SDHS 2010 Dance and Spectacle: Tentative Schedule of Events (Version: 27 April 2010)
Thursday, July 8, 2010
14.00-18.00
18.00-19.00
19.00-19.30
Registration
Opening Reception
Welcome
Descent of the Angel
20.00
07.30-09.00
09.00-11.00
(Session 1)
Friday, July 9, 2010
Breakfast (for delegates with conference package)
08.30-09.00 Morning Coffee (for all delegates)
Dance and Censorship
The Spectacle of the Stuttgart Ballet Miracle
Decolonized Imagination: Spectacles of Modernity
and Modern Dance in 1970s’ Taiwan
1-1
What is the American Look?: Dance Diplomacy and
Ideology the Cold War Physique
Turning the tide and reconstructing the spectacle - a
new perspective on Martha Graham’s tour to
Britain in 1954 and the response to its artistic and
political complexity
Iconography and Gesture
Choreographing the "Expressionist Hand": the Hand
in Wigman's Work
1-2
An Old Spectacle: Dancing Salome, Mythic Fantasy
Visuality
or Patriarchal Fear
Solving the Chinese Puzzle: Pointing Fingers at
Dance Iconographic Research Design
Staging the History of Ballet
Sur la pointe on the Prairie: Ballet in the Wild West
Spectacle
1-3
Spectacular Competence: Performing the Albertina
History
Rasch Girl
The Spectacle of History in Romantic Ballet
Spectacular histories: The Ballets Russes, the total
art work and staging the past
German Dance Studies Now
1-4
Mass
German Dance Studies Now
Dance and Film (I)
Trusting the Dancer
1-5
A spectacular Norwegian dance film: “Veslefrikk”
Popular
Krump or Die: Racist Narrative in the Spectacle of
Black Moving Bodies
AP foyer
Hillside
Guildford
Cathedral
Kate Lawrence
Mathis-Masury, E
Lu, Yuh-jen
Brown, Lauren
Lenart , Camelia
Kar, Paromita
Jae, Hwan
Mouat, Anna
Harris, Andrea
Casey, Carrie
Cordova, Sarah
Hammond, Helena
Claudia Jeschke
cannot attend
Manning, Susan
Tsang, Hing
Fiskvik, Fiskvik
Nereson, Arial
11.00-11.30
11.30-12.30
12.30-14.00
14.00-15.30
(Session 2)
Racialized Spectacles
[PANEL] Racialized Spectacles: Afro-Asian
Synergies in Contemporary American Dance
White Masks, Tattoos, and Robots: Spectacular
Opacity of the Filipino Dancing Body
1-6
Visualizing the Afro-Asian Pas De Deux in Dance
Identity
Posters of Desmond Richardson
Repertoir’ing Race: Asian/American Bodies and the
Proliferation of Black Dance
Embracing Exhibitionist, Disidentifying with
Dancer, Doing Miguel Guti
Tea and Coffee
Keynote
Lunch
Working Group
Dance History Teachers (to be confirmed)
Early Dance
13.00Ethnicity and Dance (to be confirmed)
14.00
Interdisciplinary Approaches to Nineteenth
Century Dance
Popular, Social and Vernacular Dance
Practice-as-Research
Spectacles of Ideology
[PANEL] Spectacles of Ideology: The 20th Century
Crisis of National Identities
2-1
Ideology
2-2
Visuality
2-3
History
2-4
Mass
2-5
Popular
Decentering or deconstructing the powers of the
visual in dance
[ROUNDTABLE] Decentering or deconstructing
the powers of the visual in dance
Making the Classic Spectacle
Bible Stories Meet Music-Hall: Ruth Page's Ballet
Satire of Religious
Old time dancing: a new spectacle
Re-innovating the Form or Reviving the Spirit of
Chinese Classical Dan
Spectacularizing International Ceremonies in
“Localized” Styles
[ROUNDTABLE] Spectacularizing International
Ceremonies in “Localized” Styles
Busby Berkeley
Romanticism squashes realism or choosing how
things should be over how they are: the historical use
of spectacle in the film musical to subvert the effects
of social crisis.
