Emma Smith
S
ELECTED
P
UBLICATIONS
 ‘”To Buy or Not to Buy”: Hamlet and Consumer Culture’, Shakespeare Studies
(forthcoming, 2011)
 ‘Prenzie Angelo:
Making meanings from Measure for Measure ’ , Journal of Law,
Philosophy and Culture (forthcoming, 2011)
 ‘‘Time’s comic sparks’: the dramaturgy of A Mad World My Masters and Timon
of Athens’ with Laurie E. Maguire, in The Oxford Handbook to Middleton eds
Gary Taylor and Trish Henley (forthcoming, Oxford University Press, 2011)
 ‘Richard II’s Yorkist Editors’, Shakespeare Survey 63(2010)
 ‘Performing Relevance/Relevant Performances: Shakespeare, Jonson,
Hitchcock’, in New Directions for Renaissance Drama and Performance Studies ed
Sarah Werner (Palgrave, 2010)
 The Cambridge Companion to Renaissance English Tragedy, coedited with Garret J.
Sullivan, and chapter on ‘Shakespeare’ (Cambridge University Press, 2010)
 ‘Recent Studies in Tudor and Stuart Drama’, with Emily C. Bartels, Studies in
English Literature 50 (2010)
 ‘Shakespeare’s Critical Reception’, in The New Cambridge Companion to
Shakespeare eds Stanley Wells and Margreta de Grazia (Cambridge University
Press, 2010)
 ‘The Shakespeare Authorship Debate Revisited’, Literature Compass 5/3 (2008)
 The Cambridge Introduction to Shakespeare (Cambridge University Press, 2007)
 ‘Shakespeare Serialised’, in The Cambridge Companion to Shakespeare and Popular
Culture ed. Robert Shaughnessy (Cambridge University Press, 2007)
 ‘Freezing the Snowman: (How) can we do performance criticism?’ in How to
Do Things With Shakespeare ed. Laurie E. Maguire (Blackwell, 2007)
 Othello: Writers and Their Works (Northcote House, 2005)
 A Guide to Criticism: Shakespeare’s Comedies (Blackwell Publishers, 2004)
 A Guide to Criticism: Shakespeare’s Tragedies (Blackwell Publishers, 2004)
 A Guide to Criticism: Shakespeare’s Histories (Blackwell Publishers, 2004)
 ‘Signes of a Stranger: The English Language and the English Nation in the
Late Sixteenth Century’ in Archipelagic Identities: Literature and Identity in the
Atlantic Archipelago, 1550-1800 eds Philip Schwyzer and Simon Mealor
(Ashgate Press, 2004)
 Shakespeare in Production: Henry V (Cambridge University Press, 2002)
 ‘So much English by the Mother’: gender, foreigners and the mother tongue in
William Haughton’s Englishmen for My Money’, Medieval and Renaissance Drama
in England (13, 2001)
 ‘Studying Shakespeare and his Contemporaries’, in Talking Shakespeare eds
Deborah Cartmell and Michael Scott (Macmillan, 2001)
 ‘Ghost Writing: Hamlet and the Ur-Hamlet’ in The Renaissance Text ed.
Andrew Murphy (Manchester University Press, 2000)
 ‘“Either for tragedy, comedy”: attitudes to Hamlet in Branagh’s In the Bleak
Midwinter (1995) and Hamlet (1997)’ in Shakespeare, Film, Fin de Siècle eds Mark
Thornton Burnett and Ramona Wray (Macmillan, 2000)

 ‘“Sir Johnston and Lady Forbes-Robertson left for America on Saturday”: marketing the 1913 Hamlet for stage and screen’ in Moving Performance: The
British Experience of Early Cinema eds Sarah Street and Linda Fitzsimmons
(Flicks Books, 2000)
 ‘Author v. Character in early modern dramatic authorship: the example of
Thomas Kyd and The Spanish Tragedy’ in Medieval and Renaissance Drama in
England (11, 1999)
 ed. and intr. Thomas Kyd: The Spanish Tragedie (Penguin: Harmondsworth,
1998), pp.184. ISBN 0 14 043646 4
 ‘Henry Chettle’ and ‘George Whetstone’, New Dictionary of National Biography
 Reviews for Shakespeare Survey, Year’s Work in English Studies, Early Modern
Literary Studies, Review of English Studies, Biography, Renaissance-Reformation,
Women: A Cultural Review, Comparative Drama, Times Literary Supplement (1997- )
Work under commission
Revenge Tragedies (Penguin)
Great Myths about Shakespeare, with Laurie E. Maguire (Blackwell)
The Concise Handbook to Shakespeare (Cambridge)
Marlowe in Context, edited with Emily C. Bartels (Cambridge)