MUSIC RESEARCH POSTGRADUATES, 2014–15 Term 2
Student (* = part-time)
Supervisor
Adviser
Alekseeva, Elena
Brian Lock
Mark Bowden
Musical composition and sound design for contemporary dance
AlSalhi, Ahmed
Rachel Beckles Willson
A Comparative Study of Saut Music in Kuwait and Bahrain
Henry Stobart
Asaba, Yuiko
Henry Stobart
Tango in Japan: Music, Dance and Eroticism
Shzr Ee Tan
Bank, Katherine
Helen Deeming
Music and Minde in Early Seventeenth Century England
Stephen Rose
Bath, Naomi
Rachel Beckles Willson
Erik Levi
Futures for Hungarian folk music: Institutions and performance strategies today
Bennett, Elizabeth
Stephen Rose/
Helen Deeming
Rupert Ridgewell (BritLib)
Lies, truth and religious identification in 16th-century music printing
Bettencourt Mendes, Nuno
Nick Cook
Geoff Baker
Modernism and Modernity in Portuguese Music of Freitas Branco (1890-1955)
Blickhan, Samantha
Helen Deeming
Stephen Rose
The Influence of Digital Media on the Study of Medieval Music: Notation in British Song Manuscripts,
1150-1300
Brady, Clare*
Julian Johnson
Stephen Downes
From Seconda Prattica to the Italian avant-garde: vocal music tradition in the collaborative works of
Luciano Berio and Cathy Berberian
Bruno, Chelsea
Brian Lock
Electronic music composition and modular synthesis
Anna Morcom
Burton, Susan
Geoff Baker/Henry Stobart
(ST) Tina K. Ramnarine
Take Your Harem Pants Off, Baby: Ethnicity, Modernity and Tradition in the Musical Practice of the
Bosnian Krajina
Cattell, Katie
Julian Johnson
Temporality and Subjectivity in Variation Form
(SD) Paul Harper-Scott
Conde, Alfons*
Composition
Brian Lock
Helen Grime
Cordeiro, Miguel*
Composition
Brian Lock
Mark Bowden
Cryne, Michael*
Mark Bowden
Helen Grime
Composition: Musical and Dramatic Structure: Narrative and Non-Narrative Coherence
Curran, David
Mark Berry/Stephen Downes
David Charlton
A study into the aesthetic outlook of the French composer Hector Berlioz
Dachri, Zoi*
Composition
Brian Lock
Helen Grime
Day, Rebecca
Paul Harper-Scott
Stephen Downes
Philosophical, Analytical and Psychoanalytic Conceptions of Subjectivity in Mahler’s Musical Modernism
Dearden, Nathan*
Mark Bowden
Composition for Voice in Music Theatre
Brian Lock
Destribois, Clemence
Stephen Rose
Pitch Organization in Seventeenth-Century Ensemble Music
(HD) Paul Harper-Scott
Dunnahoe, Sean
Helen Deeming
Stephen Rose
Anglo-Baltic Exchange in Swedish, Finnish and Norwegian Music Manuscripts up to the Thirteenth
Century
Etxeberria Adrien, Xabier
Henry Stobart
(AM) Geoff Baker
Participatory Ethnomusicology and Indigenous Music in Ecuador
Feeny, Antony
Anna Morcom/Shzr Ee Tan
Alan Bradshaw [Marketing]
Economic and Business Models and the Development of Western Classical Music
Gentili, Barbara
Belcanto and Verismo as
Erik Levi
Graham, Michael*
Paul Harper-Scott
Shakespeare and British Opera: The Knot Garden
Mark Berry
Kiernan Ryan [English]
Green, Andrew
Stobart, Henry
(EL) Tina K. Ramnarine
Sounds of Solidarity: Music, the Zapatistas, and the Alter-Global
Harrison, Lucy
Brian Lock
Helen Grime
Composition. The Role of Context in the Compositional Process for Sound Installations and Film Scores
Heidemann, Diana-Maria*
Shzr Ee Tan/
J.P.Kelly [MediaArts]/AM
James Bennett tbc [Media Arts]
Mark Bowden
Brian Lock
Transmedia Music Concepts
Higgins, Gavin
Music and dance
Hunter-Bradley, Louisa
Stephen Rose
Helen Deeming
The Officina Plantiniana as Music Publishers and Distributors [1555-1595]
Hyacinth, Natalie
Henry Stobart/
David Gilbert [Geog]
Music and popular creativity in suburban faith communities
tba [Geography]
Kiladi, Maria*
Erik Levi
Stephen Downes
The London Labour Choral Union, 1920-1940: A Musical Institution of the Left
Knight, Douglas
Julie Brown
Carlo Cenciarelli
From the Ascetic to the Aesthetic: Classical Music in Non-Classical Cinema
Lachs, Vivienne (Hist/Mus)
Rachel Beckles Wilson/
Julie Brown
David Cesarani [Hist]
Yiddish songs of London 1880-1914 and their place in the political debates of the time
Lebedinski, Ester
