Production Notes
2 hours and 15 minutes
Rated R by the MPAA
Press Contacts:
NY: Anjulee Alvares
Regional: Lisa Giannakopulos
646.862.3817
646.862.3810
anjulee.alvares@weinsteinco.com lisa.giannakopulos@weinsteinco.com
LA: Liz Biber
323.207.3180
liz.biber@weinsteinco.com
International: Gordon Spragg
+ 011 33 1 4970 8320
gordon@celluloid-dreams.com
For images, please visit: www.twcpublicity.com / Username: Weinstein / Password: twcdim
The Weinstein Company
and
Celluloid Dreams World Sales
present
an Endgame Entertainment Production
a Killer Films / John Wells and
John Goldwyn Production
a VIP Medienfonds 4 Production
in Association with Rising Star
in Association with
Grey Water Park Productions
a film by Todd Haynes
Christian Bale
Cate Blanchett
Marcus Carl Franklin
Richard Gere
Heath Ledger
Ben Whishaw
Charlotte Gainsbourg
David Cross
Bruce Greenwood
Julianne Moore
Michelle Williams
Richie Havens
Peter Friedman
Alison Folland
Yolonda Ross
Kim Gordon
Mark Camacho
Joe Cobden
Kristen Hager
Casting Director
Laura Rosenthal
Hair & Makeup Design
Peter Swords King / Rick Findlater
Costume Designer
John Dunn
Music Supervision
Randall Poster & Jim Dunbar
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Editor
Jay Rabinowitz A.C.E.
Production Designer
Judy Becker
Director Of Photography
Edward Lachman A.S.C.
Co-Producer
Charles Pugliese
Executive Producers
Hengameh Panahi
Philip Elway
Andreas Grosch
Douglas E. Hansen
Wendy Japhet
Executive Producers
Steven Soderberg
Amy J. Kaufman
Executive Producer
John Wells
Produced By
James D. Stern
John Sloss
John Goldwyn
Produced By
Christine Vachon
Inspired By
The Music & Many Lives Of
Bob Dylan
Story By
Todd Haynes
Screenplay By
Todd Haynes & Oren Moverman
Directed By
Todd Haynes
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I’M NOT THERE
I’M NOT THERE is a film that dramatizes the life and music of Bob Dylan as a series of shifting
personae, each performed by a different actor—poet, prophet, outlaw, fake, star of electricity,
rock and roll, martyr born-again Christian—seven identities braided together, seven organs
pumping through one life story, as dense and vibrant as the era it inspired.
Arthur (Ben Wishaw), a renegade symbolist poet, serves as the film’s de facto narrator, while
being interrogated by a nameless commission as to the motivations, subversive undercurrents,
and political misreadings of his work. His witty, ironic responses provide counterpoint to the
chapters of a life that begin to unfurl.
First up, as an embodiment of Dylan’s youthful aspirations, we meet Woody (Marcus Carl
Franklin), a precocious train-hopper who, despite being 11-years-old and black, calls himself
Woody Guthrie. Set in the late 1950’s, Woody has adopted the posture and tales of the dust
bowl troubadour with a calculated earnestness. To the supporters he encounters on the road,
Woody’s tall tales of circus escapes and musical glory provide impressive evidence of his
authenticity, even as his impersonation is revealed.
But the character who first achieves success “singing about his own time” is Jack (Christian
Bale), who hits Greenwich Village and spearheads the protest-music scene of the early sixties
with his original compositions, strident performances and high-profile LPs. As the devouring
public divines a social and political consciousness in his lyrics, Jack severs ties with his
‘message’ in a bizarre retreat from both his lover and folksinging champion, Alice (Julianne
Moore) and his young worshiping audience.
Robbie (Heath Ledger), a New York actor and motorcycle enthusiast, races to counter-culture
fame with his performance in a 1965 film biography of the now-vanished Jack. Robbie’s
troubled ten-year relationship with Claire (Charlotte Gainsbourg) is chronicled from their initial
meeting in a Greenwich Village coffee shop through to their eventual separation against the
background turmoil of the Vietnam War.
While Robbie struggles to balance private life with encroaching fame, Jude (Cate Blanchett)
surrenders body and soul to a full-throttle assault on his folk music following. Closely following
Dylan’s mid-sixties adventures, Jude shocks his audience by embracing amplified rock and an
increasingly nihilistic, amphetamine-fueled persona. His new sound attracts artistic kudos from
Allen Ginsberg (David Cross), underground ingénue Coco Rivington (Michelle Williams) and
international fame, but infuriates the protest-music old guard, not to mention journalists like Mr.
Jones (Bruce Greenwood). Evading emotional attachments and basic self-preservation, Jude’s
dangerous game propels him into existential breakdown. His resurrection comes in the nick of
time: Pastor John (Christian Bale) is Jack twenty years later, a born-again Christian preacher
who has jettisoned his folk music legacy for the gospel.
Finally, the last and oldest of our characters is discovered in full retreat from the world. Billy
(Richard Gere)—no longer “the Kid”—has survived his famous showdown and found refuge in
the metaphoric town of Riddle, MO living out his days in a self-imposed exile from the past. But
when word of the town’s impending demise forces a confrontation with his old nemesis Pat
Garrett (a reincarnated Bruce Greenwood), Billy is forced to abandon his sanctuary and
continue moving on.
#
#
4
#
I’M NOT THERE
About the Production
“God, I’m glad I’m not me.”
Bob Dylan, reading an article about himself in 1965
In 2000, seeking a peaceful place to write the screenplay for Far From Heaven, Todd Haynes
left New York City and headed up to Portland, Oregon, where his sister lived. Around that time,
he found himself increasingly preoccupied with Bob Dylan. “My love for his music started in high
school, but I didn’t listen to him for many years,” says Haynes. “And I found myself curiously
coming back to him at a moment in my life where I was looking for change, though I may not
have known it yet. I’ve heard that people at crucial times in their lives can turn to Dylan to either
lose themselves or find themselves again. And I did change my life. I gave up my apartment in
New York and moved to Portland.”
“As I started to dig deep into Dylan’s biographies, I kept confronting this theme of him being this
artist who continued to unnerve his following again and again by changing who he was—
sometimes to such a degree that the people around him described it as literally shape-shifting in
front of their eyes.” As Haynes began to think about turning his Dylan obsession into a film, he
decided that the only way to tell the story was to dramatize Dylan’s metamorphoses and make
them the foundation for the story he would tell. “I wanted to have the film be composed of
different actors in completely different stories and genres, each one based on the musical
themes and characteristics of a particular period in Dylan’s life.”
Haynes was skeptical about getting the music rights, as Dylan had never given permission for a
dramatic film on his life. Since he had not been able to secure permission for David Bowie’s
music for Velvet Goldmine or Karen Carpenter’s for Superstar, Haynes and his producer,
Christine Vachon, agreed that Haynes shouldn’t proceed with the script until the issue was
resolved. They began by approaching Bob’s oldest son, filmmaker Jesse Dylan (American
Wedding, Kicking and Screaming). Meeting in Los Angeles, Haynes and Vachon described the
concept to Jesse and (by telephone) Dylan’s long-time manager, Jeff Rosen. Intrigued, Rosen
told Haynes to write it out in a one sheet description. “He told me to avoid mentioning ‘Voice of a
Generation’ or ‘Genius of Our Time’ or all those tired accolades that make him wince,” says
Haynes. “The title at that time was I’m Not There: Suppositions on a Film Concerning Dylan. I
wrote it up and I tried to describe it in a way that made clear that it wasn’t going to be some
sellout version of his life and times.” Haynes sent out his brief treatment with minimal
expectations. A few months later, he was stunned when Rosen called and said that Dylan had
looked at the proposal and watched his films—and agreed to give the rights. But there was one
unexpected condition: Dylan also wanted Haynes to do a stage version. “I thought, ‘I just
wanted the movie rights and all of a sudden I have to do theatre and film rights at the same
time?’” says Haynes. “And I realized I couldn’t do it alone.”
Haynes invited an old friend, screenwriter Oren Moverman (Jesus’ Son, Married Life) to come to
Portland and collaborate on the theatrical adaptation of I’m Not There. “We talked about all the
cinematic styles that I was imagining for each of the stories, and tried to find theatrical
equivalents. It was inspiring and exciting, because it kept forcing me to distill what all these
different characters and their stories would look and sound like.” Eventually, Dylan’s interest in
turning I’m Not There into a theatrical property was redirected to Twyla Tharp’s Broadway show,
The Times They Are a-Changin’ and Haynes went to New York to make Far From Heaven.
5
Returning to Portland, Haynes went back to the script and soon found the responsibility of the
project to be extremely daunting. “I didn’t want this film to just be about who Dylan married or
what drugs he did and all those things that bio-pics relish,” he says. “I wanted to do it right.
Once I was talking with Jeff Rosen and I said, ‘This is a big honor! I feel I have to represent
Dylan to the world and I want to do it accurately and carefully!’ And Jeff just said ‘Todd, don’t
even think about that. This is your own weird interpretation of Bob Dylan and that’s all you have
to worry about.’ So I was given permission by the gatekeeper himself to explore and invent
freely.”
After he was three-quarters through a very lengthy script, Haynes invited Moverman back to
Portland to help him pull it into a final shape. “At this point he was closest to the material and
somebody I really trusted personally,” says Haynes. “I usually write my scripts alone, but it was
a joy to bring him into the process. It made finishing the script a great deal of fun.”
Some of the Dylan personas featured in I’m Not There correspond to a recognizable period and
look in Dylan’s life, whereas others are more metaphorical, blending influences, passions, and
imagery that extend over his entire career. Haynes gave free reign to his imagination in both
how he represented the various selves, and the diverse set of cinematic styles that he employed
to film them. “I wanted the film to be something that could, at some level, approach what he did
as an artist,” says Haynes. “His kind of writing, his kind of imagination, and all the tropes that
continues to influence him throughout his life. It was a tall order, but it was my goal.”
The character of Woody (played by Marcus Carl Franklin) in the film represents Dylan’s early
years as an interpreter of folk music, and in particular, his fascination with the music of Woody
Guthrie .“Listening to Woody Guthrie had a huge transformative influence on Dylan,” says
Haynes. “Not just his amazing songs, but the entire attitude and persona that emerges in his
book Bound for Glory. And Dylan immediately began to impersonate him in the way he spoke,
the way he sang, and the way he dressed. The early accounts of experiencing Bob Dylan in
Greenwich Village are filled with hilarious accounts of Dylan’s yarns about his past and where
he came from. And I thought, let’s really take that to heart and have Woody be this person that
literally claims to be Woody Guthrie—and let’s make him black. And let’s have everybody
comment on how young he is and how unlikely he is to be Woody Guthrie, but never even
mention that he’s black, the way Dylan was never really caught in his lies. So the character of
Woody’s all about the sheer force of persuasion and Dylan’s first intense aspiration and desire
to become something else.”
The character of Jack Rollins (played by Christian Bale) depicts Dylan in his first breakthrough
years as a singer-songwriter of protest music, when songs like The Times They are a-Changin’
and Blowin’ in the Wind changed the face of American folk music. Haynes presents him through
a 1980’s documentary that looks back on the legendary figure of Rollins, who walked away from
his career at the height of his success. “I wanted to accentuate the mythic qualities of Rollins,”
says Haynes. “So he’s only seen in photos and film clips, and described by the people who
knew him. He’s a figure of high moral instincts who allies himself with a very clear political
consciousness driven by the events of the civil rights movement. And I knew that Christian
would give furrow-browed intensity to Jack Rollins, something that could almost eclipse our
memories of Dylan’s face at the time. And I think he really fulfilled that.”
Later in the film the documentary discovers present day Jack Rollins had converted to
Christianity and become the pastor of a Pentecostal church in Stockton, California. Haynes
spotlights the character’s transformation by giving him a new name, Pastor John (still played by
Christian Bale). The church seen in the film is very closely patterned after the actual church that
6
Dylan joined in the late 70s, but Haynes heightens John’s transformation by making him a
minister who sings and performs for his congregation. Pastor John also sermonizes, as Dylan
did at many of the concerts he gave at the time. “I saw Dylan’s later turn to Christianity as a
moment in his life that was similar to his folk period,” says Haynes. “They were both periods
when he had the answer. It was a very different answer and a very different moment, but it
maintained the same kind of moral imperviousness. And thinking about the connections
between those two moments helped me understand his Christian conversion.”
Arthur (Ben Whishaw) is a manifestation of Dylan’s interest in Arthur Rimbaud, something that
first emerged with his 1964 album Another Side of Bob Dylan, where he began to move away
from songs that addressed large social issues and started writing about more personal things.
“That record and particularly the ones that followed it, Bringing it all Back Home and Highway 61
Revisited, made use of a much more ornate, complex and hallucinatory use of lyrical material
and references,” says Haynes. “And Dylan spoke of the influence of Rimbaud and symbolist
poetry and the Beats. And interestingly, in 1965, Dylan started to give interviews where he
answered the questions with the same kind of ironic wit, absurdist humor and poetic imagery
that you saw in his lyrics from the time. At first you think he’s evading these questions from the
press with a lot of silly talk about watermelons and umbrellas and light bulbs, until you realize
he’s actually answering them at a whole other level. So in the film, when you see Arthur,
dressed as Rimbaud, being interrogated by an unknown body of government agents, he
responds exclusively with all these great Dylanisms from 1965.”
