Southern Oregon University Library
Special Collections
TANNENBAUM SHAKESPEARE COLLECTION
VERTICAL FILE
#020
Introduction and Scope Note
Originally Prepared by Richard E. Moore
Updated 2009
Dr. Samuel A. Tannenbaum (1874-1948) was a New York medical doctor who spent his
leisure hours studying Shakespeare, particularly Shakespearean penmanship. As was done in the
days prior to easy photocopy processes, scholars received extra copies of reprints of articles they
wrote for scholarly journals and sent copies of the reprints to other authorities.
Dr. Tannenbaum collected such a file of well over 400 article reprints and pamphlets on
the renaissance era as it related to Shakespeare and his contemporaries. Hannon Library
acquired this file through the Old Oregon Book Store. Many of the items have been processed
for full cataloging in the Margery Bailey Renaissance Collection. The remaining are article
reprints appearing in scholarly journals during the first quarter of this century. Several of the
publications included Dr. Tannenbaum’s writings, see items numbered 11:12, 127, 139:5 and
150:1.
The vertical file is organized by general subject order numbered with the reprints in each
folder containing a sub-category to permit some ease of filing and retrieval. This is a finding
guide to the complete file.
The Tannenbaum Shakespeare Collection is a supplement to the Bailey Collection.
These materials add an important dimension to the collection that is rarely found outside journal
indexes of a general nature.
The finding aid to the Tannenbaum Shakespeare Collection was originally created by
Richard Moore. In 2009, Jenith Hall, a student intern, recreated and edited the document using
Microsoft Word.
1
COLLECTION: TANNENBAUM SHAKESPEARE FILE
Vertical File: Drawer 1 - ACTING – FORMAN
ACTING
1:1
1:2
1:3
Kempling, W. Bailey
Harbage, Alfred
Hanbury-Williams,
Charles, ed.
Henry Condell: 1627-1927
Elizabethan Acting
The Monthly Review
2:1
2:2
Libby, M. F.
Draper, John W.
2:3
Cady, Frank W.
Shakespeare and Adolescence
Browsing Through the Ages: Shakespeare’s
Attitude Towards Old Age
Shakespeare Views Old Age
AGE
ALL’S WELL THAT ENDS WELL
3
Hastings, William T.
Notes on All’s Well That Ends Well
ALPHONSUS
4
Bowers, Fredson Thayer
Alphonsus, Emperor of Germany, and the
Ur-Hamlet
ANGLO-LATIN SCHOLARSHIP
5
Ogilvy, Jack D. A.
Anglo-Latin Scholarship, 597-780
ANYTHING FOR A QUIET LIFE
6
Dunkel, W. D.
The Authorship of Anything for a Quiet
Live
ARISTOCRATIC
7
Tolman, Albert H.
Is Shakespeare Aristocratic?
ASTRONOMY
8
Abbot, C. G.
Astronomy in Shakespeare’s Time and in
Ours
2
AUDIENCE
9
Bennett, H. S.
Shakespeare’s Audience
AUTHORSHIP
10:1
Wood, D.T.
10:2
10:3
Albright, Evelyn May
Oliphant, E. M.
10:4
10:5
10:6
10:7
10:8
10:9
10:10
10:11
10:12 Donnelly, Ignatius
10:13 Rapp, Von Professor
The Revels Books: The Writer of the
“Malone Scrap”
“To Be taied”
Problems of Authorship in Elizabethan
Dramatic Literature
Shakespeare Fellowship Quarterly, v. 6,
no. , July,
1945
Shakespeare Fellowship Quarterly, v. 5,
no. 2, April,
1944
Shakespeare Fellowship Quarterly, v. 6
no. 4, October,
1945
Shakespeare Fellowship Quarterly, v. 7,
no. 1, January,
1946
Shakespeare Fellowship Quarterly, v. 7,
no. 2, April,
1946
Shakespeare Fellowship Quarterly, v. 7,
no. 3, July
1946
Shakespeare Fellowship Quarterly, v.7,
no. 2, Summer,
1947
Shakespeare Fellowship Quarterly, v. 7,
No. 4, October,
1946
“The Cipher in the Plays and on the
Tombstone,”
Beilage zum Programm des Kgl..
Realgymnasiums un der Kgl.
