Ronan O’ Callaghan – University of Manchester Talking About War – Secular Theology and Nobel Sacrifice in Walzer’s Just War Discourse Abstract During the last decade there has been an attempt, in some quarters, to solidify debate on war around the dichotomy of just war and holy war. In this dichotomy, the just war has increasingly been depicted as the progressive secularised opposite to holy war’s antiquated religious fundamentalism. While wars argued for under the just war banner have been extensively critiqued and protested against, the rights based language of just war theory has largely escaped critical evaluation. Michael Walzer has emerged as a pivotal figure in just war theory’s modern, secular rebirth within the discipline of international relations. Walzer’s theory argues that humanity shares a singular moral vocabulary, embodied in the language of just war theory. Drawing upon the work of Jacques Derrida this paper investigates the construction of Walzer’s moral language and its ethical implications. The first section focuses on Walzer’s moral language, its structure, inconsistencies and theological underpinnings. The second section addresses Walzer’s justification for the sacrifice of combatants in defence of noncombatants, assessing the implications of this for his overall theory. The central arguments presented in this paper are that Walzer’s theory is founded upon a contradictory theological movement, and that the sacrifice initiated by this language constitutes the unjustifiable sacrifice of just war theory’s own ethical principles. Keywords War, Walzer, language, sacrifice, ethics, Derrida 1 Introduction The last decade has, in part, witnessed an attempt to solidify the language of contemporary western debates on the topic of war around the dichotomy of the just war and the holy war. This dichotomy has, in turn, become increasingly cached in terms of further binaries, including rational/irrational, civilised/barbaric, modern/premodern and, importantly for this paper, secular/religious. Presented with the Bush Administration’s reiterated professions that America’s war on terror would ensure that justice was done, and current US President Barack Obama’s assertion, during his 2009 Nobel Peace Prize acceptance speech, that just wars are an essential component of global peace and stability 1 , it appears that the conceptualisation of war as an instrument of justice has become an enduring feature of the modern era in international politics. Just war theory, of which American secularised variants have been the most influential in regards to policy, has been to the fore of this conceptualisation of warfare as a moral enterprise. Despite the potentially problematic coupling of justice with a most extreme instrument of violence, the idea of a just war has been elevated, in many regards, by humanitarian notions of rights and protection of the innocent, a thread firmly advocated by contemporary just war theorists in both academic and public domains. 2 Endeavouring to detach itself from its theological heritage contemporary secular just war theory posits itself as the middle ground between, what it deems, ineffective passivism and morally redundant realism offering the definitive manual for morality in war-time designed for real world application.3 The just war, reborn as a beacon of modern secular rationalism, promises to promote civilised society, and defend human rights from the worst excesses of human barbarism. On the opposite end of the spectrum, the contemporary holy war, primarily identified in the west under the banner of Islamic Jihad, has been depicted as a relic of pre-modern religious fanaticism dangerous to the very fabric of modern humanist cultures. This war between wars has been thematised as a war between two lights, the edifying light of the enlightenment and the antiquated light of revelation. However, Barack Obama, ‘Barack Obama’s Nobel Prize Speech Transcript’, October 2009, http://swampland.blogs.time.com/2009/12/10/barack-obamas-nobel-prize-speech-transcript/ (accessed 07 September 2010) 2‘What We’re Fighting For: A Letter from America’, February 2002, http://www.americanvalues.org/html/what_we_re_fighting_for.html (accessed 06 September 2010). “What We’re Fighting For” is a letter addressed to European academics endorsing the use of force against Afghanistan on the basis of just war principles, the letter was signed by 60 American academics including many prominent just war theorists. 3 Michael Walzer, Arguing About War, Paperback Edition (Yale: Yale University Press, 2005), xi 1 2 this is fundamentally a battle over meaning, perhaps most importantly the meanings of justice and sacrifice. We are presented with two languages of justice, the humanitarian language of rights and divinely ordained language of Jihad. Accompanying these languages are two seemingly polarised images of sacrifice, the noble sacrifice of the just war, which lays lives on the line to defend humanity’s inalienable right to life and liberty, and the modern holy war which harnesses sacrificial death in the name of conversion and annihilation. As Baudrillard argues, western society’s promotion of life is confronted by Islamic Jihad’s desire for death; “our men want to die as much as yours want to live.”4 While the language of holy war and the sacrifice it directs have been extensively condemned and critiqued in academic and public domains, the language of just war has largely escaped critical evaluation. Although the intensive public protests against recent wars argued for under the standard of just war criteria have been well documented, the rights based language of just war theory has conversely been reified, with protesters primarily arguing that these wars are morally repugnant because they do not meet the criteria of human rights doctrine. In short, the fault is seen to lie, not with the language but in its application; it is a problem of correctly representing the language of rights, not a problem with the language itself. Presented with the increasing relevance of the rights based language of just war and its claim to represent the ordinary language of war5, it is crucial that we critically reflect upon its discursive strategy and the implications thereof. My central argument posits that the division between just war and holy war is not as straightforward as contemporary just war theorists suggest. Focusing on the work of Michael Walzer, largely considered to be father of just war theory’s modern secularised rebirth within the field of international relations, this paper argues that not only is just war’s language of rights inconsistent within itself, this language is only possible through a theological movement at its very inception. The first half of the paper will map the development of Walzer’s language of rights, its inconsistencies and the theological undertones it expounds, despite its desire not to. Drawing on the work of Jacques Derrida, I contend that the language produced by Walzer’s theory embodies a form of “secular theology.” By this I mean Jean Baudrillard, ‘L’Espirit du Terrorisme’, in Stanley Hauerwas editor, Dissent form the Homeland: Essays after September 11 (Durham: Duke University Press, 2002)), 408. 