Cate Blanchett’s character, Jude, springs from a very specific chapter in Dylan’s career,
dawning with his explosive first electric concert at Newport in the summer of 1965, moving
through his notorious concert tour in England in 1966, and ending with his motorcycle crash
later that year. It was a period when Like a Rolling Stone supplanted Blowin’ in the Wind as the
anthem of his artistic development, and the time of the first backlash from his fans. “When
Dylan plugged in his electric guitar, and garnered such hostility from his adoring folk following, it
was a test,” says Haynes. “What does an artist do when people start booing him for the first
time? Some of them will lose their grit and go back to what people liked before. Dylan used it—
he used the hostility to push him further. And you can see that in the extraordinary amount of
work he was producing, pushing himself to the limit with endless creative output and
amphetamines.” The Dylan of that era, the tangle-haired rebel gazing from the covers of
Highway 61 Revisited and Blonde on Blonde, is for most people the quintessential mental
picture they have of Dylan to this day. “That image of Dylan is so well-known and so woven
into our cultural fabric now that I felt that the sheer shock of it that people must have
experienced at that time is gone,” says Haynes. “I wanted to find a way to re-infuse it with true
strangeness—the eeriness and sexual uncertainty and diffusion. And that’s why I wanted to
have a woman play the part. And it took Cate Blanchett to transform that tall order into
something more than a cinematic stunt.”
At first Haynes considered D.A. Pennebaker’s documentary Dont Look Back as a reference for
Jude, but that film documents Dylan’s last solo acoustic tour in England the previous year, a
juncture when he was greeted by worshipful audiences as a beloved poet. “It was a different
time,” says Haynes, “I wasn’t sure that Dont Look Back was the right cinematic equivalent to the
style and feel for this particular Dylan and his work. I started watching a lot of 60s films, and it
didn’t take long to discover Fellini’s 8½, the perfect cinematic parallel. It’s a film about a director
being besieged by his fans, followers and critics, and being asked continually: ‘What do your
films mean?’ ‘Why aren’t you doing films like you used to do?’ And although there are still
scenes in backstage rooms which will be invariably compared to Dont Look Back, the Jude story
is in fact a very composed, baroque and churlishly overt tribute to mid-60’s Fellini.”
7
The character of Robbie (Heath Ledger), focuses on Dylan’s personal life and the central
relationship reflected in his own love songs. Set against the Vietnam era, the failures of love and
war are compared, as Robbie, a counter-culture movie actor falls in love with Claire (Charlotte
Gainsbourg), a painter. But, as the decade ensues his constant absences and his lack of
respect for her needs gradually fractures their relationship. As he had with Jude, Haynes
sought inspiration from another 60s cinema legend to tell this story. “I looked at the mid-60s
work of Jean-Luc Godard,” says Haynes, “and in his films there’s a great romanticism towards
women, but with it, at times, a quiet condescension. The women in these films are treated with
a poetic camera, but they are exempt from the political discourse that drives them. And this
double standard has been a point of discussion in some of Dylan’s songs as well. Because of
this, I wanted Charlotte Gainsbourg’s character to be something more than just one of the
women in his life, but someone who really is a testament to the cost of a high-profile career and
its output. I wanted to have a compelling woman in the film, someone that you could have a
competing sympathy for. And I reference Godard as a way of expressing that visually and
cinematically.”
The Robbie section was also a place where Haynes could speak to Dylan’s faults and present a
more layered portrait. “We all know he’s brilliant,” says Haynes. “I didn’t need to paint a puff
piece of Bob Dylan. And I thought that the conflicts and the contradictions of his personality
were more interesting than just patting him on the back. And what was remarkable was how
Dylan’s management allowed me to do that.”
Through the oldest Dylan, Billy (Richard Gere), Haynes was looking at another current that
moves throughout Dylan’s career—his interest in Country and Roots Music and American
folklore. “With Billy, the myth of Billy the Kid having survived his run-in with Pat Garrett mirrors
Dylan’s own escapes from public life, as well as his famous appearance (and music) in Sam
Peckinpah’s 1973 film Pat Garrett & Billy The Kid,” says Haynes. “But it’s here, cast in the
tobacco haze of a late 60s hippie Western, and comprised of references to Dylan’s Basement
Tapes, his Rolling Thunder Revue, and the ‘old weird America’ so much of his work draws from,
Billy is discovered in a self-imposed exile from the world. The strangely looming disturbances
he senses, just over the hill, suggest a teeming nation just beyond the hills of Woodstock. In the
end, Billy is forced out of hiding and back into the world. With the discovery of Woody’s guitar,
the cycle of shape-shifting comes full circle. And as Dylan’s own thunder continues to roll,
through his memoirs, radio-show, more definitive recordings, and his ‘never ending tour’—
Dylan’s creative shape-shifting continues as well.”
Haynes made compilations of Dylan songs for all the actors that best illustrated his vision of
their roles. “And this wasn’t only done for the Dylans,” says Haynes. “I also prepared songs for
Charlotte Gainsbourg, Michelle Williams and Julianne Moore.” Many of the actors went to the
studio to record their own tracks. “Christian did a beautiful job,” says Haynes, “but we’d already
laid down the Mason Jennings track, which I thought was stunning and a really close match for
his frame.” Marcus Carl Franklin was the only Dylan who ended up performing his own vocals
as Woody. “He blew us away,” says Haynes. “I couldn’t believe that we’d stumbled onto this
kid. He has the voice of an angel.”
Haynes original conception for the film always called for Dylan’s actual voice as an essential
continuity, binding together the various stories. In addition to that, whenever an actor would be
performing in the film he knew he had to have cover versions created. “But I also wanted to
hear some songs that weren't necessarily being performed on screen interpreted by others,” he
says. “The wide range of covers used in the film's soundtrack was an entirely collaborative
8
effort with my music supervisor, Randy Poster, who worked closely with me on the Velvet
Goldmine soundtrack. In both cases we were dealing with very specific historical subject matter,
as far as popular music and culture is concerned, material we wanted to honor in its specificity
but also allow to expand and interact with comparable traditions among contemporary artists.
And this allowed us to combine classic artists like Richie Havens, Roger McGuinn and Ramblin’
Jack Elliot, with artists less directly associated with the Dylan in the 60s, like Iggy & the
Stooges, John Doe and Sonic Youth. But as opposed to simply asking certain artists to make
covers for us—which occurred as well—Randy curated creative producers to oversee certain
sections of the film and to put together our own bands to play in them: Joe Henry produced
Richie Haven’s reworking of Tombstone Blues and John Doe’s Pressing On: Calexico’s Joey
Burns produced Goin’ To Acapulco performed by Jim James of My Morning Jacket, in addition
to songs by Willie Nelson, Roger McGuinn, Iron and Wine and Charlotte Gainsbourg. Lee
Ranaldo of Sonic Youth put together our house band The Million Dollar Bashers, which included
Tom Verlaine, Wilco’s Nels Cline, Smokey Hormel on guitar, Steve Shelley on drums, John
Medeski on keyboards, and Dylan’s current band-leader, Tony Garnier, on bass. The Million
Dollar Bashers back Stephen Malkmus covers for Cate Blanchett, Ballad of a Thin Man and
Maggie’s Farm, Verlaine’s haunting Cold Irons Bound, and Eddie Vedder’s All Along The
Watchtower. And among the many self-produced covers, Yo La Tengo contributed 4th Time
Around and I Wanna Be Your Lover and Sonic Youth produced their version of I’m Not There,
which plays under the final credits.”
To create the film’s diverse looks, Haynes collaborated closely with director of photography
Edward Lachman, who was Oscar-nominated for his work on Haynes’ Far From Heaven. “Ed
Lachman is a true artist,” says Haynes. “If you sit down and watch all the films he’s shot, no two
of them look the same. He doesn't bring any tricks to the table. Each new project begins as a
blank canvas on which to build the specific visual language appropriate to that work and that
work alone. Clearly this approach is something we share. But then, Ed has worked with Herzog,
Wenders, Godard, Fassbinder, Schrader, Kureishi, Soderbergh and Altman. He's as passionate
and devoted a cinematographer as anyone I've worked with.”
I’m Not There opens with the death of Jude, presumably in a motorcycle crash similar to the one
Dylan survived in 1966. “Dylan did die then,” says Haynes. “The Dylan of 1966 would never
come back in any shape or form. And it was reborn in 1967 as this person in a rural exile. Each
of the characters in I’m Not There is the prior character’s resurrection. They reach an impasse
at what they can do, and so their death is actually regenerative. And that’s what the idea of
freedom is for Dylan. He destroyed the idea that freedom is finding out who you really are and
staying there—that there maybe is no such thing and that true freedom is the ability, the
necessity even, to reinvent yourself.”
Dylan’s song I’m Not There was recorded during the famed 1967 Basement Tapes sessions
with The Band, but to this date has only been circulated in bootleg copies. (The song isn’t
included in the 1975 album, The Basement Tapes.) “I’m Not There is about a woman at the
very end of her abilities to cope,” says Haynes. “And the man singing is someone who’s not
there for her. There’s this guilt, regret and despair that’s moving through the song. It’s about
not being there for someone in pain and someone in need. And I love it as a metaphor of Dylan
not being physically available. The minute you try to grab hold of Dylan, he’s no longer where he
was. He’s like a flame: if you try to hold him in your hand you’ll surely get burned.”
9
“Dylan’s life of change and constant disappearances and constant transformations makes you
yearn to hold him, and to nail him down,” Haynes continues. “And that’s why his fan base is so
obsessive, so desirous of finding the truth and the absolutes and the answers to him—things
that Dylan will never provide and will only frustrate. But I think it’s why a whole generation
identifies with Dylan, maybe more than they ever did with John Lennon, or other seemingly
much friendlier or available popular figures in rock music. Dylan is difficult and mysterious and
evasive and frustrating, and it only makes you identify with him all the more as he skirts
identity.”
#
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10
#
I’M NOT THERE
Bob Dylan Timeline
Bob Dylan has written over 500 songs (including: Blowin' In The Wind, The Times They Are A-Changin',
All Along The Watchtower, Like A Rolling Stone, Knockin' On Heaven's Door, Tangled Up In Blue, To
Make You Feel My Love). His songs have been covered by over 2000 different artists including The
Rolling Stones, Rod Stewart, Guns N Roses, P.J. Harvey, Garth Brooks, Stevie Wonder, The O'jays,
Rage Against The Machine, Pearl Jam, Neil Young, Tom Petty, Sheryl Crow, Duke Ellington, Buck
Owens, Jimi Hendrix, U-2. He has released 46 albums, which combined have sold over 100 million
records around the world.
A legendary touring artist, Bob Dylan has built his reputation on the strength of his live appearances; from
the coffee houses in Greenwich Village in the 60's to stadiums in the 70's and sold out venues across the
world into the year 2003. Since 1988, he has played no less than 100 shows a year from Bozman,
Montana to Rio de Janeiro; from Melbourne, Australia to Singapore; to college students at the Jazzfest in
New Orleans, to Pope John Paul in Rome.
May 24, 1941
Bob Dylan is born in Duluth, Minnesota.
September 1959
Attends classes at the University of Minnesota. Dylan begins performing at the Ten O’Clock Scholar, a
local coffee house.
Fall 1960
Dylan borrows a copy of Woody Guthrie's autobiography Bound for Glory. He soon becomes enthralled
with the iconic troubadour, hunting down his recordings, emulating his singing style and adding his songs
to his repertoire.
January 24, 1961
Bob Dylan arrives in New York City. He heads for Café Wha? in Greenwich Village, performing a couple
of songs at the club's hootenanny night.
April 11, 1961
Dylan makes his first major New York appearance at Gerdes' Folk City, supporting John Lee Hooker.
October 26, 1961
After being rejected by several smaller labels, Dylan signs a recording contract for legendary Columbia
Records A&R man John Hammond. He completes his first album in two three-hour sessions, recorded
on November 20th and 22nd at a cost of $402; it will be released the following March.
ALBUM RELEASE: Bob Dylan – 3/19/1962
July, 1962
Bob Dylan records “Blowin’ In The Wind”, the first in a series of publishing demos for Witmark Music.
ALBUM RELEASE: The Freewheelin' Bob Dylan – 5/27/1963
July 26-28, 1963
Dylan performs on three consecutive nights at the Newport Folk Festival. The same month, Peter, Paul,
and Mary's version of Dylan's "Blowin' in the Wind" peaks at #2 on the U.S. pop chart.
11
August 28, 1963
Dylan performs "Only A Pawn in Their Game" and "Blowin' In The Wind" at the March on Washington for
Jobs and Freedom, the historic civil rights rally at which Martin Luther King Jr. delivers his famous "I Have
A Dream" speech.
ALBUM RELEASE: The Times They Are A-Changin' – 2/10/1964
ALBUM RELEASE: Another Side of Bob Dylan – 8/8/1964
ALBUM RELEASE: Bringing It All Back Home – 3/22/1965
April 1965
The single “Subterranean Homesick Blues” is Dylan’s first chart single reaching #39 in the USA and #9 in
the UK.
April 26, 1965
Dylan arrives in England to begin a British tour, which will be immortalized in filmmaker D.A.
Pennebaker's landmark documentary Don't Look Back.
June 20, 1965
The Byrds' electric version of Dylan's "Mr. Tambourine Man" tops the pop chart.
July 20, 1965
The single, “Like A Rolling Stone” is released, hitting #2 on the US charts after 12 weeks, #4 in the UK.
