King Philip IV is the Harbinger of the Antichrist: depicted by the Roman de Fauvel. Adam LaGesse Music 390 2 According to the Roman de Fauvel, France during the 14th century was a great place to be if you liked having a tyrant horse for a king, and a cowardly pope.1 In reality France and King Philip IV was in conflict with England, Flanders, and the Catholic Church.2 The Roman de Fauvel is a satire that depicts the government as an almighty power that rules over religion and the country with an iron fist.3 There are reasons to believe that the Fauvel is more focused on the King himself. The story of the Roman de Fauvel is in the style of a long poem criticizing King Philip IV of France for his lack of leadership and hostility towards the Pope and the Catholic Church. Le Roman de Fauvel is a long poetic political satire that was born in the inner circles of the French government during the 14th century. The work contains more than 3000 lines of poetry. The work of le Roman de Fauvel is split up into two different parts. The first book contains 1226 lines and was completed in 1314, while the second contains 2054 lines and was completed in 1317. Gervais de Bus is credited with the writing of le Roman de Fauvel, while there were many people who contributed to the completed work, including Philippe de Vitry, who is known for the Ars Nova style. The surviving copies of le Roman de Fauvel are kept in the National Library of France. 4 The first book tells the story of Fauvel and his rise to power. Fauvel is a dark yellow colored horse that wishes to leave his stable and take over his master’s house. With the help of “Dame Fortune” or lady fate, Fauvel leaves his stables and moves into a room in his master’s house. Soon after Fauvel takes a room in the house, Lady Fate granted Fauvel the ruling of his 1 Wathey, Andrew. "Fauvel, Roman de." Grove Music Online. Oxford Music Online. Oxford University Press, accessed September 15, 2013, p. 1 2 Strayer, Joseph. The Reign of Philip the Fair. Princeton: Princeton University Press, New Jersey. 3 Wathey, p. 1 4 Wathey, p. 1 3 master’s house. Government and Church officials pilgrimaged to see Fauvel. The pope and many kings and queens flattered him.5 This represents the corruption of church and state in France at the time when the Roman de Fauvel was being compiled, and the horse Fauvel, represents everything the King is doing wrong. Each letter in Fauvel represents a sin in the French language. For a better understanding, here is a list of the sins in English. F (Flattery), A (Greed), U (Guile), V (Inconstancy), E (Envy), L (Cowardice). Under the reign of Fauvel, France goes through hardships. The church falls to its knees in the face of Fauvel and the citizens of France do not stand a chance to survive in this crumbling country. Even the pope and other religious leaders obey the wishes of the tyrant king.6 In the second book, Fauvel asks for Lady Fate’s hand in marriage but is denied. She suggests he marry her handmaiden, Vain Glory, and he does. During their marriage they create many “fauveaux”7 who are the offspring of Fauvel. They are considered the coming of the Antichrist. They spread destruction throughout the world and especially France.8 Thankfully the Roman de Fauvel is not what really happened in France during this time, but it can be interpreted in a way that makes King Philip IV look like the real Fauvel. If we look at the story of the Roman de Fauvel and the ruling of Philip IV or Philip the Fair, side by side, they will appear very similar. Philip the Fair becomes Fauvel, the evil ruler of France. He feels he should be the one and only ruler of France, just as Fauvel did after he took control over his master’s house. In 1297 Pope Boniface attempts to bring peace between England and France. Philip the Fair responded by saying “The government of the kingdom belongs to the king, and to him alone; that he recognizes no superior; that he owes submission to no living man Wathey, p. 1 Wathey, p. 1 7 Wathey, p. 4 8 Wathey, p. 1 5 6 4 for temporal things.”9 This is a clear indication that Philip the Fair felt the same way as the greedy tyrant Fauvel, as depicted in the Roman de Fauvel by Gervais de Bus, who was very close to Philip the Fair. Gervais de Bus is described as a cynical and bitter man who criticized Philip the Fair’s treatment of the church.10 He did so by means of writing the Roman de Fauvel. It is in 1312 that he is first recorded working for Marigny, a subordinate of the king, where he had access to government documents to observe the kings actions from a far. In 1313 when the Roman de Fauvel is written, he takes a position in the royal service as the king’s notary, where he meets Michel de Maucondit and Philippe le Convers, who have connections with people like the Count of Valois.11 Having connections like these grants Gervais de Bus access to the inner political circles where he learns more about the king’s actions. Gervais was also a notary for the king. People in this position may have been writing letters for the king and may have also been reading them. 12 Pope Boniface VIII was elected into office on December 24, 1294. This is during the reign of Philip IV. Like many Popes before him, he found it difficult to gain full respect from kings. Pope Boniface VIII was only pope for nine years before he died. Pope Boniface was replaced by Pope Clement V 1305. During Pope Clément’s reign the headquarters for the pope were moved to Avignon France.13 King Philip had reason not to like Pope Boniface VIII. In 1296, the Pope refused to have his clergy taxed by the French king. The Pope found it unfair to tax the Holy Roman Church; Woods, Charles. Philip the Fair and Boniface Viii. New York: Holt, Rinehart and Winston, n.d. p. 39 10 Strayer, p. 290 11 Wathey, p. 1 12 Woods, p. 84 13 Woods, p. 18 9 5 however, the church had been taxed in the past to help fund the crusades. Now that the crusades were over, the Pope refused to have his clergy taxed, but King Philip was used to having this tax.14 This problem between the two leaders will lead to future problems. To make things worse Philip the Fair believed Pope Boniface to be