I. Bibliographies and Encyclopaedias

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1
SS 2007
Di 10-12, G25
Prof. Dr. R. Borgmeier
HS: Shakespeare's Love Tragedies
Bibliography
Please note: If in the following bibliography there is no explicit mentioning of where an
article or a certain book is located they are available in the university or departmental
library and can be found in the OPAC. The folder is in Room 339.
I. Bibliographies and Encyclopaedias
Berman, Ronald. A Reader's Guide to Shakespeare's Plays: A Discursive Bibliography.
Chicago: Scott, Forseman & Co., 1969.
KS 742
Campbell, Ascar James (ed.). A Shakespeare Encyclopaedia. London: Methuen, 1974
(Nachdruck).
KS 875
Crystal, David; Crystal, Ben (eds.). Shakespeare's Words. A Glossary and Language
Companion. London: Penguin, 2002.
KS 810
Dobson, Michael (ed.). The Oxford Companion to Shakespeare. Oxford: Oxford UP, 2005.
FH ang Cs 2.34
Grazia, Margreta de (ed.). The Cambridge Companion to Shakespeare. Cambridge:
Cambridge UP, 2002.
KS DEG
Hodgdon, Barbara; Worthen, W. B. (eds.) A Companion to Shakespeare and Performance.
Malden: Blackwell, 2005.
KS 823
Spevack, Marvin. A Complete and Systematic Concordance to the Works of William
Shakespeare. Hildesheim: Georg Olms, 1968.
ang Cs 1/1
Wells, Stanley (ed.). Shakespeare: A Bibliographical Guide. Oxford: Clarendon P, 1990
KS 745
Wells, Stanley (ed.) The Cambridge Companion to Shakespeare on Stage. Cambridge:
Cambridge UP, 2002.
KS WEL 6
II. Journals and Yearbooks
Shakespeare Quarterly. Hg. Shakespeare Association of America, Folger Shakespeare
Library New York.
Z 103
Shakespeare Studies. An Annual Gathering of Research, Criticism, and Reviews. Hg. J. Leeds
Barroll, Cincinatti.
Z 105
2
Shakespeare Survey. An Annual Survey of Shakespeare Studies and Production. Cambridge.
Z 102
Shakespeare-Jahrbuch West. Hg. im Auftrag der Deutschen Shakespeare-Gesellschaft West.
Z 101
Shakespeare-Jahrbuch. Hg. im Auftrag der Deutschen Shakespeare-Gesellschaft Weimar.
Z 100
III. General Works on Shakespeare and the Elizabethan (St)Age
Alvis, John (ed.). Shakespeare as Political Thinker. Durham, NC: Carolina Acad. P., 1981.
KS Alv
Aronson, Alex. Psyche and Symbol in Shakespeare. Bloomington, London: Indiana UP, 1072
KS Aro
Brennan, Anthony. Shakespeare's Dramatic Structures. London, Boston, Henley: Routledge
& Kegan Paul, 1986.
KS Bre
Chapman, Gerald W. (ed.). Essays on Shakespeare. Princeton: Princeton UP, 1965.
KS Cha II
Clemen, Wolfgang. The Development of Shakespeare's Imagery. London: Methuen, 1977.
KS Cle
Elizabethan Theatre. (Stratford-Upon-Avon-Studies 9). London: Arnold, 1966.
Z 106
Evans, Malcom. Signifying Nothing: Truth's Time. Contents in Shakespeare's Text. Brighton,
Sussex: Harvester Press, 1986.
KS Eva VI
Garber, Marjorie B. Shakespeare's Ghost Writers: Literature as Uncanny Casuality. New
York: Methuen, 1987.
KS Gar 3
Greenblatt, Stephen. Verhandlungen mit Shakespeare. Berlin: Wagenbach, 1990.
ang Cs 2/21
Gurr, Andrew. "The State of Shakespeare’s Audiences." Shakespeare and the Sense of
Performance. Eds. Marvin and Ruth Thompson Newark, London: University of
Delaware Press, 1989. 162-179.
folder
Harris, Laurie Lanzen und Mark W. Scott (ed.). Shakespearean Criticism. Detroit: Gale
Research Company, 1986.