July 25, 1965
Dylan angers folk purists and excites others by performing a set of electric rock 'n' roll at the Newport Folk
Festival, with backup by the Butterfield Blues Band. The set includes “Like A Rolling Stone” and a
blistering performance of “Maggie’s Farm”.
ALBUM RELEASE: Highway 61 Revisited – 8/30/1965
September 7, 1965
The single, Positively Fourth Street is released and peaks at #7 in the US Charts in 1966.
September 24, 1965
Dylan begins touring with the Hawks, later known as The Band, as his backup combo. Audiences are
divided over Dylan's new electric presentation.
April 13, 1966
Bob Dylan begins 24 dates in Australia and the Europe. The tour arrives in the British Isles amidst a swirl
of controversy. The shows are marked by boos, catcalls and walkouts prompted by Dylan’s insistence on
playing electric music.
ALBUM RELEASE: Blonde on Blonde – 5/16/1966
July 29, 1966
Dylan is injured in a motorcycle accident near his home in Woodstock, New York. While recuperating, he
will take an extended hiatus from public appearances.
ALBUM RELEASE: Bob Dylan's Greatest Hits – 3/27/1967
April 1967
With The Band, Dylan begins to record a wealth of new material in the basement of "Big Pink," a house in
Saugerties, New York. The recordings will come to be known as "The Basement Tapes," and will be
widely bootlegged before receiving an official release in 1975.
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ALBUM RELEASE: John Wesley Harding – 12/27/1967
January 20, 1968
Dylan performs with The Band at a pair of Carnegie Hall tribute concerts for Woody Guthrie, who passed
away three months earlier.
October 18, 1968
Jimi Hendrix's version of Dylan's "All Along the Watchtower" is released.
ALBUM RELEASE: Nashville Skyline – 4/9/1969
May 1, 1969
Dylan records three songs for Johnny Cash's TV variety show, including a duet with Cash.
June 9, 1970
Receives Honorary Doctorate from Princeton University.
ALBUM RELEASE: Self Portrait – 6/8/1970
November 1970
Dylan's surreal experimental novel Tarantula, written five years earlier, is finally published.
ALBUM RELEASE: New Morning – 10/21/1970
August 1, 1971
Dylan performs at Madison Square Garden as part of the Concert for Bangladesh, a pair of all-star benefit
shows organized by George Harrison.
ALBUM RELEASE: Bob Dylan's Greatest Hits, Vol. 2 – 11/17/1971
November 23, 1972
Dylan arrives in Durango, Mexico to begin shooting his acting debut in Sam Peckinpah's revisionist
western Pat Garrett and Billy the Kid. Dylan's score for the film will produce the hit "Knockin' On
Heaven's Door."
ALBUM RELEASE: Pat Garrett and Billy the Kid – 7/13/1973
January 3, 1974
Dylan begins his first tour in eight years, accompanied by The Band. The tour will produce the live album
Before the Flood.
ALBUM RELEASE: Planet Waves – 1/17/1974
ALBUM RELEASE: Before the Flood – 6/20/1974 (Before the Flood)
ALBUM RELEASE: Blood on the Tracks – 1/20/1975
ALBUM RELEASE: The Basement Tapes – 7/1/1975
October 30, 1975
In Plymouth, Massachusetts, Dylan launches the Rolling Thunder Revue, a multi-artist road-show that
includes Joan Baez, Roger McGuinn and Ramblin' Jack Elliott.
December 8, 1975
The Rolling Thunder Revue stages "Night of the Hurricane" at Madison Square Garden, the first of two
benefit shows for imprisoned boxer Rubin "Hurricane" Carter, the subject of Dylan's song "Hurricane."
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ALBUM RELEASE: Desire – 1/5/1976
May 23, 1976
The second-to-last show of the Rolling Thunder tour, a rain-soaked gig in Fort Collins, Colorado, is filmed
as Dylan's network TV special Hard Rain.
ALBUM RELEASE: Hard Rain – 9/1/1976
January 25, 1978
Dylan's directorial debut Renaldo and Clara, assembled from over 80 hours of footage shot on the first
Rolling Thunder tour, is released theatrically. The four hour film will receive a mixed response from critics
and audiences.
ALBUM RELEASE: Street Legal – 6/15/1978
April, 1979
Bob Dylan begins recording in Muscle Shoals with legendary R&B producer, Jerry W exler. The resulting
sessions create new controversy with songs that are firmly rooted in Gospel music and reflect Dylan’s
spiritual explorations.
ALBUM RELEASE: At Budokan – 4/23/1979
ALBUM RELEASE: Slow Train Coming – 8/20/1979
ALBUM RELEASE: Saved – 6/19/1980
ALBUM RELEASE: Shot of Love – 8/12/1981
March 15, 1982
Inducted into the Songwriters Hall of Fame
ALBUM RELEASE: Infidels – 10/27/1983
ALBUM RELEASE: Real Live – 11/29/1984
ALBUM RELEASE: Empire Burlesque – 5/30/1985
ALBUM RELEASE: Biograph – 11/7/1985
1986
Tours with Tom Petty & The Heartbreakers. Also does some select shows with The Grateful Dead.
ALBUM RELEASE: Knocked Out Loaded – 7/14/1986
ALBUM RELEASE: Dylan & the Dead – 1/18/1988
January 20, 1988
Dylan is inducted into the Rock and Roll Hall of Fame, with Bruce Springsteen delivering his induction
speech.
April 1988
An informal studio get-together with George Harrison, Roy Orbison, Tom Petty and Jeff Lynne results in
the formation of the tongue-in-cheek super group the Traveling Wilburys, which will release two wellreceived albums and produce the hit single “Handle With Care”.
ALBUM RELEASE: Down in the Groove – 5/19/1988
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June 6, 1988
Dylan begins a new commitment to extensive touring. Starting in 1988, Dylan performs an average 100
shows a year; a pace that he continues to this day.
ALBUM RELEASE: Oh Mercy – 9/12/1989
January 30, 1990
French Minister of Culture, Jack Lang, awards Bob Dylan with the Commandeur des Arts et des Lettres.
ALBUM RELEASE: Under the Red Sky – 9/11/1990
February 20, 1991
Bob Dylan receives the Lifetime Achievement Award at the Grammy Awards Ceremony in New York.
ALBUM RELEASE: The Bootleg Series Volumes 1-3 – 3/26/1991
October 16, 1992
Columbia Records stages an all-star 30th-anniversary Dylan tribute concert at Madison Square Garden,
with Dylan performing alongside an all-star cast that includes George Harrison, Johnny Cash, Neil Young,
Eric Clapton and Lou Reed.
ALBUM RELEASE: Good as I Been to You – 11/3/1992
January
17,
1993
Bob Dylan makes a surprise appearance at Bill Clinton’s Inauguration Concert at the Lincoln Memorial in
Washington DC…. The same place where he sang at the March On Washington 30 years before. He
sings “Chimes of Freedom.”
ALBUM RELEASE: The 30th Anniversary Concert Celebration – 8/24/1993
ALBUM RELEASE: World Gone Wrong – 10/26/1993
November 9, 1994
Bob Dylan releases Drawn Blank, his first published collection of Artwork. The book contains 92 pencil
and ink drawings.
ALBUM RELEASE: Bob Dylan's Greatest Hits, Vol. 3 – 11/15/1994
December 14, 1994
The first broadcast of Bob Dylan Unplugged on MTV Networks.
February 1995
Release of Highway 61 Interactive; A best selling CD-Rom.
ALBUM RELEASE: MTV Unplugged – 6/30/1995
ALBUM RELEASE: Time Out Of Mind – 9/30/1997
October 16, 1997
Bob Dylan is awarded the Dorothy and Lillian Gish prize presented by the photographer Richard Avedon
at the Lotus Club in New York.
December 7, 1997
Bob Dylan receives The Kennedy Center’s Lifetime Achievement Award in Washington, DC.
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February 25, 1998
Dylan wins three Grammy Awards for his 1997 album Time Out of Mind, including Album of the Year.
ALBUM RELEASE: Live 1966 – Bootleg Series Volume 4 10/13/1998
May 15, 2000
Bob Dylan receives the Polar Music Prize at the Berwald Hall in Stockholm. The prize is given by King
Carl XVI Gustaf.
ALBUM RELEASE: The Essential Bob Dylan – 10/31/2000
December, 2000
Dylan is listed as one of Time Magazine’s “100 Most Influential People of the 20 th Century”.
March 25, 2001
Dylan wins an Academy Award for his song "Things Have Changed," from the previous year's film
Wonderboys.
ALBUM RELEASE: Love and Theft – 9/11/2001
ALBUM RELEASE: Live 1975 – Bootleg Series Volume 5
11/26/2002
January 22, 2003
The film Masked and Anonymous, starring and co-written by Dylan, premieres at the Sundance Film
Festival.
June 23, 2004
Awarded an Honorary Doctorate of Music by the University of St. Andrews, Scotland's oldest university.
ALBUM RELEASE: Live 1964 – Bootleg Series Volume 7 3/30/2004
October 5, 2004
Chronicles, Volume One, the first volume of Dylan's proposed three-part autobiography, is published. It
stays on the New York Times Best Seller List for over 18 weeks, reaching the #2 spot.
ALBUM RELEASE: No Direction Home – Bootleg Series Volume 7
8/30/2005
September 26, 2005
Martin Scorsese's long-awaited Dylan documentary No Direction Home premieres on PBS and around
the world. It will go on to win a Peabody Award and a Grammy.
May 3, 2006
Bob Dylan’s award winning radio show, Theme Time Radio Hour, appears on the XM satellite network. It
goes on to become one of XM’s top shows garnering close to 2 million listeners an episode.
ALBUM RELEASE: Modern Times – 8/29/2006
Album debuts at #1 on the U.S. Charts and reaches #1 in 7 other countries.
#
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About the Cast
Christian Bale / Jack and Pastor John
Born in Wales, Christian Bale grew up in England and the USA. He made his film debut in
Steven Spielberg’s World War II epic Empire of the Sun. Bale’s work to date includes Henry V,
The Portrait of a Lady, The Secret Agent, Metroland, Velvet Goldmine, All the Little Animals,
American Psycho, Shaft, Captain Corelli’s Mandolin, Reign of Fire, Laurel Canyon, The
Machinist, Batman Begins, The New World, The Prestige, Harsh Times and Rescue Dawn and
most recently 3:10 to Yuma directed by James Mangold,. He is currently filming Dark Knight for
director Christopher Nolan.
Cate Blanchett / Jude
Since graduating from Australia’s National Institute of Dramatic Art (NIDA), Cate Blanchett has
worked extensively in the theater: with Company B, a loose ensemble of actors including
Geoffrey Rush, Gillian Jones and Richard Roxburgh based at Belvoir St. under the direction of
Neil Armfield. Her roles included Miranda (“The Tempest”), Ophelia (“Hamlet” –for which she
was nominated for a Green Room Award), Nina (“The Seagull”) and Rose (“The Blind Giant is
Dancing”).
For the Sydney Theater Company (STC) she appeared in Caryl Churchill’s “Top Girls”, David
Mamet’s “Oleanna” (awarded The Sydney Theater Critics award for Best Actress), Michael
Gow’s “Sweet Phoebe” (also for the Croyden Wearhouse, London) and Timothy Dalys “Kafka
Dances” (also for The Griffin Theatre Company) for which she received the Critics Circle award
for best newcomer.
For the Almeida Theatre in 1999, Cate played Susan Traheren in David Hare’s Plenty on
London’s West End.
Her television credits include lead roles in Bordertown and Heartland, both for the Australian
Broadcasting Commission.
Her film roles include Susan Macarthy in Bruce Beresford’s Paradise Road, Lizzie in Thank God
He Met Lizzie, an anti-romantic comedy directed by Cherie Nowlan for which Cate was awarded
both the Australian Film Institute (AFI) and the Sydney Film Critics awards for Best Supporting
Actress, and Lucinda in Oscar and Lucinda opposite Ralph Fiennes and directed by Gillian
Armstrong, a role that earned her an AFI nomination for Best Actress.
In 1998, Cate portrayed Queen Elizabeth I in the critically acclaimed Elizabeth, directed by
Shekhar Kapur, for which she received a Golden Globe Award for Best Actress in a Drama and
a BAFTA for Best Actress in a Leading Role as well as Best Actress Awards from The Chicago
Film Critics Association, The London Film Critics Association, The Toronto Film Critics
Association, On-line Film Critics, Variety Critics and UK Empire Award. She also received a
Best Actress nomination from the Screen Actors Guild and the Academy of Motion Picture, Arts,
& Sciences.
In 1999, Cate appeared in Pushing Tin with John Cusack, a black-comedy about air traffic
controllers directed by Mike Newell, An Ideal Husband directed by Oliver Parker and The
Talented Mr. Ripley directed by Anthony Mingella for which she received a BAFTA nomination
for Best Supporting Actress. Cate also starred in The Gift, directed by Sam Raimi and in Sally
17
Potter’s The Man Who Cried which premiered at the Venice Film Festival and for which Cate
was awarded Best Supporting Actress by the National Board of Review and the Florida Critics
Circle.
