The Usage of Deixis in Advertising Slogans Related to Fragrance

advertisement
$FWDKXPDQLWDULFDXQLYHUVLWDWLV6DXOHQVLV7±
,661
7KH8VDJHRI'HL[LVLQ$GYHUWLVLQJ6ORJDQV5HODWHG
WR)UDJUDQFH
6ROYHLJD68â,16.,(1Ơ
âLDXOLDL8QLYHUVLW\
.H\ZRUGV GHL[LVSHUVRQDOWHPSRUDOVSDWLDOVORJDQIUDJUDQFH.
,QWURGXFWRU\REVHUYDWLRQV
Language plays a crucial role in the process of social interaction, i.e.
communication, as it is used both as a medium in giving information and as means of
HVWDEOLVKLQJDQGPDLQWDLQLQJUHODWLRQVKLSZLWKRWKHUSHRSOH7KHVWXG\RIODQJXDJH
as a means of communication has become an important aspect in linguistics. As
QRWHGE\ 5REHUW9DQ9DOLQDQG5DQG\/D3ROOD³WKHFRPPXQLFDWLYH
IXQFWLRQVRIODQJXDJHDUHFHQWUDOWRWKHDQDO\VLVRILWVVWUXFWXUHDQGRQHEXWQRW
the only) function of language is reference and predication, that is, representing
WKLQJVWKDWKDSSHQLQWKHZRUOGRUDSRVVLEOH¿FWLRQDOZRUOGDQGWKHSDUWLFLSDQWV
LQYROYHGLQWKRVHVLWXDWLRQV´)XUWKHUPRUH-RKQ/\RQVDGGV³(YHU\
language-utterance is made in a particular place and at a particular time: it occurs
LQDFHUWDLQVSDWLRWHPSRUDOVLWXDWLRQ´(DFKVXFKXWWHUDQFHLVPDGHE\DSDUWLFXODU
SHUVRQWKHVSHDNHUDQGLVXVXDOO\DGGUHVVHGWRVRPHRWKHUSHUVRQWKHKHDUHU
Communication from the perspective of advertising takes into consideration the
FRQWH[WXDOGLPHQVLRQWKDWLVDPDWWHURISUDJPDWLFVZKLFKLQYHVWLJDWHVWKRVHSDUWV
of the discourse that are often the essential factors of the advertising discourse and
its hidden message.
:LWK*HRIIUH\1/HHFK¶VVWXG\³(QJOLVKLQ$GYHUWLVLQJ´WKHGLVFRXUVH
RI DGYHUWLVHPHQWV EHFDPH WKH VXEMHFW RI H[WHQVLYH OLQJXLVWLF UHVHDUFK 7KH
PRUSKRORJLFDOVHPDQWLFV\QWDFWLFDQGWH[WXDOSHFXOLDULWLHVRIDGYHUWLVLQJODQJXDJH
KDYH EHHQ H[WHQVLYHO\ VWXGLHG E\ -XGLWK :LOOLDPVRQ 'HQQLV .XU]RQ
*X\&RRN-LP$LWFKLVRQ6HDQ1L[RQ WRPHQWLRQ
DIHZ%HLQJDPDWWHURIXWWHUDQFHDGYHUWLVLQJLVREYLRXVO\DWRRORISHUVXDVLRQ
The advertisers make use of persuasive strategies in order to reach their goals, i.e.
to persuade a consumer to buy the product. To put in other terms, they encode the
PHVVDJHVWKDWDUHPHDQWWRUHDFKWKHWDUJHWDXGLHQFHLHFRQVXPHUV
7UDGLWLRQDOO\WKHSKHQRPHQRQRIµGHL[LV¶LQGLVFRXUVHDQDO\VLVXQGHUOLQHVWKH
UHODWLRQVKLSEHWZHHQODQJXDJHDQGFRQWH[WDQGKDVEHHQGH¿QHGDVWKHHQFRGLQJ
WKURXJKODQJXDJHRIVSDWLDORUWHPSRUDOFRQWH[WVRUWRSXWLQVLPSOHUWHUPVGHL[LV
6ROYHLJD6XãLQVNLHQơ
points via language as it refers to demonstration and reference. The discourse
RIDGYHUWLVHPHQWVFRGHDQGGHFRGHPHVVDJHVLQFRQWH[W'HLFWLFZRUGVSHUVRQDO
SURQRXQVGHPRQVWUDWLYHVSODFHDQGWLPHDGYHUELDOVHWFUHO\RQWKHµVLWXDWLRQ¶
RU µFRQWH[W RI XWWHUDQFH¶ / H H F K / \ R Q V * R G G D U G
7KHDLPRIWKLVVWXG\LVWZRIROGWRDQDO\]HWKHXVHRIGHL[LVDQGLWVSHUVXDVLYH
VWUDWHJ\LQDGYHUWLVLQJVORJDQVUHODWHGWRIUDJUDQFH7KHQRWLRQGHL[LVLVDSSOLHG
in the present study in order to introduce and handle the features of language
ZKLFKDUHUHODWLYHWRWKHWLPHDQGSODFHRIXWWHUDQFH'HL[LVLVH[WHQVLYHO\XVHGLQ
slogans related to fragrances as a strategy to make direct appeals to consumers.
