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Arts of the Moving Image (AMI)
Associate Professor Abe, Director
A certificate, but not a major, is available in this program
The Program in the Arts of the Moving Image provides students with the opportunity to study, analyze, and
create film, video, television, digital media, and emergent computational art forms. Courses are taught in both arts of
the moving image studies and arts of the moving image practice. Students may concentrate in one of these areas, or
take courses in both.
ARTS OF THE MOVING IMAGE STUDIES
Students develop critical understanding of the history, theory, and art form of cinema and computational media
technologies. Courses offered in arts of the moving image studies include introduction to film, documentary film,
film history, national cinemas, and new media. Course credit is also available for internships.
ARTS OF THE MOVING IMAGE PRACTICE
Students gain expertise in a wide range of technologies, from analog film creation and cell animation to digital
video creation, motion graphics and computational programming. Courses offered in arts of the moving image
practice include narrative, animation, documentary and experimental filmmaking, and interactive media.
Independent Study credit is also available for individual projects for advanced students, but no more than two may
count towards the certificate.
CERTIFICATE REQUIREMENTS
Students must take a minimum of six courses, which must include at least one gateway course, either
Introduction to Arts of the Moving Image (Arts of the Moving Image 101), History and Concepts of the Moving
Image (Arts of the Moving Image 201), or Moving Image Practice (Arts of the Moving Image 301), and the Arts of
the Moving Image Capstone Course (Arts of the Moving Image 499S). . Additionally students must take at least one
arts of the moving image practice course, which may include Arts of the Moving Image 301S, and one arts of the
moving image studies course, which may include Arts of the Moving Image101 or Arts of the Moving Image 201,
plus three other arts of the moving image courses. For the certificate, students may take no more than three courses
originating in a single department or program, other than those originating in the Program in the Arts of the Moving
Image.
SCREEN SOCIETY
Arts of the Moving Image organizes and coordinates Screen/Society, an academically integrated program of
public film and video screenings, sometimes accompanied by lectures, discussions, or filmmaker visits. Screen
Society's mission is to advance the academic study of moving image culture at Duke by collaborating with schools,
departments and programs throughout the University to relate film, video, and digital art to other disciplines, and to
provide a venue for works from around the world.
ARTS OF THE MOVING IMAGE STUDIES COURSES
89S. First-Year Seminar. ALP Topics vary each semester offered. Instructor: Staff. One course.
101. Introduction to the Arts of the Moving Image. ALP Examination of critical concepts in arts of the moving
image from various perspectives. Spanning both traditional cinema and emergent fields. Emphasis on technology in
relation to history and viewership. Exercises in film and digital production as well as theoretical writing. Instructor:
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Kaul. One course. C-L: Visual and Media Studies 102, Visual Arts 262, Information Science and Information
Studies 111, Literature 111
106. America Dreams, American Movies. ALP One course. C-L: see Visual and Media Studies 355
190A. Duke-Administered Study Abroad: Special Topics in Film and Video. Topics differ by section.
Instructor: Staff. One course.