In 200l, Cate appeared in Bandits with Bruce Willis and Billy Bob Thornton, and directed by
Barry Levinson, for which she received a Golden Globe Award nomination and a Screen Actors
Guild nomination for Outstanding Supporting Actress. Cate has also appeared in The Shipping
News, alongside Kevin Spacey and directed by Lasse Hallstrom, based on the 1994 PulitzerPrize winning novel by Annie Proulx. She was also seen as “Galadriel,” Queen of the Elves, in
Lord of the Rings: Fellowship of the Ring, the first installment of Peter Jackson’s trilogy based
on J.R.R. Tolkien’s fantasy novels. Cate was honored by the National Board of Review as the
2001 Best Supporting Actress for her outstanding supporting performances in Bandits, The Lord
of the Rings: Fellowship of the Ring, and The Shipping News. She reprised her role as
“Galadriel” in 2002 for second installment of the trilogy, Lord of the Rings: The Two Towers and
the final installment, Lord of the Rings: The Return of the King.
In 2002, Cate was also seen in the title role of Charlotte Gray, directed by Gillian Armstrong and
based on Sebastian Faulks’ best-selling novel. Cate also appeared in Heaven, opposite
Giovanni Ribisi and directed by Tom Tykwer, which premiered at the Berlin Film Festival where
the film was awarded the Golden Camera Award.
In 2003, Cate was seen in Veronica Guerin, the fact-based story of the Irish journalist who was
slain in her homeland in 1996 by drug dealers, directed by Joel Schumacher. Her performance
earned her a Golden Globe nomination in the category of Best Performance by an Actress in a
Motion Picture – Drama and a nomination by the Washington, D.C. Area Film Critics
Association for Best Actress. The film was released in October 2003. She also starred in the
Columbia Pictures’ thriller, The Missing, opposite Tommy Lee Jones for director Ron Howard.
The film was released in November 2003.
In early 2004, Cate appeared in the film Coffee & Cigarettes for director Jim Jarmusch. In this
United Artists release, Cate played two roles opposite each other – herself and the role of her
cousin. Her performances earned her a Best Supporting Female nomination for the 2005
Independent Spirit Awards.
In July 2004, Cate returned to the Sydney Theatre Company to play the title role in Andrew
Upton’s adaptation of “Hedda Gabler.” The play was a critical success earning her the
prestigious Helpmann Award for Best Female Actor in a Play. She also starred in her first
Australian film in several years, Little Fish, directed by Rowan Woods, for which she was
awarded Best Actress by the Australian Film Institute.
Cate received an Academy Award for her portrayal as Katharine Hepburn in The Aviator,
directed by Martin Scorsese. She was also honored with the BAFTA Award and a SAG Award
for her role in the 2005 release. Additionally, she was recognized by several critics’
organizations and received a nomination from the Hollywood Foreign Press Association.
In 2006 Cate was seen in Babel, opposite Brad Pitt, directed by Alejandro Gonzalez Inarritu.
The film received a Golden Globe Award and was nominated for numerous awards including an
Academy Award and a SAG Ensemble Award. Cate was also seen in The Good German,
costarring with George Clooney, directed by Steven Soderbergh. She received a Golden Globe
nomination, a SAG nomination and an Academy Award nomination for Notes On A Scandal,
18
opposite Judi Dench. Also in 2006, Cate and her husband, Andrew Upton, were named codirectors of the Sydney Theatre Company. Their debut season begins in 2009.
Cate recently wrapped production on the fourth installment of Indiana Jones, with Harrison Ford,
directed by Steven Spielberg. Elizabeth: The Golden Age opened on October 12, 2007. She
also completed production on The Curious Case of Benjamin Button, co-starring with Brad Pitt,
directed by David Fincher, a 2008 release.
Marcus Carl Franklin / Woody
Franklin most recently completed filming Focus Features’ Be Kind Rewind, directed by Michel
Gondry starring opposite Jack Black, Danny Glover, Mia Farrow and Mos Def. TV credits
include Lackawanna Blues for HBO, a stint on Saturday Night Live, Law and Order and a CBS
Hallmark production of The Water is Wide. His stage debut began at the age of six with
WestCo Productions, which led him to off-Broadway and Broadway productions of Caroline or
Change. He currently studies tap, piano, guitar and voice and in his spare time composes lyrics
and music.
Richard Gere / Billy
Humanitarian, actor, and Golden Globe winner, Richard Gere is known for his roles in such films
as An Officer and a Gentleman, Days of Heaven, American Gigolo, Pretty Woman, First Knight,
and in Primal Fear.
Earlier this year, Gere starred in Lasse Hallström's critically acclaimed film The Hoax, and
completed work on, The Flock, set to be released in 2007. This fall Gere starred in The Hunting
Party, which costars Terrence Howard and Jesse Eisenberg.
Next year looks equally bright for Gere, as he has no less than two films slated for release. The
first, Nights in Rodanthe, is based on the best-selling novel by Nicholas Sparks and reunites him
with Diane Lane. The other, Hachiko: A Dog’s Story, is a remake of the 1847 Japanese classic,
Hachiko Monogatari, and chronicles the bond between a college professor and the abandoned
dog he rescues.
Christmas of 2002 Gere sang and danced his way onto the big screen in the Academy Award
winning film adaptation of Chicago, playing the infamous lawyer Billy Flynn. In January of 2003,
Gere won his first Golden Globe Award as Best Actor in a Musical or Comedy for his
performance in Chicago.
In 2004 Gere teamed up with, Susan Sarandon and Jennifer Lopez to in the romantic comedy,
Shall We Dance and in 2005, Gere was seen in the well respected film, Bee Season, based on
the book by the same name.
In 2001 Gere was seen in the critically acclaimed Fox Searchlight dramatic thrilled Unfaithful,
directed by Adrian Lyne. Earlier that year Gere was seen playing a reporter drawn to a small
West Virginia town to investigate a series of strange events in Sony Picture’s psychological
thriller Mothman Prophecies opposite Debra Messing.
Born in Philadelphia, Richard Gere showed his artist ability at a young age, by playing a number
of instruments and writing music for high school productions. Gere won gymnastics scholarship
to the University of Massachusetts in Amherst, where he was philosophy major. While at
19
school, Gere caught the acting bug and left college after 2 years to pursue acting, landing a lead
role of ‘Danny Zuko’ in the London production of the rock musical "Grease" in 1973. After
spending full sessions with the Provincetown Playhouse and Seattle Repertory Theatre, he
performed in a number of New York plays, notably the title role in Richard Farina: Long Time
Coming and Long Time Gone, in addition to two plays by Sam Shepard, Back Bog Beast Bait
and Killers Head.
His career was established with performances in the Broadway rock opera Soon and the New
York production of the British farce Habeas Corpus. Gere’s other theatre credits include the
Lincoln Center presentation of A Midsummer Nights Dream and London Young Vic Theatre
Production of The Taming of the Shrew. Gere returned to the Broadway stage in 1980 with
Bent, winning the Theatre World Award for his portrayal as a homosexual concentration-camp
prisoner.
Gere’s motion picture debut came in 1978 with Oscar-honored Days of Heaven, for which he
received the Italian equivalent of the Academy Award. His subsequent films include Looking for
Mr. Doodbar with Diane Keaton, Blood Brothers, John Schlesinger’s Yanks, and American
Gigolo. His next film was the 1982 blockbuster An Officer and a Gentleman, followed by
Breathless, Beyond the Limit, The Cotton Club, Power, No Mercy, and Miles From Home.
In 1990, Gere received Box-office acclaim for his portrayal of a corrupt cop in Internal Affairs
and starred opposite of Julia Roberts in the year’s top-grossing picture, Pretty Woman. This
movie captured the nation’s heart, and won the People’s Choice Award for Best Movie. The
following year, he made a guest appearance in Japanese director Akira Kurosawa’s Rhapsody
in August. Additional film credits include the MGM political thriller Red Corner, directed by Jon
Avnet and in Micael Caton-Jones remake of The Jackal for Universal Pictures.
Gere was also the first actor to agree to appear in And The Band Played On, the HBO
adaptation of Randy Shilts book about the first five years of AIDS in America. Gere played the
role of a fictional choreographer.
In 2000 Gere starred in the box-office hit Runaway Bride, for Paramount Pictures. In this
romantic comedy, Gere was reunited with his Pretty Women director Garry Marshall, and costar Julia Roberts. Also in 2000, Gere stared as a Dallas gynecologist who is surrounded by
adoring women in Dr. T and the Women directed by Robert Altman. The film also stars Helen
Hunt, Liv Tyler, Farrah Fawcett, and Kate Hudson.
Off screen, Gere is an accomplished pianist and music writer. He is also actively involved in
developing projects and has executive produced Final Analysis, Mr. Jones, and Sommersby
A student and friend of His Holiness the Dalai Lama, Gere, for over twenty years, has made
numerous journeys throughout India, Nepal, Zanskar and Tibet, Mongolia and China. He is an
accomplished photographer who has worked extensively within these regions.
His first book, PILGRIM, published in 1997 by Little, Brown and Company, is a collection of
images that represent his twenty-five year journey into Buddhism. With a foreword by His
Holiness the Dalai Lama, the book is Gere’s personal vision of this ancient and spiritual world.
An outspoken human rights advocate, Gere has done much to draw attention to the tragedy that
has been unfolding in Tibet under Chinese occupation.
20
He is the founder of the Gere Foundation, which contributes to numerous health education and
human rights projects and is especially dedicated to promoting awareness of Tibet and her
endangered culture. The Foundation contributes directly to His Holiness the Dalai Lama, the
Tibetan community-in-exile and to aid in the cultural survival of the Tibetan people. In 1987
Gere was the founding chairman of the Tibet House in New York. After leaving Tibet House in
New York in 1991, he became an active member of the Board of Directors of the International
Campaign for Tibet based in Washington D.C., and in 1996 became Chairman. Gere has
testified on Tibet’s behalf before the Senate Foreign Relations Committee, Congressional
Human Rights Caucus, the European Parliament, and House International Operations and
Human Rights Subcommittee.
Gere currently lives in New York with his wife Carey Lowell and their son Homer.
Heath Ledger / Robbie
An Academy Award-nominated actor who combines a natural onscreen presence with a studied
approach to character, Heath Ledger continues to build on an impressive young film career.
Ledger starred as cowboy Ennis Del Mar in Ang Lee's highly acclaimed drama, Brokeback
Mountain, which opened in December 2005 for Focus Features. For his performance Ledger
earned numerous best actor nominations from the Motion Picture Academy, HFPA's Golden
Globe, SAG, BAFTA and Independent Spirit, amongst others. In addition, Ledger won awards
for Best Actor from the New York Film Critics Circle and San Francisco Film Critics Circle.
Other film credits include, Terry Gilliam's The Brothers Grimm with Matt Damon, Lasse
Halstrom's romantic romp Casanova with Sienna Miller and Oliver Platt, Catherine Hardwicke's
Lords of Dogtown, Brian Helgeland's The Order with Shannon Sossamon, Ned Kelly with
Orlando Bloom, Geoffrey Rush and Naomi Watts, Shekar Kapur's The Four Feathers with Kate
Hudson, Marc Forster's critically acclaimed Monster's Ball with Halle Berry and Billy Bob
Thornton, Helgeland's A Knight's Tale, Mel Gibson's The Patriot, and 10 Things I Hate About
You opposite Julia Stiles. Ledger also co-starred in the independent films Black Rock, Paws,
and Two Hands.
Ledger began his acting career in his hometown of Perth, Western Australia. Starting at the age
of twelve, Heath workshopped plays with The Globe Shakespeare Company and the Midnight
Youth Acting Company. He quickly landed roles on the Australian television series, Clowning
Around, Bush Patro, Corrigan, Ship to Shore, and Home and Away. American television
followed with the FOX series Roar opposite Keri Russell.
Ledger was also seen last fall starring in the Australian independent film, Candy, as an
Australian man who falls in love with two kinds of Candy: a woman of the same name and
heroin. Directed by Neil Armfield, the film premiered at the 2006 Berlin Film Festival. Ledger will
next appear as the Joker in Chris Nolan's latest Batman film, The Dark Knight.
Ben Whishaw / Arthur
Ben Whishaw was born on 14 October 1980 in Hitchin, Hertfordshire. He trained at the Royal
Academy of Dramatic Art, graduating Spring 2003. In 1999, prior to drama school, Ben played
important supporting roles in two films, The Trench (Arts Council/Studio Canal dir. William Boyd)
and Mauvaise Passé (Pathe/Studio Canal dir Michel Blanc). He also played the title role in My
Brother Tom (Film Four dir. Dom Rotheroe). After graduation, he went on to appear in Enduring
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Love, a film adaptation of Ian McEwan's novel directed by Roger Michel, and Layer Cake, a
feature directed by Matthew Vaughan. ln 2003, he starred in the popular comedy-drama The
Booze Cruise for ITV.
Ben subsequently made his West End debut at the National Theatre in their stage adaptation of
Phillip Pullman's His Dark Materials and starred as Hamlet in Trevor Nunn's electric 'youth'
version of the play at the Old Vic, for which he has received tremendous critical acclaim and a
Laurence Olivier nomination(2005).
It was during this run that Perfume producer Bernd Eichinger and director Tom Tykwer
discovered Ben’s extraordinary talent. Ben played the lead character Grenouille in the highly
acclaimed Perfume which debuted in the UK in December 2006. Ben has also shot a feature
film called Stoned, in which he plays Keith Richards from the Rolling Stones, which was
released in 2006. Ben also appeared on television in Nathan Barley from director Chris Morris
for TalkBack Productions. Ben returned to the theatre for Katie Mitchell’s version of The Seagull
at the National Theatre in the Autumn of 2006, for which he again received great reviews.
Ben’s current projects include Brideshead Revisited, which finished filming this Spring. The film
will features Ben as Sebastian Flyte, a young aristocrat who befriends an officer stationed at
nearby Brideshead Castle. The project will be directed by Julian Jarrold and will be produced by
Robert Bernstein. The film will not release until 2008.
