English 505 Rhetorical Theory Session Seven Notes Goals/Objectives: 1) To begin to understand the canon of Style 2) To begin to understand the canon of Delivery 3) To begin to understand the canon of Memory Questions? How important are style and delivery to rhetoric? Are people more swayed by what people say or how they say it? Questions/Main Ideas (Please write these down as you think of them) Rhetoric at Rome STYLE Was considered another of the available means of persuasion Another way of arousing the emotional response in the audience Rhetoric at Rome Also another means of establishing the proper ethical image Cicero/RAH: three types of style used by rhetors Rhetoric at Rome Grand Style Uses ornate words Features a smooth arrangement of the words For example: Rhetoric at Rome Antithesis: combining opposing ideas in the same sentence Alliteration: using the same consonant sound at the beginning of words located near each other Rhetoric at Rome Middle Style Uses words that are more common in meaning but that are not everyday speech Clear, conversational and direct, but lacking the ornamentation of grand style Rhetoric at Rome Simple Style Sounds like everyday speech Lacks both ornamentation and smoothness Some examples of each: Rhetoric at Rome “Many challenges, abroad and at home, have arrived in a single season. In two years, America has gone from a sense of invulnerability to an awareness of peril; from bitter division in small matters . . . Rhetoric at Rome . . . to calm unity in great causes. And we go forward with confidence, because this call of history has come to the right country.” Rhetoric at Rome “Our country and the nations of the Middle East are now safer. We’re keeping our word to the Iraqi people by helping them to make their country an example of democracy and prosperity throughout the region. Rhetoric at Rome This long-term undertaking is vital to peace in that region and to the security of the United States. Our coalition and the people of Iraq have made remarkable progress in a short time.” Rhetoric at Rome “There are some who feel like that, you know, the conditions are such that they can attack us there. My answer is, bring ‘em on. We got the force necessary to deal with the security situation.” Rhetoric at Rome Each style must have certain qualities if it is to be appropriate and suitable to the speaker’s purpose RAH identifies three qualities of style: Rhetoric at Rome 1. Taste Refers to the “correctness and clarity” of the words used Correctness meant that rhetors should use words that are current Rhetoric at Rome Should adhere to the grammatical rules of the language they are using (This was more important in Greek and Latin since they are case-marked systems; English is primarily word order) Rhetoric at Rome 2. Clarity “lucidity” or “perspicuity” Easy to understand Connoted language that let meanings “shine through” like light through a window Rhetoric at Rome Should use words in their ordinary or usual everyday senses, unless compelled to do otherwise Avoid obsolete, technical, new or colloquial words Rhetoric at Rome Should understand the standards of behavior required by an occasion for which the discourse was composed Quintilian: the best course is to call things by the names people ordinarily use Rhetoric at Rome Use language that is familiar to your audience 3. Artistic Composition Arrangement of words that gives a uniform finish to the discourse in every part Rhetoric at Rome Pay attention to the composition of sentences RAH pays most attention to distinction – the effect of making the speech ornate and varied Rhetoric at Rome Two primary techniques 1. Figures of diction/speech Derives ornament from the choice of words Some typical figures of diction/speech: Rhetoric at Rome Alliteration “Nattering nabobs of negativism” Tricolon – veni, vidi, vici “I came, I saw, I conquered” Rhetoric at Rome Repetition “A great American novelist wrote that you can’t go home again. He could not have imagined this evening. Tonight, I am home. Home, where my public life began and those who made it possible live. Rhetoric at Rome Home where our nation’s history was written in blood, idealism, and hope. Home where my parents showed me the values of family, faith, and country.” Rhetoric at Rome 2. Figures of thought Derived from the sorts of ideas involved Involve artful changes in ideas, feelings, or conceptions Depart from ordinary patterns of moving an argument along Rhetoric at Rome Some typical figures of thought: Antithesis: the juxtaposition of contrasting words or ideas, usually in parallel structure Rhetoric at Rome “My fellow Americans, ask not what your country can do for you; ask what you can do for your country.” Rhetoric at Rome Paradox: a statement that on its face is self-contradictory, yet upon closer inspection makes a seemingly true statement “For whoever will save his life shall lose it: but whoever will lose his life for my sake, the same shall save it.” Rhetoric at Rome Oxymoron: placing two ordinarily opposing terms adjacent to one another “Deafening silence” “Friendly fire” “Italian WWII Military Victories” Rhetoric at Rome DELIVERY RAH gives a comprehensive treatment It divides delivery into two components: Rhetoric at Rome 1. Voice Quality Which has three parts: A) Volume – refers to the loudness or softness of a speaker’s voice Was thought of primarily as a gift of nature Rhetoric at Rome B) Stability – refers to the health of the voice Can be cultivated by practice Can be conserved by following several guidelines Rhetoric at Rome Such as not exerting the voice until it is warmed up by speaking (a pleasant, smooth delivery was thought of as not only good for the voice, but also pleasing to the audience as well) Rhetoric at Rome C) Flexibility – the ability to vary the intonation of the voice Can be cultivated by practice Three forms, or tones, of vocal flexibility: Rhetoric at Rome i) Conversational tone – closest to normal conversation It can be used to narrate a series of events or elicit a laugh from the audience Rhetoric at Rome ii) Tone of debate – used to present and refute arguments It can be quick and full-voiced or punctuated with frequent pauses Rhetoric at Rome iii) Tone of amplification – used to rouse the hearer to wrath or move the audience to pity Each type was thought useful to a particular type of speech Rhetoric at Rome 2) Physical Movement Includes gestures and facial expressions Gestures were not supposed to be conspicuous Rhetoric at Rome Facial expressions were thought to lend credibility to what is said Gestures should match the tone of the speaker Rhetoric at Rome For example: to enhance conversational tone, the speaker should lightly move the right hand and use facial expressions that correspond to the tone of the speech Rhetoric at Rome MEMORY Without access to libraries of research, ancient rhetors could only rely on their memory to construct speeches Rhetoric at Rome The great teachers of rhetoric included instruction in how to memorize large amounts of information Usually the student was encouraged to create mental pictures of objects, ideas, etc. Rhetoric at Rome Question? Overall, do you think the Romans believed that a great orator was born or made? Summary/Minute Paper: