowska-Pienkos. Alina Szapocznikow. Warsaw: Galeria Sztuki

Wspó ł czesnej Zache ta, 1998.

- - - , and Urszula Czartoryska. Alina Szapocznikow. Prague: Ceské muzeum výtvarných umení, 2000.

- - - , Pierre Restany, and Giuseppe Marchiori. Alina Szapocznikow 1968. Brussels: Galerie

Cogeime, 1968.

- - - , Anda Rottenberg, and Zofia Go ł ubiewowa. Alina Szapocznikow, 1926-1973. Warsaw:

Galeria Sztuki Wspó ł czesnej Zacheta, 1998.

Ubl, Ralph and Adam Szymczyk. Flesh at War with Enigma. Basel: Schwabe; New York: Lukas

& Sternberg, 2005.

Wescher, Herta. “Einige nicht preisgekronte bildhauer der Biennale,” Quadrum no. 13 (1963):

103-16, 176-7, 187-8.

IDELLE WEBER

Born: 1932, Chicago

Lives: New York

EDUCATION

Scripps College, Claremont, CA

Scholastic Art Awards Scholarship

B.A.; M.A.. U.C.L.A., Los Angeles

Arts Students League, New York

Various Private Instructors


1963 Bertha Schaefer Gallery, New York

1964 Bertha Schaefer Gallery, New York

1973 Hundred Acres Gallery, New York



1979 O.K. Harris Works of Art, New York

Chatham College, Pittsburgh

1982 O.K. Harris Works of Art, New York

1984 Idelle Weber, Paintings and Works on Paper, 1982-1984, Siegel

Contemporary Art, New York

1985 Idelle Weber, Paintings and Works on Paper, 1984-1985, Ruth Siegel,

Ltd., New York

1986 Idelle Weber, Paintings and Works on Paper, 1984-1985, Arts Club of

Chicago

1987 Idelle Weber, Paintings and Works on Paper, Ruth Siegel, Ltd., New York

Idelle Weber, Paintings and Drawings, Fendrick Gallery, Washington, DC

1988 Idelle Weber Gardens, Squibb Gallery, Princeton, New Jersey

1989 Botanical References, Anthony Ralph Gallery, New York

1991 Idelle Weber/East End Paintings, Anthony Ralph Gallery, New York

1992 Idelle Weber, The Golden Bough Series, Anthony Ralph Gallery,

New York

1994 Idelle Weber, Paintings and Works on Paper, Schmidt Bingham Gallery,

New York

Idelle Weber, Paintings, Gerald Peters Gallery, Santa Fe, New Mexico

Idelle Weber, Cambridge Series Monotypes, Jean Albano Gallery, Chicago

Idelle Weber, Paintings and Works on Paper, Colorado State University

1995 Idelle Weber: Paintings and Monotypes, The Santa Barbara

Contemporary

Arts Forum, Santa Barbara, California

1996 First Shots: Idelle Weber, Victoria College of the Arts, Melbourne

University, Melbourne, Victoria, Australia

1997 Schmidt Bingham Gallery, New York

1998 Schmidt Bingham Gallery, New York


1956 Recent Drawings, U.S.A., The Museum of Modern Art, New York

1957 152 nd Annual Exhibition, The Pennsylvania Academy of Fine Arts,

Philadelphia

1961 Drawings U.S.A., St. Paul Gallery and School of Art, St. Paul, Minnesota

1962 Modern American Drawings, The Museum of Modern Art, New York

1963 Pop Goes the Easel, Contemporary Arts Museum, Houston, Texas

Pop Arts, U.S.A., Oakland Museum and California College of Arts and

Crafts, Oakland, California

1964 Contemporary Drawings, Solomon Guggenheim Museum, New York

Box Show, Dwan Gallery, Los Angeles

1965 The New American Realism, Worcester Art Museum, Massachusetts

Pop Art and the American Tradition, Milwaukee Art Center, Wisconsin

Contemporary Boxes and Wall Sculpture, Museum of Art, Rhode Island

School of Design, Providence, Rhode Island

Acquisitions Exhibition, Worcester Art Museum, Massachusetts

1966 Contemporary American Figure Painters, Wadsworth Atheneum,

Hartford, Connecticut

1974 New York Eleven, C.W. PostArt Center, Greenvale, New York

The 4 th International Young Artists Exhibition: U.S.A.-Japan, Tokyo

1975 25 Stills, Whitney Museum of American Art, Downtown Branch, New

York

Richard Brown Baker Collects, Yale University Art Gallery, New Haven,

Connecticut

Realismus und Realitat, Kunsthalle, Darmstadt, Germany

1976 Realism, Young Hoffman Gallery, Chicago

Painting and Sculpture Today, Indianapolis Museum of Art, Indiana

Contemporary Images in Watercolor, Akron Art Institute, Ohio

American Artists ’76: A Celebration, McNay Art Institute, San Antonio,

Texas

America as Art, Smithsonian Institute, Washington, D.C.

1978 Women Artists ’78, Woman’s Caucus for Art, Graduate Center of the City

University of New York

Photo Realism, Tolaino Gallery, Melbourne, Australia

New Acquisitions, National Gallery of American Art, Washington, D.C.

