Transition Guide: The Longman Anthology of British Literature
advertisement
Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION *** denotes selection is new to this edition. THE MIDDLE AGES Before the Norman Conquest ***BEOWULF (A Penguin Classics Translation by Michael Alexander) Page Page 3 32 3 27 THIRD EDITION * denotes selection is new to this edition. THE MIDDLE AGES. Before the Norman Conquest. 32 27 Beowulf. Response. John Gardner: from Grendel ***THE TÁIN 107 111 93 96 97 * Response. John Gardner, From Grendel. * Early Irish Narrative. * The Labour Pains of the Ulaid & The Twins of Macha. * The Birth of Cú Chulaind. * The Naming of Cú Chulaind. Early Irish Verse. EARLY IRISH VERSE 133 98 99 100 To Crinog Pangur the Cat Writing in the Wood The Viking Terror The Old Woman of Beare Findabair Remembers Fróech A Grave Marked with Ogam From The Voyage of Máel Dúin JUDITH 134 135 136 136 137 140 140 141 142 101 102 103 103 104 107 107 108 109 To Crinog. Pangur the Cat. Writing in the Wood. The Viking Terror. The Old Woman of Beare. Findabair Remembers Fróech. A Grave Marked with Ogam. From The Voyage of Máel Dúin. Judith. THE DREAM OF THE ROOD PERSPECTIVES: ETHNIC AND RELIGIOUS ENCOUNTERS Bede. from An Ecclesiastical History of the English People Bishop Asser from The Life of King Alfred King Alfred. Preface to Saint Gregory’s Pastoral Care Ohthere’s Journeys The Anglo-Saxon Chronicle. Stamford Bridge and Hastings TALIESIN 148 115 The Dream of the Rood. 153 120 154 121 160 162 127 129 164 167 131 134 168 135 Perspectives: Ethnic and Religious Encounters. Bede. From An Ecclesiastical History of the English People. Bishop Asser. From The Life of King Alfred. King Alfred. Preface to St. Gregory's Pastoral Care. Ohthere's Journeys. The Anglo-Saxon Chronicle. Stamford Bridge and Hastings. Taliesin. Urien Yrechwydd The Battle of Argoed Llwyfain The War-Band’s Return Lament for Owain Son of Urien 169 170 170 172 THE WANDERER 172 136 137 137 139 139 153 Urien Yrechwydd. The Battle of Argoed Llwyfain. The War-Band's Return. Lament for Owain Son of Urien. * The Tale of Taliesin. The Wanderer. WULF AND EADWACER AND THE WIFE’S LAMENT 176 156 Wulf and Eadwacer and the Wife's Lament. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Page 178 Page 158 Three Anglo-Latin Riddles by Aldhelm Five Old English Riddles After the Norman Conquest PERSPECTIVES: ARTHURIAN MYTH IN THE HISTORY OF BRITAIN Geoffrey of Monmouth from History of the Kings of Britain Gerald of Wales from The Instruction of Princes Edward I. Letter sent to the Papal Court of Rome Response. A Report to Edward I Arthurian Romance MARIE DE FRANCE 179 180 182 182 159 160 163 163 183 164 194 175 196 177 198 200 200 179 181 181 Lais Prologue Lanval Chevrefoil (The Honeysuckle) ***SIR GAWAIN AND THE GREEN KNIGHT (Penguin Classic Translation by Brian Stone) SIR THOMAS MALORY 201 201 203 217 219 182 182 184 198 200 LAIS. Prologue. Lanval. * Chevrefoil (The Honeysuckle). * Sir Gawain and the Green Knight, Trans. by J.R.R. Tolkien. 277 259 Sir Thomas Malory. Morte Darthur from Caxton’s Prologue The Miracle of Galahad The Poisoned Apple The Day of Destiny Responses. Marion Zimmer Bradley: from The Mists of Avalon Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin: scene from Monty Python and the Holy Grail GEOFFREY CHAUCER 279 279 281 288 298 308 260 260 262 270 279 289 309 291 312 293 Morte Darthur. From Caxton's Prologue. The Miracle of Galahad. The Poisoned Apple. The Day of Destiny. * Responses. Marion Zimmer Bradley, From The Mists of Avalon. * John Cleese, Graham Chapman, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin, scene from Monty Python and the Holy Grail. Geoffrey Chaucer. The Parliament of Fowls The Canterbury Tales The General Prologue (Middle English and modern translation) The Miller’s Tale The Introduction The Tale The Wife of Bath’s Prologue Web 316 318 298 316 318 358 358 360 375 358 358 360 375 RIDDLES THIRD EDITION Riddles. Three Anglo-Latin Riddles by Aldhelm. Five Old English Riddles. After the Norman Conquest. Perspectives: Arthurian Myth in the History of Britain. Geoffrey of Monmouth. From History of the Kings of Britain. Gerald of Wales. From The Instruction of Princes. Edward I. Letter sent to the Papal Court of Rome. Response. A Report to Edward I. Arthurian Romance. Marie de France. The Parliament of Fowls. The CANTERBURY TALES. The General Prologue (Middle English and modern translation) The Miller's Tale. The Introduction. The Tale. The Wife of Bath's Prologue. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION The Wife of Bath’s Tale Page 394 Page 394 403 The Franklin's Tale The Prologue The Tale The Pardoner’s Prologue The Pardoner’s Tale The Nun’s Priest’s Tale The Parson’s Tale The Introduction [The Remedy for the Sin of Lechery] Chaucer’s Retraction To His Scribe Adam Complaint to His Purse WILLIAM LANGLAND Web Web Web 403 408 420 436 436 438 440 441 442 442 407 407 408 427 432 444 460 460 462 464 465 466 466 Piers Plowman Prologue Passus 2 from Passus 6 from Passus 8 Passus 20 “Piers Plowman” and Its Time: The Rising of 1381 from The Anonimalle Chronicle [Wat Tyler’s Demands to Richard II, and His Death] Three Poems on the Rising of 1381: John Ball’s First Letter • John Ball’s Second Letter • The Course of Revolt John Gower: from The Voice of One Crying Mystical Writings JULIAN OF NORWICH 445 445 447 449 451 456 468 469 469 471 473 475 484 495 470 497 475 502 477 505 481 509 A Book of Showings [Three Graces. Illness. The First Revelation] [Laughing at the Devil] [Christ Draws Julian in through His Wound] [The Necessity of Sin, and of Hating Sin] [God as Father, Mother, Husband] [The Soul as Christ’s Citadel] [The Meaning of the Visions Is Love] Companion Readings: Richard Rolle: from The Fire of Love from The Cloud of Unknowing 482 482 486 487 489 491 495 497 498 510 510 514 515 517 518 523 524 526 499 527 529 THIRD EDITION The Wife of Bath's Tale. * Response. William Dunbar, From The Treatise of the Two Married Women and the Widow. The Franklin's Tale. The Prologue. The Tale. The Pardoner's Prologue. The Pardoner's Tale. The Nun's Priest's Tale. The Parson's Tale. The Introduction. (The Remedy for the Sin of Lechery.) Chaucer's Retraction. To His Scribe Adam. Complaint to His Purse. William Langland. Piers Plowman. Prologue. Passus 2. from Passus 6. Passus 8. Passus 20. “Piers Plowman” and Its Time: The Rising of 1381. From The Anonimalle Chronicle [Wat Tyler's Demands to Richard II and his death]. Three Poems on the Rising of 1381: John Ball's First Letter. John Ball's Second Letter. The Course of Revolt. John Gower. From The Voice of One Crying. Mystical Writings Julian of Norwich. A Book of Showings. (Three Graces. Illness. The First Revelation.) (Laughing at the Devil.) (Christ Draws Julian in Through His Wound.]) (The Necessity of Sin, and of Hating Sin.) (God as Father, Mother, Husband.) (The Soul as Christ's Citadel.) (The Meaning of the Visions Is Love.) Companion Readings: Richard Rolle: from The Fire of Love From The Cloud of Unknowing. * Response: Rebecca Jackson, The Dream of Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Medieval Biblical Drama THE SECOND PLAY OF THE SHEPHERDS THE YORK PLAY OF THE CRUCIFIXION Page Page 501 502 531 532 THIRD EDITION Washing Quilts. Medieval Biblical Drama. The Second Play of the Shepherds. 521 551 The York Play of the Crucifixion. 559 562 562 562 564 567 568 Vernacular Religion and Repression. The Wycliffite Bible. John 10:11-18. From A Wycliffite Sermon on John 10:11-18. John Mirk. From Festial. Preaching and Teaching in the Vernacular. Nicholas Love. From The Mirror of the Blessed Life of Jesus. From The Confession of Hawisia Moone of Loddon. Margery Kempe. 