Arms & Armor
CATALOG 15
WWW.ARMOR.COM
Hand Made in the USA
Look for us on the Web at: http://www. armor. com
The value of pieces from Arms & Armor shows most clearly in
the exacting detail of our reproductions. Your appreciation of
our work will grow as the unparalleled accuracy and historical
provenance brings history to life. Our creations are hand-crafted
by five dedicated artisans with over 100 years of combined
scholarship and experience. Furthermore, our devotion to
customer satisfaction has become recognized as the highest
standard in the business. Our goal is simple, quality and service,
the integrity of individual attention to weapon and customer is
paramount.
“The best replicas I’ve ever seen”
Ewart Oakeshott
In our earliest works we produced swords that were in "the style
of" or a generic version of items seen in books. We quickly
realized, however, that a superior quality was possible if we
could gain access to originals. Extensive research and
networking with museums and collectors made this possible.
now we are often asked to produce items for exhibits. Today,
these unique originals from the past are our pattern book. We
strive to replicate the elegant feel as well as the look of these
artifacts that inspired us.
At Arms & Armor, we provide quality and service you cannot
find elsewhere. Our method-- individually hand crafting
reproductions of the highest caliber-- allows you the experience
of the true feel and majestic look of the great swords of the past.
Unlike cheap imports, our pieces are not bulk manufactured;
more importantly, ours are accurate to specific and documented
pieces from the period you seek. We strive to recreate the very
essence of the original. Unlike the auction house or antiquities
private market, our swords and rapiers fulfill your desire to hold
a piece of history in your hand without extravagant costs and
questions of authenticity.
This is why today, a piece from Arms & Armor is a replica of a
specific item. It is not a generic version or average type. The
more we learned about these fascinating pieces, the more
obvious it became that the outward look of a weapon was only a
part of what made these deadly tools. To make a sword less than
the swords of old dilutes some of the most crucial aspects of the
sword making process. Thus we have continued to refine our
items striving to make each piece better and truer to the original
with each sword we make.
When you consider purchasing a piece from Arms & Armor you
can depend on quality being foremost in mind. When we face the
choice of compromising craftsmanship or reducing costs we
have chosen to maintain quality above all else. While we work
hard to control our costs, the superior value of our items will not
be affected. The needs of the individual customer dictate where
they will spend their hard earned money. We are not producing
swords for all budgets, but concentrate on crafting items for
those who desire the very best in historical accuracy and
exceptional quality.
We constantly update our items and add new
pieces to our line of replicas. To see the latest
news see our website for details and the most
information available on what we are up to at
Arms & Armor
www.armor.com
Our commitment to the finest materials, skills and patience is
supported by an equal dedication to customer service. We see
the importance in taking the time to discuss your order and
answer your questions in person. The necessary time to
individually craft your item, taking no shortcuts, ensures the
quality of the piece we send you. We will not ship it if we would
not be proud to own it ourselves.
Our scholastic experience with each facet of the historical
construction and use of these weapons sets us in a unique
position to create your piece to exceptional standards. We
consider each factor contributing to a sword's overall dynamics.
As you handle a work from Arms & Armor, you will notice the
carefully considered balance of competing elements, creating an
heirloom that not only looks just like the original but feels like it
as well.
For more information on
historical arms and armor, as
well as new research, check
out the Oakeshott Institute, a
non profit research
organization, dedicated to the
further study of this and
related subjects.
How did this commitment to our customers begin?
To a large degree the swords and armor we encountered in our
youth, as well as the odd medieval epic, inspired us to study
history. Several of us started constructing bows, arrows, armor,
spears or swords from wood and other materials as kids.
www.oakeshott.org
2
New Items from Arms & Armor
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194
#194 English Longsword
Original: c. 1450, Dimensions Zürich Landesmus, Details Effigy
Trinity College, Edinburgh, Scotland.
The distinctive hilt of this sword consists of a flattened
pear shaped pommel and gently arched guard all in steel. The hock
bottle grip is wood, bound with cord to create the pattern and
covered in leather.
These unique swords of the late 15th century are seen on
many German and English effigies. This particular sword is based
on an example in the Zürich Landesmuseum. The original is
severely corroded so we have chosen the hilt detail inspired by a
Flemish painting to finish the detail.
OL: 43.5", BL: 33.6", BW: 1.7", Wt: 2.6 lbs.,
Balance Point: 5 .25"from Guard.
#195 Dürer Bastard Sword
Original: c. 1480-1520, Private Collection, Germany.
This is a knightly sword for war from the end of the 15th
century. A steel wheel pommel and slightly S shaped guard are
mounted on this elegant Oakeshott Type XVIIIb blade. The grip is
8" long with a full lower grip and sharply tapering upper grip. This
long sword provided great reach and versatility to the warrior who
rode to battle with it at his side.
This style of sword was much used by the German man at
arms of the late 15th century. It is depicted in many illustrations of
knights from the late 15th and early 16th centuries, "A Knight,
Death and the Devil" by Albrecht Dürer being one of the most
famous. In fact many of Dürer's Knights carry such a sword and
thus why we have named it after him.
OL: 47.5", BL: 36.5", BW: 1.65", Wt: 3.1 lbs.
Customer Comments
"Got my new English Longsword for my birthday - it is just gorgeous! What a great 'all around' sword! From the picture, I thought
of it as a one hander, but I see that it is really a bastard sword - easily used either way. Everything about it is great."
3
Gordon, TN
192
151
159
#192 Town Guard Sword
Original circa 1610, (A612) Wallace Collection, London.
A classic sidesword made for the Munich Town Guard, around 1610.
This doubled edged cut and thrust blade mounted with a complex steel guard
would prove an excellent weapon for the close quarters situations
encountered in an urban setting. This sword would also be of the type
advocated by George Silver in his treatise on the use of the sword. There are
several surviving swords of this style in museums and private collections. The
one replicated here is based on an example in the Wallace Collection,
London.
The complex guard is hand made in steel and can be blued for an
additional fee. The blade is 6150 steel and is .25 inches thick. The balance
point, three inches in front of the guard, allows a nimble action to this stout
sword. This would be an excellent piece to add to your collection to illustrate
the development of these exceptional fighting swords.
OL: 40.12", BL: 31.5", Wt: 3 Lbs, Balance Point: 3" in front of guard
#151 Writhen Rapier
Original circa 1625, Italian. (A602) Wallace Collection, London.
The boldly roped steel hilt reflects the light dramatically and will
impress friend and foe alike with its elegant form. The hand twisted bars of
the hilt form a light but very sturdy guard. The steel hilt and pommel are
mounted with a twisted wire bound grip that is crowned with turks heads (a
braided knot at top and bottom). The Italian original dates to about 1625,
though this style was seen as early as the 1580’s
OL: 43.37", BL: 34.25", BW: 1", Wt: 2.8 lbs.
#159 Writhen Parrying Dagger
Original circa 1580, German. Bashford & Dean Collection (29.157.14),
Metropolitan Museum, New York.
To compliment our Writhen Rapier we have chosen to reproduce a
similarly styled parrying dagger from the Bashford & Dean collection in
Metropolitan Museum in New York. This decorative roping technique is an
excellent example of the renaissance craftsman combining function and form
in a weapon. This particular piece has a fullered blade with decorative
chiseling on the ricasso block. The grip is covered in twisted wire with turks
heads top and bottom.
OL: 16", BL: 11.4", BW: .94"
4
#158 Medici Falchion
Original circa 1560’s, Ital. (A710) Wallace Collection, London.