1979 Late Twentieth Century Art, Institute of Contemporary Art, University of

Pennsylvania, Philadelphia

1980 The Lewis Contemporary Art Fund Collection, Virginia Museum of Fine

Arts, Richmond

New York Realists, 1980, Thorpe Intermedia Gallery, Sparkill, New York

Aspects of the 70’s: Directions in Realism, Danforth Museum, Framington,

Massachusetts

The Revival of Realism, Ralph Wilson Gallery, Lehigh University,

Bethlehem, Pennsylvania

1981 Still Life: Paintings and Drawings, Miami Dade Community College,

Florida

Contemporary American Realism, The Pennsylvania Academy of Fine

Arts, Philadelphia

New Dimensions in Drawing, The Aldrich Museum of Contemporary Art,

Ridgefield, Connecticut

Photographs by Photo Realists, Louis Meisel Gallery, New York

1982 Real, Really Real, Supereal: Directions in Contemporary American

Realism, San Antonio Museum of Art, Texas

1983 The American Photo Realists, Louis K. Meisel Gallery, New York

Nocturne, Siegel Contemporary Arts, New York

1984 Salvo, Ruth Siegel, Ltd., New York

The Garden: Concepts and Realities, The Frederick Gallery, Washington,

D.C.

American Seen: Contemporary American Artists View America, Adams-

Middleton Gallery, Dallas

Twentieth Century American Drawings: The Figure in Context,

International Exhibitions Foundation, Washington, D.C.

24x24x24, Ruth Siegel, Ltd., New York

1986 Ten Artists, Ruth Siegel, Ltd., at the International Contemporary Art

Fair,

Los Angeles

Square and…, Ruth Siegel, Ltd., New York

Diptychs, Triptychs and Polyptychs, Graham Modern, New York

Painting and Sculpture Today, 1986, Indianapolis Museum of Art,

Indiana

Landscape, Seascape, Cityscape, Contemporary Arts Center, New Orleans

and the New York Academy of Art, New York

Nocturnal Images, The Paine Art Center and Arboretum, Oshkosh,

Wisconsin

1988 Earthly Delights: Garden Imagery in Contemporary Art, Fort Wayne

Museum of Art, Indiana

Elemental Visions/Personal Landscapes, Art Museum of South Texas,

Corpus Christie

The Flower Show, Betsey Rosenfield Gallery, Chicago

An Awareness of Place, Richard Green Gallery, New York

Columnar, The Hudson River Gallery, New York

The Bloom at BMW, BMW Gallery, New York

New Faculty, Carpenter Center, Harvard University, Cambridge,

Massachusetts

1989 Art in Bloom: The Flower as Subject, Jacksonville Art Museum, Florida

1990 Issues in Post-Modernism, Yale University Art Galley, New Haven,

Connecticut

Wish I Was There, Fendrick Gallery, New York

Romanticism Revised, Fendrick Gallery, Washington, D.C.

25 th Anniversary Show, Fendrick Gallery, Washington, D.C.

13 th Anniversary Benefit Auction, New Museum of Contemporary Art,

New York

Divergent Styles: Contemporary American Drawing, University Gallery,

College of Fine Arts, University of Florida, Gainesville, Florida

Drawn to Nature, Lintas, New York

1991 In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn

Harbor, New York

Monotypes, Staempfli Gallery, New York

A Fragile Balance, D’Arcy Marius Benton & Bowles, Inc., New York

Art What hey Eat, Edith C. Blum Institute for Art, Bard College,

Annondale-on-the-Hudson, New York

1992 Works on Paper, Earl McGrath Gallery, Los Angeles

The 756329 Group, The Brickbottom Gallery, Sommerville,

Massachusetts

Group Show, Marcia Fogel Gallery, East Hampton, New York

The Book is Art, Renee Fotouhi Fine Art, East Hampton, New York

Magical Mystical Landscapes, Renee Fotouhi Fine Art, East Hampton,

New York

Six Takes on Photo-Realism, Whitney Museum of American Art at

Campion, Stanford, Connecticut

Group Show, Ashwaugh Hall, Spring, Long Island

1993 Survey of American Realism, Gerald Peters Gallery, Sante Fe, New

Mexico

Contemporary Realist Watercolors, Sewall Art Gallery, Rice University,

Houston

Great Dates, Santa Barbara Contemporary Art, New York

New Museum Benefit, New Museum of Contemporary Art, New York

The Elegant Line, Schmidt-Bingham Gallery, New York

Masters Workshop, Long Island University at Southampton, New York

1994 Women Printmakers, One West Contemporary Art Center, Ft. Collins,

Colorado

Consortium Prints, Gallery 206, Missouri Western State College, St.

Joseph

1995 Flora: Contemporary Artists and the World of Flowers, Woodson Art

Museum


Achenbach Foundation for the Graphic Arts, M.H. de Young Memorial Museum, San

Francisco

Arkansas Art Center, Little Rock, Arkansas

Art Institute of Chicago, Chicago, Illinois

Albright Knox Art Gallery, Buffalo, New York

The Brooklyn Museum, Brooklyn, New York

Fogg Museum, Harvard University, Cambridge

McNay Art Museum, San Antonio

Memorial Art Gallery, University of Rochester, Rochester


Museum of American Art, Washington, DC

Museum of Contemporary Art, Chicago

Nelson-Atkins Museum of Art, Kansas City

New York Public Library, New York

Santa Barbara Museum of Art, Santa Barbara

Virginia Museum of Fine Art, Richmond

The Virlane Foundation


SELECTED CORPORATE COLLECTIONS

American Telephone and Telegraph

Becton, Dickinson & Company, New York, New York

Bank of Tokyo, New York, New York

Chemical Bank, New York, New York

Goldman, Sachs and Company, New York, New York

Grey Advertising, Inc., New York, New York

Merrill Lynch, Pierce, Fenner & Smith, Inc., Philadelphia, Pennsylvania

Metropolitan Life Insurance Company, New York, New York

Pacific Bell, San Francisco, California

Union Banks, Los Angeles, California


Adrian, Dennis. "Art Imitating Life in a Big Way." Chicago Daily News, 16-17

October 1976.