KS 883
Holland, Peter (ed.) Shakespeare and Religions. Cambridge: Cambridge UP, 2001.
Z 102/54
Laroque, François. Shakespeare: Abenteuer Geschichte. Wiss. Bearb. Raimund Borgmeier.
Ravensburg: Maier, 1994.
KS Lar
3
Matthews, Honor. Character and Symbol in Shakespeare's Plays. A Study in Certain
Christian and Prechristian Elements in Their Structure and Imagery. London: Chatto
& Windus, 1969.
KS Mat
Naumann, Walter. Die Dramen Shakespeares. Darmstadt: Wiss. Buchgesellschaft, 1978.
KS Nau
Orgel, Stephen. The Authentic Shakespeare and Other Problems of the Early Modern Stage.
New York: Routledge, 2002.
KS ORG
Paster, Gail Kern. Humoring the Body: Emotions and the Shakespearean Stage. Chicago:
University of Chicago Press, 2004.
Sted BM
Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare's
Stage. London: Routledge, 2001.
KS RUT 1
Ryan, Kiernan. Shakespeare. 3rd ed. Basingstoke: Palgrave, 2002.
KS RYA
Schabert, Ina. Shakespeare Handbuch. Stuttgart: Kröner, 1972.
KS 805&865
Suerbaum, Ulrich. Das elisabethanische Zeitalter. Stuttgart: Reclam, 1989.
F KA 1157
Suerbaum, Ulrich. Shakespeares Dramen. Düsseldorf: Bagel, 1985.
KS Sue
Tillyard, E. M. W. The Elizabethan World Picture. London: Chatto & Windus, 1943.
F KA 621.
Wells, Stanley (ed.). The Cambridge Companion to Shakespeare Studies. Cambridge:
Cambridge UP, 1987.
KS Wel 3
IV. General Works on Shakespeare's Tragedies
Battenhouse, Roy W. Shakespearean Tragedy: Its Art and its Christian Premises.
Bloomington: Indiana UP, 1969.
KS Bat
Charlton, H. B. Shakespearean Tragedy. Cambridge: Cambridge UP, 1961.
KS Cha III 3
Frye, Northrop. Fools of Time: Study in Shakespearean Tragedy. Ontario: U of Ontario P,
967.
KS Fry II
Harbage, Alfred (ed.). Shakespeare: The Tragedies. A Collection of Critical Essays.
Eaglewood Cliffs, NJ: Prentice Hall, 1964.
KS Har 3
Harrison, G. B. Shakespeare's Tragedies. London: Routledge & Paul, 1961
KS Har III 2
Jorgensen, Paul A. William Shakespeare: The Tragedies. Boston: Twayne, 1985. KS Jor 4
Leech, Clifford (ed.). Shakespeare: The Tragedies. A Collection of Critical Essays. Chicago:
U of Chicago P, 1965.
KS Lee II 2
4
Lerner, Laurence. Shakespeare's Tragedies: An Anthology of Modern Criticism.
Harmondsworth: Penguin, 1968.
KS Ler
McDonald, Russ (ed.). Shakespeare Reread: The Texts in New Contexts. Ithaca: Cornell UP,
1994.
ordered
McEachern, Claire (ed.). The Cambridge Companion to Shakespearean Tragedy. Cambridge:
Cambridge UP, 2002.
KS MCE
Marsh, Derick, R. C. Passion Lends Them Power: A Study of Shakespeare's Love Tragedies.
Manchester: Manchester UP, 1976.
KS Mar IV
Mehl, Dieter. Shakespeare's Tragedies: An Introduction. Cambridge: Cambridge UP, 1986.
KS Meh
Mucciolo, John M., Steven J. Doloff, Edward A. Rauchut, and Angus Fletcher (eds.).
