Grassfield High School AP Language and Composition Summer Reading for 2015-2016 School Year Welcome to Advanced Placement Language and Composition. This course is a study of rhetoric (how writers use language) and also of argument. As an active participant in this class, you will interpret and analyze selected works, study and practice critical analysis, and focus on developing your writing style. The goal is to make you a better reader, thinker, and writer, giving you the intellectual resources you will need for college and adult life. As a member of this class, you make a commitment to undertake what is required in the curriculum and Standards of Learning. This course moves at a faster pace than most honors courses. It is important for you to keep up with the assignments. Below are the two summer reading requirements and their assessments. 1) Dialectic Response Journal to Stephen King’s On Writing. This is due the first day of class in September. Students will create – on either loose-leaf paper or the blank dialectic notes pages – a two-column dialectic journal for King’s On Writing which interacts with the text. All journal entries must be handwritten. Journal entries should reflect an overall impression of King’s book, as well as comments on his manuscript and reading suggestions. (See example) Because King’s On Writing is a non-fiction book primarily about his writing process, students should consider the following while making dialectic journal entries: Part I: (write 10 entries) Journal entries should reflect impressions and commentary regarding King’s autobiography. Think about King as a person: how is his personality conveyed through his use of language? Parts II and III (“Toolbox” and “On Writing”): (write 5 entries each section = a total of 10) These sections deal with King’s writing techniques and process. Entries should concentrate on reactions to King’s ideas and opinions about writing. Parts IV, V, and VI (“On Living,” “And Furthermore Part I,” and “And Furthermore Part II”): (write 5 entries total) These sections are the shortest in the book; however, they offer quite a bit concerning writing. Entries should concentrate on reactions to King’s ideas and opinions about writing. 2) In-class rhetorical analysis on Richard Wright’s Black Boy. This essay assignment will be given the first week of class. Students should purchase this text so they may annotate it as they read it. While reading, students should note how Wright uses language to define himself. Students will need to incorporate important quotes from the text to support their analysis. If you have any questions about these assignments, feel free to e-mail me over the summer at Tina.Vermillion@cpschools.com. I look forward to working with you this upcoming school year. How to create and keep a Dialectic Journal *The term dialectic indicates the tension between a reader and a text that occurs when students struggle to derive meaning from a difficult or unfamiliar work. What is a dialectic journal? The JOURNAL is a double-entry note-taking process done while the student is reading literature. It provides the student with two columns which are IN DIALOGUE WITH ONE ANOTHER, not only developing a method of critical reading, but also encouraging habits of reflective questioning. How is it done? The student begins by drawing a line down the middle of notebook paper, thereby making two columns. The left column is used for traditional note-TAKING of DIRECT QUOTATIONS, PARAPHRASES, or SUMMARIES. The right column is used for note-MAKING that is commenting on the left-column notes. As the student keeps taking notes, he or she should regularly re-read his or her previous page(s) of notes and comments, drawing any new connections in a right-column summary before starting another page of note-taking/notemaking. Note-TAKING Text--------------------------------------(parenthetical citation) Text--------------------------------------(parenthetical citation) Note-MAKING Why is this important? How does it change the meaning? Why did I include this? Why is it important when I paraphrase like this? quote from another page– -------------------------------------------------------------------------------------------------------------------------------------------------(parenthetical citation) I wonder why the author did this? Is there any connection here to his previous actions/words? What is significant to me? Why is it important? In the right-hand column, students “own” the new facts by putting them in their own words or by raising their own questions. They analyze rhetorical conventions of the author’s writing style, looking for effective use of sentence structure and diction. This dialogue with the text is essential. What to do in the note-TAKING Column: direct quotes, observed notes, fragments, lists, and images always with parenthetical citations What to do in the note-MAKING Column: comments about notes, summaries, formulations, revisions, editorial suggestions, comments about comments, comparisons, contrasts, inferences, judgments, and questions AP Language and Composition Dialectic Journal Example Name_______Ima Smart Name of Piece__Stephen King’s On Writing____________________________________ CONCRETE Summaries, Paraphrases, Quotations, Phrases, Words (with parenthetical citations) Part I ABSTRACT Observation, Reactions, Responses, Connections, Speculations, etc. 1) “I lived an odd, herky-jerky childhood, raised by a single parent who moved around a lot in my earliest years and who—I am not completely sure of this—may have farmed my brother and me out to one of her sisters for a while because she was economically or emotionally unable to cope with us for a time” (King 3). This is only the second paragraph of King’s book, and already his attitude is puzzling to me. His tone is quite flippant when he talks about what should be a serious time in his childhood. His word choice of being “farmed out” seems like it was no big deal that his mom couldn’t take care of him and his brother. It also makes me think he feels like his mom treated