S2 Curriculum for Excellence Media Unit Stephen Spielberg’s ‘Jaws’ By the end of this unit you will be able to write a critical essay on the movie ‘Jaws’, directed by Stephen Spielberg. Your critical essay will focus on the ways that the director builds tension and scares his audience. In this unit you will study several filmmaking techniques which you will be able to discuss in your critical essay. These techniques include: Analysis of the front cover Analysing the second attack Camera Angles Characterisation Music Critical Essay Question Analyse the ways that the director builds tension and scares the audience in the film ‘Jaws’. Skills At the end of this unit I will have developed my skills in talking and listening, reading and writing. I will be able to: watch a text for enjoyment and interest, and express how well it met my needs and expectations and give reasons, with evidence, for my personal response. (LIT 3-01a, 3-11a) identify and comment on aspects of the director’s style and other features appropriate to the genre using relevant evidence (ENG 3-19a) show my understanding of what I watch by commenting, with evidence, on the content of the text (LIT 3-07a, ENG 3-17a) make notes and organise them to develop my thinking, help retain and recall information, using my own words as appropriate. (LIT 3-05a,3-15a ) identify and give an accurate account of the purpose and main concerns of the text (LIT 3-04a) discuss and evaluate the characterisation using supporting evidence (ENG 3-19a) review and edit my writing to ensure that it meets its purpose and communicates meaning at first reading (LIT 3-23a) ‘Jaws’ background The Film • Jaws was made in 1975 • Thriller film • Directed by Steven Spielberg • Based on Peter Benchley‘s novel of the same name. • Jaws is widely regarded as one of the greatest films of all times. • Original title was ‘Still in the Water.’ Characters and Story The police chief of Amity Island, a fictional summer resort town, tries to protect beachgoers from a giant great white shark by closing the beach, only to be overruled by the town council, which wants the beach to remain open to draw a profit from tourists during the summer season. After several attacks, the police chief enlists the help of a marine biologist and a professional shark hunter. ‘Jaws’ - Characters Chief Brody He is the main character and the film follows him. He is the Police Chief and has just moved to Amity Island. He is scared of water. He wants to close the beach because of the shark, but the mayor won’t let him Hooper He is a shark specialist who comes to Amity Island to help catch the shark. He is the person who confirms that the first shark they catch isn’t the right shark. Quint He is a professional shark hunter and he is hunting the shark for the reward money. He was involved in a harrowing incident during WW2 which involved sharks. He is an unstable character. The Shark The shark is a Great White shark and it is hunting off the Coast of Amity Island. It doesn’t behave like a normal shark. We see things from the shark’s point of view at different times. Media techniques Camera Shots and Angles Extreme Long Shot In this type of shot camera shows the landscape and lots of background. Any people in the shot are shown from head to toe. The setting dominates the picture. Long Shot The camera remains distant but not so far off. The setting continues to take up most of the space in the frame. A standing actor fits completely within the frame, neither his head nor his feet being cut off, though they are not far from the frame edge. Mid-shot Camera shows a person from their middle up and a little bit of background. Close up The camera is zoomed in on something – often a person’s head. Extreme close up The camera is so close that only a part of something is seen, like a hand, eye or ear. Point of View The camera takes up the position of a character so we feel as if we are looking at the scene from the character’s point of view, or over their shoulder. This is done so the audience can identify with that particular character. High Angle The camera is high up, looking down on something, making the character seem subject small, weak and vulnerable. Low Angle A low angle shot is one in which the camera is low and looks up at the character, making them seem larger, more formidable and menacing, or perhaps, tall, regal and powerful. Pan Short for panoramic. The camera moves in an arc from a fixed point. Track The camera moves as if on a track following a person or subject. Zoom The camera moves in to a close up, often used to focus attention on a relevant detail or emphasise a character’s reaction. Sound Diegetic – can see where the sound is coming from on screen (for example: conversations, a radio playing) Nondiegetic – there is no source for the sound on screen, the sound has been added. Parallel sound – the sound compliments what we see on screen (for example: children on the beach laughing.) Contrapuntal sound – when the sound goes against your expectations. Lesson One – Camera Shots and Angles Learning Intentions - By the end of today I will be able to: Identify and discuss different camera techniques. Link to CfE –I can identify and comment on aspects of a director’s style and other features appropriate to the genre using relevant evidence. (ENG 3-19a) Whole Class Task – Which Shot? Look at the examples of the camera shots and angles on the board and decide which of the following is being shown. 