English Language Arts A30 Module 1 Lesson 2 I am your relative. My father is sun, the source of life; my mother is earth, who provides life with nourishment; my grandmother is moon, who provides light when there is darkness; and my grandfather is morning star, providing the guidance to a new day. Anonymous English Language Arts A30 Lesson 2 English Language Arts A30 Lesson 2 Objectives As a student of language arts and communication processes, in Lesson Two of the English Language Arts A30 course, you will have the opportunity to: reflect on the practices of an effective reader. determine purpose for reading. recognize nonfiction prose. choose a nonfiction book. record responses in a response journal. practice the behaviours of an effective reader. read a variety of literary selections. plan, write and revise a explanatory paragraph. determine a purpose for listening and speaking. practice the behaviours of effective listeners and speakers. speak to inform. prepare and present an oral reading of a poem. build vocabulary. English Language Arts A30 Lesson 2 Resources Poetry “Not Just A Platform For My Dance” by Marilyn Dumont http://olc.spsd.sk.ca/DE/resources/elaA30-SKED/module1/lesson2c.html “Moon Songs” by Randy Lundy (Sundog Highway) “Heat” by Archibald Lampman http://www.poemhunter.com/poem/heat-2/ Articles “Time to rediscover our place in nature” by David Suzuki http://www.davidsuzuki.org/about_us/Dr_David_Suzuki/Article_Archives/weekly042 50301.asp Nonfiction Books (choose one) The Concubines Children by Denise Chong Deemed Unsuitable by R. Bruce Shepard Gully Farm by Mary Hiemstra Half-breed by Maria Campbell The Secret Live of Sgt. John Wilson by Lois Simmie English Language Arts A30 Lesson 2 Lesson Two: Canada: Diverse Landscapes and People Introduction The impulse to create, in one form or another, and to respond to the creative works of others are important human attributes. While few of us are creative geniuses, we are all enriched by the creative output of those individuals who are. However, even as respondents to the works of other people, we play an important role in the creative process. As readers we bring our own attitudes, values and experiences to what we read. In this way, we shape meaning for ourselves. In Lesson Two you will choose a Canadian nonfiction book to read, and examine the reading process. In this lesson you will also read selections which focus on our vast and varied land, how we take care of it and how nature and how the seasons affect our lives. When one thinks of the influence of a place on one’s writing, two aspects come to mind. First, the physical presence of the place itself— its geography, its appearance. Second, the people. Margaret Laurence English Language Arts A30 Lesson 2 The Reading Process If we can read, we can live . . . as many kinds of lives as we wish. S.I. Hayakawa Reading is a transaction between a piece of writing and, you, the reader. As you read, you search for and construct meaning based on what you bring to the literary selection and what the piece of writing brings to you. Reflection Now that you have an idea about your learning style, it is also a good idea to reflect upon your attitudes toward communication processes and English Language Arts. Do you see yourself as an effective reader? Do you enjoy reading? English Language Arts A30 Lesson 2 Self-assessment can often tell a person about her interests, confidence levels, and learning needs. Below is a survey that reflects the traits of effective readers. This survey is for your own knowledge. It is not to be sent in with your assignment. Traits of Effective Readers This checklist enables you to see some of the characteristics of effective readers. On a scale of 1-5, indicate the characteristics you feel you have as a reader. Scale: 1 = not at all, never 2 = a little 3 = sometimes, to some extent 4 = often, quite well 5 = always As a reader, I ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ know my purpose for reading choose reading over something else when I have spare time respond sensitively to literature recognize literature as a source of ideas, opinions, and information use literature as a stimulus for personal reflection appreciate the importance of style in literature get ideas from books predict the outcome before I get to the end write a different story ending that makes sense see and appreciate the effect of figurative language recognize connections among ideas, images, and themes make generalizations from what is read make inferences from what is read conclude the messages and morals of a text analyze texts for literary devices relate what I read to my own experience consult a book when I need information begin by checking the Index and perusing the Table of Contents when I consult a book for information Did you learn anything new about your attitude to reading? Did the survey confirm what you already knew about your reading ability? Are there some reading skills you know you need to improve? Do you know what to do to develop more confidence in reading? English Language Arts A30 Lesson 2 Setting a Purpose Just as writing has a purpose, so too does reading. Your purpose may be to entertain yourself, to gain knowledge, to understand others and to be enlightened. In today’s world people who do not possess good reading skills are at a great disadvantage. Setting a purpose for reading may help you build confidence in your reading process. In Lesson One you were given a formula to help you find a