Shakespeare's Universe: Renaissance Ideas and Conventions. Hants: Scolar, 1996.
Ramm, Dieter. Die Phasenstruktur der Shakespeareschen Tragödien. Frankfurt: Akad.
Verlagsgesellschaft, 1974.
KS Ram
Reynolds, Peter. “Unlocking the Box: Shakespeare on Film and Video.” Shakespeare in the
Changing Curriculum. Eds. Lesley Aers and Nigel Wheale. London and New York:
Routledge, 1991. 189-203.
folder
Ribner, Irving. Patterns in Shakespearean Tragedy. Toronto: U of Toronto P, 1963.
KS Will II
Sternberg, Doug. "Tom's a-cold: Transformation and Redemption in King Lear and the Fisher
King." Literature-Film Quarterly 22.3 (1994): 160-169.
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Susan Zimmerman (ed.). Shakespeare's Tragedies. New York: St Martin's, 1998.
V. Romeo and Juliet (Selection)
Al-Dabbagh, Abdulla. “The Oriental Framework of Romeo and Juliet.” Comparatist: Journal
of the Southern Comparative Literature Association, 2000 May; 24: 64-82.
folder
Andreas, James. "The Neutering of Romeo and Juliet". Ideological Approaches to
Shakespeare: The Practice of Theory. Hg. Robert P. Merrix and Nicholas Ranson.
Lewiston, NY: Mellen, 1992. S. 229-242.
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--- " 'To See How a Jest Shall Come About!' Generic Modulation in Romeo and Juliet".
Publications of the Missouri Philological Association 12 (1987): 1-8.
bestellt
--- "Wordplay and Swordplay: The Verbal and the Violent in Romeo and Juliet". The
Arkansas Quarterly. 2.2 (1993): 88-108.
bestellt
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Appelbaum, Robert. " 'Standing to the Wall': The Pressure of Masculinity in Romeo and
Juliet". Shakespeare Quarterly 48.3 (1997): 251-272.
Z 103
Bartenschlager, Klaus. "Romeo and Juliet: Werkintention versus Publikumserwartung zur
Figur des Friar Laurence". Sympathielenkung in den Dramen Shakespeares. Hg.
Werner Habicht und Ina Schabert. München: Wilhelm Fink, 1978. S. 93-102.
KS Hab
--- "Three Notes on Romeo and Juliet". Anglia 100. 3-4 (1982): 422-425.
Z1
Basile, Michael. “Teaching Mothers in Romeo and Juliet: Lady Capulet, from Brooke to
Luhrmann.” In: Hunt, Maurice (ed. and introd.). Approaches to Teaching
Shakespeare's Romeo and Juliet. New York, NY: Modern Language Association of
America; 2000. 125-30.
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Bate, A. Jonathan. "An Herb by Any Other Name: Romeo and Juliet, IV.iv.5-6". Shakespeare
Quarterly 33.3 (1982): 336.
Z 103
Belsey, Catherine. "The Name of the Rose in Romeo and Juliet". Yearbook of English Studies
23 (1993): 126-142.
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Berry, Ralph. "Romeo and Juliet: The Sonnet-World of Verona". 'Romeo and Juliet':Critical
Essays. Hg. John F. Andrews. New York, London: Garland, 1993. S. 133-145.
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Black, James. "The Visual Artistry in Romeo and Juliet". Studies in English Literature 15
(1975): 245-256.
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Bond, Ronald B. "Love and Lust in Romeo and Juliet". Wascana Review 15.2 (1980): 22-31.
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Bonnard, Georges A. "Romeo and Juliet: A Possible Significance?". Review of English
Studies, New Series VolII (1951): 319-327.
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Brecht, Bertolt (ed.). “The Servants”. In: White, R. S. (ed.). Romeo and Juliet. Basingstoke,
England: Palgrave; 2001. 147-51.