Realanstalt in Ulm zum Schlusse
Des Schuljahrs
1887-1888
AUTOGRAPHS
11:1
11:2
Mitchell, C. Ainsworth
D.Sc., F.I.C.
Tannenbaum, Samuel A.
M. D.
Scientific Documentary Evidence in
Criminal Trials
Shakspere’s Unquestioned Autographs and
“The Addition” to “Sir Thomas
Moore”
3
BACON
12:1
Speckman, Dr. H. A. W.
12:2
Butterfield, W. A.
12:3
Eames, Wilberforce
De Grondslagen Van Het Geheimschrift
van Francis Bacon
The “Bacon Nonsense.” a Review of Mr.
Edwin Reed’s Book, “Bacon versus
Shakspere, Brief For Plaintiff.”
The First American Edition of Wither’s
Poems and Bacon’s Essays
BALLADS
13:1
13:2
Rollins, Hyder E.
Rollins, Hyder E.
Ballads from Additional MS. 38,599
Notes on the “Shirburn Ballads.”
BAUDELAIRE
14:1
Baym, Max 1
Baudelaire and Shakespeare
BEAUMONT AND FLETCHER
15:1
Bond, R. Warwick
15:2
Oliphant, E. H. C.
15:3
Pellegrini, Giuliano
“On Six Plays in Beaumont and Fletcher,
1679. The Review of English
Studies, vol. 11 (July, 1935).
The Plays of Beaumont and Fletcher: Some
Additional Notes
Introduzione a Beaumont e Fletcher
BELIAL
“Belial as an Example,” Modern Language
Notes, vol. 48 (November 1933)
16
BILLPOSTING
17
Holzknecht, Karl J.
Theatrical Billposting in the Age of
Elizabeth
4
BOOKS
18:1
18:2
Kirschbaum, Karl J.
Smith, Robert M.
18:3
Smith, Robert M.
A Census of Bad Quartos
Why a First Folio Shakespeare Remained in
England
The Formation of Shakespeare Libraries
in America
CHAPMAN
19
Perkinson, Richard H.
Nature and the Tragic Hero in Chapman’s
Bussy Plays
CHARACTERS
20:1
20:2
Price, Hereward T.
Martin, Helena Faucit
20:3
20:4
Wales, Julia Grace
20:5
Morsbach, Lorenz
Shakespeare’s Imagery
Ueber einige von Shakespeare’s FrauenCharakteren
Lady Martin’s Female Characters of
Shakespeare
Character and Action in Shakespeare: a
Consideration of Some Skeptical
Views.
Rede zur Feier des Geburtstages; Seiner
Majestat des Kaisers und Konigs
CHASTITY-TESTING
21
Cross, Tom Peete
Notes on the Chastity-Testing Horn and
Mantle
Leonard, William Ellery
The Recovery of the Metre of the Cid
CID
22
CLEOPATRA
23
Kirschbaum, Leo
Shakespeare’s Cleopatra
5
COLERIDGE
24
Thorpe, Clarence D.
Coleridge as Aesthetician and Critic
COMEDIES
25:1
Draper, John W.
25:2
25:3
Clapp, Henry
Small, S. A.
The Theory of the Comic in Eighteenthcentury England
Time in Shakespeare’s Comedies
The Shaksperian Keynote Scene in Comedy
COMEDY OF ERRORS
26:1
Keller, Wolfgang
26:2
Gill, Erma M.
26:3
Gaw, Allison
Shakespeare-Jahrbuch; Herausgegeben im
Auftrage der Deutschen
Shakespeare-Gesellschaft
The Plot-Structure of “The Comedy of
Errors” in Relation to its Sources
The Evolution of “The Comedy of Errors”
CONVENTIONAL IDEAS
27
Dean, Leonard F.
Shakespeare’s Treatment of Conventional
Ideas
CONVERSAZIONE
28
Draper, John W.
Shakespeare and the Conversazione
CORIOLANUS
29:1
Draper, John W.
29:2
Shakespeare’s Coriolanus, a Study in
Renaissance Psychology
Hermann Kirchner’s Coriolanus
COSMIC IDENTITIES
30
Allen, Don Cameron
Shakespere and the Doctrine of Cosmic
Identities
6
COSTUMES
31
Freeman, Bernice
The Costumes of “Love’s Labor’s Lost,”
“Twelfth Night,” and “The
Tempest.”