201. Introduction to Film. ALP Basic film theory and history of motion picture technology. Introduction to
experimental, documentary, and narrative forms of Third World, European, and United States cinemas. Basic film
theory and history of motion picture technology. Introduction to experimental, documentary, and narrative forms of
Third World, European, and United States cinemas. Economics and aesthetics. Not open to students who have taken
Theater Studies 236 or who have taken this course as FVD 130. Instructor: Hadjioannou. One course. C-L: Theater
Studies 171, English 181, Literature 110, Visual and Media Studies 289, Documentary Studies 264, Policy
Journalism and Media Studies
202. Introduction to Documentary Film. ALP, CCI Introduction to the history, theory, and styles of nonfiction
film and video. Transformation in technologies and their influence on form, from actuality films to contemporary
digital documentaries. Documentary's marginal status and surprising commercial appeal; the mixing of fiction and
nonfiction strategies in cultural construction. Use of documentary as a tool for exploring individual identity,
filmmaker/subject relationships, and fomenting political change. Instructor: Staff. One course. C-L: Documentary
Studies 107, Visual and Media Studies 265
203. Film Theory. ALP, STS One course. C-L: see Literature 316; also C-L: Visual and Media Studies 298,
Women's Studies
204S. Media Theory. STS One course. C-L: see Literature 317; also C-L: Information Science and Information
Studies 214S, Visual and Media Studies 120S
205. Contemporary Documentary Film: Filmmakers and the Full Frame Documentary Film Festival. ALP,
CCI, STS Integrated with the films and filmmakers of the Full Frame Documentary Film Festival. The art form,
style, and technology of contemporary documentary films. Issues of autonomy and power, politics, and public
policies. Analysis of outstanding films from around the world. Presentations and discussions by filmmakers. Not
open to students who have taken this course as Film/Video/Digital 129. Instructor: Paletz and Rankin. One course.
C-L: Documentary Studies 270, Political Science 263, Public Policy Studies 374, Visual and Media Studies 264
207. Cultural History of the Televisual. ALP, CZ, STS One course. C-L: see Visual and Media Studies 345; also
C-L: Information Science and Information Studies 283
210. Film Genres. ALP A historical survey of motion picture genre as a stylistic and narrative device, including
comedy, horror, the musical, the western, and science fiction. Instructor: Staff. One course. C-L: Literature 220,
Visual and Media Studies 267
211. American Film Comedy. ALP A historical survey of American film comedy from silent cinema to
contemporary television and film. Instructor: Staff. One course. C-L: English 382, Literature 221, Visual and Media
Studies 268
213. Film and Politics. ALP, EI, R, SS One course. C-L: see Political Science 423S
214S. Documenting Black Experiences. ALP, CCI One course. C-L: see Documentary Studies 350S; also C-L:
African and African American Studies 225S, Cultural Anthropology 262S, Public Policy Studies 387S
215. Animated Film: A History and Aesthetic. ALP, STS Evolution of animation from the philosophical "toys" of
the late eighteenth century to the major international entertainment form of today. Special focus on American
animation as it evolved from inspired individuals like Emile Cohl and Winsor McCay to a full-blown industrial
model allowing for the creation of the animated feature and contemporary special effects. Instructor: Burns. One
course. C-L: Visual Arts 328, Information Science and Information Studies 211
216. Women in Film. ALP, CCI One course. C-L: Women's Studies 227, Literature 219, Study of Sexualities 225
220S. Sexualities in Film and Video (DS4). ALP One course. C-L: see Literature 315S; also C-L: Visual and
Media Studies 295S, Study of Sexualities
230S. Sound, Music, and the Moving Image. ALP, CCI, CZ, W One course. C-L: see Music 129S; also C-L:
International Comparative Studies
248. Movies of the World/The World of Movies. ALP, CCI, STS One course. C-L: see Literature 313; also C-L:
German 363, Russian 384
249S. States of Exile and Accented Cinemas. ALP, CCI, EI, SS One course. C-L: see Literature 314S; also C-L:
Islamic Studies, Latin American Studies
