JEFFREY TREVIÑO
CURRICULUM VITAE
4476 TEXAS STREET #3 • SAN DIEGO, CALIFORNIA 92116 • PHONE 661-428-3816
E-MAIL JEFFREY.TREVINO@GMAIL.COM
TEACHING EXPERIENCE








Lecturing Teaching Assistant, 174A,B, and C: Audio and Midi Studio
Techniques (2006-2007 Academic Year).
Curriculum Designer and Lead Instructor, Chabot Space and Science Center
LEGO Mindstorm Robotics Camp (Summer, 2006).
Teaching Assistant, Masterpieces of Opera (Spring, 2006).
Teaching Assistant, Early Jazz: Roots and Development (Winter, 2006).
Teaching Assistant, Music and Film (Fall, 2005).
Writing Tutor, Stanford Program in Structured Liberal Education (Spring,
2005).
Associate Member, Institute for the Recruitment of Teachers (Andover,
Massachusetts; Summer, 2004).
Teacher (course “Music in Film”), Stanford High School Enrichment Program
(Spring, 2004).
PROFESSIONAL ACTIVITIES AND POSITIONS















Featured Composer, Visiones Sonoras Festival of Electronic Music (Morelia,
Mexico; Fall, 2007).
Featured Composer, Seoul International Computer Music Festival (Seoul Arts
Center; Seoul, South Korea; Fall, 2007).
Panelist, How Computer Music Modeling and Retrieval Interface with Music-andMeaning Studies at the International Computer Music Conference (ICMC)
(Copenhagen, Denmark; 2007).
Composer in Residence, August 4 – 19, Akademie Schloss Solitude
Summerakademie (Stuttgart, Germany; Summer, 2007).
Featured Digital Artist, Global Eyes Art Gallery, International Conference of the
Association for Computing Machinery’s Special Interest Group on Graphics
and Interactive Techniques (ACM SIGGRAPH) (San Diego, California;
Summer, 2007).
Pianist and Performer, Etcetera: UCSD Spring Festival of New Music 2007 (La
Jolla, California; Reich, Music for 18 Musicians; Magnus, Combat Music; Wolff, I
Like To Think of Harriet Tubman).
Invited Speaker, NIME 2007 (New York City, New York; Spring, 2007).
Invited Speaker and Pianist, Symposium, Reactions to the Record: Perspectives on
Historic Performance Practice; performance of Henry Cowell piano works +
lecture presentation, “Eliminating Performance Practice” (Stanford University;
Spring, 2007).
Performer, Concert of Fluxus works at UCSD (La Jolla, California; Winter,
2007).
Conductor, performance of Mexican Apple Soda at James Ilgenfritz’s M.A.
contrabass performance recital (La Jolla, California; Winter, 2007).
Invited Speaker, Stanford University Composition Seminar (Winter, 2007).
Featured Composer, ICMC 2006 (Tulane University; New Orleans, Louisiana;
Fall, 2006).
Featured Composer, Concert of my works at Stanford University’s Center for
Computer Research in Music and Acoustics (Spring, 2006).
Invited Speaker and Featured Composer, Concert Presentation and Discussion
of Current Work (University of California at Santa Cruz; Santa Cruz, California;
Spring, 2006).
Featured Presenter, The Edward A. Bouchet Conference on Diversity in Higher
Education (Yale University; New Haven, Connecticut; Spring, 2006).
PROFESSIONAL ACTIVITIES AND POSITIONS (CONTINUED)