purpose for writing. You can adapt this formula to determine a purpose for reading. My purpose for reading this _______________is to ________________so that __________________. In the next few pages you are invited to read about five nonfiction books suggested for this course. Reading about these books will help you to choose the nonfiction book that you will respond to in a detailed fashion in Lesson Seven of this course. Your purpose statement before reading about these books might look something like: My purpose for reading is to gain some knowledge and understanding about the stories so that I can make a choice about which book I want to read. You may wish to review ‘Strategies for Reading Nonfiction’ in the “Communication Strategies” section of your English Language Arts Ready Reference. What is Nonfiction Prose? Nonfiction prose is writing about lives, people’s perceptions, and actual times. Included in this category of prose are forms, such as essays, articles, editorials, letters, journals, biographies, autobiographies, speeches, and full-length books. English Language Arts A30 Lesson 2 Should you need help with the terms nonfiction and fiction, see the “Glossary” section of your English Language Arts Ready Reference. Throughout the course you will have the opportunity to read and respond to various types of nonfiction prose. In this lesson, the focus is a nonfiction full-length book. Because nonfiction prose is vivid and personal in nature, reading nonfiction can be as exciting as reading fiction. In fact, much contemporary nonfiction uses the traditional elements of fiction writing. Terms such as new journalism, creative nonfiction, and literary nonfiction have been used to describe nonfiction prose. Contemporary nonfiction can be read for the same pleasure that people experience when reading novels. Selecting a Nonfiction Book How does one choose a book to read? A friend or family member might recommend a book to you. You might be told by a teacher that a particular book is required reading. You might look at a best sellers list or read a book review in a newspaper or magazine. You might belong to a book club where members choose a certain book to read and to discuss. You might be a fan of a particular author and cannot wait until her next book is published. Looking at the title of a book might interest you to read the book. You might read a few pages of a book and find yourself invited into the story. You might read a summary of a book and want to read the whole book. English Language Arts A30 Lesson 2 Titles You will choose one nonfiction book to read and study in English Language Arts A30. Following is a list of the five titles of the books from which you are to choose one to read. Should you have the time and inclination, you may want to read all of them. You will, however, only be working intensively with the one you choose. Titles of books provide a hint to the reader and pique the reader’s curiosity. Review the list of intriguing titles below. What do you think each book may be about, based on the title? On your response journal page located on the last pages of this lesson, write three possible ideas for each title presented. The Concubine’s Children by Denise Chong Deemed Unsuitable by R. Bruce Shepard Gully Farm: A Story of Homesteading on the Canadian Prairies by Mary Hiemstra Halfbreed by Maria Campbell The Secret Lives of Sgt. John Wilson by Lois Simmie Imagine you are in a library or a bookstore and are wondering which book you might like to read. One way to decide is to read a few pages of several books. This can give you some idea of the topic of a book, the characters, the setting, and the author’s style. Another way of deciding what book you would like to choose is to read a summary or a review of the book. Following are some suggested links to summaries or reviews of the five nonfiction books referred to above. Peruse these sites and then determine which book you would like to read. Alternatively, you could visit a library and read excerpts from the books to help you make your choice. The Concubine’s Children by Denise Chong http://www.epinions.com/review/The_Concubine_s_Children_by_Denise_Chong/content_36 6049922692 Deemed Unsuitable by R. Bruce Shepard http://findarticles.com/p/articles/mi_hb039/is_2_32/ai_n28816200/pg_1 Gully Farm: A Story of Homesteading on the Canadian Prairies by Mary Hiemstra http://www.heritagehouse.ca/fifthhouse/gullyfarm.htm English Language Arts A30 Lesson 2 Halfbreed by Maria Campbell http://www.amazon.ca/Half-Breed-Maria-Campbell/dp/0887801161 The Secret Lives of Sgt. John Wilson by Lois Simmie http://www.epinions.com/review/The_Secret_Lives_of_Sgt_John_Wilson_A_True_St ory_of_Love_and_Murder_by_Lois_Simmie/content_124774878852 Summaries of the Nonfiction Books Following are summaries of the five nonfiction books. The Concubine’s Children by Denise Chong In this portrait of her grandparents, the author describes early Chinese-Canadian society and its deeply rooted concept of family. The book traces her grandfather’s arrival in Canada, her grandmother’s life as a concubine in Canada, the separation from children and husband, and the effects of war and communism on the family. This family history provides one example of the history of Chinese immigration to Canada and the difficult adjustment of Chinese Canadians to separation from their homeland. The book includes a 16-page insert of family photographs. Deemed Unsuitable by R. Bruce Shepard This book provides an