1 MA in English (Modernities) Timetable 2012-13 Week beginning 24 Sept 1 Oct 8 Oct 15 Oct (see additional seminars below) 22 Oct 29 Oct (see additional seminars below) 5 Nov 12 Nov (see additional seminars below) 19 Nov (see additional seminars below) 26 Nov 3 Dec 10 Dec 17 Dec Christmas Break 7 Jan Monday 1.00-3.00 ORB 1.65 No Class Theory: Habermas and Jameson GA Theory: Lyotard and Baudrillard GA Theory: Derrida GA Thursday 12.00-2.00 ORB 1.65 Introductory Class Meeting Theory: Nietzsche AD Theory: Freud GA Holiday Theory: Narratology AG Theories and praxis of the avantgarde AD Week Modernism: O’Neill, The Emperor Jones AE Modernism: O’Neill, Strange Interlude AE Modernism: Beckett, Waiting for Godot AE Modernism: Beckett, Endgame AE Reading Modernism: Pound, selected poems and essays AD Modernism: Eliot, The Waste Land and selected essays AD Modernism: Loy and H.D., selected poems and prose AD Modernism: Woolf, Between the Acts and other prose AD Modernism: Joyce, Ulysses HL Reading Theories of Romanticism GA 14 Jan Theories of Romanticism GA 21 Jan Romanticism: Byron, Cain GA 28 Jan Romanticism: Keats, ‘The Fall of Hyperion: A Dream’ GA 4 Feb Romanticism: Shelley, ‘The Triumph of Life’ GA Romanticism: Shelley, ‘The Triumph of Life’ GA Reading Feminism and Romanticism CÓG Romanticism: Barbauld, Charlotte Smith, Robinson, Burke, Wordsworth, selected texts CÓG Romanticism: Barbauld, Charlotte Smith, Robinson, Burke, Wordsworth, selected texts CÓG Holiday Research Presentations 11 Feb 18 Feb 25 Feb 4 March (see additional seminars below) 11 March 18 March 25 March Easter Break Theory: Saussure BM Theory: Marx AG Modernism: Joyce, Ulysses HL Week Modernism: Williams, Spring and All LJ Modernism: The Harlem Renaissance LJ Postmodernism and Film: The Shining (Kubrick) BM Postmodernism and Film: Ghost Dog: The Way of the Samurai (Jarmusch) BM Postmodernism and Film: Goodbye Lenin (Becker) BM Postmodernist Fiction: Borges, selected texts AG Week Postmodernist Fiction: Doctorow, The Book of Daniel AG Romanticism: Edgeworth, Belinda CÓG No class No class Research Presentations 2 Additional Seminars* Week beginning 15 Oct 29 Oct 12 Nov 19 Nov 4 March Tuesday 4.00-6.00 ORB 1.65 Yeats, selected poems and prose AD Yeats, selected poems and prose AD O’Brien, The Third Policeman PC Beckett, First Love and Other Novellas PC Edgeworth, The Absentee CC Thursday 4.00-6.00 ORB 1.65 Yeats, selected poems and prose AD O’Brien, The Third Policeman PC * While not mandatory, these seminars are strongly recommended, and there will be the opportunity to use the material covered therein in relevant assessments. Staff: GA (Professor Graham Allen); CC (Professor Claire Connolly); PC (Professor Patricia Coughlan); AD (Professor Alex Davis); AE (Dr Anne Etienne); AG (Dr Alan Gibbs); LJ (Dr Lee Jenkins); HL (Dr Heather Laird); BM (Dr Barry Monahan); CÓG (Dr Clíona Ó Gallchoir). Reading List 1. THEORY Jürgen Habermas, ‘Modernity—an Incomplete Project’, in Peter Brooker, ed., Modernism/Postmodernism (London: Longman, 1992). Fredric Jameson, ‘Postmodernism and Consumer Society’, in Brooker, ed., Modernism/Postmodernism. Jean-François Lyotard, ‘Answering the Question: What is Postmodernism?’, in Brooker, ed., Modernism/Postmodernism. Jean Baudrillard, from ‘Simulacra and Simulations’, in Brooker, ed., Modernism/Postmodernism. Jacques Derrida, TBA Friedrich Nietzsche, ‘On the Use and Abuse of History for Life’ (1874); available as a photocopy; [online], <http://records.viu.ca/~johnstoi/nietzsche/history.htm> accessed 4 July 2012. Sigmund Freud, The Psychopathology of Everyday Life (1901); selections available as a photocopy. Terry Eagleton, Marxism and Literary Criticism (London: Methuen, 1976); available in Boole Library, 801.9 EAGL. Raymond Williams, Marxism and Literature (Oxford: Oxford University Press, 1977); available in Boole Library, 801.9 MARX.W. Shlomith Rimmon-Kenan, Narrative Fiction: Contemporary Poetics (London: Methuen, 1983); available in Boole Library, 808.3 RIMM. Gérard Genette, Narrative Discourse: An Essay in Method, tr. Jane E. Lewin (Oxford: Blackwell, 1980); available in Boole Library, U 808.3 GENE. Richard Walsh, ‘Who is the Narrator?’ Poetics Today 18/4 (1997), 495-513; available online via JStor. Jonathan Culler, ‘Omniscience,’ Narrative 12/1 (2004), 22-34; available online via JStor. Ferdinand de Saussure, Course in General Linguistics, ed. Charles Bally and Albert Reidlinger, tr. Wade Baskin (Glasgow: Fontana, 1974); available in Boole Library, 410 SAUS. Simone de Beauvoir, The Second Sex (1949); selections available as a photocopy. Laura Kipnis, ‘Feminism: The Political Conscience of Postmodernism?’, in Brooker, ed., Modernism/Postmodernism. Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (2nd edn, London: Routledge, 1999), selections available as a photocopy. Sabina Lovibond, ‘Feminism and Postmodernism,’ New Left Review, 1/178 (1989); available online via JStor. 3 2. MODERNISM Peter Bürger, ‘Avant-Garde and Engagement’, in Brooker, ed., Modernism/Postmodernism. Theodor Adorno, ‘Letter to Walter Benjamin’, in Brooker, ed., Modernism/Postmodernism. Walter Benjamin, ‘The Work of Art in the Age of Mechanical Reproduction’, in Lawrence Rainey, ed., Modernism: An Anthology (Oxford: Blackwell, 2005). Bertolt Brecht, from ‘The Popular and the Realistic’, in Brooker, ed., Modernism/Postmodernism. Georg Lukács, from The Meaning of Contemporary Realism, in Brooker, ed., Modernism/Postmodernism. Futurist, Dada, and Surrealist texts, in Rainey, ed., Modernism: An Anthology. Poetry and critical essays by W. B. Yeats, H.D., T. S. Eliot, Mina Loy, Ezra Pound and William Carlos Williams, in Rainey, ed., Modernism: An Anthology. Harlem Renaissance texts; available as a photocopy. Virginia Woolf, Between the Acts and critical essays, in Rainey, ed., Modernism: An Anthology. James Joyce, Ulysses: The 1922 Text, ed. Jeri Johnson (Oxford: Oxford University Press, 1993). Eugene O’Neill, The Emperor Jones, in Eugene O’Neill, ‘Anna Christie’ and ‘The Emperor Jones’ (London: Nick Hern, 1991). Eugene O’Neill, Strange Interlude; available as a photocopy. Samuel Beckett, Waiting for Godot; available as a photocopy. Samuel Beckett, Endgame, in Rainey, ed., Modernism: An Anthology. Samuel Beckett, First Love and Other Novellas (Harmondsworth: Penguin, 2000). Flann O’Brien, The Third Policeman (London: Flamingo, 1993). W. B. Yeats, Yeats’s Poetry, Drama, and Prose, ed., James Pethica (New York: Norton, 2000). 3. POSTMODERNISM Jorge Luis Borges, selected texts; available as a photocopy. E. L. Doctorow, The Book of Daniel (Harmondsworth: Penguin, 2006). The Shining, Stanley Kubrick, dir. (Warner Brothers, 1980). Ghost Dog: The Way of the Samurai, Jim Jarmusch, dir. (Channel Four Films, 1999). Goodbye Lenin!, Wolfgang Becker, dir. (Sony Pictures, 2003). 4. ROMANTICISM Byron, Cain (1821); available as a photocopy. John Keats, ‘The Fall of Hyperion: A Dream’ (1819); available as a photocopy. Percy Bysshe Shelley, ‘The Triumph of Life’ (1822); available as photocopy. Maria Edgeworth, Belinda, ed., Kathryn Kirkpatrick (Oxford: Oxford University Press, 2008). Maria Edgeworth, The Absentee, ed., Heidi Thomson (Harmondsworth: Penguin, 2007). Selected texts by Anna Barbauld, Charlotte Smith, Mary Robinson, Edmund Burke, William Wordsworth; available as a photocopy. Set Texts (aside from films, photocopies, and texts available online and in the Boole Library) All available at John Smith’s Booksellers, Aras na MacLéinn/Devere Hall Peter Brooker, ed., Modernism/Postmodernism (London: Longman, 1992). Samuel Beckett, First Love and Other Novellas (Harmondsworth: Penguin, 2000). E. L. Doctorow, The Book of Daniel (Harmondsworth: Penguin, 2006). Maria Edgeworth, The Absentee, ed. Heidi Thomson (Harmondsworth: Penguin, 2007). Maria Edgeworth, Belinda, ed., Kathryn Kirkpatrick (Oxford: Oxford University Press, 2008). James Joyce, Ulysses: The 1922 Text, ed. Jeri Johnson (Oxford: Oxford University Press, 1993). Flann O’Brien, The Third Policeman (London: Flamingo, 1993). Eugene, O’Neill, ‘Anna Christie’ and ‘The Emperor Jones’ (London: Nick Hern, 1991). Lawrence Rainey, ed., Modernism: An Anthology (Oxford: Blackwell, 2005). W. B. Yeats, Yeats’s Poetry, Drama, and Prose, ed., James Pethica (New York: Norton, 2000).