Featured composer/improviser, Society of Ethnomusicology, Southern
California Chapter Conference (La Jolla, California; Winter, 2006).
Featured Composer/Conductor/Performer, Conference on Music and the
Moving Image (University of California, Santa Barbara; Goleta, California;
Winter, 2006).
Pianist, Scripps-Mercy Hospital Afternoon Concert Series (with flautist Reiko
Manabe; La Jolla, California; Fall, 2005).
Featured Performer/Presenter, NIME 2005 (Vancouver, Canada; Spring, 2005).
Author, DemiDec Test Preparation Resources (Berkeley, California; Summer,
2005).
Composer, UC Berkeley Program in Graduate Media Studies (Berkeley,
California; Fall and Spring, 2004).
Featured Composer/Performer, NWEAMO 2004 (Portland, Oregon and San
Diego, California; Fall, 2004).
Featured Composer/Performer, ICMC 2004 (Miami, Florida; Fall, 2004).
Presenter, Mellon Mays Undergraduate Fellows Regional Conference (Yakima,
Washington; Fall, 2003 and Los Angeles, California; Fall, 2004).
Composer, Stanford University Masters Program in Documentary Film (Fall,
2004).
Audio Engineer and Educational Software Production Coordinator, Cyllenius
Foundation, a non-profit educational research foundation that produces
Hellenic Heritage CD-ROMs (Palo Alto, California; Winter, 2004).
Researcher, UCLA and USC Film Archives (Los Angeles, California; Winter,
2003).
Excavator, Stanford Alpine Archaeology Project (Valle d’Aosta, Italy and
Switzerland; Summer, 2002).
COMMUNITY SERVICE





Founder of Stanford’s Henry Cowell Student Lectures in Music (Fall, 2004).
Founder of Stanford’s “Ticket Pot” Symphony/Opera Lottery System (Fall,
2004).
Stanford Improvisation Collective [sic] Community Outreach (Winter, 2004).
Co-Producer, The Stanford Soundtrack Vol. 2 (record compilation surveying
Stanford recording artists; Winter, 2003).
Los Hermanos de Stanford (2001-2002, Head of Academic Excellence, 2002).
ACADEMIC ADMINISTRATIVE ACTIVITIES









Voting Member, Appointment Committee for the Dean of the School of
Humanities and Sciences (2007-2008 academic year).
Member, Office of Graduate Studies and Research Diversity Focus Group. (2007
– present).
Participant, Changing the Culture of the Academy: Toward a Truly Inclusive
Practice Conference at U.C. Berkeley (March, 2007).
Department Representative and Finance Committee Member, UCSD Graduate
Students’ Association (2006-2007).
UCSD Diversity Outreach Liaison and Outreach Presentation Coordinator
(2006-2007).
Co-producer, California Computer Music Exchange Concert (Spring, 2006).
UCSD Spring Festival of Contemporary Music Organizing Board
Representative (2005-2006).
Chair of Selection Committee for the Henry Cowell Student Lectures in Music
(2004).
Student Representative to the Music Dept. Committee on Undergraduate
Studies (2002-2004).
CREATIVE WORKS AND PERFORMANCES
Solo + Chamber Works
Forty-Two Statcoulombs (8:30) for String Quartet (2006)



Commissioned by the Arditti String Quartet.
(February, 2007) The Arditti String Quartet; recording session, Warren Lecture Hall
Recording Studio A; La Jolla, California
(August, 2007) Ensemble SurPlus; concert, Akademie Schloss Solitude International
Composers Masterclass; Stuttgart, Germany.
Mexican Apple Soda Paraphrase (Consumer Affect Simulation I.1) (3:00-5:00) for solo
contrabass (2006)











(October 25, 2006) James Ilgenfritz, III, contrabass; UCSD Graduate Performers Forum
Concert; UCSD.
(October 30, 2006) James Ilgenfritz, III, contrabass; concert, Symphony Space; New York
City, New York.
(August, 2007) James Ilgenfritz, III, contrabass; solo recital, Isabella’s; Dubuque, Iowa.
(September 1, 2007) James Ilgenfritz, III, contrabass; solo recital, Hotcakes Gallery;
Madison, Wisconsin.
(September 4, 2007) James Ilgenfritz, III, contrabass; solo recital, The Hilton, Springfield;
Springfield, Illinois.
(September 7, 2007) James Ilgenfritz, III, contrabass; solo recital, Canterbury House; Ann
Arbor, Michigan.
(September 8, 2007) James Ilgenfritz, III, contrabass; solo recital, Bohemian National
Home; Detroit, Michigan.
(September 11, 2007) James Ilgenfritz, III contrabass; solo recital, Café Bourbon;
Columbus, Ohio.
(September 12, 2007) James Ilgenfritz, III contrabass; solo recital; Youngstown, Ohio.
(September 13, 2007) James Ilgenfritz, III contrabass; solo recital, Towson University;
Youngstown, Ohio.
(October 7, 2007) James Ilgenfritz, III contrabass; solo recital, Roulette; New York City,
New York.
Mexican Apple Soda (Consumer Affect Simulation I) (17:00) for Contrabass and Chamber
Ensemble (2006)