interesting overview of the history of racist attitudes to Black Canadians on the prairies in the late 1890s and early 1900s. Through a discussion of the experiences of African American immigrants to Saskatchewan in the early 1900s, the book provides a context for understanding the social and financial barriers faced by the Black community in those times. The book includes photographic inserts as well as a bibliography for those who wish to do further reading on this topic. English Language Arts A30 Lesson 2 Gully Farm: A Story of Homesteading on the Canadian Prairies by Mary Hiemstra In 1903, six-year old Mary Pinder and her family left England to join the Barr Colonists as settlers in Saskatchewan. Through Mary’s eyes, the book describes the family’s reasons for leaving their home, their voyage by sea and land to a new home, and the daily struggle to survive the loneliness and physical hardships of the family’s first year on a homestead. Halfbreed by Maria Campbell In this forthright account of her life as a Métis woman, Campbell describes her childhood in Northern Saskatchewan, a disastrous marriage to a non-Aboriginal man, and her struggle to escape the downward spiral associated with drug addiction in the slums of Vancouver. Through her narrative, the author provides intimate understanding of the roles alcohol and racism have played in the lives of the Métis people and the need for self-confidence and human dignity. This groundbreaking autobiography is a graphic portrait of survival, presenting realistic images of the author and her people’s culture. Readers are advised that this book contains some coarse language. The Secret Lives of Sgt. John Wilson: A True Story of Love & Murder by Lois Simmie Based on court records, reports, letters, and eyewitness accounts, this book recounts the events leading up to and following a gruesome murder. In 1912, John Wilson left a wife and family in Scotland to become a Royal Canadian Mounted Police officer in Saskatchewan. When Sergeant Wilson became ill and fell in love with his nurse, he was determined to marry her. The unexpected arrival of his wife led Wilson to deception and murder. Included in the book are 12 pages of photographs to provide a visual context for the book’s narrative of the 1919 influenza outbreak, Saskatchewan life in the early 1920s, and law enforcement during this era. Readers are advised that the book provides a graphic description of the murder. For those of you who may want to know more about the city of Lloydminster check out the following web site http://www.lloydminsterinfo.com/ For those of you who may want to know more about the Métis people of Saskatchewan the following web site may be of interest http://www.metisresourcecentre.mb.ca/ English Language Arts A30 Lesson 2 For those of you wanting to know more about Chinese immigration during the era of Chan Sam and May-Ying the following web site may prove interesting http://www.asian.ca/law/cia1885.htm After reading about the five books, write a first response entry in your response journal to express your first thoughts and/or feelings. Here are some possible ways to start your first response entries: Reading this summary reminded me of a time when I…. I wonder why…. I think I would enjoy/not enjoy reading this nonfiction book because…. I like/dislike this type of book because…. Write quickly and freely to record your thoughts and/or feelings in writing. These first response entries will not be marked for punctuation, grammar, and spelling Which book interests you the most? Why? Perhaps you were drawn into all the excerpts. Knowing more about each book may help you to choose one over the others. English Language Arts A30 Lesson 2 Choosing and Beginning to Read Besides using these three methods to choose the book you will read, you may wish to use other methods. Speak to your family and friends about the choices. Someone may have read one or all of the above mentioned books and can offer valuable insights. As well, you may want to call or e-mail your teacher to discuss the book choices. You may purchase your book or borrow it from your local school or library. Do obtain the book you have chosen and start reading it as soon as possible. A Vast and Varied Land Let us probe the silent places let us seek what luck betide us; Let us journey to a lonely land I know There’s a whisper in the night-wind there’s a star agleam to guide us And the Wild is calling, calling . . . let us go. Robert W. Service The Canadian wilderness has a recognized place in our literature as demonstrated in the above quotation from one of Canada’s best-loved poets. This wilderness presence is especially prominent in Canadian writers of the past. European settlers, when they first came to Canada, were sometimes daunted by the vastness and the wildness of the country. Susanna Moodie, an English settler in Upper Canada in the mid-nineteenth century wrote of her experiences in a chronicle entitled Roughing It in the Bush. In your response journal tell what the title of Moodie’s book suggests to you. Now that the population of Canada has become more urbanized this wilderness theme is not so conspicuous. Elspeth Cameron, editor of Canadian Culture: An Introductory Reader explains why. English Language Arts A30 Lesson 2 The surest way to the hearts of a Canadian audience is to inform them that their souls are to be identified with rock, rapids, wilderness and virgin (but exploitable) forest. This critical statement no longer explains Canada’s