5 Walzer, Arguing About War, 8. 4 3 that the moral vocabulary required by Walzer can only be founded by faith in a mystical and unavowable origin of universal morality, which subsequently forms the bedrock of an inelastic moral dogma. Further to this, I argue that Walzer must necessarily hide this mystical foundation in order to justify his overarching argument that the morality expounded by his theory constitutes a palpable ontological reality. The latter half of the paper will discuss the meaning of sacrifice that Walzer’s language of rights inaugurates, paying specific attention to the impact of this for Walzer’s notions of justice and morality. This analysis will focus on Walzer’s justification for the killing of combatants in war. The main argument presented in this section contends that Walzer’s justification for the killing of combatants proves inconsistent within his overall theory of morality, and, therefore, the sacrifice of soldiers’ lives outlined in his theory also constitutes the sacrifice of just war theory’s own ethical principles. Two parables will be employed as illustrative guides to navigate our way through the issues raised in this paper. The first section will present Andrei Tarkovsky’s cinematic interpretation of Stanisław Lem’s science fiction classic Solaris as parable of the mystical dimensions of the genesis of meaning, while the second section will draw upon Søren Kierkegaard and Derrida’s readings of the biblical narrative of The Binding of Isaac as a parable of the ethical implications of sacrifice. Solaris: A Parable of the Mystical Tarkovsky’s imagining of Solaris tells a story of Kris Kelvin, a psychologist who is about to be dispatched to a space station orbiting a distant and mysterious planet called Solaris. Solaris is believed to be a sentient being and research is being conducted to understand the essence of the planet’s nature. However, after many years of study, the scientists aboard the station have made little progress in their mission. Kelvin is travelling to the station to investigate strange events experienced by its crew believed to be the result of psychological afflictions arising from the properties of the planet, and to asses the viability of continuing with the project. At the beginning of the narrative Kelvin is introduced to Henri Burton, a former space pilot who was involved in the Solaris project, at his elderly father’s estate. Together with Kelvin’s father, the three men watch Burton’s recorded testimony of mystical events he witnessed while flying above the planet, testimony that was unsupported by video evidence obtained from Burton’s craft. Despite Burton and his father’s plea to take 4 this testimony seriously, Kelvin rejects it declaring himself to be a man of science concerned with evidence and reality. Kelvin then bids adieu to his father, knowing he will not see him alive again, and leaves for Solaris. Upon arrival at the station Kelvin is confronted by a number of, what he believes to be, physical apparitions derived from the strange properties of the planet culminating in the appearance of his late wife Hari who committed suicide some years before. Kelvin, dismayed with this manifestation of Hari, lures her to an escape pod and launches her into outer space. Kelvin enacts a type of ritualised sacrificial expulsion of the mystical in an effort to affirm the real; knowing the true fate of his wife he violently expels the illusionary mirage. However, Hari returns and upon the realisation that she is a conscious being and will return despite any attempts to banish her, Kelvin embraces her, later declaring “you mean more to me than any scientific truth.”6 In juxtaposition, Hari is completely unaware that she is a mere manifestation of Kelvin’s memories of his dead wife and not a real person. Upon the revelation of what she is, she chooses suicide as an escape only to involuntarily resurrect again. At the climax of the story Kelvin’s brainwaves are transmitted to Solaris and the apparitions cease to appear on the station. Kelvin is then left with a choice, to travel back to the real world or to journey to Solaris in search of everything he has lost on earth. In the closing scene Kelvin is back on his father’s estate, he appears to have chosen the real. Nevertheless, the mystical is also present as we witness rain falling indoors on his now presumably dead father. Upon greeting his father, Kelvin drops to his knees embracing him in a plea for forgiveness, the camera zooms out and we can see that Kelvin is now at home in the mystical, on Solaris. But what can be said about this father from whom forgiveness is sought? A father, although familiar to sight, contains within himself a secret that knowledge cannot gain access to. A secret that has taken the shape of a father to reveal itself to a son but in doing so hides the ultimate truth of its being. This image recalls Levinas’ conception of the non-thematisable Other, “an alien outside of oneself”7 that is “immemorial, unrepresentable, invisible,” and can 6 Andrei Tarkovsky, Solaris (London: Artificial Eye, 1972). Emmanuel Levinas, Totality and Infinity: An Essay on Exteriority, trans. Alphonso Lingis (Pittsburgh: Duquesne University Press, 1999), 33. 7 5 only show itself at the price of its own betrayal.8 An unknowable Other, which in Derrida is connected to the mystical foundations of language, an absolute Other that is represented and personified (and thus betrayed) by the name God; “the intelligible face of the sign remains turned toward the word and the face of God.”9 Minimalism and the Language of Just War Walzer’s seminal work on war, Just and Unjust Wars, was primarily a response to what he perceived to be an ethical debasement of the subject spearheaded by realist thinkers. What is perhaps most interesting about Walzer’s response is that it fundamentally challenged realism on its own terms. Foregoing the traditional liberal stance that morality was something that needed to be worked into the mechanics of war, Walzer argued that morality was already, and always had been, a tangible component of the reality of warfare. In this way Walzer challenged realism, not with what could simply be dismissed as moral naivety or good intentions, but with reality itself, claiming that the reality espoused by realism constituted a fictitious language utilised to justify immoral actions; “we don’t have to translate moral talk into interest talk in order to understand it; morality refers in its own way to the real world.” 10 In contrast, to the deceptive language of realism, Walzer describes the language of just war theory, at various junctures, as the ordinary langue of war, a common heritage, the most available common moral language and a moral doctrine that everyone knows. The underlying argument is that, when we discuss the issue of war, we “talk the same language” and only the wicked or the simple would reject this language. 11 Although Walzer states his intention to defend the business of arguing about war, he quite literally wants to fix the terms of the debate; “it is in applying the agreed-upon terms to actual cases that we come to disagree.” 