(October, 2006) Ross Karre, conductor; James Ilgenfritz, III, contrabass; William Fried, B3
organ; Christopher Otto, violin; Reiko Manabe, flutes; Fiona Chatwin, voice; Emily
Dufour, cello; Colin McAllister, electric guitar; Jim Pringle, bass trombone; Gregory
Stuart, percussion (all doubling crackleboxes); jury evaluation, Warren Lecture Hall
Recording Studio A; La Jolla, California
(February, 2007) Jeffrey Treviño, conductor; James Ilgenfritz, III, contrabass; Carolyn
Chen, B3 organ; Kimberly Empeno, violin; Reiko Manabe, flutes; Adrian Coburn, voice;
Emily Dufour, cello; Colin McAllister, electric guitar; Tucker Dulin, bass trombone;
Gregory Stuart, percussion (all doubling crackleboxes); contrabass performance masters
recital, Mandeville Recital Hall; La Jolla, California.
Zoetropes II (8:17) for one percussionist and synchronized video (2006)





(May 26, 2006) Ross Karre, percussion and video; Reel Loud film festival; Goleta,
California.
(May 27, 2006) Ross Karre, percussion and video; recital, University of California, Santa
Cruz; Santa Cruz, California.
(May 28, 2006) Ross Karre, percussion and video; recital, Stanford University’s Center for
Computer Research in Music and Acoustics; Palo Alto, California.
(June 11, 2006) Ross Karre, percussion and video; recital, Erickson Hall; La Jolla,
California.
(July 7, 2006) Ross Karre, percussion and video; recital, Brooklyn Fireproof; Brooklyn,
New York.
Unit for Convenience and Better Living 003 (2:45) for Bb Bass Clarinet (2006)


Commissioned by Anthony Burr (Speculum Musicae).
(April, 2006) Anthony Burr, bass clarinet; recital, Warren Lecture Hall Recording Studio
A; La Jolla, California.
Zoetropes (11:00) for Bb bass clarinet, percussion, and cello (2005)

(January, 2006) Steve Schick, conductor; Bob Zelickman, bass clarinet; Emily Dufour,
cello; Justin Dehart, percussion; UCSD composition program jury evaluation, Warren
Lecture Hall Recording Studio A; La Jolla, California.
Binary Experiment for James Tenney (4:00) for four contrabasses (2005)

(Winter, 2007) the UCSD Bass Ensemble (Mark Dresser, contrabass; Jeff Denson,
contrabass; James Ilgenfritz, III, contrabass; Han Han Cho, contrabass;); Graduate
Performers’ Forum Concert, Mandeville Recital Hall; La Jolla, California.
CREATIVE WORKS AND PERFORMANCES (CONTINUED)
Binary Experiment for James Tenney (4:00) for four contrabasses (solo accompanied by
stereo CD playback) (2007)









(August, 2007) James Ilgenfritz, III, contrabass; solo recital, Isabella’s; Dubuque, Iowa.
(September 1, 2007) James Ilgenfritz, III, contrabass; solo recital, Hotcakes Gallery;
Madison, Wisconsin.
(September 4, 2007) James Ilgenfritz, III, contrabass; solo recital, The Hilton, Springfield;
Springfield, Illinois.
(September 7, 2007) James Ilgenfritz, III, contrabass; solo recital, Canterbury House; Ann
Arbor, Michigan.
(September 8, 2007) James Ilgenfritz, III, contrabass; solo recital, Bohemian National
Home; Detroit, Michigan.
(September 11, 2007) James Ilgenfritz, III contrabass; solo recital, Café Bourbon;
Columbus, Ohio.
(September 12, 2007) James Ilgenfritz, III contrabass; solo recital; Youngstown, Ohio.
(September 13, 2007) James Ilgenfritz, III contrabass; solo recital, Towson University;
Youngstown, Ohio.
(October 7, 2007) James Ilgenfritz, III contrabass; solo recital, Roulette; New York City,
New York.
Substitute Judgment (4:30) for one percussionist and optional integrated/synchronized
video (Ross Karre’s Metal Catalogue) (2005)
















