$FWDKXPDQLWDULFDXQLYHUVLWDWLV6DXOHQVLV7± ,661 7KH8VDJHRI'HL[LVLQ$GYHUWLVLQJ6ORJDQV5HODWHG WR)UDJUDQFH 6ROYHLJD68â,16.,(1Ơ âLDXOLDL8QLYHUVLW\ .H\ZRUGV GHL[LVSHUVRQDOWHPSRUDOVSDWLDOVORJDQIUDJUDQFH. ,QWURGXFWRU\REVHUYDWLRQV Language plays a crucial role in the process of social interaction, i.e. communication, as it is used both as a medium in giving information and as means of HVWDEOLVKLQJDQGPDLQWDLQLQJUHODWLRQVKLSZLWKRWKHUSHRSOH7KHVWXG\RIODQJXDJH as a means of communication has become an important aspect in linguistics. As QRWHGE\ 5REHUW9DQ9DOLQDQG5DQG\/D3ROOD³WKHFRPPXQLFDWLYH IXQFWLRQVRIODQJXDJHDUHFHQWUDOWRWKHDQDO\VLVRILWVVWUXFWXUHDQGRQHEXWQRW the only) function of language is reference and predication, that is, representing WKLQJVWKDWKDSSHQLQWKHZRUOGRUDSRVVLEOH¿FWLRQDOZRUOGDQGWKHSDUWLFLSDQWV LQYROYHGLQWKRVHVLWXDWLRQV´)XUWKHUPRUH-RKQ/\RQVDGGV³(YHU\ language-utterance is made in a particular place and at a particular time: it occurs LQDFHUWDLQVSDWLRWHPSRUDOVLWXDWLRQ´(DFKVXFKXWWHUDQFHLVPDGHE\DSDUWLFXODU SHUVRQWKHVSHDNHUDQGLVXVXDOO\DGGUHVVHGWRVRPHRWKHUSHUVRQWKHKHDUHU Communication from the perspective of advertising takes into consideration the FRQWH[WXDOGLPHQVLRQWKDWLVDPDWWHURISUDJPDWLFVZKLFKLQYHVWLJDWHVWKRVHSDUWV of the discourse that are often the essential factors of the advertising discourse and its hidden message. :LWK*HRIIUH\1/HHFK¶VVWXG\³(QJOLVKLQ$GYHUWLVLQJ´WKHGLVFRXUVH RI DGYHUWLVHPHQWV EHFDPH WKH VXEMHFW RI H[WHQVLYH OLQJXLVWLF UHVHDUFK 7KH PRUSKRORJLFDOVHPDQWLFV\QWDFWLFDQGWH[WXDOSHFXOLDULWLHVRIDGYHUWLVLQJODQJXDJH KDYH EHHQ H[WHQVLYHO\ VWXGLHG E\ -XGLWK :LOOLDPVRQ 'HQQLV .XU]RQ *X\&RRN-LP$LWFKLVRQ6HDQ1L[RQ WRPHQWLRQ DIHZ%HLQJDPDWWHURIXWWHUDQFHDGYHUWLVLQJLVREYLRXVO\DWRRORISHUVXDVLRQ The advertisers make use of persuasive strategies in order to reach their goals, i.e. to persuade a consumer to buy the product. To put in other terms, they encode the PHVVDJHVWKDWDUHPHDQWWRUHDFKWKHWDUJHWDXGLHQFHLHFRQVXPHUV 7UDGLWLRQDOO\WKHSKHQRPHQRQRIµGHL[LV¶LQGLVFRXUVHDQDO\VLVXQGHUOLQHVWKH UHODWLRQVKLSEHWZHHQODQJXDJHDQGFRQWH[WDQGKDVEHHQGH¿QHGDVWKHHQFRGLQJ WKURXJKODQJXDJHRIVSDWLDORUWHPSRUDOFRQWH[WVRUWRSXWLQVLPSOHUWHUPVGHL[LV 6ROYHLJD6XãLQVNLHQơ points via language as it refers