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250. Modern Chinese Cinema. ALP, CCI, CZ One course. C-L: see Asian & Middle Eastern Studies 431; also CL: Literature 214, Visual and Media Studies 235
251. French Cinema. ALP, CCI, FL One course. C-L: see French 412; also C-L: Visual and Media Studies 309
252D. German Film. ALP, CZ One course. C-L: see German 364D; also C-L: Visual and Media Studies 280D
252S. German Film. ALP, FL One course. C-L: see German 441S; also C-L: Visual and Media Studies 276S
253. Indian Cinema. ALP, CCI, CZ, R One course. C-L: see Asian & Middle Eastern Studies 251; also C-L:
Literature 211, Visual and Media Studies 231
254. Italian Cinema. ALP, CCI One course. C-L: see Italian 380; also C-L: Literature 215, Visual and Media
Studies 308, Theater Studies 276
255. Japanese Cinema. ALP, CCI, CZ One course. C-L: see Asian & Middle Eastern Studies 461; also C-L:
Literature 213, Visual and Media Studies 232
256. World of Korean Cinema. ALP, CCI, CZ, EI One course. C-L: see Asian & Middle Eastern Studies 471;
also C-L: Literature 212, Visual and Media Studies 234
257. Contemporary Israeli Cinema. ALP, CCI, EI One course. C-L: see Asian & Middle Eastern Studies 241;
also C-L: Literature 217, Jewish Studies 241, Women's Studies 214
259. Colonial Cinema and Post-Colonial Reflections. ALP, CCI, CZ One course. C-L: see Asian & Middle
Eastern Studies 401; also C-L: Literature 210, International Comparative Studies 407
261. World War II and French Film. CCI, CZ, EI, FL One course. C-L: see French 413; also C-L: History 295,
Visual and Media Studies 310
262. Yesterday's Classics/Today's Movies. ALP, CCI, FL One course. C-L: see French 415; also C-L: Visual and
Media Studies 312
263. Screening the Holocaust: Jews, WWII, and World Cinema. ALP, CCI, CZ, EI One course. C-L: see Asian
& Middle Eastern Studies 341; also C-L: Jewish Studies 266
264. Russian Revolutionary Cinema. CCI, CZ One course. C-L: see History 281; also C-L: Russian 381
266S. Poetic Cinema. ALP, CCI, CZ One course. C-L: see Asian & Middle Eastern Studies 311S; also C-L: Visual
and Media Studies 354S
267. Existentialist Cinema. ALP, CCI, CZ, EI, STS One course. C-L: see German 386; also C-L: Theater Studies
372, Literature 218, Visual and Media Studies 283
268. Chinese Im/migration: Chinese Migrant labor and immigration to the US. ALP, CCI, EI, SS One course.
C-L: see Asian & Middle Eastern Studies 409; also C-L: International Comparative Studies 434
268S. Trauma and Nostalgia: East European Film in the 21st Century. ALP, CCI, CZ, EI One course. C-L: see
Slavic and Eurasian Studies 288S; also C-L: Literature 216S
270. Traffic in Women: Cultural Perspectives on Prostitution in Modern China. ALP, CCI, SS One course. CL: see Asian & Middle Eastern Studies 333; also C-L: Cultural Anthropology 334, Women's Studies 233, Study of
Sexualities 233
280AS. Studies in the United States Culture Industries. ALP, R, W An historical and contemporary survey of
genre applications in film, television, gaming, and other United States culture industries, from production,
marketing, exhibition, and reception perspectives. Theoretical genre concepts integrated with real world practical
experience. Primary research in cultural archive resulting in substantive paper. Open only to students enrolled in the
Duke in Los Angeles program. Instructor: Thompson. One course. C-L: Literature 290AS-1
283. Introduction to Global Los Angeles: An Interdisciplinary Survey. ALP One course. C-L: Visual and Media
Studies 359, Literature 230A
290. Special Topics in Film Studies. Special Topics in Film Studies. Instructor: Staff. One course.
290S. Special Topics in Film Studies. Seminar version of Arts of the Moving Image 290. Instructor: Staff. One
course.
295A. Media Internship in Los Angeles. Immersion in the for-profit and not-for-profit art and entertainment
worlds through apprenticeship to a sponsoring artist, scholar, or institution selected to match each student's area of
interest. Each student required to submit a substantive paper containing significant analysis and interpretation that
considers the relationship between the student's sponsoring institution and the larger industrial/cultural complex
within the local (Los Angeles) and national economies of art, culture, and commerce. Simultaneous enrollment in
Literature 290AS-1 required. Open only to students admitted to the Duke in Los Angeles Program. Instructor: Staff.
One course.