This falchion is one of the finest replicas we have ever
produced. It has an unparalleled quality and attention to detail from
the inscribed coat of arms on the blade to the weight and balance of the
original sword. The blade is etched with the personal coat of arms of
Cosimo de’ Medici 1519-74 and encircled with the collar of The Order
of the Golden Fleece. As Duke of Florence between 1564, when he was
elected to The Order of the Golden Fleece and 1569 when he was
created Grand Duke of Tuscany and his coat of arms changed, dates
this sword to this specific period. The pommel is sculpted as a Lions
head, while the guard is a low relief of acanthus leaves with the curved
quillions terminating in small lions heads and a lions face on the shell,
all in solid bronze covered in gold. The grip is bound in blackened steel
and bronze wire. The blade has the coat of arms and a decorative
etching on both sides.
The exceptional quality of this piece has led us to decide to
offer this piece in a limited edition of only 250 pieces. Your sword will
be sent numbered and stamped along with a certificate of Limited
Edition.
OL: 29.62", BL: 23.5", BW: 1.75"
#199 Wallace Ballock Knife Set
Original: 1450 Flemish, (A732) Wallace Collection, London.
This set is an exceptional example of the medieval warriors tool kit. A large ballock dagger mounted with steel fittings could be used as
a large camp knife and was very serviceable in hand to hand combat. The by knife and pricker would be used as tools and utensils. The
set is carried in a wood and leather scabbard with metal tip and belt loop. The grips of maple and the knife blades are single edged
hardened steel..
OL:14.75”, Dagger BL: 10.25", Knife BL:4.75", Pricker BL:5.5" 5
#168 Italian Three Ring Rapier
Original circa 1580-1585, Inv. 2537, Museo Poldi Pezzoli, Milan.
This slim weapon was quickly embraced by Italian
fighters for its agility and speed. The stiff blade of this rapier was
influenced by the art of personal combat, which centered more
on the thrust in this period. The fully swept hilt protected the
hand, a primary target, when fighting in the streets or a duel.
The three side rings on the foreguard are complimented by a four bar inner guard and a faceted barrel shaped
pommel. Norman identifies this hilt as type 61 in his book, “The
Rapier and the Smallsword”.
The blade is a quarter inch thick at the hilt and distal
tapers to an authentic point and edge. Available with a satin
steel finish or you can special order a blued finish for the hilt,
your choice.
OL: 47.25", BL: 38", BW: .8"
168
#169 Bavarian Rapier
Original: c. 1560 S German, Museo Poldi Pezzoli, Milan.
This type of rapier was often chosen as a distinct sword
design by elite military groups of the 17th century. Many
examples survive from Saxon and Bavarian corps. The epitome
of a classic rapier, it could not be bettered as an example of the
sword makers art.
Arms & Armor produces this rapier with an authentic
twisted wire wrapped grip using fine wire and a tight twist not
often seen in modern reproductions. The inner guard has a
three bar set of the normal type. Please indicate your preference
for a standard satin steel finish or special blued hilt (see below)
when ordering.
OL: 45", Blade: 38.5", BW: .75"
169
#180 Hilt Blueing
A professional heat blueing is applied to create a deep rich,
almost black finish on your sword hilt and pommel.
Customer Comments
#116 Sword Scabbard (not pictured)
A heavy leather scabbard with a single seam up the back side
available in black and brown
"Today I got the "big" shipment ... and what can I say ........
Christmas can´t compete with opening that box. Everything
in it was perfect"
6
Søren, DM
#170 French Rapier
Original circa 1590 Saxon, Tojhusmuseum, Copenhagen.
Function and beauty vie for top billing on this splendid example of
Norman's type 52 rapier hilt. The sinuously curved hilt and wire bound grip
would have been a declaration of good taste from the earliest examples of this
rapier style, appearing in the 1540's. This example is mounted with a stout
blade, able to deliver a thrust or a cut, and not diminishing the elegance of the
weapon.
The functionality of this piece should not be overlooked. Gentlemen
were the first to carry such swords, but all classes quickly adapted to this type of
weapon for personal defense and swordplay.
The pommel is of an ovoid form in profile and oval in cross section.
The inner guard is set with two bars flowing into one from the arms of the hilt
and anchored at the base of the hilt block . Please indicate your preference for a
blued, additional cost, or satin steel finish on the hilt when ordering.
OL: 47", BL: 40.5", BW: 1.07 "
#116 Sword Scabbard (not pictured)
A heavy leather scabbard with a single seam up the back side available in black
and brown
170
#171 Two Ring Swept hilt Rapier
Original: c.1600 German, Musee de l'Armee, Paris.
An elegant swept hilt rapier in a style that was one of the most
popular at the beginning of the seventeenth century. This type 58
(Norman) hilt has a simple clean line that appealed to many
swordsmen of the period. This is clearly illustrated by the many
portraits featuring this rapier as a personal sidearm of the rich and
well styled.
The inner guard of a single bar originating at a midpoint on
the knucklebow then branching into three bars terminating at the ends
of the hilt arms. The pommel has a slightly tapered barrel shape in
profile but is keeled in the plane of the blade. The grip is bound in
twisted steel wire.
Available in a satin steel finish or special blued finish, see
below, please indicate preference when ordering. (Pictured here with
the blued finish.)
OL: 51", BL: 43”, BW: 1.09"
171
#180 Hilt Blueing
A professional heat blueing is applied to create a deep rich, almost
black finish on your sword hilt and pommel.
Customer Comments
"Gentlemen, I just received my French Rapier. What can I say? It is magnificent! The photo in the catalog does not
do the piece justice. I am consistently impressed with every new item I receive from you. I look forward to the next
sword or dagger I order! I have found no one else who does the exquisite workmanship you put into every replica."
Raymond, PA
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082
167
034
157
036
191
188
075
“Your Edward III
is not just a superb
replica of the original,
but a splendid piece in its
own right”
Ewart Oakeshott
Author of
“Sword in the Age of Chivalry”
and
“Records of the Medieval
Sword”
8
#034 Black Prince Sword
Original: c.1370 English, Private
Collection. The Black Prince, son of
Edward III and father of Richard II, was
known as a great warrior. We were
fortunate to take direct measurements of
what may well be the Black Prince’s war
sword, which rests in a private collection
in England. This weapon, from the apex of
the middle ages, exemplifies the functional
beauty of a knight’s sword. The original
was lost for many years until identified by
one of the most respected sword experts in
Europe and is now copied in high carbon
steel with steel furniture.
OL:43", BL:34", BW: 2"
#036 Knightly Riding Sword
Original: c. 1500 Ital., (A 515) Wallace
Collection, London. This sword is based
on a fine early 16th century original. The
medieval sword, the personal sidearm of
the knightly class, was often called a riding
sword when worn on a day to day basis.
This sword is of that type and would have
been the steadfast companion of a Knight.
OL: 38", BL: 31.5", BW: 1.75"
#075 Henry V Sword
Original: c. 1422 ( Henry’s Burial),
Westminster Abbey, England.
A reproduction of the sword hung over
the tomb of Henry the V, it has
frequently been referred to as the
archetypal Medieval sword. We have
used notes contributed by Ewart
Oakeshott for an exceptionally accurate
reproduction. This maybe the very
sword Henry carried at Agincourt. A
royal weapon, it would be an
outstanding addition to your collection.
