DISSERTATIONS SUBMITTED AS PART OF THE REQUIREMENTS FOR THE DEGREE OF
B.A. WITH HONOURS IN COMBINED HONOURS, (FINE ART)
The following dissertations are kept in the Barber Fine Art Library, in the cupboards in
the small reading room. They are not for loan, but may be consulted in the library. MPhil
and PhD theses are kept in the library basement stack and are searchable on the online
catalogue.
In alphabetical order of artist studied:
AITCHISON, Craigie
Crucifixion 1984.
(Birmingham Museum and Art Gallery)
By E. Bartlett, 2003.
ALMA-TADEMA, Lawrence
Pheidias and the Frieze of the Parthenon, Athens.
(Birmingham Museum and Art Gallery)
By A. Longbourne, 1995.
ANTONELLO, Da Messina
St Jerome in his Study.
(National Gallery)
By G. Fattal, 2003.
BACON, Francis
Francis Bacon: an artist who denies the constant
and enforces the paradox.
By S.A. Macdonald, 1993.
BACON, Francis
Francis Bacon's Study (Imaginary Portrait of
Pope Pius XII.)
(Sainsbury Centre for Visual Arts, UEA Norwich)
By S. Gilbert, 2001.
BALLA, Giacomo
The Hand of the Violinist.
(The Estorick Collection, London)
By R. Harling, 2001.
BALLA, Giacomo
Speeding Automobile.
(The Estorick Collection, London)
By Rachel Carr, 2005.
BANKSY
Banksus Militus Ratus.
(Natural history museum)
By H. Johnson, 2005.
BARBIER, George
The Seven Deadly Sins.
(Victoria and Albert Museum, London)
By L. MacCulloch, 2001.
BARTOLO, Domenico de
Pope Celestine III Granting Prvileges to the
Hospital
(Pellegrinaio, Santa Maria Della Scala)
By A. Gatward, 2005.
BARTOLOMMEO, Fra
Madonna and Child with Saints.
(Barber Institute)
By L.Stephenson, 1998.
BEARDSLEY, Aubrey
The Battle of the Beaux and the Belles.
(Barber Institute)
By J. Gorodkin, 1995.
BECCAFUMI, Domenico
Venus in Landscape.
(Barber Institute)
By Hannah Higham, 2002.
BECKMANN, Max
Max Beckmanns’ Self–Portrait with Burin.
(Barber Institute)
By D. Cole, 1999.
BEER, Jan de
Joseph and the Suitors.
(Barber Institute)
By H.S.Long, 1998.
BELLINI, Jacopo
St.Jerome in the Wilderness.
(Barber Institute)
By N. Bowden, 1991.
BLAKE, William
William Blake's Ancient of Days.
(Whitworth Art Gallery, Manchester)
By K. Sykes, 2000.
BLAKE, William
Elohim creating Adam.
(Tate Gallery, London)
By M.Warren, 2001.
BOTTICELLI, Sandro
The Descent of the Holy Ghost.
(Birmingham Museum and Art Gallery)
By B. Guglia, 2000.
BOTTICELLI, Sandro
Trinity with Saint mary Magdalen, saint John the
Baptist , and Tobias and the Angel.
(Courtauld Institute Galleries, London)
By Jane Sneddon, 2002.
BOYD, Arthur
Dissertation Submitted to the University of
Birmingham, History of Art Department, 2000.
By J. Lea, 2000.
BRUEGHEL, Peter (The younger)
Attributed
Two peasants binding faggots.
(Barber Institute)
By Anna Van Boxel, 2002.
BUNCE, Kate
Kate Bunces’ Musica.
(Birmingham Museum and Art Gallery)
By C. Hannaford, 1999.
BURNE-JONES, Edward
Love Among the Ruins
(Wightwick Manor, Wolverhampton)
By Phil Peters, 2005
BURNE – JONES, Edward
Phyllis and Demophoon.
(Birmingham Museum and Art Gallery)
By J. Price, 1999.