(January 15, 2006) Ross Karre, percussion and video; concert, University of California at
Santa Barbara’s Music and the Moving Image conference; Goleta, California.
(February, 2006) Ross Karre, percussion and video; recital, Mandeville Recital Hall; La
Jolla, California.
(March, 2006) Ross Karre, percussion and video; recital, the Museum of Making Music;
Carlsbad, California.
(May 13, 2006) Ross Karre, percussion and video; concert, UCSD Spring Festival of
Contemporary Music; La Jolla, California.
(May 26, 2006) Ross Karre, percussion and video; Reel Loud film festival; Goleta,
California.
(May 27, 2006) Ross Karre, percussion and video; recital, University of California, Santa
Cruz Department of Music; Santa Cruz, California.
(May 28, 2006) Ross Karre, percussion and video; recital, Stanford University’s Center for
Computer Research in Music and Acoustics; Palo Alto, California.
(June 6, 2006) Tony Oliver, percussion; recital, Christ and St. Stephen’s Church
(sponsored by the Society for the Chromatic Arts); New York City, New York.
(June 11, 2006) Ross Karre, percussion and video; recital, Erickson Hall; La Jolla,
California.
(July 5, 2006) Ross Karre, percussion and video; recital, the Issue Project Room; New York
City, New York.
(July 6, 2006) Ross Karre, percussion and video; recital, Monkeytown; New York City,
New York.
(July 7, 2006) Ross Karre, percussion and video; recital, Brooklyn Fireproof; Brooklyn,
New York.
(July 11, 2006) Ross Karre, percussion and video; recital, Oberlin Conservatory of Music’s
Warner Concert Hall; Oberlin, Ohio.
(Nov 10, 2006) Ross Karre, percussion and video; concert, the 2006 International
Computer Music Conference (hosted by Tulane University); New Orleans, Louisiana.
(August, 2007) Ross Karre, percussion and video; art gallery performances, International
Conference of the ACM SIGGRAPH (the Association for Computing Machinery’s Special
Interest Group on Graphics and Interactive Techniques); San Diego, California.
(November 7, 2007) Ross Karre, percussion and video; concert, Seoul International
Computer Music Festival; Seoul, South Korea.
Score Four (Dance Score) (12:00) for clarinet, piano, misaligned wax cylinder
phonograph, poured water, violin, and viola (2005)


Commissioned by the Stanford University Department of Dance.
(Spring, 2005) Carolyn Chen, clarinet; Jeffrey Treviño, piano and wax cylinder
phonograph; Elizabeth Donald, violin and water; Mathew Czinger, viola and water;
concert, “Music and Dance By Chance,” in affiliation with the Merce Cunningham Dance
Company’s Stanford residency; Palo Alto, California.
Line Through a Blue Man’s Heart (9:00) for woodwind quintet (2005)


Commissioned by the Stanford Woodwind Quintet
(Winter, 2004) the Stanford Woodwind Quintet; concert, Wet Ink Society Concert; Palo
Alto, California.
Coming & Going (5:10) for one flute (2004)


(Winter, 2004) Grace Leslie, flute; Wet Ink Society concert.
(Spring, 2005) Grace Leslie, flute; Stanford Undergraduate Music graduation
commencement ceremony, Campbell Recital Hall; Palo Alto, California.
CREATIVE WORKS AND PERFORMANCES (CONTINUED)
Magic Box (cartoon score) (3:00) for one piano (2004)


Commissioned by the U.C. Berkeley Graduate Program in Media Studies.
(Spring, 2004) Jeffrey Treviño, piano; premiered as recorded, non-diegetic soundtrack to
the animated film, Magic Box, at the Berkeley student film festival; Berkeley, California.
Melody’s Flight (cartoon score) (3:00) for chamber orchestra (2004)


