1 SS 2007 Di 10-12, G25 Prof. Dr. R. Borgmeier HS: Shakespeare's Love Tragedies Bibliography Please note: If in the following bibliography there is no explicit mentioning of where an article or a certain book is located they are available in the university or departmental library and can be found in the OPAC. The folder is in Room 339. I. Bibliographies and Encyclopaedias Berman, Ronald. A Reader's Guide to Shakespeare's Plays: A Discursive Bibliography. Chicago: Scott, Forseman & Co., 1969. KS 742 Campbell, Ascar James (ed.). A Shakespeare Encyclopaedia. London: Methuen, 1974 (Nachdruck). KS 875 Crystal, David; Crystal, Ben (eds.). Shakespeare's Words. A Glossary and Language Companion. London: Penguin, 2002. KS 810 Dobson, Michael (ed.). The Oxford Companion to Shakespeare. Oxford: Oxford UP, 2005. FH ang Cs 2.34 Grazia, Margreta de (ed.). The Cambridge Companion to Shakespeare. Cambridge: Cambridge UP, 2002. KS DEG Hodgdon, Barbara; Worthen, W. B. (eds.) A Companion to Shakespeare and Performance. Malden: Blackwell, 2005. KS 823 Spevack, Marvin. A Complete and Systematic Concordance to the Works of William Shakespeare. Hildesheim: Georg Olms, 1968. ang Cs 1/1 Wells, Stanley (ed.). Shakespeare: A Bibliographical Guide. Oxford: Clarendon P, 1990 KS 745 Wells, Stanley (ed.) The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge UP, 2002. KS WEL 6 II. Journals and Yearbooks Shakespeare Quarterly. Hg. Shakespeare Association of America, Folger Shakespeare Library New York. Z 103 Shakespeare Studies. An Annual Gathering of Research, Criticism, and Reviews. Hg. J. Leeds Barroll, Cincinatti. Z 105 2 Shakespeare Survey. An Annual Survey of Shakespeare Studies and Production. Cambridge. Z 102 Shakespeare-Jahrbuch West. Hg. im Auftrag der Deutschen Shakespeare-Gesellschaft West. Z 101 Shakespeare-Jahrbuch. Hg. im Auftrag der Deutschen Shakespeare-Gesellschaft Weimar. Z 100 III. General Works on Shakespeare and the Elizabethan (St)Age Alvis, John (ed.). Shakespeare as Political Thinker. Durham, NC: Carolina Acad. P., 1981. KS Alv Aronson, Alex. Psyche and Symbol in Shakespeare. Bloomington, London: Indiana UP, 1072 KS Aro Brennan, Anthony. Shakespeare's Dramatic Structures. London, Boston, Henley: Routledge & Kegan Paul, 1986. KS Bre Chapman, Gerald W. (ed.). Essays on Shakespeare. Princeton: Princeton UP, 1965. KS Cha II Clemen, Wolfgang. The Development of Shakespeare's Imagery. London: Methuen, 1977. KS Cle Elizabethan Theatre. (Stratford-Upon-Avon-Studies 9). London: Arnold, 1966. Z 106 Evans, Malcom. Signifying Nothing: Truth's Time. Contents in Shakespeare's Text. Brighton, Sussex: Harvester Press, 1986. KS Eva VI Garber, Marjorie B. Shakespeare's Ghost Writers: Literature as Uncanny Casuality. New York: Methuen, 1987. KS Gar 3 Greenblatt, Stephen. Verhandlungen mit Shakespeare. Berlin: Wagenbach, 1990. ang Cs 2/21 Gurr, Andrew. "The State of Shakespeare’s Audiences." Shakespeare and the Sense of Performance. Eds. Marvin and Ruth Thompson Newark, London: University of Delaware Press, 1989. 