Alloway, Lawrence. Notes on Five New York Painters. Buffalo: Albright Knox Art

Gallery, Gallery Notes. Autumn 1963 (catalogue).

"Artists' Paper Work." New York Times Magazine, 13 September 1964.

Atkinson, Tracy. Pop Art and the American Tradition. Milwaukee: Milwaukee Art

Center, April 1965 (catalogue).

Battcock, Gregory. Super Realism: A Critical Anthology. London: E.P. Dutton &

Company, 1975.

----------, ed. The American Photorealists: An Anthology. London: Fischer Fine Arts,

Ltd., 1983.

Baur, John I. H. Realism Today: American Drawings from the Rita Rich

Collection. New York: National Academy of Design, 1987.

Blaugrund, Annette. 178th Annual Exhibition. New York: National Academy of

Design, 2003 (catalogue).

Blaugrund, Annette. Design: The 180th Annual Exhibition. New York: National

Academy of Design, 2005 (catalogue).

Bonito, Virginia Anne. Get Real: Contemporary Realism from the Seavest Collection.

Duke University Press, 1998.

Brandt, Frederick R. and Butler, Susan L. Late Twentieth Century Art from the Sydney

and Francis Lewis Foundation. Richmond, Virginia, 1981 (catalogue).

Brooks, Valerie. "Artists Worth Watching: Idelle Weber." M.D. Magazine 28, No. 2,

February 1984.

Cary, Martin, and Rich, Daniel Catton. The New American Realism. Worcester, Mass.:

Worcester Art Museum. 1965 (catalogue).

Chase, Linda. "Photorealism: Post Modernist Illusionism." Art International,

March/April, 1976.

----------. U.S.A. Realism/Realism. Rothmans of Pall Mall Ltd. June, 1976 (catalogue).

Contemporary Images in Watercolor. Akron: Akron Art Institute. 1976 (catalogue).

Cullingan, Helen. "Real Life Doesn't Make Gold, Says Karp." The Plain

Dealer, April, 1977.

Dempsey, Bruce. Introduction, New Realism. Jacksonville, Florida: Jacksonville Art

Museum, 1977.

Doezema, Marianne. American Realism and the Industrial Age. Cleveland Museum

Press and Indiana University Press, 1980 (catalogue).

Drawings U.S.A. St. Paul: St. Paul Gallery and School of Art, 1961 (catalogue).

Edelson, Ellihu. "Photo Realism Shows Various Degrees." Jacksonville Journal, 26

February 1977.

Ferrulli, Helen. "Pop Went Their Easels: How Industry Transformed the Art of the

60s and 70s." Arts and Entertainment Magazine, June 1991. p. 10.

Finch, Christopher. American Watercolors. New York: Abbeville Press, 1986.

"Figuratief: Idelle Weber Shildert Silhouetten." Haagse Post, 13 April 1963.

The Fourth International Young Artists Exhibition: U.S.A. to Japan. Tokyo, Japan, 1974

(catalogue).

"Garbage, Name Changes, and the Vogels." Soho Weekly News, 8 May 1975.

Howrigan, Roger. New York Realists. Sparkill, New York: Thorpe Intermedia

Gallery, March 1980 (catalogue).

Goodyear, Frank, H. Jr. Contemporary American Realism since 1960. New York

Graphic Society and the Pennsylvania Academy of Fine Arts. 1981 (catalogue).

Gustason, Donna, Art What Thy Eat. Edith C. Blum Art Institute at Bard College. 1

September – 18 November 1991 (catalogue).

Harrington, Bev. Nocturnal Images. Oshkosh, Wisconsin: The Paine Art Center and

Arboretum, 1985 (catalogue).

"Idelle Weber." Pictures on Exhibit 26th Year of World Wide Views of the Art Shows,

February, 1963. p. 20.

Landi, Ann. "Who Hails From Hopper?" ARTnews, April 1998.

----------. "Beating the Post-show Blues." ARTnews, November 1998.

Linday, Christine. Surrealist Painting and Sculpture. William Morrow. New York,

New York. 1980.

Lubell, Ellen. "Idelle Weber." Arts Magazine, September 1977.

MacAgy, Douglas. "City Idyll." Lugano Review, I, No. 1, 1965.

Mackie, Alwynne. "New Realism and the Photographic Look." American Art Review,

IV, No. 6, November 1978.

Marter, Joan. "Idelle Weber." Arts Magazine, November 1985. p. 123.

Martin, Alvin. America Seen: Contemporary American Artists. Dallas: Adams

Middleton Gallery, 1984 (catalogue).

Massie, Rebecca. "Idelle Weber." 1980.

Meisel, Louis, and Zucker Seeman, Helene. Photorealism. New York: Harry N.

Abrams, 1980.

Miller, Donald. "Photorealism and Kung Fu." Pittsburgh Post Gazette, 14 March

1979.

New, Jennifer. Drawing From Life: The Journal as Art. New York: Princeton

Architectural Press, 2005.

Newhall, Edith. ARTnews, Summer 1994.

New Photorealism: Painting and Sculpture of the 1970s. Hartford: Wadsworth

Atheneum, 1974 (catalogue).

"New Talent in the U.S.A.." Art in America, March, 1957.

Nochlin, Linda. The Flowering of American Realism. Real, Really Real, Superreal:

Reflections in Contemporary American Realism. San Antonio Museum of Art, 1981.

"The Painter in the Garden." The Christian Science Monitor, 12 July 1984. p. 34.

Painting and Sculpture Today. Indianapolis: Contemporary Art Society of the

Indianapolis Museum of Art, June, 1976 (catalogue).

"People Art in Both Flat and Full-Blown." Life Magazine, 1963.

Perreault, John. "Photo Shock." Soho Weekly News, 22 January 1976.

