Johnson 1 Grace Johnson Ms. Pelotte American Literature March 1, 2013 Prompt: What two moments of the play did you find especially powerful? Support your response with details from the text. The Power of Irony There are two moments in the Crucible by Arthur Miller that really stand out as powerful. The first is when Elizabeth announces that Abigail should be torn out of the world and Cheever sees that as a sign of witchcraft. The second moment is when Danforth asks John Proctor if his confession is a lie and Proctor rips it up. Miller makes these moments powerful with word choice, irony, and the weight they carry in the plot of the play. One of the most powerful moments in the play is at the end of the second act when Elizabeth states that Abigail must be “ripped out of the world” (pg. 72) and Cheever gets up in arms about it. One of the ways that Miller makes this moment so powerful is by making it a turning point in the play. Up until now, only outcasts have been accused of being witches, but Elizabeth is a reputable person. However, even she can no longer be trusted after a natural slip of the tongue. Until she says that Abigail should be ripped out of the world, Cheever isn’t entirely convinced that she is a witch because he “ineptly reach[es] toward Elizabeth” (pg. 70) and even Herrick is “somewhat shamefaced at the moment.” (pg. 68) After she says this, however, he becomes angry. This is a fast development because the Proctors are the characters that the reader tends to sympathise towards and it is at this point in the play when their lives begin to come apart at the seams. Johnson 2 Another way that Miller makes this moment so powerful is by showing the contrast in attitudes between two people who were friends and even allies before this moment. Earlier, John tells Elizabeth to “fear nothing. I’ll find Ezekiel Cheever. I’ll tell him she said it were all sport.” (pg. 58) John believes him to be a friend who will help him but when Cheever comes into the Proctor’s home to arrest Elizabeth, he has become an enemy. Elizabeth has had her “breath knocked out” while Cheever is “pointing at Elizabeth.” (pg. 72) The reader feels sorry for Elizabeth because she is innocent and Cheever is an intruder. This moment makes the reader realize how hysteria has snowballed something as benign as a little girl falling ill into something much more threatening and menacing, creating a powerful scene in the play. Another powerful moment in the play is when Danforth asks if Proctor’s confession is a lie. One of the elements that makes this moment so powerful is the sense of irony. Danforth asks Proctor if the confession is a lie and says that he “cannot keep [him] from the rope” if it is. Yet if the confession is a lie, Proctor is not a witch and should not be hanged. The irrationality of Danforth’s statement adds a sense of desperation because Proctor should not have to make a choice between life and death since the confession is indeed a lie. Danforth is forcing Proctor to break a commandment in order to be a part of their society which is supposed to be ruled by commandments. Another way that Miller makes this moment so powerful is by making the reader feel empathy for Proctor by using emotionally charged words. Proctor, “weeping in fury,” with “breast heaving,” “kisses [Elizabeth] now with great passion.” This gives the reader a more vivid picture of what is happening and the emotions that the characters are feeling. The reader also empathizes with Proctor because of the pressure that he is experiencing from both sides. Hale and Parris want to say the confession is true, while Elizabeth and Rebecca want him to admit that Johnson 3 it is a lie. Peer pressure is something that the reader can relate to because most people have experienced it. The final way that Miller makes the reader feel empathy is by giving Proctor such a weighty decision between life and death, preserving his reputation, or destroying it. To Proctor this decision is really about what is more important: his life or his name. The final thing that makes this moment so powerful is the motif of Proctor ripping papers. Proctor tore the warrant that Cheever brought for Elizabeth and he also “tears the paper” (pg. 133) that is his confession. This motif represents the theme of individuality because by ripping the papers, Proctor is demonstrating his disdain for the Puritans’ ideology and showing them that he will not conform to their unrealistic expectations. Read by themselves, these moments in The Crucible by Arthur Miller may seem ordinary or even boring. Yet when read in the context of the whole play, they are especially powerful because of their meaning in the whole plot of the play. These moments are powerful because they demonstrate the main themes of the play.