You Are Here Topic This learning sequence is designed to build student understanding of the Tasmanian Aboriginal story. Students will draw upon their experience of being in the environment to create a number of artworks that reflect an awareness of Tasmania’s Indigenous story. Standard 3 Stages 7, 8, 9 Year Level(s) 5/6 Curriculum area The Arts Society and History Vocational and Applied Learning Reflecting social, cultural and historical contexts Identity, relationships and culture Systems and processes Imagining and creating new works Interactions with the environment Innovation and design Strand(s) Understanding Goal(s) 1 Students will understand the significance of the land to Tasmania’s indigenous people. 2 Students will understand Tasmania’s geographical layout through an indigenous perspective 3 Students will understand how the land is represented through mapping and other visual forms. 4 Students will understand sustainable land management techniques UGs 1 Learning opportunities Teacher notes and assessment TARABA Assessment for learning Read to students some adapted Tasmanian Aboriginal stories from TARABA and ask them to take notes, either written or visual, and enter them into their visual art journal. Have students consider: What evidence of the animals described in TARABA might be found in the bush at Molesworth (nests, tracks, scats, sightings)? Assessment of learning 1, 3 The Rabbits Read The Rabbits to students and discuss the use of metaphor in this story. Have students reflect upon this story using a journaling process. 1, 2, 3 Assess student understanding of the arrival of European people in Tasmania through viewing their journal responses. What historical event is this story about? Gumnuts to Buttons Assessment of learning Invite a speaker from the Aboriginal Sharer’s of Knowledge program or a member of the Aboriginal Education Unit to introduce and guide students through Gumnuts to Buttons, a simulation of the Tasmanian Aboriginal story. Assess student understanding of the Tasmanian Indigenous story through class discussion. Discuss similarities between the story of The Rabbits and the actual history of Tasmania’s Indigenous people, described by Gumnuts to Buttons. Which is the more powerful metaphor? Why? 1, 2, 3 Nine Nations Assessment as learning Using the Clayworld technique (See Spiral Garden Resource Book), ask students to work collaboratively to build a model that describes the nine Tasmanian Aboriginal nations that existed prior to European contact. A relief map of Tasmania may be useful in assisting student understanding of Tasmania’s geography. Assess student understanding of Tasmanian Indigenous geography by asking them to include significant geographical features and to use symbolism to identify and discern between nations. Which Indigenous nation encompasses the Molesworth area? Molesworth Environment Centre 1, 2, 3 Visualisation Take students out to the trail with their sketchbooks/notepads. Ask students to describe the landscape using a series of key words to describe their sensory experiences e.g. light, texture, temperature, smell, colour, contrast sound, brightness... Ask students to imagine that they have been frozen in time and returned to their land. They have had no prior contact with European people and have no prior knowledge of the built environment. They have no conventional words in their language to describe things like roads, buildings, cars, sheep and telegraph poles. Assessment of learning Assess student creative writing, including their ability to: Use their senses in describing the landscape Imagine the viewpoint of another person Write using an understanding of historical themes and information Note to the teacher Read extracts from Two Rivers and examine the illustrations made by the student artists. Look at ways in which an Indigenous view and a European view have been represented. Ask students to respond to the environment from the perspective of a ‘time-traveller’. Many images express a combination of these views. What Ask students to imagine, and write about, devices have the artists used to do the emotional response of a person who this? finds their home lands have changed in such a dramatic way. 1, 2, 3, 4 Land management Assessment of learning Invite an Indigenous Sharer of Knowledge to demonstrate the construction of shelters and introduce students to the concept of Indigenous land management including the sourcing of foods. Have students discuss and record information about aboriginal land management in their journals. What sustainable land management practices did Tasmania’s indigenous people use? How do these practices contrast with European land management practices? 2, 3, 4 Mapping Assessment as learning Explore references to the Molesworth area e.g. contour maps, Google Earth… Look at the codes and symbols used by map makers (cartographers). Have students consider: What are the most important features of this landscape? What references would Aboriginal people have used? Walk students to the top of the hill. Have students draw a map of the Molesworth area, noting key landmarks and features. Symbols 1, 3 Invite an Aboriginal artist from the Sharers of Knowledge program to introduce students to Tasmanian Aboriginal art in the form of petroglyphs. Explain to students the origin of the word petroglyph - from the Greek words petros meaning "stone" and glyphein meaning "to carve". How can the key features of this area be best represented? What evidence is there of sustainable land management practice? Assessment as learning Assess students’ ability to create new designs based on a circular motif. What might these rock carvings symbolise? What are the common design elements of these symbols? Why are these images primarily circle based? Discuss with students other circle based symbols e.g. the sun, moon, yin and yang, the earth, peace, smiley face, crop circles, celtic twists, mandalas... Have students research these and make notes and drawings in their journals. Refer students to A Word List of Tasmanian Aboriginal Languages by N. J. B. Plomley Ask students to make a list of all the concepts that Tasmanian Aboriginal people had words for – animals, plants, actions, attitudes, spirits, weather features… Ask students to devise their own circlebased symbols based on the words that appear in Plomley’s book. From these designs, ask students to create simple three colour stencil designs from cardboard. Use these to create an image using red, yellow and black inks. Have students print these designs using a silk screen technique or similar. Have students produce a visual illustration (map) of the Molesworth environment using the symbols they have developed. Assessment of learning Assess students understanding of : the significance of the land to Tasmania’s indigenous people. the geography of Tasmania’s indigenous people how the land is represented through mapping and other visual forms sustainable land management techniques 1, 2, 3, 4 School Based Extension Projects Make TARABA story characters out of woven cane. In groups students manipulate these characters to then tell their stories (see Woven Spheres – Spiral Garden Resource Book). Explore soundscapes with students. Ask students to collect and replicate a variety of sounds from the environment e.g. the call of the Toorittya Bird, people talking, weather patterns etc. Allow students to experiment with instrumentation both conventional and student designed and created e.g. drums, ocarinas etc. Create Native Puppet constructions and Fish Weavings with students (see Spiral Garden Resource Book). Demonstrate how to make flax animals. Paint a mural based upon changes to the environment over time. Construct bird boxes to be attached to trees in the bush. Resources Tasmanian Aboriginal Perspectives Across The Curriculum, Department of Education, Tasmania (1997) Everett, J. Respecting Cultures: working with the Tasmanian Aboriginal community and Aboriginal artists, Arts Tasmania (2004) TARABA: Tasmanian Aboriginal Stories, re-told by Rosemary Ransom, Department of Education - Tasmania (1997) Plomley, N. J. B. (1976) A Word List of the Tasmanian Aboriginal Languages, The State of Tasmania Ryan, L. (1996) The Aboriginal Tasmanians, Allen & Unwin From Gumnuts to Buttons, Department of Education - Tasmania (2001) Two Rivers: a reflective journey, Department of Education – Tasmania (1998) Marsden, J. & Tan, S. (1998) The Rabbits, Lothian Books Crossman, Donavan, Mackie,& Petrik (2002) Spiral Garden Resource Book, Bloorview MacMillan Children’s Centre and Spiral Community Artist’s Circle Manco, T. (2002) Stencil Graffiti, Thames and Hudson Manco, t. (2004) Street Logos, Thames and Hudson Harmon, K. (2004) You Are Here: Personal Geographies and Other Maps of the Imagination, Princeton Architectural Press, New York Relief Map of Tasmania, Geo Maps, Italy Aboriginal Sharers of Knowledge program, Aboriginal Education Unit, Learning Services North, Department of Education, Tasmania