to demonstration and reference. The discourse RIDGYHUWLVHPHQWVFRGHDQGGHFRGHPHVVDJHVLQFRQWH[W'HLFWLFZRUGVSHUVRQDO SURQRXQVGHPRQVWUDWLYHVSODFHDQGWLPHDGYHUELDOVHWFUHO\RQWKHµVLWXDWLRQ¶ RU µFRQWH[W RI XWWHUDQFH¶ / H H F K / \ R Q V * R G G D U G 7KHDLPRIWKLVVWXG\LVWZRIROGWRDQDO\]HWKHXVHRIGHL[LVDQGLWVSHUVXDVLYH VWUDWHJ\LQDGYHUWLVLQJVORJDQVUHODWHGWRIUDJUDQFH7KHQRWLRQGHL[LVLVDSSOLHG in the present study in order to introduce and handle the features of language ZKLFKDUHUHODWLYHWRWKHWLPHDQGSODFHRIXWWHUDQFH'HL[LVLVH[WHQVLYHO\XVHGLQ slogans related to fragrances as a strategy to make direct appeals to consumers. +RZHYHUDFFRUGLQJWR&RRN ³$VPHOOKDVQRGHQRWDWLRQ«!DQHZ SHUIXPHFDQEHFDOOHGYLUWXDOO\DQ\WKLQJ´)UDJUDQFHVORJDQVFDQVSDUNDIHHOLQJ RUPHPRU\7KLVLVZKHUHGHL[LVSOD\VLWVUROH 0HWKRGRORJLFDOFRQVLGHUDWLRQV The corpus that the present study is based on consists of the slogans of fragrances GUDZQIURPWKHZHEVLWHVKWWSZZZPLPLIDXIUDXFRm, ZZZSHUIXPHEHUU\FRm, VSHFLDOL]LQJLQIUDJUDQFHVDVZHOODVIDVKLRQPDJD]LQHV³9RJXH´³&RVPRSROLWDQ´ HWFDVZHOODVWHOHYLVLRQFRPPHUFLDOV The methodology is based on linguistic and semiotic analysis. The uses of GHL[LV ZHUH GHFRGHG DQG FODVVL¿HG ZLWKLQ WKH FRQWHQW DQDO\VLV LQ D SLORW VWXG\ 7KH GLUHFWLRQ RI WKH DQDO\VLV IROORZV WKH JHQHUDOO\ DFFHSWHG VHPLRWLF WULDQJOH $''5(66(5 ± 0(66$*( ± $''5(66(( ZKHUH DGGUHVVHU LV D SURGXFHU PHVVDJHLVDVORJDQDQGDGGUHVVHHLVDFRQVXPHU7KHPDLQTXHVWLRQWRDQVZHU LV ZKDW GLIIHUHQW W\SHV RI GHL[LV DUH XVHG LQ WKH VHOHFWHG VHFWRU 7KH VHFWRU RI IUDJUDQFHV ZDV FKRVHQ IRU UHVHDUFK EHFDXVH LW LV DVVXPHG WKDW WKLV FRPPHUFLDO VHFWRURIIHUVVRPHGLVWLQFWLYHIHDWXUHVDQGWKHHQRUPRXVVFRSHIRUFUHDWLYLW\ZKLOH WDUJHWLQJFRQVXPHUVLQFHUWDLQZD\V 7KHRUHWLFDOSUHUHTXLVLWHV ,QDGYHUWLVLQJYLVXDOPDWHULDOVWUDGHPDUNEUDQGORJRDQGVORJDQSOD\WKHUROH of providing continuity of the message of the advertisement. Generally accepted, VORJDQLVDFDWFKSKUDVHWKDWLVFRPELQHGLQDVSHFLDOZD\WRLGHQWLI\DSURGXFW or company. Slogans are linguistic statements designed to produce an emotional FRQQHFWLRQ EHWZHHQ DQ DXGLHQFH PHPEHU DQG D SHUVXDGHU % R U F K H U V $V UHIHUUHG E\ :LOOLDPVRQ DQ DGYHUWLVHPHQW GRHV QRW FUHDWH PHDQLQJDWWKH¿UVWWLPHEXWLQYLWHVXVWRPDNHDWUDQVDFWLRQZKHUHLWLVSDVVHG from one thing to another. 