-----------. Aspects of the '70s: Directions in Realism. Farmingham, Massachusetts:

Danforth Museum, May 1980 (catalogue).

Perrell, Franklin Hill. Photo Realism: Painting and Sculpture. Roslyn Harbor, New

York: Nassau County Museum of Art, 2004 (catalogue).

Photorealism: Some Points of View. Storrs, Connecticut: Jorgensen Gallery,

University of Connecticut, 1979 (catalogue).

"Pop." Das Kunstwerk, XVII, No.10, 1964.

Pop Art U.S.A. Oakland: Oakland Museum and California College of Arts and Crafts,

1963 (catalogue).

Pop Goes the Easel. Houston: Contemporary Art Museum, 1963 (catalogue).

Ragans, Rosalyn. Art Connections. Columbus: SRA-McGraw/Hill, 1997.

Realismus und Realität. Darmstadt, Germany: Kunsthalle Darmstadt, 1975

(catalogue).

Recent Drawings U.S.A. New York: The Museum of Modern Art, 1956 (catalogue).

The Revival of Realism. Bethlehem, Pennsylvania: Ralph Wilson Gallery, Lehigh

University, 1979 (catalogue).

Robbins, Daniel. Contemporary Boxes and Wall Sculpture. Providence: Museum of

Art, Rhode Island School of Design, 1965 (catalogue).

Rubenstein, Charlotte S. American Women Artists: From Early Indian Times to

Present. Chicago: G.K. Hall, 1982.

Schwartz, Constance. In Sharp Focus: Super-Realism. Rosyln Harbor, New York:

Nassau County Museum of Art, 1991.

Siegel, Judy. "Mutiny and the Mainstream: Talk That Changed the World."

Midmarch Arts Press, 1992.

Simkins, Alice D. American Artists' 76: A Celebration. McNay Art Institute. San

Antonio, Texas, May, 1976.

Span, Paula. "Making a Business Out of Art for the Office." The Wall Street Journal,

11 July 1985. p. 22.

Stebbins, Theodore E. Jr. Collecting American Art for Yale, 1968-1976: A Curatorial

Report. New Haven: Yale University Art Gallery, Spring 1977 (catalogue).

Steiker, Valerie. The New Yorker, March 1994.

Still Life: Paintings and Drawings. Miami: Miami Dade College, 1981 (catalogue).

"Striking Garbage." The Soho Weekly News, May 1979.

Taylor, Joshua. Learning to Look: A Handbook for the Visual Arts. 2nd edition.

Chicago: University of Chicago Press, 1981.

Ward, John. American Realists Painting 1945-1960. Ann Arbor: UMI Press, 1989.

Westfall, Stephen. "Idelle Weber." Arts Magazine, March 1986. p.129.

-----------. Idelle Weber Paintings and Works on Paper 1982–1985. The Arts Club of

Chicago, May 1986 (catalogue).

Wilding, Eric. "Idelle Weber." American Artist, May 1984.

Wolff, Theodore F. Idelle Weber, Paintings and Works on Paper, 1986-1987.

Reprinted: Courtesy Ruth Seigel, Courtesy Theodore F. Wolff. Ruth Seigel

Gallery, 1987 (catalogue).

Women Artists '78, Women's Caucus for Art. New York: Graduate Center of the City

University of New York, 1978 (catalogue).

Yau, John. IN and OF TIME: Idelle Weber's Recent Paintings. Schmidt-Bingham

Gallery, 1994 (catalogue).

Zimmer, William. "Idelle Weber." Arts Magazine, October, 1983. p. 2.

-----------. Paintings and Works on Paper. Courtesy Ruth Seigel, Courtesy William

Zimmer 1982 (catalogue).

-----------, and Howrigan, Roger. "Six New York Realists." Thorpe Intermedia Gallery,

March 1980.

JOYCE WIELAND

Born: 30 June 1931, Toronto

Died: 27 June 1998, Toronto

EDUCATION

Central Tech School, Toronto


1960

1962

1963

Here and Now Gallery, Toronto

Isaacs Gallery, Toronto



1966

1967

1968

1968-69

1969

20/20 Gallery, London, Canada


Joyce Wieland Retrospective, 1957 to 1967, Vancouver Art Gallery,

Vancouver

Five Films by Joyce Wieland, Museum of Modern Art, New York (film showing)

Cineprobe, Museum of Modern Art, New York (film showing)

1971

1972

Joyce Wieland Retrospective, Glendon College Art Gallery, York

University, Toronto

True Patriot Love/ Veritable amour patriotique, National Gallery of

Canada, Ottawa


Joyce Wieland: Independent Canadian Art Show, University of Guelph Art

Gallery, Guelph, Canada

1973

Joyce Wieland Retrospective, Pacific Film Archive, Berkeley, California

(film showing)

Retrospective Films of Joyce Wieland, Whitney Museum of American Art,

New York (film showing)

1974 Isaacs Gallery, Toronto

1978 Joyce Wieland: Drawings from “The Far Shore”, National Gallery of

Canada, Ottawa (traveling exhibition)

1979-80

1981

1982

Pauline McGibbon Cultural Centre, Toronto


Joyce Wieland: New Paintings, Forest City Gallery, London, Canada

Yajima/Galerie, Montreal

The Films of Joyce Wieland, Museum of Art, Carnegie Institute,

Pittsburgh (film showing)

1983 Isaacs Gallery, Toronto

1984 Selected Films of Joyce Wieland, Hungarian Film Festival, National

Gallery of Hungary

1985 Joyce Wieland: A Decade of Painting, Concordia University, Montreal

The Far Shore, Pacific Film Archive, Berkeley (film showing)

Retrospective, San Francisco Art Institute (film showing)