OL: 31.5", BL: 27.5", BW: 2.12"
#082 Schloss Erbach Arming Sword
Original: c. 1480-1500 German, Private
Collection. During the 15th century
armored knights found the need in combat
for swords that were of stout section and
worked equally well for the cut and the
thrust. Our replica is an excellent example
of this class of sword. Well balanced, it
could be used single handed, or with two
hands to deliver a powerful blow or a
deadly thrust .These swords were often
referred to as “arming” swords as they
were used in battle and the list.
OL: 46.5", BL: 36.5", BW: 2"
#100 Highland Claymore
Original: c. First half 16th Century,
National Museum of Antiquities of
Scotland. The claymore is one of the most
recognizable swords in history. A uniquely
Scottish hand-and-a-half sword, first
appearing at the beginning of the
sixteenth Century, it is almost certainly a
development of the Scots-Irish single
hand sword. Shorter and lighter, in
general, than the continental TwoHander, the average Claymore ran about
55 inches in over all length. In its early
versions the sword was set with a wheel
pommel, often capped by a crescent
shaped nut. The guard has straight down
sloping arms ending in quatrefoils and
langets running down the center of the
blade. John Hume detailed the
highlanders love of swords in a passage
written on his experience as a prisoner
after the battle of Falkirk (1746).
“Thy [the Highlanders] always appeared
like warriors; as if their arms [weapons]
had been limbs and members of their
bodies they were never seen without them;
they travelled, they attended fairs and
markets, nay they went to church with
their broadswords and dirks; ”
OL: 56.25", BL: 40.25", BW: 2.1"
#157 Edward III Sword
Original : circa 1340’s, English. Private
Collection Germany. Considered by many
of the acknowledged experts of the last 80
years to be a fake, recent tests have
indicated this maybe a genuine 14th
Century sword and very likely the
personal sword of Edward III, King of
England. This exquisite piece of history is
certainly a well preserved swords from
this period. The pommel has the
enameled royal coat of arms on the face,
replicated on in translucent red and blue.
The back side of the original carried a
relic of rough cloth behind an opaque disc
of crystal. We have duplicated the gilding
of the original furniture by encasing our
bronze parts in gold.
The blade is an excellent example of an
Oakeshott Type XVIIIa. The etching on
the blade depicts a very early example of
the badge of The Order of the Garter.
Edward formed the Order of the Garter in
1348 and died in 1377 (which dates the
sword to this period). The Order of the
Garter was the first and most prestigious
of the royal knightly orders. This
extraordinary sword is a pleasure to wield
and a truly historic centerpiece for any
collection.
OL: 41.63", BL: 33.5", BW: 2.44",
Guard W: 8.75"
#167 Bohemian Broadsword
Original: Date 1480-1510, Private
collection
This broadsword has a hexagonal cross
sectioned blade with a narrow fuller down
the forte. The thickness of the blade
dramatically tapers to the point to give an
excellent balance for the cut, a detail often
missed by many modern manufacturers.
This style of sword was popular in the late
12th and early 13th centuries and again in
the later part of the 15th century, when
this sword was made. The furniture on
this sword illustrates the writhen or
twisted branch like forms favored by the
craftsmen of central Europe. The grip is
hardwood covered in leather with a
stitched seam and shrunk to fit the
elegantly shaped handle. OL:44", BL:
36.5"
#188 French Medieval Sword
Original c. 1375-1400, A 460, Wallace
Collection, London Here is a sword
illustrating some of the finest qualities
achieved by the smiths of the middle ages.
This 14th Century sword is often identified
as an exceptional example of the Knightly
weapon. It has a well-proportioned wheel
pommel, with circular inset centers and a
tall pommel nut. The arms of the guard
taper evenly as they curve toward the
blade. The grip is hardwood covered in
leather and the furniture is done in steel..
OL:37.4", BL: 30", BW: 2.4"
#191 Oakeshott Sword
Original circa 1450, Private Collection
This beautiful medieval sword is as
elegant to handle, as it is to look at. Ewart
Oakeshott has had this in his care and tells
us it came from the southern region of
France. It was found in context with a
small Rondel dagger. The grip was
probably done late in its working life as it
is of a style that postdates the sword by a
generation or two. The hilt is done in steel,
with a beveled wheel pommel incised with
two parallel lines running vertically in the
center. The grip is bound in twisted steel
wire. The top and bottom ferrules of
worked steel hold the decorative steel bar
elements in place. OL: 41.25", BL: 35.37",
BW: 1.75",
Wt: 2.5 lbs
#116 Sword Scabbard (not pictured)
A heavy leather scabbard with a single
seam up the back side available in black
and brown
9
#142 & #134 Musketeer Rapier & Dagger
Original: c. 1590, Saxon. Kienbusch Collection,
Philadelphia Museum of Art.
A combination of style and deadly utility, make this suite
of rapier and dagger a dramatic addition to your collection. The
sturdiness of these weapons would serve a musketeer for many
years, while the ornate piercing in the fore ring and backguard
would impress the most fashion conscious individual in society.
The faceted mushroom shaped pommel balances this rapier well
back for excellent point control and creates an impressive heft to
the piece. The parrying dagger with matching pommel, has a ring
guard to protect the knuckles and forward thrusting quillions for
better defensive blade control. Blackened, the whole set is
finished to a velvety sheen and mounted with wire wrapped grips
of blackened steel.
Rapier: OL: 43", BL: 35.5", BW: 1.09"
Dagger: OL: 15", BL: 10.5", BW: 1.1"
10
#190 & #166 Elizabethan Rapier & Dagger
Original: c. 1590 Eng., (A 597) & 1600 Ital, (A805) Wallace
Collection, London.
This handsome pair are in a style that was exceptionally
popular in England. Distinctive features of this rapier are the
large globular pommel and medallions on the bars of the hilt. The
pommels and guards are often covered in floral and figural details
in silver over a russet or blackened finish.
Arms & Armor has produced this rapier with vines,
sunbursts and faces in burnished steel over a blued field. The
single bar inner guard has a graceful sweep to the guard and a
loop at the front. This rapier is based on an original German
rapier from the turn of the 17th century.
Linked to the court of Elizabeth the first, this is a
quintessential left handed dagger. The exquisite detail on the
pommel and guard are bright polished cherubs’ heads with scrolls
of vines and blossoms on a blued background. The guard has
straight quillons and a center mounted ring. The grip is covered in
twisted wire and bound top and bottom by turksheads. Replicated
from an original (A805) Wallace Collection, London.
Rapier: OL: 51.15", BL: 43", BW: .85"
Dagger: OL: 14.62", BL: 10.2", BW: .75"
#070 Saxon Parrying Dagger
Original:1580 German, des Museum für Deutsche
Geschichte (59.2163).
A distinctive style of parrying dagger used throughout
Northern Europe. The short crossguard echoes earlier
dagger types. Worn at the back, tucked in the baldric or
belt, it was less cumbersome than wider guards.
OL: 16.75", BL: 12"
#048 1580 Parrying Dagger
Original: c. 1580 N. European, Private Collection, USA.
The pommel and crossguard of this dagger are made
using molds taken from the original. They illustrate all
of the key features of a parrying dagger. The ring
attached to the quillon block, on this example with
decorative file work, was to protect the knuckles. This
was enhanced by the quillons which curved forward and
up from the plane of the blade. This additional
protection was needed due to the parrying dagger often
being held as far forward as possible and thus a good
target for your opponent.
OL: 17.5", BL: 12.3"
196
048
070
110
185
#185 Cut Steel Dagger
Original: c. 1590 Ital., (A793), Wallace Collection,
London.