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Brennan, Michael G. "The Medicean Dukes of Florence and Friar Lawrence's 'Distilling
Liquor' (Romeo and Juliet IV.i.94)". Notes and Queries 38.4 (1991): 473-476.
Z 90
Brenner, Gerry. "Shakespeare's Politically Ambitious Friar". Shakespeare Studies 13 (1980):
47-58.
Z 105
Brissenden, Alan. "Romeo and Juliet, III.iii.108: The Nurse and the Dagger". Notes and
Queries 226.2 (1981): 126-127.
Z 90
Brown, Carolyn E. "Juliet's Taming of Romeo". Studies in English Literature (Houston,
Texas) 36.2 (1996): 333-355.
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Brown, Emerson, Jr. "Shakespeare, Zeffirelli, Monty Python, and the Medieval Dawn Song".
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Medieval Perspectives 10 (1995): 1-26.
bestellt
Calderwood, James L. Shakespearean Metadrama: The Argument of the Play in 'Titus
Andronicus', 'Love's Labour's Lost', 'Romeo and Juliet', 'A Midsummer Night's
Dream', and 'Richard II'. Minneapolis: U of Minnesota P, 1971.
KS Cal
Callaghan, Dympna C. “The Ideology of Romantic Love: The Case of Romeo and Juliet”. In:
White, R. S. (ed.). Romeo and Juliet. Basingstoke, England: Palgrave; 2001. 85-115.
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Cardullo, Bert. "The First Friar's Flaw, the Play's Tragedy: The Experiment of Romeo and
Juliet". College Language Association Journal 28.4 (1985): 404-414.
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Carroll, William C. " 'We were Born to Die': Romeo and Juliet". Comparative Drama 15.1
(1981): 54-71.
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Clark, James L. "Style and Convention in Romeo and Juliet". How to Read Shakespearean
Tragedy. Hg. Edward Quinn. New York: Harper, 1978. S. 33-88.
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Cole, Douglas (Hg.). Twentieth Century Interpretations of 'Romeo and Juliet': A Collection
of Critical Essays. Eaglewood Cliffs, NJ: Prentice Hall, 1970.
KS Col II
Collins, Michael J. "Teaching Romeo and Juliet: 'The Change of Fourteen Years' ". Critical
Survey 3.2 (1991): 186-193.
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Cox, Marjojrie K. "Adolescent Processes in Romeo and Juliet". Psychoanalytic Review 63
(1976): 379-392.
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Cribb, T. J. "The Unity of Romeo and Juliet". Shakespeare Survey 34 (1981): 93-104.
Z 102
Davies, Anthony. "The Film Versions of Romeo and Juliet". Shakespeare Survey 49 (1996):
153-162.
Z 102
Davis, Lloyd. " 'Death Marked Love': Desire and Presence in Romeo and Juliet". Shakespeare
Survey 49 (1996): 57-67.
Z 102
Deats, Sara Munson. "The Conspiracy of Silence in Shakespeare's Verona: Romeo and
Juliet". Youth Suicide Prevention: Lessons from Literature. Hg. Sara Munson Deats
und Lagretta Tallet Lenker. New York: Plenum, 1989. S. 71-91.
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Diefendorf, Barbara B. "Family Culture, Renaissance Culture". Renaissance Quarterly
40.4 (1987): 661-681.
ZZ 76 / 201
Downing, Crystal. “Misshapen Chaos of Well-Seeming Form: Baz Luhrmann's Romeo and
Juliet.” Literature Film Quarterly, 2000; 28 (2): 125-31.
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Draper, J. W. "Patterns of Style in Romeo and Juliet". Studia Neophilologica XXI (1948/49):
195-210.
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Estrin, Barbara L. "Romeo, Juliet and the Art of Naming Love". ARIELl: A Review of
International English Literature 12.2 (1981): 31-49.
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Evans, Robert D. The Osier Cage: Rhetorical Devices in 'Romeo and Juliet'. Lexington: U of
Kentucky P, 1966.