BURNE – JONES, Edward
& MORRIS, William
The Holy Grail Tapestries.
(Birmingham Museum and Art Gallery)
By S. Hoban, 1996.
BURNE – JONES, Edward
The Briar Rose: Study for the Garden Court..
(Birmingham City Art Gallery)
By Michael Houlder, 2002.
BURNE-JONES, Edward
The Saint Frideswide Cartoons.
(Cheltenham Ladies' College)
By Anna Maria Skinner, 2003.
CANALETTO
The Logetta, Venice.
(Barber Institute)
By James Lyons, 2005.
CAILLEBOTTE, Gustave
A Man at His Bath.
(National Gallery)
By R. Kayser, 2003.
CARAVAGGIO, Michelangelo
Merisi da
Supper at Emmaus.
(National Gallery, London)
By E. Davis, 2001.
CARLEVARIS, Luca
The arrival of the Earl of Manchester in Venice.
(Birmingham Museum and Art Gallery)
By Louise Taylor, 2004.
CASSATT, Mary
Women in Black.
(Birmingham Museum and Art Gallery)
By A. Kenzie, 1998.
CAULFIELD, Patrick
After Lunch.
(Tate gallery)
By Christopher Barbour. 2004.
CAVALLINO, Bernardo
St. Catherine of Alexandria.
(Barber Institute)
By Anna Guyver, 2002.
CHADWICK, Helen
Vanity.
(Waterhall Gallery, Birmingham)
By Gemme McCoy. 2004.
CHAGALL, Marc
Around her.
(National d'art Moderne, Centres Georges
Pompidou, Paris)
By Eve Campbell, 2004.
CHANTREY, Francis
Monument to James Watt.
(St. Mary’s church, Handsworth, Birmingham)
By G. Sissons, 1997.
CHIRICO, Giorgio de
Giorgio de Chirico, The Uncertainty of the Poet,
1913.
(Tate Gallery, London)
By J. Turner, 1999.
COECKE VAN AELST, Pieter
Last Supper.
(Musee Royaux des Beaux-Arts, Brussels)
By B. Horwood, 2003.
COLMAN, Samuel
Politics, Religion and the Sublime: the reasoning
behind the art of Samuel Colman.
By S. Jenkins, 1998.
CONSTABLE, John
Hampstead Heath with a Rainbow.
(Tate Gallery, London)
By P. Radley 2001.
CORINTH, Lovis
The Crucifixion.
(Barber Institute)
By G. Blackshaw, 1998.
COURBET, Gustave
Venus and Psyche.
(Birmingham Museum and Art Gallery)
By R. Neale, 1997.
COURBET, Gustave
The Sea-Arch at Etretat.
(Barber Institute)
By J. Stone, 2000
COURBET, Gustave
Young ladies of the Banks of the Seine.
(National Gallery, London)
By Sophie Holt, 2002.
DADD, Richard
The Fairy Feller's Master Stroke.
By H. Nathan, 2000
DE BEER, Jan
see BEER, Jan de
DEGAS, Edgar
Grande Arabesque, Troisieme Temps.
(Barber Institute)
By M. Norris, 1997.
DEGAS, Edgar
Degas, Images of the Ballet.
By N. McMaw, 1997.
DEGAS, Edgar
Jockeys Before the Race.
(Barber Institute)
By E. Carey, 1996.
DEGAS, Edgar
Miss La La au Cirque Fernando.
(National Gallery)
By N. Radcliffe, 2003.
DEGAS, Edgar
The Roman Beggar Woman.
(Birmingham Museum and Art Gallery)
By S. Pile, 1993.
DANBY, Francis
The Deluge
(Tate Gallery)
By Anna Williams, 2005.
DE HEEM, Jan Davidsz
see HEEM, Jan Davidsz de
DELACROIX, Eugene
St. Stephen Borne Away by his Disciples.
(Barber Institute)
By N. Ward, 1996.