569 MARGERY KEMPE 529 572 The Book of Margery Kempe The Preface [Early Life and Temptations, Revelation, Desire for Foreign Pilgrimage] [Meeting with Bishop of Lincoln and Archbishop of Canterbury] [Visit with Julian of Norwich] [Pilgrimage to Jerusalem] [Arrest by Duke of Bedford’s Men; Meeting with Archbishop of York] MIDDLE ENGLISH LYRICS The Cuckoo Song (“Sumer is icumen in”) Spring (“Lenten is come with love to toune”) Alisoun (“Bitwene Mersh and Averil”) I Have a Noble Cock My Lefe Is Faren in a Lond Fowls in the Frith Abuse of Women (“In every place ye may well see”) The Irish Dancer (“Gode sire, pray ich thee”) A Forsaken Maiden’s Lament (“I lovede a child of this cuntree”) The Wily Clerk (“This enther day I mete a clerke”) Jolly Jankin (“As I went on YoI Day in our procession”) Adam Lay Ibounden I Sing of a Maiden In Praise of Mary (“Edi be thu, Hevene Quene”) 531 531 532 573 573 573 539 580 542 544 546 583 585 587 550 591 551 551 553 554 554 555 555 593 593 595 596 596 597 597 556 557 598 599 557 599 558 600 559 560 560 601 601 602 The Book of Margery Kempe. The Preface. (Early Life and Temptations, Revelation, Desire for Foreign Pilgrimage.) (Meeting with Bishop of Lincoln and Archbishop of Canterbury.) (Visit with Julian of Norwich.) (Pilgrimage to Jerusalem.) (Arrest by Duke of Bedford's Men; Meeting with Archbishop of York.) Middle English Lyrics. The Cuckoo Song (“Sumer is icumen in”). Spring (“Lenten is come with love to toune”). Alisoun (“Bitwene Mersh and Averil”). I Have a Noble Cock. My Lefe Is Faren in a Lond. Fowles in the Frith. Abuse of Women (“In every place ye may well see”). The Irish Dancer (“Gode sire, pray ich thee”). A Forsaken Maiden's Lament (“I lovede a child of this cuntree”). The Wily Clerk (“This enther day I mete a clerke”). Jolly Jankin (“As I went on Yol Day in our procession”). Adam Lay Ibounden. I Sing of a Maiden. In Praise of Mary (“Edi be thu, Hevene Quene”). Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Mary Is with Child (“Under a tree”) Sweet Jesus, King of Bliss Now Goeth Sun under Wood Jesus, My Sweet Lover (“Jesu Christ, my lemmon swete”) Contempt of the World (“Where beth they biforen us weren?”) DAFYDD AP GWILYM Page 562 563 564 564 Page 603 604 606 606 565 606 566 608 THIRD EDITION Mary Is With Child (“Under a tree”). Sweet Jesus, King of Bliss. Now Goeth Sun under Wood. Jesus, My Sweet Lover (“Jesu Christ, my lemmon swete”). Contempt of the World (“Where beth they biforen us weren?”). Dafydd Ap Gwilym. Aubade One Saving Place 567 568 Tale of a Wayside Inn 570 The Winter The Ruin Middle Scots Poets WILLIAM DUNBAR 571 572 573 574 609 610 612 613 615 616 617 618 618 Aubade. One Saving Place. The Girls of Llanbadarn. Tale of a Wayside Inn. The Hateful Husband. The Winter. The Ruin. Middle Scots Poets. William Dunbar. Lament for the Makars Done Is a Battell In Secreit Place This Hyndir Nycht ROBERT HENRYSON 574 577 578 579 618 621 622 624 Lament for the Makars. Done is a Battell. In Secreit Place This Hyndir Nycht. Robert Henryson. Robene and Makyne Late Medieval Allegory CHARLES D’ORLEANS 580 583 584 624 628 628 Robene and Makyne. Late Medieval Allegory. * Charles D’ Orleans. Ballade 26 Ballade 61 Roundel 94 Mankind, a modern acting edition, ed. by Peter Meredith CHRISTINE DE PIZAN 584 585 586 587 629 630 631 631 613 658 * Ballade 26. * Ballade 61. * Roundel 94. * Mankind, a modern acting edition, ed. by Peter Meredith. * Christine de Pizan. from Book of the City of Ladies, translation by Earl Jeffrey Richards. THE EARLY MODERN PERIOD ***JOHN SKELTON 614 659 627 651 667 689 * From Book of the City of Ladies, translation by Earl Jeffrey Richards. THE EARLY MODERN PERIOD. John Skelton. ***The Bowge of Courte Philip Sparrow ***PERSPECTIVES: THE SIXTEENTH CENTURY SONNET 652 Web 665 689 690 691 Womanhood, Wanton. Lullay. Knolege, Aquayntance. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Page Sir Thomas Wyatt The Long Love, That in My Thought Doth Harbor Companion Reading: Petrarch, Sonnet 140 Whoso List to Hunt Companion Reading: Petrarch, Sonnet 190 My Galley Some Time I Fled the Fire Henry Howard, Earl of Surrey Love That Doth Reign and Live within My Thought Th’Assyrians’ King, in Peace with Foul Desire Set Me Whereas the Sun Doth Parch the Green The Soote Season Alas, So All Things Now Do Hold Their Peace Companion Reading: Petrarch, Sonnet 164 George Gascoigne Seven Sonnets to Alexander Neville 667 667 Page 692 693 693 694 694 695 696 667 668 668 669 669 670 670 697 698 698 699 699 706 706 670 671 707 707 671 671 672 673 673 Edmund Spenser: Amoretti 1 (“Happy ye leaves when as those lilly hands”) 4 (“New yeare forth looking out of Janus gate”) 13 (“In that proud port, which her so goodly graceth”) 22 (“This holy season fit to fast and pray”) 62 (“The weary yeare his race now having run”) 65 (“The doubt which ye misdeeme, fayre love, is vaine”) 66 (“To all those happy blessings which ye have”) 68 (“Most glorious Lord of lyfe that on this day”) 75 (“One day I wrote her name upon the strand”) Sir Philip Sidney: Astrophil and Stella 1 (“Loving in truth, and fain in verse my love to show”) 3 (“Let dainty wits cry on the sisters nine”) 7 (“When Nature made her chief work, Stella’s eyes”) 9 (“Queen Virtue’s court, which some call 676 676 707 708 708 815 815 818 980 980 677 980 677 981 677 678 981 981 678 982 679 982 679 983 679 983 680 680 1036 1036 681 681 1037 1037 681 1038 THIRD EDITION Manerly Margery Mylk and Ale. Garland of Laurel. To Maystres Jane Blennerhasset. To Maystres Isabell Pennell. To Maystres Margaret Hussey. Sir Thomas Wyatt. The Long Love, That in My Thought Doth Harbor. Companion Reading: Petrarch, Sonnet 140 Whoso List to Hunt. Companion Reading: Petrarch, Sonnet 190 My Galley. Some Time I Fled the Fire. Henry Howard, Earl Of Surrey. Love That Doth Reign and Live within My Thought. Th'Assyrians' King, in Peace with Foul Desire. Set Me Whereas the Sun Doth Parch the Green. The Soote Season. Alas, So All Things Now Do Hold Their Peace. Companion Reading: Petrarch, Sonnet 164 George Gascoigne. Seven Sonnets to Alexander Neville. Woodsmanship. Edmund Spenser: Amoretti. 1(“Happy ye leaves when as those lilly hands.”) 4(“New yeare forth looking out of Janus gate.”) 13(“In that proud port, which her so goodly graceth.”) 22 (“This holy season fit to fast and pray.”) 62 (“The weary yeare his race now having run.”) 65 (“The doubt which ye misdeeme, fayre love, is vaine.”) 66 (“To all those happy belssings which ye have.”) 68 (“Most glorious Lord of lyfe that on this day.”) 68 (“One day I wrote her name upon the strand.”) Sir Philip Sidney: Astrophil and Stella. 1 (“Loving in truth, and fain in verse my love to show.”) * 3 (“Let dainty wits cry on the sisters nine.”) 7 (“When Nature made her chief work, Stella’s eyes.”) 9 (“Queene Virtue’s court, which some call Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Stella’s face”) 10 (“Reason, in faith thou art well served, that still”) 14 (“Alas, have I not pain enough, my friend”) 15 (“You that do search for every purling spring”) 23 (“The curious wits, seeing dull pensiveness”) 24 (“Rich fool there be whose base and filthy heart”) 31 (“With how sad steps, O Moon, thou climb’st the skies”) 37 (“My mouth doth water and my breast doth swell”) 39 (“Come sleep, O sleep, the certain knot of peace”) 45 (“Stella oft sees the very face of woe”) 47 (“What, have I thus betrayed my liberty?”) 52 (“A strife is grown between Virtue and Love”) 60 (“When my good Angel guides me to the place”) 63 (“O grammar-rules, O now your virtues show”) 64 (“No more, my dear, no more these counsels try”) 68 (“Stella, the only planet of my light”) 71 (“Who will in fairest book of Nature know”) Second song (“Have I caught my heavenly jewel”) 74 (“I never drank of Aganippe well”) Fourth song (“Only joy, now here you are”) 86 (“Alas, whence came this change of looks? If I...”) Eighth song (“In a grove most rich of shade”) Ninth song (“Go, my flock, go get you hence”) 89 (“Now that, of absence, the most irksome night”) 90 (“Stella, think not that I by verse seek fame”) 91 (“Stella, while now by honor’s cruel might”) 97 (“Dian, that fain would cheer her friend the Night”) 104 (“Envious wits, what hath been mine Page Page 682 1038 682 1038 683 1039 683 1039 683 1040 684 1040 684 1040 684 1041 685 685 1041 1041 685 1041 686 1042 686 1043 687 1043 687 687 1043 1044 688 1044 688 689 690 1045 1045 1047 691 1047 693 1049 694 1051 695 1051 695 1051 695 1052 696 1052 THIRD EDITION Stella’s face.”) * 10 (“Reason, in faith thou art well served, that still.”) * 14 (“Alas, have I not pain enough, my friend.”) * 15 (“You that do search for every purling spring.”) * 23 (“The curious wits, seeing dull pensiveness.”) * 24 (“Rich fool there be whose base and filthy heart.”) 31 (“With how sad steps, O Moon, thou climb'st the skies.”) * 37 (“My mouth doth water, and my breast doth swell.”) 39 (“Come sleep, O sleep, the certain knot of peace.”) 45 (“Stella oft sees the very face of woe.”) * 47 (“What, have I thus betrayed my liberty?”) * 52 (“A strife is grown between Virtue and Love.”) 60 (“When my good Angel guides me to the place.”) * 63 (“O grammar-rules, O now your virtues show.”) * 64 (“No more, my dear, no more these counsels try.”) * 68 (“Stella, the only planet of my light.”) 