KS Eva II
Fabry, Frank. "Shakespeare's Witty Musician: Romeo and Juliet, IV.v.114-17". Shakespeare
Querterly 33.2 (1982): 182-183.
Z 103
Farrell, Kirby. "Love, Death, and Patriarchy in Romeo and Juliet". Shakespeare's Personality.
Hg. Norman N. Holland, Sidney Homan und Bernard J. Paris. Berkley: U of California
P, 1989. S. 86-102.
KS Hol II 3
Fitter, Chris. “'The Quarrel Is between Our Masters and Us Their Men': Romeo and Juliet,
Dearth, and the London Riots.” English Literary Renaissance, 2000 Spring; 30 (2):
154-83.
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Fowler, James. "Picturing Romeo and Juliet". Shakespeare Survey 49 (1996): 111-129.
Z 102
Forse, James H. "Romeo and Juliet: A Play for All Seasons or, How to Please a Patron, Pass
the Censor, and Pack the Theatre". Shakespeare and Renaissance Association of West
Virginia Selected Papers 16 (1993): 88-117.
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Franson, J. Karl. "'Too soon marr'd': Juliet's Age as Symbol in Romeo and Juliet". Papers on
Language and Literature 32.3 (1996): 244-262.
Goddard, Harold, C. The Meaning of Shakespeare. Chicago: U of Chicago P, 1951.
KS God
Granville-Barker, Harley. Prefaces to Shakespeare, Vol 2. 'Othello', 'Coriolanus', 'Romeo and
Juliet', 'Julius Caesar', 'Love's Labour's Lost'. London: B. T. Batsford, 1961.
KS Gra ½
Halio. J. L. "Zeffirelli's Romeo and Juliet: The Camera versus the Text". Literature/Film
Quarterly 5 (1977): 322-325.
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Hapgood, Robert. "West Side Story and the Modern Appeal of Romeo and Juliet". 'Romeo and
Juliet': Critical Essays. Hg. John F. Andrews. New Yoek, London: Garland, 1993.
S. 229-241.
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Hart, Jonathan. “Conflicting Monuments: Time, beyond Time, and the Poetics of
Shakespeare's Dramatic and Nondramatic Sonnets”. In: Moisan, Thomas (ed. and
introd.); Bruster, Douglas (ed. and introd.); Bond, William H. (appendix). In the
Company of Shakespeare: Essays on English Renaissance Literature in Honor of G.
Blakemore Evans. Madison, NJ; London, England: Fairleigh Dickinson UP;
Associated UP; 2002. 177-205.
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Heun, Hans Georg. Shakespeares 'Romeo und Julia' in Goethes Bearbeitung: Eine
Stiluntersuchung. Berlin: Erich Schmidt, 1924.
KS Heu
8
Holmer, Joan Ozark. "'Draw, If You Be Men': Saviolo's Significance for Romeo and Juliet".
Shakespeare Quarterly 45.2 (1994): 163-189.
Z 103
Holmer, Joan Ozark. "Myself Condemned and Myself Excus'd: Tragic Effects in Romeo and
Juliet". Studies in Philology 88.3 (1991): 345-362.
Z 20, FH ang Z
--- "The Poetics of Paradox: Shakespeare's versus Zeffirelli's Cultures of Violence".
Shakespeare Survey 49 (1996): 163-179.
Z 102
--- " 'Runawayes Eyes': A Fugitive Meaning". Shakespeare Quarterly 33.1 (1982): 97-99.
Z 103
Hunt, Maurice. "'Use and Abuse' in Romeo and Juliet". Journal of the Rocky Mountain
Medieval and Renaissance Association 5 (1984): 119-132.
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Hutchins, Geoffrey. "Love and Grace in Romeo and Juliet". English Studies in Africa 20
(1977): 95-106.
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Iselin, Pierre. " 'What Shall I Swear By?' Rhetoric and Attitudes to Language in Romeo and
Juliet". 'Divers toyes mengled'. Essays on Medieval and Renaissance Culture. Tours:
Université François Rabelais, 1996. S. 259-280.