+RZHYHUDFFRUGLQJWR&RRN ³$VPHOOKDVQRGHQRWDWLRQ«!DQHZ
SHUIXPHFDQEHFDOOHGYLUWXDOO\DQ\WKLQJ´)UDJUDQFHVORJDQVFDQVSDUNDIHHOLQJ
RUPHPRU\7KLVLVZKHUHGHL[LVSOD\VLWVUROH
0HWKRGRORJLFDOFRQVLGHUDWLRQV
The corpus that the present study is based on consists of the slogans of fragrances
GUDZQIURPWKHZHEVLWHVKWWSZZZPLPLIDXIUDXFRm, ZZZSHUIXPHEHUU\FRm,
VSHFLDOL]LQJLQIUDJUDQFHVDVZHOODVIDVKLRQPDJD]LQHV³9RJXH´³&RVPRSROLWDQ´
HWFDVZHOODVWHOHYLVLRQFRPPHUFLDOV
The methodology is based on linguistic and semiotic analysis. The uses of
GHL[LV ZHUH GHFRGHG DQG FODVVL¿HG ZLWKLQ WKH FRQWHQW DQDO\VLV LQ D SLORW VWXG\
7KH GLUHFWLRQ RI WKH DQDO\VLV IROORZV WKH JHQHUDOO\ DFFHSWHG VHPLRWLF WULDQJOH
$''5(66(5 ± 0(66$*( ± $''5(66(( ZKHUH DGGUHVVHU LV D SURGXFHU
PHVVDJHLVDVORJDQDQGDGGUHVVHHLVDFRQVXPHU7KHPDLQTXHVWLRQWRDQVZHU
LV ZKDW GLIIHUHQW W\SHV RI GHL[LV DUH XVHG LQ WKH VHOHFWHG VHFWRU 7KH VHFWRU RI
IUDJUDQFHV ZDV FKRVHQ IRU UHVHDUFK EHFDXVH LW LV DVVXPHG WKDW WKLV FRPPHUFLDO
VHFWRURIIHUVVRPHGLVWLQFWLYHIHDWXUHVDQGWKHHQRUPRXVVFRSHIRUFUHDWLYLW\ZKLOH
WDUJHWLQJFRQVXPHUVLQFHUWDLQZD\V
7KHRUHWLFDOSUHUHTXLVLWHV
,QDGYHUWLVLQJYLVXDOPDWHULDOVWUDGHPDUNEUDQGORJRDQGVORJDQSOD\WKHUROH
of providing continuity of the message of the advertisement. Generally accepted,
VORJDQLVDFDWFKSKUDVHWKDWLVFRPELQHGLQDVSHFLDOZD\WRLGHQWLI\DSURGXFW
or company. Slogans are linguistic statements designed to produce an emotional
FRQQHFWLRQ EHWZHHQ DQ DXGLHQFH PHPEHU DQG D SHUVXDGHU % R U F K H U V $V UHIHUUHG E\ :LOOLDPVRQ DQ DGYHUWLVHPHQW GRHV QRW FUHDWH
PHDQLQJDWWKH¿UVWWLPHEXWLQYLWHVXVWRPDNHDWUDQVDFWLRQZKHUHLWLVSDVVHG
from one thing to another.
'HL[LV DV QRWHG E\ /DLPXWLV 9DOHLND DQG 'DLYD 9HULNDLWơ ³LV D
WHUPXVHGWRGHQRWHDZRUGRUDSKUDVHZKLFKGLUHFWO\UHIHUVWRHQWLWLHVREMHFWV
SURFHVVHVDWWULEXWHVDQGFLUFXPVWDQFHV´7RVSHFLI\WKLVGH¿QLWLRQE\ .XU]RQ
³'HL[LVLVWKHVHWRIOLQJXLVWLFHOHPHQWVXVHGE\WKHVSHDNHUWRUHIHUWR
WKHFRQWH[WRIsituation in order to orient the hearer as to the time and the place of
7KH8VDJHRI'HL[LVLQ$GYHUWLVLQJ6ORJDQV5HODWHGWR)UDJUDQFH
WKHGLVFRXUVHhere and QRZ), and to setting up of the a direct communication link
EHWZHHQWKHVSHDNHUDQGWKHKHDUHU,and \RX´
,Q OLQJXLVWLFV WKUHH PDLQ W\SHV RI GHL[LV DUH GLVWLQJXLVKHG SHUVRQ VSDWLDO
temporal. Besides these traditional and fundamental categories, linguists also
VSHDN DERXW VRFLDO GHL[LV DQG GLVFRXUVH GHL[LV VHH 9 D O H L N D 9 H U L N D L W H
'HLFWLFZRUGVDQGVWUXFWXUHVXVXDOO\UHIHUWRGHPRQVWUDWLYHVDQGSHUVRQDO
SURQRXQVWLPHDQGSODFHDGYHUEVWHQVHVGH¿QLWHDUWLFOHVHWF0RUHRYHUGHLFWLF
ZRUGV FDQ EH XVHG DV FURVVUHIHUHQFH LQ UHIHUULQJ WR WKH OLQJXLVWLF FRQWH[W LQ
DGYHUWLVHPHQWVZKLFKDUHDFFRPSDQLHGE\YLVXDOPDWHULDOV
$V LW ZDV DOUHDG\ PHQWLRQHG GHL[LV DFWXDOO\ ³FUHDWH´ WKH FRQWH[W RI WKH
situation of communication: not only the time and place are set but also the
UHODWLRQVKLSEHWZHHQWKHPHVVDJHVHQGHUDQGWKHUHFHLYHU/DXUD+LGDOJR'RZQLQJ
SURSRVHV WKDW GHL[LV DQG SUHVXSSRVLWLRQV RIWHQ SOD\ DQ HVVHQWLDO UROH LQ
creating a persuasive advertising message and contribute to adopting a familiar,
conversational tone.