COUNSELLORS
32
Sleeth, Charles R.
Shakespeare’s Counsellors of State
COURT
33
Draper, John W.
Court vs Country in Shakespeare’s Plays
CREDULITY
34
Doran, Madeleine
On Elizabethan “Credulity”; with some
Questions concerning the use of
The marvelous in literature
CRITICISM
35:1
Wales, Julia Grace
35:2
Babcock, R. W.
A Suggestion for a History of
Shakespearean Criticism by Plays
The English Reaction Against Voltaire’s
Criticism of Shakespeare
CYMBELINE
36:1
36:2
Lawrence, Willliam
Witherle
Law, Robert Adger
The Wager in Cymbeline
An Unnoted Analogue to the Imogen Story
DATING
37
Law, Robert Adger
On the Dating of Shakspeare’s Plays
DAVIES
38
Perkinson, Richard H.
The Polemical Use of Davies’ “Nosce
Teipsum”
7
DEBTOR
39
Thorndike, Ashley Horace
Shakspere as a Debtor
DEKKER
40
Adkins, Mary Grace Muse
Puritanism in the Plays and Pamphlets of
Thomas Dekker
DOGBERRY
41
Draper, John W.
Dogberry’s Due Process of Law
DRAMA
42:1
Rollins, Hyder E.
42:2
Rollins, Hyder E.
42:3
Sper, Felix
A Contribution to the History of the
English Commonwealth Drama
The Commonwealth Drama: Miscellaneous
Notes
The Germ of the Domestic Drama
DRINKING ACADEMY
43:1
Rollins, Hyder E.
43:2
Rollins, Hyder E.
The Drinking Academy or The Cheater’s
Holiday
The Drinking Academy of The Cheater’s
Holiday
DRYDEN
44
Ribner, Irving
Dryden’s Shaksperian Criticism and the
Neo-Classical Paradox
DUELING
45
Craig, Horace S.
Dueling Scenes and Terms in Shakespeare’s
Plays
ELDERTON
46
Rollins, Hyder E.
William Elderton: Elizabethan Actor and
Ballad Writer
8
ELIZABETHAN
47:1
47:2
Brooke, Tucker
Weisinger, Herbert
Queen Elizabeth’s Prayers
The Seventeenth-Century Reputation of
the Elizabethans
ELIZABETHAN SHAKESPEARE
48
Wilson, J. Dover
The Elizabethan Shakespeare
ESSEX
49
Heffner, Ray
Essex, the Ideal Courtier
FALSTAFF
50:1
50:2
50:3
50:4
50:5
50:6
Draper, John W.
Tolman, Albert H.
Clark, Eleanor Grace
Draper, John W.
Knowlton, E. C.
Falstaff and the Plautine Parasite
Why did Shakespeare Create Falstaff?
Falstaff and Cobham
Falstaff’s Robin and Other Pages
An Historical Bardolph
Falstaff Redux
FEASTS
51
Emerson, Oliver Farrar
Shakespearean and Other Feasts
FLORENCE
52
Draper, John W.
Shakespeare and Florence and The
Florentines
FLYTING
53
Galway, Margaret
Flyting in Shakespeare’s Comedies
Townsend, C. L.
The Foes of Shakespeare
FOES
54
9
FOREST OF ARDEN
55
Kreider, P. V.
General Literary Satire in the Forest
Of Arden
FORMAN
56
Klein, David
The Case of Forman’s Bocke of Plaies
Vertical File: Drawer 2 – GAGER – OTHELLO
GAGER
57
Brooke, Tucker
William Gager to Queen Elizabeth
GARRICK
58
Scouten, Arthur H.
Shakespeare’s Plays in the Theatrical
Repertory When Garrick Came
To London
Traver, Hope
The Four Daughters of God: a Mirror
of Changing Doctrine
GOD
59
GRAMMAR
60
Price, Hereward T.
Grammar and the Compositor in the
Sixteenth and Seventeenth Centuries
GRAYDON
61
Beatty, Joseph M., Jr.
Mr. Graydon’s “Defense of Criseyde”
GREEK DRAMA
62
Bald, R. C.