12 So to summarise Walzer’s linguistic theory, he presents us with a universally agreed-upon common language that reflects the moral reality of war, embodied by the language of just war theory. Walzer poses an ontological argument, that just war’s moral vocabulary and the language it expounds show us war as it really is; “what we do when we argue is to give an 8 Emmanuel Levinas, Otherwise than Being: Or Beyond Essence, trans. Alphonso Lingis (Pittsburgh: Duquesne University Press, 1999), 7-11. 9 Derrida, Of Grammatology, 13 10 Michael Walzer, Just and Unjust Wars: A Moral Argument With Historical Illustrations, Fourth Edition (New York: Basic Books, 2006), 14. 11 Ibid., xxiii. 12 Ibid., 11-12. 6 account of the actually existing morality.” 13 Mirroring the study of Solaris in our parable, Walzer is concerned with uncovering the true character of genuine morality. Therefore, it is essential that we investigate the evidence of Walzer’s universal dialect, its origin, its structure and its saying. For if we are to be restricted to a singular means of talking about war, it is imperative that we test the suitability and consistency of this discourse with all available rigour. However, Walzer’s conceptualisation of moral language proves more complex than it first appears, for in his linguistic theory there are two distinct, but not mutually exclusive, languages of morality; thick and thin. Thick or maximal moral language constitutes the shared meanings of a political community, and represents their collective conscience and common life. 14 Morality is negotiated thickly within specific communities between its members, ultimately constituting a common social vocabulary. Yet crucially, for this paper, thick morality cannot be universalised. Walzer assures us that the authority of maximal morality is rooted in the singular community and any attempt to enforce thick moral standards in another community (by an outside party) violates the universal rule of self-determination. Therefore, we must turn our attention to the language of thin or minimal morality, the universal moral vocabulary, and the non-colloquial dialect of war. This search for minimalism mimics the scientific exploration of Solaris, what we are looking for lies behind the apparitions and below the strange events. When it comes to minimal morality we are trying to crack the core of the planet; the universal core of just war’s moral language. Walzer quickly asserts that minimalism is best understood as an effort to recognise and respect a doctrine of human rights, with the rights of life and liberty standing as absolute values, what he describes as a form of ultra minimalism.15 The centrality of rights to Walzer’s exposition of minimal morality is underscored by the declaration that war can only be justified in the defence of rights, and that justice in war is guaranteed by upholding the rights of life and liberty. 16 In this sense, Walzer’s 13 Michael Walzer, Interpretation and Social Criticism (Cambridge MA, Harvard University Press, 1987a), 21. 14 Michael Walzer, Thick and Thin: Moral Argument at Home and Abroad (Notre Dame: Notre Dame University Press, 1994), 8. 15 Walzer, Just and Unjust Wars, xxiii-xxiv. Walzer, Thick and Thin, 16. 16 Michael Walzer, Spheres of Justice: A Defence of Pluralism and Justice (Oxford: Blackwell, 1983), xv. 7 meaning of justice and morality is embodied in his conceptualisation of rights with significant eminence attached to the meaning of the right to life and liberty. Walzer unveils minimalism by presenting us with the image of protesters in Prague carrying signs demanding “truth” and “justice”: I knew immediately what the signs meant – and so did everyone else who saw the same picture. Not only that: I also recognised and acknowledged the values that the marchers were defending – and so did (almost) everyone else.17 For Walzer, minimalism is to be understood as a form of temporal revelation; moral language reveals itself thinly on special occasions.18 In short, we know the minimal language when we see it. This intimate, passive and spontaneous understanding and recognition of minimal language is unsurprising given Walzer’s belief that the rights underlying the minimal vocabulary are attached to our sense of what it means to be human.19 However, this is not an unproblematic concept in Walzer’s linguistic theory, for minimal morality can never be revealed minimally, it can only be stated maximally: Minimalism when it is expressed as Minimal Morality will be forced into the idiom and orientation of one of the maximal moralities. There is no neutral (unexpressive) moral language.20 Walzer’s minimal/maximal dichotomy recalls Levinas’ distinction between the saying and the said. For Levinas, language, which is the province of the said, is motivated by a pre-original saying that constitutes a foreword preceding languages. 21 However, in Levinas’ dichotomy, this pre-original saying does not move into language, indeed, it becomes counterfeit as soon as it is conveyed before us; this is the price of its thematisation.22 Walzer’s theory presents us with a minimal moral language inherent to the essence of being that, although silent and essentially unsayable, can be innately extracted from the myriad of maximal moral languages. This image mirrors Derrida’s 17 Walzer, Thick and Thin, 1. Ibid., 4. 19 Walzer, Just and Unjust Wars, 54. 20 Walzer, Thick and Thin, 9. 21 Levinas, Otherwise than Being, 5. 22 Ibid., 6-7. 18 8 analysis of Rousseau’s Essay on the Origin of Languages23, in which Derrida argues that Rousseau depicts man in the state of nature being moved to song and subsequently to speech by a compassion natural to man but foreign to nature. 24 Derrida contends that this movement constitutes a progression-regression cycle by which man leaves nature, through progress, only to rejoin with a nature that is more secret, ancient and archaic; “Beginning with an origin or a centre that divides itself and leaves itself, an historical circle is described, which is degenerative in direction but progressive and compensatory in effect.”25 In Walzer’s narrative, man must leave the natural world of minimal morality if he wishes to express morality through language, however, man can return to this secret nature through the spontaneous recognition of the minimal motivations behind maximal codifications. When we try to speak minimally, the thin words are immovably lodged in our throats, nevertheless, our eyes and ears can still recognise, and attest to this unpronounceable signifying system through an innate passivity indigenous to humanity. Although maximal language takes us away from minimalism, we are rejoined with minimalism via temporal recognition. In this movement maximal language preserves minimal morality. Yet, there are further difficulties in Walzer’s conception of morality, as he assures us that we must interpret the language of morality. He dismisses the two alternative moral schemas of discovery and invention due to their mystical structures. Moral discovery is disregarded as it requires God to reveal the moral language to us; “someone must climb the mountain, go to the desert, seek out the God-who-reveals, and bring back his word.” 26 While moral invention is disqualified as the inventor assumes the role of God; “they create what God would have created if they were a God.”27 Ultimately Walzer asserts that we do not need discovery or invention as we already have what they pretend to provide; when we interpret the moral world we give an account of the already existing morality.28 Once again Walzer argues on the basis of reality; the mystical world of discovery and the mythical world of invention A similarity that is particularly interesting when considering Walzer’s declared affinity with Rousseau’s writings. 