'HL[LV DV QRWHG E\ /DLPXWLV 9DOHLND DQG 'DLYD 9HULNDLWơ ³LV D WHUPXVHGWRGHQRWHDZRUGRUDSKUDVHZKLFKGLUHFWO\UHIHUVWRHQWLWLHVREMHFWV SURFHVVHVDWWULEXWHVDQGFLUFXPVWDQFHV´7RVSHFLI\WKLVGH¿QLWLRQE\ .XU]RQ ³'HL[LVLVWKHVHWRIOLQJXLVWLFHOHPHQWVXVHGE\WKHVSHDNHUWRUHIHUWR WKHFRQWH[WRIsituation in order to orient the hearer as to the time and the place of 7KH8VDJHRI'HL[LVLQ$GYHUWLVLQJ6ORJDQV5HODWHGWR)UDJUDQFH WKHGLVFRXUVHhere and QRZ), and to setting up of the a direct communication link EHWZHHQWKHVSHDNHUDQGWKHKHDUHU,and \RX´ ,Q OLQJXLVWLFV WKUHH PDLQ W\SHV RI GHL[LV DUH GLVWLQJXLVKHG SHUVRQ VSDWLDO temporal. Besides these traditional and fundamental categories, linguists also VSHDN DERXW VRFLDO GHL[LV DQG GLVFRXUVH GHL[LV VHH 9 D O H L N D 9 H U L N D L W H 'HLFWLFZRUGVDQGVWUXFWXUHVXVXDOO\UHIHUWRGHPRQVWUDWLYHVDQGSHUVRQDO SURQRXQVWLPHDQGSODFHDGYHUEVWHQVHVGH¿QLWHDUWLFOHVHWF0RUHRYHUGHLFWLF ZRUGV FDQ EH XVHG DV FURVVUHIHUHQFH LQ UHIHUULQJ WR WKH OLQJXLVWLF FRQWH[W LQ DGYHUWLVHPHQWVZKLFKDUHDFFRPSDQLHGE\YLVXDOPDWHULDOV $V LW ZDV DOUHDG\ PHQWLRQHG GHL[LV DFWXDOO\ ³FUHDWH´ WKH FRQWH[W RI WKH situation of communication: not only the time and place are set but also the UHODWLRQVKLSEHWZHHQWKHPHVVDJHVHQGHUDQGWKHUHFHLYHU/DXUD+LGDOJR'RZQLQJ SURSRVHV WKDW GHL[LV DQG SUHVXSSRVLWLRQV RIWHQ SOD\ DQ HVVHQWLDO UROH LQ creating a persuasive advertising message and contribute to adopting a familiar, conversational tone. 7KH XVH RI GHL[LV LQ VORJDQV KHOSV WR GLIIHUHQWLDWH EHWZHHQ WKH DGGUHVVHU FRPSDQ\ DGYHUWLVHU DQG WKH DGGUHVVHH FRQVXPHU 7KH VSHFL¿F IHDWXUHV RI GHL[LVFUHDWHDXQL¿HGVSDWLDODQGWHPSRUDOIUDPHFRPPRQWRERWKWKHDGGUHVVHU DQGDGGUHVVHHZKHUHDOOUHIHUHQFHVFRLQFLGH7KXVWKHUROHRIDOOGHLFWLFZRUGVLV WRFRQWH[WXDOL]HDQGSODFHWKHWH[WZLWKLQµWKHDGGUHVVHH¶VHQYLURQPHQW¶ ,Q WKH QH[W VHFWLRQ DOO IRUPV RI GHLFWLF PDUNHUV VXFK DV SHUVRQ VSDWLDO DQG WHPSRUDOZLOOEHDQDO\]HG 7KHXVHRIGHLFWLFPDUNHUVLQDGYHUWLVLQJVORJDQV 3HUVRQGHL[LV 3HUVRQDOL]DWLRQLVFORVHO\UHODWHGWRGHL[LVDQGLVHQKDQFHGE\WKHFRQYHUVDWLRQDO QDWXUHRIWKHVORJDQ3HUVRQGHL[LVLVEDVHGRQWKHIROORZLQJGLYLVLRQ¿UVWSHUVRQ ,ZHVHFRQGSHUVRQ\RXDQGWKLUGSHUVRQKHVKHLW3HUVRQGHL[LVLVWKHRQH SURYLGLQJWKHEDFNJURXQGWRXQGHUVWDQGLQJGHLFWLFZRUGVLQDGLDORJLFGLVFRXUVH