The Development of Greek and Mediaeval
English Drama
GREENE
63:1
Sykes, H. Dugdale
Robert Greene and George A. Greene, the
Pinner of Wakefield
10
GREENE (continued)
63:2
Tynan, Joseph L.
63:3
63:4
McNeal, Thomas H.
McNeal, Thomas H.
63:5
63:6
Allen, Don Cameron
Van Dam, B. A. P.
The Influence of Greene on Shakespeare’s
Early Romance
The Tyger’s Heart Wrapt in a Player’s Hide
Who is Silvia?—and Other Problems in the
Greene-Shakspere Relationship
Science and Invention in Greene’s Prose
R. Greene’s “Alphonsus”
HAMLET
64:1
64:2
Lawrence, W. J.
Decreus, Juliette
64:3
Schucking, Levin L.
64:4
64:5
64:6
64:7
64:8
64:9
64:10
Babcock, R. W.
Feibleman, James
Raven, Anton A.
Schucking, L. L.
Mackenzie, W. Roy
Bach, Ernst August
Eberhard, Dr. Ernst
64:11 Paul, Henry N.
Parrott, Thomas
64:12 Guttman, Selma
64:13 Smith, Robert M.
64:14
64:15
64:16
64:17
64:18
Babcock, R. W.
Smith, Robert M.
Draper, John W.
Lawrence, William W.
64:19 Lawrence, William W.
64:20 Draper, John W.
The Dumb Show in “Hamlet”
Forces Constructives Dans “Hamlet” et
Dans “La Princesse Maleine”
De Maurice Maeterlinck
The Churchyard-Scene in Shakespeare’s
“Hamlet”, v. i., an Afterthought
Mr. Granville-Barker and “Hamlet”
The Theory of Hamlet
There are More Things, Horatio
Sprache und Literatur
Rosencrantz and Guildenstern
Programnasial und Realschulanstalt 1850
Programm der Herzogl, Realschule zu
Coburg
1866
Quartos and Duodecimos of “Hamlet”
The Griggs Facsimile of “Hamlet”
The Fencing Bout in “Hamlet”
Hamlet and Gertrude, or The Conscience of
the Queen
Mr. Granville-Barker and “Hamlet”
Granville-Barker’s “Hamlet”
Hamlet’s Schoolfellows
Hamlet’s Sea-Voyage
Offprint from English Studies, ed. By
R. W. Zandvoort
Hamlet and Fortinbras
‘My Switzers’
11
HAMLET (continued)
64:21 Lawrence, William Witherle
64:22 Draper, John W.
Hamlet and the Mouse-Trap
Ophelia’s Crime of Felo De Se
HANDWRITING
65:1
65:2
Osborn, Albert S.
Osborn, Albert S.
65:3
Osborn, Albert S.
Errors in identification of Handwriting
Expert Testimony as to Questioned
Documents
Judges’ Charges and Argument of Counsel
In Disputed Document Cases
HARDY
66:1
66:2
Lancaster, H. Carrington
Vandiver, E. P. Jr.
Alexandre Hardy and Shakespeare
Hardy and Shakespeare Again
HAZLITT
67
Babcock, R. W.
The Direct Influence of Late Eighteenth
Century Shakespeare Criticism on
Hazlitt and Coleridge
HENRY V
68:1
Albright, Evelyn May
68:2
Radoff, M. L.
68:3
Van Dam, B. A. P.
68:4
68:5
Shaaber, M. A.
Taylor, George C.
68:6
68:7
Hartman, Herbert
Law, Robert Adger
The Folio Version of Henry V in
Relation to Shakespeare’s Times
Influence of the French Farce in “Henry V”
and “The Merry Wives”
Shakespeare Problems nearing Solution.
“Henry V” and “Richard III”
A Note on I “Henry IV”
Notes and Comments on “Henry IV, Part I”,
Variorum Edition
Prince Hal’s “Shew of Zeale”
Structural Unity in the Two Parts of “Henry
the Fourth.”
HEROES
69
Simpson, Lucie
The Secondary Heroes of Shakespeare
12
HEYWOOD
70:1
Wright, Louis B.
70:2
70:3
Wright, Louis B.
Patterson, McEvoy
70:4
Gray, Henry David
Notes on Thomas Heywood’s Later
Reputation
Heywood and the Popularizing of History
Origin of the Main Plot of a Woman
Killed with kindness
Appius and Virginia: By Webster and
Heywood
HILLES
71
Ashton, John W., Ph.D.
Richard Hilles: Tudor Englishman
HISTORICAL DRAMAS
72:1
Kay, Carol McGinnis
Billings, Wayne L.
Sheriff, William E.
Homan, Sidney
Thomas, Mary Olive
Manley, Frank
Cook, Dorothy
Traps, Slaughter, and Chaos: a Study of
Shakespeare’s “Henry VI” Plays.
Studies in the Literary Imagination,
vol. 5
(April, 1972)
Ironic Lapses: Plotting in “Henry VI”.
Studies in the Literary Imagination,
vol. 5
(April, 1972)
The Grotesque Comedy of “Richard III” .
Studies in the Literary Imagination,
vol. 5
(April, 1972)
“Richard III:” the Aesthetics of Judgment.
Studies in the Literary Imagination,
vol. 5
(April, 1972)
The Elevation of Hal in “I Henry IV”.
Studies in the Literary Imagination,
vol. 5
(April, 1972)
The Unity of Betrayal in “II Henry IV”.
Studies in the Literary Imagination,
vol. 5
(April, 1972)
“Henry V:” Maturing of Man and Majesty.
Studies in the Literary Imagination,
vol. 5
(April, 1972)
13
HISTORICAL DRAMAS (continued)
72:1
Richmond, Hugh M.
Shakespeare’s Roman Trilogy: The Climas
in “Cymbeline”.
Studies in the Literary Imagination,
vol. 5
(April, 1972)
Utterback, Raymond V.
Dramatic Perspectives on Shakespeare’s
History Plays: A Review Article.
vol. 5
(April, 1972)
HOLINSHED
73
Dodson, Sarah
Caterpillars, Sponges, Horseleeches, in
Shakespeare and in Holinshed
HUMOR
74
Draper, John W.
Signior Brabantio’s Humor
HUNDRETH SUNDRY FLOWERS
75
Greg, W.
A Hundreth Sundry Flowers
ILLUSTRATION
76
Chambers, E. K.
The First Illustration to ‘Shakespeare’
IMAGERY
77
Spurgeon, Caroline F. E.
Shakespeare’s Iterative Imagery
Ferrando, Guido
Shakespeare in Italy
Ash, D. F.
Anglo-French Relations in King John
ITALY
78
JOHN
79
14
JONSON
80:1
80:2
Greg, W. W.
Van Dam, B. A. P.
80:3
80:4
80:5
80:6
Allen, Don Cameron
Neumann, Joshua H.
Bang, W.
Perkinson, Richard H.
80:7
Graves, T. S.
80:8
Jonson, Ben
The Riddle of Jonson’s Chronology
A Prompt-Book Text of “The Alchemist”
and Its Important Lesson
Ben Jonson and the Hieroglyphics
Notes on Ben Jonson’s English
‘Memorandums of the Immortal Ben’
‘Volpone’ and the Reputation of
Venetian Justice
Jonson’s Epicoene and Lady Arabella
Stuart
The Fortune Players in “The Alchemist”
JULIUS CAESAR
81:1
81:2
Asch, M. Dr. ph.
Studien zu Shakespeare’s “Julius Caesar”
Shakspere’s and Voltaire’s Julius Caesar
Bowers, Fredson Thayer
Greg, W. W.
KYD’s Pedringano: Sources and Parallels
‘The Spanish Tragedy’ a Leading Case
Pearson, Lu Emily
Charles Lamb, Literary Critic
KYD
82:1
82:2
LAMB
83
LANGUAGE
84:1
Wright, Louis B.
84:2
Hense, Dr. C. C.
84:3
Abmann, Dr. Bruno
84:4
Townsend, C. L.
Language Helps for the Elizabethan
Tradesman
Beseelende Personification in Griechischen
Dichtungen mit Berucksichtigung
Lateinischer Dichter und Shaksperes
Studien zur A. W. Schlegelschen
Shakespeare-Ubersetzung: Die
Wortspiele
Shakespeare in the High School
15
LANGUAGE (continued)
84:5
Tilley, Morris P.