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297SA. Writing the Hollywood Cyber Journal. ALP Seven week research and development of the web
publication of a class journal on modern Hollywood practices/industries, public policy issues, and controversies
confronting these industries including the culture wars, media violence, intellectual properties, and new
technologies. Culminates with presentations in a class-planned conference interacting with industry professional
respondents. Must be enrolled in the Duke in Los Angeles Program. Instructor: Thompson. Half course. C-L:
Information Science and Information Studies 224AS
301S. Introduction to Production. ALP, STS Film and digital video production in conjunction with the history
and theory of these technologies. Students may produce work in 8mm, 16mm film and digital video and learn the
basics of non-linear digital editing on Final Cut Pro. Not open to students who have taken this course as
Film/Video/Digital 100S. Instructor: Staff. One course. C-L: Theater Studies 173S, Visual and Media Studies 261S,
Information Science and Information Studies
302S. Transforming Fiction for Stage and Screen. ALP, W One course. C-L: see Theater Studies 282S; also C-L:
English 227S
303S. From Stories to Movies. ALP, W One course. C-L: see Theater Studies 274S
304S. Adapting Literature -- Producing Film. ALP Collaborative exploration of the process of adapting literature
for production of documentary and or dramatic film projects. Generally linked to the production of a PBS or
independent documentary film or the production of a short dramatic film. Students gain an understanding of the
interdisciplinary aspects of filmmaking. Instructor: James. One course. C-L: Documentary Studies 276S, Visual Arts
228S, Information Science and Information Studies
305S. Screenwriting. ALP, W One course. C-L: see Theater Studies 273S; also C-L: English 317S
310S. Acting For the Camera. ALP One course. C-L: see Theater Studies 275S
320S. Film Animation Production. ALP Experimentation with various media; mastering animation techniques
such as metamorphosis, timing, articulation, storytelling, sound design, special effects, and camera. Each student to
produce a one-minute animated film on the Oxberry 16mm film animation stand. Not open to students who have
taken this course as Film/Video/Digital 102S. Instructor: Burns. One course. C-L: Visual Arts 326S, Visual and
Media Studies 271S, Information Science and Information Studies
321LFS. Virtual Form and Space. ALP One course. C-L: see Visual Arts 208FS; also C-L: Information Science
and Information Studies 208FS
321LS. Virtual Form and Space. One course. C-L: see Visual Arts 208LS; also C-L: Information Science and
Information Studies 208LS
322S. Motion Graphics in Film and Video. ALP, STS An advanced post-production course designed to explore
the history, theory, and practice of motion graphics techniques in film and video. Students produce digital motion
sequences out of still images and create multiple motion paths through exposure to applications such as Adobe After
Effects, Final Cut Pro, iMovie. Not open to students who have taken this course as Film/Video/Digital 109S.
Consent of instructor required. Instructor: Staff. One course. C-L: Visual and Media Studies 272S, Visual Arts 236S
323. Interactive Graphics: Critical Code. ALP, QS One course. C-L: see Visual Arts 242L; also C-L: Information
Science and Information Studies 294L
325. Fundamentals of Web-Based Multimedia Communications. ALP, QS, R One course. C-L: see Information
Science and Information Studies 240; also C-L: Visual and Media Studies 288
330S. Documentary Film/Video Theory and Practice (DS4). ALP The politics and aesthetics of realism. History
of styles from Griersonian "propaganda" to cinema verite and "reality TV." Practical exercises in location sound,
camera to subject relationship, and camera movement. Prerequisite: English 181, Literature 110, Literature 111S, or
Theater Studies 171. Not open to students who have taken this course as Film/Video/Digital 104S. Instructor
consent required. Instructor: Staff. One course. C-L: Cultural Anthropology 355S, Visual and Media Studies 273S,
Documentary Studies