7KH XVH RI GHL[LV LQ VORJDQV KHOSV WR GLIIHUHQWLDWH EHWZHHQ WKH DGGUHVVHU
FRPSDQ\ DGYHUWLVHU DQG WKH DGGUHVVHH FRQVXPHU 7KH VSHFL¿F IHDWXUHV RI
GHL[LVFUHDWHDXQL¿HGVSDWLDODQGWHPSRUDOIUDPHFRPPRQWRERWKWKHDGGUHVVHU
DQGDGGUHVVHHZKHUHDOOUHIHUHQFHVFRLQFLGH7KXVWKHUROHRIDOOGHLFWLFZRUGVLV
WRFRQWH[WXDOL]HDQGSODFHWKHWH[WZLWKLQµWKHDGGUHVVHH¶VHQYLURQPHQW¶
,Q WKH QH[W VHFWLRQ DOO IRUPV RI GHLFWLF PDUNHUV VXFK DV SHUVRQ VSDWLDO DQG
WHPSRUDOZLOOEHDQDO\]HG
7KHXVHRIGHLFWLFPDUNHUVLQDGYHUWLVLQJVORJDQV
3HUVRQGHL[LV
3HUVRQDOL]DWLRQLVFORVHO\UHODWHGWRGHL[LVDQGLVHQKDQFHGE\WKHFRQYHUVDWLRQDO
QDWXUHRIWKHVORJDQ3HUVRQGHL[LVLVEDVHGRQWKHIROORZLQJGLYLVLRQ¿UVWSHUVRQ
,ZHVHFRQGSHUVRQ\RXDQGWKLUGSHUVRQKHVKHLW3HUVRQGHL[LVLVWKHRQH
SURYLGLQJWKHEDFNJURXQGWRXQGHUVWDQGLQJGHLFWLFZRUGVLQDGLDORJLFGLVFRXUVH
KHQFHDOOGHLFWLFVLQDGYHUWLVLQJGLVFRXUVHVORJDQVDUHDOVRWREHXQGHUVWRRGDV
EDVHGRQWZR¿FWLWLRXVSDUWLFLSDQWVLQDFRQYHUVDWLRQ
7DONLQJDERXWGHLFWLFZRUGZH, it is clear that one of its components is athe n
addresser. As for the other components of ZH, its scope is mostly determined by
WKHLQFOXVLRQRIWKHDGGUHVVHHLHFRQVXPHU7KHUROHRIGHLFWLFSURQRXQZH is
WR SODFH WKH DGGUHVVHU DQG WKH DGGUHVVHH ZLWKLQ WKH VDPH VFRSH FRQFHUQLQJ WKH
SURGXFWDGYHUWLVHGLQVXFKDZD\WKDWWKHPDUNHWLQJFKDLQLVWREHERUQ&RQVLGHU
WKHH[DPSOHVLQZKLFKZH and XVencompasses I and \RXDVLIWKHUHZHUHVRPH
kind of simultaneous presence of both participants:
$UHQ¶W\RXJRLQJWRLQWURGXFHus"!+RZPXFKORQJHUFDQZHSRVVLEO\
DOOEHVRKDSS\WRJHWKHU"3UDGD&DQG\
:HDUH2QH&DOYLQ.OHLQ&.RQH
$SHUIXPH¶VVFHQWVFDQWUDQVSRUWusIURPWKLVPRPHQWDQGWDNHusZLWKWKHP
WREOLVVIXOPHPRULHV'pMj9X
6ROYHLJD6XãLQVNLHQơ
,QWKHVORJDQVDERYHWKHDGGUHVVHHSODFHVKHUKLPVHOIZLWKLQWKHVDPHIUDPHRI
UHIHUHQFHDVWKHDGGUHVVHHE\SHUIRUPLQJLGHQWLFDODFWLRQV«!FDQZHSRVVLEO\
DOOEHVRKDSS\!:HDUH«!«!FDQWUDQVSRUWus«! These consumerfriendly slogans use pronouns such as ZH and XV to lend a friendly and personal
image.
$QRWKHU SHUVRQ GHLFWLF ZRUGV DUH \RX DQG LWV UHÀH[LYH IRUP \RXUVHOI ,Q
advertising, second person pronoun \RX refers to the consumer.