24 Derrida, Of Grammatology, 195-196. 25 Ibid., 202. 26 Walzer, Interpretation and Social Criticism, 4. 27 Ibid., 12. 28 Ibid., 19-21. 23 9 are unnecessary in the face of interpretation, the first hand experience of authentic real world morality. Nonetheless, an interpretative real is also a contested real. How then do we recognise the genuine moral interpretation amongst a sea of competing fraudulent interpretations? Walzer resolves this problematic by positing a democratically ordained rule of reason, in which everyone is allowed to speak and the most persuasive interpretation is adhered to.29 Although this model of interpretation is somewhat consistent within Walzer’s conception of maximal morality (that is to say in relation to particular democratic cultures), Walzer holds the interpretation of minimal morality to a higher standard; we experience minimal morality “as an external standard, the standard of God or of other people…it only justifies what God or other people recognise as just.”30 Indeed, Walzer maintains that minimal morality cannot be extracted from democratic culture as this culture is maximalist in itself.31 Walzer describes a minimal morality, presented in maximal language, which can only be justified by God or humanity. However, the interpretative model offered by Walzer to adjudicate over what constitutes authentic minimalism is unable to assure the justness of its judgement. Walzer’s rights based model proclaims that minimal morality is encoded in the maximal language of just war, and its minimalism can only be discovered through a democracy of interpretation. Yet, this maximalist model of interpretation is incompatible with the minimal external standard it strives toward. Walzer installs a maximal conception of interpretation at the foundation of minimal morality, and now the maximal language that promised the ontological manifestation of the minimal word threatens it with usurpation. We shall return to Solaris to illustrate the predicament. Like Walzer’s minimal morality, Solaris can only manifest itself through a maximal projection. Indeed, the various representations of Solaris also constitute an interpretative experience. Solaris takes a maximal form that is familiar and understandable to the interpreter, but in doing so Solaris’ essence, its minimalism, remains absent, hidden and secret. Hari, although spawned from Solaris, does not illuminate Solaris’ true form, she is composed from Kelvin’s memories; Solaris and the interpreter are mutually engaged in the construction of this maximal representation. Solaris, as the minimal 29 Walzer, Spheres of Justice, 304. Walzer, Interpretation and Social Criticism, 47. 31 Walzer, Thick and Thin, 12-13. 30 10 provocation, motivates Hari’s appearance, while simultaneously erasing itself from her maximal representation. Hari cannot recall or recount her origin, and Kelvin cannot see into the true nature of her being; Solaris’ minimal essence cannot be extracted from its maximal thematisation. This account brings us toward Derrida’s conception of différance and the logic of the supplement. Différance is a play on the French word différer and its dual meaning, to differ and defer. Derrida argues that différance constitutes both a differing between meanings and a deferral of ultimate meaning; the delay inherent in signification and the difference that founds oppositional concepts. Derrida asserts that self-present meaning is the ideal of western metaphysics, however, this ideal proves impossible because différance inhabits the very core of what appears to be immediate and present.32 He contends that in language, the sign, which is a representation of the thing, stands in place of the thing to preserve the thing’s presence, but in doing so heralds the disappearance of the thing’s natural presence; “that what opens up meaning and language is writing as the disappearance of natural presence.”33 As illustrated in the examples of Walzer’s minimal language and Solaris’ manifestations, natural presence, the core that we were searching for, could not appear outside of representation, but as soon as this representation took place natural essence was lost. Derrida insists that every search for an origin, like this, will find a nonorigin; invariably what we will discover is not a singular starting point but a chain of supplements with meaning already contested at its roots. 34 The supplement, which plays an important role in Derridean thought, is maddening as it is neither presence nor absence, but a mid-point between the two, what Derrida calls a floating signifier that puts play into play. 35 In Walzer, maximal languages and their interpretation supplement minimal morality by empowering its real world articulation. Yet, these supplements are dangerous, as in their promise to compliment natural presence they simultaneously threaten to supplant it; the minimal vocabulary is itself silent within maximal systems of expression. Although the supplement threatens to usurp natural presence, it is also the only way to protect against this danger; “a terrifying menace, the supplement is also the first and surest protection against this very menace. This is 32 Jacques Derrida, Dissemination, trans. Barbara Johnson (London: The Athlone Press, 1981), ix. Derrida, Of Grammatology, 159. 34 Ibid., 247. 35 Derrida, Dissemination, 93. 33 11 why it cannot be given up.”36 Without the maximal, the minimal could not become the palpable feature of the real world, which Walzer requires it to be, however, when incorporated within a maximal system we have no way of extracting the minimal dialect except through a maximal judgement of interpretation. Therefore, Walzer’s theory is premised upon a reactivation or rebirth of the origin, an originary presence returning untouched from the detour of the supplement. A return exemplified in Walzer’s moment of intuitive temporal revelation, in which we all recognise the minimal values that lie behind the maximal expression of rights, thereby allowing us to join with the Prague protesters. Nevertheless, this recognition of a minimal language, which is never properly spoken or written, relies on a movement of faith. It is founded on the faith that the minimal language has always existed, and that this language is returned unscathed from its maximal detour. It is predicated upon the faith that the recognition of minimal values is authentic regardless of the maximal context; we will know Solaris’ true nature no matter what form it takes. Walzer relies upon faith in the breath of an inarticulate langue, a breath that Derrida links to theology; “its