Commissioned by the U.C. Berkeley Graduate Program in Media Studies.
(Spring, 2004) the Stanford Symphony Orchestra, premiered as recorded, non-diegetic
soundtrack to the animated film, Melody’s Flight, at the Berkeley student film festival;
Berkeley, California.
Out of Order (cartoon score) (3:47) for chamber orchestra (2004)


Commissioned by the U.C. Berkeley Graduate Program in Media Studies.
(Spring, 2004) the Stanford Symphony Orchestra, premiered as recorded, non-diegetic
soundtrack to the animated film, Out of Order, at the Berkeley student film festival;
Berkeley, California.
Eight Legs Each (5:44) for one amplified tuba and two pre-recorded amplified tubas
(2004)


(Fall, 2004) Jeffrey Treviño, amplified tuba; concert, the International Computer Music
Conference; Miami, Florida.
(Fall, 2004) Jeffrey Treviño, amplified tuba; the New Western Electro-Acoustic Music
Festival; Portland, Oregon and San Diego, California.
Two Silent Scenes for The Phantom of the Opera (1925) (12:00) for one piano and loosely
synchronized silent film (2003)


Commissioned by the Stanford Humanities Center.
(Spring, 2003) Jeffrey Treviño, piano, in live accompaniment to the film; recital and
discussion, Stanford Humanities Center conference, Borrowed Music in Film.
Orchestrations
Entr’acte (E. Satie) (22:00) for two flutes, F tuba, percussion, piano, cello, and contrabass
(2005)



Commissioned by the University of California at Santa Barbara’s Music and the Moving
Image conference.
Originally a silent film score composed and orchestrated for full orchestra.
(January 15, 2006) Tomato Alert (silent film accompaniment ensemble, assembled by
Treviño for this performance): Aaron Helgeson, flute; Grace Leslie, flute; Ross Karre,
percussion; William Fried, piano; Emily Defour, cello; James Ilgenfritz, contrabass; Jeffrey
Treviño, conductor; concert, University of California at Santa Barbara’s Music and the
Moving Image conference; Goleta, California.
Electronic Works (all two-channel playback from compact disc)
Dogfight Shuffle (Cartoon Score) (1:02) (2004)


Commissioned by the U.C. Berkeley Graduate Program in Media Studies.
U.C. Berkeley Student Film Festival, 2004; Berkeley, California.
Nostalgia (Cartoon Score) (1:00) (2004)


Commissioned by the U.C. Berkeley Graduate Program in Media Studies.
U.C. Berkeley Student Film Festival, 2004; Berkeley, California.
Ping (score for eight-minute documentary, Spotters) (3:00) (2004)









Commissioned by the Stanford University Masters Program in Documentary Film.
San Francisco's Documentary Film Festival, 2005; San Francisco, California.
Marin County Festival of Short Film and Video, 2004; San Rafael, California.
Rhode Island International Film Festival, 2004; Providence, Rhode Island.
Real to Reel Film and Video Festival, 2004; Kings Mountain, North Carolina.
Oakland International Film Festival, 2004; Oakland, California.
True/False Film Festival 2005; Columbia, Missouri.
Wisconsin Film Festival, 2005; Madison, Wisconsin.
Cantor Arts Festival, Stanford University, 2004; Palo Alto, California.
SPONSORED RESEARCH



Bass Excavations, Interactive Orchestration Software with Mark Dresser.
Piano Sonata No. 1: A New Critical Edition (co-editor, assistant to George Barth;
Charles Ives Society) (Summer, 2004).
Film/Music Interaction: Useful Methodologies and Their Application
throughout Film History (Summer, 2002; Chappel-Lougee Scholars Grant).
PROFESSIONAL ASSOCIATIONS



The American Composers Forum (2005-present).
The International Computer Music Association (2004-present).
The American Musicological Society (2004-present).