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Johannessen, Larry R. "Enhancing Response to Romeo and Juliet". Teaching Shakespeare
into the Twenty-First Century. Hg. James E. Davis und Ronald E. Salomone. Athens,
OH:Ohio UP, 1997. S. 154-165.
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Jorgens, Jack. "Franco Zeffirelli's Romeo and Juliet". 'Romeo and Juliet': Critical Essays. Hg.
John F. Andrews. New York, London: Garland, 1993. S. 163-176.
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Kahn, Coppelia. "Coming of Age in Verona". The Woman's Part: Feminist Criticism on
Shakespeare. Hg. Carolyn Ruth Swift Lane, Gayle Greene und Carol Thomas Neely.
Urbana: U of Illinois P, 1980. S. 171-193.
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Kilinski, Janusz. "Elements of Neo-Platoism in William Shakespeare's Romeo and Juliet".
Studia Anglica Posnaniensia 17 (1984): 271-277.
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Knowles, Ronald. "Carnival and Death in Romeo and Juliet: A Bakhtinian Reading".
Shakespeare Survey 49 (1996): 69-85.
Z 102
Kozokowski, Stanley J. "Fortune and Men's Eyes in Romeo and Juliet". Concerning Poetry
10.i (1977): 45-49.
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Kruse, Axel. "Shakespeare's Italy in Romeo and Juliet: A Nightingale in a Pomegranate
Tree". Imperfect Apprehensions: Essays in English Literature in Honor of G. A.
Wilkes. Hg. Geoffrey Little. Sydney: Challis, 1996.
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Laird, D. "The Generation of Style in Romeo and Juliet". Journal of English and Germanic
Philology 63 (1964): 204-213.
Z 17
Laroque, Francois. "Tradition and Subversion in Romeo and Juliet". Shakespeare's 'Romeo
and Juliet': Texts, Contents, and Interpretation. Hg. Jay L. Halio. Newark, London: U
9
of Delaware P, 1995. S. 18-36.
Lawlor, John. "Romeo and Juliet". Early Shakespeare. Hg. John R. Brown und Bernard
Harris (Stratford-upon-Avon Studies, 3). London: Edward Arnold, 1961. S. 123-143.
Z 106
Leech, Clifford. "The Moral Tragedy of Romeo and Juliet". English Renaissance Drama:
Essays in Honor of Madeleine Doran & Marc Eccles. Hg. Standish Henning, Robert
Kimbrough und Richard Knowles. Carbondale, London: Southern Illinois UP, Feffer
& Simons, 1975.
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Leimberg, Inge. Shakespeare's 'Romeo and Juliet': Von der Sonettdichtung zur Liebestragödie. München: Wilhelm Fink, 1968.
KS Lei 2
Lerner, Lawrence. "Shakespeare and Love: Romeo and Juliet". Essays on Shakespeare in
Honour of A. A. Ansari. Hg. T. R. Sharma. Meerut, India: Shalabh Book House, 1986.
S. 117-135.
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Levenson, Jill L. "Alla Stoccado Carries It Away: Codes of Violence in Romeo and Juliet".
Shakespeare's 'Romeo and Juliet': Texts, Contents, and Interpretation. Hg. Jay L.
Halio. Newark, London: U of Delaware P, 1995. S. 83-96.
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--- "Changing Images of Romeo and Juliet, Renaissance to Modern". Images of Shakespeare.
Hg. Werner Habicht, D. J. Palmer und Roger Pringle. Newark: U of
Delaware P, 1988. S. 151-162.
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--- "Romeo and Juliet before Shakespeare". Studies in Philology 81.3 (1984): 325-347.
Z 20
--- "Romeo and Juliet: Tragical-Comical.Lyrical History". Proceedings of the PMR
Conference: Annual Publication of the International Patristic, Medieval and
Renaissance Conference 12-13 (1987/1988): 31-46.