principle and end are theological, as the voice and providence of nature…inspired in us by God and may address only Him.”37 Secular Theology Walzer’s theory presents us with a silent minimal language that can only be recognised as a feature of the real world if we have faith that the language is authentically revealed to us, through maximal expression and interpretation, on special occasions. In addition Walzer argues that mankind possess a collective moral conscience that has the ability to recognise minimalism and be shocked into action if minimal values are attacked.38 Therefore, to understand Walzer’s secular theology we must investigate his conception of the individual consciences that comprise the collective through his analysis of being. Walzer describes being as an ordered self and states his intention to challenge religious conceptions of self, which suggest God has placed a singular conscience in all of humanity.39 Walzer conceives this ordered self to be, what he calls, a complex maximalist whole, internally divided in interests but 36 Derrida, Of Grammatology, 154. Ibid., 249. 38 Walzer, Just and Unjust Wars, 90. 39 Michael Walzer, ‘Notes on Self-Criticism’, Social Research, 54, no.1 (1987b): 33-43. 37 12 not utterly fragmented40. Self is described as a thickly populated circle with a core “I” surrounded by a circle of self-critics. This “I” is defined as a newly elected president, capable of summoning advisors, forming a cabinet and manoeuvring between its constituent parts.41 Although Walzer is keen to stress the maximalist character of self, Pin-Fat is quick to remind us that the structure of Walzer’s self is universal; all human beings are like this.42 Walzer’s self may be maximally constituted but it is minimally distributed. The “core self,” Walzer’s sovereign “I,” is, as Pin-Fat argues, socio-historically pre-existent, it “is not dependent on time and place though its shape may be.”43 Walzer’s self is a manifestation of Solaris’, it is maximally shaped by the interpreter, here a metaphor for divided interests and specific socio-cultural contexts, however, its organising principle and spark of origin is the same in all cases; all the manifestations are born of Solaris. Importantly, it is this “core self” that is responsible for temporal revelation, it draws its cabinet together, interprets the maximal language and reactivates the minimal origin. The sovereign “I” is the common element inherent in mankind that signifies Walzer’s collective conscience; it is the “human” of human rights to which rights are attached and through which rights can be recognised. Not only is this a theological conception of self, it is an explicitly Christian conception of self. Patočka describes the Christian depiction of the soul as a mystical interiority; “in the final analysis, the soul is not a relation to an object, however noble (like the Platonic Good) but rather to a person who sees into me without being itself accessible to view.”44 In Kelvin’s story, Solaris represents this relation to the soul, a being that can see into Kelvin and manifest his most intimate emotional desires without being seen itself. Derrida expands on this theme by linking divine interiority to the structure of subjectivity: 40 Walzer, Thick and Thin, 85 &96. Ibid., 98-100. 42 Veronique Pin-Fat, Universality, Ethics and International Relations: A Grammatical Reading (London: Routledge, 2009), 100. 43 Ibid., 100, original italics. 44 Jan Patočka, Heretical Essays in the Philosophy of History, trans. Erazim Kohak (Chicago: Open Court, 1996), 107. 41 13 God … is therefore at the same time other than me and more intimate with me than my self … God is in me, he is the absolute “me” or “self,” he is the structure of invisible interiority that is called, in Kierkegaard’s sense, subjectivity.45 This structure is of seminal importance to Walzer’s conception of self, we never see the internal mechanics of being, the presidential “I,” how it calls its cabinet together and how it extracts minimalism from maximal language. This “core self” that can enforce the minimal external standard of morality, “the standard of God,” from within the human, can only do so in secret. Walzer’s theory is predicated upon faith in a mystical authority and its ability to recognise the unavowable minimal language, internally and in secret. Faith, Derrida argues, “signifies here acquiescing to the testimony of the other – of the utterly other who is inaccessible its absolute source,” and, as such, acts of faith exceed all proof of knowledge.46 Like Kelvin’s desire for Hari, Walzer’s desire for a universal, minimal, moral code, means more to his theory than any ontological proof. However, for Walzer’s ontological argument, which posits a definitive code of real world morality, to remain consistent, he must necessarily conceal this mystical structure through the construction of a mythical foundation. As Nancy argues, the ideal of the foundational myth signifies western metaphysic’s desire to appropriate its own origin and pronounce its own by birth, by subtracting the mystical secret from this origin.47 Walzer travels to Solaris to build his home and then conceals this fact by claiming to live in the real world. He weaves an onto-theological narrative that installs the language of just war as a universalised dogmatic moral code and grounds this code on a discourse of rights. And yet, this discourse cannot appear in the minimal dialect that Walzer’s theory requires, and is, as such, a groundless foundation. Walzer recounts the myth that minimal language and the language of rights are interchangeable, nonetheless, we never see or hear the minimal language, which, in truth, exists nowhere. Minimal morality can only be articulated through maximalist languages of rights. Therefore, for Walzer’s theory to make sense, it requires theological, albeit secularised, faith in the existence, and reactivation, of the inarticulate minimal language via the language of just war. 45 Jacques Derrida, The Gift of Death and Literature in Secret, trans. David Wills (Chicago: University of Chicago Press, 2008), 108, original italics. 46 Jacques Derrida, Acts of Religion, Gil Andijar editor (London: Routledge, 2002a), 70 & 98. 47 Jean-Luc Nancy, The Inoperative Community, Peter Connor editor (Minneapolis: University of Minnesota Press, 1991), 46. 