evil in some ways. A member of the King’s court convinced King Philip, that the Pope murdered the Pope before him to take his throne and that he was an atheist as well. Being a religious man, King Philip had internal conflict about the matter. It took him awhile but he eventually believed it to be true.15 If we compare this to the Roman de Fauvel, this is the point in the story right before Fauvel takes over his master’s house. Philip the Fair will continue, just as Fauvel did in the story, to continually suppress the church and the people. It is very peculiar that after Pope Boniface VIII, the new pope moved to Avignon France. Not only did the pope move the papacy from Rome to France but he also willingly went along with King Philip’s plan to excommunicate the Knights Templar: the crusade Knights of the church.16 Pope Boniface VIII would not have let this happen, but the new pope who seems to be in the hands of Philip, did let it happen. Fauvel was very similar and had the Pope making pilgrimage just to see the king of France. The Roman de Fauvel was written and put together by people who were close to the leaders and political figures in France at the time. Both Gervais de Bus, and Philippe de Vitry were notaries for French leaders. These people knew more about the goings on of the government than the average citizen, and had the ability to write such an amazing work as the Roman de Fauvel. It may be that the Fauvel was written as criticism or advice. It may also be Woods, p. 35 Woods, p. 89 16 Strayer, p. 290 14 15 6 possible that it was just a satire that was only pointing out the flaws in the French government and church. Another possibility could be that the completed work was shared in the inner circle of the French government as a way of giving advice to the king.17 It is very clear that the Roman de Fauvel was influenced by the French society. More importantly the Roman de Fauvel was influenced by the actions of King Philip IV. All of the previously stated possibilities can not be proven because the purpose and origins of the Fauvel were never written down, but it is hard to ignore all of the signs pointing to Philip IV being the Fauvel of 14th century France. We can of course look at musical texts for examples of this. Floret Fex Favellea (example 1)18 is a perfect example of the kind of music in the Roman de Fauvel, and of text that goes along with the overarching story. Some text examples are “Fauvel’s dregs are flourishing; the world is changing”, “Today every poor person is the object of contempt; though created in the image of Christ, man is condemned” and “Now there is a place for crime; faith is buried, and truth is put to flight”.19 All three examples depict how Fuavel was destroying the country. If Gervais de Bus was in fact relating the Roman de Fauvel to Philip the Fair, then these texts express how de Bus felt about his political campaign. Strictly in the story however, Floret Fex Favellea describes the terror of Fauvel’s rise to power. In the opening section the piece describes Fauvel taking the throne of King. The second part references the Christian belief that man is created in the image of Christ, and despite that, man is condemned during the reign of Fauvel. In the last section it describes that the world has changed for the worse. 17 Wathey, p. 4 Rosenberg, Samuel, and Hans Tischler. The Monophonic Songs in the Roman de Fauvel. N.p.: University of Nebraska Press, n.d. p. 20 19 Rosenberg, p. 20 18 7 There are many unanswered questions about the Roman de Fauvel, like When exactly was it written, who were all of the contributors, and why was it written? These questioned can not be answered for sure, but more facts point to the fact that the Roman de Fauvel is written about Philip IV. Whether he ever read it as advice, or if it was used in political circles as a joke, it is impossible not to acknowledge the signs pointing to Philip the Fair as the Fauvel. We will have to keep searching for more answers but we do know that the Fauvel is actually King Philip. 8 Appendix Example 1 Floret Fex Favellea 9 Bibliography Adelson, Robert. “Artist Biography” Allmusic.com. November 12, 2013. Accessed November 12, 2013. http://www.allmusic.com/artist/jehannot-de-lescurel-mn0001627135. Brewer, Charles E. "Roman De Fauvel." American Record Guide, 11, 2011. 232, http://search.proquest.com/docview/918004061?accountid=14982. du bus, Gervais. Roman de Fauvel. Manuscript. Conducted by Thomas Binkley. Studio der Frühen Musik. Paris, Bibl. Nat., fr. 146. 2011. de Bus, Gervais. Le Roman de Fauvel. Conducted by Joel Cohen. Performed by Joel Cohen and others. The Boston Camerata. Warner Music LC0200. CD. 1995. Denton, Jeffery. Philip the Fair and the Ecclesiastical Assemblies of 1294-1295 / Jeffrey H. Denton. Philadelphia: American Philosophical Society, 1991. Cohen, Joel. “About Fauvel -- from the Erato Cd Liner Notes.” About Fauvel -- from the Erato CD liner notes: (1995): page nr. Accessed September 29, 2013. http://bostoncamerata.org/oldSite/cd/titles/revfauv.htm. Dickey, Timothy. “Artist Biography” Allmusic.com. November 11, 2013. Accessed November 11, 2013. http://www.allmusic.com/artist/philippe-de-vitry-mn0001190922/biography. “The Early Music Show.” BBC IPlayerRadio. February 12, 2012. Accessed September 29, 2013. http://www.bbc.co.uk/programmes/b01bs9dg. Lewis, Dave. “Le Roman de Fauvel.” Allmusic.com. November 12, 2013. Accessed November 12, 2013. http://www.allmusic.com/composition/le-roman-de-fauvel-mc0002395003. Rosenberg, Samuel, and Hans Tischler. The Monophonic Songs in the Roman de Fauvel. N.p.: University of Nebraska Press, n.d. Schrade, Leo. Le Roman de Fauvel with a New Introduction and Notes On Performance.publication place: Monaco : Éditions de l’Oiseau-Lyre, 1984. Strayer, Joseph. The Reign of Philip the Fair. Princeton: Princeton University Press, New Jersey. Wathey, Andrew. "Fauvel, Roman de." Grove Music Online. Oxford Music Online. Oxford University Press, accessed September 15, 2013, http://www.oxfordmusiconline.com/subscriber/article/grove/music/09372. Woods, Charles. Philip the Fair and Boniface Viii. New York: Holt, Rinehart and Winston, n.d.