$UH\RXRQWKHOLVW"9,3
,W¶V\RXUFKDQFH(PEUDFHLW&KDQFH&KDQHO
3HUIHFWO\IRUPHGSHUIHFWO\IUHH\RXGRQ¶WGLVFRYHUWKLVHVVHQFHLWGLVFRYHUV
\RX-¶$GRUH'LRU
,I\RXZDQWWRFDSWXUHVRPHRQH¶VDWWHQWLRQZKLVSHU&RW\3HUIXPH
&UHDWH\RXUZRUOGRIKDSSLQHVV(VSHFLDOO\(VFDGD
'R<RX'DUH"&XULRXV
/HWGHVLUHOHDG\RX-/R'HVHR
7KHUHÀH[LYHIRUPRIWKHSURQRXQLVSUHVHQWLQVORJDQVUHODWHGWRIUDJUDQFHDV
ZHOO
6HHWKURXJK\RXUVHOI&7+58%ORRPLQJ
7KHJUHDWHVWIUHHGRPLVWREHOLHYHLQ\RXUVHOI%ULWQH\6SHDUV%HOLHYH
,QWKHVORJDQVDERYHWKHPHVVDJHLVWREHWKRXJKWRIDVGLUHFWO\DGGUHVVHGWR
an individual.
We may observe that the usage of pronoun \RX offers a number of advantages.
Firstly, it is the most direct of addressees. Secondly, through this placement as a
grammatical subject the consumer is given the main role in the action described
LQ WKH VORJDQ ZKLFK KLJKOLJKWV RXU LQGLYLGXDOLW\ 7KH FRQVXPHU XQLQWHQWLRQDOO\
pictures her/himself as the one depicted in the visual material provided in concert
ZLWKVORJDQ
Although personalizing seems to be a popular strategy used in advertising, third
person pronoun it, on the other hand, has an impersonal effect and is commonly
XVHGLQDGYHUWLVLQJVORJDQVDVZHOO&RQVLGHUWKHH[DPSOHVEHORZ
,WWRXFKHVHYHU\WKLQJ&DOYLQ.OHLQ%HDXW\
,W¶V\RXUFKDQFH(PEUDFHLW&KDQFH&KDQHO
,ILW¶VRXWWKHUH'LRUZLOO¿QGLW'LRU
Other third person pronouns, such as VKH, heLPSO\VKDUHGNQRZOHGJHEHWZHHQ
the addresser and the addressee:
+HU heart. +HU soul. +HU beauty. +HUVFHQW'RQQD.DUDQ:RPDQ
3URPLVHKHUDQ\WKLQJEXWJLYHKHU$USHJH$USDJH
$ZRPDQLVDQLVODQG)LGMLLVKHUperfume*X\/DURFKH)LGML
7KH QHZ IUDJUDQFH IRU KLP 7KH QHZ IUDJUDQFH IRU KHU *XFFL *XLOW\
,QWHQVH
2WKHUH[DPSOHVRISHUVRQGHL[LVWRGHFRGHWKHGLVWDQFHEHWZHHQWKHSURGXFW
and the consumer include personal pronouns I and P\:
0\VHFUHW1LQD/¶HDX1LQD5LFFL
7KH8VDJHRI'HL[LVLQ$GYHUWLVLQJ6ORJDQV5HODWHGWR)UDJUDQFH
,DPPDGHRIEOXHVN\DQGJROGHQOLJKWDQG,ZLOOIHHOWKLVZD\IRUHYHU«
VKDUHWKHIDQWDV\&KDQHO1R
, FDQ¶W VHHP WR IRUJHW \RX \RXU :LQG 6RQJ VWD\V RQ P\ PLQG :LQG
Song)
:KRHYHUORYHVPHZLOOIROORZ*XHUODLQ,QVROHQFH
5HIHUHQFHV DERYH PDNH LW FOHDU WKURXJK WKH XVH RI GHL[LV ZKR LV ZKR DQG
ZKDWWKHUHODWLRQEHWZHHQWKHSDUWVLVDV,and ZHDUHµPHWDGLVFRXUVHHOHPHQWV¶
)LUVW SHUVRQ VLQJXODU I and me) are generally regarded as being too personal,
LQGLYLGXDOL]HGDQGHYHQH[FOXVLYH2QWKHRWKHUKDQG¿UVWSHUVRQVLQJXODUPD\
VSHFLI\WKHDGGUHVVHHZLWKWKHDLPRI³DZDNHQLQJ´LQQHUWKRXJKWVDQGLQKHUKLV
SHUVRQDOFRQWH[WLQWURGXFHQHZQHHGVDQGGHVLUHV
3HUVRQDO SURQRXQV SOD\ D SLYRWDO UROH LQ GHWHUPLQLQJ WKH SRVLWLRQ RI WKH
SDUWLFLSDQWVDQGWKHLUUHODWLRQ7KHXVDJHRISHUVRQGHL[LVLQYLWHWKHFRQVXPHUWR
recognize him/herself as the individual being spoken to and about.