them casually like pets or livestock rather than children, so it was easier for her to pass them along to a sister. The content of this paragraph lets his readers know that his childhood was not easy, but his diction illustrates how King will deal with sharing it. It may be easier for him to be casual about this time of his life, like some sort of coping mechanism. Also, I find it surprising that I know King as this serious horror fiction writer, but already his diction in this nonfiction piece reveals him to be more lighthearted. ………………………………………… Complete entries 2)-10) ………………………………….. Part II 1) “…use the first word that comes to your mind, if it is appropriate and colorful” (King 110). Complete entries 2)-5) King makes a valid point when discussing vocabulary usage. However, it is contradictory to what I’ve been taught about building my vocabulary to sound more collegiate (or should I just say smarter?) But if I spend too much time ruminating (thinking over) a word, I’m wasting time on a timed writing and also losing my focus. I guess I could use the first word that comes to mind and then if I have time, I could go back and revise my vocabulary as long as I still maintain my voice and meaning. King does give some good (and funny) examples of just going with the first word that comes to mind because the writer maintains his intended meaning rather than replacing certain words with thesaurus words and making it sound silly rather than educated (or should I say erudite?). AP Language and Composition Dialectic Journal (cont.) Page: ____2_____ Student Name____Ima Smart_____________________________ CONCRETE Summaries, Paraphrases, Quotations, Phrases, Words (with parenthetical citations) Part III ABSTRACT Observation, Reactions, Responses, Connections, Speculations, etc. 1) “If you want to be a good writer, read a lot and write a lot” (King 139). I do like to read, and I feel like reading helps my vocabulary and my imagery skills. I try to emulate good writers, but I feel like my writing will never be as good. However, I can tell students who are avid readers when I read their writing. They always have a good voice in their writing, and I think this comes from “hearing” the voices of good writers. It is easier for me to read a lot than it is to write a lot. I like to write, but I don’t usually tap on my keyboard at any spare moment. I write when I’m given an assignment. So I think this bit of advice from Stephen King will be hard for me to adopt. Complete entries 2)-5) ………………………………………… Parts IV, V, VI 1) “The scariest moment is always just before you start” (King 274). Complete entries 2)-5) ………………………………………… I think this is why I don’t hit the keyboard or pick up a pencil at any spare moment to just write because I don’t know what to write or where to start. This is what worries me about timed writings. Will I have the ideas to answer the prompt? Will I be able to put those ideas into the right words on paper and wow my reader? Will I be able to stay on topic? It’s like I have a writing rubric in my head that doesn’t allow for any imagination to take over. It helps me to realize, though, that great writers like Stephen King have the same fears about starting. And he is right; usually once I get going, “it only gets better.” I think this quote applies to anything in life. So maybe if I make the analogy of beginning writing to beginning anything else in life-- new school year, new sport, new relationship-- this comparison will make me less afraid or maybe just more comfortable. Or at least the analogy will give me some place to start. AP Language and Composition Dialectic Journal Student Name_____________________________________________ Name of Piece_____________________________________________ CONCRETE Summaries, Paraphrases, Quotations, Phrases, Words (with parenthetical citations) ABSTRACT Observation, Reactions, Responses, Connections, Speculations, etc. AP Language and Composition Dialectic Journal (cont.) Page: _________ Student Name______________________________________ CONCRETE Summaries, Paraphrases, Quotations, Phrases, Words (with parenthetical citations) ABSTRACT Observation, Reactions, Responses, Connections, Speculations, etc. See Next Page for Rubric Student Name: __________________________ Teacher’s Name: ________________________ Title of Course: _________________________ Date: (Day Month Year): _________________ AP Language and Composition Dialectic Journal for Stephen King’s On Writing – Rubric A B C D E Detailed, meaningful passages; quotations that deal with author inquiry and style; poignant interpretation and commentary about the text and its purpose; avoids clichés; avoids merely summarizing and restating; makes insightful, personal connections and asks thought-provoking questions; coverage of text is complete and thorough; journal is neat and organized; and student has followed directions. Less detailed, but good, solid quote selections; intelligent interpretation and commentary; makes some connections; tries to avoid summarizing and restating; some personal connection; asks pertinent questions; adequately addresses all parts of text; journal is somewhat neat and readable; and student has followed directions. Some good details from the text; most of the commentary is vague and unsupported; student paraphrases and summarizes much of the entries; limited personal connections; asks few or obvious questions; addresses most of the text, but journal is not very long or thorough; journal is relatively neat, but may be difficult to read; student may not have followed all the directions. Few good details from the text; most of the notes are plot summary or paraphrased; virtually no discussion on meaning; virtually no personal connections; student asks no relevant questions; limited coverage of text; journal is too short, difficult to read, and hard to follow; student did not follow instructions. Journal is not complete; student applied no effort in covering the text, offers vague summaries, and asks no questions. Submit this rubric with your completed journal the first day of class.