WARRIOR RUN SCHOOL DISTRICT WARRIOR RUN HIGH SCHOOL DRAMA I, II CURRICULUM PRPEARED BY: BERNADETTE BOERCKEL SUBMITTED: JUNE 2007 1 INTRODUCTION Drama I and Drama II are electives offered to introduce students to the art of performance, the role that theatre plays in personal lives and society at large, and an aesthetic appreciation for the arts in general. Theatre Education is an interdisciplinary art form that satisfies the human need to express thoughts and feelings through written text, dramatic interpretation, and multimedia production. Although there is much repetition of content in Drama I and Drama II, the content only serves to strengthen the skills of the students. It is delivered with increasing levels of intensity at each level. If a particular activity or play is used only in Drama I or II, it will have the Roman numeral in parenthesis after it (i.e. (I), or (II). Since there are not PA State Standards in theatre education, Language Arts Standards, Arts and Humanities Standards, and National Standards for Theatre (all caps CONTENT STANDARD) will be included. National Standards are listed at the end of this curriculum for reference. EXPECTED LEVELS OF ACHIEVEMENT Students are expected to: Learn, understand, and demonstrate mastery of theatrical terms. Participate everyday in warm-ups and improvisations created to demonstrate concepts of performance. Foster an environment of trust in which students feel free to take the risks necessary to grow as performers. Analyze, interpret, and respond to dramatic works through reading, writing and observing. Create / write monologues and short dramatic works to be performed and critiqued by their peers. Memorize and perform rehearsed scenes and monologues of published material in a range of styles. Gain a comprehensive appreciation for the performance arts. 2 PROCEDURES FOR EVALUATION Students will be evaluated by using a variety of assessment methods. Grades will be determined using a point system. Formal Assessment Methods 1) Written quizzes and tests 2) Formal, rehearsed performances 3) Formal paper writing (MLA format) Informal Assessment Method 1) Daily participation/preparation 2) Regular journal writing 3) Class discussions 4) Observation Other Grades: 1) Computer lab explorations and activities 2) Informal writing assignments based on observation, newspaper headlines, and cross-curricular texts. REFERENCES The materials used in Drama I and Drama II are ever-changing and drawn from of a variety of sources including: 1) Published anthologies of scenes 2) Published anthologies of monologues 3) Published plays and one acts including, but not limited to “Our Town”, “The Crucible”, “Brighton Beach Memoirs”, “A Streetcar Named Desire”, “Death of a Salesman”, and “You Can’t Take It With You” 4) Original texts written by classmates (current and former) 5) Online resources including: The Improv Encylopedia: www.humanpingpongball.com Brigham Young University’s Theatre Education Database: http://tedb.byu.edu/ Playwriting 101: http://www.playwriting101.com/ Writing Your Own Monologues: http://www.saskschools.ca/curr_content/drama30/teacher/3writing.html Various movie and free monologues sites 3 TIMELINE The following timeline is an approximation of the time required to complete each unit of study in Drama I and Drama II. Unit 1 Unit 2 Unit 3 Unit 4 Unit 5 Unit 6 Unit 7 Unit 8 Trust and Energy Pantomime Improvisation Scene work Play viewing Writing about theatre Monologue performance Monologue / Play writing 3 weeks and ongoing 2 weeks 2 weeks and ongoing 2 weeks 2-4 weeks 1 week and ongoing 2 weeks 2-4 weeks 4 UNIT 1 Trust and Energy Games OBJECTIVES Students will: 1) Identify as a group the atmosphere that must exist in order for them to act freely in class without fear of persecution or intimidation. 2) Create and sign a contract agreeing to said terms. 3) Participate in games that make them aware of a. Their senses b. Their bodies c. The way thee respond to other people d. Group problem solving e. The ability to think quickly 4) Students will work through any existing stage fright or shyness that they bring to the class. (STDS. 9.1.12 A, B, D, G STD 1.6.11 C, D, E) SECURE CONTENT Instructional Activities 1) Discuss importance of a trusting and encouraging atmosphere. 2) Instruct students on rules of behavior and have students create additional rules. 3) Teach and model trust and energy games and warm-ups. These may include and are not limited to: Name Zap, Murder Wink, Human Knot, Get Organized, Thumper, Psst!, Who Began, Pass Clap, Categories, Secret Picnic, Simon Says, Assassin, Man Over Board, etc… Learning Activities 1) Students will learn games mentioned above. 