THE 2007 NATIONAL
MUSIC COMPETITIONS
FOR YOUNG ARTISTS
Balik-tanaw para
sa Kinabukasan
(Looking Back Towards Tomorrow)
Ang Pamana ng NAMCYA sa Mundo
Handbook of rules
and regulations
Contents
INTRODUCTION
i
MESSAGE FROM THE CHAIRMAN
ii
MESSAGE FROM THE DIRECTOR
iii
GENERAL REGULATIONS
1
CHOIR COMPETITION: Children
7
PIANO COMPETITION – Category C
12
PHILIPPINE TRADITIONAL ENSEMBLE – Category A
18
SOLO VOICE - Category C
20
SOLO VOICE Category C
26
High School RONDALLA
35
DANCE [BALLET] (Junior Category)
38
BOARD OF DIRECTORS
42
A
INTRODUCTION
s the National Competition for Young Artists (NAMCYA) forges
ahead on its 34th anniversary, we look back at the past 33 years that
strengthened the foundation for the fulfillment of its goals – to discover
and develop outstanding young Filipino musicians around the country.
The NAMCYA has been instrumental in inspiring countless artists from all
seventeen regions in the Philippines – many of whom we now recognize as
accomplished performers, doing the country proud all over the globe.
This year, NAMCYA commemorates the past in celebration for a hope-filled
future, with the theme “Balik-tanaw Para sa Kinabukasan: Ang Pamana ng
NAMCYA sa Mundo.” We remain steadfast in our commitment to hone the skills
of talented young Filipinos, while highlighting past winning Filipino compositions
– masterpieces that deserve recognition and appreciation from today’s generation.
We strongly believe that by embracing the Philippines’ unique culture and
heritage, the Filipino is well-equipped to become world-class.
NAMCYA 2007 eagerly awaits fresh, young artists competing in the following
categories:
Choir (Category A)
Piano (Category C)
Voice (Category C)
Traditional Music Ensemble (Category A)
High School Rondalla
Junior Ballet
MESSAGE FROM THE CHAIRMAN
T
here is no denying the impact of music in the culture
of the Philippines. It is one of the backbones that
herald the distinctiveness of our heritage, resonating the
invigorating fusion of numerous cultures that melded
together to form our uniquely dynamic ethos.
We at NAMCYA echo this truth in our mission to
discover and develop outstanding young Filipino
musicians all over the country. In our over three
decades of existence, we have fostered a solid foundation through an unwavering
commitment to realizing this goal. Through the years, we have witnessed musical
greats that traced their beginnings in the NAMCYA, and are now paving the way
for the Filipino musical talent to be recognized around the world.
As we come to our 34th year, we continue to provide a prestigious venue that
allows young artists to freely express themselves through music, and have the
opportunity to be part of an elite roster of vibrant talents hand-picked from
hundreds of aspirants all over the archipelago.
This year, we go beyond seeking and bringing out the most talented musicians from
the seventeen regions of the Philippines. We go back to our roots and the pillars
of our foundation as inspirations for the future. We bring the focus to the original
compositions that have left an indelible mark on the Filipino music culture to
cultivate awareness and appreciation of our heritage among our promising youth.
On behalf of NAMCYA, we thank you for your enduring support and unrelenting
faith in our advocacy of harnessing young musical talents in the country. We
will continue to be steadfast in our commitment to fulfill the dreams of aspiring
Filipino musicians. And we remain hopeful that all nations around the globe,
including our very own, will give greater recognition for the world-class talents
of the Filipino.
.
Veronica L. Tapia-Merk
Chair, NAMCYA 2007
ii
MESSAGE FROM THE DIRECTOR
I
f the NAMCYA were to write its lexicon, the
definition of the “Young Musician” contained therein
would be “hope”. It is in the endeavors towards beauty
and sublimity through the creation and re-creation of
great works of music that can be found the evidences of
a human goodness and truth in one of its most pure – if
not purest – manifestations.
Through more than three decades, the NAMCYA hand
in hand with the Cultural Center of the Philippines and the National Commission
for Culture and the Arts has tirelessly provided avenues for the uncovering and
discovering of these young Filipino individuals in whom are embodied the
undimmed vision of a future that strives only to achieve the most invaluable yet
most intangible revelations of all that is best in humankind.
In this year, more partners have extended their assistance and cooperation to what
is essentially an effort towards the crystallization and distillation of a hope that
our young artists will not only be the beacons lighting our paths towards a world
of mutual respect and understanding through music, but shining examples as well
of a universal oneness rooted and grounded in a common revelation of the divine
that lives in all our minds and souls, waiting always and only for the opportunities
to express itself.
The NAMCYA thanks you for your support and faith. Above all it thanks you for
the gift of hope that you bestow upon it, year after year. One looks back at the
achievements of the past only to be enabled to look forward to the possibilities of
the future.
Mabuhay ang mga lumilikha at nagbibigay-buhay sa musika at sining ng
Pilipinas at ng Pilipino.
Dr. Ramon “Montet” Acoymo
Director, NAMCYA 2007
iii
National Music Competition for Young Artists (NAMCYA) 2007
GENERAL REGULATIONS
1.
The Competition is open to all Filipino citizens residing in the Philippines.
2.
All officers and personnel of the CCP and the NAMCYA are excluded
from participation in the competitions.
3.
Accommodations in and at the competition site as well as meal allowances
4.
THE DECISION OF THE BOARD OF JUDGES IS FINAL.
5.
No contestant or contestant’s representative shall contact in any way or
A.
Important Competition Terms
and city transport during the National Competition shall be provided by
the NAMCYA. Transportation and other expenses between the region and
Metro Manila shall be borne by the participants.
manner any of the judges in connection with critiques or ratings. Judges’
ratings and critiques on individual performances will be made available
by the Regional or National Secretariats upon the written request (at the
earliest one week after the Winners’ Concert Night) by the contestant(s)
concerned.
1.
Instrument
An Instrument is any one of the six performance disciplines which
are considered “in competition” for this year: Voice, Piano, Choir
(Choral Music Performance), Rondalla, Traditional Music and Dance
(Ballet).
2.
Category
3.
Region
A Region is one of the 17 geographical areas from which competitors
A Category is an age range and/or limits within which (a) legitimate
competitor/s in each instrument can be allowed to compete.
enter into the first level of competition.
2007 NAMCYA
4.
Regional Competition
A Regional Competition is the first level of competition. This
first level is accomplished by the submission of a video format
acceptable to the NAMCYA. Only VHS, VCD and DVD formats are
acceptable.
5.
Regional Center
6.
Regional Center Competition
A Regional Center is one of four (4) geographical areas to which
qualifiers from the Regional Competition proceed to compete in
“live” in-person performances.
A Regional Center Competition is the second level of competition.
Qualifiers from the Regional Competition (called “Regional
Winners”) proceed to three Regional Centers assigned to these
qualifiers.
a.
The Regional Centers for Mindanao are:
1.) Davao City: for Dance (Ballet) qualifiers; and
2.) Cagayan de Oro City: for all other Instruments
b.
The Regional Centers for the Visayas are:
1.) Iloilo City: for Dance (Ballet) qualifiers; and
2.) Cebu City: for all other Instruments
c. There are two (2) Regional Centers for Luzon:
1.) a. Metro-Manila Regional Center Southern Luzon
will accommodate the regional competitors from
Regions IV-A and V.
b.Metro-Manila Regional Center Central Luzon
will accommodate the regional competitors from
Regions NCR, III and IV-B.
2.) Baguio City Regional Center Northern Luzon
will accommodate the regional competitors from
Regions I, II and CAR.
2007 NAMCYA
The Regional Center Competition for each Instrument is adjudicated by a panel
designated by the NAMCYA. The qualifiers from this second round (called
“Regional Center Winners” and “National Finalists”) proceed to Metro-Manila
for the final round of competition.
