The Action-Packed English 10 Final Exam Review Sheet! This is a brief overview of things that we’ve talked about this year. It’s pretty comprehensive, but by no means complete. Let me know if you’ve got any questions. ¡Buena suerte! The 6 Traits of Writing ideas & content voice organization sentence fluency word choice conventions Well-written Essays well focused well organized well supported well packaged Persuasive Writing Ethos, Pathos, Logos Thesis Statement (What makes a good thesis statement?) Research Steps Evaluating Online Sources Basic Rules for Commas and Semicolons Annotation Literary Terms point of view protagonist antagonist plot conflict setting imagery conflict narrator foil tone mood dialect connotation denotation hyperbole onomatopoeia satire euphemism simile metaphor personification aesthetic MLA Format Presentation Finding the Main Idea (How to organize information from a particular text.) Some feedback information from The Scarlet Letter, The Adventures of Huckleberry Finn, The Great Gatsby, and Fahrenheit 451, as well as some ideas we tossed around from the The Allegory of the Cave and the Transcendentalists. Don’t worry-I won’t ask you what name Huck used when he was pretending to be a girl with Mrs. Loftus, or anything like that. I’m more concerned with the Big Ideas from each story; things associated with the Literary Terms (see exhaustive list above). Essay Structure (What are the components of an essay?) Latin Roots Root bene duct flec grade grat greg junct loqua mal mir mot phon sens seque sol spec string tact vol contra Meaning good lead bend step pleasing group join talk bad wonder move sound feel to follow alone look bind touch will against Examples benefit, benevolent, beneficial, benefactor conduct, induct, product, reduction, deduction, reproduction reflect, inflection, deflect, reflection gradual, grading, downgrade, degrading gratitude, gratifying, grateful gregarious, segregate, congregate junction, conjunction, juncture, adjunct, injunction eloquent, soliloquy, dialogue malevolent, malcontent, malicious, malady, malign mirage, miracle, mirror, admire motion, motor, motivation, demote, emotion, promote, commotion (Greek) phonograph, phonetic, symphony, telephone sense, sensitive, sensory, sensation, dissension sequence, sequel, consequence, subsequent, consecutive solo, solitude, solitary, soliloquy, desolate, consolidate, solitaire spectacles, specimen, specific, spectator, speculate, respect, inspect stringent, string, stringy, astringent, stringer tactile, contact, tactics, tactful, intact, intangible volunteer, malevolent, benevolent, volition, involuntary (prefix) contradict, contrary, contrast, contraband Commonly Abused Words affect/effect to/too you’re/your their/there/they’re it’s/its Critical Thinking Guidelines, media techniques (as related to persuasion), etc. Reading Strategies Prediction, questioning, etc. Literary Periods Puritan/Colonial Period (1620-1765) • Plain style of writing • Didactic (designed or intended to teach something) • Strong, simple language Revolutionary/Age of Reason Period ( 1765-1830) • Emphasis on rational thought • Elegant, ornate language • All truths of the world and human existence could be discovered through scientific observation and the process of reasoning • Optimistic about present and future • Deep interest in science • Desire to preserve cultural standards and traditions • Belief in moderation and self-restraint The Romantic Period (1830-1865)-The Scarlet Letter • Emphasis on nature; all answers to be found in nature • Importance of the individual • Imagination versus reality • Looseness of style • Interest in the strange; beauty in the unusual • Childhood innocence • Sought to rise above dull realities by contemplation of the natural world (Edgar Allan Poe, Washington Irving, Longfellow, Hawthorne, Cooper, Melville, Whitman) The Realistic Period (1865-1915)-Adventures of Huckleberry Finn • Found meaning in the commonplace • Stressed the actual as opposed to the imagined or fanciful • Tried to write truthfully and objectively about ordinary characters in ordinary circumstances • Rejected heroic adventures and unusual or unfamiliar subjects Offshoots of Realism: Naturalism o Viewed as the inescapable working out of natural forces o One’s destiny decided by hereditary and environment, physical drives, and economic circumstances o Tended to be pessimistic Regionalism o Local color movement o Use of regional dialect and descriptions of the landscape o Sought to capture the essence of life in various regions of the growing nation (William Dean Howells, Mark Twain, Ambrose Bierce, Willa Cather) Modern Period (1915-1945)-The Great Gatsby • Break with tradition • Historical discontinuity • • • • • • • • • • Sense of alienation, loss, despair- major themes Rejects not only history, but also society which has created this history Rejects traditional values and rhetoric by which they were communicated Elevates the individual and the inward over the social and the outward Prefers sub-conscious to self-conscious Of the elements of the American Dream, only the importance of the individual remains Bare-bones writing, less concerned with plot than theme Fragmentation (omitted exposition, transitions, resolutions, and explanations) to reflect fragmentation of modern world Stream of consciousness The Jazz Age (1918-1929) (John Steinbeck, Ernest Hemingway, F. Scott Fitzgerald, Sherwood Anderson, Sinclair Lewis, Eugene O’Neil, Robert Frost, T. S. Eliot, Ezra Pound, Amy Lowell, Langston Hughes, Countee Cullen, and Zora Neale Hurston) Postmodern/ Contemporary Period (1946-Present)-Fahrenheit 451 • Building upon modernism, with exploration of new works, new literary forms and techniques, blend of fiction and non-fiction • Themes concern the complex, impersonal, and commercial nature of today’s world. (Saul Bellow, Carson McCullers, Robert Penn Warren, Bernard Malamud, John Updike, Flannery O’Connor, Joyce Carol Oates, Anne Tyler, Alice Walker, Gwendolyn Brooke, Theodore Roethke, Robert Pinsky, Rita Dove, Ray Bradbury) Almost everything on here can be found on the wiki (check past terms’ assignments and discussions.) Anything else that we’ve talked about this year is fair game, too . . . mua ha ha . . . !