ZZ 79/214
--- "Shakespeare's Romeo and Juliet: The Places of Invention". Shakespeare Survey
49 (1996): 45-55.
Z 102 / Folder
--- "The Definition of Love: Shakespeare's Phrasing in Romeo and Juliet". Shakespeare
Studies 15 (1982): 21-36.
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Levin, H. "Form and Formality in Romeo and Juliet". Shakespeare Quarterly 11 (1960): 3-11.
Z 103
Lichtenfels, Peter, and Lynette Hunter. “Negotiations between Text and Stage in Romeo and
Juliet”. Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship,
2004 Summer; 22 (2): 5-26.
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Limon, Jerzy. "Rehabilitating Tybalt: A New Interpretation of the Duel Scene in Romeo and
Juliet". Shakespeare's 'Romeo and Juliet': Texts, Contents, and Interpretation. Hg. Jay
L. Halio. Newark, London: U of Delaware P, 1995. S. 97-106.
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Lower, Charles, B. "Romeo and Juliet, IV.v. A Stage Direction and Purposeful Comedy".
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Shakespeare Studies 8 (1975): 177-194.
Z 105
Lucking, David. "That Which We Call a Name: The Balcony Scene in Romeo and Juliet".
The Journal of the English Language Association 44:178 (1995): 1-16. Folder
Mason, H. A. Tragedies of Love. London, Toronto: Chatto & Windus, 1970.
auszugsweise Kopie (S. 3-35) im Folder
Mazer, Cary M. “Not Not Shakespeare: Directorial Adaptation, Authorship, and Ownership.”
Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, 2005
Fall; 23 (3): 23-42.
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McGuire, Philip C. "On Dancing in Romeo and Juliet". Renaissance and Reformation 17.2
(1981): 87-97.
ZZ 80/97
Melchiori, Giorgio. "Pater, Balthasar, and Shakespeare's Art of Doubling". The Modern
Language Review 78.4 (1983): 777-792.
Z 23, FH spr Z
Mertner, Edgar. " 'Conceit Brags of His Substance, Not of Ornament': Some Notes on Style in
Romeo and Juliet". Shakespeare: Text, Language, Criticism: Essays in Honor of
Marvin Spevack. Hg. Bernhard Fabian und Kurt Tetzeli von Rosador. Hildesheim:
Olms, 1987. S. 180-192.
FH ang Cs 2.17
Miyashita, Yayoi. “Juliet's Acquisition of Independence and Patriarchy in Romeo and Juliet”.
Hokkaido Daigaku Bungaku-bu Kiyo/ The Hokkaido University Annual Report on
Cultural Sciences, 2002 Feb; 106: 35-48 (left).
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Miyashita, Yayoi: “An Application of a Narrative Theory to Romeo and Juliet: Orientation
and Manipulation of the Audience's Sympathy“. Hokkaido Daigaku Bungaku-bu Kiyo/The
Hokkaido University Annual Report on Cultural Sciences, 2004 Nov; 114: 115-36 (left).
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Moisan, Thomas. " 'O Any Thing of Nothing, First Create!': Gender and Patriarchy and the
Tragedy of Romeo and Juliet". In Another Country: Feminist Perspectives on
Renaissance Drama. Hg. Dorothea Kehler und Susan Baker. Metuchen, NJ:
Scarecrow, 1991. S. 113-136.
F KD 1183
--- "Rhetoric and the Rehearsal of Death, the 'Lamentations' Scene in Romeo and Juliet".
Shakespeare Quarterly 34.4 (1983): 389-404.
Z 103
Newman, Paula und George Walton Williams. "Paris: The Mirror of Romeo". Renaissance
Papers (1981): 13-19.
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Olmert, Michael. "Romeo's Lantern". Times Literary Supplement (14.-20. Juli 1989): 4502.
Z 86
Oz, Avraham. "What's in a Good Name? The Case of Romeo and Juliet as a Bad Tragedy".