6SDWLDOGHL[LV
$VDQLQWURGXFWLRQWRVSDWLDOSODFHGHL[LVOHWXVSURSRVHWKHH[DPSOHIHDWXULQJ
the use of place adverbial here. We have to understand the utterance by supposing
that the addresser, the addressee and the fragrance itself are in the same place:
:KDWEHJLQVKHUHQHYHUHQGV(WHUQLW\&DOYLQ.OHLQ
+RZ¶G\RXJHWLQKHUH"3UDGD&DQG\/¶HDX
Demonstrative WKLV refers to a present common ground supposedly common
WR ERWK WKH DGGUHVVHU DQG WKH DGGUHVVHH ZLWK D VWURQJ HYRFDWLYH DQG HPRWLRQDO
connotation:
6RSKLVWLFDWLRQHOHJDQFH(QHUJ\&RPSOH[LW\ZKRNQHZWKDWVPHOOLQJOLNH
WKLVFLW\FRXOGEHVRVHGXFWLYH"%RQG1R
7KHVHDUHRWKHUFDVHVRIVSDWLDOGHLFWLFVZHKDYHIRXQGLQDGYHUWLVLQJVORJDQV
all involving a presumed space common to the addresser and the addressee:
%XWZKHUHYHU,JRWKHUH\RXDUH«&KDQHO1R
'HLFWLFZRUGVOLNHWKLV, KHUH and WKHUHare used as cross-reference in referring
WRWKHOLQJXLVWLFFRQWH[WLQDGYHUWLVHPHQWV7KHPHDQLQJWKHVHH[SUHVVLRQVLVQRWWR
EHIRXQGLQUHDOVSDFHRUWLPHEXWLQWH[WDVD¿JXUHGVSDWLDOWHPSRUDOHQYLURQPHQW
RUFRWH[W
$VHFRQGNLQGRIGHL[LVGH¿QHGDVWH[WGHL[LV. X U ] R Q LVEDVHGRQ
WKHUHODWLRQVEHWZHHQWKHHOHPHQWVLQODQJXDJHDVDOLQHDUPDQLIHVWDWLRQ
7KHVSLULWRIIHPLQLQLW\(VSULWG¶2VFDUHDXGHSDUIXP
7KH HVVHQFHRIDMHZHOHU0RX-DVPLQ1RLU
7KH QHZHVVHQFHRIMR\*LRUJLR$UPDQL
7KH ¿UVWIUDJUDQFHIRUZRPHQ%RWWHJD9HQHWDHDXGHSDUIXP
7KHGH¿QLWHDUWLFOHLVXVHGWRGHPRQVWUDWHXQLTXHQHVVRIDUHIHUHQW$SSRVLWLRQDO
FRQVWUXFWLRQVLQDGYHUWLVLQJPRVWRIWHQHPSOR\WKHGH¿QLWHDUWLFOHWRJHWKHUZLWKWKH
EUDQGQDPHDVWKH¿UVWHOHPHQW7RFLWH /HHFK ³7KHVHFRQVWUXFWLRQV
KDYHWKHFKDUDFWHURISDUWLFXODUGH¿QLWLRQVWKH\HTXDWHRQHNLQGRIQDPHDEUDQG
QDPHZLWKDQRWKHU±DQH[SUHVVLRQGHVFULELQJVRPHXQLTXHHQWLW\´
6ROYHLJD6XãLQVNLHQơ
7HPSRUDOGHL[LV
$V QRWHG E\ 9DOHLND DQG 9HULNDLWơ ³7HPSRUDO GHL[LV LGHQWL¿HV
HQWLWLHV DQG SURFHVVHV ZLWK UHVSHFW WR WKH WHPSRUDO GHLFWLF FHQWUH ZKLFK LV WKH
VSHDNHU¶VWLPHRIXWWHUDQFH´,QWKHWLPHGHLFWLFVRQHRIWKHVHIRUPVRFFXUVLQDQ
DGYHUWLWPD\HQWDLOWKHDGYHUWLVHUSURYLGLQJDVSDFHZKHUHWKHDGGUHVVHHLVLQYLWHG
to enter. The common factor is the union of both participants in the message. To
FLWH 7RUEHQ9HVWHUJDDGDQG.LP6FKURHGHU ³GHLFWLFZRUGVUHODWHGWRWLPH
DUH DOZD\V SUHVHQW µDV WHQVH LV DQ REOLJDWRU\ FDWHJRU\´7LPH GHL[LV LV D GHYLFH
LPSO\LQJ UHIHUHQFH WR D SUHVXPHG WLPH IUDPH DV LQ WKH IROORZLQJ H[DPSOH LQ
ZKLFKWKHWHPSRUDODGYHUELDOVSODFHWKHDGYHUWLVHUDQGWKHFRQVXPHUZLWKLQWKH
same time:
)LOP VORZV GRZQ WLPH EXW D PRPHQW FDQ ODVW IRUHYHU 'ROFH DQG
Gabbana)
%ULQJ EDFN 9DOHQWLQD LPPHGLDWHO\ 7KH QHZ HDX GH SHUIXP E\
Valentino)
1HYHUUHVLVWWKHFDOORIWKHJDPH/DFRVWH&KDOOHQJH
7KHFDVHRIGHLFWLFZRUGMXVWSODFHVWKHDGGUHVVHHZLWKLQWKHVDPHWLPHIUDPH
DVWKHDGGUHVVHU¶VRULQRWKHUZRUGVLWFUHDWHVWKHLPSUHVVLRQWKDWWKHDGGUHVVHU