331S. The Documentary Experience: A Video Approach (A). ALP, R, SS One course. C-L: see Documentary
Studies 105S; also C-L: Cultural Anthropology 356S, History 354S, Political Science 278S, Public Policy Studies
378S, Visual and Media Studies 205S
332S. Planning the Documentary Film: From Concept to Treatment. ALP, R One course. C-L: see
Documentary Studies 273S; also C-L: Visual and Media Studies 220S, Information Science and Information Studies
333S. Editing the TV Documentary: From Creativity to Collaboration to Negotiation. ALP "Behind the
scenes" look at editing a long form documentary for broadcast television. Discussions, readings and hands-on
editing exercises introducing students to the language of editing and the tricky negotiations often needed to bring a
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film to dissemination. Instructor: Cutler. One course. C-L: Documentary Studies 279S, Visual and Media Studies
274S
334S. Producing Docu-Fiction. ALP Investigation of hybrid, genre-defying films that question traditional
definitions of documentary and fiction. Emphasis on experimental forms, documentary reenactment, mockumentary
and dramatized "true stories." Exploration of both documentary and fiction production techniques, culminating in
the production of a final video project. Instructor: Gibson. One course. C-L: Documentary Studies 278S
335S. Video for Social Change. ALP, CCI, SS One course. C-L: see Documentary Studies 271S; also C-L: Public
Policy Studies 375S
336S. Documentary and Policy: How Documentary Influences Policy. ALP One course. C-L: see Documentary
Studies 272S; also C-L: Public Policy Studies 228S
340S. Experimental Filmmaking. ALP The history of avant-garde in film and video combined with production
exercises. Instructor: Staff. One course. C-L: Visual Arts 229S
343S. Dance for the Camera. ALP, R, STS One course. C-L: see Dance 306S; also C-L: Documentary Studies
242S
350S. Sound for Film and Video. ALP, STS Topics focusing on technical basis and aesthetic motivation of sound
recording and sound exploitation. Technical demonstration and student exercises explore the mechanics and
dramatic and psychological implications of formats, microphone placement, mixing, acoustic signature, digital
recording, double system, and sound editing, leading to an individually produced sound design for live action or
animation film/video. Not open to students who have taken this course as Film/Video/Digital 103S. Instructor: Staff.
One course. C-L: Documentary Studies 277S, Music 121S, Information Science and Information Studies 243S
355S. Cinematography. ALP In-depth investigation of cinematographic techniques and principles for motion
picture production. Exercises in both film and high definition digital video. Emphasis on advanced lighting
techniques, lensing, camera mobility, set operations and close analysis of master works of cinematography.
Instructor: Gibson. One course. C-L: Visual and Media Studies 260S, Documentary Studies 281S, Visual Arts 248S
356S. 16mm Film Production. ALP Hands-on experience with 16mm motion picture film and photography. Indepth exploration of the techniques and aesthetics of film production, including basic screen writing, lighting, story
telling, and editing. Each student will produce an individual 16mm film. Instructor: Burns. One course.
357S. Editing for Film and Video. ALP Theory and practice of film and video editing techniques. Exploration of
traditional film cutting as well as digital non-linear editing. Exercises in narrative, documentary and experimental
approaches to structuring moving image materials. Instructor: Staff. One course. C-L: Information Science and
Information Studies 248S, Documentary Studies 288S
358S. Electronic Music and Video Workshop. ALP, STS One course. C-L: see Music 275S; also C-L: Visual
Arts 258S
360S. Television Production Techniques. ALP Introduction to broadcast television techniques, including live
multi-camera production, studio operations, field production and digital nonlinear editing. Practical experience in
the production of a cable television program combined with industry study and theoretical readings. Instructor: Staff.
One course.
