Technical Rider
For International Tours
Sound Requirements
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4 wireless microphones – Sennheiser ew135G2 Evolution G2 100 Series UHF
Handheld Wireless or similar
2000-watt or higher front-of-house system with minimum 2x 12” subwoofers
4 floor monitors (12”, 300W or equivalent), one mix for all 4 monitors
1/3 octave graphic EQs for mains and monitors [2-channel, 31-band or comparable]
external reverb unit, routed to mains AND monitors
DBX 120 Subharmonic processor or equivalent
4 straight microphone stands (no booms if possible)
4 matching bar stools (Please confirm with artist if not readily available)
Please ensure that all equipment is up and running prior to artists’ arrival
Additional Hospitality Requirements and notes
Green Room for costume change and pre-concert warmup with access to private restroom
One case of bottled water, room temperature (min 12 bottles)
Dinner (5 people) to be provided on the night of the concert – either in a nearby restaurant, or
catered hot meal in green room.
Table approximately 1.5m length with tablecloth to sell merchandise
Please contact us within two weeks of the concert date to confirm details. If you have any
questions or concerns about the requests in this rider please do not hesitate to ask.
Carl Berger,
carl@cadence-unplugged.com
phone: 1.416.738.8128
CADENCE Technical Rider, p 1 of 2
Cadence Mic Channels and EQ Settings – provided to expedite sound check times
Mic #1:
Lucas Marchand, Tenor 1
EQ: Low frequency rolloff (80 hz and below)
Mic #2:
Ross Lynde, Tenor 2
Low frequency rolloff (80 hz and below)
Mic #3:
EQ: -2dB at 3Khz
David Lane, Baritone
Baritone: EQ; +3dB at 90 Hz, -2dB@460Hz, +2dB @ 5 Khz
Mic #4:
Kurt Sampson, Bass
EQ: +4dB at 80 Hz; +2dB at 2.5 Khz; +2dB@8khz
CADENCE Technical Rider, p 2 of 2