71 (“Who will in fairest book of Nature know.”) Second song (“Have I caught my heavenly jewel”) * 74 (“I never drank of Aganippe well.”) Fourth song (“Only joy, now here you are.”) * 86 (“Alas, whence came this change of looks? If I…”) Eighth song (“In a grove most rich of shade.”) * Ninth song (“Go my flock, go get you hence.”) * 89 (“Now that, of absence, the most irksome night.”) * 90 (“Stella, think not that I by verse seek fame.”) * 91 (“Stella, while now by honor’s cruel might.”) * 97 (“Dian, that fain would cheer her friend the Night.”) * 104 (“Envious wits, what hath been mind Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION offense”) 106 (“O absent presence, Stella is not here”) 107 (“Stella, since thou so right a princess art”) 108 (“When sorrow (using mine own fire’s might)”) Richard Barnfield Page Page 696 697 1053 1053 697 1053 697 THIRD EDITION Sonnets from Cynthia 1 (“Sporting at fancy, setting light by love”) 5 (“It is reported of fair Thetis’ son”) 9 (“Diana (on a time) walking the wood”) 11 (“Sighing, and sadly sitting by my love”) 13 (“Speak, Echo, tell; how may I call my love?”) 19 (“Ah no; nor I myself: though my pure love”) Michael Drayton 698 698 698 699 699 699 1137 1138 1154 1154 1155 1155 1156 1156 700 1156 700 Sonnet 12 (“To nothing fitter can I thee compare”) Sonnet 61 (“Since there’s no help, come let us kiss and part”) 701 1537 1538 1539 709 1539 SIR THOMAS WYATT 701 1540 695 offense.”) 106 (“O absent presence, Stella is not here.”) * 107 (“Stella, since thou so right a princess art.”) 108 (“When sorrow (using mine own fire's might).”) Richard Barnfield. The Affectionate Shepherd. Sonnets from Cynthia. 1 (“Sporting at fancy, setting light by love.”) 5 (“It is reported of fair Thetis' son.”) 9 (“Diana (on a time) walking the wood.”) 11 (“Sighing, and sadly sitting by my love.”) 13(“Speak, Echo, tell; how may I call my love?”) 19 (“Ah no; nor I myself: though my pure love.”) Michael Drayton. To the Reader. Sonnet 12. (“To nothing fitter can I thee compare.”) Sonnet 61. (“Since there's no help, come let us kiss and part.”) To His Coy Love, a Canzonet Sir Thomas Wyatt. They Flee from Me My Lute, Awake! Tagus, Farewell Forget Not Yet Blame Not My Lute Lucks, My Fair Falcon, and Your Fellows All Stand Whoso List Mine Own John Poyns HENRY HOWARD, EARL OF SURREY So Cruel Prison London, Hast Thou Accused Me Wyatt Resteth Here My Radcliffe, When Thy Reckless Youth Offends SIR THOMAS MORE 702 703 704 704 704 705 706 706 709 699 700 701 701 701 702 703 703 706 They Flee from Me. My Lute, Awake! Tagus, Farewell. Forget Not Yet. Blame Not My Lute. Lucks, My Fair Falcon, and Your Fellows All. Stand Whoso List. Mine Own John Poyns. Henry Howard, Earl Of Surrey. 711 712 713 714 709 710 712 713 715 714 So Cruel Prison. London, Hast Thou Accused Me. Wyatt Resteth Here. My Radcliffe, When Thy Reckless Youth Offends. Sir Thomas More. Utopia ***Response Sir Francis Bacon: from The New Atlantis ***WILLIAM BALDWIN 785 715 785 Utopia. * Response: George Orwell, From 1984. 790 790 Perspectives: Government and SelfGovernment. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION ***Beware the Cat Page 790 Page 791 EDMUND SPENSER 822 822 THIRD EDITION William Tyndale. From The Obedience of a Christian Man. Juan Luis Vives. From Instruction of a Christian Woman. Sir Thomas Elyot. From The Book Named the Governor. From The Defence of Good Women. John Ponet. From A Short Treatise of Political Power. Baldassare Castiglione. From The Book of the Courtier. John Foxe. From The Book of Martyrs. Roger Ascham. From The Schoolmaster. Richard Mulcaster. From The First Part of the Elementary * Sir Thomas Smith, From De Republica Anglorum. Richard Hooker. From The Laws of Ecclesiastical Polity. James I (James VI of Scotland). From The True Law of Free Monarchies. Edmund Spenser. Epithalamion Web The Faerie Queene A Letter of the Authors The First Booke of the Fairie Queene The Second Booke of the Fairie Queene, Canto 12 ***The Sixthe Booke of the Faerie Queene ***The Two Cantos of Mutabilitie SIR PHILIP SIDNEY 824 Web Web Web 983 824 824 828 829 832 Epithalamion. The Shepheardes Calender. October. The Faerie Queene. A Letter of the Authors. The First Booke of the Fairie Queene. 825 966 998 993 Sir Philip Sidney. Arcadia, Book 1 The Apology for Poetry “The Apology” and Its Time: The Art of Poetry. Stephen Gosson. From The School of Abuse. George Puttenham. From The Art of English Poesie. George Gascoigne.From Certain Notes of Instruction. Samuel Daniel. From A Defense of Rhyme. ISABELLA WHITNEY Web 999 1032 995 1028 1033 1035 1029 1031 1037 1033 1039 1041 1035 1054 The Apology for Poetry. “The Apology” and Its Time: The Art of Poetry. Stephen Gosson. From The School of Abuse. George Puttenham. From The Art of English Poesie. George Gascoigne.From Certain Notes of Instruction. Samuel Daniel. From A Defense of Rhyme. Isabella Whitney. 792 794 796 797 799 800 803 805 807 808 811 Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION The Admonition by the Author A Careful Complaint by the Unfortunate Author The Manner of Her Will MARY HERBERT, COUNTESS OF PEMBROKE Psalm 71: In Te Domini Speravi (“On thee my trust is grounded”) Page 1041 1044 Page 1054 1057 1046 1054 1059 1067 1055 1068 1070 1072 1075 Psalm 121: Levavi Oculos (“Unto the hills, I now will bend”) The Doleful Lay of Clorinda ***PERSPECTIVES: EARLY MODERN BOOKS Ranulf Higden, From Polychronicon ***John Foxe from Actes and Monuments of These Latter and Perilous Days The Geneva Bible 1057 1076 1058 1061 1062 1063 1076 1079 1082 1085 1064 1087 ***Thomas Hariot from The True Pictures and Fashions of the People in That Part of America Now Called Virginia John Gerard from The Herball or Generall historie of plantes Geoffrey Whitney The Phoenix Robert Fludd from Utriusque cosmic, maioris scilicet et minoris, metaphysica atque technica historia 1065 1090 THIRD EDITION The Admonition by the Author. A Careful Complaint by the Unfortunate Author. The Manner of Her Will. Mary Herbert, Countess of Pembroke. Even Now That Care. To Thee Pure Sprite. Psalm 71: In Te Domini Speravi (“On thee my trust is grounded”). Companion Reading: Miles Coverdale, Psalm 71 Psalm 121: Levavi Oculos (“Unto the hills, I now will bend”). The Doleful Lay of Clorinda. * Perspectives: The Rise of Print Culture. * Ranulf Higden, From Polychronicon. * Martin Marprelate, From Hay any Worke for Cooper. * Thomas Nashe, From Pierce Pennilesse, his supplication to the Devile * Michel de Montaigne, From “Of Books,” in Essays, trans. by John Florio. 1066 1066 1068 1091 * Geoffrey Whitney. The Phoenix. Francis Bacon from Advancement of Learning 1069 1093 1095 1096 1097 1099 ***William Hall: Vpon the death of Hobson the Carrier of Cambridge ***Ben Johnson: Vpon an houre glasse ***Frontispiece to A Certain Relation of the Hog-faced Gentlewoman 1070 1100 1071 1072 1101 Francis Bacon. Of Truth. Of Superstition. Of Studies (version of 1597). Of Studies (version of 1625). * From The Advancement of Learning, The Second Book. * From The Advancement of Learning, The Ninth Book. * The King James Bible, from Genesis. ELIZABETH I 1073 1107 1114 John Bunyan. From The Pilgrim's Progress. Elizabeth I. Written with a Diamond on Her Window at Woodstock Written on a Wall at Woodstock The Doubt of Future Foes On Monsieur’s Departure 1075 1116 1075 1075 1076 1116 1116 1117 Written with a Diamond on Her Window at Woodstock. Written on a Wall at Woodstock. The Doubt of Future Foes. On Monsieur's Departure. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Page 1076 1077 1077 1081 1083 Page 1117 1118 1119 1122 1124 1083 1085 1124 1126 Speeches. On Marriage. On Mary, Queen of Scots. On Mary's Execution. To the English Troops at Tilbury, Facing the Spanish Armada. The Golden Speech. Aemilia Lanyer. The Description of Cookham 1086 CHRISTOPHER MARLOWE 1091 1127 1132 1132 1132 1133 1133 1135 1157 The Description of Cookham. Salve Deus Rex Judaeorum. To the Doubtful Reader. To the Virtuous Reader. (Invocation.) (Against Beauty Without Virtue.) (Pilate's Wife Apologizes for Eve.) Christopher Marlowe. The Passionate Shepherd to His Love. Response: Sir Walter Raleigh. The Nymph's Reply to the Shepherd. Hero and Leander The Tragical History of Dr. Faustus Response: C.S. Lewis: from The Screwtape Letters SIR WALTER RALEIGH Web Web 1158 1158 1092 1110 1161 1159 1177 1228 1163 1230 The Passionate Shepherd to His Love. Response: Sir Walter Raleigh. The Nymph's Reply to the Shepherd. Hero and Leander. The Tragical History of Dr. Faustus. * Response: C.S. Lewis, From The Screwtape Letters. Sir Walter Raleigh. Nature That Washed Her Hands in Milk To the Queen On the Life of Man The Author’s Epitaph, Made by Himself As You Came from the Holy Land from The 21st and Last Book of the Ocean to Cynthia from The Discovery of the Large, Rich and Beautiful Empire of Guiana 1164 1165 1166 1166 1166 1167 1231 1232 1233 1233 1233 1234 Web 1239 1173 1239 1241 1245 1245 1246 1248 1251 1174 1252 Speeches On Marriage On Mary, Queen of Scots On Mary’s Execution To the English Troops at Tilbury, Facing the Spanish Armada The Golden Speech AEMILIA LANYER ***PERSPECTIVES: ENGLAND, BRITAIN, AND THE WORLD ***Fynes Moryson from An Itenerary, Obeservations of Italy ***from An Itenerary, Obseravations on the 1179 THIRD EDITION Nature That Washed Her Hands in Milk. To the Queen. On the Life of Man. The Author's Epitaph, Made by Himself. As You Came from the Holy Land. From The 21st and Last Book of the Ocean to Cynthia. The Discovery of the Large, Rich and Beautiful Empire of Guiana. From Epistle Dedicatory. To the Reader. (The Amazons.) (The Orinoco.) (The King of Aromaia.) (The New World of Guiana.) Perspectives: England in the New World. Arthur Barlow. From The First Voyage Made to the Coasts of America. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Ottomon Empire ***Edmund Spenser from A View of the (Present) State of Ireland Thomas Hariot from A Brief and True Report of the Newfound Land of Virginia Page Page THIRD EDITION 1191 1256 1194 1259 1261 Thomas Hariot. From A Brief and True Report of the Newfound Land of Virginia. Michael Drayton. To the Virginian Voyage. John Smith. From General History of Virginia and the Summer Isles. John Donne. From A Sermon Preached to the Honorable Company of the Virginia Plantation. William Shakespeare. John Smith from General History of Virginia and the Summer Isles 1187 1267 WILLIAM SHAKESPEARE 1199 1273 Sonnets 1 (“From fairest creatures we desire increase”) 12 (“When I do count the clock that tells the time”) 15 (“When I consider every thing that grows”) 18 (“Shall I compare thee to a summer’s day”) 20 (“A woman’s face with Nature’s own hand painted”) 29 (“When, in disgrace with fortune and men’s eyes”) 30 (“When to the sessions of sweet silent thought”) 31 (“Thy bosom is endearèd with all hearts”) 33 (“Full many a glorious morning have I seen”) 35 (“No more be grieved at that which thou hast done”) 55 (“Not marble nor the gilded monuments”) 60 (“Like as the waves make towards the pebbled shore”) 71 (“No longer mourn for me when I am dead”) 73 (“That time of year thou mayst in me behold”) 80 (“O, how I faint when I of you do write”) 86 (“Was it the proud full sail of his great verse”) 87 (“Farewell! Thou art too dear for my possessing”) 93 (“So shall I live, supposing thou art true”) 94 (“They that have pow’r to hurt, and will 1203 1203 1276 1276 1203 1276 1204 1277 1204 1277 1204 1278 1205 1278 1205 1278 1206 1279 1206 1279 1206 1280 1207 1280 1207 1280 1207 1281 1208 1281 1208 1208 1281 1282 1209 1282 1209 1209 1282 1283 Sonnets. 1 (“From fairest creatures we desire increase”). 12 (“When I do count the clock that tells the time”). 15 (“When I consider every thing that grows”). 18 (“Shall I compare thee to a summer's day”). 20 (“A woman's face with Nature's own hand painted”). 29 (“When, in disgrace with fortune and men's eyes”). 30 (“When to the sessions of sweet, silent thought”). 31 (“Thy bosom is endearèd with all hearts”). 33 (“Full many a glorious morning have I seen”). 35 (“No more be grieved at that which thou hast done”). 55 (“Not marble nor the gilded monuments”). 60 (“Like as the waves make towards the pebbled shore”). 71 (“No longer mourn for me when I am dead”). 73 (“That time of year thou mayst in me behold”). 80 (“O, how I faint when I of you do write”). 86 (“Was it the proud full sail of his great verse”). 87 (“Farewell! Thou art too dear for my possessing”). 93 (“So shall I live, supposing thou art true”). 94 (“That they have pow'r to hurt, and will Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION do none”) 104 (“To me, fair friend, you never can be old”) 106 (“When in the chronicle of wasted time”) 107 (“Not mine own fears nor the prophetic soul”) 116 (“Let me not to the marriage of true minds”) 123 (“No, Time, thou shalt not boast that I do change”) 124 (“If my dear love were but the child of state”) 126 (“O thou, my lovely boy, who in thy power”) 128 (“How oft, when thou my music play’st”) 129 (“The expense of spirit in a waste of shame”) 130 (“My mistress’ eyes are nothing like the sun”) 138 (“When my love swears that she is made of truth”) 144 (“Two loves I have, of comfort and despair”) 152 (“In loving thee thou know’st I am forsworn”) Twelfth Night; or, What You Will ***Othello ***King Lear Thomas Dekker and Thomas Middleton. The Roaring Girl; or, Moll Cut-Purse. Page Page 1210 1283 1210 1284 1211 1284 1211 1284 1211 1285 1212 1285 1212 1286 1213 1286 1213 1286 1213 1287 1214 1287 1214 1287 1214 1288 1215 1272 1359 1288 1345 1400 Web Web 1407 1408 1416 1419 1489 1491 1492 1493 1497 1503 1506 PERSPECTIVES: TRACTS ON WOMEN AND GENDER 1445 1508 THIRD EDITION do none”). 104 (“To me, fair friend, you never can be old”). 106 (“When in the chronicle of wasted time”). 107 (“Not mine own fears nor the prophetic soul”). 116 (“Let me not to the marriage of true minds”). 123 (“No, Time, thou shalt not boast that I do change”). 124 (“If my dear love were but the child of state”). 126 (“O thou, my lovely boy, who in thy power”). 128 (“How oft, when thou my music play'st”). 129 (“The expense of spirit is a waste of shame.”) 130 (“My mistress' eyes are nothing like the sun”). 138 (“When my love swears that she is made of truth”). 144 (“Two loves I have, of comfort and despair”). 152 (“In loving thee thou know'st I am forsworn”). Twelfth Night; or, What You Will. The Tempest. Companion Readings: William Strachey, From A True Reportory of the Wrack and Redemption of Sir Thomas Gates, Knight, upon and from the Islands of the Bermudas. Michel de Montaigne, From Of Cannibals. * Aimé Cesaire, From A Tempest. Thomas Dekker and Thomas Middleton. The Roaring Girl; or, Moll Cut-Purse. “The Roaring Girl” and Its Time: City Life. Barnabe Riche. From My Lady's Looking Glass. Robert Greene. From A Notable Discovery of Cosenage. Thomas Dekker. From Lantern and Candlelight. Thomas Deloney. From Thomas of Reading. Thomas Nashe. From Pierce Penniless. King James I. From A Counterblast to Tobacco. Perspectives: Tracts on Women and Gender. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Page Page 1509 BEN JONSON 1466 1540 THIRD EDITION Desiderius Erasmus. From In Laude and Praise of Matrimony. Barnabe Riche. From My Lady's Looking Glass. Margaret Tyler. From Preface to The First Part of the Mirror of Princely Deeds. Joseph Swetnam. From The Arraignment of Lewd, Idle, Froward, and Unconstant Women. Rachel Speght. From A Muzzle for Melastomus. Esther Sowernam. From Ester Hath Hanged Haman. Hic Mulier and Haec-Vir. From Hic-Mulier; or, The Man-Woman. From Haec-Vir; or, The Womanish Man. Thomas Campion. My sweetest Lesbia, let us live and love. There is a garden in her face. Rose-cheeked Laura come. When thou must home to shades of underground. Never weather-beaten sail more willing bent to shore. Ben Jonson. The Alchemist Volpone On Something, That Walks Somewhere On My First Daughter To John Donne On My First Son Inviting a Friend to Supper To Penshurst Song to Celia Queen and Huntress To the Memory of My Beloved, the Author, Mr. William Shakespeare, and What He Hath Left Us To the Immortal Memory, and Friendship of that Noble Pair, Sir Lucius Cary and Sir H. Morison Pleasure Reconciled to Virtue 1468 Web 1567 1567 1568 1568 1568 1569 1572 1572 1573 1542 The Alchemist. 1642 1642 1642 1643 1643 1644 1646 1647 1647 1575 1649 1578 1653 1661 JOHN DONNE 1586 1669 On Something, That Walks Somewhere. On My First Daughter. To John Donne. On My First Son. Inviting a Friend to Supper. To Penshurst. Song to Celia. Queen and Huntress. To the Memory of My Beloved, the Author, Mr. William Shakespeare, and What He Hath Left Us. To the Immortal Memory, and Friendship of that Noble Pair, Sir Lucius Cary and Sir H. Morison. Pleasure Reconciled to Virtue. * Response: Thom Gunn, from The Occasions of Poetry. John Donne. The Good Morrow 1588 1671 The Good Morrow. 