DELAROCHES, Paul
The Execution of Lady Jane Grey
(National gallery, London)
By Rachel Bray, 2005.
DELVAUX, Paul
The Annunciation.
(Southampton City Art Gallery)
By R. Coppen, 2000
DENIS, Maurice
Portrait of Monsieur Huc.
(Barber Institute)
By M. Lawton, 1994.
DIX, Otto
Kreidefelsen in der Stomme.
(Barber Institute).
By J. Caseley, 1998.
DUCCIO DI BUONINSEGNA
The Virgin and Child with Saints Dominic and
Aurea.
(National Gallery, London)
By Katherine Thompson, 2002.
DUTCH, 17th C.
Portraits of Children.
By S. Biller, 1997.
shelved under Portraits
DYCK, Antony Van
Ecce Homo.
(Barber Institute)
By M. Haxworth, 1995.
EGG, Augustus Leopold
The travelling companions.
(Birmingham Museum and Art Gallery)
By V.G La Cava, 2001.
EPSTEIN, Jacob
Lucifer.
(Birmingham Museum and Art Gallery)
By C. Wilson, 1998.
EPSTEIN, Jacob
Third Portrait of Esther (with Flower).
(Walsall Museum and Gallery)
By A. Ioannou, 1999.
EPSTEIN, Jacob
Ecce Homo, 1934.
(Coventry Cathedral)
By N. Harding, 2000.
ERNST, Max
Oiseaux Verts Pluie.
(Barber Institute)
By C. Bryant-Fenn, 1997.
FANTIN-LATOUR, Henri
Henri Fantin-Latours’ Marie Fantin-Latour
Reading.
By S. Byrne, 1999.
FREUD, Lucian
Naked Portait 1972-3.
(Tate Modern)
By T. Ardill, 2003.
FREUD, Lucian
Standing by the Rags.
(Tate Modern, London)
By Olivia Skinner, 2002.
FRINK, Elisabeth
Cat.
(Birmingham Museum and Art Gallery)
By L. Hards, 1998.
FUSELI, Henry
The Apotheosis of Penelope Boothby
(Wolverhampton Art Gallery)
By K.Redden, 1997.
FUSELI, Henry
Dispute between Hotspur and Glenower.
(Birmingham Museum and Art Gallery)
By G.Farrell, 1993.
FUSELI, Henry
The Weird Sisters.
(Swan Theatre Collection, Stratford-upon-Avon)
By Jane Butler, 2002.
GAROFALO, Benvenuto
Madonna and Child enthroned with Saints.
(National Gallery, London)
By Chris Wright, 2002.
GAUGUIN, Paul
Bathers at Taihiti.
(Barber Institute)
By F.J. Black, 1993.
GABO, Naum
Linear Construction in Space Number 2.
(Private Collection)
By A. Jameson, 2005.
GAUGUIN, Paul
Nevermore.
(Courtauld Institute)
By C. Allen 2001.
GENTILESCHI, Orazio
Rest on the Flight into Egypt.
(Birmingham Museum and Art Gallery)
By J.E. Coggins, 1994.
GERTLER, Mark
The Merry-Go-Round
(Tate Britain, London)
By C. Antoni, 2005.
GIAMBOLOGNA
Samson slaying Philistine.
(Victoria and Albert, London)
By Rebecca Joce, 2002.
GIRARDON, François
The Birmingham Reduction of Giardons Equestrian
Statue for the Place Vendôme”
(Birmingham Museum and Art Gallery)
By F. Matthews, 1999.
GOES, Hugo van der
The Meeting of Jacob and Rachel.
(Oxford)
By T. Harper, 2000.
GOGH, Vincent Van
Sorrow
(Walsall Museum and Art Gallery)
By Lucy Dagger, 2005
GORMLEY, Anthony
Iron Man, Inside the Invisable.
(Birmingham Town Centre)
By S. Duff, 2000.
GORMLEY, Anthony
Sound II.
(Winchester Cathedral Crypt)
By Honor Beddard, 2002.