385. Visiting Filmmaker Master Course: Special Topics. ALP Intensive production course with visiting
filmmaker. Topics vary by semester. May be taken twice. One course. C-L: Documentary Studies 285
385S. Visiting Filmmaker Master Courses: Special Topics. ALP Intensive production courses with visiting
filmmaker. Topics vary by semester. May be taken twice. Instructor: Staff. One course. C-L: Documentary Studies
285S, Visual Arts 325S
390S. Special Topics in Film and Digital Video Production. ALP, STS An in-depth investigation of a particular
production technology combined with an emphasis on an aesthetic or theoretical strategy. Exploration of lighting,
cinematography, directing for camera, and/or nonlinear post-production techniques. Instructor: Staff. One course. CL: Information Science and Information Studies
395. Internship. Students may arrange academic work in conjunction with approved internship in the entertainment
industry. Academic work must be with core faculty and include the university minimum (one research paper) as well
as reading from bibliography approved by professor and/or viewing list worked out in advance. Prerequisite: English
181, Film/Video/Digital 130, Literature 110, or Theater Studies 173. Instructor: Staff. One course.
450S. Intermediate Narrative Production. ALP Focus on narrative film and video techniques, from script to
realization. Exercises in production management, cinematography, lighting, shot blocking and working with actors
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in dramatic productions, employing continuity editing techniques. Suggested prerequisites: Film/Video/Digital 130,
Introduction to Production. Instructor: Staff. One course. C-L: Visual Arts 231S
460S. Intermediate Animation. ALP Concentration on selected media primarily two-dimensional but including
three dimensional forms. Animation camera including camera effects, motion analysis, and effects animation.
American studio styles compared to independent artist animators. Instructor: Burns. One course. C-L: Visual Arts
327S
470S. Intermediate Documentary Filmmaking. Intermediate to advanced filmmaking techniques. Presumes a
working knowledge of Final Cut Pro, mini-DV camera, and some fieldwork experience with a camcorder. Topics
include fieldwork in a variety of communities and work on pertinent social and cultural issues. Not open to students
who have taken this course as Film/Video/Digital 116S. Prerequisite: Documentary Studies 105S or equivalent
experience and knowledge. Consent of instructor required. Instructor: Staff. One course. C-L: Documentary Studies
282S, Public Policy Studies 383S, Visual and Media Studies 221S, Information Science and Information Studies
480S. Advanced Production Projects. ALP Project-based course for advanced students to undertake preconceived
film or digital productions. Consent of instructor required. Instructor: Gibson. One course.
491. Individual Project. Independent work open to highly qualified juniors and seniors on recommendation of
instructor and/or invitation of department. Instructor: Staff. One course.
491-1. Individual Project. Independent work open to highly qualified juniors and seniors on recommendation of
instructor and/or invitation of department. Instructor: Staff. Half course.
499S. Capstone Course in Arts of the Moving Image. ALP, STS Culminating seminar for Arts of the Moving
Image Program certificate students. Designed to allow students to complete their certificate with a finished project
or advanced research in the field. Instructor: Staff. One course.
610S. Basic Concepts in Cinema Studies. ALP One course. C-L: see Literature 610S
620S. Emergent Embodied Interface Design. ALP, STS One course. C-L: see Visual and Media Studies 564S;
also C-L: Information Science and Information Studies 564S
622S. Body as the Computer. ALP, NS, R, STS One course. C-L: see Visual Arts 510S; also C-L: Information
Science and Information Studies 666S
630. The Ongoing Moment: Presentations of Time in Still and Moving Images. ALP, R C-L: see Visual Arts
630
640S. Literary Guide to Italy. ALP, CCI, CZ One course. C-L: see Italian 586S; also C-L: Literature 542S,
German 586S
641. Documentary and East Asian Cultures. ALP, CCI, CZ, EI One course. C-L: see Asian & Middle Eastern
Studies 511; also C-L: Documentary Studies 511
642. Citizen Godard. ALP, CCI, W One course. C-L: see French 510; also C-L: Visual and Media Studies 552
690S. Special Topics in Arts of the Moving Image. ALP Focus on aspects of Arts of the Moving Image. Topics
vary. One course.
691. Independent Study. One course.
791. Independent Study. Individual work in a field of special interest under the supervision of a faculty member.
Goal is a project covering a previously approved topic. Instructor: Gatten. One course.