1511 1512 Joseph Swetnam from The Arraignment of Lewd, Idle, Froward, and Unconstant Women Rachel Speght from A Muzzle for Melastomus Ester Sowernam from Ester Hath Hanged Haman Hic Mulier and Haec-Vir from Hic Mulier; or, The Man-Woman from Haec-Vir; or, The Womanish-Man 1446 1515 1449 1517 1455 1523 1459 1526 1461 1530 1534 1535 1536 1536 1537 1537 Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Song (“Go, and catch a falling star”) Twickenham Garden The Undertaking The Sun Rising The Indifferent The Canonization Air and Angels Break of Day A Valediction: of Weeping Love’s Alchemy The Flea The Bait The Apparition A Valediction: Forbidding Mourning The Ecstasy The Funeral The Relic Elegy 19: To His Mistress Going to Bed Holy Sonnets 1 (“As due by many titles I resign”) 2 (“Oh my black soul! Now thou art summoned”) 3 (“This is my play’s last scene, here heavens appoint”) 4 (“At the round earth’s imagined corners, blow”) 5 (“If poisonous minerals, and if that tree”) 6 (“Death be not proud, though some have called thee”) 7 (“Spit in my face ye Jews, and pierce my side”) 8 (“Why are we by all creatures waited on?”) 9 (“What if this present were the world’s last night?”) 10 (“Batter my heart, three-personed God; for, you”) 11 (“Wilt thou love God, as he thee? Then digest”) 12 (“Father, part of his double interest”) Devotions Upon Emergent Occasions [“For whom the bell tolls”] The King James Bible: Genesis 2.3 LADY MARY WROTH Pamphilia to Amphilanthus From The Countess of Mountgomery's Urania. Page 1588 1589 1590 1591 1591 1592 1593 1594 1594 1595 1596 1596 1597 1598 1599 1601 1601 1602 1603 1603 1604 Page 1672 THIRD EDITION Song (“Go, and catch a falling star”). 1672 1673 1674 1674 1676 1676 1677 1678 1678 1679 1680 1680 1681 1683 1684 1685 1686 1686 1686 1604 1687 1604 1687 1605 1605 1687 1688 1606 1688 1606 1689 The Undertaking. The Sun Rising. The Indifferent. The Canonization. Air and Angels. Break of Day. A Valediction: of Weeping. Love's Alchemy. The Flea. The Bait. The Apparition. A Valediction: Forbidding Mourning. The Ecstasy. The Funeral. The Relic. Elegy 19. To His Mistress Going to Bed. HOLY SONNETS. 1 (“As due by many titles I resign.”) 2 (“Oh my black soul! Now thou art summoned.”) 3 (“This is my play's last scene, here heavens appoint.”) 4 (“at the round earth's imagined corners, blow.”) 5 (“If poisonous minerals, and if that tree.”) 6 (“Death be not proud, though some have called thee.”) 7 (“Spit in my face ye Jews, and pierce my side.”) 8 (“Why are we by all creatures waited on?”) 1606 1689 1607 1689 1607 1690 1607 1608 1608 Web 1609 1690 1691 1691 9 (“What if this present were the world's last night?”) 10 (“Batter my heart, three-personed God; for, you.”) 11 (“Wilt thou love God, as he thee? Then digest.”) 12 (“Father, part of his double interest.”) Devotions upon Emergent Occasions. [“For Whom the Bell Tolls.”] 1692 Lady Mary Wroth. 1701 Pamphilia to Amphilanthus. From The Countess of Mountgomery's Urania. Web Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION 1 (“When night’s black mantle could most darkness prove”) 5 (“Can pleasing sight misfortune ever bring?”) 16 (“Am I thus conquered? Have I lost the powers”) 17 (“Truly poor Night thou welcome art to me”) 25 (“Like to the Indians, scorched with the sun”) 26 (“When everyone to pleasing pastime hies”) 28 Song (“Sweetest love, return again”) 39 (“Take heed mine eyes, how you your looks do cast”) 40 (“False hope which feeds but to destroy, and spill”) 48 (“If ever Love had force in human breast?”) 55 (“How like a fire does love increase in me”) 68 (“My pain, still smothered in my grièved breast”) 74 Song (“Love a child is ever crying”) A Crown of Sonnets Dedicated to Love 77 (“In this strange labyrinth how shall I turn?”) 82 (“He may our profit and our tutor prove”) 83 (“How blessed be they then, who his favors prove”) 84 (“ He that shuns love does love himself the less”) 103 (“My muse now happy, lay thyself to rest”) THOMAS HOBBES, From Leviathan SIR THOMAS BROWNE Religio Medici Pseuddodoxia Epidemica Hydriotaphia, Urn Burial ROBERT BURTON from The Anatomy of Melancholy ROBERT HERRICK Page 1611 Page 1693 1611 1694 1611 1694 1612 1695 1612 1695 1612 1695 1613 1613 1696 1696 1614 1697 1614 1697 1614 1697 1615 1698 1615 1616 1616 1698 1699 1699 1616 1699 1616 1700 1617 1700 1617 1700 Web Web Web Web Web Web 813 Hesperides The Argument of His Book To His Book Another (“To read my book the virgin shy”) Another (“Who with thy leaves shall wipe at 1618 1618 1619 1619 1619 THIRD EDITION 1 (“When night's black mantle could most darkness prove.”) * 5 (“Can pleasing sight misfortune bring?”) 16 (“Am I thus conquered? Have I lost the powers.”) 17 (“Truly poor Night thou welcome art to me.”) * 25 (“Like to the Indians scorched with the sun.”) 26 (“When everyone to pleasing pastime hies.”) 28 Song (“Sweetest love, return again.”) 39 (“Take heed mine eyes, how you your looks do cast.”) 40 (“False hope which feeds but to destroy, and spill.”) 48 (“If ever Love had force in human breast.”) * 55 (“How like a fire doth love increase in me.”) 68 (“My pain, still smothered in my grieved breast?”) 74 Song (“Love a child is ever crying.”) A Crown of Sonnets Dedicated to Love. 77 (“In this strange labyrinth how shall I turn?”) * 82 (“He may our profit and our tutor prove.”) 83 (“How blessed be they then, who his favors prove.”) * 84 (“ He that shuns love doth love himself the less.”) 103 (“My muse now happy, lay thyself to rest.”) * Thomas Hobbes, From Leviathan. 1103 * Robert Burton. The Anatomy of Melancholy. Robert Herrick. 1705 1705 1706 1706 1706 Hesperides. The Argument of His Book. To His Book. Another (“To read my book the virgin shy”). Another (“Who with thy leaves shall wipe at 1618 Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION need”) To the Sour Reader When He Would Have His Verses Read Delight in Disorder Corinna’s Going A-Maying To the Virgins, to Make Much of Time The Hock-Cart, or Harvest Home His Prayer to Ben Jonson Upon Julia’s Clothes Upon His Spaniel Tracie Page Page 1619 1619 1620 1620 1622 1622 1624 1624 1624 1706 1706 1707 1707 1709 1709 1710 1711 1711 1711 1711 To Dean-Bourn, a Rude River in Devon 1624 His Noble Numbers His Prayer for Absolution To His Sweet Saviour To God, on His Sickness GEORGE HERBERT 1625 1625 1625 1625 1626 The Altar Redemption Easter Easter Wings Affliction (1) Prayer (1) Jordan (1) Church Monuments The Windows Denial Virtue Man Jordan (2) Time The Collar The Pulley The Forerunners Love (3) 1627 1627 1628 1629 1629 1631 1631 1632 1632 1633 1633 1634 1635 1636 1636 1637 1638 1639 1712 1712 1713 1713 1713 1713 1714 1714 1714 1714 1715 1715 1715 1715 1717 1717 1718 1719 1719 1721 1721 1722 1722 1723 1723 1724 1725 1726 1726 1727 1728 1729 THIRD EDITION need”). To the Sour Reader. When He Would Have His Verses Read. Delight in Disorder. Corinna's Going A-Maying. To the Virgins, to Make Much of Time. The Hock-Cart, or Harvest Home. His Prayer to Ben Jonson. Upon Julia's Clothes. Upon His Spaniel Tracie. The Dream. (“Me thought (last night) love in an anger came.”) The Dream. (“By dream I saw one of the three.”) The Vine. The Vision. Discontents in Devon. To Dean-Bourne, a Rude River in Devon. Upon Scobble: Epigram. The Christian Militant. To His Tomb-Maker. Upon Himself Being Buried. His Last Request to Julia. The Pillar of Fame. His Noble Numbers. His Prayer for Absolution. To His Sweet Saviour. To God, on His Sickness. George Herbert. The Altar. Redemption. Easter. Easter Wings. Affliction (1). Prayer (1). Jordan (1). Church Monuments. The Windows. Denial. Virtue. Man. Jordan (2). Time. The Collar. The Pulley. The Forerunners. Love (3). Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Page 1639 Page 1729 THIRD EDITION Richard Lovelace. To Lucasta, Going to the Wars The Grasshopper To Althea, from Prison Love Made in the First Age: To Chloris HENRY VAUGHAN 1640 1641 1642 1643 1644 1730 1731 1732 1733 1734 To Lucasta, Going to the Wars. The Grasshopper. To Althea, from Prison. Love Made in the First Age: To Chloris. Henry Vaughan. Regeneration The Retreat Silence, and Stealth of Days The World They Are All Gone into the World of Light! The Night ANDREW MARVELL 1645 1647 1648 1649 1651 1652 1653 1735 1737 1738 1739 1741 1742 1743 Regeneration. The Retreat. Silence, and Stealth of Days. The World. They Are All Gone into the World of Light! The Night. Andrew Marvell. The Coronet Bermudas The Nymph Complaining for the Death of Her Fawn To His Coy Mistress The Definition of Love The Mower Against Gardens The Mower’s Song The Garden An Horatian Ode Upon Cromwell’s Return from Ireland KATHERINE PHILIPS 1655 1655 1656 1745 1745 1746 1659 1660 1661 1662 1663 1665 1749 1750 1751 1752 1753 1755 The Coronet. Bermudas. The Nymph Complaining for the Death of Her Fawn. To His Coy Mistress. The Definition of Love. The Mower Against Gardens. The Mower's Song. The Garden. An Horatian Ode Upon Cromwell's Return from