Regional Center Winners are strongly encouraged to participate in the Regional
Center Workshop Sessions prepared for them by the Regional Competition
adjudicators to better prepare them for the National Competition. The Sessions
shall be held on the second day of every weekend of every Regional Center
Competition. Space and logistics allowing, the Session may also be a Master
Class for Regional Winner observers who do not qualify for the National
Competition.
7.
National Competition
The National Competition is the third and final round of competition.
This round shall be held on specific designated dates at the Cultural
Center of the Philippines. The National Panel of Adjudicators for
each Instrument reserves the right to award any number of winners’
“places” (if any) within the designated Instrument competition
parameters for judging.
Competitors who garner winners’ “places” in this (final) round shall
be called “National Winners”.
B.
Parameters, Guidelines, Rules and Regulations Common to all
Instruments
1.
The Admissions Packet Submission
The Admissions packet containing only and all specified required
materials must reach the NAMCYA Secretariat by mail, courier or
personal delivery before 5:00 pm on Wednesday, August 15, 2007.
The NAMCYA will not be responsible for any circumstances which
prevent the arrival of this packet by the designated deadline. The
submission of an incomplete Admissions Packet automatically
disqualifies the potential individual or group competitor from entry
into the competition.
2007 NAMCYA
2.
The Admission Packet Contents
a. The Regional Competition for all Instruments shall be
undertaken by the submission of two (2) copies of a VHS,
VCD or DVD format by mail, courier or personal delivery
to the NAMCYA Secretariat containing only the required
performance-related contents specified by the particular
Instrument guidelines.
This format submission must be labeled with:
1.) the name of the individual or group competing; and
2.) the Instrument of the competitor/s.
b.
A non-refundable Registration Fee of 500.00 Philippines Pesos
to the designated account number of the NAMCYA Secretariat.
Two (2) photocopies of the deposit receipt must accompany the
Admissions Packet.
c.
Ten (10) identical copies of a colored photo (3” x 5” or 4” x 6”)
with the name and Instrument of the competitor written in ink
on the back of the photo. In the case of a group competitor the
name/s of the musical leader, musical director and/or conductor
with his/her/their specific designation/s within the group must
also be indicated.
For individual Instrument competitors:
The photos must include only the performer
For group Instrument competitors:
1.) The photos must include only and all the performers
(including the accompanist/s and the conductor) who shall
be included in the VHS, VCD or DVD format submitted
in the Admissions Packet
2.) No addition and/or substitution of performers,
accompanists and conductors is allowed at any point
whatsoever from the Regional, Regional Center and to
the National Competition. Diminution of the number of
members to a point below the required minimum set by
the Instrument rules automatically disqualifies the group
from the competition.
2007 NAMCYA
d.
Ten (10) identical copies of the Official NAMCYA Application
Form
All the copies must be signed in original ink by competitor (in the case of
an individual Instrument competition) or (in the case of a group Instrument
competition) the individual who is designated by the group as empowered to
make decisions on the group’s behalf.
INDIVIDUAL INSTRUMENT COMPETITIONS SHALL HAVE
“ADDITIONAL AND SPECIFIC GUIDELINES, RULES AND
REGULATIONS”. PLEASE REFER TO THESE AND COMPLY WITH
THEM AS WELL.
INCOMPLETE APPLICATION PACKETS WILL NOT BE PROCESSED.
C.
The Competition Timetable
Within a reasonable time allowance for the NAMCYA to inform the
competitors of any necessary changes (if any), the following timetable for the
competition shall be followed. (All dates are in the year 2007.)
August 15:
Deadline for Admissions Packets to reach
the NAMCYA Secretariat
September 15-16:
Regional Center IV Competition
(Mindanao Regional Center for all
regions in Mindanao) Davao (Dance);
Cagayan de Oro (all other instruments)
September 22-23:
Regional Center III Competition (Visayas
Regional Center for all regions in the
Visayas) Iloilo City (Dance); Cebu City
(all other instruments)
September 29-September 30:
Regional Center I Competition (Northern
Luzon regions):
Baguio City*** (for all instruments)
2007 NAMCYA
October 6-14:
Regional Center II Competition
(Central and Southern Luzon regions)
Metro‑Manila (for all instruments)
October 6-7:
Regional Center II-b Competition for
Southern Luzon regions*
October 13-14:
Regional Center II-a Competition for
Central Luzon regions**
*Regions IV-A and V
**Regions NCR, III and IV-B
***Regions I, II and CAR
November 20-25:
November 20:
November 21:
November 22:
November 23:
November 24:
November 25:
National Competition and Festival
Choir (Choral Music); 7 pm, CCP Main Theater
Piano: 6 pm, CCP Main Theater
Voice: 7 pm, CCP Main Theater
Traditional Music Performance
(Non‑competitive); 4 pm,
CCP Little Theater
Rondalla: 7 pm, CCP Main Theater
Dance (Ballet); 7 pm, CCP Little Theater
Concert of National Winners; 7 pm, CCP
Main Theater
ADDITIONAL DATES TO REMEMBER:
1.
Second week of July: Release of Music Pieces by the Regional
2.
Third to last week of August: Release of Results of Regional Competition
2007 NAMCYA
Coordinators
NAMCYA 2007
CHOIR COMPETITION: Children
ADDITIONAL AND SPECIFIC GUIDELINES, RULES AND
REGULATIONS
1.
Eligibility and Membership
1.1 The competition is open to all children’s choir based in school,
church or a community and whose membership comes from:
a.
Filipino citizens currently enrolled in the elementary level, but
whose ages do not exceed 14 years as of November 25, 2007.
b.
Out-of-school Filipino citizens of elementary age but not
exceeding 14 years as of November 25, 2007.
1.2 Membership is limited to a maximum of thirty (30) singers, one
(1) accompanist and one conductor. Additional accompanist/
instrumentalists as may be required by any of the pieces should come
from within the choir.
1.3 Conductors and singers can perform with one choir only in all the
competition levels (regional, regional center and national).
1.4 Accompanists can play for more than one choir during the regional
and regional center competitions. However, they can play for one
choir only in the national competition.
1.8 Groups which have previously won in international competitions are
ineligible to enter in the NAMCYA 2007.
2.
Application and Registration
2.1 Participating choirs must also include in the Application Packet the
following:
a.
Ten (10) copies of conductor’s pictures 2”x2”, colored with
name printed at the back
2007 NAMCYA
b.
The corresponding length of time in minutes and approximate
seconds of the two (2) audio-video recorded songs
c.
One copy each of the complete scores of all the music
performed in the video
Video (VHS, VCD or DVD) Mechanics:
ii.
Video-audio recording of the choir performing two (2) songs
from their existing repertoire, preferably contrasting in style
and character.
iii. Recording must be done in any enclosed venue, classroom
or auditorium, which is reasonably “sanitized”, insulated and
protected from any unwanted, undesirable or unnecessary
sound/s.
iv.
The video and microphone must be set approximately ten (10)
to twelve (12) meters away from the choir.
v.
All members of the choir, pianist and conductor must be seen
in the video-audio recording.
vi. Professional recording done in a studio, or which has
undergone or been treated to mixing, and/or sound
enhancement procedures will not be accepted.
vii. In the video-audio recording the conductor will state the
following introduction (in the following specific order):
1.
Name of the conductor
2.
Name of the choir
3.
Name of the school, church or community
4.
Name of the region
5.
Name of the principal, church official or head of the
community
viii. After the introduction the conductor will face the choir and
start the performance. (There will be NO CUT from the
introduction to the performance)
2.2 Non-submission or falsification of the above requirements will
constitute valid reason for disqualification.
2007 NAMCYA
3.
Repertoire Requirements
3.1 Regional (Video) Competition
Any two songs from the choir’s existing repertoire, preferably
contrasting in style and character
3.2 Regional Center Competition
A. The Swing (Robert Louis Stevenson, Hawley Ades)
1974 regional contest piece for children’s choir competition
B.
One Regional Song or arranged piece of a regional song
C.
Naku…Kenkoy! (R. G. Ramos, N. Abelardo arranged by Nick R. Pacis)
1993 commissioned contest piece
3.3 National Competition
A.