Ben is also preparing for his role as poet John Keats in the upcoming film, Bright Star. The film
will focus on Keats’ relationship with Fanny Brawne, who will be played by Abbie Cornish.
Directed by Jane Campion.
Charlotte Gainsbourg / Claire
A versatile talent who has achieved a remarkable level of success both as an actress and
recording artist, Charlotte Gainsbourg radiates timeless beauty and grace in all of her
endeavors.
Recently Gainsbourg starred in Venice Film Festival prize-winning film, Golden Door directed by
Emanuel Crialese as well as in Michel Gondry's hit, The Science of Sleep opposite Gael Garcia
Bernal. Gainsbourg’s performance in French mega-hit Prete-Moi Ta Main earned her another
Cesar nomination this year.
Gainsbourg made her film debut at the age of twelve in Paroles et Musique opposite Catherine
Deneuve. She then starred in Claude Miller's L'Efrontee which garnered her the Cesar Award
for Most Promising Actress in 1986.
At the age of twelve, Gainsbourg recorded a song, "Lemon Incest" with her father, French
singer-songwriter, Serge Gainsbourg. Following the song at the age of fifteen, she starred in
Charlotte Forever a provocative film directed by her father, Serge Gainsbourg, where she
played his daughter.
Continuing to work with her talented family, Gainsbourg acted in Agnes Varda's Kung-Fu Master
with her mother, actress Jane Birkin.
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Gainsbourg made her American film debut in Alejandro Gonzalez Inarritu's 21 Grams starring
opposite Sean Penn. She recently completed a starring role in City of Your Final Destination for
director James Ivory opposite Anthony Hopkins and Laura Linney.
Gainsbourg's other film credits include Claude Miller's The Little Thief which earned her a Cesar
nomination, Bertramd Blier's Mercie La Vie, Andrew Birkin's The Cement Garden, Franco
Zeffirelli's Jane Eyre, Eric Rochant's Anna Oz, Marion Vernoux's Love Etc which also gained her
a Cesar nomination, Daniele Thompson's La Buche which resulted in a Cesar award for Best
Supporting Actress, David Bailey's The Intruder, Yvan Attal's My Wife Is An Actress and Happily
Ever After.
David Cross / Allen Ginsberg
Originally from Atlanta, Georgia, David made his way to Boston to study film at Emerson
College but quickly dropped out and started doing stand-up full time. He moved to Los Angeles
to write on The Ben Stiller Show where he shared the posthumous Emmy (it was given after the
show was canceled) with the show's other writers.
Continuing in the sketch tradition, he created (along with Bob Odenkirk) the groundbreaking
show for HBO, Mr. Show with Bob & David. The show ran for four years and garnered several
Emmy nominations. He has also released two comedy cd’s on the Subpop label, Shut Up You
Fucking Baby and It’s Not Funny. Shut Up…. was nominated for a Grammy Award. Both
continue to sell exceptionally well and have garnered rave reviews.
David has appeared in such films as Men in Black (both 1 & 2), Waiting for Guffman, Scary
Movie 2, Ghost World, and Eternal Sunshine of the Spotless Mind. He can be seen most
recently in She’s The Man for Dreamworks, School for Scoundrels for the Weinstein Company,
and Curious George for Universal. Upcoming projects include Zack Penn’s poker farce, The
Grand.
On the television side, David appeared in the Emmy Award winning Fox Network comedy,
Arrested Development, as Tobias Fünke. Most recently, he wrote, produced and starred in the
Comedy Central animated series Freak Show which was co-created by David and Jon
Benjamin.
Bruce Greenwood / Mr. Jones & Pat Garrett
Bruce Greenwood starred as John F. Kennedy in the feature film Thirteen Days and was seen
as Madonna's husband in Swept Away. He has appeared in numerous pictures, among them,
National Treasure 2, Deja Vu, Firehouse Dog, 8 Below, Racing Stripes, I Robot, Capote,
Hollywood Homicide, Ararat, Below, Exotica, The Sweet Hereafter, The Water Giant, The Core,
Rules of Engagement, Double Jeopardy, Father's Day and Passenger 57 to name a few.
Born in Canada, he graduated from high school in Zurich, Switzerland. He won a 1995 Gemini
award in Canada for his television performance in "Road to Avonlea," a Gemini nomination for
"The Little Kidnappers" and a Genie nomination for his work in Atom Egoyan's "Exotica." His
breakthrough role was as a regular star of the popular "St. Elsewhere" series, playing Dr. Seth
Griffin during the 1986-88 seasons. He has been a regular on many other series, including
"Knots Landing" and "Nowhere Man".
23
Greenwood studied at the University of British Columbia and the American Academy of
Dramatic Arts in New York.
Julianne Moore / Alice
Julianne Moore, an actress of exceptional range, has delivered outstanding work in both box
office hits and independent features.
Moore has recently begun production on Blindness, a film adaptation of Nobel Prize-winning
novelist Jose Saramago’s book of the same name, under the direction of Fernando Meirelles.
Upcoming films include the independent feature Savage Grace which premiered at the 2007
Cannes Film Festival in the Director’s Fortnight.
Moore’s recent credits include the action-thriller Next, Children Of Men, Trust The Man, and
Freedomland.
Moore is the ninth person in Academy history to receive two acting Oscar nominations in the
same year for her performances in Far From Heaven (Best Actress nomination) and The Hours
(Best Supporting Actress nomination). Far From Heaven, the critically acclaimed film from
Focus Features directed by Todd Haynes, co-stars Dennis Quaid and Dennis Haysbert. She
was the recipient of many critics' honors for her performance in this film including the National
Board of Review, Los Angeles Film Critics and Broadcast Film Critics, among others. She won
the Independent Spirit Award for Best Actress for her performance in the film and received
Golden Globe and Screen Actors Guild Award nominations in the same category. The Hours
(Paramount Pictures), directed by Stephen Daldry, is based on the Pulitzer Prize-winning novel
of the same name by Michael Cunningham, and also stars Nicole Kidman and Meryl Streep.
Among numerous honors for her performance in this film, and in addition to her Oscar
nomination, she received a Screen Actors Guild Award nomination for Outstanding Supporting
Actress.
Moore’s additional film credits include: Joe Ruben’s The Forgotten, with Dominic West; Laws Of
Attraction, co-starring Pierce Brosnan; The Prizewinner Of Defiance, Ohio; Lasse Hallstrom’s
The Shipping News, with Kevin Spacey, Cate Blanchett and Judi Dench; Bart Freundlich’s
World Traveler and The Myth Of Fingerprints; Hannibal, in which she starred as ‘Clarice
Starling’ opposite Anthony Hopkins; Evolution with David Duchovny; Neil Jordan’s The End Of
The Affair with Ralph Fiennes (Academy Award, Golden Globe and SAG Award nominations for
Best Actress); Paul Thomas Anderson’s Boogie Nights (Academy Award, Golden Globe and
SAG Award nominations for Best Supporting Actress) and Magnolia (SAG Award nomination for
Best Supporting Actress); Robert Altman’s Cookie’s Fortune with Glenn Close and Liv Tyler and
Short Cuts (Independent Spirit Award nomination for Best Supporting Female); Gus Van Sant’s
re-make of Psycho with Vince Vaughn; An Ideal Husband (Golden Globe nomination for Best
Actress); The Map Of The World with Sigourney Weaver; Steven Spielberg’s The Lost World;
The Big Lebowski, starring Jeff Bridges and directed by the Coen Brothers; the Todd Haynes
film Safe (Independent Spirit Award nomination for Best Female Lead); Louis Malle’s Vanya On
42nd Street; James Ivory’s Surviving Picasso; The Hand That Rocks The Cradle; Benny & Joon;
The Fugitive; Nine Months; and Assassins.
Moore’s additional honors include the Excellence in Media Award at the 2004 GLAAD Media
Awards, the Actor Award at the 2002 Gotham Awards and the “Tribute to Independent Vision” at
the 2001 Sundance Film Festival.
24
After earning her B.F.A. from Boston University for the Performing Arts, Moore starred in a
number of off-Broadway productions, including Caryl Churchill’s Serious Money and Ice
Cream/Hot Fudge at the Public Theater. She appeared in Minneapolis in the Guthrie Theater’s
Hamlet, and participated in workshop productions of Strindberg’s The Father with Al Pacino and
Wendy Wasserstein’s An American Daughter with Meryl Streep. Moore made her Broadway
debut in 2006 in the Sam Mendes production of The Vertical Hour, an original play written by
David Hare.
Michelle Williams / Coco Rivington
Academy Award nominee Michelle Williams continues to beguile audiences with the depth she
brings to each role she undertakes.
Williams' riveting performance in Ang Lee's Brokeback Mountain earned her a Broadcast Film
Critics Association Award as well as "Best Supporting Actress" nominations from SAG, Golden
Globe, BAFTA and ultimately an Oscar nomination.
In 2004, Williams shared a Screen Actors Guild Award nomination with her fellow actors from
Thomas McCarthy's The Station Agent for "Outstanding Performance by a Cast in a Motion
Picture." In 2005, Williams was honored by the Motion Picture Club as "Female Star of
Tomorrow." Williams was most recently nominated for 2007 Independent Spirit Award for "Best
Actress" for her performance in Wim Wenders' Land Of Plenty.
Williams recently wrapped production on Marcel Langenegger's The Tourist opposite Ewan
McGregor and Hugh Jackman, Sharon Maguire's Incendiary opposite Ewan McGregor, and
Charlie Kaufman's Synechdoche, NY starring opposite Philip Seymour Hoffman and Catherine
Keener.
Williams' other film credits include Dan Harris' Imaginary Heroes, Richard Ledes' A Hole In One,
Ethan Hawke's The Hottest State, Julian Goldberger's The Hawk Is Dying, Sandra Goldbacher's
Me Without You, and Andrew Fleming's Dick.
On television, Williams starred opposite Chloë Sevigny in Martha Coolidge's critically acclaimed
HBO movie If These Walls Could Talk 2. She also had a six-year run as "Jen Lindley" on the
WB's hit television series Dawson's Creek. The series premiered in 1998 and remained one of
the WB's top-rated shows throughout its run.
On stage, Williams received glowing reviews for her portrayal of Varya in Chekhov's The Cherry
Orchard at the Williamstown Theatre Festival. She also achieved critical acclaim for her run in
Mike Leigh's Smelling A Rat at the Samuel Beckett Theatre and her off-Broadway debut in Killer
Joe.
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25
#
I’M NOT THERE
About the Filmmakers
Todd Haynes / Director & Co-Writer
Oscar-nominated writer-director Todd Haynes’ short film, Superstar: The Karen Carpenter
Story, used Barbie dolls as actors to trace the demise from anorexia of the singer, and has gone
on to become an underground cult classic. Haynes’ first feature, Poison (1991), was awarded
the Grand Jury Prize at Sundance in 1991. Haynes’ next film was Dottie Gets Spanked, a short
film which The Village Voice hailed as “A Pop Art vision of ‘50s suburbia.” His second feature,
Safe (1994), was named Best Film of the Year by leading critics at The Boston Globe, Film
Comment, and Interview Magazine, among others. The Village Voice went even further, naming
it the best film of the 90s. Safe also marked the first of Haynes’ collaborations with widely
celebrated actress Julianne Moore.
Haynes’ third feature was the potent rock drama Velvet Goldmine (1997), starring Ewan
McGregor, Jonathan Rhys-Meyers, Christian Bale and Toni Collette. The New York Times
described Goldmine as “dazzlingly surreal,” and the Cannes Film Festival honored the film with
an award for Best Artistic Contribution. Far From Heaven (2002) Haynes’ fourth feature was the
single best-reviewed film of 2002. Starring Julianne Moore, Dennis Quaid and Dennis Haysbert,
it swept critics awards across the country, including the New York Film Critics circle. Far From
Heaven was recognized with four Academy Award nominations, including a Best Actress nod
for Moore and a screenwriting nomination for Haynes.
Oren Moverman / Co-Writer
Oren is a New York based screenwriter who co-wrote Ira Sachs’s upcoming feature Married
Life, Bertha Bay-Sa Pan’s Face, and Allison McLean’s Jesus’ Son.
He recently completed The Big Blow for Ridley Scott and Scott Free Productions, and The Man
Who Fell To Earth for Warner Independent and Cherry Road Films.
Oren also wrote The Messenger with Alessandro Camon for producers Mark Gordon and Ben
Goldhirsch, Interrupted for director Philip Kaufman and William Burroughs’ Queer for
actor/director Steve Buscemi.
John Dunn / Costume Designer
John Dunn began costume design for film in 1988. His first project was New York Stories/Life
Lessons (Martin Scorcese). Among his other credits are The Pineapple Express (David Gordon
Green), Madmen (Mathew Weiner), Factory Girl (George Hickenlooper), Ghost Dog and Broken
Flowers (Jim Jarmusch), Storytelling (Todd Solondz), The Notorious Bettie Page (Mary Harron),
Birth (Jonathan Glazer), The Object Of My Affection (Nicholas Hytner), BASQUIAT (Julian
Schnabel), Mr. Wonderful (Anthony Mingella). He also co-designed the costumes for Casino
(Martin Scorcese) with Rita Ryack.
Randall Poster / Music Supervisor
With I’m Not There, Randall Poster and Todd Haynes continue a collaboration that began when
Haynes asked Poster to supervise the music in his Glam Rock extravaganza Velvet Goldmine.