Ireland. Katherine Philips. Friendship in Emblem, or the Seal Upon the Double Murder of King Charles On the Third of September, 1651 To the Truly Noble, and Obliging Mrs. Anne Owen To Mrs. Mary Awbrey at Parting To My Excellent Lucasia, on Our Friendship The World PERSPECTIVES: THE CIVIL WAR, OR THE WARS OF THREE KINGDOMS John Gauden from Eikon Basilike John Milton from Eikonoklastes 1669 1671 1671 1672 1759 1761 1761 1762 1673 1674 1675 1678 1763 1764 1765 1768 1680 1684 1770 1774 1780 Oliver Cromwell from Letters from Ireland John O’Dwyer of the Glenn The Story of Alexander Agnew; or, Jock of 1690 1695 1697 1784 1789 1791 RICHARD LOVELACE 1668 Friendship in Emblem, or the Seal. Upon the Double Murder of King Charles. On the Third of September, 1651. To the Truly Noble, and Obliging Mrs. Anne Owen. To Mrs. Awbrey at Parting. To My Excellent Lucasia, on Our Friendship. The World. Perspectives: The Civil War, or the Wars of Three Kingdoms. John Gauden. From Eikon Basilike. John Milton. From Eikonoklastes. The Petition of Gentlewomen and Tradesmen's Wives. Oliver Cromwell. From Letters from Ireland. John O'Dwyer of the Glenn. The Story Of Alexander Agnew; Or, Jock Of Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Broad Scotland Page Page 1792 THIRD EDITION Broad Scotland. Edward Hyde, Earl of Clarendon. From True Historical Narrative of the Rebellion. John Milton. L'Allegro. Il Penseroso. Lycidas. How Soon Hath Time. On the New Forcers of Conscience Under the Long Parliament. To the Lord General Cromwell. On the Late Massacre in Piedmont. When I Consider How My Light Is Spent. Methought I Saw My Late Espoused Saint. From Areopagitica. * PARADISE LOST. Book 1. Book 2. * Book 3. * Book 4. * Book 5. * Book 6. * Book 7. * Book 8. Book 9. * Book 10. * Book 11. * Book 12. * Responses: Mary Wollstonecraft, From A Vindication of the Rights of Woman. * William Blake, A Poison Tree. Samson Agonistes. THE RESTORATION AND THE EIGHTEENTH CENTURY. Samuel Pepys. JOHN MILTON L’Allegro Il Penseroso Lycidas How Soon Hath Time On the New Forcers of Conscience Under the Long Parliament To the Lord General Cromwell On the Late Massacre in Piedmont When I Consider How My Light Is Spent Methought I Saw My Late Espoused Saint from Areopagitica Paradise Lost Book 1 Book 2 Book 3 Book 4 Book 5 Book 6 Book 7 Book 8 Book 9 Book 10 Book 11 Book 12 Responses: Mary Wollstonecraft, from A Vindication of the Rights of Woman William Blake: A Poison Tree Samson Agonistes THE RESTORATION AND THE EIGHTEENTH CENTURY SAMUEL PEPYS 1698 1701 1704 1709 1713 1714 1796 1798 1802 1806 1811 1811 1715 1715 1716 1716 1716 1726 1727 1748 1772 1791 1814 1835 1856 1871 1886 1913 1939 1960 1976 1812 1813 1813 1813 1814 1823 1824 1845 1869 1888 1911 1932 1953 1968 1983 2010 2036 2057 2073 1978 Web 1981 2075 2075 2121 2010 2145 The Diary [First Entries] [The Coronation of Charles II] [The Plague Year] [The Fire of London] Pepys’s Diary and Its Time: John Evelyn from Kalendarium (The Royal Society) (Theater and Music) (Elizabeth Pepys and Deborah Willett) Response: Robert Louis Stevenson: from Samuel Pepys 2011 2011 2013 2015 2021 2025 2146 2146 2148 2150 2156 2160 The Diary. (First Entries.) (The Coronation of Charles II.) (The Plague Year.) (The Fire of London.) Pepys’s Diary and Its Time: John Evelyn from Kalendarium. 2027 2031 2032 2037 2172 * Response: Robert Louis Stevenson, from Samuel Pepys. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION PERSPECTIVES: THE ROYAL SOCIETY AND THE NEW SCIENCE Thomas Sprat from The History of the Royal Society of London Philosophical Transactions from Philosophical Transactions Robert Hooke from Micrographia John Aubrey from Brief Lives MARGARET CAVENDISH, DUCHESS OF NEWCASTLE Poems and Fancies The Poetress’s Hasty Resolution The Poetress’s Petition An Apology for Writing So Much upon This Book The Hunting of the Hare from A True Relation of My Birth, Breeding, and Life Observations upon Experimental Philosophy Of Micrography, and of Magnifying and Multiplying Glasses The Description of a New Blazing World from To the Reader [Creating Worlds] [Empress, Duchess, Duke] Epilogue JOHN DRYDEN Page 2039 Page 2174 2040 2175 2043 2178 2046 2053 2058 2181 2188 2193 2059 2059 2060 2060 2194 2194 2195 2195 2060 2063 2195 2198 2068 2068 2203 2203 2070 2070 2071 2072 2073 2205 2205 2206 2207 2208 2209 Absalom and Achitophel: A Poem “Absalom and Achitophel” and Its Time 2077 Web 2212 2237 Mac Flecknoe To the Memory of Mr. Oldham To the Pious Memory of the Accomplished Young Lady Mrs. Anne Killigrew Alexander’s Feast Fables Ancient and Modern from Preface The Secular Masque APHRA BEHN 2102 2108 Web 2239 2245 2246 2109 2113 2113 2122 2125 2251 2256 2256 2264 2267 The Disappointment To Lysander, on Some Verses He Writ To Lysander at the Music-Meeting A Letter to Mr. Creech at Oxford To the Fair Clarinda, Who Made Love to Me, Imagined More than Woman Oroonoko 2126 2130 2131 2132 2135 2269 2272 2274 2275 2277 2137 2278 THIRD EDITION Perspectives: The Royal Society and the New Science. Thomas Sprat. From The History of the Royal Society of London. Philosophical Transactions. From Philosophical Transactions. Robert Hooke. From Micrographia. John Aubrey. From Brief Lives. Margaret Cavendish, Duchess of Newcastle. Poems and Fancies. The Poetress's Hasty Resolution. The Poetress's Petition. An Apology for Writing So Much upon This Book. The Hunting of the Hare. From A True Relation of My Birth, Breeding, and Life. Observations upon Experimental Philosophy. Of Micrography, and of Magnifying and Multiplying Glasses. The Description of a New Blazing World. From To the Reader. (Creating Worlds.) (Empress, Duchess, Duke.) Epilogue. John Dryden. Absalom and Achitophel: A Poem. “Absalom and Achitophel” and Its Time: Charles II: His Majesty's Declaration. Mac Flecknoe. To the Memory of Mr. Oldham. To the Pious Memory of the Accomplished Young Lady Mrs. Anne Killigrew. Alexander's Feast. Fables Ancient and Modern. From Preface. The Secular Masque. Aphra Behn. The Disappointment. To Lysander, on Some Verses He Writ. To Lysander at the Music-Meeting. A Letter to Mr. Creech at Oxford. To the Fair Clarinda, Who Made Love to Me, Imagined More than Woman. Oroonoko. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Response: Thomas Southerne, from Oroonoko: A Tragedy PERSPECTIVES: COTERIE WRITING Mary, Lady Chudleigh. To the Ladies. To Almystrea Anne Finch, Countess of Winchilsea. The Introduction Friendship Between Ephelia and Ardelia A Nocturnal Reverie A Ballad to Mrs. Catherine Fleming in London from Malshanger Farm in Hampshire Mary Leapor. The Headache. To Aurelia Mira To Octavia An Epistle to Artemisia. On Fame Advice to Sophronia The Epistle of Deborah Dough JOHN WILMOT, EARL OF ROCHESTER Against Constancy The Disabled Debauchee Song (“Love a woman? You’re an ass!”) The Imperfect Enjoyment Upon Nothing A Satyr Against Reason and Mankind WILLIAM WYCHERLEY Page 2178 Page 2321 2184 2184 2327 2327 2186 2329 2188 2189 2190 2331 2332 2333 2192 2194 2195 2200 2201 2202 2335 2337 2338 2343 2344 2327 THIRD EDITION * Response: Thomas Southerne, from Oroonoko: A Tragedy. * Perspectives: Coterie Writing. Mary, Lady Chudleigh. To the Ladies. To Almystrea. * Anne Finch, Countess of Winchelsea. The Introduction. Friendship Between Ephelia and Ardelia. A Nocturnal Reverie. A Ballad to Mrs. Catherine Fleming in London from Malshanger Farm in Hampshire. * Mary Leapor. The Headache. To Aurelia. * Mira to Octavia * An Epistle to Artemisia: On Fame. Advice to Sophronia. The Epistle of Deborah Dough. John Wilmot, Earl Of Rochester. 2203 2204 2205 2205 2207 2208 2213 2346 2347 2348 2348 2350 2351 2356 Against Constancy. The Disabled Debauchee. Song (“Love a woman? You're an ass!”) The Imperfect Enjoyment. Upon Nothing. A Satyr Against Reason and Mankind. William Wycherley. The Country Wife MARY ASTELL 2215 2283 2358 2427 The Country Wife. Mary Astell. from Some Reflections upon Marriage DANIEL DEFOE 2284 2293 2428 2437 From Some Reflections upon Marriage. Daniel Defoe. A True Relation of the Apparition of One Mrs. Veal A Journal of the Plague Year [At the Burial Pit] [Encounter with a Waterman] PERSPECTIVES: READING PAPERS News and Comment from Mercurius Publicus [Anniversary of the Regicide] from The London Gazette [The Fire of London] from The Daily Courant No. 1 [Editorial Policy] Daniel Defoe: from A Review of the State of the British Nation, Vol. 4, No. 21 [The New 2296 2440 2302 2302 2306 2310 2311 2311 2446 2446 2449 2453 2454 2454 2312 2455 2313 2456 A True Relation of the Apparition of One Mrs. Veal. A Journal of the Plague Year. (At the Burial Pit.) (Encounter with a Waterman.) Perspectives: Reading Papers. News and Comment. From Mercurius Publicus (Anniversary of the Regicide). From The London Gazette (The Fire of London). From Daily Courant No. 1 (Editorial Policy). 