2) Students will keep a written account of each game; how to play it; its purpose and a response to it. 3) Students will participate each day in every activity. 5 UNIT 2 Pantomime OBJECTIVES Students will understand the history of and foundations of pantomime. They will be able to demonstrate action and emotion without the use of speech. They will learn, understand, and master the three essentials of pantomime: consistency, exaggeration, and specificity. CONTENT STANDARD 2: Acting by developing, communicating, and sustaining characters in improvisations and informal or formal productions. (Stds: 9.1.12 A, B, D, 9.2.12K) 1) 2) 3) 4) 1) 2) 3) 4) 5) SECURE CONTENT Instructional Activities Prepare handouts on history of pantomime. Instruct students on consistency, exaggeration, and specificity. Hand out and describe project and rubric. Expand knowledge of Pantomime to improvised and rehearsed scenework. Learning Activities Students will practice pantomiming skills in small groups through exercises (machine/animal pantomime, Yes, Lets, Group Pantomime, What Are You Doing?, Silent Scenes, etc.) Students will choose an action with a beginning, middle and end. Students will choose a piece of music that in some way relates to the chosen action. Students will rehearse their action to their music, obeying the rules of consistency, exaggeration, and specificity. Students will perform their pantomime to music individually in front of the class. Students will perform scenes without speech, both rehearsed and improvised. UNIT 3 Improvisation OBJECTIVES Students will demonstrate their improvisation skills by participating in various activities and assignments that require students to use their improve skills. They will learn to think on their feet, make choices, and act without a script. CONTENT STANDARD 1: Script writing by improvising, writing, and refining scripts based on personal experience and heritage, imagination, literature, and history. CONTENT STANDARD 2: Acting by developing, communicating, and sustaining characters in improvisations and informal or formal productions. (Stds: 9.1.12 A, B, D, 9.2.12K) 6 SECURE CONTENT Instructional Activities 1) Teach and model improvisation games and activities including, but not limited to: ABC Scene, Questions only, Hitchhiker, Props, The Dating Game, Party Quirks, Elevator, Interrogation, One Word-three Scenes, Three Objects, TMATTY, Object Monologue, Story-Story-Die, Voices from Heaven, Nursery Rhyme Scenes, Crazy Newscaster, Emotional family, Marriage Counselor, etc. Learning Activities 1) Students will learn and participate in the above improvisational vehicles 2) Students will keep a written account of each game, how to play it, its purpose, and a response to it. UNIT 4 Scenework OBJECTIVES Students will demonstrate their knowledge of acting in a scene from a play by reading, rehearsing, and performing a 5-7 minute comedic scenes (May be dramatic in Drama II). CONTENT STANDARD 2: Acting by developing, communicating, and sustaining characters in improvisations and informal or formal productions. (Std: 9.1.12 A, B, D, 9.2.12K) 1) 2) 3) 4) 5) SECURE CONTENT Instructional Activities Watch movie “Brighton Beach Memoirs (I)”, “The Crucible (II)” or alternate, to observe the way characterization is achieved and the way characters relate to one another in scenes. Assign scripts to groups or pairs. Instruct students on proper theatre terminology to facilitate the rehearsal of their scenes. Assist students as they prepare. Provide rubrics for performance evaluation. Learning Activities 1) Students will choose a character from Brighton Beach Memoirs (I), The Crucible (II), or alternate, to discuss in a paper about characterization (how did the actor achieve the character). 2) Students will select, read through, memorize, and perform scenes in a pair or group. 3) The class will discuss problems and success throughout this process. 4) Each group will be formally assessed by the teacher and through selfassessment in their journals. 7 UNIT 5 -6 Play Viewing – Writing About Theatre: Appreciating theatre as an art form (I) Analysis using Aristotle’s Six Elements of Drama (II) OBJECTIVES Students (I) will learn to watch a play differently from a movie. They will pay attention to characterization, relationships, costume, setting, and theme). They will employ what they learn in their own performances. Students (II) will demonstrate their knowledge of the Six Elements of Drama (plot, theme, diction, character, music, and spectacle) by analyzing a film. CONTENT STANDARD 7: Analyzing, critiquing, and constructing meanings from informal and formal theatre, film, television, and electronic media productions; CONTENT STANDARD 6: Comparing and integrating art forms by analyzing traditional theatre, dance, music, and visual arts, and new art forms; CONTENT STANDARD 4: Directing by interpreting dramatic texts and organizing and conducting rehearsals for informal or formal productions. (Stds: 9.2.12; L 9.3.12B) SECURE CONTENT Instructional Activities 1) Show and discuss various plays at each level: (I): “Brighton Beach Memoirs”, “You Can’t Take It With You” or alternate (II): “The Crucible”, “Proof”, “A Streecar Named Desire”, Death of a Salesman, or alternate. 