KHQFHDOOGHLFWLFVLQDGYHUWLVLQJGLVFRXUVHVORJDQVDUHDOVRWREHXQGHUVWRRGDV EDVHGRQWZR¿FWLWLRXVSDUWLFLSDQWVLQDFRQYHUVDWLRQ 7DONLQJDERXWGHLFWLFZRUGZH, it is clear that one of its components is athe n addresser. As for the other components of ZH, its scope is mostly determined by WKHLQFOXVLRQRIWKHDGGUHVVHHLHFRQVXPHU7KHUROHRIGHLFWLFSURQRXQZH is WR SODFH WKH DGGUHVVHU DQG WKH DGGUHVVHH ZLWKLQ WKH VDPH VFRSH FRQFHUQLQJ WKH SURGXFWDGYHUWLVHGLQVXFKDZD\WKDWWKHPDUNHWLQJFKDLQLVWREHERUQ&RQVLGHU WKHH[DPSOHVLQZKLFKZH and XVencompasses I and \RXDVLIWKHUHZHUHVRPH kind of simultaneous presence of both participants: $UHQ¶W\RXJRLQJWRLQWURGXFHus"!+RZPXFKORQJHUFDQZHSRVVLEO\ DOOEHVRKDSS\WRJHWKHU"3UDGD&DQG\ :HDUH2QH&DOYLQ.OHLQ&.RQH $SHUIXPH¶VVFHQWVFDQWUDQVSRUWusIURPWKLVPRPHQWDQGWDNHusZLWKWKHP WREOLVVIXOPHPRULHV'pMj9X 6ROYHLJD6XãLQVNLHQơ ,QWKHVORJDQVDERYHWKHDGGUHVVHHSODFHVKHUKLPVHOIZLWKLQWKHVDPHIUDPHRI UHIHUHQFHDVWKHDGGUHVVHHE\SHUIRUPLQJLGHQWLFDODFWLRQV«!FDQZHSRVVLEO\ DOOEHVRKDSS\!:HDUH«!«!FDQWUDQVSRUWus«! These consumerfriendly slogans use pronouns such as ZH and XV to lend a friendly and personal image. $QRWKHU SHUVRQ GHLFWLF ZRUGV DUH \RX DQG LWV UHÀH[LYH IRUP \RXUVHOI ,Q advertising, second person pronoun \RX refers to the consumer. $UH\RXRQWKHOLVW"9,3 ,W¶V\RXUFKDQFH(PEUDFHLW&KDQFH&KDQHO 3HUIHFWO\IRUPHGSHUIHFWO\IUHH\RXGRQ¶WGLVFRYHUWKLVHVVHQFHLWGLVFRYHUV \RX-¶$GRUH'LRU ,I\RXZDQWWRFDSWXUHVRPHRQH¶VDWWHQWLRQZKLVSHU&RW\3HUIXPH &UHDWH\RXUZRUOGRIKDSSLQHVV(VSHFLDOO\(VFDGD 'R<RX'DUH"&XULRXV /HWGHVLUHOHDG\RX-/R'HVHR 7KHUHÀH[LYHIRUPRIWKHSURQRXQLVSUHVHQWLQVORJDQVUHODWHGWRIUDJUDQFHDV ZHOO 6HHWKURXJK\RXUVHOI&7+58%ORRPLQJ 7KHJUHDWHVWIUHHGRPLVWREHOLHYHLQ\RXUVHOI%ULWQH\6SHDUV%HOLHYH ,QWKHVORJDQVDERYHWKHPHVVDJHLVWREHWKRXJKWRIDVGLUHFWO\DGGUHVVHGWR an individual. We may observe that the usage of pronoun \RX offers a number of advantages. Firstly, it is the most direct of addressees. Secondly, through this placement as a grammatical subject the consumer is given the main role in the action described LQ WKH VORJDQ ZKLFK KLJKOLJKWV RXU LQGLYLGXDOLW\ 7KH FRQVXPHU XQLQWHQWLRQDOO\ pictures her/himself as the one depicted in the visual material provided in concert ZLWKVORJDQ Although personalizing seems to be a popular strategy