largely urban culture. Multiculturalism, feminism, postmodernism and regionalism – these and other vital movements jostle for expression in today’s Canada. Wherever a new voice catches the country’s ear, another appears to challenge it. However styles form, new ways of expression keep shaping themselves. Nation without a narrative? Yes. But in the music, literature, painting, history and popular culture of this country, you can always find a soul. In your response journal describe an aspect of the Canadian landscape, such as wilderness, prairies, or urban streets with which you identify. Give one reason for your choice. The Canadian wilderness has had, and perhaps, continues to have a prominent presence in our literature and in our souls. However, to First Nations’ peoples, the wilderness is neither wild nor lonely, but a homeland that is alive and giving. Read the poem “Not Just A Platform For My Dance” by Marilyn Dumont. http://olc.spsd.sk.ca/DE/resources/elaA30-SKED/module1/lesson2c.html English Language Arts A30 Lesson 2 About the author Marilyn Dumont, a descendant of Gabriel Dumont, is a writer from northeastern Alberta. Following a career in film and video production, she is working as a First Nations educator and completing an MFA at the University of British Columbia. Her poems are anthologized in The Road Home, Writing the Circle, The Colour of Resistance, Locating Identity, and Looking at the Words of Our People. Beth Cuthand calls her “a Metis poet with attitude.” In your response journal give two pieces of evidence from this poem that show the respect that First Nations’ peoples have for nature and the land. Today it is becoming very evident that we all must respect the land. More and more experts are warning us of the consequences of disrespecting the land. Read the following article by David T. Suzuki who many call Canada’s environmental advocate. The article can be found at the website given below. http://www.davidsuzuki.org/about_us/Dr_David_Suzuki/Article_Archives/weekly042 50301.asp About the author As an award-winning scientist and broadcaster, David Suzuki has become a living symbol to Canadians of concern for the environment. Based in Vancouver, he has for almost thirty years explained life on earth as host of such programs as the long-running CBC-TV series The Nature of Things. He is the author of several books. For those of you who may wish to know more about David Suzuki the following website may be of interest to you. http://www.davidsuzuki.org You can learn more about the 3 Rs, Reduce, Reuse, Recycle at www.saskwastereduction.ca/info.html English Language Arts A30 Lesson 2 Using Transitional Devises to Cue the Reader David Suzuki’s article is a plea for all of us to focus on real values. To make his writing coherent, Suzuki has used transitional words and phrases to connect the ideas in his articles. Transitions are signposts, signals or cues inserted along the way which enable readers to follow the writer’s train of thought. Effective writers use transitional devices to indicate a shift in content, as well as to add coherence by showing the logical connections between sentences, paragraphs, or longer sections of a piece of writing. A transitional device may be a word, a phrase, a sentence, or one or more paragraphs. Transitional devices are essential components of clear writing. Readers are lost without them. The lists which follow contain only a representative sampling of transitional words and phrases. English Language Arts A30 Lesson 2 Nature and the Seasons The seasons are very much a part of Canadian Literature. Mon pays ce n'est pas un pays. C’est l’hiver. Gilles Vigneault What role do nature and the seasons play in your life? Do you feel lucky to live in a country that has four distinct seasons? Reading Poetry Poetry is life distilled. Gwendolyn Brooks What is Poetry? Poetry is a body of writing which includes observation and opinion on a single subject or related group of subjects, meant to arouse emotion or sensation. It may have rhyme and meter and is heavily dependent on the other literary devices such as metaphor or simile. Poets use various literary techniques to convey their ideas, opinions, observations, and feelings. These techniques or devices include: 1. choice of speaker – this can be the poet or a character or thing created by the poet which acts as the voice of the poem. 2. form or structure – a poem can have any number of forms or structures, e.g. sonnet, free verse, uniform stanzas, limerick, haiku, and so on. 3. imagery – although images can appeal to any of the five senses, the majority of images in poetry are visual, stimulating pictures in the reader’s mind. 4. sound – rhythm, rhyme, onomatopoeia, alliteration, consonance, assonance. 5. figurative language – metaphor, simile, personification, and so on. English Language Arts A30 Lesson 2 Sensory details appeal to the five senses. Name the five senses in your response journal. Review ‘Strategies for Reading Poetry’ in the “Communication Strategies” section of your English Language Arts Ready Reference. Use this information to answer the following questions. Comprehension Check Circle the best answer. 1. By reading the poem aloud a reader can (not enjoy/enjoy) the sounds and rhythms of the words. 