PDWHULDOL]HVKHUKLPVHOIULJKWZLWKWKHDGGUHVVHH
-XVWEHDXWLIXO1DRPL&DPSEHOO:LOG3HDUO
-XVWdifferent+XJR+XJRERVV
1RERWWOHVWREUHDN±MXVWKHDUWV$USHJH
The use of WRGD\LVDOH[LFDOGHLFWLFZRUGPHDQLQJµQRZDGD\V¶RUµDWSUHVHQW¶
LWPLJKWEHLQWHUSUHWHGDVµZKHQ\RXUHDGWKLVDGYHUWLVHPHQW¶
:KRZLOO\RXEHWRGD\"6HSKRUD
The usage of present tense in advertising slogans may also be considered as
WHPSRUDOWLPHGHL[LV
,WWRXFKHVHYHU\WKLQJ&DOYLQ.OHLQ
%HWZHHQORYHDQGPDGQHVVOLHVREVHVVLRQ&DOYLQ.OHLQ¶V2EVHVVLRQ
,DPPDGHRIEOXHVN\DQGJROGHQOLJKWDQG,ZLOOIHHOWKLVZD\IRUHYHU«
VKDUHWKHIDQWDV\&KDQHO1R
,I\RXZDQWWRFDSWXUHVRPHRQH¶VDWWHQWLRQZKLVSHU&RW\3HUIXPH
3URPLVHKHUDQ\WKLQJEXWJLYHher $USHJH$USDJH
(YHU\ZRPDQhasWZRVLGHV.DW9RQ'6DLQW6LQQHU
/LIHZLWKRXWSDVVLRQLVXQIRUJLYDEOH8QIRUJLYDEOHE\6HDQ-RKQ
These implied time frames justify the use of QRZZKLFKIXQFWLRQVKHUHDVD
GHLFWLF PDUNHU SUHVXSSRVLQJ D FRQWH[W FRPPRQ WR ERWK WKH DGGUHVVHU DQG WKH
addressee.
7KHH[DPSOHVSUHVHQWHGDERYHSURYHWKDWGHLFWLFZRUGVDUHSRSXODUO\XVHGLQ
the slogans to guide the consumer through the time in the direction intended by the
DGYHUWLVHU'HLFWLFZRUGVVXFKDVIRUHYHULPPHGLDWHO\QHYHUMXVWWRGD\ and the
use of present tense play an important part in persuading the consumer as they help
the consumer focus on the aspects of the intended message hidden in the slogans.
7KH8VDJHRI'HL[LVLQ$GYHUWLVLQJ6ORJDQV5HODWHGWR)UDJUDQFH
&RQFOXGLQJUHPDUNV
,Q DGYHUWLVLQJ ZH FRQFHLYH WKH SHUVXDVLRQ DW D GLVWDQFH ,Q DQ\ DGYHUWLVLQJ
VORJDQ WKH XVDJH RI GHLFWLF ZRUGV FRQIHUV WKH H[LVWHQFH RI D VXUURXQGLQJ WLPH
VSDFH IUDPH LQ ZKLFK WKH FRQYHUVDWLRQDO H[FKDQJH WDNHV SODFH )XUWKHUPRUH
GHLFWLFZRUGVFUHDWHVXFKDFRQWH[WZKHUHSDUWLFLSDQWVDGGUHVVHUVDQGDGGUHVVHHV
LQWKLVSHUVXDVLYHGLVFRXUVHFDQHYHQDWDGLVWDQFHIHHODVLIWKH\ZHUHIDFLQJHDFK
other.
Looking at the functions of various pronouns, it is evident that they are
µPHWDGLVFRXUVH HOHPHQWV¶ XVHG WR OLQN D SURGXFW ZLWK D FRPSDQ\ )RU LQVWDQFH
\RX LV XVHG WR H[SUHVV D RQHWRRQH UHODWLRQVKLS DQG KH VKH, it indicate shared
NQRZOHGJH EHWZHHQ WKH SHUVXDGHU DQG WKH DXGLHQFH RU FRQVXPHU $OWKRXJK
advertisements reach a huge number of people at any time, these pronouns or other
GHLFWLFHOHPHQWVSURYLGHDFRQVXPHUZLWKDSHUVRQDOWRXFK7KXVSHUVXDGHUV
persuaders can
FDQ
XVHODQJXDJHWRVKDSHWKHZD\WKHDXGLHQFHYLHZVWKHZRUOG
7R SXW HYHU\WKLQJ LQ D QXWVKHOO LW PD\ EH VWDWHG WKDW LQ WKH ZRUOG EXLOGLQJ
process, deictics play important roles: they introduce the spatio-temporal frames
RIDGLVFRXUVHVLWXDWLRQZLWKUHJDUGWRDGHLFWLFFHQWUHRUSRLQWRIUHIHUHQFH 7KH
The
¿QGLQJV SURYH WKDW DGYHUWLVHUV XVH WKLV SHUVXDVLYH VWUDWHJ\ LQ FUHDWLYH ZD\V WR
persuade consumers to buy their products.