Scott, Ariel
Perillo, Lorenzo
Scott, Ariel
Osterweis
Yapp, Hentyle
Bory, Alison
Young, Tricia Henry
Rader, Patricia
Erdman, Joan L.
Schroedter, Stephanie
Parfitt, Clare
Midgelow, Vida
Kant, Marion
Brown, Lauren Erin
Randall, Tresa
Tome, Lester
Gore, Georgiana
Grau, Andrée
Bakka, Egil
Meglin, Joellen
Jackson, Jennifer
Fan, Shung Jan
Lin, Yatin
Ping, Heng
Wang, Yunyu
Sabo, Linda
2-6
Identity
“Philosophies of Spectacle in Contemporary Visual
Culture: the Busby Berkeley Affect/Effect”
Busby Berkeley's Forgotten Men
Display, Desire and Decorum
[PANEL] Display, Desire and Decorum: The body
as spectacle within western dance traditions
Dunagan, Colleen
Callison, Darcey
Carr, Jane
Hölscher, Stefan
15.30-16.00
16.00-18.00
(Session 3)
Tea and Coffee
Spatiality and Spectacle
Echoing Spectacles: Refracting postcolonial
"translation"
3-1
Cuban Rumba, the spectacle within solares
Ideology Structures of Enchantment: The Magical Urbanism
of Nichole Canuso’s Wa
Squatting in London: Dance in the South Asian
Diaspora
Visuality
“Seeing What You’re Looking At”: Visually
Constituting the Body in Postmodern Dance
3-2
Visuality Extreme virtuosity: moments of disbelief
Incidental Spectacularity
‘WARP’ Moving Body Woven and Printed Patterns
Sourcing Dance, or Re-asserting the Empirical in
Historical Research
[PANEL] Sourcing Dance, or Re-asserting the
Empirical in Historical Research
3-3
History
In Search of Rene Blum: The Archeology of a Lost
Life
Letters from the Heart: Martha Graham's
Correspondence with Benjamin Garber in the 1960s
and 1970s
Crafted by Many Hands: Re-Reading Bronislava
Nijinska's /Early Memoirs
Spectacular Differences
[PANEL] Spectacular Differences: The Politics of
Theorizing Dance
Identity Politics and Universal Historiography
3-4
Mass
3-5
Popular
Dance, Democracy and Open Source Movement
Dance and Power: Political Ideologies and Aesthetic
Preferences in Dance Spectacles for Cultural
Diplomacy in Taiwan
Consuming Spectacle
When to Wear Black: Dance Impersonations and
Blackface Navigations
Disrupting spectacle as a spectacle: Teletubbies’
sexy dance in contemporary Taiwanese pop music
Radeke, Brent
Urrutia, Maria
Vriend, Laura
Nijhawan, Amita
Nicely, Megan
Uytterhoeven, Lise
Peterson, Franziska
Geilinger, Fiona
Garafola, Lynn
Jones, Susan
(Discussant)
Chazin-Bennahum,
Judith
Aldrich, Elizabeth
Garafola, Lynn
Wong, Yutian
Wong, Yutian
Giersdorf, Jens
Richard
Hammergren, Lena
Tai, Juan Ann
Gonzalez, Anita
Storckman, Annette
Liu, Chih-Chieh
video
The Choreography of Consumption: Shopping as
Spectacle
God Saves the (Mc)Queen: Punk ideologies and
politics of performance in a cross-over between
dance and fashion in Deliverance (2003)
Spectacular Erotics
[PANEL] Spectacular Erotics: Ethnographic
Methodologies in Sexualized Spaces
3-6
Identity
Promiscuous Expressivity: Race, Gender, Sexuality
and Nation in Josephine Baker’s Danse Sauvage
18.00-19.00
19.00-20.00
20.00-
07.00-08.30
08.30-10.00
10.00-11.00
11.00-11.15
11.15-12.45
(Session 4)
Awards
Drink
Dinner
Cascade
Saturday, July 10, 2010
Breakfast (for delegates with conference package)
Transportation: train to London, tube to Euston
Welcome and Keynote
Tea and Coffee
‘No’ to Spectacle (I)
‘Within Between’ – engaging communities and
refusing spectacle in contemporary dance practice
4-1
Ideology in East Africa.