1. 2. 3. 4. Boxer dog = high angle shot, close up or mid shot Young girl = low angle shot, point of view or close up Group of boys playing = long shot, extreme close up or zoom Hollywood sign = extreme long shot, close up or mid shot Paired Task – Cameraman and Model In your pair decide who will be the cameraman and who will be the model. You should then use the camera cut out you have been given and practise the following shots: Track Zoom Long Shot Close Up Try your best as you may be asked to demonstrate in front of the class. Individual Task – Match Up Read over the following worksheet and match the camera shots and angles with the correct definitions. Lesson One Worksheet – Match the correct camera angle and shot to the correct definition. The first one has been done for you. Extreme Long Shot The camera is so close that only a part of something is seen, like a hand, eye or ear. Long Shot Short for panoramic. The camera moves in an arc from a fixed point. Mid Shot The camera moves as if on a track following a person or subject. Close Up The camera moves in to a close up, often used to focus attention on a relevant detail or emphasise a character’s reaction. Extreme Close Up The camera remains distant but not so far off. The setting continues to take up most of the space in the frame. A standing actor fits completely within the frame, neither his head nor his feet being cut off, though they are not far from the frame edge The camera is high up, looking down on something, making the character seem subject small, weak and vulnerable. Point of View High Angle The camera is zoomed in on something – often a person’s head. Low Angle The camera takes up the position of a character so we feel as if we are looking at the scene from the character’s point of view, or over their shoulder. This is done so the audience can identify with that particular character. Pan A low angle shot is one in which the camera is low and looks up at the character, making them seem larger, more formidable and menacing, or perhaps, tall, regal and powerful. In this type of shot camera shows the landscape and lots of background. Any people in the shot are shown from head to toe. The setting dominates the picture. Track Zoom Camera shows a person from their middle up and a little bit of background. Lesson Two – Sound Learning Intentions – By the end of today I will be able to: Identify and discuss diegetic and nondiegetic sound Identify and discuss parallel and contrapuntal sound Link to CfE - I can show my understanding of what I listen to and watch by commenting on the form and content of short texts. (LIT 3-07a) Whole Class Task – Match Up Diegetic - can see where the sound is coming from on screen (for example: conversations, a radio playing) A woman screams as a burglar breaks into her house. Nondiegetic – there is no source for the sound on screen, the sound has been added. A man laughs when he finds a dead body in an alleyway. Parallel sound – the sound compliments what we see on screen (for example: children on the beach laughing.) A narrator describes what the animals are doing during a documentary. Contrapuntal sound – when the sound goes against your expectations. A couple having a conversation in a restaurant. Paired Task – Creating examples Working with your partner, try to come up with two examples of: Diegetic sound Nondiegetic sound Parallel sound Contrapuntal sound Record your answers in your jotter and be prepared to share them with the class. Paired Task - ‘Lifted’ Watch the short animation film, ‘Lifted’, and then complete the following table with your partner. We will then go over the answers as a class. Sound Example Diegetic Nondiegetic Parallel Sound Contrapuntal Sound Individual Task – ‘Bounding’ Watch the short animation film, ‘Bounding’, and the complete the following table by yourself. We will then go over the answers as a class. Sound Diegetic Nondiegetic Parallel Sound Contrapuntal Sound Example Lesson Three – Description and Analysis Learning Intentions – By the end of today I will be able to: define what is meant by description define what is meant by analysis be able to explain the difference between these two terms Link to CfE – I can identify and comment on aspects of a director’s style and other features appropriate to the genre using relevant evidence. (ENG 