Stephen Rose
Helen Deeming
Roman Vocal Music in England, 1660-1710: Court, Connoisseurs, and the Culture of Collecting
Lee, Annabelle
Shzree Tan/Mark Berry/EL
Derrick Chong [Management]
The Effects of Social Media Techniques of Concert Halls in London and New York: Marketing and
Promotion of Classical Music Concerts
Marsden, Hannah
Western Music in India
Tina K. Ramnarine
Anna Morcom
McCarthy, Rachel
Paul Harper-Scott
Erik Levi
Women and Listening in Early- to Mid-Twentieth-Century Britain
Mercieca, Nathan
Paul Harper-Scott
Music, Writing, and the Self: the Ethics of Musicology
Mark Berry
Millard, Russell*
(EL) Paul Harper-Scott
Stephen Downes
Gender and Narrative in Ravel’s Daphnis et Chloé
Morra, Salvatore
Rachel Beckles Willson
The Tunisian ʻūd Soundscape
Tina K. Ramnarine
Moynihan, Sarah*
Sibelius: Post-‘Crisis’
Mark Berry
Paul Harper-Scott
Paine, Christina*
Katharine Ellis/Erik Levi
Angelica Catalani’s London Career
Henry Stobart
Parkinson, Tom
Music for theatre/dance
Mark Bowden
Brian Lock
Plans, Elise
Brian Lock
Adaptive music for mobile devices
Shzr Ee Tan
Pons, Elena
Stephen Rose
(HD) Paul Harper-Scott
Arranging the Canon: Keyboard Arrangements, Publishing Strategies and the Rise of Musical
Classics, 1750-1820
Porton, Jennie*
Tina K. Ramnarine
Contemporary Conservatoires and their Practices
Erik Levi
Ranasinghe, Shanika
Anna Morcom
Ethnographic Studies of Nostalgia in Popular Music
Carlo Cenciarelli
Santos, Sorana
Composition
Brian Lock
Mark Bowden
Sarakatsanos, Anastasios
Composition
Brian Lock/Sue Clayton
Anna Morcom
Singh, Simran
Tina K. Ramnarine
Politics, Power and Identity: Popular Music in Fragile States
Julie Gallagher [Politics]
Sorayyapour, Giti
Rachel Beckles Willson
Shrz Ee Tan
/Geoff Baker
‘The Revolution Will Not Be Terrorised’: Hip-Hop framing Global War on Terror resistance through
Anti-Colonial discourse: the case of Lowkey
Springthorpe, Nigel*
Stephen Rose
Henry Stobart
The Works of Johann Georg and Johann Christian Röllig, with Thematic Catalogue
Stuart-Rees, Roya
Stephen Rose
London’s original Academy of Ancient Music c.1710–1810
Henry Stobart
Tarrant, Chris
Paul Harper-Scott
Julian Johnson
Schubert, Sonata Theory, Psychoanalysis: Traversing the Fantasy in Schubert's Sonata Forms
Thomson, Kelvin*
Mark Bowden
Stephen Downes
Portfolio of Compositions: Stratifying Modernist and Postmodernist Techniques of Musical
Composition
Van der Heijden, Frieda
Helen Deeming/Ruth Harvey [Fr] Stephen Rose
A full view of Paris, BnF fr. 12786
Vavva, Georgia
Tina K. Ramnarine
Anna Morcom
Professional Music Making in Recession Athens: Globalisation, Cosmopolitanism and Human
Agency
Ventura, Laura
Stephen Rose
(HD) Geoff Baker
Iconographical Representations of Women Making Music, 1500-1650: A Study of Cultural and
Social Conventions
Vos, Stephanie
Tina K. Ramnarine
Erik Levi
‘Patterns in the Whole’: Contexts and Styles in South African Music of Exile
Walters, Adam*
Brian Lock/Helen Grime
(SD) Tina K. Ramnarine
Traditional Music as a Basis for New Art Music: A Caribbean Case Study
Wang, Weida
Record business & music
Shzr Ee Tan/Erik Levi
Derrick Chong [Management]
Wettermark, Esbjorn
Tina K. Ramnarine
Socio-Musical Interaction and Sentiment in Vietnamese Opera
Shzr Ee Tan
Whiter, Christopher
Composition
Helen Grime
Brian Lock
Whittaker, Laryssa
Tina K. Ramnarine
Anna Morcom
Beyond "Mzansi's Golden Economy": Inequality in neoliberal South Africa and the economics of
development through music education
Williams, Jessica
Paul Harper-Scott
Mythology and Politics in Twentieth-Century British Music
Mark Berry
Wilson, Tom
Brian Lock
Mark Bowden
Pop composition: expanded application of pop songwriting aesthetics
Young, Katie
Anna Morcom/
(HS) Geoff Baker
Simon David [Geog]
Global Bollywood in Northern Ghana: Tracing the Post-Colonial Circulation of Hindi Film Songs in
Tamale, 1957-Present
Supervisions continue throughout sabbaticals; students temporarily change adviser during sabbaticals,
(temporary advisers shown with initials).