1957 Gallery of Contemporary Art, Toronto

1957-59 Society of Co-operative Artists, Toronto

1959 79 th Annual Spring Exhibition, Montreal Museum of Fine Arts, Montreal

Drawings of Michael Snow and Joyce Wieland, Westdale Gallery,

Hamilton, Canada

Gordon Rayner and Joyce Wieland, Greenwich Gallery, Toronto

1960

1961

Winnipeg Art Gallery, Winnipeg, Canada

Canadian Art Today, University of Waterloo Gallery, Waterloo, Canada

12 th Annual Winter Exhibition, Art Gallery of Hamilton, Hamilton, Canada

1961-62 Dada: Dennis Burton, Arthur Coughtry, Greg Curnoe, Richard Gorman,

Gordon Rayner, Michael Snow, Joyce Wieland, Isaacs Gallery, Toronto

1962 Drawings of Michael Snow and Joyce Wieland, Hart House Gallery,

University of Toronto (traveling exhibition)

1963

Albright-Knox Gallery, Buffalo, New York

National Gallery of Canada, Ottawa

Canadian Art Today, University of Waterloo Gallery, Waterloo, Canada

First Program of Underground Films, Isaacs Gallery, Toronto (film showing)

1964 Philadelphia Museum of Art, Philadelphia

1965 Canadian Art Today, University of Waterloo Gallery, Waterloo, Canada

Confederation Centre Art Gallery and Museum, Charlottetown, Canada

Graphics, University of Western Ontario, London, Canada

Interim Works by Four Artist: Richard Gorman, Robert Markle, Michael

Snow, Joyce Wieland, Isaacs Gallery, Toronto

Polychrome Construction: Dennis Burton, Donald Judd, Gordon Rayner,

Michael Snow, David Weinrib, Joyce Wieland, Isaacs Gallery, Toronto

Sixth Biennial of Canadian Painting 1965, National Gallery of Canada,

Ottawa

1966 Norman McKenzie Gallery, Regina, Canada

The Satirical in Art, Art Gallery of York University, Toronto

1967 Centennial exhibition, Hudsons Galleries, Detroit

Painting in Canada, Canadian Government Pavilion, Expo 67, Montreal

Canadian Film Survey, Boston Museum of Contemporary Art, Boston film showing)

1967- 68

1968

The Painter as Filmmaker, Jewish Museum, New York

(film showing)

Wieland and Meredith, National Gallery of Canada, Ottawa (traveling exhibition)

Canada: Art d’aujourd’hui, Musée National d’Art Moderne, Paris; traveled to Romae, Lausanne, Brussels

Canada 101, Edinburgh International Festival, Edinburgh

1968-69

1968-72

Quinzane, Director’s Fortnight, Cannes Film Festival

World Experimental Film Festival, Knokke-le-Zoute, Belgium (film showing)

Edinburgh International Film Festival, Edinburgh (film showing)

1969Art for Architecture: The Wall, Art Gallery of Ontario, Toronto (traveling exhibition)

Canadian Mini Festival (film showing)

Eight Artists from Canada, Tel Aviv Museum, Israel

1969-70

1970

Rothman’s Art Gallery, Stratford, Canada

Survey/Sondage 70—Realism(e)s, Montreal Museum of Fine Arts and


Film Festival, Oberhausen, Germany (film showing)

1971 49 th Parallels: New Canadian Art, Art Gallery of Ontario, Toronto:

traveled to Museum of Contemporary Art, Chicago; John and Mabel

Ringling Museum of Art, Sarasota, Florida

1972 Comic Art Traditions, National Gallery of Canada, Ottawa

1973

1974

1975-77

1976

Festival of Women’s Films, New York Cultural Center (film showing)

Sonsbeck Film Festival, Holland (film showing)

Structural Films, Vancouver Museum, Vancouver, Canada (film showing)

Canadian, American, and European Films, Avant-Garde Festival (film showing)

International Festival of New Cinema, National Film Theatre, London

film showing)

2 nd International Cat Film Festival, New York/Paris/Berlin (film showing)

Inaugural exhibition, National Museum of Man, Ottawa

New Forms in Film, Montreux Film Festival, Switzerland (film showing)

Landscape Canada: Roots and Progress, Image and Symbol, Art

Gallery of Ontario, Toronto (traveling exhibition)

First Dalhousie Drawing Exhibition, Dalhousie University Art Gallery,

Halifax

O Canada, London Regional Art Gallery, London, Canada

1977

1978

Cannes Film Festival (film showing)

Canadian Tapestries ’77, Art Gallery of Ontario, Toronto

London Film Festival (film showing)

New Delhi International Film Festival (film showing)

Modern Canadian Painting in Canada: A Survey of Major Movements

in Twentieth-Century Art, Edmonton Art Gallery, Edmonton, Canada

Chicago Art Institute (film showing)

Museum of Fine Arts, Houston (film showing)

1981 Twentieth-Century Canadian Painting, National Museum of Modern

Art, Tokyo

Canadian Film, Hong Kong Arts Centre

1982 Contemporary Outdoor Sculpture at the Guild, Guild of All Arts,

1983

Toronto

New Perceptions: Portraits, Harbourfront Community Gallery, Toronto

Toronto Painting of the 1960s, Art Gallery of Ontario, Toronto

Toronto Women Artists/Three Decades, Gallery Quan, Toronto

O Kanada (Experimental Films by Artists), Akademie der Künste, Berlin

(film showing)

1983-85 Canadian Mikrokosma: An Exhibition of Contemporary Canadian

Tapestries, Agnes Etherington Art Centre, Kingston, Canada, traveled to:

