Our Work in Schools: Art in the Classroom Art is an important outlet of expression and an important part of Facing History curriculum. In responding to artwork (painting, poetry, music, film, sculpture, dance, and more), students are able to understand moments in history through artists’ interpretations, often through analysis as well as through a visceral or emotional lens. When students create their own artistic creations, they portray their understandings in novel ways. The arts can thus channel both ideas and emotions. Facing History has long used the creation of a sculptural monument or memorial as a capstone to the study of the Holocaust. Nazi propaganda as well as protest art is often scrutinized closely as a way to understand how regimes spread messages, and how art can be an instrument of protest. A study of the Civil Rights movement cannot be complete without playing (or better yet, singing along with) freedom songs such as “Keep Your Eyes On The Prize.” Ultimately, students learn to understand art as an important medium by which to comprehend the past. At the same time however, students learn new ways to read, understand, and talk about their own art, as well as art created by others. Vocabulary such as influence, uniqueness, focal point and aesthetic are introduced in the classroom and students are able to gain a more full perspective of historical events by discovering the stories art has to tell. The possibilities for art projects in Facing History classrooms are many. Over the years we have learned that there are artistic projects that can be integrated into each of the stages of the Facing History Journey. Here are a few projects that have engaged students in meaningful reflection of Facing History themes. Sample Art Projects Linked to Facing History’s Journey Identity Identity Charts and Identity Boxes “We Wear the Mask” First read and discuss Paul Lawrence Dunbar’s poem. Then ask students “Why do we hide our true selves?”, “How do others impose identities onto us?” After discussing, translate ideas into visual concepts to sketch a mask that disguises our true identities. Create a mask using plaster of paris gauze molded into mask molds. 1 “Where I’m From” Poems Membership Designing the Flag A flag is a unifying emblem that uses colors, symbols and shapes to represent the concepts of a nation, community, or people. Flags have been adopted by social and political movements to increase their visibility and communicate their ideals. For this project, design a flag to represent your school, a club, or another group based on your vision of that group, using acrylic paint on canvas board. A class may engage in a series of peer interviews, sketches and practice paintings leading to a final product. Power of Choice Create a 2-3 minute documentary to reveal how your environment influences your choices, both positively and negatively. History Analyzing Visual Images and Stereotyping Living Images—Bringing History to Life (Tableaux) Storyboard Teaching Strategy Found Poems Judgment, Memory & Legacy Memorials and Monuments in the Classroom Choosing to Participate Toolbox Project Social Action Project Photo essays, documentaries, and well-designed presentations are art forms that testify to social needs and can create change. Here is an example of one student’s social action project. Sample Student Art Project Soumahya Fofana, a 2012 graduate of the Facing History School in New York, chose to incorporate art into her senior year Choosing to Participate project, which dealt with the aftermath of 9/11 in the Islamic community. Focusing on the negative media portrayal of Muslims, Soumahya decided to make a collage out of newspaper articles about the September 11 attacks that included U.S. Muslim citizens. She then pasted these collages onto orange backgrounds to represent the terror alert level instituted by the US government. 2 I chose this topic because since 9/11, stereotypes of Muslims and Arabs have been presented in various forms by the mass media in American culture in order to demonize the Islamic culture and religion. Due to the ongoing war in Iraq, stereotypical representations of Muslims play out in today’s media, literature, movies, theater and other creative expressions to demonize all Muslims as cheats, terrorists, thieves, violent, power-hungry people and murderers. Islam and Muslims are portrayed as dishonest and satanic religious people, which is far from the truth. I want to inform people that religion, especially Islam, is not analyzed, neither is it written to Soumahya’s CTP Project at the Facing History School, NY demonize innocent people, it is meant to inspire and worship, to spark hope, faith and to be felt without judgments or stereotypes. Taking media portrayals that she found negative and unfair, Soumahya transformed them into beautiful artwork, which served to illuminate her message of religious tolerance and acceptance in the aftermath of 9/11. This project is a perfect example of how Facing History strives to use art in the classroom. 3