14 And what of Walzer’s absolute values, life and liberty? How does he expound such fundamental tenets of the just war creed? Walzer states that these values should be treated as negative prohibitions, for example, the prohibition on murder.48 However, these are the very prohibitions that are placed at risk during wartime; lives are placed on the line and freedom comes into question. Indeed, Walzer argues that the fundamental crime of war is that it forces men and women to risk their lives in defence of their rights.49 Absolute values must be sacrificed in the name of their own defence. Therefore, it is important that we now turn our attention to meaning of sacrifice in Walzer’s theory. The type of sacrifice legitimised in the language of just war and the implications of this for Walzer’s conception of morality. Fear and Trembling Revisited The biblical tale of The Binding of Isaac has become a quintessential parable of faith and sacrifice, itself binding Christian, Jewish and Islamic theology, under the mantel of Abrahamic Religions or religions of the Book. The narrative tells the story of Abraham and his divinely ordained task to sacrifice his only son Isaac. After many years of infertility, Abraham’s wife Sarah finally gave birth to a son Isaac. Isaac was considered a double gift from God, as not only did his birth circumvent Sarah’s infertility, God also told Abraham that Isaac held within him the future promise of his people. The Binding tells how God spoke to Abraham and ordered him to sacrifice Isaac on Mount Moriah, without offering any reason for this sacrifice. Abraham and Isaac travelled together to the Mountain, and Abraham bound his son to an altar. However, at the exact moment when Abraham, blade raised, was about to sacrifice Isaac, an angel stayed his hand. The message is that Abraham’s faith in God had been rewarded by the return of what he was willing to sacrifice, his son and the future promise of his people.50 Kierkegaard’s reading of the parable transforms it into a play of faith and ethical responsibility. For Kierkegaard, the interpretation of Abraham’s sacrifice is conditioned by faith; “the ethical expression … is that he intended to murder Isaac; 48 Brian Orend, Walzer on War and Justice (Cardiff: University of Wales Press), 31. Walzer, Just and Unjust Wars, 51-52. 50 Søren Kierkegaard, Fear and Trembling, trans. Sylvia Walsh, C. Stephen Evans and Sylvia Walsh editors (Cambridge: Cambridge University Press, 2006), 7-11. 49 15 the religious expression is that he intended to sacrifice Isaac.” 51 Kierkegaard describes faith as a prodigious paradox, “capable of making murder into a holy act well pleasing to God.” 52 More monstrous still, this sacrifice can be imitated by anyone who does not possess faith. The argument turns on the conception of a relationship to the absolute, which Kierkegaard argues, can only be entered into by sacrificing the ethical. Abraham can only hold his duty to God by sacrificing, his familial duty, the future of his people, and his son whom he loved so dearly. The true horror of the act is that the ethical is sacrificed in the name of a secret alliance with the absolute; God’s reason is silent till the moment when Abraham has committed himself to the sacrifice. This image is mirrored in Walzer’s theory by the concept of faith in minimalism. Walzer’s belief that minimal values must be upheld makes war a necessary sacrifice, however, because minimalism is silent and secret, war justified in the name of minimalism can always be geared toward ulterior purposes. 53 Derrida expands upon Kierkegaard’s reading with recourse to Levinas’ ethics of the Other, and his contention that my responsibility to the other is absolute because he is a mortal, singular and irreplaceable being.54 Derrida argues that what binds me to the absolute singularity of the other propels me to the space or risk of absolute sacrifice: As soon as I enter into a relation with the other, with the gaze, look, request, love, command, or call of the other, I know I can only respond by sacrificing ethics, that is to say by sacrificing whatever obliges me to respond, in the same way, in the same instant, to all the others. I put to death, I betray and I lie, I don’t need to raise my knife over my son on Mount Moriah for that.55 Derrida’s overarching argument is that Abraham’s tale teaches us that we cannot act responsibly without also sacrificing ethics; “there is no longer any ethical generality that doesn’t fall prey to the paradox of Abraham.”56 The moral, so to speak, of the story is that morality itself is complicit in immorality, and that the two work 51 Ibid., 24. Ibid., 46. 53 It is important here to note that Walzer is aware of such motives and argues that we should support the good motives and protest the bad ones. However, since his conceptualisation of what constitutes good motives is, as elaborated in the previous section, under dispute here, Walzer’s distinction between good and bad motives, in a minimal sense, is itself problematic. 54 Derrida, The Gift of Death, 47. 55 Ibid., 69. 56 Ibid., 79. 52 16 simultaneously in the same movement; even as I apply the ethical principal to a single person in a single instance I have already sacrificed my duty to apply this principle to every other person in the same instant. Importantly, for Derrida, this sacrifice can never be justified; “I will never be able to justify the fact that I prefer to sacrifice any one (any other) to the other.”57 Conversely, as we recall from the previous section, Walzer believes that just war offers a moral doctrine that abolishes this notion of the sacrifice of ethics; the rights of life and liberty justify war, and guarantee justice within war. Although there are numerous moments, within Walzer’s theory, that call this claim into question, for the purpose of this paper I will focus on one critical instant, the combatant/noncombatant distinction and Walzer’s justification for the killing of soldiers in warfare. Life and Liberty During Wartime Walzer presents us with the war convention, his codification of the rules of conduct within war and asserts that “the war convention is written in absolutist terms: one violates its provisions at one’s moral, as at one’s physical peril.”58 The Convention is explicitly linked to the defence of rights, which Walzer assures us is a defining feature of legitimate acts of war: A legitimate act of war is one that does not violate the rights of people against whom it is directed. It is once again, life and liberty that are at issue … I can sum up their substance in terms I have used before: no one can be forced to fight or to risk his life, no one can be threatened with war or warred against, unless through some act of his own he has surrendered or lost his rights.59 The combatant/noncombatant distinction is subsequently introduced as the foundational principle of the Convention: “Soldiers are made to be killed,” as Napoleon once said; that is why war is hell. But even if we take our standpoint in hell, we can still say that no one else is made to be killed. This distinction is the basis of all the rules of war.60 57 Ibid., 71. Walzer, Just and Unjust Wars, 47. 59 Ibid., 135, italics mine. 60 Ibid., 136. 