2. A reader should (not imagine/imagine) the speaker in the poem. 3. Words are (very important/not important) in a poem. 4. To find meaning in a poem a reader should (paragraph/paraphrase) a poem. 5. (Using/not using) your memory is important when reading a poem. 6. As you read a poem you should anticipate (in one way/in two ways). Now, exercise your poetry reading skills by reading “Heat” by Archibald Lampman found at http://www.poemhunter.com/poem/heat-2/ and “Moon-Songs” by Randy Lundy found in the anthology, Sundog Highway. After reading each of the poems record your first response to each of them in your response journal. English Language Arts A30 Lesson 2 About the authors Archibald Lampman was a teacher, but was not happy in this profession and became a civil servant in Ottawa. He was not altogether satisfied with his work but it gave him leisure to write and an opportunity to know and love the Ottawa Valley which provided much of the inspiration for his poetry. Although he died before he was forty, he left a small body of landscape poems that are almost perfect samples of their kind. Lampman was writing in the last part of the nineteenth century and was no doubt influenced not only by the beautiful Canadian landscape but also by the impressionistic movement that was occurring in painting in that time period. Lampman’s descriptive method is impressionistic, reflecting sensations rather than ideas. For this reason, he has been called the painter’s poet. Randy Lundy is a young contemporary poet who is presently teaching English at the Saskatchewan Indian Federated College in Saskatoon. In 1999 Lundy published his first anthology of poetry called Under the Night Sun. Lundy was born in Thompson, Manitoba and spent his early years in Quesnel, B.C. but spent his high school years in Hudson Bay, Saskatchewan. In an interview with The Leader Post, a Regina newspaper, at the time of his book launch, Lundy tells his interviewer that it was in Hudson Bay that he discovered his little corner of the world “and it’s amazing how you develop an attachment to place.” Specifically it was a regional park on the south side of town where he would often go “to escape, to find spiritual ease, peace of mind” by simply listening to sounds of water flowing over rocks and birds singing. “I want to capture that feeling,” he says, “to re-create it, to share it with other people. Nature is pervasive. And we’re lucky out here. We are very close to the land. We can’t forget that. We forget it at our own peril.” English Language Arts A30 Lesson 2 Spelling Rules Spelling words correctly is crucial. Poor spelling can quickly ruin the best writing by giving an overall poor impression to your reader. Some of the most common spelling errors center around three areas: contractions, words that show possession, and words that sound alike but are spelled differently. 1. Contractions are abbreviations of two words. They always have an apostrophe to show where a letter is missing. Examples: Who’s coming to dinner? [Who is] It’s raining cats and dogs. [It is] 2. Some words that show possession sound like they use a contraction, but actually they are spelled differently. Pronouns that show possession are his hers its whose our theirs Examples: Whose tools are these on the workbench? The group did its work inside because of the rain. Note: When its is used as a pronoun to show possession, the spelling is exactly like the contraction except for the apostrophe. 3. Words that sound alike but are spelled differently and have different meanings are called homonyms. The examples below include a contraction (they’re), and two pronouns that show possession (their and our). They also include homonyms (they’re and their; our, are and hour). Examples: They’re looking for their coats. Our students are going home in an hour. For those of you who have difficulty with homonyms – spelling and meaning – see the “Commonly Confused Words” section of your English Language Arts Ready Reference. English Language Arts A30 Lesson 2 Spell Checkers For those of you who have a word processor or have access to one, we encourage you to use it when writing for any assignment in English Language Arts A30. Make sure to use all of the features, such as spelling and grammar check or blocking and moving a section of text. Do, however, keep in mind that the word processor cannot think for you. An example of what can happen if you rely only on the machine is as follows: I have a spelling checker, It came with my PC; It plainly marks four my revue Mistakes I cannot sea. I’ve run this poem threw it, I’m sure your please too no, Its letter perfect in it’s weigh My checker tolled me sew. English Language Arts A30 Lesson 2 Response Journal Titles: What do you think each book may be about, based on the title? The Concubine’s Children 1. 2. 3. Deemed Unsuitable 1. 2. 3. Gully Farm 1. 2. 3. Halfbreed 1. 2. 3. The Secret Lives of Sgt. John Wilson 1. 2. 3. English Language Arts A30 Lesson 2 First Response: What are your thoughts and reactions to each excerpt? The Concubine’s Children Deemed Unsuitable Gully Farm Halfbreed English Language Arts A30 Lesson 2 The Secret Lives of Sgt. John Wilson To me, Susanna Moodie’s title Roughing it in the Bush suggests In the Canadian landscape I identify mostly with _____________________________ because Provide two pieces of evidence from the poem “Not Just a Platform for My Dance” that illustrate the respect of First Nations’ peoples for nature and the land. and English Language Arts A30 Lesson 2 The five senses possessed by humans are: First Responses "Heat" "Moon-Songs" Note: You will be asked to submit your response journal pages with Assignment Four. English Language Arts A30 Lesson 2