3-19a) Description is when you explain the action that is happening in the scene. Analysis is when you think about the effect the action has on the audience and why the director chooses to show the action in a certain way. Whole Class Task – Description or Analysis? A) A young boy walks towards his mother and asks if he can go back into the water for another ten minutes? B) The lion roars and chases after the group of tourists. C) The camera follows the young boy, suggesting that he is going to be important. D) The camera focuses on the lion’s sharp teeth, showing that he is dangerous and suggesting that something bad might happen to the tourists. E) As the young girl turned on the light her friends leapt out to yell surprise. Whole Class Task –Analysing an Image Look at the still from ‘Jaws’ displayed on the board. We will analyse this image as a class. For example: Description (what we can see) – a man is facing the camera Analysis (the effect the image has) - he is unaware of the danger behind him, making us feel scared for him. Individual Task – Analysing the DVD cover. Complete the worksheet overleaf, remembering to both describe and analyse. Lesson Three Worksheet – Analysis of DVD cover Analysis Description There are large red letters, spelling out the name of the film. The colour red has connotations of blood, suggesting that the shark is dangerous. Analysis Description Analysis Description Description Analysis Lesson Four – Analysis of opening sequence, creating fear and tension Learning Intentions – By the end of today I will be able to: identify different camera techniques used in the opening sequence of the film identify different sound techniques used in the opening sequence of the film comment on why these techniques may scare an audience Link to CfE – I can identify and comment on aspects of the director’s style and other features appropriate to the genre using relevant evidence (ENG 3-19a) Task One – Music You are going to listen to the music of the opening sequence. You should then write down what you think is happening in this scene. You should think about why the music might seem scary to an audience. Task Two – Analysis of opening sequence (T.E.E) This time you are going to watch the opening sequence and complete the analysis grid overleaf. You will see the sequence more than once but you need to concentrate. Reminder Technique - camera angle/shot or type of sound Explain – what is happening on screen Effect – how does the camera angle/shot or sound make you feel scared or tense? Jaws TEE table (Analysis of opening sequence) Technique What camera shot/angle is being used and/or what sound technique is being used. 1. Point of view. 2. Nondiegetic sound. Explain Describe what is happening in the scene. (denotation) This is the title sequence, which is filmed showing what the shark can see. The audience is shown weeds as the shark swims through them. The music gets louder and faster as the scene goes on. The music builds up and gets louder and faster. The camera pulls back to show a wide shot of the sea. We can hear the noise of the sea in the background Effect Analyse how the camera and sound help build up tension and suspense for the audience. (connotation) By playing the scary music at the same time as showing the point of view of the shark the director makes the audience identify the music with the shark. This creates tension because the audience knows there is something dangerous in the water. There is a shot of the girl’s legs kicking in the water and the camera moves closer. We cannot see the shark. There are pauses in the attack, and the camera shows the boy slumped on the beach. After the attack there is a sudden silence. At the end of the scene all we can hear is the sound of the sea. Lesson Five – Analysis of second attack Learning Intentions – By the end of today I will be able to: identify different camera codes and angles used during the second attack of the film comment on why these techniques might scare an audience Link to CfE - I can identify and comment on aspects of the director’s style and other features appropriate to the genre using relevant evidence (ENG 3-19a) Task One – Camera codes and angles paired quiz Working with your partner, you are going to create four quiz questions for another pair in the class. For example: Q. Which camera code is used when the camera follows a person on screen? A. Track camera code Remember, you are also going to be asked four questions. You should study the media techniques sheet at the start of the booklet to help you. Task Two – Discussion Questions You are now going to watch the scene for the first time. When you have finished you are going to discuss the following questions with your partner: What signals are there to the audience about who is going to be attacked? Why are the lilo, the dog owner’s shirt and the boy’s lilo all yellow? Why are