GOYA, Francisco de
Disparates.
(Birmingham Museum and Art Gallery)
By A.M. Buckland, 1998.
GRANT, Duncan
Duncan Grants’ Portrait of Vanessa Bell c. 1918
(London, National Gallery)
By E. Brass, 1999.
GROSZ, George
Suicide.
(Tate Modern, London)
By C.Lewis, 2005.
GRIMSHAW, John Atkinson
John Atkinson Grimshaws’ Leeds Bridge.
(Leeds City Gallery)
By B. Quinn, 1999.
GRUNEWALD, Matthias
The Influence and Reception of Mattias
Grunewald in France from Joris-Karl Huysmans
to Henri Matisse
By J. Fleming, 1996.
HAARLEM, Cornelius van
Two followers of Cadmus being devoured by a
dragon.
By Simon Sandland, 2001.
HAMBLING, Maggi
Self-Portrait.
(National Portrait Gallery, London)
By Jennifer Woolfe, 2004.
HAMILTON, Richard
Gender and Consumerism in Richard Hamiltons’
$he.
(London, Tate Gallery)
By O. Plummer, 1999.
HAMILTON, Richard
Release.
(Whitworth Art Gallery, Manchester)
By Caroline Goldsmith, 2002.
HARNETT, William Michael
William Michael Harnetts’ The Old Cupboard
Door.
(Sheffield City Art Galleries)
By B. Robinson, 1999.
HEEM, Jan Davidsz de
J. Davidsz de Heems’ Still Life with a Nautilus
Cup.
(Barber Institute)
By K. Martin, 1999.
HEPWORTH, Barbara
Ancestor I and the Family of Man.
(Birmingham University)
By V. Ogden, 1995.
HERKOMER, Hubert von
Sir Hubert von Herkomers’ Hard Times.
(Manchester City Art Galleries)
By L. Gildersleve, 1999.
HERKOMER, Hubert von
Eventide, a scene in the Westminster union.
(Walker Art Gallery, Liverpool)
By Victoria Taylor. 2004.
HERMES, Gertrude
Gertrude Hermes’ The Yoke.
(Birmingham Museum and Art Gallery)
By L. Blandford, 1999.
HILLIER, Tristram
Tristram Hilliers’ Vizeu.
(Wolverhampton Art Gallery)
By I. Aitchison, 1999.
HIRST, Damien
Pharmacy
(Tate Modern)
By L. Furnival, 2003.
HOCKNEY, David
To thine own self be true The third love painting
by David Hockney.
By L. Morell, 2001.
HOLBEIN, Hans
Portrait of Christina of Denmark, Duchess of
Milan.
(National Gallery, London)
By Kate Pryor, 2002.
HUGHES, Arthur
The Nativity and The Annunciation.
(Birmingham Museum and Art Gallery)
By H.E. Guerrini, 1993.
HUNT, William Holman
Two Gentlemen of Verona: Valentine Rescuing
Sylvia from Proteus.
(Birmingham Museum and Art Gallery)
By C. Lally, 1997.
HUNT, William Holman
The Finding of the Saviour in the Temple: A Tale
of Two Dispensations.
(Birmingham Museum and Art Gallery)
By A. Penrose, 2000
HUNT, William Holman
The Scapegoat.
(Lady Lever Art Gallery, Port Sunlight)
By I. Forster, 2001.
INCHBOLD, John William
A study in March (In early spring)
(Ashmolean Museum, Oxford)
By Louisa Holmes, 2004.
ISENBRANDT, Adriaen
Altarpiece of the adoration of the Magi.
(Birmingham Museum and art gallery)
By K. Lilley, 2001.
JAMES, Shani Rhys
Caught in the Mirror.
(Birmingham Museum and Art Gallery)
By J. Troth, 2003.
JOHN, Gwen
Portrait of Mere Poussepin.
(Barber Institute)
By E. Stovell, 1995.
JONES, Allen
3rd Red Bus.