Ralph Lemon's Resistance to Making a Spectacle
The Spectacle of Globalization
‘Yes’ to Spectacle (I)
Spectacle: Its presence in the work of Hofesh
4-2
Shechter
Visuality William Forsythe and the model viewer
Spectacles in the Mirror (Neurons): Kinesthetic
Mimesis, Empathy, and the Dance Performance
Spectacle and Early Modern Dance
4-3
[PANEL] Spectacle and Early Modern Dance:
History
Politics, Pastoral, and Parties
Buscher, Jennifer
Wongkaew,
Manrutt
Rivera-Servera,
Ramón
Monroe, Raquel
Fortuna, Victoria
Carpenter, Peter
Parker-Starbuck,
Jennifer (Discussant)
Zakiya R., Adair
Electric Theatre
Campus
Electric Theatre
Motionhouse
The Place
Kevin Finnan
Adair, Christy
Profeta, Katherine
Speer, Kate
Bannerman, Henrietta
Nugent, Ann
Gargano, Cara
Neville, Jennifer
Tomko, Linda
Thorp, Jennifer
4-4
Mass
4-5
Popular
4-6
Identity
12.45-13.30
13.30-15.00
(Session 5)
Intentionally empty due to room arrangement
So You Think You Can Dance
Beyond TV Spectacle – The Choreographic Craft
of So You Think You Can Dance
Creating Spectacle: The Rhetoric of So You
Think You Can Dance
Revisiting the "Hired Body": "So You Think You
Can Dance" and the Politics of Technique
Festival Dancing
“Chronotopia” – Bangalore Contemporary Dance
and the Embodiment of Historical Memory
Trading Taps: Spectacle and Meaning in the
Percussive Dance Challenge
Multicultural spectacle and the colonial gaze:
FIND’s 1999 production
Lunch
5-1
Ideology
5-2
Visuality
5-3
History
5-4
Mass
5-5
Popular
5-6
Identity
Sicchio, Kate
Weisbrod, Alexis
Belmar, Sima
Argade, jyoti
Richter, Katrina
Templeton, Melissa
Delegate’s choice
Working Group on Transnational Media
Performance
[Working Group] Transnational Media
Performance
Kinaesthetic
The Mature Artist: An Embodied Story
When Seeing is Breathing
Spectacle and experiential theory
Aesthetic and Artistry Perception
The Spectacle of Silence and Stillness. An
exploration through the work of Doris Humphrey
Sound the spectacle: listening to two works by
William Forsythe
Subtleties of Bodily Possession-Zhang Xiao
Xiong and the aesthetic of nuance
Intentionally empty due to room arrangement
Choreographing War, Terror and Pain as
Spectacle
The Electronic Counterpart
Between Stage and Street:Reading ‘Spectacular’
South Asian Male Bodies
To Grieve, To Cleave: The Spectacle of Pain in
Sasha Waltz’s “noBody" and Bill T. Jones’s
“Untitled”
The Subversive Feminine Body
Banafsheh Sayyad’s NAMAH:
Displaying/Displacing Feminist Identity and
Politics
The Spectacle, The Spectator, and The
Performative Politics of Hybridity in
Valverde, Isabel
Knoblauch-O'Neal,
Christine
Reynolds, Dee
Phillips, Maggi
Main, Lesley
Vass-Rhee, Freya
Mirza, Vanessa
Timmons, Michelle
Kedhar, Anusha
Shaw, Brandon
Wawrejko, Diane
Yessayan, Maral
15.00-15.30
15.30-17.00
(Session 6)
Contemporary Jordan
Staging Marital Heroine: Bio-politics, Gender,
and the Ambiguous Body
Tea and Coffee
‘No’ to Spectacle (II)
Interplays between Politics and Amateurism :
Ritual and Spectacle in Ancient Greece and some
Post-modern Experiments (Castellucci, Bagouet,
Duboc, Halprin)
6-1
Anti-Spectaclular Elements in American
Ideology
Experimental Dance of the Late 1960s and Early
1970s
Spectacular Disruptions: Durational Siteresponsive Dance Performance and the Refusal of
Representation
‘Yes’ to Spectacle (II)
6-2
“Yes to Spectacle!”: Dance and Representation
Visuality Today
Yes to spectacle!