the first two attacks close together at the start of the film? Why don’t we see the shark at this stage? Be prepared to share your answers with the class. Task Three – Analysis of Second Attack You will now watch the scene again. This time you will concentrate on the camera codes and angles Spielberg uses and think about how he uses them to scare his audience. You will also complete the analysis grid on the next page. Jaws TEE table (Analysis of second attack) Technique What camera shot/angle is being used. Explain Describe what is happening in the scene. (denotation) Boy walks up beach to mother. Brody watches water. Man in black hat swims Woman playing in water screams. Effect Analyse how the camera helps build up tension and suspense for the audience. (connotation) Boys rush into water splashing Legs under water Attack seen in distance Brody realises what is happening. Yellow lilo washes up on shore. Lesson Six – Note Taking (Building Tension and Fear) Learning Intentions – By the end of today I will be able to: scan a piece of text and pick out the relevant information watch the film closely, taking notes to show how tension and suspense are created Link to CfE – As I watch I can make notes and organise these to develop thinking, help retain and recall information and explore issues. (LIT 3-05a) Task – Great White Sharks Your task is to scan the information below and make notes about the information. You should record these notes in your jotter. Reminder: No sentences Brief points Key points only When a great white shark is born, along with up to a dozen siblings, it immediately swims away from its mother. Baby sharks are on their own right from the start, and their mother may see them only as prey. At birth the baby shark is about 5 feet (1.5 meters) long already; as it grows it may reach a length three times that. The pup (which is what a baby shark is called) will live its life at the top of the ocean's food chain. But before it grows larger, the pup must avoid predators bigger than it is—including other great white sharks. Many baby sharks do not survive their first year. Young great white sharks eat fish (including other sharks) and rays. As it grows, the shark's favourite prey becomes sea mammals, especially sea lions and seals. Sharks count on the element of surprise as they hunt. When they see a seal at the surface of the water, sharks will often position themselves underneath the seal. They swim upward at a fast sprint, bursting out of the water in a leap called a breach, and falling back into the water with the seal in their mouths. Sharks don't chew their food; they rip off chunks of meat and swallow them whole. Female great white sharks usually bear their first young when they are 12 to 14 years old. And if the pups survive their youth, they, too, become predators at the top of the food chain. Task Two – The build up of tension and fear You are now going to watch the next section of the movie. As you watch you should take notes in your jotter under the following headings: Why I feel sorry for Brody’s family The book of shark attacks The destruction of the jetty The autopsy Catching the wrong shark Going out on the boat at night You should concentrate on why these different things might scare an audience Lesson Seven – Compare and Contrast Learning Intentions – By the end of today I will be able to: compare and contrast the second and third attack of the film Link to CfE – As I watch, I can identify similarities and differences between events in the text. (LIT 3-04a) Independence Day Americans celebrate the 4th of July as this was when the United States gained their independence from Britain. It is a public holiday and people celebrate by meeting with family and having fireworks displays. Task One – Compare and Contrast Copy the following table into your jotters. As you watch the next section of the movie, you should concentrate on the similarities and differences between the second and third attacks. Similarities Task Two – Your Opinion Answer the following question in your jotter. Be prepared to share your ideas with the class. Q. Why do you think Spielberg set this attack around the 4th of July holiday? Differences Lesson Eight – Note Taking (The Climax of the film) Learning Intentions – By the end of today I will be able to: make notes analysing the director’s decisions at the end of the film analyse a main character of the film and give my reasons as to why he creates tension and suspense Link to CfE – As I watch I can make notes and organise these to develop thinking, help retain and recall information and explore issues. (LIT 3-05a) I can discuss and evaluate the characterisation using supporting evidence (ENG 319a) Task One – The Shark As you watch the ending of the film, take notes under the following headings: How does the director avoid showing the shark during the climax of the movie? Why does the