Crystal Palace, Madrid; Textile Museum, Krefeld, Germany; Nord

Gyllands Kunstmuseum, Copenhagen; and major centers in Canada

1984 Edge and Image, Concordia University Art Gallery, Montreal

Hearts, Hart House Gallery, University of Toronto

Reflections: Contemporary Art Since 1964 at the National Gallery of

Canada, National Gallery of Canada, Ottawa

Toronto Painting ’84, Art Gallery of Ontario, Toronto (traveling

exhibition)

Troiemse Biennale de Tapisserie de Montreal, Canadian Cultural

Centre, Paris

Creation: Modern Art and Nature, Gallery of Modern Art, Edinburgh

Canadian Avant-garde/Experimental Films, Western Front,

Vancouver, Canada (film showing)

1985 Visiting Filmmakers Series, Art Institute of Chicago (film showing)

Berlin Film Festival (film showing)

Her Language, Her Voice, Cinemama, Montreal (film showing)

Kunst Mit Eigen-Sinn, International Festival of Art and Films by

Women, Museum Moderner Kunst, Vienna (film showing)

London Film Festival (film showing)

Randolph Street Gallery, Experimental Film Coalition, Chicago

(film showing)

Cinematheque, San Francisco Art Institute (film showing)

1986 Ann Arbor Film Festival (film showing)

Experimental Film, Spring 1986, Art Gallery of Ontario, Toronto

(film showing)

Experimental Film, Fall 1986, Art Gallery of Ontario, Toronto

(film showing)

Cine-Club de Saint-Charles, Universite de Paris, Sorbonne, Paris

(film showing)

Collective for Living Cinema, New York (film showing)

Festival of Festivals, Toronto (film showing)

Vision: Focus on Narrative in Film, London Regional Art Gallery,

London, Canada (film showing)

Israel: A Canadian Perspective, National Arts Centre, Ottawa (film

showing)

Oberhausen Film Festival, Oberhausen, Germany (film showing)

National Film Week ’86, Pacific Cine Centre, Vancouver, Canada

(film showing)

New Directions-Film, TVOntario, Toronto (aired on September 3)

(film showing)

Innis Fall Film ’86 Programme, University of Toronto (film showing)



Art Gallery of Windsor, Windsor, Canada

Canada Council Art Bank/ Prêt de la Banque d'oeuvres d'art du Conseil des Arts du Canada,

Ottawa

Concordia Art Gallery/Galerie d'art Concordia, Montreal

Crown Life Canadian Collection, Toronto

Department of External Affairs

Hincks Treatment Centre, Toronto

The Isaacs Gallery, Toronto

Mackenzie Art Gallery, Regina

The National Gallery of Canada/Musée des beaux-arts du Canada, Ottawa

National Science Library, Ottawa

The Robert McLaughlin Gallery, Oshawa

Toronto Transit Corporation, Toronto

The University of Lethbridge Art Collections, Lethbridge

Vancouver Art Gallery, Vancouver

York University, Toronto


Anthony, George. “Wieland’s Far Shore Has Appeal with Stunning Sense of Detail,” Toronto

Star, 26 September 1976; also appeared in The Sun (Toronto), 28 September 1976.

Armatage, Kay. “Kay Armatage Interviews Joyce Wieland,” Take One 3:2 (February 1972):

23-5.

“Art Post Interviews Joyce Wieland,” Art Post, September/October 1984, 18-22.

Auchterlonie, Bill. “Joyce Wieland: Filmmaker-The Far Shore in Progress,” Artmagazine 7:24

(December 1975), 6-11.

Bismanis, Maija. “Crucial Ten Years of Joyce Wieland,” The Province. 2 January 1968.

Bowser, Sara. “Joyce Wieland,” Canadian Architect, October 1960, 69-71.

Burnett, David. Toronto Painting of the 1960s. Toronto: Art Gallery of Ontario, 1983.

“Caribou Prance in Subway,” Toronto Star, 6 January 1978.

Corbeil, Carole. “Joyce Wieland Finds Room to Bloom,” The Globe and the Mail, 2 March

1981.

Cornwell, Regina. “True Patriot Love: The Films of Joyce Wieland,” Artforum, September

1971, 36-40.

Delaney, Marshall. “Wielandism: A Personal Style in Full Bloom,” Saturday Night, May 1976,

76-77.

Dingman, Elizabeth. “True Patriot Love: Artist Joyce Wieland’s Tribute to Canada,” The

Telegram, 27 September 1971.

Donnell, D. “Joyce Wieland at the Isaacs Gallery,” Canadian Art 21:90 (March/April 1964),

64.

“First in Solo: One-Woman Show for Joyce Wieland,” Toronto Star, 19 September 1960.

Fleming, Marie. Canadian Tapestries 1977. Toronto: Art Gallery of Ontario, 1977.

Fleming, Martha. “Joyce Wieland,” Parachute, Summer 1981, 45.

Freedman, Adele. “Portraits from a Daring Artist,” The Globe and Mail, 4 January 1983.

- - - . “Joyce Wieland’s Re-emergence: The Artic Light at the End of ‘Far Shore’,” Toronto

Life, June 1980, 184-5.

Fulford, Robert. “Joyce Wieland: Her Romantic Nationalism and Work,” The Citizen, 10 July

1971.

Glasser, Penelope. “Joyce Wieland Now.” Spirale 1:3 (Winter 1981/82), 69.

Guest, Tim, and Germano Celant. Books by Artists. Toronto: Art Metropole, 1981.

Hale, Barrie. “Joyce Wieland: Artist, Canadian, Soft, Tough Woman!” The Telegram, 11 March

1967.

Harcourt, Peter. “Joyce Wieland’s The Far Shore,” Take One, May 1976, 63.

Hume, Christopher. “The Search for ‘The Ecstatic’,” Toronto Star, 30 April 1983.