The University of California at San Diego: M.A. in Composition; (Class of 2007;
GPA: 4.00).
Stanford University: B.A. in Music, Science, and Technology; Concentration in
Composition; Concentration in Piano Performance (Class of 2005; Phi Beta
Kappa with Honors in Piano Performance and Distinction; GPA: 3.92, 4.11 in
the major).
EDUCATION

MAJOR TEACHERS





Composition: Chaya Czernowin and Steven Takasugi (Summer, 2007); Philippe
Manoury (2005-present); Pauline Oliveros (Summer, 2004); Mark Applebaum
and Brian Ferneyhough (2001-05).
Tuba: Marcus Rojas (Summer, 2004).
Piano: Aleck Karris (2005-present), George Barth (2002-05), Robert Trevino
(1983-2001).
Musicology: George Barth (2002-05).
Instrument Design: Max Mathews (2005).
GRANTS, FELLOWSHIPS, HONORS, AND AWARDS







Akademie Schloss Solitude Traveling Fellowship (Summer, 2007).
UCSD Music Department Award for Excellence in Graduate Teaching, (20062007 academic year).
San Diego Eugene Cota-Robles Fellowship (2007-2011).
National Finalist (California Region), Cecil Rhodes Scholarship Competition
(Fall, 2006).
Edward A. Bouchet Conference on Diversity in Higher Education Best
Presentation Honorable Mention Award (Yale University; Spring, 2006).
Deans’ Award for Academic Accomplishment (10 recipients in student body of
6,000+; Spring, 2005).
Shenson Fund Grant for the Henry Cowell Student Lectures in Music (Fall and







Winter, 2004-05).
American Musicological Society Traveling Fellowship (Fall, 2004).
Shenson Fund Grant for ticketPot Lottery System (Fall, 2004).
Angel Grant for the Public Presentation of an Artistic Work (Fall, 2004).
Departmental Award in Recognition of Excellence in Composition (Spring,
2004).
Chappell-Lougee Scholars Research Grant (Winter, 2003).
Andrew W. Mellon Foundation Mays Undergraduate Fellowship (Fall, 2002).
President’s Award for Academic Excellence in the Freshman Year (65 recipients
in a class of 1,500; Fall, 2002).
AUTHORED AND EDITED PUBLICATIONS






Treviño, Jeffrey. “Binary Experiment for James Tenney” in Tisano, Teresa, Ed.
Notations 21 (New York City: Mark Batty Publishers, forthcoming (2008)).
Gurevich, M. and Treviño, J. “Expression and Its Discontents: Toward an
Ecology of Musical Creation.” Proceedings of the 2007 International Conference on
New Interfaces for Musical Expression, June, 2007, New York.
Treviño, Jeffrey. "Jeffrey Treviño Interviews Chris Chafe" Array (The Journal of
the International Computer Music Association), Winter, 2006, pp. 22-31.
Ives, Charles. Barth, G. and Treviño, J., eds. Piano Sonata No. 1: A New Critical
Edition. Forthcoming, Peer International Editions.
Cáceres, J.P., Mysore, G., and Treviño, J. “SCUBA: A Self-Contained, Unified
Bass Augmenter.” Proceedings of the 2005 Conference on New Interfaces for Musical
Expression, June, 2005, Vancouver, pp. 38-41.
Treviño, Jeffrey. Renaissance Music Listening Guide; DemiDec, Inc. (DemiDec:
Los Angeles, 2004).
RELEVANT PUBLICATIONS




Grund, Cynthia. “Title.” Proceedings of the 2007 International Computer Music
Conference, August, 2007, Copenhagen.
Matheus, Sylvia. “Multidimensionality: International Computer Music
Conference 2006” in Computer Music Journal (Summer, 2007).
Lehrman, Paul D. “Tomorrow’s Musicians & What They’ll Be Playing:
Controllers of the Future” in Sound on Sound Magazine (Jan., 2006).
Cao, Carol, The Henry Cowell Student Lectures in Music – Its Conception,
Creation, Continuation, and Connection with Community. Stanford
Undergraduate Research Journal (Spring, 2005).
SPONSORS OF PROJECTS AND PRESENTATIONS






The International Computer Music Association (ICMA).
The Northwestern Electro-Acoustic Music Organization (NWEAMO).
The Andrew W. Mellon Foundation.
Stanford Humanities Center.
The Center for the Interdisciplinary Study of Music at the University of
California, Santa Barbara.
The Charles Ives Society.

University of California Diversity Outreach.