director avoid showing the shark during the climax of the movie? Task Two – Characterisation Think about the character of Quint, the Shark Hunter. Then answer the following question in your jotter, giving examples from the film to support your answer. Q. Agree or disagree. Quint is the most successful character in building suspense and tension in the film ‘Jaws’. ‘Jaws’ Critical Essay Learning Intentions – By the end of today I will be able to: organise my notes from the film into paragraphs give my opinions, with evidence from the text, to support the points I make Link to CfE - I can watch a text for enjoyment and interest, and express how well it met my needs and expectations and give reasons, with evidence, for my personal response. (LIT 3-01a, 3-11a) I can identify and give an accurate account of the purpose and main concerns of the text (LIT 3-04a) Critical Essay Question – Analyse the ways that the director builds tension and scares the audience in the film ‘Jaws’. Paragraph One: Introduction In this paragraph you should include: The title of the film The name of the director A brief summary of what the movie is about Where and when it is set The importance of the 4th of July For example: A film in which the director successfully builds suspense and scares the audience is ‘Jaws’, directed by Stephen Spielberg. The film is about a great white shark that is hunting off of the coast of Amity Island, in America. Throughout the film, three characters try to capture the shark to protect the beaches before the 4 th of July holiday. Paragraph Two: Music In this paragraph you should: Describe how the shark is connected to the music in the title sequence Give two other examples of how music or silence is used to scare the audience or build tension. For example – Spielberg uses silence after the second attack to confirm to the audience that the young boy has been killed. You can start with a topic sentence like this: Spielberg uses music in a variety of ways throughout the movie to build tension and suspense. Paragraph Three: Camera Techniques In this paragraph you should: `Describe the second attack, the young boy, in detail and explain how Spielberg used the camera to build tension and scare the audience. You can start with a topic sentence like this: Furthermore, Spielberg was able to create tension and scare his audience through his use of camera techniques during the second attack. Paragraph Four: The Shark In this paragraph you should write about the ways that the director builds up fear of the shark. You should include: The use of music An example of the damage the shark can do A description of how the characters react to the shark You can start with a topic sentence like this: In addition, the shark itself was an important source of tension and suspense throughout the movie. Paragraph Five: Tension in the plot and the ending In this paragraph you should write about how the events of the film create tension and fear. For example: Spielberg’s decision to put the first two attacks so close together Involving Brody’s son in the third attack and setting it on the 4th of July His decision to have the three main characters out at sea in such a small boat at the end of the movie You can start with a topic sentence like this: The plot of the film also added to the build up of tension and suspense, most notably during the climax of the film . Paragraph Six: Your opinion In this paragraph you should give your view of the scariest moment in the film and give reasons for your opinion. Paragraph Seven: Conclusion In this paragraph you should summarise all of the points you have made in your essay and end with a final positive comment about the film. For example: In conclusion, Spielberg successfully created tension and scared his audience in the film ‘Jaws’ through his use of music, camera techniques and characterisation of the shark. ‘Jaws’ Critical Essay – Self Evaluation Link to CfE – I can review and edit my writing to ensure that it meets its purpose and communicates meaning at first reading (LIT 3-23a) I can write in full sentences, using full stops and capital letters. I can write neatly and try my best to spell words correctly. I can write in paragraphs and can make it clear where one paragraph ends and another begins. I can give reasons for my opinion as to how the music of ‘Jaws’ scares the audience. I can analyse different camera techniques and comment on why they scare the audience. I can comment on Spielberg’s use of the shark to scare his audience and give reasons for my opinions. I can choose what I believe to be the scariest part of the film and give reasons for my choice. ‘Jaws’ Unit Evaluation – Two Stars and a Wish Copy and complete the following sentences in your jotter. When working on the ‘Jaws’ media unit I really enjoyed ……… I also really liked ……….. If I were to complete this unit again I would like to ………..