One obligatory work from the Renaissance chosen from the
following:
i.
Illumina oculos meos. Music by Giovanni Pierluigi da
Palestrina, edited by John Leavitt
ii.
O crux benedicta. Music by Claudio Monteverdi, edited
by Philip Ledger
iii. Fire, Fire, My Heart. Music by Thomas Morley, arranged
by Jerry Weasley Harris
B. One obligatory work from the Romantic era chosen from the
following:
i. May Song. Music by Franz Schubert, edited and
translated by Doreen Rao
ii. How lovely is your dwelling. Music by Felix
Mendelssohn, arranged by Ronald A. Nelson
iii. O Lord, most merciful. Cesar Franck, arranged by K.K.D.
2007 NAMCYA
C.
One Philippine choral work preferably (but not necessarily)
representative of the folk or indigenous music of the region
where the choir comes from.
D.
One contemporary Filipino music from the NAMCYA
Commissioned works:
i. ABAKADA PAHPAHLA. Music by Ramon P. Santos
1976 commissioned contest piece
ii.
Pokpok alimpako. Music by Francisco F. Feliciano
1981 commissioned contest piece
iii. Tong togodong. Music by Ramon P. Santos
1977 commissioned contest piece
3.4 Transpositions or any other versions of the competition pieces are not
allowed.
3.5 Choral and instrumental requirements of the score must be observed
strictly.
4.
Performance
4.1 Participating choirs must come to the competitions in simple attire
without any school or any other identifying marks.
4.2 All competing choirs must sing the prescribed and submitted
repertoire completely with no substituted works during the actual
competitions.
4.3 Choreography may be allowed if the movements form an integral
part of basic structure of the compositions (e.g. hand claps, foot
stomps, body percussions, etc.)
4.4 No child conductor is allowed.
10
2007 NAMCYA
4.5 Accompaniment is limited to piano, guitar, or other instruments
specified in the score. Use of any electronic instruments and or
recorded accompaniment (minus-one) is not allowed.
4.6 Singing time for each choir is limited to 15 minutes. This time limit
does not include pauses between numbers.
2007 NAMCYA
11
NAMCYA 2007
PIANO COMPETITION – Category C
ADDITIONAL AND SPECIFIC GUIDELINES, RULES AND
REGULATIONS
1.
Application and Registration
In addition to the common requirements of the Application Packet, the
following must be submitted in the same packet by or on the same deadline:
a.
Two photocopies of the competitor-applicant’s birth certificate
b.
Repertoire list from the repertoire requirements. The submitted list
c.
cannot be changed, altered or otherwise modified after August 15,
2007 without written consent from the NAMCYA Piano Competition
Chair. This change, alteration or modification is a privilege if at all
granted, and not a right.
Non-compliance or falsification of the any of the NAMCYA and
Piano Competition requirements shall be sufficient grounds for
disqualification.
d. Approximate performing time of each work must be indicated, as
provided for in the Application/Registration Form.
2.
Age eligibility
A contestant in the Piano Competition must be 20 years old at the
minimum and 25 years old at the maximum. S/he must not reach the age of 26
by/on November 25, 2007. This means that if the contestant will turn 26 on that
date s/he is not eligible to enter as a competitor in this year’s event.
Two photocopies of the applicant-competitor’s birth certificate must
accompany the Application Packet.
12
2007 NAMCYA
3.
Video (VHS, VCD or DVD) performance [Regional Competition
Performance]
a.
The performance must consist of at least 10 minutes and no longer
than 30 minutes of performed music. Pauses in between numbers are
not considered in these limits.
b.
The video recording must have been done in any enclosed venue
c.
The video recording must not have undergone or been treated in a
d.
In the video recording the performer will (in the following exact
(room, classroom, auditorium, etc.) which is reasonably “sanitized”
or protected from the intrusion of unwanted, undesirable and/or
unnecessary sound/s.
studio. The actual and ambient sound must not have been mixed,
enhanced or otherwise modified from the original sound created in
the enclosed venue.
order):
1.)
state his/her name and Region; then
2.) immediately begin the performance.
No cut or editing will be allowed between the introduction and the
beginning of the performance. No cut or editing will likewise be allowed
between the numbers in/of the performance
4.
Repertoire and Performance Requirements
a. Selected pieces that may be in the list of examples may be accepted
if they have the same or higher levels of difficulty; and only upon the
written approval of the Piano Competition Chair.
b. Competitors may select their program sequence for the different
rounds. The Concerto, however, must be the Finale of the National
Competition Round.
2007 NAMCYA
13
c. Contestants who play works different from the official repertoire list
they have submitted (by August 15) or who play works different from
the official repertoire list without the written consent of the Piano
Committee Chair shall be disqualified.
d. A Filipino piece with the same level of difficulty may be substituted
for either one, but not both, of the Romantic or 20th century piece.
Please see the list of suggested repertoire.
e. The Sonata and Concerto must be by a different composer.
f. Contestants may select their program sequence for the different
Rounds, except for the Concerto which must be the finale of the Final
Round.
g.
5.
All works shall be performed from memory. Only pieces originally
written for the Piano will be allowed to be performed at any round of
the competition.
Repertoire List
a. A substantial work of J.S. Bach with suggestions from the following:
1.) 4 or 5-voiced Prelude and Fugue from Well-Tempered Clavier
Books 1 or 2.
2.) Toccatas, Partitas, English Suites, French Suites, Italian
Concerto, Chromatic Fantasy and Fugue, French Overtures,
Capriccio on the Death of a Beloved Brother.
3.) Transcriptions by Busoni, Tausig or Liszt.
b. A complete Sonata, with suggestions from the following:
1.)
Haydn – Hob. XVI: 20, 23, 32, 46, 48, 50, 52.
2.) Mozart – K. 280, 281, 284, 310, 311, 330, 331, 332, 333, 457,
533, 570, 576.
3.)
14
Beethoven – any Sonata except op. 14 nos. 1 and 2; op. 49 nos.
1 and 2; op. 79.
2007 NAMCYA
e.
4.)
Schubert – D. 537, 664, 784, 845, 850, 894, 958, 959, 960.
5.)
Clementi – op. 7 no. 3, op. 13 no. 6, op. 25 no. 5, op. 40 no. 2,
op. 40 no. 3, op. 50 no. 3.
6.)
Any Romantic sonata by Chopin. Liszt, Brahms, Weber,
7.)
Any 20th century sonata by Berg, Bartok, Prokofieff, Scriabin,
Grieg, Tchaikovsky or Rachmaninoff.
Ginastera, Hindemith, Ives or Barber.
One virtuoso etude, with suggestions from the following:
1.)
Chopin – except op. 10 no. 3, op. 10 no. 6, op. 25 no. 7 and
Posthumous.
2.) Liszt – Transcendental or Paganini.
3.)
Scriabin, Rachmaninoff, Mendelssohn, Moszkowski, Ligetti,
Saint-Saens, Stravinsky or Debussy.
d. One Romantic work, or group of works from a composer’s set
(e.g. three pieces from Schumann’s Kreisleriana) lasting at least 5
minutes, with suggestions from the following:
1.)
Chopin – Ballades, Scherzi, Fantasie in Fm, Barcarolle,
Polonaises.
2.) Liszt – Mephisto Waltz, S;panish Rhapsody, Hungarian
Rhapsodies, Annees de Pelerinage, Harmonies Religieuses.
3.)
Schubert – Wanderer Fantasy
4.)
Brahms – Variations, Klavierwerke op. 116-119.
5.)
Schumann – Fantasiestucke, Fantasie in C, Carnaval,
Kreisleriana, Papillons, Davisbundlertanze, Symphonic
Etudes, Faschingswank aus Wien, Abbegg Variations,
Noveletten, Nachtstucke, Humoreske.
6.)
Mendelssohn – Variations Serieuses, Rondo Capriccioso.
2007 NAMCYA
15
e. 7.)
Rachmaninoff – Variations, Moments Musicales.
8.)