(Birmingham Museum and Art Gallery)
By H. Cha dwick, 1994.
JONES, David
The Tangled Cup.
(Birmingham Museum and Art Gallery)
By L. Stevens, 1996.
KAPOOR, Anish
The Language of the Divine.
By K. Bowen, 2000
KAPOOR, Anish
Leaving Lyotard: A search for value in the
sculpture of Anish Kapoor.
By Adam Margerison, 2004.
KIEFER, Anselm
Let a thousand flowers bloom.
(Tate Modern)
By Caroline Berger. 2004.
KENT, Flor
Fur Das Kind.
(Liverpool Street Station)
By A. Gluckman, 2003.
KLIMT, Gustav
Judith II.
(Galleria d'arte Moderna Ca'Pesaro, Venezia)
By Daniela Ivanova, 2002.
KLINGER, Max
The Philosopher.
(Barber Institute)
By J. Bradford, 1998.
KLINGER, Max
The Philosopher.
(Barber Institute)
By E. Hornby, 2003.
KNIGHT, Laura
A Balloon Site, Coventry.
(Imperial War Museum)
By J. Taylor, 2003.
KNIGHT, Laura
Self-Portrait with Nude, 1913.
(National Portrait Gallery)
By D. Moritz, 2000
KOKOSCHKA, Oscar
Self-Poratrait with Cup.
(Barber Institute)
By N. Howes, 1995.
KOLLWITZ, Kathe
Help Russia.
(Barber Institute)
By L. Hutton, 1996.
KOLLWITZ, Kathe
Death Reaches into a Group of Children.
(Birmingham City Art Gallery)
By Hester Camilla Smith, 2002.
KOLLWITZ, Kathe
Mother With Dead Child.
(Barber Institute)
By C. Barrie, 2003.
LANCRET, Nicholas
Lovers in a Landscape.
(Barber Institute)
By K. Urwin, 1998.
LANGLEY. Walter
Never morning wore to evening,but some heart did
break.
(Birmingham Museum and Art Gallery)
By R. Gowreesunker, 2003.
LANYON, Peter
Mural.
(University of Birmingham)
By L. Oliver, 1993.
LANYON, Peter
Peter Lanyons’ Wreck.
(Tate Gallery)
By C. Mullett, 1999.
LA TOUR, Georges De
The Dice Players.
(Preston Hall Museum, Stockton-on-Tees)
By Anna Turvey, 2002.
LEGER, Fernand
Composition with Fruit.
(Barber Institute)
By M. Murphy, 1998.
LEIGHTON, Lord Frederic
Captive Andromache.
(Manchester City Ary gallery)
By Helen Ingham, 2004.
LELY, Peter
Faces of Royalty and Republicanism; with
Special reference to the painting of Oliver
Cromwell.
(Birmingham Museum and Art Gallery)
By L. Whetstone, 1993.
LE NAIN, Matthieu
(follower of)
Gamesters.
(Barber Institute)
By C. Workman, 1997.
LICHTENSTEIN, Roy
Whaam!
(Tate Modern)
By R. Leaver, 2003.
LONG, Richard
An investigation into Richard Long's textworks,
looking in particular at Water walk.
By S. Forbes, 2001.
LORRAIN, Claude
Pastoral Landscape and Pastoral
Landscape with the Ponte Molle.
(Barber Institute and Birmingham Museum and Art
Gallery)
By L. Reeve, 1994)
LORRAIN, Claude
Pastoral Landscape
(Barber Institute)
By K. Ford, 2005.
MACDONALD, J.E.H
Deconstructing the myth of Canadian Landscape
Painting: The Beaver dam..
By L. Mason, 2001.
MAGRITTE, Rene
La Saveur des Larmes.
(Barber Institute)
By S. Hooker, 1995.
MANET, Edouard
Civil War.
(Barber Institute)
By K. Jaram, 1997.
MARTIN, John
Manfred on the Jungfrau.
(Birmingham Museum and Art Gallery)
By M. White, 1995.