This is a fine example of a parrying dagger decorated in
the 'cut steel' technique. The craftsmen chiseled the
reclining figures, busts, and floral motifs into this hilt
furniture often piercing completely through the
structure. This leaves a dynamic looking piece of great
beauty. The grip is bound in steel wire and the parts are
a bright brushed steel finish, highlighting the details of
the carving. The hilt is mounted on a tapering double
edged blade of diamond section with a rectangular
ricasso.
OL:14", BL: 9.2"
#196 German Parrying Dagger
Original: 1610 Ital., Victoria & Albert Museum, London.
To accompany our German Rapier #163, p 16, we chose
a parrying dagger with an S shaped guard and side ring.
The surface motif was detailed to match the rapiers
Acanthus leaf design. The grip is wire bound with
turksheads, the decorative wire knots at the top and
bottom. The diamond cross sectioned blade has a ricasso
block and narrow fuller.
OL:17.3", BL:12"
Customer Comments:
“Your firm provided the best service I can remember
from any mail-order company I have ever conducted
a transaction with, … your products are superior to
all comparable items."
Mark, MA
“WOO HOO! The sword is wonderful! Exactly what
I was wanting! Thanks”
#110 Rondel Dagger
Original: c. 1379 Northern Italian, depicted in a fresco by Altichino.
The rondel dagger was the side arm of the knights who fought the
battles of Crecy, Poitiers, and Agincourt. This stiff bladed, single
edged, dagger was often the last resort in close combat. A thrust
through the visor or a chink in the armor of your opponent was often
the only way to bring them down. The fluted grip and hexagonal guard
and pommel make an elegant Knightly weapon.
OL: 16.75", BL: 12", BW: 1"
#119 Parrying Dagger Scabbards (not shown)
These scabbards are stitched up the back and have a belt loop at the top.
The leather is a sturdy 6-7 ounce cowhide finished in brown or black. (no
shipping fee w/ dagger order)
Dave, TX
11
049
145
089
#049 Shifford Viking Sword
Original: c. 950 Viking, Reading Museum, England.
This sword is based on a 10th century original dredged from the
Thames River at Shifford. The shape of the pommel and cross
guard are faithfully reproduced, as is the characteristic short grip.
The Vikings griped the sword in a way that allowed the pommel
to slide pass the heel of the hand. The authentically fullered blade,
makes this sword light enough for the quick wrist movements
needed for this style of combat without sacrificing strength.
OL: 34.2", BL: 28", BW: 1.75"
#086 Duke of Urbino Sword
Original: c. 1380-1410 Italian, Private Collection.
The pommel of the original sword was inset with a copper coin
depicting the Duke of Urbino. While our supply of 14th century
copper coins does not allow us to include one, the rest of this
reproduction would meet his expectations. The thick wheel
pommel, and straight guard mark this as a classic medieval sword.
OL: 37.5", BL: 31", BW: 2"
086
#089 12th Century Sword
Original: c. 1100 - 1250 Northern Europe, Museum and Art
Gallery, Glasgow.
To assign an exact date to this sword is very difficult. This type of
sword was once thought to be from the later middle ages. Recent
scholarship has shown that a much earlier date should be applied
to many of this type of sword. A leading expert on medieval
swords comments that it could be from as early as 1100 to as late
as 1250.
The pommel, a faceted wheel, is a shape encountered in the
Leppaho Viking swords, a group of swords excavated from Viking
graves dating from 980-1000. The cross guard is of an early form,
referred to by the Vikings as a Gaddhjalt [spike hilt]. The blade is
designed for the cutting style of fighting used during this period
and has a fuller running 2/3 the length of the blade.
OL 43", BL: 35", BW: 2"
129
145
#145 St. Maurice Sword
Original: c. 1050-1120, Weltliches Schatzkammer, Vienna.
A sword of truly royal quality. This replicates the coronation
sword of the Holy Roman Emperor, used from the 10th century to
1918. The original is one of the best surviving swords of this type.
It was very probably made as a sword for battle but was promoted
to its esteemed use some time in the 10th century and since then
has been preserved in a nearly pristine state. The engraving was
added, a common practice, for the coronation of Otto IV in 1198.
It consists of the arms of the empire on the pommel and the
inscriptions “Christus Vincit, Christus Reinat, Christus Imperat,”
a common war cry of the Third Crusade, on the guard. The grip is
hardwood bound in twisted wire. The blade has a fuller which
runs nearly its full length.
OL: 43.75", BL: 37.5", BW:1.75"
#129 English Buckler
The classic left hand shield of the English fighting man. This
example has a roomy domed center and the edges slant forward
and out to giving it a very distinct shape. This type of shield was
used to beat your opponents sword away on the attack or smash
him in the face if he gets to near.
12
723
130
062
058
113
160
#058 Classic Medieval Dagger
One could not find a more representative dagger for the warrior
of the middle ages. Set with a wheel pommel and down turned
guard, this dagger illustrates the use of sword forms for fighting
knives of the medieval period. OL:14", BL: 9"
#160 Medieval Knife
Originals early 1400’s, English. The Museum of London, Dept. of
Urban Archaeology.
This knife was inspired by the many knives found along the banks
of the Thames River in London. The knives found included
several fine examples of the common Medieval knife. We drew
upon these to produce this functional knife of the common man.
OL:10", BL:6.5"
#062 Medici Dagger
An Italian dagger with a purity of form that embodies the simple
elegance of the early renaissance. OL:14.25", BL: 9"
#723 Italian Stiletto
Original: 1680 Italian, Wallace Collection (A805), London.
A mid 17th century Brescian stiletto. The beautifully cut steel hilt
depicts dolphins on the quillons and a lion head on the pommel.
The three sided steel blade is designed solely for the thrust .
OL: 11.4˝
#113 Elector of Saxony Parrying Dagger
Original 1580 Saxon, des Museum für Deutsche Geschichte
(59.2231).
A replica of one of the fighting knives worn by the body guard of
the Elector of Saxony. This is a beautiful parrying dagger, worthy
of a place on any gentleman’s belt. The heavily fullered blade is
mounted with a classic ring guard and an engraved pommel. The
grip is hardwood covered in leather and set with crown shaped
collars top and bottom.
OL: 13", Blade 9", BW: 1.06"
#130 Crusader Dagger
Original c. 13th Cent.
An early style of dagger seen from the early
crusades to feudal wars of the northern reaches.
OL: 14", BL: 9"
#064 Dagger Sheaths (not shown)
They are heavy leather, with a belt loop attached and a single
stitched seam up the back of the sheath.
(no s/h fee for scabbard w/dagger order)
Customer Comments
"I have been lucky to know a gentleman ... that has been collecting since the
mid 50s. Your rapier rivals the feel, balance and beauty of [those] originals
and puts my other replicas to shame for even being called rapiers."
Robert, TX
13
#077 Lord of Milan Sword
Original: c. 1475-1490, Musee Cluny,
Paris.
This late 15th century sword is
attributed to Ludovico Sforza, Lord of
Milan. A large fishtail style pommel, a
shaped grip and restrained crossguard
contribute to the elegance of this sword.
Superbly balanced, this sword marks
one of the jewels of broadsword design.
OL: 38.5", BL: 32", BW: 1.5"
156
081
187
#078 German Branch Sword
Original: Date 1450-1475, German,
Royal Armouries, Leeds.
A wonderful replica of a famous 15th
century riding sword. It is very light and
fast, with a thin stiff blade ideal for the
thrust. The design of twisted branches
was a popular motif for swords in the
germanic regions. The term "riding
sword" designated a sword that was
worn as a personal side arm. The grip is
hand carved hardwood with a gloss
finish. The mid ring and lower bezel are
bronze, with roped detail.