Albeniz – Iberia
9.)
Granados – Goyescas
One 20th century work, or group of works from a composer’s set (e.g.
two pieces from Ravel’s Le Tombeau de Couperin) lasting at least 5
minutes, with suggestions from the following:
1.)
Prokofieff – Vision Fugitives, Toccata, Four Pieces op. 4.
2.) Bartok – Out of Doors Suite, Suite op. 14.
f. 3.)
Barber – Excursions.
4.)
Stravinsky – Three Movements from ‘Petrouchka’.
5.)
Ravel – Jeux d’Eau, Gaspard de la Nuit, Miroirs, Le
Tombeau de Couperin, Valses Nobles et Sentimentales.
6.)
Debussy – L’isle Joyeuse, Images Bk. 1 or 2, Pour le Piano,
7.)
Scriabin – Vers la Flamme, Allegro Appasionato
8.)
Messiaen – Ile de Feu 1 and 2
Estampes.
A complete Concerto, with suggestions from the following:
1.)
Mozart (except nos. 1-4)
2.) Beethoven
3.)
4.)
g.
16
Chopin, Liszt, Tchaikovsky, Rachmaninoff, Schumann,
Macdowell, Saint-Saens, Brahms.
Prokofieff, Bartok, Gershwin, Barber, Kabalevsky (1 or 2),
Ravel, Khachaturian, Scriabin
Contest Piece: Emotions No. 3 by Alfredo Buenaventura
2007 NAMCYA
h. List of Filipino Compositions:
6.
Abejo, Sr. Rosalina
3rd Philippine Rhapsody
Buencamino, Francisco
Kumintang
Larawan
Cayabyab, Ryan
Toccata
Custodio, Bernardino F.
Pauli-uli
Federizon, Ruben
Toccata
Rodis, Jose V. Rippling Waters
Santos, Ramon P. Abot-Tanaw III
Pal-ok
Tupas, Benjamin
Toccata
Repertoire Requirements per Level or Round
a.
REGIONAL (VIDEO SUBMISSION):
1.)
Bach piece.
2.) One etude.
3.)
b.
Choice of Romantic / 20th century piece.
REGIONAL CENTER (LIVE/IN-PERSON):
1.)
Complete Sonata.
2.) Contest piece.
3.)
c.)
Choice of Romantic / 20th century piece not performed in
Preliminary Round.
NATIONAL (FINALS):
1.)
Solo programme from submitted works lasting between
20‑25 min.
2.) Complete Concerto
Competitors must bring their own accompanists for the Concerto
2007 NAMCYA
17
NAMCYA 2007
PHILIPPINE TRADITIONAL ENSEMBLE – Category A
SPECIFIC AND ADDITIONAL GUIDELINES, RULES AND
REGULATIONS
1. Performance
Each participating group may present a Philippine musical performance
tradition from their cultural community or barangay in line with this year’s
theme “Balik-tanaw para sa Kinabukasan – Ang Pamana ng NAMCYA sa
Mundo” (Looking Back Towards Tomorrow).
1.1 The performance may include singing, instruments, movement and
spoken text.
1.2 For the competition at all levels, the performance duration should not
exceed 15 minutes, including entrance and exit.
1.3 Participating groups are encouraged to maintain the authenticity of
the tradition as reasonably as possible.
1.4 Traditional attire is recommended.
1.5 The use of recorded music, recorded sound or recorded voice is not
allowed.
1.6
Simple and light stage props may be used provided these are vital to
the performance.
N.B. 1. A cultural community is defined as a social group identified by an
ethnic heritage, a common language and a set of cultural practices.
2. A barangay refers to a socio-political group, not necessarily having
a common ethnic background or language, but participating in some common
traditional cultural practices.
18
2007 NAMCYA
2.
Eligibility and Membership
2.1 The festival is open to all existing school, church or community
ensembles whose members are currently enrolled in elementary
schools.
2.2 Ensemble membership should be between four (4) to fifteen (15)
members, one director or leader, and if necessary, one (1) assistant
director.
3.
Application and Registration
3.1 In addition to the common requirements of the Application Packet,
participating ensembles must submit to the NAMCYA Secretariat
not later than August 15 a one-page type-written (at least 300
hundred words) description of the performance. The essay should
include background and historical information of the group and the
performance and performance tradition.
3.2 Non-submission or falsification of any or all of the aboverequirements automatically disqualifies the applicant.
4.
Selection of Festival Performers
4.1
4.2
The judges may choose to qualify one or more ensembles (or none)
from each Region or Regional Center.
Groups that qualify will be featured in special performances during
the NAMCYA National Finals in Manila.
2007 NAMCYA
19
NAMCYA 2007
SOLO VOICE - Category C
ADDITIONAL AND SPECIFIC GUIDELINES, RULES AND
REGULATIONS
1.
2.
Divisions for Solo Voice:
a.
FEMALE
b.
MALE.
There shall be no Division for Male Alto or Counter-tenor.
Eligibility
2.1 FEMALE Contestants must be at least 18 years old but not more than
27 years old as of 15 August 2007.
2.2 MALE Contestants must be at least 18 years old but not more than
29 years old as of 15 August 2007.
3.
Repertoire
The Contestant must prepare a repertoire of six (6) songs, herein called the
SUBMITTED REPERTOIRE LIST. This list must consist of:
•
Contest Piece
•
3 songs chosen from the Required Repertoire List provided by the
•
Competition; and
2 songs, free choice (may or may not be taken from the Required
Repertoire List).
All the following genres/types/classifications must be represented in the
competitor’s repertoire:
•
Contest piece (for Female OR Male Category)
•1 Opera Aria OR Concert Aria
20
2007 NAMCYA
•1 German Lied
•1 Oratorio Aria
•1 Art Song (excluding German), composed between 1780 and 1930
Neapolitan Songs will not be considered as part of this classification.
•1 Filipino Art Song
Filipino folksongs arranged by Lucio San Pedro, Lucrecia Kasilag, Ryan
Cayabyab, Eliseo Pajaro, Restie Umali and Augusto Espino will be
accepted.
(Please see SAMPLE of SUBMITTED REPERTOIRE LIST attached to
the Required Repertoire List.)
Piano-vocal scores for the Contest Piece and the songs contained in the
Required Repertoire List are available from the National Secretariat,
Regional Centers and Regional Coordinators. The date for this
availability shall be announced shortly.
No changes in the SUBMITTED REPERTOIRE LIST will be permitted
once it has been received by the National Secretariat.
Only songs taken from the SUBMITTED REPERTOIRE LIST may be
performed in all rounds of the Competition.
For clarification and/or confirmation of song selections, contestants may
email inquiries to namcya.voice@gmail.com before finalizing their
SUBMITTED REPERTOIRE LIST.
All songs must be performed memorized.
4.
5.
Proper concert or formal attire must be worn in all rounds of the
competition.
Only BODY MOVEMENT is allowed.
Choreography, Blocking or Staging is not permitted.
2007 NAMCYA
21
6.
Accompanists
•
7.
For the Regional, Regional Center and National Final Rounds,
Contestants must provide their own Accompanists, who should be
the same for all rounds.
Application Requirements
In addition to the Common Application Packet requirements, the following
must be received by the National Secretariat on or before 15 August
2007.
a.
Applicant’s Birth Certificate (2 copies).
b.
Written Recommendation of Voice Teacher OR Music Teacher OR
c.
Vocal Coach for qualification and approval of repertoire (5 copies
– one original and 4 photocopies).
The SUBMITTED REPERTOIRE LIST (all original, 10 copies) must
be printed on LETTER sized bond paper, in ARIAL font, font size
12, and must include:
Name of Contestant
Age of Contestant
Voice Classification
Region Represented
(for each song)
Song Genre/Type/Classification
Name of Composer,
Title Of Large Work (Opera or Oratorio), and
Title Of Song.
Signature over Printed Name of Contestant
22
2007 NAMCYA
d.
8.
Videorecording of three (3) songs chosen from SUBMITTED
REPERTOIRE LIST. (See REGIONAL COMPETITION).