162-179. folder Harris, Laurie Lanzen und Mark W. Scott (ed.). Shakespearean Criticism. Detroit: Gale Research Company, 1986. KS 883 Holland, Peter (ed.) Shakespeare and Religions. Cambridge: Cambridge UP, 2001. Z 102/54 Laroque, François. Shakespeare: Abenteuer Geschichte. Wiss. Bearb. Raimund Borgmeier. Ravensburg: Maier, 1994. KS Lar 3 Matthews, Honor. Character and Symbol in Shakespeare's Plays. A Study in Certain Christian and Prechristian Elements in Their Structure and Imagery. London: Chatto & Windus, 1969. KS Mat Naumann, Walter. Die Dramen Shakespeares. Darmstadt: Wiss. Buchgesellschaft, 1978. KS Nau Orgel, Stephen. The Authentic Shakespeare and Other Problems of the Early Modern Stage. New York: Routledge, 2002. KS ORG Paster, Gail Kern. Humoring the Body: Emotions and the Shakespearean Stage. Chicago: University of Chicago Press, 2004. Sted BM Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare's Stage. London: Routledge, 2001. KS RUT 1 Ryan, Kiernan. Shakespeare. 3rd ed. Basingstoke: Palgrave, 2002. KS RYA Schabert, Ina. Shakespeare Handbuch. Stuttgart: Kröner, 1972. KS 805&865 Suerbaum, Ulrich. Das elisabethanische Zeitalter. Stuttgart: Reclam, 1989. F KA 1157 Suerbaum, Ulrich. Shakespeares Dramen. Düsseldorf: Bagel, 1985. KS Sue Tillyard, E. M. W. The Elizabethan World Picture. London: Chatto & Windus, 1943. F KA 621. Wells, Stanley (ed.). The Cambridge Companion to Shakespeare Studies. Cambridge: Cambridge UP, 1987. KS Wel 3 IV. General Works on Shakespeare's Tragedies Battenhouse, Roy W. Shakespearean Tragedy: Its Art and its Christian Premises. Bloomington: Indiana UP, 1969. KS Bat Charlton, H. B. Shakespearean Tragedy. Cambridge: Cambridge UP, 1961. KS Cha III 3 Frye, Northrop. Fools of Time: Study in Shakespearean Tragedy. Ontario: U of Ontario P, 967. KS Fry II Harbage, Alfred (ed.). Shakespeare: The Tragedies. A Collection of Critical Essays. Eaglewood Cliffs, NJ: Prentice Hall, 1964. KS Har 3 Harrison, G. B. Shakespeare's Tragedies. London: Routledge & Paul, 1961 KS Har III 2 Jorgensen, Paul A. William Shakespeare: The Tragedies. Boston: Twayne, 1985. KS Jor 4 Leech, Clifford (ed.). Shakespeare: The Tragedies. A Collection of Critical Essays. Chicago: U of Chicago P, 1965. KS Lee II 2 4 Lerner, Laurence. Shakespeare's Tragedies: An Anthology of Modern Criticism. Harmondsworth: Penguin, 1968. KS Ler McDonald, Russ (ed.). Shakespeare Reread: The Texts in New Contexts. Ithaca: Cornell UP, 1994. ordered McEachern, Claire (ed.). The Cambridge Companion to Shakespearean Tragedy. Cambridge: Cambridge UP, 2002. KS MCE Marsh, Derick, R. C. Passion Lends Them Power: A Study of Shakespeare's Love Tragedies. Manchester: Manchester UP, 1976. KS Mar IV Mehl, Dieter. Shakespeare's Tragedies: An Introduction. Cambridge: Cambridge UP, 1986. KS Meh Mucciolo, John M., Steven J. Doloff, Edward A. Rauchut, and Angus Fletcher (eds.). Shakespeare's Universe: Renaissance Ideas and Conventions. Hants: Scolar, 1996. Ramm, Dieter. Die Phasenstruktur der Shakespeareschen Tragödien. Frankfurt: Akad. Verlagsgesellschaft, 1974. KS Ram Reynolds, Peter. “Unlocking the Box: Shakespeare on Film and Video.” Shakespeare in the Changing Curriculum. Eds. Lesley Aers and Nigel Wheale. London and New York: Routledge, 1991. 189-203. folder Ribner, Irving. Patterns in Shakespearean Tragedy. Toronto: U of Toronto P, 1963. KS Will II Sternberg, Doug. "Tom's a-cold: Transformation and Redemption in King Lear and the Fisher King." Literature-Film Quarterly 22.3 (1994): 160-169. folder Susan Zimmerman (ed.). Shakespeare's Tragedies. New York: St Martin's, 1998. V. Romeo and Juliet (Selection) Al-Dabbagh, Abdulla. “The Oriental Framework of Romeo and Juliet.” Comparatist: Journal of the Southern Comparative Literature Association, 2000 May; 24: 64-82. folder Andreas, James. "The Neutering of Romeo and Juliet". Ideological Approaches to Shakespeare: The Practice of Theory. Hg. Robert P. Merrix and Nicholas Ranson. Lewiston, NY: Mellen, 1992. S. 229-242. Folder --- " 'To See How a Jest Shall Come About!' Generic Modulation in Romeo and Juliet". Publications of the Missouri Philological Association 12 (1987): 1-8. bestellt --- "Wordplay and Swordplay: The Verbal and the Violent in Romeo and Juliet". The Arkansas Quarterly. 