RELATED COURSES OFFERED REGULARLY
African and African American Studies
330. Film and the African Diaspora
Art History
303. History of Photography, 1839 to the Present
537S. Critical Studies in New Media
545. Art and Dissidence: Films of Tarkovsky, Kubrick, Kurosawa, and Lynch
Asian & Middle Eastern Studies
311S. Poetic Cinema
Cultural Anthropology
130. Anthropology and Film
130D. Anthropology and Film
170. Advertising and Society: Global Perspective (DS4)
Documentary Studies
233S. American Communities: A Photographic Approach
415S. Advanced Documentary Photography
English
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180. Introduction to Cultural Studies (DS4)
226S. Dramatic Writing
326S. Advanced Dramatic Writing
390-6. Special Topics in Film
390S-6. Special Topics in Film
German
364. German Film
386. Existentialist Cinema
Information Science and Information Studies
510S. How They Got Game: History and Culture of Interactive Simulations and Video Games
650S. Critical Studies in New Media
International Comparative Studies
104. Anthropology and Film
Italian
587S. Cinema and Literature in Italy
Literature
130. Introduction to Cultural Studies (DS4)
218. Existentialist Cinema
290S-2. Special Topics in National Cinema
370. International Popular Culture
371. Problems in Global Culture
371S. Problems in Global Culture
390S-4. Special Topics in Film
610S. Basic Concepts in Cinema Studies
611S. Film Feminisms
621S. Critical Studies in New Media
Music
249. Hollywood Film Music
Political Science
661S. Politics and Media in the United States (A, BI, PI)
Public Policy Studies
367S. News Writing and Reporting
376S. Telecommunications Policy and Regulation
397S. American Communities: A Photographic Approach
398S. Advanced Documentary Photography
Religion
268. Religion and Film
Russian
223A. Contemporary Russian Media
382. Art and Dissidence: The Films of Tarkovsky, Kubrick, Kurosawa, and Lynch
782. Art and Dissidence: Films of Tarkovsky, Kubrick, Kurosawa, and Lynch
Sociology
360. Advertising and Society: Global Perspective (DS4)
360D. Advertising and Society: Global Perspective (DS4)
Theater Studies
180S. Dramatic Writing
255S. Directing
372. Existentialist Cinema
480S. Advanced Dramatic Writing
Visual Arts
217S. American Communities: A Photographic Approach
218S. Advanced Documentary Photography
219S. Photography
222S. Intermediate Digital Photography
Visual and Media Studies
225S. American Communities: A Photographic Approach
226S. Advanced Documentary Photography
228. Film and the African Diaspora
243. Anthropology and Film
246. Advertising and Society: Global Perspective (DS4)
269. Documentary Photography and Film of the Nuclear Age
280. German Film
283. Existentialist Cinema
296. Introduction to Cultural Studies (DS4)
297. International Popular Culture
303. History of Photography, 1839 to the Present
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307S. News Writing and Reporting
320A. Contemporary Russian Media
322. Art and Dissidence: The Films of Tarkovsky, Kubrick, Kurosawa, and Lynch
561S. Critical Studies in New Media
Women's Studies
512S. Film Feminisms
SPECIAL TOPICS COURSES OFFERED PERIODICALLY
History
104. Latin America through Film
Literature
293. Special Topics in Literature and History: The Rise of Consumer Culture in the United States, 1880-1930.
Portuguese
200S. Seminar in Portuguese Literature: Literatura e Cinema Os Classicos Brasilieros
Public Policy Studies
195S. Selected Public Policy Topics: Community Service and the Documentary Tradition
195S. Selected Public Policy Topics: Entertainment Industry: Policy and Practice
195S. Selected Public Policy Topics: Communications Frontier Technology: Media and Democracy
264. Advanced Topics: Media and Democracy
Spanish
142S. Cines del Caribe
169. Topics in Nineteenth- and Twentieth -Century Spanish Literature: Spanish Cinema
Theater Studies
139S. Special Topics in Dramatic Writing: Advanced Screenwriting