26
Poster's recent credits include Wes Anderson's The Darjeeling Limited; Tamra Jenkins' The
Savages; Kim Peirce's Stop Loss; Brian DePalma's Redacted; Alan Ball's Nothing is Private;
and David Fincher's Zodiac.
Poster has notably supervised the music in Richard Linklater's School of Rock; Martin
Scorsese's The Aviator; Sam Mendes' Jarhead; Jay Roach's Meet the Parents; Ben Stillers'
Zoolander and Wes Anderson's Rushmore, The Royal Tenenbaums, and The Life Aquatic,
among many other films.
Poster is currently at work on Sam Mendes adaptation of Richard Yates' Revolutionary Road ,
as well as Stephen Belber's first film, Management. He lives and works in New York City.
Jay Rabinowitz / Editor
Jay Rabinowitz has been editing feature films since 1991. He has collaborated with many
interesting filmmakers, from Jim Jarmusch to Barry Levinson. He has worked with Darren
Aronofsky, Paul Schrader, Curtis Hanson and Frank Oz. His collaboration with Todd Haynes on
I’m Not There was one of the most edifying of his career.
Judy Becker / Production Designer
Judy Becker has worked with some of today’s most acclaimed directors. In addition to Todd
Haynes, she has work with Ang Lee (Brokeback Mountain) and David O. Russell. She has
served as production designer on many other notable films, including Douglas McGrath’s
Infamous; Zach Braff's Garden State; Peter Sollett's Raising Victor Vargas; Mike Mills'
Thumbsucker and Rebecca Miller's Personal Velocity.
Becker comes from a background in fine arts and photography. She spent several years as an
underground comics artist, and had her work published in many notable comics compilations.
She lives in New York City.
Edward Lachman / Director of Photography
Edward Lachman has been filming studio and independent features since the mid '70s.
Following education at Ohio University, Athens, and Harvard University. He worked under to
such noted lighting directors as Robby Müller, Sven Nykvist and Vittorio Storaro. Over the
years Lachman would photograph such distinguished films as Less than Zero (1987), The Virgin
Suicides (1999) and Erin Brokovich (2000), though it was his work on 2002's Far from Heaven
that would find Lachman nominated for his first Academy Award and won him the Independent
Spirit Award. More quality work was quick to follow with the independent 2004 drama Stryker,
and Robert Altman's A Prairie Home Companion in 2006.
Charles Pugliese / Co-Producer
Charles Pugliese is the head of development for Killer Films. Charles recently associate
produced Infamous, Douglas McGrath's Truman Capote biopic starring Toby Jones, Sandra
Bullock and Daniel Craig. Charles is currently spearheading development on a number of film
and television projects with talent such as Rose Troche, Abe Sylvia, Jordan Scott, Isaac Mizrahi
and Mario Cantone. Over the years, Charles has worked in different capacities on productions
such as Tom Kalin's Savage Grace, John Waters' A Dirty Shame, Phyllis Nagy's Mrs Harris,
Michael Mayer's A Home At The End Of The World and Mary Harron's The Notorious Bettie
27
Page. Charles is a graduate of Vassar College and began his career in the production and
acquisitions departments of Miramax Films.
James D. Stern / Producer
James D. Stern is the Chairman and Chief Executive Officer of Endgame Entertainment. He
founded Endgame Entertainment, a private entertainment financing and production fund, in
2003. During its first iteration, Endgame specialized in production, financing of third party
projects and late stage financial investments. In 2006, due to the success of the first fund,
Endgame raised additional capital and has become an operating company with an increased
focus on full scale production.
Since its beginning in February of 2003, Endgame has co-financed 22 films, 3 Broadway shows
and a children’s television series. During that time Endgame’s value appreciated dramatically
and is now one of the fastest climbing new companies in Hollywood. Since Endgame’s
inception, Stern has executive produced / produced a number of films including New Line's
Harold And Kumar Go To White Castle, United Artist’s Hotel Rwanda, Miramax's Proof, and
Disney’s Stay Alive. Upcoming projects include Rian Johnson’s (Brick) con artist film The
Brothers Bloom starring Adrien Brody, Rachel Weisz and Mark Ruffalo. Additionally Endgame’s
children’s DVD/television series, Meteor The Monster Truck began airing in the fall of 2006 on
Discovery Kids and The Learning Channel (TLC).
Also at Endgame, Mr. Stern has directed and produced two documentary films, The Year of the
Yao, about Yao Ming’s first year in the NBA, which was released by New Line in 2005, and the
political documentary So Goes The Nation, about the American electoral system and the 2004
Presidential campaign which was release by IFC. Previous to starting Endgame, Mr. Stern
directed and produced the IMAX hit, Michael Jordan To The Max and HBO's darkly comic
psychological thriller It's The Rage starring Joan Allen, Gary Sinise and Jeff Daniels, which
garnered Best Picture, Best Director, and Best Screenplay awards at the Milan Film Festival.
Mr. Stern has produced 15 Broadway and off Broadway shows including "The Producers",
"Hairspray", "Stomp", “The Little Shop of Horrors”, The Wedding Singer” and “Legally Blonde.”
Future theatrical projects are the musical of “Leap of Faith” with music by Alan Menkin (“Beauty
& the Beast”, “Little Mermaid”, “Aladdin”).
In addition to his producing and directing career, Mr. Stern founded and ran the financial
investment company Stern Joint Venture, L.P. (“SJV”), a hedge fund “fund of funds”. Under his
leadership SJV has compounded an annual rate of return of 19.75% since its inception in 1989.
SJV began investing with five hedges and has now grown in size and scope to investments in
45 hedge funds.
Mr. Stern has a B.A. in directing from the University of Michigan and an MBA in marketing and
finance from Columbia University.
John Sloss / Producer
John Sloss is the founder of Cinetic Media, and a managing partner and founder of the
entertainment law firm Sloss Law Office LLP, both which are based in New York City. Through
Cinetic Media, Sloss has facilitated the sale and/or financing of well over 200 films including,
Sundance Film Festival hits including Napoleon Dynamite, Little Miss Sunshine and upcoming
releases The Same Moon, Grace is Gone and No End in Sight, and the high profile 2007
28
Cannes Film Festival sale of James Gray’s We Own The Night. Sloss has executive produced
over 50 films including the Academy Award®-winning The Fog of War and Boys Don’t Cry,
and Before Sunset and Far From Heaven. His law clients include Killer Films, Richard Linklater,
Kevin Smith, Bob Dylan, Morgan Spurlock, Justin Lin, Jake Kasdan, Endgame Entertainment
and Big Beach Films. Prior to founding Sloss Law Office in 1993, Sloss was a partner at the
international law firm Morrison & Foerster. Sloss received his J.D. and B.A. from the University
of Michigan. He lives in New York with his daughter Loulou, and son Henry.
John Goldwyn / Producer
John Goldwyn, grandson of the legendary Hollywood producer Samuel Goldwyn, began his
motion picture career at The Ladd Company in 1981. During his tenure there, Goldwyn
developed the hugely successful “Police Academy” franchise, the second installment of which
he executive produced in 1985.
In the fall of 1985, Goldwyn joined Alan Ladd, Jr. at MGM/United Artists and oversaw such hits
as Running Scared, Moonstruck, and A Fish Called Wanda. In 1988 Goldwyn became
Executive Vice President of Worldwide Production and was responsible for all aspects of
production and development for the studio.
In 1990 Goldwyn left MGM/UA to join Paramount Pictures, and was promoted to President of
the Paramount Motion Picture Group one year later. In 2002 Chairwoman Sherry Lansing
elevated Goldwyn to Vice-Chairman of the Paramount Motion Picture Group.
While Goldwyn was a senior executive at the studio, Paramount Pictures took home three Best
Picture Oscars for Forrest Gump, Braveheart and Titanic. Other notable films released under his
aegis include Indecent Proposal, Wayne’s World I & II, The Firm, The Truman Show, First
Wives Club, Mission Impossible I & II, Tom Clancy’s Patriot Games, A Clear And Present
Danger, Sum Of All Fears; What Women Want, Saving Private Ryan, Deep Impact, Mean Girls
and many others.
In 2004, Goldwyn became an independent producer at the studio. Currently in its second
season is the hit Showtime series Dexter, starring Michael C. Hall.
In 2005 Goldwyn merged with SNL producer Lorne Michaels to form The Michaels/Goldwyn
Company. Their first collaboration, Hot Rod, starring Andy Samberg and directed by Akiva
Schaffer was released in August ’07 by Paramount Pictures. Their second feature, for Universal
Pictures, is Baby Mama, directed by Michael McCullers and starring Tina Fey, Amy Poehler,
Greg Kinnear, Sigourney Weaver and Steve Martin.
Christine Vachon / Producer
Christine Vachon produced Todd Haynes' controversial first feature, Poison, which was
awarded the Grand Jury prize at the 1991 Sundance Film Festival. Since then, she has gone
on to produce some of the most acclaimed American independent films including Far From
Heaven (nominated for four Academy Awards), Boys Don't Cry (Academy Award winner), One
Hour Photo, Hedwig And The Angry Inch, Happiness, Velvet Goldmine, Safe, I Shot Andy
Warhol, Go Fish, and Swoon. Christine, along with partners Pamela Koffler and Katie Roumel,
runs Killer Films. Killer celebrated its 10th anniversary this past fall and was honored with a
retrospective at the Museum of Modern Art.
29
Recent Killer releases include Douglas McGrath's Infamous, which stars Toby Jones as Truman
Capote, along with Sandra Bullock, Daniel Craig, Jeff Daniels, Hope Davis, Isabella
Rosselini, Sigourney Weaver and Gwyneth Paltrow. In addition, Mrs. Harris, the story of the
Scarsdale Diet Doctor murder starring Annette Bening and Ben Kingsley directed by Phyllis
Nagy received 11 Emmy nominations in 2006 and was also nominated for the Golden Globes in
2007.
Killer’s releases for 2007/2008 include Savage Grace, directed by Tom Kalin (Swoon) and star
Julianne Moore; An American Crime, starring Catherine Keener and Ellen Page, directed by
Tommy O'Haver: Then She Found Me, the directorial debut of Helen Hunt, starring herself,
Bette Midler, Colin Firth and Matthew Broderick.
In 1994, Christine was awarded the Frameline Award for Outstanding Achievement in Lesbian
and Gay Media and in 1996 was honored with the prestigious Muse Award for Outstanding
Vision and Achievement by New York Women in Film and Television. She received the IFP’s
1999 Gotham Award for producing. For her work on Far From Heaven, she was honored by the
New York Film Critics Circle, and received the producer of the year award from the National
Board of Review. Christine and Killer's films have received special tributes from the SXSW,
Provincetown, and Deauville Film Festivals.
Christine's new book, A KILLER LIFE: HOW AN INDEPENDENT FILM PRODUCER SURVIVES
DEAL AND DISASTERS IN HOLLYWOOD AND BEYOND was published in September 2006
by Simon and Schuster. Her first book, SHOOTING TO KILL was published in the fall of 1998
by Avon, and was a Los Angeles Times bestseller.
#
#
30
#
I’M NOT THERE
CAST
jude
arthur
jack/ pastor john
billy
woody
robbie
CATE BLANCHETT
BEN WHISHAW
CHRISTIAN BALE
RICHARD GERE
MARCUS CARL FRANKLIN
HEATH LEDGER
narrator
hobo joe
hobo moe
government agent
carny
circus man
gorgeous george
old man arvin
mr. arvin
mrs. arvin
sixties narrator
folk girl
tv host
alice fabian
morris bernstein
variety show host
actress
carla hendricks
fan #I
fan #2
gerry hamlin
drunk
moonshiner
thief
claire
molly (6 y.0.)
carlie (3 y.0.)