58 17 As we can see, the sacrifice of soldiers’ lives is pivotal to Walzer’s conception of the rules of war, however, this sacrifice is deemed to occur outside the boundaries of rights. As such, we must investigate how this sacrifice is justified, and what combatants have done to lose their rights; in Walzer’s terms, we must “clarify the meaning of its forfeiture.”61 Walzer offers two primary justifications for combatants’ loss of rights: They gain war rights as combatants and potentially prisoners, but they can be attacked and killed at will by their enemies. Simply by fighting, whatever their private hopes, and intentions, they have lost their title to life and liberty, and they have lost it even though, unlike aggressor states, they have committed no crime.62 He can be personally attacked only because he is already a fighter. He has been made into a dangerous man, and though his options may have been few, it is nevertheless accurate to say that he has allowed himself to be made into a dangerous man. For this reason he finds himself endangered.63 Let us look at these two justifications in turn, paying particular attention to what combatants have done to forfeit their rights. The first justification, that soldiers lose their rights by fighting is instantly contradicted by Walzer’s contention that soldiers’ do not regain their rights by not fighting.64 Although Walzer is keen to stipulate that soldiers are immune from attack if they surrender, the act of surrender transforms the soldier into a prisoner of war, thereby, considerably limiting their right to liberty. As such, Walzer’s underlying argument that a soldier must act in a certain way to lose their rights is fundamentally compromised because combatants can be attacked even if they choose not to fight, and, further to this, if a combatant surrenders, hence relinquishing their status as active combatants, they still lose their absolute title to liberty. The second justification, that the combatant has allowed himself to made into 61 Ibid., 138. Ibid., 136. 63 Ibid., 145. 64 Ibid., 138. 62 18 a dangerous man65, proves even more problematic. Ignoring the question of allowed, which will subsequently be addressed in greater detail, we must first look at Walzer’s conception of danger. Walzer’s argument hinges on the threat posed by the soldier, the soldier is a fighter and is, therefore, to be treated as a menacing instrument of war; a legitimate target of attack. However, Walzer fails to elaborate on what dangerous or to be threatening means in regard to combatants. To understand the meaning of danger, we must turn to Walzer theory of prevention and pre-emption, and his “nonarbitrary standards” of “what it means to be threatened.”66 Walzer introduces what he describes as an objective standard of “just fear,” and expounds a clear definition of threat: “Threaten” means what the dictionary says it means: “to hold out or offer (some injury) by way of threat, to declare one’s intention of inflicting injury.”67 This definition of threat is expanded upon by the argument that threat must be offered in some “material sense,” and is concluded by the declaration that threat must focus on the present; “the idea of being under threat focuses what we had best call simply the present.”68 To recap, threat is when a material offering of injury is declared and intended in the present. Although this conception of threat is described with reference to states, Walzer contention that the rights of a state ultimately derive from the rights of the individuals that inhabit it, allows us to posit that the protections afforded to state’s rights must also be afforded to the source of these rights. Making this proposition we would assume that a soldier can only be attacked if he is presently offering a clear and intentional declaration to injure his adversary. However, not only would such a principle rule out all but direct face-to-face combat, it is a principle that Walzer adamantly rejects. Walzer describes, what he dubs, a “naked soldier;” a naked man bathing in the river, no arms by his side, locked in enemy sights. 69 Although Walzer stresses the moral dilemmas involved in killing these men, he concludes by definitively asserting that the killing of the naked soldier is justified. As such, the In keeping with Walzer’s original language, I too will refer to combatants solely in the masculine form. However, I would like to note the gendered connotations of this language as a point of enquiry for a possible future study. 66 Ibid., 78. 67 Ibid., 78. 68 Ibid., 81, original italics. 69 Ibid., 140. 65 19 definition of threat applicable to combatants is detached from their present action. It is based upon their past actions, that they became soldiers, and their assumed future actions, that they will injure their adversaries in the future. As the assumption of future injury belies Walzer’s depiction of a material offering of threat, and could easily be applied to any noncombantant that the enemy assumes will join the future war effort, we are left with a singular justification for a combatants’ loss of rights; because they have allowed themselves to become soldiers. The act of becoming a combatant takes us to the crux of the Abrahamic sacrifice within Walzer justification for the killing of combatants. It is the point at which Walzer’s desires to justify war, and to guarantee justice within war bump against each other; when two absolute imperatives prove absolutely incompatible. As previously stated Walzer’s justification for the loss of rights is dependent on an individual’s actions, in this case the soldier allowing himself to be made into a dangerous man. It is therefore surprising that he begins his discussion on war by arguing that soldiers are forced to fight; “we assume that his commitment is to the safety of his country, that he fights only when it is threatened, and that he has to fight (he has been “put to it”): it is his duty and not a free choice.” 70 Walzer buttresses this point by asserting that fighting is not free when it is a legal obligation or a patriotic duty; “this is equally true whether the army is raised by conscription or voluntary enlistment.”71 Walzer sums up the tyranny in stark terms: Hence the peculiar horror of war: it is a social practise in which force is used by and against men as loyal or constrained members of states and not as individuals who chose their own enterprises and activities.72 Paying particular attention to Walzer’s choice of terms let us reflect upon the act of citizens becoming soldiers. In Walzer’s theory, a soldier loses their rights through the act of becoming a soldier, thereby becoming dangerous men. However, this act is in Walzer’s view not a free choice. It is not an activity of soldiers’ own choosing, therefore, its integrity as an act justifying the loss of a combatant’s rights is 70 Ibid., 27. Ibid., 28. 72 Ibid., 30, italics mine. 71 20 compromised. For if we recall Walzer’s two absolute rights, life and liberty, surely the forced enlistment of soldiers, whether by moral obligation or legal duty, constitutes a breach of the latter right. Walzer’s justification for the killing of combatants hinges upon a prior violation of their right to liberty, for which no justification is given. Prior to enlistment, combatants are noncombatants, innocent and immune from attack, it is only when they are forced to become dangerous men that they are transformed into legitimate targets. Their loss of rights is not a result of their actions, it is a result of the actions of their state and its adversary. Given these contradictions, why then does Walzer insist that soldiers are forced to fight? The answer lies in Walzer’s concept of the moral equality of soldiers. His argument that war is not the crime of individual soldiers, it is the crime of states, and, therefore, soldiers face each as equals on the battlefield, both sides justified in kill in selfdefence.73 Walzer argues that if soldiers freely went to war, they would be