5HIHUHQFHV
$ L W F K L V R Q ± -LP $LWFKLVRQ &XWWLQJ (GJH $GYHUWLVLQJ 3UHQWLFH +DOO
Singapore.
B o r c h e r s 2002 – Timothy A. Borchers, 3HUVXDVLRQLQWKH0HGLD$JH1HZ<RUN
0F*UDZ+LOO
& R R N ±*X\&RRN7KH'LVFRXUVHRI$GYHUWLVLQJ, London: Routledge.
' R Z Q L Q J ± /DXUD +LGDOJR 'RZQLQJ ³7H[W :RUOG &UHDWLRQ LQ $GYHUWLVLQJ
'LVFRXUVH´5HYLVWD$OLFDQWLQDGH(VWXGLRV,QJOHVHV±
G i e s z i n g e r 2001 – Sabine Gieszinger, 7KH+LVWRU\RI$GYHUWLVLQJ/DQJXDJH7KH
$GYHUWLVHPHQWVLQWKH7LPHVIURP±)UDQNIXUWDPPDLQ3HWHU/DQJ
* R G G D U G ±$QJHOD*RGGDUG7KH/DQJXDJHRI$GYHUWLVLQJ, London: Routledge.
2nd ed.
. X U ] R Q ±'HQQLV.XU]RQ³6LJQSRVWVIRUWKH5HDGHU$&RUSXV%DVHG6WXG\RI
7H[W'HL[LV´7H[W±
/ H H F K ±*HRIIUH\1/HHFK(QJOLVKLQ$GYHUWLVLQJ(VVH[/RQJPDQ
/ \ R Q V ±-RKQ/\RQV6HPDQWLFV&DPEULGJH&DPEULGJH8QLYHUVLW\3UHVV
1 L [ R Q ±6HDQ1L[RQ$GYHUWLVLQJ&XOWXUHV/RQGRQ6DJH3XEOLFDWLRQV
9 H V W H U J D D G 6 F K U R G H G H U ±7RUEHQ9HVWHUJDDGDQG.LP6FKURGHGHU7KH
/DQJXDJHRI$GYHUWLVLQJ2[IRUG%ODFNZHOO
9 D O H L N D 9 H U L N D L W ơ ±/DLPXWLV9DOHLNDDQG'DLYD9HULNDLWơ$Q,QWURGXFWRU\
&RXUVHLQ/LQJXLVWLF3UDJPDWLFV9LOQLXV9LOQLXV3HGDJRJLFDO8QLYHUVLW\3XEOLVKLQJ
House.
: L O O L D P V R Q ± -XGLWK :LOOLDPVRQ 'HFRGLQJ $GYHUWLVHPHQWV ,GHRORJ\ DQG
0HDQLQJLQ$GYHUWLVLQJ, London: Marion Boyars.
6ROYHLJD6XãLQVNLHQơ
6ROYHLJD6XãLQVNLHQơ
'HLNVơVYDUWRMLPDVNYHSDOǐUHNODPRVãnjNLXRVH
6DQWUDXND
3DJULQGLQơVVąYRNRVGHLNVơNYHSDOǐUHNODPLQLDLãnjNLDLDGUHVDWDVDGUHVDQWDVåLQX
Wơ
.DOEDYDLGLQDVYDUEǐYDLGPHQƳVRFLDOLQơVVąYHLNRVSURFHVHW\NRPXQLNDFLMRMHQHVML
\UDLUPHGLXPDVLUSULHPRQơQRULQWXåPHJ]WLLUSDODLN\WLVDQW\NLXVVXåPRQơPLVäLnjULQW
SHUUHNODPRVSUL]PĊNRPXQLNDFLMDVLHMDPDVXNRQWHNVWLQHGLPHQVLMD.RQWHNVWLQơGLPHQ
sija yra pragmatikos dalykas, tiriantis diskurso dalis, kurios yra esminiai reklamos diskurso
YHLNVQLDLLUSDVOơSWRVåLQXWơV5HNODPD±ƳWLNLQơMLPRƳUDQNLV'HLNVơYDUWRMDPDNDLSOLQJYLV
WLQơSULHPRQơUHNODPRMHQHVWDLSJDOLPDSDJUƳVWLVDQW\NƳWDUSNDOERVLUNRQWHNVWR'HLNVơ
JDOLEnjWLODLNRPDQXURG\PXSHUNDOEą
âLRVWUDLSVQLRWLNVODV±LãDQDOL]XRWLGHLNVơVYDLGPHQƳLUYDUWRWRMDPVƳWLNLQWLVNLUWąVWUDWH
JLMąNYHSDOǐUHNODPRVãnjNLXRVH0HGåLDJDW\ULPXLULQNWDLãLQWHUQHWRVYHWDLQLǐNXULRVHSDU
duodama parfumerija, pvz., KWWSZZZPLPLIDXIUDXFRm, ZZZSHUIXPHEHUU\FRm, taip
SDWLãƳYDLULǐåXUQDOǐ7\ULPRPHWRGRORJLMDSDUHPWDNRN\ELQHOLQJYLVWLQHLUVHPLRWLQHDQDOL
]H$QDOL]ơMHUHPLDPDVLWUDGLFLQLXVHPLRWLQLXWULNDPSLXDGUHVDQWDV±åLQXWơ±DGUHVDWDV