OL: 43.2", BL: 34.9", BW: 1.2"
078
085
077
Customer Comments
"Gentlemen, OUTSTANDING!!!!!!!. Fine,fine
craftsmanship. It is without a doubt the best piece I
own. I look foreword to doing business with you
again.Thank you.A verry pleased customer"
Dave, NY
14
#081 German Bastard Sword
Original: c. 1500 German, formally
Farnoll Coll., pictured in “Arms and
Armour”, Blackmore, p.32.
This 16th century sword is almost large
enough to be classified as a two hander.
The beautifully designed pommel and
guard balance the long blade very well.
The roped guard has a ring on each side
for additional hand protection. This was
needed as the intricate binding moves of
the German school of fence could
endanger the hands. The stitched black
leather grip is molded to the hardwood
base with bees wax and heat as was done
in the middle ages.
OL: 47.75", BL: 37", BW: 2.12"
#085 Irish Sword
Original: c. 1480 Irish, Provenance
Unknown.
A purely Irish design, and one of only a
few types of sword which can be
attributed to a specific nationality. A
unique design, highlighted by a
spatulated crossguard and a pommel
constructed as a ring with the tang
passing through it. A rare sword for any
collection.
OL: 37", BL: 31.5", BW: 1.75"
#156 15th Century Two Hander
Original: c. 1450, German or English,
(A474) Wallace Collection, London.
The two handed sword was a weapon
developed for the use of the foot soldier
and had became quite common by the
early 1500’s. The large pommel and long
grip add leverage to the short cuts and
thrusts delivered in this type of sword
combat. The two handed sword was a
weapon favored by the elite troops who
were assigned to protecting the ensign of
their units. Landsknechts were strong
advocates for the use of this type of
sword, often equipping their shock troops
with it.
Our replica of a German or English
original is massive in size but not weight.
This sword is a no frills weapon with
elegantly simple lines and a long and
deadly reach. The 59.25 inch length will
cover a lot of ground. The steel furniture
is accented by the stitched black leather
grip.
OL: 59.25", BL: 46.13", BW: 2.37"
#187 Fechtbuch Sword
Original: Date 1450-1550, German, as
illustrated by several artists and examples
in the Metropolitan Museum of Art, New
York.
A replica of the practice swords used by
schools of combat in the medieval and
renaissance period, such as the German
Marxbrüder. The design was used very
widely and is often seen in the
illustrations depicting fighting techniques
in the fechtbuchs (fight manuals) of the
period. This sword is based on these
illustrations and some of the few
surviving examples of this type of sword.
The hilt furniture is steel, the grip being
hardwood covered in leather. A smooth
brushed steel finish is used on this piece
to help control the cost and keep it
affordable. The blade is made of 6150
steel and has steady taper from hilt to tip.
OL: 48.5", BL: 37.75", BW: 1.19",
Ricasso W: 1.75", Wt: 3.6 lbs
Balance Point @ 4.5" from guard.
150
149
149
#149 Katzbalger &
#150 Katzbalger Dagger
Original: c. 1560, Deutsches Klingen
Museum, Solingen.
The German and Swiss Landsknechts
were considered the elite troops of their
day. They formed into bands or units and
fought for hire all over the European
continent. Their unique form of side arm
was the Katzbalger (Cat Fight). Designed
for the close in hand to hand combat of a
melee, these weapons were shorter than
other broadswords but very quick in action.
We have also created a matching dagger to
accompany the sword. The unique hilt
consists of a figure eight shaped guard. The
arms of the guard originate from dolphin
heads and terminate in balls. The grip and
pommel are of a unique style as well but
are very comfortable and well suited for the
style of combat. The two parallel fullers run
approximately 1/3 of the way down the
blade.
Sword OL: 25.19", BL: 20", BW: 1.87"
Dagger OL: 13.75", BL: 8.75"
•• As favored by his Royal Highness,
Larson, Prince of the Realm of Lyonnesse
043
#043 Heater Shield
This is the classic medieval shield, in use
from 1100 to 1450. A direct descendant of
the Norman kite shield, it took many
forms and was made from both wood and
steel. Our version is in 16 gauge steel with
a hard handle and leather arm strap. This
is the shape most often represented in
heraldic books of the medieval period.
Original: hundreds of illustrations
survive of this type of shield.
Overall H: 22"
15
084
111
121
163
164
135
162
046
045
16
#045 Round Targe
Original: illustrated in a Manuscript in
the Royal Library No.20, D, vi., England.
The use of a small buckler or targe was a
very popular form of defense, especially
in England. A chronicler commenting on
defense prior to the use of single rapier
said “euery Seruing-man, from the base
to the best, carried a Buckler at his backe,
which hung by the hilt or pomell of his
Sword- which hung before him.” Our
targe is a 16 gauge steel, hard handled
shield. It is also our most popular stage
combat item. Dia. 11"
#046 Square Target
Original: c. 1540-60 Italian, Wallace
Collection (A 318), London.
This distinctive Italian target is based on
a 16th century original. This style of one
handed shield is often depicted in the
arms manuals of the Italian masters.
Marozzo shows one very similar in his
illustrations of fencing. OH: 12"
#084 Venetian Rapier
Original: c. 1480 Italian.
A fine early example of the rapier, with an
elegant clean hilt. The blade works well in
a cut and thrust style. This sidesword was
carried by the Spanish Conquistadors and
the famous sword and buckler men of the
Low Country wars. This would also be the
sword type referred to by George Silver in
his “Paradoxes of Defense” and when
combined with a dagger would be just the
thing for a stalwart Englishman standing
his ground
OL: 39.5", BL: 35"
#111 Gustav Vasa Rapier
Original: c. 1550@ German Hilt, Blade
possibly Swedish, Royal Armory (LRK
13502), Stockholm.
Elected King of Sweden on June 6th 1523,
Gustav Vasa (1494-1560) had led the
Swedish people to independence from the
Danish King. This elegant replica depicts
the personal weapon of King Vasa. It
is an excellent example of the early style
of rapier designed for the cut and thrust
fencing. Our all steel replica is blued and
accented with bright steel lion and
medusa heads on the guard. This striking
combination is fitted with a black and
silver wire grip.
OL: 42.75", BL: 37.5", BW: 1.3",
GW: 9.87" Wt: 2:14
* matching parrying Dagger #198 page 18.
#121 Dresden Rapier
Original: c. 1590 Saxon (Dresden), (M.
34)Victoria & Albert Museum, London.
Carried as personal weapons by the
bodyguard of Christian I (1586-1591)
Elector of Saxony. The hilt was probably
constructed in Dresden. The blade has the
Milan town mark on the original, but this
is fairly certain to be a German forgery.
The blade is wider at the hilt then most
rapiers and is, in fact, what many people
would consider a broadsword blade.
These extremely heavy rapiers were often
used as calvary side arms. The hilt is
finished with a wavy chiseled pattern in
steel. The fore ring is filled with a pierced
plate. The grip is wire bound. The clean
lines and deadly function combined in
this rapier make it a classic, with the
matching dagger and by-knife it is a
beautiful set. See item #122 and #148
page 18 .
OL: 51.5", BL: 37.38 ", BW: 1.75", Wt : 3.8
#135 Saxon Military Sword
Original: c. 1560, Saxon. Dresden
Rüstkammer (M47-1947).