COMPETITION PROPER
8.1 REGIONAL COMPETITION ROUND (VIDEOTAPED)
8.1.1 Contestants must submit a video of three (3) songs from the
SUBMITTED REPERTOIRE LIST. These three songs shall
consist of:
•
two (2) songs taken from the REQUIRED REPERTOIRE
LIST; and
•
one (1) song, free choice.
Songs may be performed in the Contestant’s order of preference.
8.1.2 Contestants must choose a location with adequate acoustics
(ex. classroom, social hall or auditorium). Contestants using
artificial amplification (use of a sound system) or enhancement
(digital editing) in their submitted videos will be automatically
disqualified. Engineered videorecordings (dubbed or spliced
audio) are also strictly prohibited.
8.1.3
Accepted video formats are VHS, VCD OR DVD.
8.1.4
Videos must be received by the National Secretariat
on or before 15 August 2007.
8.1.5 Only persons appearing in the submitted videos
(Contestant and Accompanist) will be allowed to perform in the
subsequent rounds.
8.1.6 Submitted videos will be screened by a Jury. Contestants who
will qualify for the Regional Competition will be notified by
the National Secretariat.
2007 NAMCYA
23
8.2 REGIONAL CENTER COMPETITION
REPERTOIRE (all taken from the Submitted Repertoire List)
Contestant must be prepared to sing three (3) songs consisting of the
following:
•
one (1) song of the Contestant’s choice; and
•
two (2) songs to be chosen by the Jury.
Songs may be performed in the Contestant’s order of preference.
Contestants will be informed of the Jury’s song choices one hour
before the competition round begins.
Winners of the Regional Center Competition will participate in
workshops to be conducted by members of the Jury the next day.
8.3 NATIONAL COMPETITION
8.3.1 The National Competition will take place at the Cultural Center
of the Philippines.
8.3.2 Repertoire (all taken from the Submitted Repertoire List)
Contestant must be prepared to sing four (4) songs consisting of the
following:
•
Contest Piece
•
one (1) song of the Contestant’s choice.
•
two (2) songs to be chosen by the Jury.
Songs may be performed in the Contestant’s order of preference.
Contestants will be informed of the Jury’s song choices one hour
before the competition round begins.
24
2007 NAMCYA
SAMPLE SUBMITTED REPERTOIRE LIST
Name: JUANA DE LA CRUZ
Age: 26 YRS. OLD
Voice Classification: MEZZO SOPRANO
Region Represented: NCR
1.
CONTEST PIECE: SA UGOY NG DUYAN
Composer: LUCIO D. SAN PEDRO
2.
OPERA ARIA (from Required Repertoire List)
Composer: Giuseppe Verdi
Opera:
Don Carlo
Title of Aria:O don fatale
3.
GERMAN LIED (from Required Repertoire List)
Composer: Franz Schubert
Title of Song:
Gretchen am Spinnrade
4.
ORATORIO ARIA (from Required Repertoire List)
Composer: George Frederic Handel
Oratorio:
The Messiah
Title of Song:
O thou that tallest good tidings to Zion
5.
ART SONG (free choice)
Composer: Gabriel Faure
Title of Song:
Apres un reve
6.
FILIPINO ART SONG (free choice)
Composer: Ernani Cuenco
Title of Song:Hangin
2007 NAMCYA
25
NAMCYA 2007
SOLO VOICE Category C
REQUIRED REPERTOIRE LIST
CONTEST PIECE
Sa Ugoy ng Duyan
by Lucio D. San Pedro
(in Soprano, Mezzo Soprano, Tenor and Baritone/Bass keys)
ARIAS
Composer
G. F. HÄNDEL
Opera
SOPRANO
Rinaldo
Giulio Cesare
G. PERGOLESI
W. A. MOZART
La Serva Padrona
Idomeneo
Le Nozze di Figaro
Aria
Lascia ch’io pianga
Cara sposa
V’adoro pupille
Piangero la sorte mia
Stizzoso, mio stizzoso
Zeffiretti, lusinghieri
Porgi amor qualche ristoro
E Susanna non vien!...Dove
sono I bei momenti
Giunse alfin il momento…Deh
vieni, non tardar
Don Giovanni
Cosi Fan Tutte
La Clemenza di Tito
Die Zauberflöte
Venite, inginocchiatevi
Batti, batti o bel Masetto
Vedrai, carino
Mi tradi quell’alma ingrata
In uomini, in soldati
Come scoglio
Una donna quindici anni
Non piu di fiori
Ach, ich fühl’s
O zittre nicht, mein lieber
Sohn
Der Hölle rach
L. V. BEETHOVEN
Fidelio
G. DONIZETTI
L’Elisir d’Amore
26
2007 NAMCYA
Don Pasquale
O wär ich schon mit dir
vereint
Prendi per me sei libero
Quel guardo il cavaliere
La Fille du Regiment
V. BELLINI
G. VERDI
G. PUCCINI
(La Figlia del Reggimento)
Chacun le sait
(Ciascun lo dice)
I Puritani
Qui la voce soave
Un Ballo in Maschera
Volta la terrea
La Sonnambula
Manon Lescaut
La Boheme
Tosca
Madame Butterfly
La Rondine
Suor Angelica
Gianni Schicchi
Turandot
Ah non credea mirarti
Saper vorreste
Morró ma prima in grazia
In quelle trine morbide
Sola, perduta, abbandonata
Mi chiamano Mimi
Donde lieta usci
Quando m’en vo
Vissi d’arte
Un bel di vedremo
Chi bel sogno di Doretta
Senza mamma, o bimbo
O mio babbino caro
Signore, ascolta
Tu che di gel sei cinta
Ecco, respiro appena…Io son
l’umile ancella
F. CILEA
Adriana Lecouvreur
R. LEONCAVALLO
Pagliacci
CH. GOUNOD
Faust
Ah! Je ris de me voir si belle
(Jewel Song)
J. MASSENET
Manon
Je ne suis que faiblesse…
Adieu, notre petite table
J. STRAUSS
Die Fledermaus
Mein Herr Marquis
G. BIZET
G. GERSHWIN
Romeo et Juliette
Carmen
Porgy and Bess
Je veux vivre
Je dis que rien ne m’epouvante
Klänge der Heimat (Csardas)
Summertime
My man’s gone now
What good would the moon
be?
K. WEILL
G. C. MENOTTI
Quel fiamma avea nel guardo…Stridono lassu (Ballatella)
The Medium
Monica, Monica dance the
waltz
2007 NAMCYA
27
MEZZO SOPRANO
Composer
Opera
Aria
H. PURCELL
Dido and Aeneas
Thy hand, Belinda
C. MONTEVERDI
L’Arianna
C. GLÜCK
Paride ed Elena
W. A. MOZART
Le Nozze di Figaro
Orfeo ed Euridice
La Clemenza di Tito
Don Giovanni
Cosi Fan Tutte
Lasciatemi morire
When I am laid in earth
O del mio dolce ardor
Che faro senza Euridice
Voi che sapete
Non so piu cosa son, cosa
faccio
Parto, parto ma tu ben mio
Deh perquesto istante solo
Vedrai, carino
Batti, batti o bel Masetto
Smanie implacabile
E amor un ladroncello
In uomini, in soldati
G. ROSSINI
G. VERDI
L’Italiana in Algeri
Il Barbiere di Siviglia
La Cenerentola
Il Trovatore
Don Carlo
P. MASCAGNI
Cavalleria Rusticana
CH. GOUNOD
Faust
P. I. TCHAIKOVSKY
Jean d’Arc
Romeo et Juliette
Una donna quindici anni
Cruda sorte
Una voce poco fa
Non piu mesta
Stride la vampa
O don fatale
Nel giardin del velo
Voi lo sapete, o mamma
Adieu, forets!
Faites-lui mes aveux
Que fais-tu, blanche tourterelle?