used in advertising, third person pronoun it, on the other hand, has an impersonal effect and is commonly XVHGLQDGYHUWLVLQJVORJDQVDVZHOO&RQVLGHUWKHH[DPSOHVEHORZ ,WWRXFKHVHYHU\WKLQJ&DOYLQ.OHLQ%HDXW\ ,W¶V\RXUFKDQFH(PEUDFHLW&KDQFH&KDQHO ,ILW¶VRXWWKHUH'LRUZLOO¿QGLW'LRU Other third person pronouns, such as VKH, heLPSO\VKDUHGNQRZOHGJHEHWZHHQ the addresser and the addressee: +HU heart. +HU soul. +HU beauty. +HUVFHQW'RQQD.DUDQ:RPDQ 3URPLVHKHUDQ\WKLQJEXWJLYHKHU$USHJH$USDJH $ZRPDQLVDQLVODQG)LGMLLVKHUperfume*X\/DURFKH)LGML 7KH QHZ IUDJUDQFH IRU KLP 7KH QHZ IUDJUDQFH IRU KHU *XFFL *XLOW\ ,QWHQVH 2WKHUH[DPSOHVRISHUVRQGHL[LVWRGHFRGHWKHGLVWDQFHEHWZHHQWKHSURGXFW and the consumer include personal pronouns I and P\: 0\VHFUHW1LQD/¶HDX1LQD5LFFL 7KH8VDJHRI'HL[LVLQ$GYHUWLVLQJ6ORJDQV5HODWHGWR)UDJUDQFH ,DPPDGHRIEOXHVN\DQGJROGHQOLJKWDQG,ZLOOIHHOWKLVZD\IRUHYHU« VKDUHWKHIDQWDV\&KDQHO1R , FDQ¶W VHHP WR IRUJHW \RX \RXU :LQG 6RQJ VWD\V RQ P\ PLQG :LQG Song) :KRHYHUORYHVPHZLOOIROORZ*XHUODLQ,QVROHQFH 5HIHUHQFHV DERYH PDNH LW FOHDU WKURXJK WKH XVH RI GHL[LV ZKR LV ZKR DQG ZKDWWKHUHODWLRQEHWZHHQWKHSDUWVLVDV,and ZHDUHµPHWDGLVFRXUVHHOHPHQWV¶ )LUVW SHUVRQ VLQJXODU I and me) are generally regarded as being too personal, LQGLYLGXDOL]HGDQGHYHQH[FOXVLYH2QWKHRWKHUKDQG¿UVWSHUVRQVLQJXODUPD\ VSHFLI\WKHDGGUHVVHHZLWKWKHDLPRI³DZDNHQLQJ´LQQHUWKRXJKWVDQGLQKHUKLV SHUVRQDOFRQWH[WLQWURGXFHQHZQHHGVDQGGHVLUHV 3HUVRQDO SURQRXQV SOD\ D SLYRWDO UROH LQ GHWHUPLQLQJ WKH SRVLWLRQ RI WKH SDUWLFLSDQWVDQGWKHLUUHODWLRQ7KHXVDJHRISHUVRQGHL[LVLQYLWHWKHFRQVXPHUWR recognize him/herself as the individual being spoken to and about. 6SDWLDOGHL[LV $VDQLQWURGXFWLRQWRVSDWLDOSODFHGHL[LVOHWXVSURSRVHWKHH[DPSOHIHDWXULQJ the use of place adverbial here. We have to understand the utterance by supposing that the addresser, the addressee and the fragrance itself are in the same place: :KDWEHJLQVKHUHQHYHUHQGV(WHUQLW\&DOYLQ.OHLQ +RZ¶G\RXJHWLQKHUH"3UDGD&DQG\/¶HDX Demonstrative WKLV refers to a present common ground supposedly common WR ERWK WKH DGGUHVVHU DQG WKH DGGUHVVHH ZLWK D VWURQJ HYRFDWLYH DQG HPRWLRQDO connotation: 6RSKLVWLFDWLRQHOHJDQFH(QHUJ\&RPSOH[LW\ZKRNQHZWKDWVPHOOLQJOLNH WKLVFLW\FRXOGEHVRVHGXFWLYH"%RQG1R 