STEVE TADEVIC 602 East Shevlin Hazel Park MI 48030 (248) 543-8584 hofftadevic@aol.com THEATRICAL EXPERIENCE AS DIRECTOR: Arcadia by Tom Stoppard A Delicate Balance by Edward Albee Three Tall Women by Edward Albee Fat Pig by Neil Labute 2nd Stage (@ Stagecrafters [SC]), 2010 2nd Stage (@ SC), 2010 Birmingham Village Players (BVP), 2008 2nd Stage (@ SC), 2007 New Works Play Festival (Festivals II, III, IV, and V) 2006, 2007, 2008, 2009 (new, original, short-length plays by nonprofessionals, held annually on 2nd Stage [@ SC]) Moon Over Buffalo by Ken Ludwig My Favorite Year by Ahrens/Flaherty BVP, 1998 BVP, 1995 (Broadway musical version of 1982 movie of the same name with Peter O'Toole) A Perfect Ganesh by Terrence McNally AS 2nd Stage (@ SC), 1995 Dancing at Lughnasa by Ahrens/Flaherty I Hate Hamlet by Paul Rudnick A Small Family Business by Alan Ayckbourn Coastal Disturbances by Tina Howe The Miss Firecracker Contest by Beth Henley Lettice & Lovage by Peter Schaffer Broadway Bound by Neil Simon BVP, 1995 BVP, 1995 BVP, 1994 BVP, 1994 BVP, 1994 BVP, 1993 BVP, 1993 SET DESIGNER: Pack of Lies by Hugh Whitemore Dear World by Jerry Herman BVP, 2009 BVP, 2009 (Broadway musical version of The Madwoman of Chaillot) Doubt by John Patrick Shanley String of Pearls by Michelle Lowe A Man of No Importance by Ahrens/Flaherty 2nd Stage (@ SC), 2007 2nd Stage (@ SC), 2006 2nd Stage (@ SC), 2004 (off-Broadway musical version of 1994 movie of the same name with Albert Finney) Much Ado About Nothing by William Shakespeare SRO/Burgh Theater, 2003 Art by Yasmina Reza 2nd Stage (@ SC), 2001 Sylvia by A.R. Gurney 2nd Stage (@ SC), 2000 As Bees in Honey Drown by Douglas Carter Beane 2nd Stage (@ SC), 1999 Laughter on the 23rd Floor by Neil Simon Livonia-Redford Theater Guild, 1998 The Dining Room by A.R. Gurney BVP, 1998 Lips Together, Teeth Apart by Terrence McNally 2nd Stage (@ SC), 1997 Noises Off by Michael Frayn BVP, 1995 Street Theater by Doric Wilson Rich Buleri Productions, 1995 Angels in America by Tony Kushner Rich Buleri Productions, 1995 The Music Man by Meredith Willson BVP, 1994 AS ACTOR (partial list only): Bob Jackson, Pack of Lies by Hugh Whitemore BVP, 2010 Sewer-Man, Dear World by Jerry Herman BVP, 2010 Father Flynn, Doubt by John Patrick Shanley 2nd Stage (@ SC), 2008 Gabe, Dinner With Friends by Donald Margulies SRO/Burgh Theater, 2006 Bill, Lobby Hero by Kenneth Lonergan 2nd Stage (@ SC), 2005 Artie, House of Blue Leaves by John Guare BVP, 2005 Alfie Byrne, A Man of No Importance by Ahrens/Flaherty 2nd Stage (@ SC), 2004 Benedick, Much Ado About Nothing by Shakespeare SRO/Burgh Theater, 2003 Herb Stemple, Night & Her Stars by Richard Greenberg BVP, 2003 Cyrano, Cyrano de Bergerac by Edmond Rostand BVP, 2002 Yvan, Art by Yasmina Reza 2nd Stage (@ SC), 2001 Johnny, Frankie and Johnny in the Clair de Lune by Terrence McNally 2nd Stage (@ SC), 2000 Tom/Phyllis/Leslie, Sylvia by A.R. Gurney 2nd Stage (@ SC), 2000 Mike/Skunk/et cetera, As Bees in Honey Drown by Douglas Carter Beane 2nd Stage (@ SC), 1999 Samuel Byck, Assassins by Stephen Sondheim 2nd Stage (@ SC), 1999 Max Prince, Laughter on the 23rd Floor by Neil Simon Livonia-Redford Theater Guild, 1998 Sam Truman, Lips Together, Teeth Apart by Terrence McNally 2nd Stage (@ SC), 1997 Roy Cohn, Angels in America by Tony Kushner Rich Buleri Productions, 1995 Scoop, The Heidi Chronicles by Wendy Wasserstein 2nd Stage (@ SC), 1994 Valmont, Les Liaisons Dangereuses by Christopher Hampton BVP, 1994 Professional work (as Actors' Equity candidate) Mr. DeLuca, Maggie Rose by Kim Carney Performance Network, 2002 Siggie, Golden Boy by Clifford Odets Jewish Ensemble Theater (JET), 1995 EDUCATION AND SPECIALIZED TRAINING WAYNE STATE UNIVERSITY --- Detroit, MI Bachelor of Arts in English, Graduated Summa cum Laude UTA HAGEN ACTING WORKSHOP (attended as scholarship recipient) 1994-2001 Summer, 1993 sponsored by Heartlande Theater Company Acting Workshop with Mary L. Pettit, instructor, using Shurtleff technique SPECIAL SKILLS AND INTERESTS Proficient in MS Office software (Word, Excel, PowerPoint, Access, Outlook) Typing 80 wpm, stenographic machine 140 wpm; use of foot pedal and Dictaphone Active in local community and professional theater (actor, director, set designer)