2) Through worksheets, notes, and class and group discussion, teach students what to look for in a work of theatre. Learning Activities 1) Students will choose a character from “Brighton Beach Memoirs”, “You Can’t Take It With You”, or alternate (I), and discuss characterization in a paper (how did the actor achieve the character). 2) Students (II) will learn and be tested on Arostotle’s Six Elements of Drama. 3) Students (II) will use Arostotle’s method to identify/evaluate elements in a work of theatre (live or on DVD). 4) Students will discuss in groups and as a class the themes of the play and informally, why they did or didn’t “connect” with the performance. 8 UNIT 7 Monologue Performance OBJECTIVES Students will choose a monologue to analyze, memorize, rehearse, block, costume and perform. CONTENT STANDARD 2: Acting by developing, communicating, and sustaining characters in improvisations and informal or formal productions. Achievement Standard: analyze the physical, emotional, and social dimensions of characters found in dramatic texts from various genre and media. (Stds: 9.1.12 A, B, D, 9.2.12K) SECURE CONTENT Instructional Activities 1) Provide monologues appropriate to individual student’s abilities. 2) Provide guiding worksheets to help the students in their approach to monologue performances. 3) Provide rubrics for performance evaluation. 4) Coach students along the way. 5) Informally evaluate progress one week before performances. Learning Activities 1) Students will choose a monologue from class library or Internet to be approved by the teacher. 2) Students will complete guiding worksheets. 3) Students will participate in informal discussions about their monologues as well as record progress in their journals. 4) Students will memorize and perform their monologues. 5) Students will self-evaluate their performance. UNIT 8 Monologue (I) / 10 Minute Playwriting (II) OBJECTIVES Students (I) will create a first-person monologue based on an image either provided by the teacher or obtained on their own. Their monologues will have beginnings, middles, and ends and rely on conventions of either humor or drama. Students (II) will demonstrate their understanding of dramatic text and their ability to create character, relationship, dialogue, and action by writing original 10 to 15 minute long scripts in small groups. Their plays will follow professional guidelines for 10minute plays and have a beginning, middle, and an end. They should take place in one to two settings and draw from techniques learned throughout Drama I and II. CONTENT STANDARD: Script writing by improvising, writing, and refining scripts based on personal experience and heritage, imagination, literature, and history. CONTENT 9 STANDARD 4: Directing by interpreting dramatic texts and organizing and conducting rehearsals for informal or formal productions. (Stds: 9.1.12 A, B, D; 9.2.12K; 9.2.12; L 9.3.12B) 1) 2) 3) 4) 1) 2) 3) 4) SECURE CONTENT Instructional Activities (I) Bring students to the computer lab for exploration of monologue-writing site. Activate prior knowledge of effective monologue content and delivery. Guide students in their monologue writing. Provide monologue rubric and sharing opportunities. Learning Activities (I) Students will read through and learn about monologue writing on chosen website: www. Choose a photo on the site or bring in one from a publication to use as a springboard. Write, edit, revise, and type up several monologues. Share favorite monologue with the class. Instructional Activities (II) 1) Provide ten-minute plays to read. 2) Provide computer time to explore the website devoted to ten-minute playwriting: www. Quiz students on this material. 3) Assign playwriting groups and allow time for brainstorming. 4) Monitor playwriting and reading, grading equitable participation of group members. 5) Instruct students in the methods of reader’s theatre as a way to present scripts. Learning Activities (II) 6) Read published 10-minute plays. 7) Learn format and rules of 10-minute play for examination. 8) Brainstorm plot, setting, and character possibilities in groups. 9) Write, type, and rehearse play as a group. 