2.2 (1993): 88-108. bestellt 5 Appelbaum, Robert. " 'Standing to the Wall': The Pressure of Masculinity in Romeo and Juliet". Shakespeare Quarterly 48.3 (1997): 251-272. Z 103 Bartenschlager, Klaus. "Romeo and Juliet: Werkintention versus Publikumserwartung zur Figur des Friar Laurence". Sympathielenkung in den Dramen Shakespeares. Hg. Werner Habicht und Ina Schabert. München: Wilhelm Fink, 1978. S. 93-102. KS Hab --- "Three Notes on Romeo and Juliet". Anglia 100. 3-4 (1982): 422-425. Z1 Basile, Michael. “Teaching Mothers in Romeo and Juliet: Lady Capulet, from Brooke to Luhrmann.” In: Hunt, Maurice (ed. and introd.). Approaches to Teaching Shakespeare's Romeo and Juliet. New York, NY: Modern Language Association of America; 2000. 125-30. folder Bate, A. Jonathan. "An Herb by Any Other Name: Romeo and Juliet, IV.iv.5-6". Shakespeare Quarterly 33.3 (1982): 336. Z 103 Belsey, Catherine. "The Name of the Rose in Romeo and Juliet". Yearbook of English Studies 23 (1993): 126-142. Folder Berry, Ralph. "Romeo and Juliet: The Sonnet-World of Verona". 'Romeo and Juliet':Critical Essays. Hg. John F. Andrews. New York, London: Garland, 1993. S. 133-145. Folder Black, James. "The Visual Artistry in Romeo and Juliet". Studies in English Literature 15 (1975): 245-256. Folder Bond, Ronald B. "Love and Lust in Romeo and Juliet". Wascana Review 15.2 (1980): 22-31. Folder Bonnard, Georges A. "Romeo and Juliet: A Possible Significance?". Review of English Studies, New Series VolII (1951): 319-327. Folder Brecht, Bertolt (ed.). “The Servants”. In: White, R. S. (ed.). Romeo and Juliet. Basingstoke, England: Palgrave; 2001. 147-51. folder Brennan, Michael G. "The Medicean Dukes of Florence and Friar Lawrence's 'Distilling Liquor' (Romeo and Juliet IV.i.94)". Notes and Queries 38.4 (1991): 473-476. Z 90 Brenner, Gerry. "Shakespeare's Politically Ambitious Friar". Shakespeare Studies 13 (1980): 47-58. Z 105 Brissenden, Alan. "Romeo and Juliet, III.iii.108: The Nurse and the Dagger". Notes and Queries 226.2 (1981): 126-127. Z 90 Brown, Carolyn E. "Juliet's Taming of Romeo". Studies in English Literature (Houston, Texas) 36.2 (1996): 333-355. Folder Brown, Emerson, Jr. "Shakespeare, Zeffirelli, Monty Python, and the Medieval Dawn Song". 6 Medieval Perspectives 10 (1995): 1-26. bestellt Calderwood, James L. Shakespearean Metadrama: The Argument of the Play in 'Titus Andronicus', 'Love's Labour's Lost', 'Romeo and Juliet', 'A Midsummer Night's Dream', and 'Richard II'. Minneapolis: U of Minnesota P, 1971. KS Cal Callaghan, Dympna C. “The Ideology of Romantic Love: The Case of Romeo and Juliet”. In: White, R. S. (ed.). Romeo and Juliet. Basingstoke, England: Palgrave; 2001. 