Emily Nan Phillips
Hair: Red
Eyes: Green
Height: 5’7
Vocal Range: Mezzo-Soprano, Alto
REGIONAL THEATRE
The Miraculous Journey of Edward
Tulane
Rudolph, the Red-Nosed Reindeer
Our Town
Afflicted: Daughters of Salem*
Love, Sex and the I.R.S.
The Foreigner
Bye, Bye, Birdie
EDUCATIONAL THEATRE
Freedom Rider*
Love’s Labour’s Lost
Almost, Maine
Big Love
Burnt By The Sun
EAT THIS!**
King Lear
A Midsummer Night’s Dream
Contact: 210-268-8743
emilynanphillips@gmail.com
EMC
The Traveler/ Various
The Coterie/ David Saar
Mrs. Claus/ Mrs. Donner
Ensemble
Mercy Lewis
Connie
Betty Meeks
Rosie
The Coterie/ Jeff Church
Kansas City Rep/ David Cromer
The Coterie/ Jeff Church
Prairie Rep/ Sue Klemp
Prairie Rep/ Robert Sylskar
Playhouse 2000/ Jeff Brown
Joan
Anthony Dull
Sandrine/ Rhonda
Lydia
Elena
Various
Cordelia/ The Fool
Titania
UMKC/ Ricardo Khan
UMKC/ Ed Stern
UMKC/ John Rensenhouse
UMKC/ Megan Sandberg-Zakian
UMKC/ Tom Mardikes
UMKC/ Stephanie Roberts
UMKC/ Carla Noack
WTAMU/ Stephen Crandall
TRAINING
MFA Acting: University of Missouri – Kansas City (expected May 2015)
Acting: Theodore Swetz, Carla Noack, Royal Brantley and Stephen Crandall
Mask/ Clown: Stephanie Roberts
Voice: Erika Bailey, Scott Stackhouse and Stephen Crandall
Singing: Anthony Edwards and Jo Ella Cansler (Classical, language, musical theatre)
Internship at Guildford Shakespeare Company, Guildford, Surrey, England
Semester Abroad: Goldsmiths University, London, England
American Conservatory Theatre Classical Summer Training Congress
Master Classes: Shakespeare (Ed Stern), Film (Joey Paul Jensen), Auditioning (Pat McCorkle)
B.A. Musical Theatre, Magna Cum Laude: West Texas A&M University
SPECIAL SKILLS
Dialects: British (RP, Cockney, Birmingham), American Southern, Texan, Russian, French, New York, Irish,
South Dakotan
Dance (Basic Jazz, Intermediate Ballet, Galliard, Minuet), Soprano ukulele, Harmonica, Singing, Horsmanship,
Firearms, Big game processing, Painting, Drawing, Knitting, Henna, Face painting, Intermediate Boxing,
Splitting wood, Can solve a Rubik’s Cube, Rapier and stage combat, Featured in the Washington Post
*Denotes a New Play
**Denotes a New Devised Work