A. THOMAS
Mignon
Connais-tu le pays ou fleurit
l’oranger
C. SAINT-SAENS
Samson et Dalila
Amour! Viens aider ma
faiblesse
J. MASSENET
Manon
Va! Laisse couler mes larmes
Mon coeur s’ouvre a ta voix
Printemps qui commence
28
2007 NAMCYA
G. BIZET
J. STRAUSS
L’amour est un oiseau rebelled
(Habanera)
Carmen
Pres des remparts de Seville
(Seguidille)
Die Fledermaus
En vain pour eviter les reponses
Chacun a son gout
TENOR
Composer
G. F. HÄNDEL
W. A. MOZART
Opera
Aria
Atalanta
Care selve
Serse
Die Zauberflöte
Die Entführung aus dem
Serail
Le Nozze di Figaro
Cosi Fan Tutte
Don Giovanni
G. DONIZETTI
G. ROSSINI
G. VERDI
L’Elisir d’Amore
Don Pasquale
Il Barbiere di Siviglia
La Traviata
Macbeth
G. PUCCINI
Rigoletto
La Boheme
Tosca
Gianni Schicchi
R. LEONCAVALLO
Pagliacci
G. BIZET
Carmen
F. CILEA
L’Arlesiana
Frondi tenere…Ombra mai fu
Dies Bildnis ist bezaubernd
schön
Constanze, Constanze…O wie
ängstlich
Wenn der Freude
Frisch zum Kampfe
In quegl’anni
Un aura amorosa
Dalla sua pace
Il mio Tesoro intanto
Una furtiva lagrima
Quanto e bella
Com’e gentil
Il mio nome saper
Ecco ridente in cielo
Lunge da lei…De miei bollenti spiriti
A la paterna mano
Questa o quella
Che gelida manina
Recondita armonia
E lucevan le stelle
Firenze e come un alberito
fiorito
O Colombina
E la solita storia nell’ pastore
La fleur que tu m’avais jetée
2007 NAMCYA
29
J. HALE VY
La Juive
Rachel, quand du Seigneur
CH. GOUNOD
Romeo et Juliette
Ah! Leve-toi, soleil
G. MEYERBEER
E. LALO
J. MASSENET
L’Africaine
Faust
Le Roi d’Ys
Manon
Werther
A. THOMAS
P. I. TCHAIKOVSKY
K. WEILL
Mignon
Eugene Onegin
Street Scene
Pays merveilleux…O Paradis!
Salut! Demeure chaste et pure
Vainement, ma bien-aimée
Ah! Fuyez, douce image
En ferment les yeux
Pourquoi mes reveiller
Elle ne croyait pas dans sa
candeur naïve
Adieu, Mignon
Kuda, kuda
Lonely house
BARITONE / BASS
Composer
Opera
Aria
W. A. MOZART
Le Nozze di Figaro
Se vuol ballare
C. GLÜCK
Paride ed Elena
O del mio dolce ardor
Non piu andrai, farfallone
amoroso
Hai gia vinta la causa…Vedro
mentr’io sospiro
Tutto e disposto…Aprite un
po quegl’occhi
Don Giovanni
Madamina, il catalogo e
questo
Finch’han dal vino
Ho capito, Signor, si
Cosi Fan Tutte
Die Zauberflöte
Deh, vieni alla finestra
Donne miei
O Isis un Osiris
In diesen heil’gen Hallen
Der Vogelfänger bin ich ja
G. ROSSINI
Il Barbiere di Siviglia
G. DONIZETTI
Don Pasquale
30
2007 NAMCYA
Ein Mädchen oder Weibchen
wünscht Papageno sich
Largo al factotum
A un dottor della mia sorte
La Calunnia
Bella siccome un angelo
G. VERDI
L’Elisir d’amore
Macbeth
Il Trovatore
La Traviata
Don Carlo
G. PUCCINI
La Boheme
R. LEONCAVALLO
Pagliacci
P. MASCAGNI
CH. GOUNOD
J. OFFENBACH
G. BIZET
Cavalleria Rusticana
Faust
Romeo et Juliette
Les Contes d’Hoffmann
Carmen
Ah! Un foco insolito
Come Paride vezzoso
Come dal ciel precipita
Pietá, rispitto, amore
Il balen del suo sorriso
Di Provenza il mar
Ella giammai m’amo
Per me giunto e il di supremo
Vecchia zimarra
Il cavallo scalpita
Si puo? Si puo? (Prologo)
Avant de quitter ces lieux
Le veau d’or est toujours
debout (The Golden Calf)
Serenade
Mab, la reine de mensonges
Scintille, diamante
Votre toast, je peux vous le
rendre (Toreador Song)
GERMAN LIEDER
(Legend: S = Soprano / MS = Mezzo Soprano / T = Tenor / B = Baritone/Bass
Composer
W. A. MOZART
L. V. BEETHOVEN
F. SCHUBERT
Title of Song
Das Veilchen (S/MS/T/B)
Abendempfindung (S/MS/
T/B)
An Chloë (S/MS/T)
Adelaïde (T/B)
Any song from An Die
Ferne Geliebte (T/B)
Gretchen am Spinnrade
(S/MS)
Heidenröslein (S/MS/T/B)
Sei mir gegrüßt (S/MS/
T/B)
Frühlingsglaube (T/B)
Die Forelle (S/MS/T/B)
Du bist die Ruh (S/MS)
2007 NAMCYA
31
Der Tod und das Mädchen
(S/MS)
Ständchen (Horch, horch
die Lerche) (S/MS)
An die Musik (S/MS/T/B)
Ständchen (Leise flehen,
meine Lieder) (T/B)
Auf dem Wasser zu singen (S/MS/T/B)
Lachen und Weinen
(S/MS/T/B)
Nacht und Träume (S/MS/
T/B)
Ganymed (S/MS/T/B)
Der Zwerg (S/MS/T/B)
An die Nachtigall (S/MS/
T/B)
Nachtstück (S/MS/T/B)
Der Musensohn (S/MS/
T/B)
Wohin? (T/B)
Ungeduld (T/B)
Morgengruß (T/B)
Die Junge Nonne (S/MS)
R. SCHUMANN
Erlkönig (S/MS/T/B)
Widmung (S/MS/T/B)
Du bist wie eine Blume
(S/MS/T/B)
Der Nußbaum (S/MS/
T/B)
Seit ich ihn gesehen
(S/MS)
Er, der herrlichste von
allen (S/MS)
Ich kann’s nicht fassen,
nicht glauben (S/MS)
Du Ring an meinem
Finger(S/MS)
Helft mir, ihr Schwestern
(S/MS)
32
2007 NAMCYA
Süßer Freund, du blickest
(S/MS)
An meinem Herzen, an
meiner Brust (S/MS)
Im wunderschönen Monat
Mai (T/B)
Ich grolle nicht(T/B)
Das ist ein Flöten und
Geigen ((T/B)
Ein Jüngling liebt ein
Mädchen (T/B)
Aus alten Märchen (T/B)
Die alten bösen Lieder
(T/B)
J. BRAHMS
R. STRAUSS
Von ewiger Liebe (S/MS/
T/B)
Immer leiser wird mein
Schlummer (S/MS/T/B)
Zueignung (S/T)
Allerseelen (S/T)
Die Nacht (S/T)
Heimliche Aufforderung
(S/MS/T)
Traum durch die Dämmerung (S/MS/T)
Schlagende Herzen
(S/MS/T)
Ich trage meine Minne
(S/MS/T)
ORATORIO
Any piece for solo voice from the following composers and works:
A. VIVALDI
Gloria
J. S. BACH
St. Matthew’s Passio
(Matthäuspassion)
Magnificat
St. John’s Passion (Johannespassion)
G. F. HÄNDEL
Weihnachtsoratorium
The Messiah
Ode for St Cecilia
2007 NAMCYA
33
J. HAYDN
W. A. MOZART
G. ROSSINI
F. MENDELSSOHN
G. VERDI
Jephtha
Die Schöpfung
Exsultate Jubilate (S)
Laudate Dominum (S)
Coronation Mass
Stabat Mater
Petite Messe Solennelle
Elijah
Messa da Requiem
ART SONG composed between 1780 and 1930 (excluding German Lieder)
Composers:
ITALIAN
FRENCH
Gioacchino Rossini
Claude Debussy
Vincenzo Bellini
Giuseppe Verdi
Paolo Tosti
Stefano Donaudy
SPANISH
Enrique Granados
Manuel de Falla
Fernando Obradors
Francois Poulenc
Reynaldo Hahn
Camille Saint-Saens
Maurice Ravel
ENGLISH
Franz Joseph Haydn
John Alden Carpenter
Charles Ives
Benjamin Britten
FILIPINO ART SONG
Composers:
Nicanor Abelardo
Lucrecia Kasilag
Lucio San Pedro
Restie Umali
Francisco Santiago
Felipe Padilla de Leon
Leopoldo Silos
34
2007 NAMCYA
Ernani Cuenco
Angel Pena
NAMCYA 2007
1.