85-115. folder Cardullo, Bert. "The First Friar's Flaw, the Play's Tragedy: The Experiment of Romeo and Juliet". College Language Association Journal 28.4 (1985): 404-414. Folder Carroll, William C. " 'We were Born to Die': Romeo and Juliet". Comparative Drama 15.1 (1981): 54-71. Folder Clark, James L. "Style and Convention in Romeo and Juliet". How to Read Shakespearean Tragedy. Hg. Edward Quinn. New York: Harper, 1978. S. 33-88. Folder Cole, Douglas (Hg.). Twentieth Century Interpretations of 'Romeo and Juliet': A Collection of Critical Essays. Eaglewood Cliffs, NJ: Prentice Hall, 1970. KS Col II Collins, Michael J. "Teaching Romeo and Juliet: 'The Change of Fourteen Years' ". Critical Survey 3.2 (1991): 186-193. Folder Cox, Marjojrie K. "Adolescent Processes in Romeo and Juliet". Psychoanalytic Review 63 (1976): 379-392. Folder Cribb, T. J. "The Unity of Romeo and Juliet". Shakespeare Survey 34 (1981): 93-104. Z 102 Davies, Anthony. "The Film Versions of Romeo and Juliet". Shakespeare Survey 49 (1996): 153-162. Z 102 Davis, Lloyd. " 'Death Marked Love': Desire and Presence in Romeo and Juliet". Shakespeare Survey 49 (1996): 57-67. Z 102 Deats, Sara Munson. "The Conspiracy of Silence in Shakespeare's Verona: Romeo and Juliet". Youth Suicide Prevention: Lessons from Literature. Hg. Sara Munson Deats und Lagretta Tallet Lenker. New York: Plenum, 1989. S. 71-91. Folder Diefendorf, Barbara B. "Family Culture, Renaissance Culture". Renaissance Quarterly 40.4 (1987): 661-681. ZZ 76 / 201 Downing, Crystal. “Misshapen Chaos of Well-Seeming Form: Baz Luhrmann's Romeo and Juliet.” Literature Film Quarterly, 2000; 28 (2): 125-31. Folder Draper, J. W. "Patterns of Style in Romeo and Juliet". Studia Neophilologica XXI (1948/49): 195-210. Folder 7 Estrin, Barbara L. "Romeo, Juliet and the Art of Naming Love". ARIELl: A Review of International English Literature 12.2 (1981): 31-49. Folder Evans, Robert D. The Osier Cage: Rhetorical Devices in 'Romeo and Juliet'. Lexington: U of Kentucky P, 1966. KS Eva II Fabry, Frank. "Shakespeare's Witty Musician: Romeo and Juliet, IV.v.114-17". Shakespeare Querterly 33.2 (1982): 182-183. Z 103 Farrell, Kirby. "Love, Death, and Patriarchy in Romeo and Juliet". Shakespeare's Personality. Hg. Norman N. Holland, Sidney Homan und Bernard J. Paris. Berkley: U of California P, 1989. S. 86-102. KS Hol II 3 Fitter, Chris. “'The Quarrel Is between Our Masters and Us Their Men': Romeo and Juliet, Dearth, and the London Riots.” English Literary Renaissance, 2000 Spring; 30 (2): 154-83. Folder Fowler, James. "Picturing Romeo and Juliet". Shakespeare Survey 49 (1996): 111-129. Z 102 Forse, James H. "Romeo and Juliet: A Play for All Seasons or, How to Please a Patron, Pass the Censor, and Pack the Theatre". Shakespeare and Renaissance Association of West Virginia Selected Papers 16 (1993): 88-117. bestellt Franson, J. Karl. "'Too soon marr'd': Juliet's Age as Symbol in Romeo and Juliet". Papers on Language and Literature 32.3 (1996): 244-262. Goddard, Harold, C. The Meaning of Shakespeare. Chicago: U of Chicago P, 1951. KS God Granville-Barker, Harley. Prefaces to Shakespeare, Vol 2. 'Othello', 'Coriolanus', 'Romeo and Juliet', 'Julius Caesar', 'Love's Labour's Lost'. London: B. T. Batsford, 1961. KS Gra ½ Halio. J. L. "Zeffirelli's Romeo and Juliet: The Camera versus the Text". Literature/Film Quarterly 5 (1977): 322-325. Folder Hapgood, Robert. "West Side Story and the Modern Appeal of Romeo and Juliet". 'Romeo and Juliet': Critical Essays. Hg. John F. Andrews. New Yoek, London: Garland, 1993. S. 229-241. Folder Hart, Jonathan. “Conflicting Monuments: Time, beyond Time, and the Poetics of Shakespeare's Dramatic and Nondramatic Sonnets”. In: Moisan, Thomas (ed. and introd.); Bruster, Douglas (ed. and introd.); Bond, William H. (appendix). In the Company of Shakespeare: Essays on English Renaissance Literature in Honor of G. Blakemore Evans. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2002. 177-205. folder Heun, Hans Georg. Shakespeares 'Romeo und Julia' in Goethes Bearbeitung: Eine Stiluntersuchung. Berlin: Erich Schmidt, 1924. KS Heu 8 Holmer, Joan Ozark. "'Draw, If You Be Men': Saviolo's Significance for Romeo and Juliet". Shakespeare Quarterly 45.2 (1994): 163-189. Z 103 Holmer, Joan Ozark. "Myself Condemned and Myself Excus'd: Tragic Effects in Romeo and Juliet". Studies in Philology 88.3 (1991): 345-362. Z 20, FH ang Z --- "The Poetics of Paradox: Shakespeare's versus Zeffirelli's Cultures of Violence". Shakespeare Survey 49 (1996): 163-179. Z 102 --- " 'Runawayes Eyes': A Fugitive Meaning". Shakespeare Quarterly 33.1 (1982): 97-99. Z 103 Hunt, Maurice. "'Use and Abuse' in Romeo and Juliet". Journal of the Rocky Mountain Medieval and Renaissance Association 5 (1984): 119-132. Folder Hutchins, Geoffrey. "Love and Grace in Romeo and Juliet". English Studies in Africa 20 (1977): 95-106. Folder Iselin, Pierre. " 'What Shall I Swear By?' Rhetoric and Attitudes to Language in Romeo and Juliet". 'Divers toyes mengled'. Essays on Medieval and Renaissance Culture. Tours: Université François Rabelais, 1996. S. 259-280. Folder Johannessen, Larry R. "Enhancing Response to Romeo and Juliet". Teaching Shakespeare into the Twenty-First Century. Hg. James E. Davis und Ronald E. Salomone. Athens, OH:Ohio UP, 1997. S. 154-165. Folder Jorgens, Jack. "Franco Zeffirelli's Romeo and Juliet". 'Romeo and Juliet': Critical Essays. Hg. John F. Andrews. New York, London: Garland, 1993. S. 163-176. Folder Kahn, Coppelia. "Coming of Age in Verona". The Woman's Part: Feminist Criticism on Shakespeare. Hg. Carolyn Ruth Swift Lane, Gayle Greene und Carol Thomas Neely. Urbana: U of Illinois P, 1980. S. 171-193. Folder Kilinski, Janusz. "Elements of Neo-Platoism in William Shakespeare's Romeo and Juliet". Studia Anglica Posnaniensia 17 (1984): 271-277. Folder Knowles, Ronald. "Carnival and Death in Romeo and Juliet: A Bakhtinian Reading". Shakespeare Survey 49 (1996): 69-85. Z 102 Kozokowski, Stanley J. "Fortune and Men's Eyes in Romeo and Juliet". Concerning Poetry 10.i (1977): 45-49. Folder Kruse, Axel. "Shakespeare's Italy in Romeo and Juliet: A Nightingale in a Pomegranate Tree". Imperfect Apprehensions: Essays in English Literature in Honor of G. A. Wilkes. Hg. Geoffrey Little. Sydney: Challis, 1996. bestellt Laird, D. "The Generation of Style in Romeo and Juliet". Journal of English and Germanic Philology 63 (1964): 204-213. Z 17 Laroque, Francois. "Tradition and Subversion in Romeo and Juliet". Shakespeare's 'Romeo and Juliet': Texts, Contents, and Interpretation. Hg. Jay L. Halio. Newark, London: U 9 of Delaware P, 1995. S. 18-36. Lawlor, John. "Romeo and Juliet". Early Shakespeare. Hg. John R. Brown und Bernard Harris (Stratford-upon-Avon Studies, 3). London: Edward Arnold, 1961. S. 123-143. Z 106 Leech, Clifford. "The Moral Tragedy of Romeo and Juliet". English Renaissance Drama: Essays in Honor of Madeleine Doran & Marc Eccles. Hg. Standish Henning, Robert Kimbrough und Richard Knowles. Carbondale, London: Southern Illinois UP, Feffer & Simons, 1975. Folder Leimberg, Inge. Shakespeare's 'Romeo and Juliet': Von der Sonettdichtung zur Liebestragödie. München: Wilhelm Fink, 1968. KS Lei 2 Lerner, Lawrence. "Shakespeare and Love: Romeo and Juliet". Essays on Shakespeare in Honour of A. A. Ansari. Hg. T. R. Sharma. Meerut, India: Shalabh