2314 2457 Daniel Defoe. From A Review of the State of the British Nation, Vol 4, No. 21 (The New Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Page Page Union] 2459 Periodical Personae Richard Steele: from Tatler No. 1 [Introducing Mr. Bickerstaff] Joseph Addison: from Spectator No. 1 [Introducing Mr. Spectator] from Female Spectator, Vol. 1, No. 1 [The Author’s Intent] Richard Steele: from Tatler No. 18 [The News Writers in Danger] Joseph Addison: from Tatler No. 155 [The Political Upholsterer] Joseph Addison: from Spectator No. 10 [The Spectator and Its Readers] Getting, Spending, Speculating Joseph Addison: Spectator No. 69 [Royal Exchange] Richard Steele: Spectator No. 11 [Inkle and Yarico] Daniel Defoe: from A Review of the State of the British Nation, Vol. 1, No. 43 [Weak Foundations] Advertisements from the Spectator Women and Men, Manners and Marriage 2316 2317 2462 2463 2319 2466 2322 2468 2324 2470 2324 2470 2326 2472 2328 2330 2474 2476 2333 2479 2335 2481 2337 Web 2483 2483 2484 2485 2487 2490 2491 2494 2496 THIRD EDITION Union). From The Craftsman No. 307 (Vampires in Britain). Periodical Personae. Richard Steele. From Tatler No. 1 (Introducing Mr. Bickerstaff). Joseph Addison. From Spectator No. 1 (Introducing Mr. Spectator). From Female Spectator Vol. 1,No. 1 (The Author's Intent). Richard Steele. From Tatler No. 18 (The News Writers in Danger). Joseph Addison. From Tatler No. 155 (The Political Upholsterer). Joseph Addison. From Spectator No. 10 (The Spectator and Its Readers). Getting, Spending, Speculating. Joseph Addison. Spectator No. 69 (Royal Exchange). Richard Steele. Spectator No. 11 (Inkle and Yarico). Daniel Defoe. From A Review of the State of the British Nation, Vol 1, No. 43 (Weak Foundations). Advertisements from the Spectator. Women and Men, Manners and Marriage. Richard Steele. From Tatler No. 25 (Duellists). Daniel Defoe. From A Review of the State of the British Nation, Vol. 9, No 34, (A Duellist's Conscience.) From The Athenian Mercury. Richard Steele. From Tatler No. 104 (Jenny Distaff Newly Married). Joseph Addison. Spectator No 128 (Variety of Temper). Eliza Haywood. From The Female Spectator, Vol. 1, No. 1 (Seomanthe's Elopement). Eliza Haywood. From The Female Spectator, Vol. 2, No. 10 (Women's Education). JONATHAN SWIFT 2337 2498 Jonathan Swift. A Description of the Morning A Description of a City Shower Stella’s Birthday, 1719 Stella’s Birthday, 1727 The Lady’s Dressing Room Response: Lady Mary Wortley Montagu: The Reasons that induced Dr. S. to write a Poem 2340 2341 2343 2344 2346 2350 2500 2501 2504 2504 2506 2510 A Description of the Morning. A Description of a City Shower. Stella's Birthday, 1719. Stella's Birthday, 1727. The Lady's Dressing Room. * Response: Lady Mary Wortley Montagu, The Reasons That Induced Dr. S. to write a Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION called The Lady’s Dressing Room Verses on the Death of Dr. Swift, D.S.P.D. Journal to Stella from Letter 10 Gulliver’s Travels from Part 3. A Voyage to Laputa Part 4. A Voyage to the Country of the Houyhnhnms “Gulliver’s Travels” and Its Time from Letters on Gulliver’s Travels Jonathan Swift to Alexander Pope • Alexander Pope to Jonathan Swift • John Gay to Jonathan Swift • Jonathan Swift to Alexander Pope • “The Prince of Lilliput” to Stella A Modest Proposal “A Modest Proposal” and Its Time William Petty from Political Arithmetic ALEXANDER POPE Page Page THIRD EDITION Poem called The Lady's Dressing Room. Verses on the Death of Dr. Swift, D. S. P. D. Journal to Stella. From Letter 10. * Gulliver’s Travels. * from Part 3. A Voyage to Laputa. * Part 4. A Voyage to the Country of the Houyhnhnms. * “Gulliver’s Travels” and Its Time. * from Letters on Gulliver’s Travels Jonathan Swift to Alexander Pope • Alexander Pope to Jonathan Swift • John Gay to Jonathan Swift • Jonathan Swift to Alexander Pope • “The Prince of Lilliput” to Stella A Modest Proposal. “A Modest Proposal” and Its Time. William Petty From Political Arithmetic. Alexander Pope. 2352 2366 2366 2370 2371 2381 2513 2526 2527 2531 2532 2541 2426 2427 2587 2588 2431 2437 2437 2438 2591 2598 2598 2599 An Essay on Criticism Windsor-Forest The Rape of the Lock The Iliad 2440 2458 2470 2491 from Book 12 [Sarpedon’s Speech] Eloisa to Abelard from An Essay on Man To the Reader The Design Epistle 1 2491 2492 2501 2501 2501 2502 An Epistle from Mr. Pope, to Dr. Arbuthnot An Epistle To a Lady: Of the Characters of Women Epistle 2. To a Lady: Of the Characters of Women Response: Mary Leapor: An Essay on Woman from The Dunciad Book the First from Book the Fourth 2509 2521 2601 2619 2631 2652 2652 2654 2655 2664 2664 2665 2664 2665 2673 2684 An Essay on Criticism. Windsor-Forest. The Rape of the Lock. The Iliad. From Preface (On Translation) From Book 12 (Sarpedon's Speech.) Eloisa to Abelard. From An Essay on Man. To the Reader. The Design. Epistle 1. Argument. An Epistle from Mr. Pope, to Dr. Arbuthnot. * An Epistle to a Lady: Of the Characters of Women. 2528 2692 2531 2531 2542 2694 * Response: Mary Leapor, An Essay on Woman. From The Dunciad. LADY MARY WORTLEY MONTAGU 2543 2706 2521 2694 2695 2696 2697 2699 From Book the Fourth. (The Goddess Coming in Her Majesty.) (The Geniuses of the Schools.) (Young Gentlemen Returned from Travel.) (The Minute Philosophers and the Consummation of All.) Lady Mary Wortley Montagu. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION from The Turkish Embassy Letters To Lady—[On the Turkish Baths] To Lady Mar [On Turkish Dress] Letter to Lady Bute [On Her Granddaughter] Epistle from Mrs. Yonge to Her Husband The Lover: A Ballad JOHN GAY Page 2544 2544 2546 2548 2551 2553 2555 Page 2707 2707 2709 2711 2714 2716 2717 THIRD EDITION From The Turkish Embassy Letters. To Lady—(On the Turkish Baths.) To Lady Mar (On Turkish Dress.) Letter to Lady Bute (On Her Granddaughter). Epistle from Mrs. Yonge to Her Husband. The Lover: A Ballad. John Gay. The Beggar’s Opera “The Beggar's Opera” and Its Time: Influences and Impact 2557 Web 2719 2765 The Beggar's Opera. “The Beggar's Opera” and Its Time: Influences and Impact. Thomas D'Urfey: From Wit and Mirth; or, Pills to Purge Melacholy. Daniel Defoe: From The True and Genuine Account of the Life and Actions of the Late Jonathan Wild. Henry Fielding: From The Life of Mr. Jonathan Wild the Great. (Anonymous.) From A Narrative of All the Robberies, Escapes, &c. of John Sheppard. John Thurmond. From Harlequin Sheppard. Charlotte Charke. From A Narrative of the Life of Mrs. Charlotte Charke. James Boswell. From London Journal (Entries on Macheath.) * Response: Bertolt Brecht, Lyrics from The Threepenny Opera. William Hogarth. 2765 2768 2772 2775 2776 2777 2778 2780 WILLIAM HOGARTH 2603 2783 A Rake’s Progress PERSPECTIVES: MIND AND GOD Isaac Newton from Letter to Richard Bentley John Locke from An Essay Concerning Human Understanding Isaac Watts A Prospect of Heaven Makes Death Easy The Hurry of the Spirits, in a Fever and Nervous Disorders Against Idleness and Mischief Man Frail, and God Eternal Miracles Attending Israel’s Journey Joseph Addison Spectator No. 465 George Berkeley from Three Dialogues Between Hylas and Philonous 2605 2613 2614 2615 2617 2618 2785 2793 2794 2795 2797 2798 2622 2623 2623 2802 2803 2803 2625 2625 2626 2627 2627 2629 2629 2805 2805 2806 2807 2807 2809 2809 A Rake's Progress. Perspectives: Mind and God. Isaac Newton. From Letter to Richard Bentley. John Locke. From An Essay Concerning Human Understanding. Isaac Watts. A Prospect of Heaven Makes Death Easy. The Hurry of the Spirits, in a Fever and Nervous Disorders. Against Idleness and Mischief. Man Frail, and God Eternal. Miracles Attending Israel's Journey. Joseph Addison. Spectator No. 465. George Berkeley. From Three Dialogues between Hylas and Philonous. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Page 2631 2632 2635 Page 2811 2812 2815 2637 2638 2641 2642 2642 2643 2817 2818 2821 2822 2822 2823 2825 2646 2646 2649 2650 2650 2655 2656 2826 2826 2829 2830 2830 2835 2836 2656 2659 2836 2839 2662 2665 2842 2845 Sonnet on the Death of Mr. Richard West Ode on a Distant Prospect of Eton College Ode on the Death of a Favorite Cat, Drowned in a Tub of Gold Fishes Elegy Written in a Country Churchyard SAMUEL JOHNSON 2666 2667 2669 2846 2846 2847 2848 2849 2850 2850 2850 2853 2670 2674 2854 2858 Letters. To Horace Walpole (16 April 1734). To Richard West (December 1736). To Horace Walpole (12 June 1750). To Horace Walpole (11 February 1751). From To Horace Walpole (20 February 1751). Sonnet on the Death of Mr. Richard West. Ode on a Distant Prospect of Eton College. Ode on the Death of a Favorite Cat, Drowned in a Tub of Gold Fishes. Elegy Written in a Country Churchyard. Samuel Johnson. The Vanity of Human Wishes A Short Song of Congratulation On the Death of Dr. Robert Levet The Rambler No. 4 [On Fiction] No. 5 [On Spring] No. 60 [On Biography] 2677 2686 2686 2687 2688 2691 2694 2861 2870 2870 2871 2872 2875 2878 The Vanity of Human Wishes. A Short Song of Congratulation. On the Death of Dr. Robert Levet. The Rambler. No. 4 (On Fiction). No. 5 (On Spring). No. 60 (On Biography). David Hume from A Treatise of Human Nature from An Enquiry Concerning Human Understanding Christopher Smart from Jubilate Agno William Cowper Light Shining out of Darkness from The Task The Cast-away JAMES THOMSON from Winter. A Poem [Autumn Evening and Night] [Winter Night] from The Seasons from Autumn Rule, Britannia “The Seasons” and Its Time: Poems of Nightfall and Night Edward Young from The Complaint William Collins Ode to Evening • Ode Occasioned by the Death of Mr. Thomson William Cowper from The Task THOMAS GRAY THIRD EDITION David Hume. From A Treatise of Human Nature. From An Enquiry Concerning Human Understanding. Christopher Smart. From Jubilate Agno. William Cowper. Light Shining out of Darkness. From The Task. The Cast-away. James Thomson. From Winter. A Poem. (Autumn Evening and Night.) (Winter Night.) From The Seasons. From Autumn. Rule, Britannia. “The Seasons” and Its Time: Poems of Nightfall and Night. Edward Young From The Complaint. William Collins Ode to Evening. Ode Occasioned by the Death of Mr. Thomson. William Cowper: From The Task. Thomas Gray. Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION No. 170 [On Misella, a Prostitute] No. 171 [Misella Continues] No. 207 [Beginnings, Middles, and Ends] The Idler No. 31 [On Idleness] No. 32 [On Sleep] No. 84 [On Autobiography] No. 97 [On Travel Writing] A Dictionary of the English Language from Preface [Some Entries] from The History of Rasselas, Prince of Abyssinia Chapter 8. The History of Imlac Chapter 9. The History of Imlac Continued Chapter 10. Imlac’s History Continued. A Dissertation upon Poetry Chapter 11. Imlac’s Narrative Continued. A Hint on Pilgrimage Chapter 12. The Story of Imlac Continued from The Plays of William Shakespeare Preface [“Just Representations of General Nature”] [Faults; The Unities] [Selected Notes on Othello] Lives of the Poets from The Life of Milton from The Life of Pope Letters To Lord Chesterfield (7 February 1755) To Hester Thrale (19 June 1783) To Hester Thrale Piozzi (2 July 1784) To Hester Thrale Piozzi (8 July 1784) JAMES BOSWELL Page Web Web Web 2697 2697 2698 2700 2702 2703 2704 2710 2718 Page 2880 2883 2886 2889 2889 2891 2892 2894 2895 2896 2902 2910 2719 2720 2722 2911 2912 2914 2723 2915 2725 2727 2727 2727 2730 2736 2738 2739 2741 2744 2744 2745 2747 2747 2748 2917 2919 2919 2919 2922 2928 2931 2931 2933 2940 2940 2941 2943 2943 2944 from London Journal [A Scot in London] [Louisa] [First Meeting with Johnson] An Account of My Last Interview with David Hume, Esq. 2750 2750 2753 2757 2758 2946 2946 2949 2953 2954 2957 from The Life of Samuel Johnson, LL.D. [Introduction; Boswell’s Method] [Conversations about Hume] [Dinner with Wilkes] [Conversations at Streatham and the Club] 2761 2761 2763 2765 2771 2962 2962 2964 2966 2972 THIRD EDITION No. 170 (On Misella, a Prostitute). No. 171 (Misella Continues). No. 207 (Beginnings, Middles, and Ends). The Idler. No. 31 (On Idleness). No. 32 (On Sleep). No. 84 (On Autobiography). No. 97 (On Travel Writing). A Dictionary of the English Language. from Preface. (Some Entries.) From The History of Rasselas, Prince of Abyssinia. Chapter 8. The History of Imlac. Chapter 9. The History of Imlac Continued. Chapter 10. Imlac's History Continued. A Dissertation upon Poetry. Chapter 11. Imlac's Narrative Continued. A Hint on Pilgrimage. Chapter 12. The Story of Imlac Continued. From The Plays of Shakespeare. Preface. (“Just Representations of General Nature”) (Faults; The Unities) (Selected Notes on Othello.) Lives of the Poets. From The Life of Milton. From The Life of Pope. Letters. To Lord Chesterfield (7 February 1755). To Hester Thrale (19 June 1783). To Hester Thrale Piozzi (2 July 1784). To Hester Thrale Piozzi (8 July 1784). James Boswell. From London Journal. (A Scot in London.) (Louisa.) (First Meeting with Johnson.) An Account of My Last Interview with David Hume, Esq. From A Journal of a Tour to the Hebrides with Dr. Samuel Johnson. From The Life of Samuel Johnson, LL.D. (Introduction; Boswell's Method.) (Conversations about Hume.) (Dinner with Wilkes.) (Conversations at Streatham and the Club.) Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Page Page 2977 2978 2978 2980 2982 2983 2983 2987 THIRD EDITION Hester Salusbury Thrale Piozzi. From The Family Book. (On Her Daughter's Progress.) (On the Death of Her Son.) (On Her Marriage and Household.) From Thraliana. (First Entries.) Oliver Goldsmith. The Deserted Village. Responses: George Crabbe From The Village. George Crabbe: From The Parish Register. Richard Brinsley Sheridan. The School for Scandal. * Response: Oscar Wilde, From The Importance of Being Earnest. * Perspectives: Novel Guises. * Mary Carleton, From The Case of Madam Mary Carleton. * Daniel Defoe, From The Life and Strange Surprizing Adventures of Robinson Crusoe. * From The Fortunate Mistress: Or, a History of the Life and Vast Variety of Fortunes of Mademoiselle de Beleau, Afterwards Called the Countess de Wintselsheim, in Germany. Being the Person Known by the Name of Lady Roxana, in the Time if King Charles II. * Eliza Heywood, Fantomina: Or, Love in a Maze. * Samuel Richardson, From Pamela; Or, Virtue Rewarded. * From the Preface to Clarissa, Or, The History of a Young Lady. * From the Preface to The History of Sir Charles Grandison, Baronet. * Henry Fielding, From An Apology for the Life of Mrs. Shamela Andrews * From the Preface to The History of the Adventures of Joseph Andrews. * From The History of Tom Jones, A Foundling. * Lawrence Sterne, From The Life and Opinions of Tristam Shandy, Gentleman. * Frances Burney, From The Early Journals. * From Evelina, or, the History of a Young Lady’s Entrance into the World. Evelina to the Reverend Mr. Villars. * Letters on Evelina, From a Letter to Susanna Burney; Streatham, late June 1779. OLIVER GOLDSMITH 2777 The Deserted Village Responses: George Crabbe from The Village George Crabbe: from The Parish Register RICHARD BRINSLEY SHERIDAN The School for Scandal 2778 2788 2790 Web Web 2988 2999 3000 3001 3002 3063 PERSPECTIVES: NOVEL GUISES Mary Carleton, from The Case of Madam Mary Carleton Daniel Defoe, from The Life and Strange Surprizing Adventures of Robinson Crusoe from The Fortunate Mistress: Or, a History of the Life and Vast Variety of Fortunes of Mademoiselle de Beleau, Afterwards Called the Countess de Wintselsheim, in Germany. Being the Person Known by the Name of Lady Roxana, in the Time if King Charles II Eliza Haywood, Fantomina: Or, Love in a Maze Samuel Richardson, from Pamela; Or, Virtue Rewarded from the Preface to Clarissa. Or, The History of a Young Lady from the Preface to The History of Sir Charles Grandison, Baronet Henry Fielding, from An Apology for the Life of Mrs. Shamela Andrews from the Preface to The History of the Adventures of Joseph Andrews from The History of Tom Jones, A Foundling 2791 Web 3066 3067 2792 3069 Web 3073 2796 3081 2814 3099 2819 3108 2819 3109 2820 3109 2823 3113 2826 3116 Laurence Sterne, from The Life and Opinions of Tristram Shandy, Gentleman Frances Burney, from The Early Journals from Evelina; or, the History of a Young Lady’s Entrance into the World. Evelina to the Reverend Mr. Villars 2828 3122 2831 2834 3125 3128 3131 Transition Guide: The Longman Anthology of British Literature Volume One Moving from the Third Edition to the Fourth Edition FOURTH EDITION Page Page 3132 from The Wanderer; or, Female Difficulties 2837 Credits 2839 3133 3137 3143 3145 3169 3209 THIRD EDITION * From a Letter to Susanna Burney; Bath, 8 June 1780. * From The Wanderer; or, Female Difficulties. Political and Religious Orders. Money, Weights, and Measures. Glossary of Literary and Cultural Terms. Bibliographies. Credits. Index 2845 3213 Index.