- - -. “Art Exhibit Was Made in Metro,” Toronto Star, 9 September 1984.

“Joyce Thinks Canada is Last Hope for Rats and People,” The Globe and Mail, 8 March 1969.

“Joyce Wieland,” Scene. Ottawa: The National Arts Centre, 1969.

Knelman, Martin. “Don Shebib Throws in the Towel and Joyce Wieland Builds a Parable of

Discontent,” Toronto Life, May 1976, 82.

Kome, Penny. “Joyce Wieland: Artist and Filmmaker,” Chatelaine, April 1976.

Kritzwiser, Kay. “What’s So Special about New York?” The Globe and Mail, 15 April 1967.

- - - . “Wieland: Ardent Art for Unity’s Sake,” The Globe and Mail, 3 July 1971.

Landsberg, Michele. “Joyce Wieland: Artist in Movieland,” Chantelaine, October 1976, 57-9,

110-11.

Lanken, Dane. “Wieland Film Leads List of Test Debuts,” The Gazette, 31 July 1976.

Lippard, Lucy. Pop Art. New York: Praeger, 1966.

Lister, Adele. “Joyce Wieland: An Interview,” Criteria, February 1976, 15-17.

Madgison, Debbie. “Joyce Wieland’s Vision of Canada,” Canadian Forum, Sept. 1975, 70-1.

- - - , and Judy Wright. “Debbie Madgison and Judy Wright Interview Joyce Wieland,”

Canadian Forum, May/June 1974, 61-3, 67.

Malcolmson, Harry. “Joyce Wieland,” The Telegram, 25 March 1967.

- - - . “True Patriot Love: Joyce Wieland’s New Show,” Canadian Forum, June 1971, 17-22.

Martin, Robert. “Canadiana on Film: A Busted Cowboy and a Vaguely Familiar Painter,” The

Globe and Mail, 25 Sept. 1976.

Martineau, Barbara, and Deena Rasky. “Joyce Wieland: She Speaks in Colours,” Broadside,

May 1981, 13.

McLarty, Lianne. “The Experimental Films of Joyce Wieland,” Cine-tracts, Summer/Fall

1982, 51-63.

McPherson, Hugo. “Wieland: An Epiphany of North,” artscanada, August/September

1971,17-27.

Mendes, Ross. Joyce Wieland: Independent Canadian Art Show. Guelph: University Art Gallery,

1972.

Miller, Donald. “Art Films of Wieland Stir Mind,” Pittsburgh Post-Gazette, 9 March 1972

Montagnes, Ann. “Myth in Many Media: Joyce Wieland,” Communiqué, Winter 1975, 36.

Nakunecznyi, Janet, and Gabriele Paddle. “Wieland on Being a ‘Canadian’ Artist,”

Breakthrough, April 1976, 4.

“One Woman Show for Joyce Wieland,” Toronto Daily Star, 19 September 1960.

Pacific Film Archive. The Films of Michael Snow and Joyce Wieland. Berkeley: Pacific Film

Archive, 1972.

Paikowsky, Sandra. Joyce Wieland: A Decade of Painting. Montreal: Concordia Art Gallery,

Concordia University, 1985.

Pinney, Marguerite. “Joyce Wieland Retrospective, Vancouver Art Gallery,” artscanada

25:122/123 (June 1968): 41.

“A Quilt for a Subway,” Toronto Star, 19 Oct. 1977.

Rabinovitz, Lauren. “Issues of Feminist Aesthetics: Judy Chicago and Joyce Wieland,”

Women’s Art Journal, Fall/Winter 198, 38-41.

Richardson, Douglas S. “Art in Architecture: National Science Library,” artscanada 31:

190/191 (Autumn 1974): 49-67.

Rosenberg, Ann. “Wieland Remarkable at Gallery,” Vancouver Sun, 19 January 1968.

Smith, Brydon. “Joyce Wieland,” Canada: Art d’aujourd’hui. Ottawa: National Gallery of

Canada/Paris: Musee national d’art moderne, 1968.

Stiney, P. Adams. “There is Only One Joyce,” artscanada 142/143 (April 1970): 43-5.

“Take the Art Train,” Toronto Star, 31 January 1976.

Theberge, Pierre, and Allison Reid. Joyce Wieland: Drawings for “The Far Shore,” Ottawa:

National Gallery of Canada, 1978.

“True Patriot Love: Joyce Wieland at the National Gallery of Canada,” Studio International

182:935 (July/Aug. 1971): 14.

Ward, Olivia. “Artist Joyce Wieland Blossoming at 50,” Toronto Star, 8 February 1981.

Wieland, Joyce. “The Life and Death of the American City (Cartoon),” Canadian Forum

48:575 (December 1968): 197.

- - - . True Patriot Love/Véritable amour patriotique. Ottawa: National Gallery of Canada, 1971.

- - - and Deborah Shackleton. “Artist Wieland Finds Maturity,” Toronto Star, 27 April 1980.

Wilson, Peter. “Artist Treats Our Culture as Folklore and Draws Fire,” Toronto Daily Star, 20

October 1971.

Wordsworth, Anne. “An Interview with Joyce Wieland,” Descant, Spring/Summer 1974),

108-10.

MAY WILSON

Born: 29 September 1905, Baltimore, Maryland

Died: 1986

EDUCATION

Self-taught, Correspondence Courses in affiliation with the University of Chicago


1957 Collages and Monoprints by May Wilson, Peabody Bookshop Gallery, Baltimore

Hilltop Theater, Baltimore

1960

1962

1963

1964

Maryland

1965

1970

1971

1990

2001

2008

Jersey

Origo Gallery, Washington, D.C.