7KHVHDUHRWKHUFDVHVRIVSDWLDOGHLFWLFVZHKDYHIRXQGLQDGYHUWLVLQJVORJDQV all involving a presumed space common to the addresser and the addressee: %XWZKHUHYHU,JRWKHUH\RXDUH«&KDQHO1R 'HLFWLFZRUGVOLNHWKLV, KHUH and WKHUHare used as cross-reference in referring WRWKHOLQJXLVWLFFRQWH[WLQDGYHUWLVHPHQWV7KHPHDQLQJWKHVHH[SUHVVLRQVLVQRWWR EHIRXQGLQUHDOVSDFHRUWLPHEXWLQWH[WDVD¿JXUHGVSDWLDOWHPSRUDOHQYLURQPHQW RUFRWH[W $VHFRQGNLQGRIGHL[LVGH¿QHGDVWH[WGHL[LV. X U ] R Q LVEDVHGRQ WKHUHODWLRQVEHWZHHQWKHHOHPHQWVLQODQJXDJHDVDOLQHDUPDQLIHVWDWLRQ 7KHVSLULWRIIHPLQLQLW\(VSULWG¶2VFDUHDXGHSDUIXP 7KH HVVHQFHRIDMHZHOHU0RX-DVPLQ1RLU 7KH QHZHVVHQFHRIMR\*LRUJLR$UPDQL 7KH ¿UVWIUDJUDQFHIRUZRPHQ%RWWHJD9HQHWDHDXGHSDUIXP 7KHGH¿QLWHDUWLFOHLVXVHGWRGHPRQVWUDWHXQLTXHQHVVRIDUHIHUHQW$SSRVLWLRQDO FRQVWUXFWLRQVLQDGYHUWLVLQJPRVWRIWHQHPSOR\WKHGH¿QLWHDUWLFOHWRJHWKHUZLWKWKH EUDQGQDPHDVWKH¿UVWHOHPHQW7RFLWH /HHFK ³7KHVHFRQVWUXFWLRQV KDYHWKHFKDUDFWHURISDUWLFXODUGH¿QLWLRQVWKH\HTXDWHRQHNLQGRIQDPHDEUDQG QDPHZLWKDQRWKHU±DQH[SUHVVLRQGHVFULELQJVRPHXQLTXHHQWLW\´ 6ROYHLJD6XãLQVNLHQơ 7HPSRUDOGHL[LV $V QRWHG E\ 9DOHLND DQG 9HULNDLWơ ³7HPSRUDO GHL[LV LGHQWL¿HV HQWLWLHV DQG SURFHVVHV ZLWK UHVSHFW WR WKH WHPSRUDO GHLFWLF FHQWUH ZKLFK LV WKH VSHDNHU¶VWLPHRIXWWHUDQFH´,QWKHWLPHGHLFWLFVRQHRIWKHVHIRUPVRFFXUVLQDQ DGYHUWLWPD\HQWDLOWKHDGYHUWLVHUSURYLGLQJDVSDFHZKHUHWKHDGGUHVVHHLVLQYLWHG to enter. The common factor is the union of both participants in the message. To FLWH 7RUEHQ9HVWHUJDDGDQG.LP6FKURHGHU ³GHLFWLFZRUGVUHODWHGWRWLPH DUH DOZD\V SUHVHQW µDV WHQVH LV DQ REOLJDWRU\ FDWHJRU\´7LPH GHL[LV LV D GHYLFH LPSO\LQJ UHIHUHQFH WR D SUHVXPHG WLPH IUDPH DV LQ WKH IROORZLQJ H[DPSOH LQ ZKLFKWKHWHPSRUDODGYHUELDOVSODFHWKHDGYHUWLVHUDQGWKHFRQVXPHUZLWKLQWKH same time: )LOP VORZV GRZQ WLPH EXW D PRPHQW FDQ ODVW IRUHYHU 'ROFH DQG Gabbana) %ULQJ EDFN 9DOHQWLQD LPPHGLDWHO\ 7KH QHZ HDX GH SHUIXP E\ Valentino) 1HYHUUHVLVWWKHFDOORIWKHJDPH/DFRVWH&KDOOHQJH 7KHFDVHRIGHLFWLFZRUGMXVWSODFHVWKHDGGUHVVHHZLWKLQWKHVDPHWLPHIUDPH DVWKHDGGUHVVHU¶VRULQRWKHUZRUGVLWFUHDWHVWKHLPSUHVVLRQWKDWWKHDGGUHVVHU PDWHULDOL]HVKHUKLPVHOIULJKWZLWKWKHDGGUHVVHH -XVWEHDXWLIXO1DRPL&DPSEHOO:LOG3HDUO -XVWdifferent+XJR+XJRERVV 1RERWWOHVWREUHDN±MXVWKHDUWV$USHJH The use of WRGD\LVDOH[LFDOGHLFWLFZRUGPHDQLQJµQRZDGD\V¶RUµDWSUHVHQW¶ LWPLJKWEHLQWHUSUHWHGDVµZKHQ\RXUHDGWKLVDGYHUWLVHPHQW¶ :KRZLOO\RXEHWRGD\"6HSKRUD The usage of present tense in advertising slogans may also be considered as WHPSRUDOWLPHGHL[LV ,WWRXFKHVHYHU\WKLQJ&DOYLQ.OHLQ %HWZHHQORYHDQGPDGQHVVOLHVREVHVVLRQ&DOYLQ.OHLQ¶V2EVHVVLRQ ,DPPDGHRIEOXHVN\DQGJROGHQOLJKWDQG,ZLOOIHHOWKLVZD\IRUHYHU« VKDUHWKHIDQWDV\&KDQHO1R ,I\RXZDQWWRFDSWXUHVRPHRQH¶VDWWHQWLRQZKLVSHU&RW\3HUIXPH 3URPLVHKHUDQ\WKLQJEXWJLYHher $USHJH$USDJH (YHU\ZRPDQhasWZRVLGHV.DW9RQ'6DLQW6LQQHU /LIHZLWKRXWSDVVLRQLVXQIRUJLYDEOH8QIRUJLYDEOHE\6HDQ-RKQ These implied time frames justify the use of QRZZKLFKIXQFWLRQVKHUHDVD GHLFWLF PDUNHU SUHVXSSRVLQJ D FRQWH[W FRPPRQ WR ERWK WKH DGGUHVVHU DQG WKH addressee. 7KHH[DPSOHVSUHVHQWHGDERYHSURYHWKDWGHLFWLFZRUGVDUHSRSXODUO\XVHGLQ the slogans to guide the consumer through the time in the direction intended by the DGYHUWLVHU'HLFWLFZRUGVVXFKDVIRUHYHULPPHGLDWHO\QHYHUMXVWWRGD\ and the use of present tense play an important part in persuading the consumer as they help the consumer focus on the aspects of the intended message hidden in the slogans. 7KH8VDJHRI'HL[LVLQ$GYHUWLVLQJ6ORJDQV5HODWHGWR)UDJUDQFH &RQFOXGLQJUHPDUNV ,Q DGYHUWLVLQJ ZH FRQFHLYH WKH SHUVXDVLRQ DW D GLVWDQFH ,Q DQ\ DGYHUWLVLQJ VORJDQ WKH XVDJH RI GHLFWLF ZRUGV FRQIHUV WKH H[LVWHQFH RI D VXUURXQGLQJ WLPH VSDFH IUDPH LQ ZKLFK WKH FRQYHUVDWLRQDO H[FKDQJH WDNHV SODFH )XUWKHUPRUH GHLFWLFZRUGVFUHDWHVXFKDFRQWH[WZKHUHSDUWLFLSDQWVDGGUHVVHUVDQGDGGUHVVHHV LQWKLVSHUVXDVLYHGLVFRXUVHFDQHYHQDWDGLVWDQFHIHHODVLIWKH\ZHUHIDFLQJHDFK other. Looking at the functions of various pronouns, it is evident that they are µPHWDGLVFRXUVH HOHPHQWV¶ XVHG WR OLQN D SURGXFW ZLWK D FRPSDQ\ )RU LQVWDQFH \RX LV XVHG WR H[SUHVV D RQHWRRQH UHODWLRQVKLS DQG KH VKH, it indicate shared NQRZOHGJH EHWZHHQ WKH SHUVXDGHU DQG WKH DXGLHQFH RU FRQVXPHU $OWKRXJK advertisements reach a huge number of people at any time, these pronouns or other GHLFWLFHOHPHQWVSURYLGHDFRQVXPHUZLWKDSHUVRQDOWRXFK7KXVSHUVXDGHUV persuaders can FDQ XVHODQJXDJHWRVKDSHWKHZD\WKHDXGLHQFHYLHZVWKHZRUOG 7R SXW HYHU\WKLQJ LQ D QXWVKHOO LW PD\ EH VWDWHG WKDW LQ WKH ZRUOG EXLOGLQJ process, deictics play important roles: they introduce the spatio-temporal frames RIDGLVFRXUVHVLWXDWLRQZLWKUHJDUGWRDGHLFWLFFHQWUHRUSRLQWRIUHIHUHQFH 7KH The ¿QGLQJV SURYH WKDW DGYHUWLVHUV XVH WKLV SHUVXDVLYH VWUDWHJ\ LQ FUHDWLYH ZD\V WR persuade consumers to buy their products. 