MATTEO, Giovanni
The Madonna & Child with Saints John Baptist
and Michael the Archangel.
By P. Wickson, 1998.
MEMLING, Hams
(attributed to)
Nativity.
(Birmingham Museum and Art Gallery)
By G. Miller, 1998.
MENABUOI, Giusto
Coronation of the Virgin.
(National Gallery London)
By J. Machell, 2000
MILLAIS, Sir John
The boyhood of Raleigh.
(Tate Gallery, London)
MIRO, Joan
Aidez L'Espagne.
(Barber Institute)
By Bernice Morris, 2002.
MISTRY, Dhruva
Sculpture.
(Victoria Square, Birmingham City Centre)
By V. Goblet d’Alviella, 1995.
MODIGLIANI, Amedeo
Female nude.
(Courtauld Institute, London)
By K. Pearce, 2001.
MONET, Claude
L’eglise de Varengville.
(Barber Institute)
By V. Seifert, 1994.
MONET, Claude
Water-Lillies
(National Gallery)
By N.Nayar, 2005.
MOORE, Albert
The Dreamers; the Aesthetic, the Empire, the
Subconscious
(Birmingham Museum and Art Gallery)
By C. Willis, 1998.
MORIMURA, Yasumasa
Portrait (Twin).
(Luhring Augustine, New York)
By K. Pettitt, 2001.
MORISOT, Bethe
Summer's day.
(National gallery, London)
By Kimberley Horner, 2004.
MORRIS, William and Burne Jones Edward The Holy Grail Tapestries.
see BURNE - JONES, Edward & MORRIS,
William
shelved at BURNE- JONES
MURILLO, Bartoleme
Esteban
Marriage Feast at Cana.
(Barber Institute)
By M. Plampin, 1996.
NEVINSON, C.R.W.
Column on the March.
(Birmingham Museum and Art Gallery)
By J. Martin, 1998.
NEWMAN, Cardinal
Birmingham Oratory Church.
(Edgbaston, Birmingham)
By A. Geraghty, 1993.
NICHOLSON, Ben
Still Life (Dolomites).
(Birmingham Museum and Art Gallery)
By A. Callaway, 2003.
NOLDE, Emil
Der Prophet.
(Barber Institute)
By A. Frigerio, 1998.
NOST, John
Equestrian Sculpture of George I.
(University of Birmingham)
By B. Whine, 1997.
OCHTERVELT, Jacob
The Music Lesson.
(Birmingham Museum and Art Gallery)
By C. Sharpe, 2005.
ONOBRAKPEYA, Bruce
Last Supper with Fourteen stations of the Cross.
(Plastocast, Ovumaroro Gallery, Lagos)
By Rebecca Wilhelm, 2002.
PACHECO, Ana Maria
Themes in the Art of Ana Maria Pacheco – With
Particular Reference to Panel III of the
In Illo Tempore series.
(Wolverhampton Art Gallery)
By C. Harris, 1998.
PARRY, Thomas Gambier
Highnam Frescoes.
(Holy Innocents Church, Highnam)
By S. Jennings, 1998.
PASMORE, Victor
Spiral Motif: Sea and Sky.
(Birmingham Museum and Art Gallery)
By H. Leggett, 1998.
PICASSO, Pablo
L‘Atelier.
(Birmingham Museum and Art Gallery)
By M. Carey-Williams, 1996.
PICASSO, Pablo
Bust of Jaqueline Turned to the Right.
(Barber Institute)
By S. Rosenzweig, 1997.
PICASSO, Pablo
Child With a Dove.
(National Gallery)
By A. Dingle, 2003.
PISANELLO, Antonio
The virgin and child with Saint Anthony and Saint
George.
(The National Gallery, London)
By J. Ayrton, 2001.
PISSARRO, Camille
L'abreuvoir de Montfoucault.
(Barber Institute)
By H. Orrell, 2003.
POLLOCK, Jackson
Number 9A: Summertime.
(Tate Gallery, London)
By Emiko Morishita, 2005.