Towson College, Towson, Maryland

Johns Hopkins University, Baltimore

Johns Hopkins Medical Residence, Baltimore

Henri Gallery, Washington, D.C.

Boxes by May Wilson, Goucher College Center, Goucher College, Baltimore,

Henri Gallery, Washington, D.C.

Baltimore Museum, Baltimore

Center Stage, Baltimore

Gertrude Kasle Gallery, Detroit

20 th Century Gallery, Williamsburg, Virginia

May Wilson, Baltimore Museum of Art, Baltimore

Gertrude Kasle Gallery, Detroit

May Wilson, Assemblages, Gimpel and Weitzenhoffer Gallery, New York

May Wilson, the New York Years, Gracie Mansion Gallery, New York

Ridiculous Portraits & Snowflakes, Gracie Mansion, Chelsea, New York

Ridiculous Portrait: The Art of May Wilson, Morris Museum, Morristown, New

Woo Woo? May Wilson, Pavel Zoubok Gallery


1955

1957

1960

1962

York

Life in Baltimore, The Peale Museum, Baltimore

Life in Baltimore, Juried Exhibit, The Peale Museum. Baltimore

New Ideas, New Media Show. Martha Jackson Gallery, New York

Museum of Modern Art Traveling Assemblage Show, Museum of Modern Art, New

1963

1964

Art,

Exhibition of Staff & Faculty Collections, The Morgan State College Art Gallery,

Baltimore

Selections from the Collection of Mrs. Henry Epstein. Goucher College, Baltimore

The Sixteenth Area Exhibition, The Corcoran Gallery of Art

Morgan College, Washington, D.C.

The Edward Joseph Gallagher III Memorial Collection, The Baltimore Museum of

1966 traveled to: The University of Arizona Museum of Art, Tucson

Wadsworth-Atheneum, Hartford, Connecticut

Smith College, Northampton, Massachusetts

Howard College, Washington, D.C.

International Gallery, Baltimore

Baltimore Collectors Exhibition, Jewish Community Center, Baltimore

Baltimore Junior College Invitational Sculpture Show, College Art Gallery, Baltimore

Group Show, Henri Gallery, Washington, D.C.

Virginia

1967 of

First National Photography Exhibition, 20 th Century Gallery, Williamsburg,

Center Stage Auction, Goucher College Center, Baltimore, Maryland

The 69 th National Exhibition, the Washington Water Color Association, The Institute

1968

1969

Contemporary Arts, Washington, D.C.

The American Federation of Arts Patriotic Traveling Show, New York

The Image Transformed, Gertrude Kasle Gallery, Detroit

Maryland Artists Invitational Exhibition, Baltimore Museum, Baltimore

Ten West Side Artists, Goddard-Riverside Community Center, New York

Birds and Beasts, Graham Gallery, New York

1969-70

Art for Lindsay, ACA Galleries, New York

Fetish Show, Alan Stone Gallery, New York

Human Concern/Personal Torment, Whitney Museum of American Art, New

York,

1970 traveled to: University Art Museum, University of California, Berkeley,

California

Assemblage, Gertrude Kasle Gallery, Detroit

York

Corcoran Gallery, Washington, D.C.

Painting and Sculpture Today, Indianapolis

The New York Correspondence School, Whitney Museum of American Art, New

1970-71

New York

1971

Combine Works, Visual Arts Gallery, School of Visual Arts, New York

Whitney Museum Sculpture Annual 1970, Whitney Museum of American Art,

The Image Bank Post Card Show, Fine Arts Gallery, University of British

Columbia

1972

1973

1985-86

Corcoran Gallery, Washington, D.C.


Artists’ Benefit for Civil Liberties, Leo Castelli Gallery, New York

Sneakers, Kornblee Gallery, New York

Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art,

Museum of Art, Rhode Island School of Design

The Doll Show: Artists’ Dolls and Figurines, Hillwood Art Gallery, C.W. Post,

1998

2001

2001-2

2005

2006

2007

2008

Long Island University, Long Island

Male, Wessel and O’Connor Gallery, New York

Play, Pavel Zoubok Gallery, New York

Rupture and Revision: Collage in America, Pavel Zoubok Gallery, New York

Collage: Signs and Surfaces, Pavel Zoubok Gallery, New York

Constellation, Pavel Zoubok Gallery, New York

What F Word, Cynthia Broan Gallery, New York

The Human Face is a Monument, Guild and Greyshkul, New York



Brooklyn Museum of Art, New York

Corcoran Gallery of Art, Washington, D.C.

Dela Banque De Pariset, Brussels

Goucher Gollege, Baltimore

New York University, New York

University of Arizona Museum of Art, Tucson



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Newspaper, November 1990, 24.

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B7.

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Carter, Curtis L. Dolls in Contemporary Art: A Metaphor of Personal Identity. Milwaukee: Patrick and Beatrice Haggerty Museum of Art, 1993.

Dorsey, John. “A Woman of 60 Makes the Big Time,” The Sun, 22 March 1970.

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Museum of American, 1970.

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October 1971.

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108-9.

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(Baltimore), 31 May- 7 June 1995.

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July 1967, G1.

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1972, D21.

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D27.

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1972, D1.

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1972, 17, 19.

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19.

Harriss, R.P. “The Lively Arts: Lear’s Landscape and His Nonsense,” The News American, 14

February 1965, 11B.

Haskell, Molly. “Film: Pulling Up Stake, Moving On,” The Village Voice, 27 April 1972.

Hitch, Anne Louise. “Enchanting Utterly Useless Décor,” Sunday Sun Magazine, 3 April 1966.

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Kuspit, Donald. “Tart Wit, Wise Humor,” Artforum International, January 1991, 93-101.

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Post, 25 July 1966.

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