morally responsible for that war. Without this concept Walzer’s theory would become very different, there would be no separation of the justice of war (jus ad bellum) and justice within war (jus in bello), and only those soldiers engaged in an unjust war could be considered legitimate targets. As Walzer does not expound, nor desire to expound, such a theory (which would no doubt raise its own problematic ethical questions), we are left with an insurmountable ethical paradox. War is necessary to defend life and liberty, but this defence can only be mounted through the sacrifice of combatants’ right to life and liberty. Walzer’s theory is unable to justify this sacrifice, on its own terms, and, as such, the sacrifice of soldiers’ rights also constitutes the sacrifice of just war theory’s own absolute ethical principles. Sacrifice as Se Donner la Mort Derrida describes Se Donner la Mort [The Gift of Death] as the marriage of faith and responsibility. Expanding upon Heideggerean themes of death and being, Derrida contends that because no one can die in my place, although they can die for me, death constitutes the locus of singularity; death must be assumed by every being for themselves. 74 Se donner la mort then is the possibility of dying for the other, “it institutes responsibility as giving oneself death, putting oneself to death or offering 73 74 Ibid., 127-128. Derrida, The Gift of Death, 42-43. 21 one’s death, that is to say one’s life, in the ethical dimension of sacrifice.”75 The gift describes the economy of sacrifice initiated by Walzer’s language of rights and the war convention that it founds; soldiers are asked to offer their lives as a gift to noncombatants. However, Derrida is quick to remind us that se donner la mort is also to interpret death, to give oneself a representation of it, a figure, a signification or destination; to endow a meaning to death.76 Walzer’s desire is to construct the death of combatants as a noble sacrifice; their lives are given in the service of absolute rights to save the lives of innocent civilians. Yet, as elaborated in the previous section, the notion of this death as given or offered by combatants is fundamentally questioned. Derrida argues that the gift can only remain a gift when dying remains the property of individual. Conversely the war convention offers soldiers’ lives as a sacrifice to the state and the minimal rights it claims to protect, thereby aiming to usurp the combatant’s irreplaceable gift. Walzer thrusts the state into the role of Abraham, commanded by a secret absolute he offers his sons’ lives in the name of unnameable minimal rights. The combatant, as Isaac, represents the future of the state, as Walzer assures us that if nobody comes forward to defend the state, we must doubt the existence of the state, and the state loses its right to sovereignty and territorial integrity.77 Without the combatant Isaac, the Abrahamic state has no future, therefore, the sacrifice is even more monstrous; the state risks its own existence, in its own defence. In Walzer’s theory, our metaphorical Abraham takes Isaac to Mount Moriah, and binds him to the role of combatant, guided by the unpronounceable name and secret voice of minimal rights. The blade is held over Isaac’s head when the state declares war, and yet, no angel can come to stay the blade and no dive profession can justify the sacrifice. The absolute, as minimal rights, will unavoidably be sacrificed in their own defence. To conclude let us pause to look at the opposite side of the spectrum, at Walzer’s discussion on terrorism, the military method of contemporary holy war. Walzer clearly outlines what he believes to be the crucial distinction between just war and terrorism; it is “the moral difference … between aiming at particular people because of what they have done or are doing, and aiming at whole groups of people, 75 Ibid., 48, original italics. Ibid., 12. 77 Michael Walzer, ‘The Moral Standing of States: A Response to Four Critics’, Philosophy and Public Affairs, 9, no. 3 (1980), 213. 76 22 indiscriminately, because of who they are.”78 Once again the argument hinges upon the distinction between innocent civilians and morally culpable combatants who are legitimate objects of attack. Indeed, for Walzer, the only way to oppose terrorism is “the refusal to make ordinary people into targets, whatever their nationality or even their politics.”79 However, in Walzer’s justification for the killing of combatants it is precisely who that combatant is that transforms him into a legitimate target; it is because he is young, patriotic, and fundamentally because he is a member of a particular state. Ultimately the combatant has been forced to fight because of who he is. It is because of this that he is, in Walzer’s terms, forced into a role that permits his morally justified death. Therefore, Walzer justifies the sacrifice of combatants because of who they are, not any freely taken action, and this constitutes nothing less than a terrorism against combatants. While just war’s terrorism against combatants is reified as noble sacrifice and an essential atom of minimal justice, the terrorism of contemporary holy war is vilified as an act viler than rape or murder.80 The sacrifice of the suicide bomber, whose divinely acquired interpretation of justice legitimises, in his eyes, the targeting of noncombatants, is admonished by Walzer as brutal and barbaric murder. This is not to say that either sacrifice is legitimate, or that we cannot make judgments about their relative moral abhorrence; it is simply to challenge the absolute moral justification of both. As Derrida argues: For in the discourses that dominated during such wars, it was rigorously impossible, on one side and the other, to discern the religious from the moral, the judicial from the political. The warring factions were all irreconcilable fellow worshipers of the religions of the Book. Does that not make things converge once again in the fight to the death previously referred to, which continues to rage on Mount Moriah over possession of the secret of the sacrifice by an Abraham who never said anything? Do they not fight in order to appropriate the secret as the sign of their covenant with God, and impose its order on the other, who becomes for his part nothing more than a murder?81 78 Walzer, Just and Unjust Wars, 200. Walzer, Arguing About War, 61. 80 Ibid., 51. 81 Derrida, The Gift of Death, 86-87. 79 23 The contemporary just war and holy war both meet on Mount Moriah in a battle that seeks to take possession over meanings of justice and sacrifice. Both appear as Abrahams offering Isaacs in the name of a secret alliance with the absolute, divine Allah and minimal rights. These sacrifices are made under the absolute authority of what is absolutely incapable of appearing, of speaking, and of adjudicating over the justness of the sacrifice; they are made in absolute faith in an absolute language. This absolute faith can never be definitively confirmed, it can only be revoked, through scripture or convention, in a fallen mortal, in Walzer’s sense maximal, language. Is it possible to justify either sacrifice? I tremble at the very thought. 24