A functional military sword with a touch
of class, this sword type was used by
northern European soldiers through much
of the 16th Century. The all black hilt is
enhanced by bronze crowns and vertical
bars over a leather grip. The hilt arm and
back sweep added to the crossguard, one of
the earliest developments of the rapier hilt,
protect the first finger when placed over
the guard. This style grip was used to
increase point control for the thrust when
fighting.
OL: 43”, BL: 34”, BW: 1.25", Wt: 3.3
#163 German Rapier
Original: c. 1600 Solingen, Deutsches
Klingenmuseum Solingen, Germany.
The abundance of small principalities in
the Germanic region of Central Europe
created a vibrant market for weapons and
armor. Craftsmen vied with each other to
tailor their wares to the tastes and wealth
of each court. This resplendent rapier is a
stunning example of the work done at the
peak of the Solingen swordmakers skills.
In fact, this piece can be traced to the
actual craftsman, Johannes Mumm,
who’s mark is stamped in the original
sword. This thrusting rapier has a stiff
narrow blade with a single fuller
extending from the forte approximately
12 inches. The guard is of an early form
with a post and arm at the base of the hilt
arms, instead of the more usual ring. The
elements of the guard and pommel are
highlighted by raised Acanthus leaf
designs. The grip is wire bound with turks
heads top and bottom.
OL: 42.5", BL: 34.88", BW: .75", Wt: 2.25
* matching parrying Dagger #196 page 11.
#164 Cavalier Rapier
Original: c. 1620, Sulgrave Manor Coll.
England.
This type of sword developed from hard
lessons learned on the battlefield. The
rapier had a great drawback when used in
armored combat, especially from
horseback. The narrow hard blades would
often not stand up to blows against
helmets and armor. The result was a
sword with a rapier hilt, but a blade made
for military service. This stellar example
of such a sword has a sharply tapering
blade. This maintains great thrusting
potential while allowing for stout blows.
The versatility of this type of sword was
quickly recognized and would be found
on men of action from the late
renaissance to the Thirty Years War.
Unique among our swords this hilt has a
thumb ring which allows more control.
The octagonal bars sweep around the hilt
terminating in finials which mirror the
pommel. The hilt is blued with a wire
bound grip finished with turk’s heads.
OL: 41.37", BL: 34", BW: 1.69", Wt: 2.9
#162 Milanese Rapier
Original: c. 1570 Milan, Italy. Museo
Poldi Pezzoli (2575).
The first books of Italian swordplay
illustrate this exact type of rapier. The
great Marozzo and Agrippa would be
quite familiar with this particularly fine
sword. The deeply grooved, checkered
surface catches the light from any angle.
It is a classic style with two horizontal
side rings and can be used by either a
right or left handed swordsman. Its
highly distinctive hilt is blued and
mounted with a wire grip.The broad
rapier blade will give excellent service for
both the cut & the thrust.
OL: 43", BL: 35.38", BW: 1.12", Wt: 2.6
* matching parrying Dagger #197 page 18.
#116 Sword Scabbard (not shown)
Black or brown leather scabbard.
(no s/h w/sword order)
17
121
122
198
148
#121 Dresden Rapier (see page16)
197
162
#122 Dresden Parrying Dagger
Original: c. 1590 Saxon (Dresden), (34a-1948) Victoria & Albert
Museum, London.
This matching dagger to the Dresden Rapier has all the elements of a
renaissance left hand dagger. The guard has a ring filled with a pierced
plate and quillons that turn forward and up. The pommel and guard are
finished in the same handsome chiseled wave pattern as the rapier. The
blade has a fullered ricasso, which allows for placement of the thumb on
the back side of the blade
OL: 15", BL 10.3", BW: 1.05"
#148 Dresden By-Knife
Original: c. 1590 Saxon (Dresden), Victoria & Albert Museum, London.
By-knives were a very common accouterment in the renaissance. These
small knives were often worn in sheaths attached to the sword scabbard.
They were used for eating and any light utility jobs. This all steel replica
matches the rapier’s and dagger’s decorative finish and completes the
entire set. OL: 9.5"
#197 Milanese Parrying Dagger
Original: late 16th C, Italian.
Many customers have requested a matching dagger to our Milanese
Rapier #162, p. 16. Using a standard parrying dagger of the period, we
replicated the surface detail and blued finish of this elegant rapier. The
side ring on the straight guard affords added protection to the hand. The
blade has a diamond section with a solid ricasso block and the grip is
done in black wire.
OL: 17.3", BL: 12"
#198 Gustav Parrying Dagger
Original: 1590 German, des Museum für Deutsche Geschichte (59.2163).
To compliment the sword of Gustav Vasa #111, p 16 we adjusted the
pommel detail on this Northern European parrying dagger. The blade
has a multifullered ricasso with the central fuller running down the
blade. The guard and pommel are blued. The top of the pommel
polished steel to match the rapier.
OL:14.5", BL:10.25", BW: .9"
18
146
014
112
118
#014 Viking Spear
Original: c. 10th Century Scandinavian.
The spear, not the sword, was the basic Viking weapon. They in
fact had several different types of spears. These, diamond
shaped spears, were effective hand to hand weapons, their
primary use in combat. They come mounted on a 6´ ash pole.
Head OL: 15"
020
#112 Friedrich IV Spear
Original: c. 1430 German, (A 32) Innsbruck 1963 (ABB 11).
The Jagdspießen [hunting spear] of Duke Friedrich IV, Ruler
of Triol. This stout socketed spear is incised with foliage, a
shield, and the inscription “dux Federic”. This style of spear is
often called a lug spear. It developed from the Carolingian
period fighting spear. The lugs were used to control the
opponents weapon. On the hunting spear they keep the game
from becoming to deeply impaled on the spear. Head OL:12",
Lug W: 4.25", Shaft Ash @ 6´
#020 Buckler
Original: c. 1400-1625
Our round buckler is 2" deep, has a-1/2" rolled edge, and is of
16 gauge steel. There are two versions, one with a central spike
(pictured), a common renaissance style; and our stage combat
version, which has no spike and is made with a solid handle.
Many examples can be seen illustrated in fencing manuals of
the day as well as many parade shields in collections all over
the world.
Dia. 18"
#118 Ash Pole
1-1/8" ash pole replaces the shafts on item #112. It also makes
a grand Quarter Staff. A weapon recognized by George Silver,
an English Fight Master, as superior to all other weapons.
Shaft Ash @ 6´
#146 12th Century Spear
Original: c. 12th - 14th Century, Spain, Alava Prov. Archaeol
Museum, Vitoria
The most widely used weapon of the early medieval soldier was
the spear. It was an excellent hand to hand weapon, having a
great reach advantage over shorter weapons. This example of a
spear, from the 1100’s, has the simple grace of a practical
fighting weapon. Spears of this type were in constant use from
the early dark ages through the renaissance. The heavy mid
ridge gives this spear superior strength for its weight. The head
of the spear is mounted on a ash shaft .
Head OL: 11.4", Lug W: 3.13", Shaft Ash @ 6´
Customer Comments
"The beauty and quality of all of your products puts
most of your competitors to shame. Your works are
not merely weapons and collectors' items, they are
works of art. "
19
Sean, CO
007
037
#007 Pembridge Helm
Original: c. late 14th Century English, Scottish Museum, Edinburgh.
A reproduction of Sir Richard Pembridge's helmet, dated c. 1375. This type of
helmet was worn at the battles of Crecy (1346) and Poitiers (1356). A later
version of the great helm, it reflects such improvements as a rounded top to
deflect blows. Our reproduction is made from 16 gauge cold rolled steel.
Overall Height: 15"
#037 Spangenhelm
Original: c. 6th Century Germanic, Find place Torricella Peligna in the
Abruzzi, Ancona Museum.