POUSSIN, Nicolas
Landscape with the Ashes of Phocion Collected by
his Widow.
(Walker Art Gallery, Liverpool)
By J. Toulson, 2000
PRETI, Mattia
Martydom of St. Peter.
(Barber Institute)
By G. Goode, 1997.
QUINN, Marc
Approach to the self.
By Claire Raffo, 2004
RAE, Fiona
Dark Star.
(Birmingham Museum and Art Gallry)
By L. Marsh, 2003.
REDON, Odilon
Crucifixion.
(Barber Institute)
By K. Seager, 1994.
REMBRANDT, Harmensz
Van Rijn
Death of the Virgin.
(Barber Institute)
By J. Kinloch, 1998.
REMBRANDT, Harmensz
Van Rijn
Belshazzar's feast.
(National Gallery, London)
By Charlotte Burns, 2002.
RENI, Guido
Ecce Homo.
(Fitz William Museum, Cambridge)
By A. Hollenbery, 2000
RENOIR, Pierre-Auguste
Young Woman Seated.
(Barber Institute)
By L. Rubenstein, 1996.
REYNOLDS, Sir. Joshua
Sir Joshua Reynolds’ Portrait of
John Ash.
(Birmingham Hospital, on loan to
Birmingham Museum and Art Gallery)
By L. Egerton, 1999.
RICHIER, Germaine
La Feuille (The Leaf).
(Birmingham Museum and Art Gallery)
By J. Powell, 2003.
RILEY, Bridget
Cartoon for Magenta, Blue, Green Elongated
Triangles: Final Version.
(Birmingham Museum and Art Gallery)
By B. Dawkes, 1998.
RODIN, Auguste
The Age of Bronze.
(Barber Institute)
By O. Lalonde, 1994.
RODIN, Auguste
Eve.
(Birmingham Museum and Art Gallery)
By H. Butterworth, 1997.
RODIN, Auguste
Henri Rochefort.
(Barber Institute)
By J. Crawley, 1998.
ROGERS, Richard
The architecture of Lloyd's of London.
By K. McCarthy, 2001.
ROSSETTI, Dante Gabriel
The girlhood of Mary Virgin.
(Tate Britain)
By Sophie Meyer, 2004.
ROSSITERS, Charles
To Brighton and back for 3s 6d.
(Birmingham City Art Gallery)
By Megan Dowsett, 2002.
ROTHKO, Mark
The Rothko Room.
(Tate Modern, London)
By Jack Bowcot, 2002.
ROUALT, Georges
Self Portrait No.2.
(Barber Institute)
By A. Daubeney, 1998.
ROYALTY, Faces of
see LELY, Sir Peter
RUBENS, Peter Paul
Peter Paul Rubens’ Portrait of a Carmelite Prior.
(Barber Institute)
By N. Franks, 1999.
SALT, John
White Chevy - Red Trailer.
(Birmingham Museum and Art Gallery)
By S. Jamieson, 2003.
SANDYS, Frederick
Medea.
(Birmingham Museums and Art Gallery)
By Sam Beighton, 2004.
SARGENT, John Singer
A Parisian beggar girl.
(Musee d'art Americain Giverny)
By Jenny Coad. 2004
SCHMIDT-ROTTLUFF, Karl
Mourners on the Shore.
(Barber Institute)
By S. Collins, 1998.
SCOTT, Samuel
The Tower of London.
(Part of the Family Collection of the Earls of
Malmsebury)
By G. Harris, 1997.
SEURAT, George
Bathers at Asnieres.
(National Gallery, London)
By S. Davies, 2005.
SHEMZA, Anwar
The Wall.
(Birmingham Museum and Art Gallery)
By R. Pover, 2003.
SHAW, James Byam Liston
The Boer War 1900.
(Birmingham Museum and Art Gallery)
By E. Hutchings, 2005.
SHIVA, Nataraja
From Icon, Art to Display, The Different Stages of
Seeing Shiva.