louise
director
newscaster
director #2
performer #I
performer #2
black doctor
mrs. peacock
mr. peacock
mr. snow
mrs. snow
nurse
man in hospital bed
physician
norman
folk guru
mike
jude's musicians
KRlS KRISTOFFERSON
DON FRANCKS
ROC LAFORTUNE
LARRY DAY
PAUL CAGELET
BRIAN RC WILMES
PIERRE-ALEXANDRE FORTIN
RlCHlE HAVENS
TYRONE BENSKIN
KIM ROBERTS
ERIC NEWSOME
ANGELA GALUPPO
JANE WHEELER
JULIANNE MOORE
PETER FRIEDMAN
DAVID GOW
FANNY LA CROlX
KIM GORDON
MATTHEW HARBOUR
KYLE SWITZER
TERRY HAIG
GREG KRAMER
GORDON MASTEN
BILL CROFT
CHARLOTTE GAINSBOURG
GABRIELLE MARCOUX
JESSEY LAFLAMME
JENNIFER RAE WESTLEY
PIERRE LEBLANC
TIM POST
RICHARD ROBlTAlLLE
IVAN FREUD
HOLLY O'BRIEN
DANNY BLANCO-HALL
SUSAN GLOVER
VlTO DEFlLlPPO
ANDREW SlMMS
LISA BRONWYN MOORE
JESSICA KARDOS
GARTH GILKER
JOHN KOENSGEN
MARK CAMACHO
LORNE BRASS
ANDREW SHAVER
THE ROYAL MOUNTAIN BAND:
TAVlS EACHAN TRIANCE
FREDERIC CHAREST
WARREN BREWER AULD
SIMON P.F. NlXON
ANDREW GREENE
PAUL VAN DYCK
festival guy #I
festival guy #2
31
festival director
sound man
college student
dazed kid
bearded scott
kid with glasses
one girl
another girl
sonny
mona
reporter #I
reporter #2
reporter #3
reporter #4
keenan jones
coco rivington
hotel waiter
roadie
stewardess
sydney
woman talking to claire
strange woman
strange man
publicist
dame
john
paul
george
ringo
duchess
gawky teen
lady with tape recorder
allen ginsberg
peter orlovsky
carnival geek
bobby seale
huey p. newton
mrs. jones
kid in the crowd
2nd kid in the crowd
henry (billy's dog)
billy's horse
homer
grace
martin
paparazzi
red-haired boy
boy 2
polly
chester
molly (as a baby)
butcher
townfolk #I
townfolk #2
rabbit brown
bell-hop
chaplin boy
priest
barker
frantic husband
frantic wife
brass band singer
AL VANDECRUYS
LElF ANDERSON
BRETT WATSON
WYATT BOWEN
PAUL JOHNSTON
NlCO ROMBERG
CLARICE BYRNE
MAGGIE CASTLE
JOE COBDEN
KRISTEN HAGER
RICHARD JUTRAS
DANIEL GIVERIN RICHARD
MATT HOLLAND
NOEL BURTON
BRUCE GREENWOOD
MICHELLE WILLIAMS
KYLE GATEHOUSE
JASON CAVALIER
GRETA PAPAGEORGIU
TREVOR HAYES
MARIE-HÉLÉNE CHARTRAND
MARIE-JULIE RIVEST
JESSE TODD
LlNA ROESSLER
SHERRY HAYNES
JOHANN ST-LOUIS
MICKAEL SÉBASTIEN VITANZA
PIERRE-LUC LEBEAU
JEAN-NICOLAS DÉRY
KATHLEEN FEE
EMMANUEL SCHWARTZ
PAULINE LITTLE
DAVID CROSS
EUGENE BROTTO
SHAWN BAICHOO
ANTOINE BENZ
CRAIG THOMAS
CATHERINE COLVEY
MAX WALKER
JEAN-PIERRE LALONDE
CAPONE
HOLLYWOOD
PAUL J. SPENCE
ALISON FOLLAND
GRAHAM CUTHBERTSON
SEAN BALBAR
FELIX PENNELL
JEREMY KANTOR
KRISTEN HAGER
LORNE BRASS
ALEXIS DEMERS
BILL CROFT
STEVE GODlN
ARTHUR HOLDEN
ANTOINE BENZ
PAUL CAGELET
MARCUS CARL FRANKLIN
THIERY DUBÉ
PETER FRIEDMAN
ROB BURNS
LEIGH ANN TAYLOR
JIM JAMES
32
brass band player #1
brass band player #2
mrs. henry
captain henry
clarice henry
father of tumbleweed girl
brian jones
artist
intense girl
falling man
angel #1
angel #2
angel #3
angela reeves
t-bone
choir singers
JOEY BURNS
JOHN CONVERTINO
JANE GlLCHRlST
DENNIS ST-JOHN
MAXIME BILLICK
PIERRE LEBLANC
MATTHEW BOYLAN
PATRICK COSTELLO
HELENA LALIBERTÉ
DOMINIC LAURENCE JAMES
NATHALIE GIRARD
SHARLENE ROYER
KATHRYN KOSTLIVY
YOLONDA ROSS
PIER KOHL
JODlE LYNN RESTHER
KASSANDRA TERRY DASENT
PHYLLIS GOODEN
garrett
state agent
policeman
BRUCE GREENWOOD
JEAN-LOUP YALE
DANIEL GIVERIN RICHARD
stunt coordinators
BENOÎT GAUTHIER
DAVE MCKEOWN
stunts
ALAlN BERARD
STÉPHAN BYL
CHRISTIAN CAPERAA
ANNIE CARIGNAN
FRANK GAUTHIER
NICOLE GERMAIN
MARTINE OUIMET
JOHN WALSH
horse wrangler
FRANK GAUTHIER
CREW
production manager
Ist assistant director
2nd assistant director
2nd 2nd assistant director
JACKY LAVOIE
PEDRO B. GANDOL
DANDY THIBAUDEAU
FANNY HUDON
art director
assistant art director
art department coordinator
art department assistants
PIERRE PERRAULT
RÉAL CAPUANO
DORIS SIMARD
GENEVIÈVE FERDERBER
HANS LALIBERTÉ
GINETTE ROBlTAlLLE
PATRICIA CUCClA
ANN SMART
LOUISE TREMBLAY
LORETTE LEBLANC
key decorators
decorator
set decorator
script supervisor
camera operator
focus puller a camera
2nd assistant a camera
clapper/loader
camera trainees
ROBERT STECKO
NICOLAS MARION
ROCH BOUCHER
AUDREY DAVID
MERLIN GIRARD
ISABELLE CÔTÉ
SYLVAINE DUFAUX
camera b operator
33
focus puller b camera
MICHEL BERNIER
JACQUES F. BERNIER
ERIC AUBlN
SÉBASTIEN CASSOU
KARINE SIMARD
JONATHAN WENK
TANYA SMITH
LOUIS MORlN
2nd assistant b camera
video assist
stills photographer
greenwich village super 8 footage
second unit director
sound recordist
boom operator
cable puller
PATRICK ROUSSEAU
MAXIME FERLAND
JEAN-PHILIPPE BÉRUBÉ
clearances
assistant set dressers
JENNIFER BYDWELL
CHLOÉ FORTIN
MANON LEMAY
DONALD BEAULIEU
KENNETH MEANY
JAMIE KNUTSON
ANNIE CARPENTIER
MARC SIMARD
MARTIN HANDFIELD
JOSÉE BOLDUC
on-set dresser
property masters
assistant props buyer
assistant props buyer/food stylist
on set props
on set props assistant
set designers
RAYMOND LAROSE
graphic artist
scenic technicians
STEVE LOUIS
JEAN-PIERRE GOSSELIN
SÉBASTIEN GERVAIS
RÉNE ROBlTAlLLE
SERGE NADON
VINCENT MORlN
GLENDON LIGHT
DENlS LEMIRE
CARL LE JOSSEC
SYLVIE LABRÈCHE
PIERRE BELLEMARE
JEAN DESROCHES
OLIVIER C. HOGUE
LUDOVIC POIROT
ANDRÉ BEDARD
PIERRE BOUTIN
FRANCIS BROUSSEAU
JEAN-MARC CORMIER
JOËL DUMOULIN
MARIO HÉBERT
ODETTE GAUVREAU
FRANÇOIS BÉLAND
ROBERT BOURDEAU
BRIGITTE CÔTÉ
VASlL NlKOV
key scenic painter
on set painter
scenic painters
painters
CÉLINE GAUVREAU
VINCENT RONSE
SARA BÉLANGER
JACQUES BERTRAND
ARIANE DRAPEAU-CLOUTIER
ANDRÉ GAUDET
head greensmen
ANTOINE BlANCHl
VINCENT GAUVIN BADEAU
BRUCE FARRELL
greensmen
34
ERIC GOSSELIN
ROGER PAQUIN
LEONARDO VALENTE
construction coordinator
assisted by
picture car coordinator
assisted by
armourers
ALEC ANDERSON (FADA)
MARTINE GIGUÈRE
RÉAL HAMEL
ERIC BRAIS
CHRISTIAN LABRIE
PAUL BARRETTE
animal wrangler
JOSÉE JUTEAU
PROFILMS ANIMALS
ACTORS INC.
chief lighting technician (us)
chief lighting technician (can)
asst chief lighting technician
lighting technicians
JOHN DE BLAU
JOHN LEWlN
JEFF SCOTT
PETER STEWARTSON
DAVID DESGROSEILLERS
DANIEL PATRICK GOYENS
PETER MATHYS
MICHAEL OHAYON
DAVID BEAUDRY
ERIC BEAULIEU
CHARLES BEETZ
NICHOLAS BOULIANE
JULIEN BRlSEBOlS
ALEC COMTOIS
SYLVAIN JOUVET
HENRI NORMAND
SERGE RAYMOND
PIETRO TROILO
JOHN-JOHN HARRIS
OLlVlER HÉTU
rigging chief lighting technician
rigging lighting technicians
underwater camera operator
underwater 1st assistant camera
underwater electrician
GEOFFROY BEAUCHEMIN
DAVID REINHARD
MICHAÉL BOULONNE
genny operator
key grip
ANDRÉ BÉLAIEFF
MICHEL PÉRIARD
assistant key grip
dolly grip
grips
PAUL TREMBLAY
PIERRE CHARPENTIER
JEAN-YVES DENlS
ALAlN BISSON-DOYAL
KELLY BAYLIS
MARTIN VAILLANCOURT
PASCAL BEDARD
MARCEL BRETON
MARIO ROUSSY
MARIO BRABANT
HUGHES LAVOIE
AUDREY BOUCHARD
ERIC ROBERT JOSEPH
PIERRE-YVES LAROUCHE
FRANÇOIS LEDUC
FREDERIC MlLOT
BRIAN O'DONNELL
STEPHANE SORENSEN
ALAlN MC CRORY
key rigging grip
best boy rigging grips
rigging grips
35
DANIEL MOÏSE
COLLEEN QUINTON
crane operator
key make-up artist
assistant make-up artist
assistant make-up extras
CHRISTOPHE GIRAUD
KATHY KELSO
CATHERINE LA HAYE
JULIE MIGNOT
FANNY VACHON
ADRIANA VERBERT
RÉJEAN FORGET
JEAN-JACQUES DlON
GHlSLAlNE SANT
RAYMONDE LALIBERTE
CYNTHIA PATTON
MORAG ROSS
BRUNO GATIEN
key hairdresser
assistant hairdresser
assistant hairdressers extras
ms. blanchett's hair & make-up
spfx make-up artist
assistant costume designer
wardrobe coordinator
wardrobe mistress
wardrobe master
assistant wardrobe mistresses
LISA PADOVANI
LYSE POMERLEAU
MAORY GASTELO
DANIEL G. LALANDE
JENNIFER ANDERSON
VÉRONIQUE MARCHESSAULT
YAN CÔTE
GINETTE RÉGIS
JEAN-FRANÇOIS DESJARDINS
MARIE-ETIENNE BESSETTE
LAURENCE LACOSTE
ANlE FISETTE
MARIE BELLEMARE
TERESKA GESING
SYLVIE DAGENAIS
SYLVIE DAGENAIS
JULIE GRAHAM
NlAMH BUTLER
NICOLE CYR
AMÉLIE GRENIER
LYSBETH LE BESCOND
MAYVUONG
JACQUELINE ROUSSEAU
MYRIAM ST-LOUIS
FAOSTINE BERTHET
CAROLINE GAUTHIER
CHLOE GIROUX-BERTRAND
HELENE MULLER
SAMANTHA PORTEOUS
MARC-ANDRE GOYER
ISABEL HERVIEUX
ANNIE LAURIER
MAXIMILIEN DlON
costume runner
key dresser
assisted by
extras wardrobe mistress
assisted by
extras dresser
seamstresses
spec. wardrobe technician
wardrobe technician
production coordinator
asst production coordinator
travel coordinator
receptionist
office runners
location manager
assistant location managers
PIERRE BLONDIN
ALANA CYMERMAN
ROMAN MARTYN
LAURENT GLADU
ETIENNE DESROSIERS
CAROLINE DESBIOLLES
location scout
montreal casting by
extras casting
LUClE ROBlTAlLLE CASTING
JULIE BRETON CASTING
casting associate (us)
ALI FARRELL
36
casting assistant (us)
RORl BERGMAN
production accountant
I st assistant accountant
2nd assistant accountant
paymaster
assistant accountant
MARR MORGAN
NANCY KLElN
SPlRl KATERELOS
SOTOS KATAKOS
EVAGELIA ZOULlATlS
post production supervisor
post production coordinator
post production assistant
post production accountant
JEFF ROBINSON
TANYA SMITH
MARGARET STULTZ
YANA COLLINS LEHMAN
associate editor
apprentice editor
PERRl PIVOVAR
MIKE SELEMON
sound designer/ re-recording mixer
re-recording mixer
supervising sound editor
sound effects editor
foley editor
adr mixer
mix recordist
adr recordists
LESLIE SHATZ
MARSHALL GARLINGTON
ROBERT C. JACKSON
DAVID ESPARZA
BRIAN DUNLOP
ERIC THOMPSON
GABRIEL SERRANO
TRAVIS MACKAY
DAVID BOULTON
BARBARA HARRIS
adr voice casting
foley artists
GORO KOYAMA
ANDY MALCOLM
ANNA MALKIN
JENNA DALLA RlVA
foley recording mixers
archival footage researcher
DEBORAH RICKETTS
publicists
INTERNATIONAL HOUSE
OF PUBLICITY
JEFF HILL
PUELO DElR
unit manager
assistant unit manager
set production assistant
truck production assistant
production assistants
SIMON PAQUIN
DlDlER COMMUNAUX
JULIE GRATTON
SERGE POMlNVlLLE
AZARIA EHLERS
JEAN-MICHEL LACASSE
HUGO FOlSY
ERICK MARTINEZ
JULIE BOUGIE-BOYER
MARTIN ROY
BRIGITTE ST-ONGE
MICHEL BILODEAU
STEPHANE BOUCHER
VALERIE MILOT
SIMON CHAMPAGNE
ROGER VAILLANCOURT
GUENAEL CHARIER
ANDRE BOUCLEY
CARL KOURl
ERIC RABY
HOLLY BRACE-LAVOIE
FABRICE BARILLET
ANABELLE BERKANI
set runner
unit swing
3rd assistant director
add. 3rd assistant director
37
EVELYNE RENAUD
ARIANE CÔTÉ-CHÉNIER
trainee assistant director
MARIE-EVE-LYNE MICHEL
assistant to mr. haynes
assistant to producers
TANYA SMITH
KYLE MARTIN
GABRIEL LAVINA
SARAH MONFORT
MONICA DE ARMOND
KAREN KLOSE
JEMMA KEARNEY
assistant to steven soderbergh
assistant to mr. gere
assistant to ms. blanchett
dialect coach to ms. blanchett
dialect coach to mr. ledger
dialect coach to mr. whishaw
guitadpiano coach to ms. blanchett
singing coach to ms. blanchett
TIM MONICH
JOY ELLISON
WILLIAM CONACHER
STEVEN PRICE
HALEY GLENNIE SMITH
movement coach to mr. franklin
guitar teacher to mr. franklin
european consultant
BETH MILLES
JACK DEVINE
GUY LOUTHAN
craft services
assisted by
MICHEL MARTOWSKI
ISABELLE BEAUDRY
SOPHIE GUÉRIN
PASCALE SAVAGE BLANCHARD
DE BONS PETITS PLATS
BON APPÉTIT
CHARCUTERIE DE FRANCE
caterer
associate producers for dreammachine
PHlLlPPE AlGLE
CHARLOTTE MlCKlE
GORDON SPRAGG
DELPHINE CLOT
GENEVIÈVE LHOTE
head of marketing for dreammachine
dreammachine legal affairs
assistant to hengameh panahi
for killer films
PAMELA KOFFLER
KATIE ROUMEL
JOCELYN HAYES SIMPSON
RAMSEY FONG
YEE YE0 CHANG
assistant to james d. stern
endgame executive
JARED MORELL
CINDY WlLKlNSON KIRVEN
vip production controllers
EVA-MARIE NEUFAHRT
JOHN MICHAELS
KERSTIN DYROFF
SYLVl WOITUSCH
BERlT WETZEL
FLORIAN HARMS
vip production manager
vip production assistant
vip legal advisors
production legal services
SLOSS LAW OFFICE LLP
PAUL BRENNAN, ESQ.