This type of Spangenhelm (so called since constructed of spangen or plates,
riveted together by means of connecting bands) was in use throughout
Europe for hundreds of years, from the beginning of the Migration Period
until the early Viking age. The body of the helmet is 16 gauge steel, with a 14
gauge nasal.
021
#021 Round Shield
Original: Many examples can be seen in illustrated art work from all periods
and in fencing manuals of the period 1300- 1625, as well as many shields in
collections all over the world.
Our largest shield, made of 16 gauge steel with a-1/2" rolled edge. This is our
most popular stage combat shield. This is due to its light weight and incredible
durability. Appropriate for almost any period, this shield allows many options
in costuming and choreography. Dia. 23"
20
#005 War Hammer
Original: c. 1450 French, Wallace Collection,
London.
A 15th century war hammer, probably French in
origin. The French term for this weapon was “martel
de fer”. The heavy spikes, designed to penetrate
armor, made this a lethal weapon against the heavy
armor of the time. It is often commented in the
chronicles of the time as one of the more common
choices by Knights in the list. OL: 24"
#006 Horseman’s Axe
Original: c. 1540 Spanish, Armoria Real, Madrid.
As armor improved, impact weapons, maces, war
hammers, and battle axes became the weapons of
choice. Wealthy knights could afford a more esthetic
weapon, like this axe. The long back spike was
excellent for penetrating armor. The heavily curved
blade delivered crushing blows from above when
used on horseback.. OL: 24"
#144 German Flail
Original: c. 15th Century, German, Metropolitan
Museum of Art, New York.
Originating from a threshing tool, the flail is a
weapon that took several forms. The piece replicated
here was made to be used in one hand while fighting
on foot or horse. This high gothic example of a hand
flail has a beautiful design. The unique links of the
chain are sculpted with two rows of spikes on their
outer edge. The right angle links also allow for a
sinuous flow of the head and chain when in motion.
The grip is topped by a ring and butted by a turned
finial. OL Shaft: 17.5" Chain: 6"
006
144
005
193
147
#147 Iberian Mace
Original: c. Beatus from San Millan de Cogola 13th
C., Acad. de la Historia, MS. 11 & 111, Madrid.
Simple in design and effective in use, the mace has
been one of the most common weapons throughout
history. From its earliest form of a large stick to the
elaborate maces of state, there are types found in
almost every culture. This interesting 13th century
example from the Iberian peninsula was used in the
constant conflicts of that era. It could have seen
action with the Moors or possibly with El Cid’s
troops. The steel spiked head is mounted to an ash
shaft. OL: 23.75", Head L: 5.13"
#193 High Gothic Mace
Original: c. 1475, (A 978) Wallace Collection,
London.
A beautiful High Gothic knightly weapon The
sweeping pierced flanges of the head, hexagonal shaft,
and bronze base finial are all features of this gothic
mace. The head is molded directly from the original in
exacting detail. Its balance and weight allow this brutal
weapon to be wielded with incredible agility and
speed. It is a truly classic example of the innovation
and talent of the arms makers of this period.
OL: 20.37", Grip L: 4.37"
Customer Comments
"Thank you for the excellent quality and service in handling my sword
order. Your workmanship is fabulous. I am in awe of the form, function
and beauty of the blades you make. It arrived much earlier than I
expected, and was shipped safely. All correspondence I have had with
your office people has been pleasant, informing and prompt. You have a
fine thing going on, and I will be sure to order again with any future
needs, and recommend you to any I meet." Kelly, AZ
21
010
032
#010 Knightly Pole Axe
Original: c. 1470 French, (A 926) Wallace Collection, London.
The smooth lines and fine detail of this polearm reflect the truly exceptional
quality of the original. Measurements taken from the original have allowed us
to produce a worthy copy of this 15th century French weapon. The pole axe,
one of the most favored weapons of its day, saw service with knights of all
countries in the list and on the battlefield. The English knights at Crecy and
Agincourt chose to dismount and fight on foot with pole axe and spear.
OL: 67"
#024 Danish War Axe
Original: c. 1000 Danish, British Museum, London.
This favored weapon of the Saxon huscarl saw action throughout northern
Europe in the hands of Saxon, Norse, and Norman alike. The long handle and
thin blade create a weapon capable of immense damage as illustrated by the
graves from the Battle of Wisby. The high carbon steel blade holds a great
edge and is mounted on an ash shaft. This was the type of weapon William the
Conqueror faced at the Battle of Hastings(1066), where he defeated the Saxon
army.
OL: 56"
104
024
#032 Sparth Axe
Original: c. 1250 English, Private Collection, England.
Referred to as a Sparth Axe in western Europe, where it was used often by
Highland Scottish Mercenaries in the 15th & 16th centuries. It was known as a
Berdiche in eastern Europe and the Near East, where crusaders used it to
great effect. The original from c.1250 is reproduced in hardened high carbon
steel and mounted on an ash shaft. This type of weapon was used by knights
and lowly foot soldiers alike.
OL: 62"
#104 Hungarian Axe
Original: c. 16th century, Muzeum Wojska Polskiego.
Carried by the foot soldiers of Eastern Europe, this axe was a versatile
weapon. The long edge and sharp point could be used to cut and thrust. The
handle length allowed for excellent reach and movement, being less
cumbersome than a pole weapon. In fact, this type of axe held its own against
swords and other long handled weapons quite well, while being economical
for arming many soldiers.
OL: 51", Blade 10"
Customer Comments
"I ordered the Arms and Armor Katzbalger a few weeks ago and I am very
happy with the sword and the whole process. Ordering was simple,
straightforward and the staff was willing to answer all my questions. I am
not an expert, but the workmanship seems flawless to my untrained eye.
Now I have to find a pike and two hundred like-minded friends to take
over Burgundy for Philip the Rash."
Dan, CA
Please see our website - www.armor.com - for new items, our
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22
#959 Sword in Hand
by Ewart Oakeshott
Ewart Oakeshott
Sword in Hand
A brief survey of the Medieval sword
Reading this book, is like spending an evening with worlds foremost expert
on the medieval sword and discussing his favorite subject. Mr Oakeshott has
rewritten a collection of articles with additional chapters and illustrations. This
concise overview of the development of the european sword is enhanced with the
unique insight of the author and gritty anecdotal examples that bring life to these
historical subjects.
The work is heavily illustrated with the authors unparalleled collection of
photos and illustrations in large format. This gives the student of the sword detail
often left out of other volumes on the topic.
An excellent addition to any library of the medieval period and a must for
the student of the sword.
See our website www.armor.com for a
review of this excellent book.
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Dear Customer,
In 1981 my lifelong interest in weapons and armor led to the creation of Arms & Armor Inc. My
experiences from historical reenactment to scholarly research have combined to provide a unique
working knowledge of weapons and armor allowing us to offer you the finest replicas available today.
Arms & Armor crafts a wide variety of items from the ancient world to the end of the 17th century
with the majority of work done in the Medieval and Renaissance styles. Each replica is researched and
modeled from examples found in museums, private collections, and other historical sources. We
strive to create the look and feel of the original in all respects.
Our materials and methods of construction replicate those of the originals as closely as possible.
All work is done in our own shop in Minneapolis, we do not import items from over seas. This
attention to detail and commitment to an authentic product has made us popular with museums,
collectors, and reenactment groups around the world.
We have worked with large and small media productions across the country including regional and national theatres,
many opera companies, TV, and film. We look forward to enhancing your production and assisting your design and
technical people in any way we can.