High School RONDALLA
ADDITIONAL AND SPECIFIC GUIDELINES, RULES AND
REGULATIONS
Eligibility and Membership
1.1 Participation is open to all existing school, church or community
rondallas whose members are currently enrolled in secondary
schools.
1.2 Each participating group should be composed of not less than 10 but
no more than 24 playing members; plus 1 conductor.
1.3 Conductor and members can perform with only one group at all
levels of the competition.
1.4 For purposes of the first (regional) level of competition (video
submission) participating rondallas must submit to the NAMCYA
National Secretariat a VHS, VCD or DVD format of its best
performance on or before August 15, 2007. Only those who pass
the screening can move on to the Regional Center and National
competitions.
2.
Application and Registration
In addition to the common Application Packet inclusion requirements the
following must also be submitted:
a.
Two (2) copies of conductor’s picture 2” x 2” colored with the
conductor’s name printed at the back
b.
Complete list of repertoire with the full names of composers/
arrangers and playing time or duration of each piece in minutes and
approximate seconds
c.
One complete copy and/or photocopy of each score (excluding the
contest piece)
2.1 Non-submission or falsification of any or all of the above
requirements automatically disqualifies the applicant.
2007 NAMCYA
35
3.
Repertoire Requirements
3.1 A piece of contestant’s choice not included in the list below.
3.2 One (1) piece from the repertoire A.
3.3 One (1) piece from the repertoire B.
3.4 Contest piece: “Symphonic Medley for Rondalla” by Jerry Dadap.
(Revised Edition)
REPERTOIRE A:
Masayang Kawal
Lucino T. Sacramento
South of the Rio Cayetano L. Rodriguez
Mapayapang Hangad
Manuel San P. Bautista
Bakas ng Kahapon
Salvador R. Imperio
Fiesta Filipina Cayetano L. Rodriguez
REPERTOIRE B:
Amihan
Molina-Pineda
Carmen
Alfredo S. Buenaventura
Hagikhikan
Mary Katherine Trangco
K’libet
Ramon Santos
Manang Biday
Alfredo S. Buenaventura
Maynila Obertura
Angelita C. Pasamba
Mindanao Orchids
Tapales-Culig
Mulawin
Bayani De Leon
Polkalina
Lucio D. San Pedro
36
2007 NAMCYA
4.
Performance
4.1 Pieces must be arranged for at least 4 parts.
4.2 Transposition or any other version of the prescribed repertoires of the
contest is not allowed.
4.3 All pieces must be played from memory by the members of the
ensemble.
4.4 The stage seat plan is fixed, only minor adjustments such as distances
of seats can be allowed.
SEATING ARRANGEMENT
23
1
24
25
26
27
28
29
30
13
14
15
16
17
18
19
20
21
22
2
3
4
5
6
7
8
9
10
11
2007 NAMCYA
12
37
NAMCYA 2007
DANCE [BALLET] (Junior Category)
ADDITIONAL AND SPECIFIC GUIDELINES, RULES AND
REGULATIONS
A. Eligibility
1. For the 2007 ballet competition for juniors, applicants must be
exactly between ages 13 (born 1994) and 18 (born 1989) [inclusive]
on the day of the National Winners Concert on 25 Nov. 2007. Please
submit two (2) reliable copies of birth certificate with application.
2. Girls must dance on pointes for enchainement and classical
variation—which is optional for the original/contemporary entry.
3. For the qualifying (Regional-Video) round, submit a video-film
containing the following:
a)
b)
4. enchainement combination integrating adagio, pirouettes,
petit allegro and grand allegro all in two (2) minutes (all set or
edited together); and
a classical solo variation in appropriate costume.
(The variation need not be the competition piece for the
final rounds.)
A competitor-applicant is required to submit all music recordings
of his/her entry piece two days before the first session day in the
Regional Center and National rounds of competition. These may
be from a piano or available recording. Each piece (classical or
contemporary) must not be more than two (2) minutes.
B. Application and Registration
Only 30 candidates will be admitted to the competition. To be considered for
competition, the following must be submitted with the Application Packet in
addition to the common requirements:
38
2007 NAMCYA
1. Three (3) full-body shots: standing front, standing sideways, and in
1st arabesque. Girls should be dressed in leotards, tights and pointe
shoes. Boys should be attired in white T-shirt and tights.
2. Endorsement of a qualified teacher, written with letterhead of full
address, including telephone, fax and cell-phone.
3. Signed statement that the candidate shoulders accommodation and
travel expenses to attend the Regional Center Competition.
NOTE: Letter of admission to the Regional Center Competition will be
sent back signed as a “conforme” to agree to the rules and procedures of
the competition.
C. General Competition Requirements
1.
Candidates must be born on or between November 25, 1989 and
November 25, 1994.
2.
Learning of a male or female enchainement and classical variation.
3.
Performance of a classical (solo) variation from the list enumerated.
4.
A choice from alternative versions is allowed, to be checked with the
sample music score enclosed.
Enchainements shall have female classes in tights and leotards, and
males in white t-shirts and black tights.
4.1 Contestant must bring a final clean copy of his/her recording,
from piano or from available recordings. Both classical and
original/contemporary variations must not last more than two
(2) minutes.
4.2 CD recording must have classical variation, followed by
contemporary variation. Cassette recording must have each
on Side A and Side B, without any other recording. Recording
must be properly identified.
5. Original/contemporary variation may be performed on pointes or
off-pointes
2007 NAMCYA
39
5.1 Piece must not last more than two (2) minutes
5.2 Hand properties are allowed, provided these are essential to the
Choreography. Heavy props or sets are not allowed, nor any use of
stage cyclorama, legs and curtains.
5.3 A general lighting set-up will accommodate all dances, design
followed as reasonably possible.
REGIONAL CENTER COMPETITION REQUIREMENTS
1.
Performance of a female or male enchainement to be set.
2.
Performance of female or male classical variation. (Need not be entry for
3.
the National Competition)
Performance of original/contemporary piece. (Need not be entry for the
National Competition)
NATIONAL COMPETITION REQUIREMENTS
1.
Performance of female or male enchainement to be set.
2.
Performance of female or male classical variation.
3.
Performance of original or contemporary piece.
REPERTOIRE CHOICES
Female Variations (choose one)
1.
Giselle’s variation from Giselle Act I (overtime of 10 seconds allowed)
2.
Variation from Peasant Pas de Deux from Giselle Act I.
3.
Variation from Pas de Deux in Le Corsaire Act II (overtime of 10 seconds
allowed. Choose variation from versions referred to in music scores).
4.
Swanilda’s variation from Coppelia Act III.
5.
Aurora’s variation from the Sleeping Beauty Act III. (overtime of 5
40
seconds allowed.)
2007 NAMCYA
6.
Sugarplum Fairy variation from the Nutcracker (overtime of 5 seconds
allowed)
7.
First variation from Pas de Trois in Swan Lake Act I.
8.
Third variation from Pas de Trois in Swan Lake Act I.
9.