Book House, 1986. S. 117-135. Folder Levenson, Jill L. "Alla Stoccado Carries It Away: Codes of Violence in Romeo and Juliet". Shakespeare's 'Romeo and Juliet': Texts, Contents, and Interpretation. Hg. Jay L. Halio. Newark, London: U of Delaware P, 1995. S. 83-96. Folder --- "Changing Images of Romeo and Juliet, Renaissance to Modern". Images of Shakespeare. Hg. Werner Habicht, D. J. Palmer und Roger Pringle. Newark: U of Delaware P, 1988. S. 151-162. Folder --- "Romeo and Juliet before Shakespeare". Studies in Philology 81.3 (1984): 325-347. Z 20 --- "Romeo and Juliet: Tragical-Comical.Lyrical History". Proceedings of the PMR Conference: Annual Publication of the International Patristic, Medieval and Renaissance Conference 12-13 (1987/1988): 31-46. ZZ 79/214 --- "Shakespeare's Romeo and Juliet: The Places of Invention". Shakespeare Survey 49 (1996): 45-55. Z 102 / Folder --- "The Definition of Love: Shakespeare's Phrasing in Romeo and Juliet". Shakespeare Studies 15 (1982): 21-36. Folder Levin, H. "Form and Formality in Romeo and Juliet". Shakespeare Quarterly 11 (1960): 3-11. Z 103 Lichtenfels, Peter, and Lynette Hunter. “Negotiations between Text and Stage in Romeo and Juliet”. Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, 2004 Summer; 22 (2): 5-26. Folder Limon, Jerzy. "Rehabilitating Tybalt: A New Interpretation of the Duel Scene in Romeo and Juliet". Shakespeare's 'Romeo and Juliet': Texts, Contents, and Interpretation. Hg. Jay L. Halio. Newark, London: U of Delaware P, 1995. S. 97-106. Folder Lower, Charles, B. "Romeo and Juliet, IV.v. A Stage Direction and Purposeful Comedy". 10 Shakespeare Studies 8 (1975): 177-194. Z 105 Lucking, David. "That Which We Call a Name: The Balcony Scene in Romeo and Juliet". The Journal of the English Language Association 44:178 (1995): 1-16. Folder Mason, H. A. Tragedies of Love. London, Toronto: Chatto & Windus, 1970. auszugsweise Kopie (S. 3-35) im Folder Mazer, Cary M. “Not Not Shakespeare: Directorial Adaptation, Authorship, and Ownership.” Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, 2005 Fall; 23 (3): 23-42. Folder McGuire, Philip C. "On Dancing in Romeo and Juliet". Renaissance and Reformation 17.2 (1981): 87-97. ZZ 80/97 Melchiori, Giorgio. "Pater, Balthasar, and Shakespeare's Art of Doubling". The Modern Language Review 78.4 (1983): 777-792. Z 23, FH spr Z Mertner, Edgar. " 'Conceit Brags of His Substance, Not of Ornament': Some Notes on Style in Romeo and Juliet". Shakespeare: Text, Language, Criticism: Essays in Honor of Marvin Spevack. Hg. Bernhard Fabian und Kurt Tetzeli von Rosador. Hildesheim: Olms, 1987. S. 180-192. FH ang Cs 2.17 Miyashita, Yayoi. “Juliet's Acquisition of Independence and Patriarchy in Romeo and Juliet”. Hokkaido Daigaku Bungaku-bu Kiyo/ The Hokkaido University Annual Report on Cultural Sciences, 2002 Feb; 106: 35-48 (left). Folder Miyashita, Yayoi: “An Application of a Narrative Theory to Romeo and Juliet: Orientation and Manipulation of the Audience's Sympathy“. Hokkaido Daigaku Bungaku-bu Kiyo/The Hokkaido University Annual Report on Cultural Sciences, 2004 Nov; 114: 115-36 (left). Folder Moisan, Thomas. " 'O Any Thing of Nothing, First Create!': Gender and Patriarchy and the Tragedy of Romeo and Juliet". In Another Country: Feminist Perspectives on Renaissance Drama. Hg. Dorothea Kehler und Susan Baker. Metuchen, NJ: Scarecrow, 1991. S. 113-136. F KD 1183 --- "Rhetoric and the Rehearsal of Death, the 'Lamentations' Scene in Romeo and Juliet". Shakespeare Quarterly 34.4 (1983): 389-404. Z 103 Newman, Paula und George Walton Williams. "Paris: The Mirror of Romeo". Renaissance Papers (1981): 13-19. Folder Olmert, Michael. "Romeo's Lantern". Times Literary Supplement (14.