$QDOL]ơ SDURGơ NDG QDJULQơMDPXRVH UHNODPLQLXRVH ãnjNLXRVH SDVLWHONLDPD WULMǐ WLSǐ
GHLNVơ DVPHQLQơ YHUEDOL]XRMDPD DVPHQLQLDLV ƳYDUGåLDLV , PH HUGYơV Mą DWVNOHLGåLD
vietos prieveiksmiai KHUHWKHUHLUODLNRYDUWRMDPLODLNRSULHYHLNVPLDLQRZWRPPRUURZ
LPPHGLDWHOO\*DOLPDGDU\WLLãYDGąNDGUHNODPRVãnjNLǐNnjUơMDLVXPDQLDLQDXGRMDVLGHLNWL
QLDLVåRGåLDLVQRUơGDPLƳWLNLQWLYDUWRWRMąƳVLJ\WLYLHQąDUNLWąSUHNĊ
6ROYHLJD6XãLQVNLHQơ
7KH8VDJHRI'HL[LVLQ$GYHUWLVLQJ6ORJDQV5HODWHGWR)UDJUDQFH
6 X P P D U \
.H\ZRUGVGHL[LVIUDJUDQFHVORJDQVDGGUHVVHHDGGUHVVHUPHVVDJH
Language has a crucial role in the process of social interaction, i.e. communication,
as it is used both as a medium in giving information and as a means of establishing and
PDLQWDLQLQJ UHODWLRQVKLS ZLWK RWKHU SHRSOH &RPPXQLFDWLRQ IURP WKH SHUVSHFWLYH RI
DGYHUWLVLQJWDNHVLQWRFRQVLGHUDWLRQWKHFRQWH[WXDOGLPHQVLRQWKDWLVDPDWWHURISUDJPDWLFV
ZKLFKLQYHVWLJDWHVWKRVHSDUWVRIWKHGLVFRXUVHWKDWDUHRIWHQWKHHVVHQWLDOIDFWRUVRIWKH
advertising discourse and its hidden message. Being a matter of utterance, advertising is
obviously a tool of persuasion. The advertisers make use of persuasive strategies in order to
reach their goals, i.e. to persuade a consumer to buy the product. To put in other terms, they
HQFRGHWKHPHVVDJHVWKDWDUHPHDQWWRUHDFKWKHWDUJHWDXGLHQFHLHFRQVXPHUV
7KH8VDJHRI'HL[LVLQ$GYHUWLVLQJ6ORJDQV5HODWHGWR)UDJUDQFH
7KHDLPRIWKLVVWXG\LVWZRIROGWRDQDO\]HWKHXVHRIGHL[LVDQGLWVSHUVXDVLYHVWUDWHJ\
in advertising slogans related to fragrance. The corpus that the present study is based on
FRQVLVWV RI WKH VORJDQV RI IUDJUDQFHV GUDZQ IURP WKH ZHEVLWHV KWWSZZZPLPLIDXIUDX
com, ZZZSHUIXPHEHUU\FRmDVZHOODVIDVKLRQPDJD]LQHV7KHPHWKRGRORJ\LVEDVHG
RQOLQJXLVWLFDQGVHPLRWLFDQDO\VLV7KHGLUHFWLRQRIDQDO\VLVIROORZVWKHJHQHUDOO\DFFHSWHG
VHPLRWLFWULDQJOHDGGUHVVHU±PHVVDJH±DGGUHVVHHZKHUHDGGUHVVHULVDSURGXFHUPHVVDJH
is a slogan, and addressee is a consumer.
7KHDQDO\VLVSURYHGWKDWLQWKHFRUSXVXQGHULQYHVWLJDWLRQWKUHHW\SHVRIGHL[LVZHUH
IRXQG SHUVRQ GHL[LV UHDOL]HG E\ SHUVRQDO SURQRXQV , ZH \RX VSDWLDO GHL[LV UHDOL]HG
by place adverbials KHUHWKHUHDQGWHPSRUDOGHL[LVUHDOL]HGE\WLPHDGYHUELDOVWRGD\
MXVWIRUHYHUDVZHOODVUHDOL]HGE\YHUEVXVHGLQSUHVHQWWHQVH7KH¿QGLQJVVKRZWKDW
DGYHUWLVHUVXVHWKLVSHUVXDVLYHVWUDWHJ\LQFUHDWLYHZD\VWRSHUVXDGHFRQVXPHUVWREX\WKHLU
products.
6ROYHLJD68â,16.,(1Ơ
8åVLHQLRNDOEǐVWXGLMǐNDWHGUD
âLDXOLǐXQLYHUVLWHWDV
39LãLQVNLRJ
/7âLDXOLDL
>VROYHLJDV#JPDLOFRP@
Download