Odette’s variation from Swan Lake Act II (overtime of 15 seconds allowed)
10. Odile’s variation from Swan Lake Act III. (choose variation from versions
referred to in music scores).
11. Variation from Blue Bird in the Sleeping Beauty Act III.
12. Lise’s variation from La Fille Mal Gardee Act II. (choose variation from
versions referred to in music scores.)
13. Valse (first) from Les Sylphides.
14. Lilac Fairy variation from The Sleeping Beauty (Proloque / Act I in some
classifications).
Male Variations (choose one)
1.
First variation from Peasant Pas de Deux in Giselle Act I.
2.
Third variation from Peasant Pas de Deux in Giselle Act I.
3.
Albrecht’s variation from Giselle Act I.
4.
Variation from Pas de Deux in Le Corsaire Act II.
5.
Basil’s variation from Don Quixote Act III.
6.
Variation from Pas de Trois in Swan Lake Act I.
7.
Siegfried’s variation from Swan Lake Act III.
8.
Blue Bird variation from the Sleeping Beauty Act III.
9.
Desire’s variation (Tarantello) from the Sleeping Beauty Act III.
10. Prince’s variation from the Nutcracker Act II.
11. Mazurka variation from Les Sylphides (traditional or Soviet version).
Note:
The board of judges (based on the number of applicants and ability shown in the
qualifying round by video-film) reserves the right to directly advance a competitor to the
National (final) Competition round to be held in Metro Manila.
2007 NAMCYA
41
BOARD OF DIRECTORS
Chair
Vice-Chair
Secretary
Treasurer
PRO
Program Director
Members
Veronica L. Tapia-Merk
Jose Nuñez
Prof. Mauricia Borromeo
Sr. Maria Anunciata Sta. Ana, SPC
Antonio Hila
Dr. Ramon Acoymo
Alfonso “Coke” Bolipata
Corazon Iñigo
Patricia Licuanan
Renato Lucas
Jonathan Malaya
Edgardo Monteclaros
Pilar Montes
Rebecca Nulod
Nena Villanueva
NAMCYA 2007 CATEGORIES and CHAIRS
Solo Voice Category C
Piano Category C
Children’s Choir
Traditional Music Ensemble
Elementary
High School Rondalla
Junior Ballet
Eugene de los Santos, Chair
Camille Lopez Molina, Co-Chair
Carolyn Kleiner-Cheng, Chair
Charisse Baldoria, Co-Chair
Ma. Lourdes V. Hermo, Chair
Eudenice Palaruan, Co-Chair
Comptroller Accountant/Bookkeeper Cashier
Messenger
Elizabeth B. Ignacio
Chelo T. Perocho
Thelma S. P. Sison
Artemio A. Tolibas
Secretariat
Jose Buenconsejo, Chair
Celso Espejo, Chair
Pacita Narzo, Co-Chair
Esteban Villaruz, Chair
Corazon Iñigo, Co-Chair
Please deposit your registration fee at the NAMCYA bank account:
Equitable-PCI Bank, Century Park Adriatico Branch
Account Name: Music Competitions for Young Artists Foundation, Inc.
Account No.: 1302-00112-6
Fax transaction receipt to NAMCYA: +632 8323701
42
2007 NAMCYA
REGIONAL DIRECTORS AND COORDINATORS
REGION I – ILOCOS REGION
DepEd RO 2500 San Fernando, La Union
Dr. Ligaya Soledad T. Miguel, Director
Mrs. Miriam Najera, Coordinator
Tel. No.: (072) 888 3971
Fax No.: (072) 242 0752
CORDILLERA ADMINISTRATIVE REGION
DepEd RO Wangal, La Trinidad, 2601 Benguet
Mr. Jesus I. Taberdo, Director
Dr. Virginia Lupian, Coordinator
Tel. No.: 422 5153
Fax No.: (074) 442 4074
REGION VII – CENTRAL VISAYAS
DepEd RO ECOTECH, Lahug 600 Cebu
City
Dr. Carolino B. Mordeno, Director
Dr. Vivian Ginete, Coordinator
Tel. No.: (032) 254 7072
Fax No.: (032) 231 1309
REGION VIII – EASTERN VISAYAS
DepEd RO, Gov’t Center, Candahug, Leyte
Dr. Editha P. Jacer, Coordinator
Tel. No.: 323 7031/323 3156/323 7180
Fax No.: (053) 323 3156
REGION II – CAGAYAN VALLEY
DepEd RO Tuguegarao, 3500 Cagayan
Dr. Mario Ramirez
Mrs. Mary Linda Ramos, Coordinator
Tel. No: (078) 844 1587
Fax No.: 844 1862/844 1587
REGION IX – WESTERN MINDANAO
DepEd RO, 7000 Zamboanga City
Dr. Jesus L. Nieves
Mr. Henry Elnas, Coordinator
Tel. No.: (062) 991 1906/991 1907
NATIONAL CAPITAL REGION
DepEd NCR, Misamis St., Bago Bantay, Quezon City
Dr. Teresita G. Domalanta, Director
Mrs. Luzonia Bayot, Coordinator
Tel. No.: 921 5630/926 2233
CARAGA ADMINISTRATIVE REGION
DepEd RO, Butuan City
Dr. Jesusita L. Arteche, OIC
Ms. Thelma Villanueva, Coordinator
Tel. No.: 342 8207/225 5578
REGION III – CENTRAL LUZON
DepEd RO, Maimpis, San Fernando, Pampanga
Dr. Dinah F. Mindo, Director
Dr. Violeta Villanueva, Coordinator
Tel. No.: (045) 961 1774/961 1810
Fax No.: (045) 961 4486
REGION X – NORTHERN MINDANAO
DepEd RO, 9000 Cagayan de Oro City
Dr. Estrella A. Babano, Director
Eleonor Alngohuro, Coordinator
Tel. No.: (088) 856 2793
Fax No.: (088) 272 6574
REGION IV – CALABARZON
DepEd RO Rizal Provincial Capitol Compound
1601 Pasig City
Dr. George R. Garma, Director
Mrs. Fe V. Enguero, Coordinator
Tel. No.: 633 7328
REGION XI – SOUTHERN MINDANAO
DepEd RO, 8000 Davao City
Dr. Diamar P. Kadon, Director
Ms. Thelma Bodikey, Coordinator
Tel. No.: 222 0951/227 9342/222 0940
Fax No.: 222 0951/221 1074
REGION IV – MIMAROPA
DepEd RO, Rizal Provincial Capitol Compound
1601 Pasig City
Dr. Paraluman R. Giron, Director
Ms. Pilar L. Montes, Coordinator
Tel. No.: 632 1835/633 7328
Fax No.: 632 1834
REGION V – BICOL REGION
DepEd RO, 4500 Legaspi City
Dr. Celedonio L. Layon, Jr., Director
Dr. Amparo de Matta, Coordinator
Tel. No.: (052) 820 8415
Fax No.: (052) 820 8405
REGION VI – WESTERN VISAYAS
DepEd RO, Duran St., 5000 Iloilo City
Dr. Victoriano B. Tirol, Jr., Director
Ms. Julieta Braga, Coordinator
Tel. No.: 337 8758/337 8303
Fax No.: (033) 335 0207
REGION XII – EASTERN MINDANAO
DepEd RO, 9600 Cotabato City
Dr. Luz S. Almeda, Director
Ms. Marianela Angeles, Coordinator
Tel. No.: (064) 421 2691/421 8789/
421 5810
Telefax: 421 2691
ARMM
DepEd-ARMM ORC Compound
9600 Cotabato City
Uotog K. Kawit, Director
Tel. No.: 421 1374/421 3838
Design & Lay-out: Roman Daniel
Editorial Coordination: Anji Bautista
For additional information, please contact the Secretariat at:
The NAMCYA
Folk Arts Theater
Cultural Center of the Philippines Complex
Roxas Boulevard, Pasay City 1307 Philippines
Telephone: +632 5515091; 5515094
832 1120 local 109
Telefax: +632 8323701
Email: namcya@gmail.com
Website: www.namcya.org.ph