10) Read a different group’s play in a reader’s theatre presentation. National Standards for Theatre Education (Proficient 9-12) CONTENT STANDARD 1: Script writing by improvising, writing, and refining scripts based on personal experience and heritage, imagination, literature, and history. Achievement Standard: construct imaginative scripts and collaborate with actors to refine scripts so that story and meaning are conveyed to an audience. CONTENT STANDARD 2: Acting by developing, communicating, and sustaining characters in improvisations and informal or formal productions. Achievement Standard: analyze the physical, emotional, and social dimensions of characters found in dramatic texts from various genre and media. 10 Achievement Standard: compare and demonstrate various classical and contemporary acting techniques and methods. Achievement Standard: in an ensemble, create and sustain characters that communicate with audiences. CONTENT STANDARD 3: Designing and producing by conceptualizing and realizing artistic interpretations for informal or formal productions. Achievement Standard: explain the basic physical and chemical properties of the technical aspects of theatre (such as light, color, electricity, paint, and makeup). Achievement Standard: analyze a variety of dramatic texts from cultural and historical perspectives to determine production requirements. Achievement Standard: develop designs that use visual and aural elements to convey environments that clearly support the text. Achievement Standard: apply technical knowledge and skills to collaboratively and safely create functional scenery, properties, lighting, sound, costumes, and makeup. Achievement Standard: design coherent stage management, promotional, and business plans. CONTENT STANDARD 4: Directing by interpreting dramatic texts and organizing and conducting rehearsals for informal or formal productions. Achievement Standard: develop multiple interpretations and visual and aural production choices for scripts and production ideas and choose those that are most interesting. Achievement Standard: justify selections of text, interpretation, and visual and aural artistic choices. Achievement Standard: effectively communicate directorial choices to a small ensemble for improvised or scripted scenes. CONTENT STANDARD 5: Researching by evaluating and synthesizing cultural and historical information to support artistic choices. Achievement Standard: identify and research cultural, historical, and symbolic clues in dramatic texts and evaluate the validity and practicality of the information to assist in making artistic choices for informal and formal productions. CONTENT STANDARD 6: Comparing and integrating art forms by analyzing traditional theatre, dance, music, and visual arts, and new art forms. Achievement Standard: describe and compare the basic nature, materials, elements, and means of communicating in theatre, dramatic media, musical theatre, dance, music, and the visual arts. Achievement Standard: determine how the nondramatic art forms are modified to enhance the expression of ideas and emotions in theatre. Achievement Standard: illustrate the integration of several arts media in informal presentations. CONTENT STANDARD 7: Analyzing, critiquing, and constructing meanings from informal and formal theatre, film, television, and electronic media productions. Achievement Standard: construct social meanings from informal and formal productions and from dramatic performances from a variety of cultures and historical periods, and relate to current personal, antional, and international issues. Achievement Standard: articulate and justify personal aesthetic criterial for critiquing 11 dramatic texts and events that compares perceived artistic intent with the final aesthetic achievement. Achievement Standard: analyze and critique the whole and the parts of dramatic performances, taking into account the context, and constructively suggest alternative artistic choices. Achievement Standard: constructively evaluate their own and others' collaborative efforts and artistic choices in informal and formal productions. CONTENT STANDARD 8: Understanding context by analyzing the role of theatre, film, television, and electronic media in the past and the present. Achievment Standard: compare how similar themes are treated in drama from various cultures and historical periods, illustrate with informal performances, and discuss how theatre can reveal universal concepts. Achievement Standard: identify and compare the lives, works, and influence of representative theatre artists in various cultures and historical periods. Achievement Standard: identify cultural and historical sources of American theatre and musical theatre. Achievement Standard: analyze the effect of their own cultural experiences on their dramatic work. 12