Scream – Preparing for the NAB Scream – Preparing for the NAB For Intermediate 2, your fiction and non-fiction NABs will consist of a 1 hour essay, written without notes, in which you will be asked to explain, analyse and integrate 3 of the key aspects in relation to the text you have studied. For your fiction unit (Scream), the key aspects you will need to write about are: Categories Audience Narrative You therefore need to concentrate your revision on these three key aspects, which we have already covered in detail. To pass the NAB, you will have to explain each of these key aspects in some detail, giving evidence and examples from the text. You will also have to integrate them – this means you need to explain how they affect each other – e.g. how does the genre (Key aspect: categories) shape the narrative structure? How does the narrative structure appeal to the target audience? How does the purpose (Key aspect: categories) affect the way the text addresses its audience This might sound difficult, but in fact you have all the knowledge needed to do this, and if you prepare carefully you will pass. Revision Step 1 To help get you started on your preparation for the NAB, fill in the following tables – if you can do this, you have all the information you will need to pass! 1 Scream – Preparing for the NAB Categories: Category Medium Form Genre Description Film Feature film Self-reflexive slasher – postmodern take on slasher genre which features many references to other movies, higher production budget than previous slashers of 70s and 80s. Genre hybrid – elements of comedy & teen movie Revitalised slasher genre – created lucrative new sub-genre followed & parodied by many other movies e.g. I know what you did last Summer, & Scary Movie. Evidence from text Length of film (11/2 hr +) Widespread release in cinemas. Video & then DVD release. Typical genre markers of slasher film – masked killer attacking teens; “final girl” – heroine survives at end; frequent attacks & frightening scenes; features teens engaging in sex & drinking – they are “punished” for this behaviour by being murdered. Adds – self-reflexivity, e.g. constant references to earlier slasher movies (intertextuality); characters discuss life in terms of movies (e.g. “why can’t I be a Meg Ryan or even a good porno”); knowing play with the “rules” of slasher movies. Comedy – frequent jokes & physical comedy, even amongst the gore (e.g. Stu & Billy & phone during climax) Style Mainstream Hollywood movie. Bigger budget than previous slashers. Uses traditional mainstream Hollywood techniques, e.g. continuity editing. Tone (i.e. overall mood of text) Threatening , dark, scary (as you would expect from a horror movie). Frequent use of night scenes, chase scenes Comical, ironic. Characters discuss serious matters in a very lighthearted way. Other categories (i.e. Director, stars of movie etc.) Purpose Frequent moments of humour, characters very articulate about movie culture. Self-referential jokes even when in danger (“cut Casper that’s a wrap”); Stu’s death by TV etc. Wes Craven (director). Has track record in this genre – directed Nightmare on Elm Street 1. Script refers to this, and Craven appears briefly as a janitor in Freddie Krueger costume & is called “Fred” by Principal Himbry (another e.g. of self-reflexivity). Also use of Drew Barrymore – famous actress gets killed early on (reference to Psycho) To make money – released on DVD, twisted genre of slasher to make it more attractive, well-known actors/actresses. To entertain / scare – movie is entertaining, uses enigmatic codes to hold interest. 2 Scream – Preparing for the NAB Audience Description Evidence Expects its audience to be active & intelligent – they need to engage with the movie rather than sitting back passively and letting it wash over them. Movie is full of in-jokes, e.g. cameo appearance of Wes Craven as janitor, in Freddie Krueger costume Target audience (i.e. profile by age, gender, social class, interest Mode of address (i.e. how does the movie treat its audience, what expectations does it have of them?) Fits best with uses/gratifications model rather than the hypodermic model. Satirises the hypodermic model Preferred reading (i.e. how do the filmmakers want their film to be received?) Differential decoding (i.e. what other possible interpretations of the text might there be?) Movie should be read as a clever, modern update of the slasher movie. Not just another cheap rerun of the clichés of slasher movies. Intelligently re-working and playing with those clichés. Some people might object to the violence Might object to the language Might not get the in-jokes “Movies don’t create psychos. They make psychos more creative.” Clever script Movie in-jokes (intertextuality) Higher budget, better production standards than previous slashers MPAA objected to the “intensity” of some scenes, e.g. the zoom on Casey’s dead body in opening scene. 3 Scream – Preparing for the NAB Narrative Fill in the table below, describing the overall narrative structure and then giving examples of each of the other codes and explaining how they work. Overall narrative structure 5 Act structure – see notes Binary oppositions Love/Hate Life/death Dark/Light Safety/Danger Men/women Loud/Quiet Order/Chaos School/home Sanity/Insanity Technical codes Cultural codes Enigmatic codes These are used to make the narrative easy to follow for an audience. They provide a clear structure to follow, generating conflict and providing a neat resolution when conflicts are resolved. Use of steadicam throughout film during chase scenes (especially during opening sequence) – gives greater sense of motion. Connotes uncertainty. Use of close-ups to show characters reactions & fear. Use of canted angles to connote fear, chaos etc. Non-diegetic sound – soundtrack used to reinforce visuals. E.g. use of low echoing piano chords to connote fear & danger. Mise-en-scene – houses & their furnishings clearly middle-class American Intertextuality – movie references. Major Enigmas – Who is the killer? Will Sidney survive the movie? Minor enigmas – What has happened to Sidney’s dad? Who killed Sidney’s mother? 4