-20. Juli 1989): 4502. Z 86 Oz, Avraham. "What's in a Good Name? The Case of Romeo and Juliet as a Bad Tragedy". "Bad" Shakespeare: Revaluations of the Shakespeare Canon. Hg. Maurice Charney. Rutherford, NJ: Fairleigh Dickinson UP, 1988. S. 133-142 Folder 11 Porter, Joseph A. "Marlowe, Shakespeare, and the Canonization of Heterosexuality". South Atlantic Quarterly 88.1 (1989): 127-147. Folder --- Shakespeare's Mercutio: His History and Drama. Chapel Hill: U of North Carolina P, 1988. auszugsweise (95-121, 122-163) im Folder Robertson, J. M. The Shakespeare Canon. Vol. 3. London: George Routledge & Sons, 1925. KS Rob 5 Rozett, Martha Tuck. "The Comic Structures of Tragic Endings: The Suicide Scenes in Romeo and Juliet and Antony and Cleopatra". Shakespeare Quarterly 36.2 (1985): 152-164. Z 103 Ryan, Kiernan. "Romeo and Juliet: The Language of Tragedy". The Taming of the Text: Explorations in Language, Literature, and Culture. Hg. Willie van Peer. London: Routledge, 1988. S. 1o6-121. F BZ 1146 Schrader, Willi. "Eine tragische und eine komische Version". Shakespeare-Jahrbuch 117 (1981): 91-100. Z 100 Shikoda, Mitsuo. "Juliet, the Nursling of the Nurse". Shakespeare Studies 25 (1986/87): 25-39. Z 105 / Folder Siegel, P. N. "Christianity and the Religion of Love in Romeo and Juliet". Shakespeare Quarterly 12 (1961): 371- 393. Z 103 Slater, Ann Pasternak. "Petrarchanism Come True in Romeo and Juliet"´. Images of Shakespeare. Hg. Werner Habicht, D. J. Palmer und Roger Pringle. Newark: U of Delaware P, 1988. S. 129-150. Folder Snow, Edward. "Language and Sexual Difference in Romeo and Juliet". Shakespeare's Rough Magic': Renaissance Essays in Honor of C. L. Barber. Hg. Peter Erickson und Coppelia Kahn. Newark, London: U. of Delaware P, Assoc. Ups, 1985. S. 168-192. Folder Snyder, Susan. The Comic Matrix of Shakespeare's Tragedies: 'Romeo and Juliet', 'Hamlet', 'Othello', and 'King Lear'. Princeton: Princeton UP, 1979. KS Sny Stamm, R. "The First Meeting of Lovers in Shakespeare's Romeo and Juliet". English Studies 67.1 (1986): 2-13. Z 8, FH ang Z Stauffer, Donald A. Shakespeare's World of Images. Bloomington: Indiana UP, 1966. KS Sta IV Sypher, Wylie. "Romeo and Juliet are Dead: Melodrama of the Clinical". New York Literary Forum 7 (1980): 179-186. Folder Tennant, David. “Romeo in Romeo and Juliet.” In: Smallwood, Robert (ed. and introd.); Players of Shakespeare 5. Cambridge, England: Cambridge UP; 2003. 113-30. Folder 12 Thomson, Leslie. " 'With Patient Ears Attend': Romeo and Juliet on the Elizabethan Stage". Studies in Philology 92.2 (1995): 230-247. Z 20 Toole, William B. "The Nurse's 'Vast Irrelevance'. Thematic Foreshadowing in Romeo and Juliet". South Atlantic Bulletin 45,i (1980): 21-30. Folder Traci, Philip. "Religious Controversity in Romeo and Juliet: The Play and Its Historical Context". Michigan Academician 8 (1976): 319-25. Folder Vendler, Helen Hennessy. “Shakespeare's Other Sonnets”. In: Moisan, Thomas (ed. and introd.); Bruster, Douglas (ed. and introd.); Bond, William H. (appendix). In the Company of Shakespeare: Essays on English Renaissance Literature in Honor of G. Blakemore Evans. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2002. 