Bio-politics of Terrorism
‘Tito and I’ - Dancing in the spectacle of Tito’s
6-3
birthday in the form
History
Political Spectacle and Spectacular Politics:
Dancing Contemporary Images of War
Choreographing the Spectacle of Biopolitics
6-4
Intentionally empty due to room arrangement
Mass
Dance Crazes
Fending off the grip of Spectacle: Charles
Lindbergh versus the Lindy Hop
6-5
It's A Cakewalk: Staging the Political in the
Popular
Spectacle
Dance Mobs: Crowds of One under an Invisible
Choreographer
6-6
Intentionally empty due to room arrangement
Identity
17.00-18.00
The History of the Place
18.00-
Performance in London (optional)
07.30-09.00
09.00-10.30
(Session 7)
Sunday, July 11, 2010
Breakfast (for delegates with conference package)
08.30Working Group
Students in SDHS
09.00
7-1
Dance and Spectacle in the States
Ideology Stylizing a Political Agenda: The Artistic
Chang,Szu-Ching
Briand, Michel
Morris, Gay
Ashley, Tamara
Foellmer, Susan
Schmidt, Theron
Milanovic, Fiskvik
Abrams, Joshua
Mercer, Elliot
Monaghan, Terry
Bell, Melissa
Kostoula, Christina
Main Auditorium
Helena Hammond
Preston, Virginia
Myers, Jennifer
10.30-10.45
10.45-11.15
11.15-12.45
(Session 8)
Spectacle of Black Cultural Forms in the
Repertoire of the Chicago Negro Unit of the
Federal Theatre Project, 1936-1939
A Postwar Spectacle of Foreignness: Internatl'
Dancers in NYC
Choreographing Community at the NPN's Annual
Meeting
Women and the Ecology of Spectacle
Mapping an Ecological Journey with Bausch’s
Tanztheater
7-2
“The Performance Art of Colette Urban: A Quiet
Visuality Spectacle with Economy of Means”
Gender, Moving Bodies, and the Choreographies
of the Visual: Taiwanese Feminist Dance Theatre
Inspired by Western Texts
Spectacular Ballet in Paris
Music-Hall Ballets and Everyday Spectacles in
Fin-de-Siècle Paris
7-3
Shifting notions of spectacle in Maurice Ravel’s
History
"La Valse"
‘Rude, nude, brutal, democratic’, the spectacular
ballet at the Eden-théâtre, Paris (1883-1893), and
its impact on the European dance scene
Dance and Olympics
Spectacular National Bodies: Screening
Inspiration and Viewing/Feeling China's
Kinaesthetic Agenda
7-4
Choreographing a national spectacle: dance, art,
Mass
spectatorship and the politics of representation in
modern Greece.
Looking for the outsider: the "Olympic Youth"
Festspiel (1936)
Dance and Film (II)
Dance and Spectacle in Pina Bausch’s Café
7-5
Muller in Almodóvar’s Film
Popular
Ted Shawn and Dance of the Ages
Josephine Baker and the Performance of
Diasporic Memory
Spectacular Ethnicities
Sex, the Wine, and Soca: Pelvic Spectacles of
7-6
Danced Intimacies within a Sea of Caribbeanness.
Identity
Do you want to see my hornpipe?: mutations of
the spectacularized
Spectacular Dancing or Ethnic Spectacle?