Arms & Armor does a number of custom reproductions each year, though the amount of space on our work calendar
is limited. If you are interested in commissioning an armor or weapon reproduction please write or call us for price and
delivery information. You may view past custom orders on our website in the Custom Gallery. See some of our best and
most unique projects. Also, see the resource areas on our website for an ever growing amount of the most current and
correct information on the field of Arms & Armor studies.
We hope you find something of interest in our catalog and will be pleased with the piece of history you purchase from
Arms & Armor.
Best wishes
Christopher Poor
TOLL FREE ORDER LINE 1-800-745-7345
CATALOG ONLINE - http://www.armor.com
Please Allow 8 -10 Weeks for Delivery
The Arms & Armor Website contains not only our full line of
items, but an ever growing reference section with such things as
armor and weapon measurements and weights, answers to the
most frequent questions about weapons, armor, steels, and the
truth about the many myths that surround these subjects. You
can also see:
•
custom projects we have made
•
care and maintenance for your collection
•
links to the best content on the web
•
specs on Arms & Armor pieces.
•
a list of suggested reading
•
a comprehensive list of museums that have collections of
weapons and armor
Arms & Armor staff:
Owner
Production Manager
Production Staff
We must acknowledge the most profound debt to Mr. Ewart
Oakeshott. His books and articles have inspired and taught us
from our earliest attempts at our craft. In recent years his personal
guidance and superior knowledge have been indispensable to the
quality of our items. We will sorely miss his guidance and wit.
We at Arms & Armor would like to extend our deep
appreciation to Bob Savage, formerly of the Glasgow Museum
and David Edge, of the Wallace Collection, for their expert
advice, guidance, and constant help with our research and
travels. Their help has allowed us to bring new items to our
customers of unrivaled accuracy and quality.
Christopher Poor
Craig Johnson
Greg Bentson, Ian Wall, Josh Davis, Mark Black
Call our toll free Order Line
to make your purchase
1 800 745 7345
We would be happy to answer your
questions via email as well at
aa@armor.com
Price
005
006
007
010
014
020
021
024
032
034
036
037
043
045
046
048
049
058
062
064
070
075
077
078
081
082
084
085
086
089
100
104
110
111
112
113
116
118
119
121
122
129
130
134
135
142
144
145
146
147
148
149
150
151
156
Item
War Hammer
Horseman’s Axe
Pembridge Helm
Knightly Pole Axe
Viking Spear
Buckler
Round Shield
Danish Axe
Sparth Axe
Black Prince Sword
Knightly Sword
Spangenhelm
Heater Shield
Round Targe
Square Target
1580 Parrying Dagger
Shifford Viking Sword
Classic Medieval Dagger
Medici Dagger
Dagger Sheaths
Saxon Parrying Dag.
Henry V Sword
Lord of Milan Sword
German Branch Sword
German Bastard Sword
Schloss Erbach Sword
Venetian Rapier
Irish Sword
Duke of Urbino Sword
12th Century Sword
Claymore
Hungarian Axe
Rondel Dagger
Gustav Vasa Rapier
Friedrich IV Spear
Elector of Saxony Dagger
Sword Scabbards
Quarter Staff
Parrying Dagger Scab
Dresden Rapier
Dresden Parrying Dag
English Buckler
Crusader Dagger
Musketeer Dagger
Saxon Military Sword
Musketeer Rapier
German Flail
St. Maurice Sword
12th Century Spear
Iberian Mace
Dresden By-knife Dag
Katzbalger
Katzbalger Dagger
Writhen Rapier
15th Cent. Two Hander
Price
S/H
320.00 28.00
330.00 28.00
580.00 30.00
635.00 48.00
175.00 36.00
165.00 30.00
175.00 35.00
285.00 36.00
360.00 42.00
780.00 38.00
645.00 32.00
690.00 30.00
280.00 35.00
69.00 20.00
145.00 20.00
275.00 18.00
740.00 32.00
discontinued
180.00 18.00
20.00 9.50
240.00 18.00
645.00 38.00
discontinued
985.00 40.00
790.00 40.00
740.00 38.00
discontinued
740.00 32.00
620.00 32.00
850.00 38.00
960.00 46.00
155.00 36.00
290.00 18.00
870.00 40.00
180.00 38.00
280.00 18.00
95.00 16.75
43.00 38.00
27.00 9.75
870.00 40.00
310.00 18.00
110.00 20.00
180.00 18.00
305.00 18.00
880.00 40.00
935.00 40.00
330.00 28.00
860.00 32.00
165.00 38.00
135.00 28.00
48.00 12.00
820.00 28.00
225.00 18.00
995.00 46.00
980.00 46.00
Price
157
158
159
160
162
163
164
166
167
168
169
170
171
180
185
187
188
190
191
192
193
194
195
196
197
198
199
723
959
Item
Edward III Sword
Medici Falchion
Writhen Parrying Dagger
Medieval Knife
Milanese Rapier
German Rapier
Cavalier Rapier
Elizabethan Court Dagger
Bohemian Broadsword
Italian Three Ring Rapier
Bavarian Rapier
French Rapier
Two Ring Rapier
Hilt Blueing
Wallace Cut Steel Dag
Fechtbuch Sword
French Medieval Sword
Elizabethan Rapier
Oakeshott Sword
Town Guard Sword
High Gothic Mace
English Longsword
Durer Bastard Sword
German Parrying Dagger
Milanese Parrying Dagger
Gustav Parrying Dagger
Wallace Ballock Set
Italian Stilleto
Sword in Hand
Price
S/H
1090.00 38.00
1250.00 38.00
315.00 18.00
90.00 12.00
920.00 40.00
890.00 40.00
1020.00 40.00
discontinued
820.00 38.00
790.00 40.00
790.00 40.00
820.00 45.00
830.00 45.00
75.00
discontinued
460.00 38.00
740.00 32.00
discontinued
760.00 32.00
860.00 40.00
345.00 28.00
760.00 36.00
790.00 38.00
290.00 18.00
295.00 18.00
310.00 18.00
640.00 22.00
discontinued
44.00 12.00
Please allow 8 to 10 weeks when ordering.
Each item is hand made by a small number of craftsmen. We often
have items available for immediate shipping but these will vary
from day to day. Give us a call or email to see what is ready to go.
We gladly accept the following forms of payment- Cash, Money
Orders, Personal Checks, Visa, Master Card, Wire Transfers, and
Bank Transfers. We can also arrange payments via Western Union
on special request, please email or call for details.
Our preferred transaction is via credit card, which is charged at the
time of shipping the finished item. We would be happy to handle
your particular purchase in the way most convenient to you and if
you have any questions please do not hesitate to contact us.
If you are interested in making payments on a purchase over
$200.00, we suggest the following option. An initial 25% down at
the time of ordering and the remainder divided into 4 equal
payments and paid in full in 4 months time. It is the responsibility
of the customer to make these payments in the time required.
There is a fee of 15% of the total order to cancel these orders after
the deposit is made.
We look forward to making your purchase from Arms & Armor a
pleasant experience.
Contact us at:
Arms & Armor Inc.
1101 Stinson Blvd NE
Minneapolis MN 55409
1 800 745 7345 Order Line
612 331 6473
aa@armor.com
Made in the U.S. with American Labor
WWW.ARMOR.COM
Arms & Armor Inc.
1101 Stinson Blvd.
Minneapolis, MN 55413
(612) 331-6473
a a @ armor.com
ORDER VIA E-MAIL
Toll Free Order Line
1-800-745-7345