161-76. folder Wells, Stanley. "The Challenges of Romeo and Juliet" Shakespeare Survey 49 (1996): 1-14. Z 102 --- "Juliet's Nurse: The Uses of Inconsecuentiality". Shakespeare's Styles: Essays in Honor of Kenneth Muir. Hg. Philip Edwards, Inga-Stina Newbank und G. K. Hunter. Cambridge: Cambridge UP, 1980. S. 51-66. Folder West, Gilian. "Juliet's Grave". English Language Notes 28.1 (1990): 33-34. Z 10 Whittier, Gayle. "The Sonnet's Body and the Body Sonnetized in Romeo and Juliet". Shakespeare Quarterly 40.1 (1989): 27-41. Z 103 --- "The Sublime Androgyne Motif in Three Shakespearen Works". Journal of Medieval and Renaissance Studies 19.2 (1989): 185-210. ZZ 72/69 Williamson, Marilyn L. "Romeo and Death". Shakespeare Studies 14 (1981): 129-137. Z 105 Wolley, John. "Juliet's Earthquake". Critical Survey 3.1 (1991): 30-36. Folder Young, Bruce W. "Haste, Consent, and Age at Marriage: Some Implications of Social History for Romeo and Juliet". Iowa State Journal of Research 62.3 (1988): 459-474. Folder VI. Antony and Cleopatra (Selection) Adelman, Janet. “Making Defect Perfection: Shakespeare and the One-Sex Model”. In: Comensoli, Viviana (ed. and introd.); Russell, Anne (ed. and introd.). Enacting Gender on the English Renaissance Stage. Urbana, IL: U of Illinois P; 1999. 23-52. Folder Andrews, Michael Cameron. "Cleopatra's 'Salad Days' ". Notes and Queries 31 (229).2 (1984):212-213. Z 90 Ansari, A. A. "Antony and Cleopatra: An Image of Liquification". The Aligarh Journal of English Studies 8:1 (1983): 79-93. Folder 13 Archer, John Michael. "Antiquity and Degeneration in Antony and Cleopatra". Race, Ethnicity, and Power in the Renaissance. Hg. Joyce Green MacDonald. Cranbury, NJ & London: Associated UP, 1998. S. 145-164. Folder Barfoot, C. C. "News of the Roman Empire: Hearsay, Soothsay, Myth and History in Antony and Cleopatra". Reclamations of Shakespeare. A. J. Hoenselaars. Amsterdam & Atlanta: Rodopi, 1994. S. 105-128. Folder Barnet, Sylvan. "Recognition and Rehearsal in Antony and Cleopatra". Shakespeare Quarterly VIII (1957): 331-334. Z 103 Barroll, J. Leeds. "The Chronology of Shakespeare's Jacobean Plays and the Dating of Antony and Cleopatra". Essays on Shakespeare. Hg. Gordon Ross Smith. University Park, PA:The Pennsylvania State UP, 1965. KS Smi V Barroll, Leeds. “The Allusive Tissue of Antony and Cleopatra”. In: Deats, Sara Munson (ed.). Antony and Cleopatra: New Critical Essays. New York, NY: Routledge; 2005. 27590. Folder Berek, Peter. "Doing and Undoing: The Value of Action in Antony and Cleopatra". Shakespeare Quarterly 32.2 (1981) Z 103 Bevington, David. “‘Above the Element They Lived In’: The Visual Language of Antony and Cleopatra, Acts 4 and 5”. In: Deats, Sara Munson (ed.). Antony and Cleopatra: New Critical Essays. New York, NY: Routledge; 2005. 95-110. Folder Booth, Stephen. "Poetic Richness: A Preliminary Audit". Pacific Coast Philology 19. 1-2 (1984): 68-78. Folder Borgmeier, Raimund. "Nachwort". William Shakespeare: Antony and Cleopatra / Antonius und Cleopatra. Übersetzt und herausgegeben von Raimund Borgmeier. Stuttgart: Reclam, 1992. S. 279-301. Folder Bowers, Fredson. "The Concept of Single or Dual Protagonists in Shakespeare's Tragedies". Renaissance Papers (1982): 27-33. Folder Bowers, John M. " 'I am Marble-Constant': Cleopatra's Monumental End". Huntingdon Library Quarterly 46.4 (1983): 283-297. Folder Bowling, Lawrence E. "Antony's Internal Disunity". 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