Tea and Coffee
Lansdale Tribute Panel
Politics and Spectacle in the American Dance
8-1
[PANEL] Politics and Spectacle in the American
Ideology
Dance
Kowal, Rebekah
Smtih, Asheley
Daly, Janis
Jaeger, Suzanne
Huang, Yin-ying
Gutsche-Miller, Sarah
Alzalde, Veronica
Pritchard, Jane
Mezur, Katherine
Tzartzani, Ioanna
Kew, Carol
Tuan, Iris
Scolieri, Paul
Tayana L., Hardin
Jones, Adanna
Mcgrath, Aoife
Friedman, Sharon
Geduld, Victoria
12.45-14.30
14.30-16.00
(Session 9)
Being the Spectacle
The Dancing Self/Other: a conceptual overview
8-2
Naked Came I/Eye: Lights, Camera and the
Visuality Ultimate Spectacle
Dance and the Event: John Jasperse’s Giant
Empty and the Disclosure of Being
Spectacular Ballet and Popular Culture
Dance spectacles and spectacular dances between
the July Monarchy and Second Empire
8-3
Scenes, Machines and Dancing in Restoration
History
London
Spectacular Hedonism: The Covent Garden Fancy
Dress Balls of Pre World War One London
Mass or Fascist Spectacle
Collapsing Typologies: Blurring the boundaries
8-4
between dance and spectacle as a political act
Mass
Reconstructing Titan
“On Style” in Riefenstahl: Susan Sontag and the
Aesthetics of Fascist Spectacle
Unexpected Spectacle
Bikers, ballet, and rethinking the spectacle:
reading Mauro Bigonzetti's Romeo and Juliet
8-5
(2006)
Popular Jogo Bonito: Intersectional Moving Scripts across
Soccer Dancing Fields
Dancing and Boxing as Spectacle: The Brutal and
the Aesthetic
Identity and Spectacle
“Jews on View: The Spectacle of the Jewish Body
in Postmodern Dance”
8-6
[Re]presenting the Black Masculine: Reggie
Identity
Wilson’s Big Brick- a man’s piece
The Black African in Spain’s Romantic Age:
Negotiations of Identity
Lunch
Membership Meeting
Pleasure and Politics of Looking
South African Dance Theatre and the Politics of
9-1
Looking
Ideology Internalizing Spectacle: Contemporary Indian
Dance
'Ways of Looking' at contemporary dance
Tendering the Flesh
9-2
[PANEL] Tendering the Flesh: Dave St-Pierre's
Visuality
Media Provocations
9-3
Modern Women: Dancing Spectacle 1920-1950
History
To Hellas, in Hyde Park: revived Greek dance in
London, 1929-1936
Spectacle or Spectacular? The Orientalist
Ehrenberg, Shantel
Sparling, Peter
Stewart, Nigel
Schroedter, Stephanie
Goff, Moira
Buckland, Theresa
Mills, Dana
Penrose, Mara
Copeland, Roger
Faruggia, Kathrina
Rosa, Cristina
Thomas, Helen
Rossen,Rebecca
Paris, Carl
Milazzo, Kathy
Castelyn, Sarahleigh
Katrak, Ketu
Rottenberg, Henia
Thain, Allana
Carter, Alexandra
Davis, Ann
9-4
Mass
9-5
Popular
9-6
Identity
16.00-17.00
Closing
Imaginary in Indian Dance Performance in Britain
from 1900-1950
Making a Spectacle of Themselves? Gender
Politics and Dance in Canada
Spectacular Folk Dance
The Spectacularization of Folk Dance
"But it's still just step dancing!”: The
Genealogical Confluence of Spectacle and the
Spectacular as Practiced in Irish Dance
Keeping the gods at bay: making ritual dances
safe for public consumption in Cuba and the Rio
Grande Pueblos
Intentionally empty due to room arrangement
Mediating Spectacle
The spectacle of mediated dance; making and
looking at dance in new sp
Protest for Viewing, Protest for Doing: How
freedom of information Makes the Performer a
Site Twice Over
Lindgren, Allana
Shay, Anthony
Grotewohl, Jean
John, Suki
Whatley, Sarah
Hamp, Amanda
AP Building