"Bad" Shakespeare: Revaluations of the Shakespeare Canon. Hg. Maurice Charney.
Rutherford, NJ: Fairleigh Dickinson UP, 1988. S. 133-142
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Porter, Joseph A. "Marlowe, Shakespeare, and the Canonization of Heterosexuality". South
Atlantic Quarterly 88.1 (1989): 127-147.
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--- Shakespeare's Mercutio: His History and Drama. Chapel Hill: U of North Carolina P,
1988.
auszugsweise (95-121, 122-163) im Folder
Robertson, J. M. The Shakespeare Canon. Vol. 3. London: George Routledge & Sons, 1925.
KS Rob 5
Rozett, Martha Tuck. "The Comic Structures of Tragic Endings: The Suicide Scenes in
Romeo and Juliet and Antony and Cleopatra". Shakespeare Quarterly 36.2 (1985):
152-164.
Z 103
Ryan, Kiernan. "Romeo and Juliet: The Language of Tragedy". The Taming of the Text:
Explorations in Language, Literature, and Culture. Hg. Willie van Peer. London:
Routledge, 1988. S. 1o6-121.
F BZ 1146
Schrader, Willi. "Eine tragische und eine komische Version". Shakespeare-Jahrbuch 117
(1981): 91-100.
Z 100
Shikoda, Mitsuo. "Juliet, the Nursling of the Nurse". Shakespeare Studies 25 (1986/87):
25-39.
Z 105 / Folder
Siegel, P. N. "Christianity and the Religion of Love in Romeo and Juliet". Shakespeare
Quarterly 12 (1961): 371- 393.
Z 103
Slater, Ann Pasternak. "Petrarchanism Come True in Romeo and Juliet"´. Images of
Shakespeare. Hg. Werner Habicht, D. J. Palmer und Roger Pringle. Newark: U of
Delaware P, 1988. S. 129-150.
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Snow, Edward. "Language and Sexual Difference in Romeo and Juliet". Shakespeare's Rough
Magic': Renaissance Essays in Honor of C. L. Barber. Hg. Peter Erickson und
Coppelia Kahn. Newark, London: U. of Delaware P, Assoc. Ups, 1985. S. 168-192.
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Snyder, Susan. The Comic Matrix of Shakespeare's Tragedies: 'Romeo and Juliet', 'Hamlet',
'Othello', and 'King Lear'. Princeton: Princeton UP, 1979.
KS Sny
Stamm, R. "The First Meeting of Lovers in Shakespeare's Romeo and Juliet". English
Studies 67.1 (1986): 2-13.
Z 8, FH ang Z
Stauffer, Donald A. Shakespeare's World of Images. Bloomington: Indiana UP, 1966.
KS Sta IV
Sypher, Wylie. "Romeo and Juliet are Dead: Melodrama of the Clinical". New York Literary
Forum 7 (1980): 179-186.
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Tennant, David. “Romeo in Romeo and Juliet.” In: Smallwood, Robert (ed. and introd.);
Players of Shakespeare 5. Cambridge, England: Cambridge UP; 2003. 113-30.
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Thomson, Leslie. " 'With Patient Ears Attend': Romeo and Juliet on the Elizabethan Stage".
Studies in Philology 92.2 (1995): 230-247.
Z 20
Toole, William B. "The Nurse's 'Vast Irrelevance'. Thematic Foreshadowing in Romeo and
Juliet". South Atlantic Bulletin 45,i (1980): 21-30.
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Traci, Philip. "Religious Controversity in Romeo and Juliet: The Play and Its Historical
Context". Michigan Academician 8 (1976): 319-25.
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Vendler, Helen Hennessy. “Shakespeare's Other Sonnets”. In: Moisan, Thomas (ed. and
introd.); Bruster, Douglas (ed. and introd.); Bond, William H. (appendix). In the
Company of Shakespeare: Essays on English Renaissance Literature in Honor of G.
Blakemore Evans. Madison, NJ; London, England: Fairleigh Dickinson UP;
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