(Barber Institute)
By G. Tofield.
SICKERT, Walter
The Eldorado.
(Barber Institute)
By C. Pearson, 1997.
SOLOMON, Simeon
The Singing of Love.
(Birmingham Museum and Art Gallery)
By C. Holdsworth Delgado, 2003.
SOLOMON, Simeon
Carrying the Scrolls of the Law
By Rachel Silver, 2005
SOUZA, Francis Newton
Negro in Mourning.
(Birmingham Museum and Art Gallery)
By K. Cross, 2003.
SPENCER, Stanley
The Psychiatrist.
(Birmingham Museum and Art Gallery)
By C. L’Esperance, 1997.
SPENCER, Stanley
Resurrection: Tidying.
(Birmingham Museum and Art Gallery)
By C. Deering, 1996.
SPENCER, Stanley
The Turkish window.
(Rockingham Castle Collection)
By E. Retter, 2001.
SPENCER, Stanley
Double Nude Portrait: The Artist and his Second
Wife.
(Tate Gallery)
By J. Alexandra, 2005.
The Resurrection Cookham.
(Tate Gallery, London)
By Z. Santa-Olalla, 2005
SPENCER, Stanley
SUTHERLAND, Graham
Christ in Glory in the Tetramorph.
(Coventry Cathedral)
By R. Fay, 2003.
SUTHERLAND, Graham
La Petite Afrique.
(Barber Institute)
By V. Long, 1996.
TENIERS, David
The Feast of Herod.
(Birmingham Museum and Art Gallery)
By K. Kirkland, 1997.
THOMSON, Charles
Sir Nicholas Serota Makes an Acquisitions
Decision
By Amy Weston, 2005
TILSON, Joe
Transparency, The Five Senses: Taste.
(Birmingham Museum and Art Gallery)
By J, Wilson, 2003.
TITIAN
Noli Me Tangere
(National Gallery)
By Elaine Gavaghan, 2005
TOULOUSE-LAUTREC,
Henri,
La Troupe de Mademoiselle Eglantine.
By S. Birt, 2005.
TOULOUSE-LAUTREC,
Henri,
La Songeuse.
(Barber Institute)
By C. Worton, 1996.
TURNER, J.M.W.
The Pass of St. Gotthard.
(Birmingham Museum and Art Gallery)
By S. Sykes, 1997.
TURNER, J.M.W.
Bridge of Sighs, Ducal Palace and Custom-House,
Canaletti painting.
By P. Langridge, 2000
VAN DYCK, Antony
see DYCK, Antony Van
VAN HAARLEM, Cornelius
see HAARLEM, Cornelius Van
VAN NOST, John
see NOST, John
VIGEE LE BRUN,
Elisabeth Louise
Portrait of Countess Elizabeth Golovine.
(Barber Institute)
By C. Heathcock, 1995.
WARHOL, Andy
Jackie 1964.
(Wolverhampton Art Gallery and Museum)
By R. Thompsell, 2001.
WARHOL, Andy
Self Portrait.
(Tate Modern, London)
By Anna Lazenbury, 2002.
WATERHOUSE, John William
Lady of Shalott.
(Tate Gallery, London)
By Josephine Weston, 2002.
WEBB, Sir. Aston
The Buildings at Edgbaston.
(University of Birmingham)
By N. Foster, 1997.
WEBB, Sir. Aston
The Victoria Law Courts.
(Birmingham City Centre)
By A. Westendarp, 1997.
WHISTLER, James
Abbott MacNeill
Symphony in White, No. III.
(Barber Institute)
By D. Morris, 1993.
WOOD, Sam Taylor
Killing time.
(video with sound)
By Lucy Newson, 2004
WRIGHT OF DERBY'S, Joseph
The Indian Widow.
(Derby Museum and Art Gallery)
By Louise Hilland)
WRIGHT OF DERBY'S, Joseph
An Experiment on a bird in the air pump
(National gallery)
By E. Lanman, 2005.