ALISON HUNTER, ESQ.
BRENT COX
GABBY STEIN
for muse entertainment
MICHAEL PRUPAS
IRENE LITINSKY
38
visual effects supervisor
LOUIS MORlN
visual effects by
STUDIO EX-CENTRIS INC.
mechanical effects coordinator
JACQUES LANGLOIS
STEPHEN GILBERT
VINCENT MARION
GASPAR BRABANT
ANDRÉ ESSIEMBRE
spfx technicians
studio ex-centris operational manager
visual effects project manager
compositing artists
ALAlN ROY
ELISE VOYER
NATHALIE TREMBLAY
MARIE-JOSE AUCLAIR
DANIEL TORRICO
JONATHAN PICHE-DELORM
SYLVAIN LEBEAU
MARTIN DESROCHERS
GABRIEL BEAUVAIS
PIERRE-HUGUES DALLAIRE
RENÉ MOREL
3d artists
matte painting artist
post production assistant
and rotoscoping
systems administrator
GUllAUME MARIN-LAFOND
RENAUD PARADIS
whale animated sequence
animation supervisor
animation producer
animation producer
line producer
animation art direction
animation photography
character design
character design
animation art assistant
sculpting
model maker
armatures
costumes
animator
animator
compositor
editorial
BENT IMAGE LAB
CHEL WHITE
RAY Dl CARLO
TSUl LING TOOMER
MARK R. AXTON
SOLOMON BURBRIDGE
MARK EIFERT
DAVE MANUEL
TRACl COOK
GREGG FOSMIRE
ERIK VAN KIRK
KIMBERLY KAPLOWITZ
GARY MCROBERT
JAYME HANSEN
JEFF RElLY
ROB SHAW
ORLAND NUTT
JON WEIGAND
photo sequence
title effects supervisor
title effects producer
title effects producer
title effects line producer
title effects art director
title effects photography
title effects grip
BENT IMAGE LAB
CHEL WHITE
RAY Dl CARL0
TSUI LING TOOMER
JAMAL TOPPI
SOLOMON BURBRIDGE
MARK EIFERT
JIM BIRKETT
transport coordinator
assisted by
head driver
drivers
ALAlN BERNARD
CLAUDE BELANGER
JULIE MARION
BENOîT HOULE
RONALD RAMDHAN
PIERRE CHABOT
JACQUES GRENER
VINCENT HOULE
TASSO MATHIOPOULOS
39
DORIS MCFERN
MANON RUFER
ETIENNE GEOFFRION
TONY PELLETIER
FRANC0 ZOCCALI
PATRICK BRISSETTE
JEAN-MARC DEVlElEUX
DENlS DOIRON
YVAN LABRANCHE
JACQUES LANDRY
RICHARD MARSAN
digital intermediate
CINE-BYTE DIGITAL INC.
digital colorist
DRAKE CONRAD
technical manager
project supervisor
digital opticals
digital intermediate crew
ALAN BAK
RICK HANNIGAN
CINE-BYTE DIGITAL INC.
JEFF BAKER
CHRIS ROSS
MARK TURESKI
FELIX HEEB
TOM BAK
JASON GIBERSON
PAUL MANTLER
DIANA MADUREIRA
main title design and concept
MARLENE MCCARTY
adr recorded at
WILDFIRE POST STUDIOS
SOUND ONE INC.
HOWARD SCHWARTZ RECORD
DE LANE LEE
FILM FINANCES, INC
MAUREEN DUFFY
TREVOR WARD
RIGHT LOBE DESIGN GROUP
ORBIT DIGITAL
FOOTSTEPS POST PRODUCTION
WILDFIRE POST STUDIOS
TREVANNA POST, INC.
TRUMAN VAN DYKE
BACCHUS HOLDINGS, INC
JONES BROWN
completion guarantor
dolby sound consultant
end titles by
editorial equipment provided by
foley recorded at
mixed at
post production accounting services by
production insurance
music editor
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ERIC HILL
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40
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I’M NOT THERE
FULL MUSIC CREDITS
NASHVILLE SKYLINE RAG
Performed by Bob Dylan
Written by Bob Dylan
Published by Big Sky Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Entertainment
STUCK INSIDE OF MOBILE WITH THE MEMPHIS
BLUES AGAIN
Performed by Bob Dylan
Written by Bob Dylan
Published by Dwarf Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
TOMBSTONE BLUES
Performed by
Richie Havens and Marcus Carl Franklin
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Produced by Joe Henry
MOONSHINER
Performed by Bob Dylan
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
IF I HAD A HAMMER
(THE HAMMER SONG)
Performed by Trini Lopez
Written by Lee Hays and Pete Seeger
Courtesy of Warner Bros. Records Inc. & Reprise
Records
By arrangement with Warner Music Group Film and
TV Licensing
Used by permission of Screen Gems-EMI
Music Inc. (BMI)
THE TIMES THEY ARE A-CHANGIN’
Performed by Mason Jennings
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Mason Jennings appears courtesy of Glacial Pace /
Epic Records
I’LL KEEP IT WITH MINE
Performed by Bob Dylan
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
THE LONESOME DEATH OF HATTIE CARROLL
Performed by Mason Jennings
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Mason Jennings appears courtesy of Glacial Pace /
Epic Records
VISIONS OF JOHANNA
Performed by Bob Dylan
Written by Bob Dylan
Published by Dwarf Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
COLD IRONS BOUND
Performed by Tom Verlaine and the Million Dollar
Bashers
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Produced by Lee Ranaldo
KEEP IT WITH MINE (instrumental)
Performed by Bob Dylan
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
FOURTH TIME AROUND
Performed by Yo La Tengo
Written by Bob Dylan
Published by Dwarf Music (SESAC)
41
CORRINA, CORRINA
Performed by Bob Dylan
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
I WANT YOU
Performed by Bob Dylan
Written by Bob Dylan
Published by Dwarf Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
BLIND WILLIE McTELL
Performed by Bob Dylan
Written by Bob Dylan
Published by Special Rider Music (SESAC)
By arrangement with Sony BMG Music
Entertainment
WHEN THE SHIP COMES IN
Performed by Marcus Carl Franklin
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Produced by Joe Henry
POSITIVELY 4th STREET
Performed by Bob Dylan
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
MAGGIE’S FARM
Performed by Stephen Malkmus and the Million
Dollar Bashers
Written by Bob Dylan
Published by Special Riders Music (SESAC)
Produced by Lee Ranaldo
I WANNA BE YOUR LOVER
Performed by Yo La Tengo
Written by Bob Dylan
Published by Dwarf Music (SESAC)
TEMPORARY LIKE ACHILLES
Performed by Bob Dylan
Written by Bob Dylan
Published by Dwarf Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
JUDE’S WALZ
Performed by Calexico
Written by Joey Burns
Published by Lunada Bay (BMI) /
Administered by Bug Music
Produced by Joey Burns
Calexico appears courtesy of Quarterstick Records
SIMPLE TWIST OF FATE
Performed by Bob Dylan
Written by Bob Dylan
Published by Ram’s Horn Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
BALLAD OF A THIN MAN
Performed by Stephen Malkmus
and The Million Dollar Bashers
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Produced by Lee Ranaldo
IL CASANOVA DI FEDERICO FELLINI
Written by Nino Rota
Orchestra Conducted by Carlo Savina
Courtesy of CAM Srl
Published by CAM Srl (SIAE)
EMI Music Publishing Italia (SIAE)
ALL ALONG THE WATCHTOWER
Performed by Eddie Vedder and
The Million Dollar Bashers
Written by Bob Dylan
Published by Dwarf Music (SESAC)
Produced by Lee Ronaldo
BILLY 1
Performed by Calexico
Written by Bob Dylan
Published by Ram’s Horn Music (SESAC)
Produced by Joey Burns
Calexico appears courtesy of Quarterstick Records
ONE MORE CUP OF COFFEE
(VALLEY BELOW)
Performed by Bob Dylan
Written by Bob Dylan
Published by Ram’s Horn Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
MAN IN THE LONG BLACK COAT
Performed by Bob Dylan
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
42
BALLAD OF HOLLIS BROWN
Performed by IGGY & THE STOOGES
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Courtesy of BOMP Records
HIGH WATER
(FOR CHARLEY PATTON)
Performed by Bob Dylan
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Courtesy of Columbia Records
By arrangement with Sony BMG Music
Entertainment
GOIN’ TO ACAPULCO
Performed by Jim James and Calexico
Written by Bob Dylan
Published by Dwarf Music (SESAC)
Produced by Joey Burns
Jim James appears courtesy of ATO Records
Calexico appears courtesy of Quarterstick Records
BUNKHOUSE THEME
Performed by Calexico
Written by Bob Dylan
Published by Ram’s Horn Music (SESAC)
Produced by Joey Burns
Calexico appears courtesy of Quarterstick Records
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43
#
I’M NOT THERE
Soundtrack Listing
DISC ONE
1.
All Along The Watchtower – Eddie Vedder & The Million Dollar Bashers
2.
I'm Not There – Sonic Youth
3.
Goin' To Acapulco – Jim James & Calexico
4.
Tombstone Blues – Richie Havens
5.
Ballad Of A Thin Man – Stephen Malkmus & The Million Dollar Bashers
6.
Stuck Inside Of Mobile With The Memphis Blues Again – Cat Power
7.
Pressing On – John Doe
8.
Fourth Time Around – Yo La Tengo
9.
Dark Eyes – Iron & Wine & Calexico
10. Highway 61 Revisited – Karen O & The Million Dollar Bashers
11. One More Cup Of Coffee – Roger McGuinn & Calexico
12. The Lonesome Death Of Hattie Carroll – Mason Jennings
13. Billy 1 – Los Lobos
14. Simple Twist Of Fate – Jeff Tweedy
15. Man In The Long Black Coat – Mark Lanegan
16. Señor (Tales Of Yankee Power) – Willie Nelson & Calexico
DISC TWO
1.
As I Went Out One Morning – Mira Billotte
2.
Can't Leave Her Behind – Stephen Malkmus & Lee Ranaldo
3.
Ring Them Bells – Sufjan Stevens
4.
Just Like A Woman – Charlotte Gainsbourg & Calexico
5.
Mama, You've Been On My Mind / A Fraction of Last Thoughts on Woody Guthrie – Jack
Johnson
6.
I Wanna Be Your Lover – Yo La Tengo
7.
You Ain't Goin' Nowhere – Glen Hansard & Markéta Irglová
8.
Can You Please Crawl Out Your Window? – The Hold Steady
9.
Just Like Tom Thumb's Blues – Ramblin' Jack Elliot
10. The Wicked Messenger – The Black Keys
11. Cold Irons Bound – Tom Verlaine & The Million Dollar Bashers
12. The Times They Are A Changin' – Mason Jennings
13. Maggie's Farm – Stephen Malkmus & The Million Dollar Bashers
14. When The Ship Comes In – Marcus Carl Franklin
15. Moonshiner – Bob Forrest
16. I Dreamed I Saw St. Augustine – John Doe
17. Knockin' On Heaven's Door – Antony & The Johnsons
18. I'm Not There – Bob Dylan with The Band
Produced by Randall Poster, Jim Dunbar, and Todd Haynes
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44
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