5HIHUHQFHV $ L W F K L V R Q ± -LP $LWFKLVRQ &XWWLQJ (GJH $GYHUWLVLQJ 3UHQWLFH +DOO Singapore. B o r c h e r s 2002 – Timothy A. Borchers, 3HUVXDVLRQLQWKH0HGLD$JH1HZ<RUN 0F*UDZ+LOO & R R N ±*X\&RRN7KH'LVFRXUVHRI$GYHUWLVLQJ, London: Routledge. ' R Z Q L Q J ± /DXUD +LGDOJR 'RZQLQJ ³7H[W :RUOG &UHDWLRQ LQ $GYHUWLVLQJ 'LVFRXUVH´5HYLVWD$OLFDQWLQDGH(VWXGLRV,QJOHVHV± G i e s z i n g e r 2001 – Sabine Gieszinger, 7KH+LVWRU\RI$GYHUWLVLQJ/DQJXDJH7KH $GYHUWLVHPHQWVLQWKH7LPHVIURP±)UDQNIXUWDPPDLQ3HWHU/DQJ * R G G D U G ±$QJHOD*RGGDUG7KH/DQJXDJHRI$GYHUWLVLQJ, London: Routledge. 2nd ed. . 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Being a matter of utterance, advertising is obviously a tool of persuasion. The advertisers make use of persuasive strategies in order to reach their goals, i.e. to persuade a consumer to buy the product. To put in other terms, they HQFRGHWKHPHVVDJHVWKDWDUHPHDQWWRUHDFKWKHWDUJHWDXGLHQFHLHFRQVXPHUV 7KH8VDJHRI'HL[LVLQ$GYHUWLVLQJ6ORJDQV5HODWHGWR)UDJUDQFH 7KHDLPRIWKLVVWXG\LVWZRIROGWRDQDO\]HWKHXVHRIGHL[LVDQGLWVSHUVXDVLYHVWUDWHJ\ in advertising slogans related to fragrance. The corpus that the present study is based on FRQVLVWV RI WKH VORJDQV RI IUDJUDQFHV GUDZQ IURP WKH ZHEVLWHV KWWSZZZPLPLIDXIUDX com, ZZZSHUIXPHEHUU\FRmDVZHOODVIDVKLRQPDJD]LQHV7KHPHWKRGRORJ\LVEDVHG RQOLQJXLVWLFDQGVHPLRWLFDQDO\VLV7KHGLUHFWLRQRIDQDO\VLVIROORZVWKHJHQHUDOO\DFFHSWHG VHPLRWLFWULDQJOHDGGUHVVHU±PHVVDJH±DGGUHVVHHZKHUHDGGUHVVHULVDSURGXFHUPHVVDJH is a slogan, and addressee is a consumer. 7KHDQDO\VLVSURYHGWKDWLQWKHFRUSXVXQGHULQYHVWLJDWLRQWKUHHW\SHVRIGHL[LVZHUH IRXQG SHUVRQ GHL[LV UHDOL]HG E\ SHUVRQDO SURQRXQV , ZH \RX VSDWLDO GHL[LV UHDOL]HG by place adverbials KHUHWKHUHDQGWHPSRUDOGHL[LVUHDOL]HGE\WLPHDGYHUELDOVWRGD\ MXVWIRUHYHUDVZHOODVUHDOL]HGE\YHUEVXVHGLQSUHVHQWWHQVH7KH¿QGLQJVVKRZWKDW DGYHUWLVHUVXVHWKLVSHUVXDVLYHVWUDWHJ\LQFUHDWLYHZD\VWRSHUVXDGHFRQVXPHUVWREX\WKHLU products. 6ROYHLJD68â,16.,(1Ơ 8åVLHQLRNDOEǐVWXGLMǐNDWHGUD âLDXOLǐXQLYHUVLWHWDV 39LãLQVNLRJ /7âLDXOLDL >VROYHLJDV#JPDLOFRP@