Some Evidence in Shakespeare of
Contemporary Efforts to Refine the
Language of the Day
85:1
85:2
85:3
85:4
85:5
85:6
Parr, Johnstone
Hawkins, Frederick
Parr, Johnstone
Vandiver, Edward P., Jr.
Kane, Robert J.
Draper, John W.
85:7
85:8
Draper, John W.
Perkinson, Richard H.
A Note on the “Late Eclipses” in King Lear”
“Lear” on the Stage
Edmund’s Nativity in “King Lear”
Longfellow, Lanier, Boker and “King Lear”
Tolstoy, Goethe and “King Lear”
Patterns of Humor and Tempo in “King
Lear”
The Old Age of King Lear
Shakespeare’s Revision of the Lear Story
And the Structure of “King Lear”
“Is this the Promis’d End?”
“The Text of King Lear.” By Madeleine
Doran, Ph.d. 148pp. Stanford
University Press, 1931.
LEAR
85:9 Perkinson, Richard H.
85:10 Van Dam, B. A. P.
LILLO
86
Mead, Gilbert Wilcox
Some Direct Influences of Lillo’s “The
London Merchant” in France
before 1790
LITERATURE
87:1
Craig, Hardin
87:2
Craig, Hardin
Recent Literature of the English
Renaissance (1932)
Recent Literature of the English
Renaissance (1929)
LOGIC
88
Craig, Hardin
Shakespeare and Formal Logic
LOOKING GLASS
89:1
Law, Robert Adger
A Looking Glasse and the Scriptures
16
LOOKING GLASS (continued)
89:2
Baskervill, Charles Read
A Prompt Copy of a Looking Glass for
London and England
LOVE LABOUR’S LOST
90:1
90:2
Cockburn, Sir John A.
Phelps, John
The Locality of “Love’s Labours Lost”
Father Parsons in Shakespeare.
a Commentary on certain Passages in
“Loves’s Labour’s Lost”
LUTENIST
91
Scholl, Evelyn H.
New Light on Seventeenth Century
Pronunciation from the English
School of Lutenist Song Writers
Bond, R. Warwick
Bond, R. Warwick
Lyly’s Songs
Addendum on Lyly’s Songs
Patterson, Frank Allen
Haber, Tom Burns
Shakespere an the Medieval Lyric
What Fools These Mortals Be!
Housman’s Poetry and the
Lyrics of Shakespeare
LYLY
92:1
92:2
LYRIC
93:1
93:2
MACBETH
94:1
94:2
94:3
94:4
94:5
94:6
94:7
94:8
Coriat, Isidor H., M. D.
Bordieck, Oberlehrer August
Weilgart, Dr. Wolfgang
Hunter, Edwin R.
Draper, John W.
Curry, Walter Clyde
Draper, John W.
Brown, Beatrice Daw
Die Psychoanalyse der Lady Macbeth
1901. Programm. Nr. 232
Macbeth: Demon and Bourgeois
Macbeth as a Morality
Lady Macbeth
The Demonic Metaphysics of “Macbeth”
“Macbeth” as a Compliment to James I
Exemplum Materials Underlying “Macbeth”
17
MAD-FOLK
95
Butler, Pierce, Ph. D.
Annual Address. Stage Mad-Folk in
Shakespeare’s Day.
MARLOWE
96:1
96:2
96:3
96:4
96:5
96:6
Seaton, Ethel
Bakeless, John
Seaton, Ethel
Kirschbaum, Leo
Baines, Richard
Gray, Austin K.
96:7
96:8
Brooke Tucker
Kocher, P. H.
96:9 Brown, Beatrice Daw
96:10 Kocher, Paul H.
96:11 Kocher, Paul H.
96:12 van Dam, B. A. P.
96:13 Kocher, Paul H.
96:14 Kocher, Paul H.
Fresh Sources for Marlowe.
Christopher Marlowe and the Newbooks.
Marloe, Robert Poley, and the Tippings.
Marlowe’s Faustus: a Reconsideration.
Charges Made Against Marlowe
Some Observations on Christopher
Marlowe, Government Agent.
The Marlowe Cannon.
Francois Hotman and Marlowe’s Massacre
at Paris
Marlowe, Faustus, and Simon Magus.
The English Faust Book and the Date of
Marlowe’s Faustus
Marlowe’s Atheist Lecture.
Marlowe’s Tamburlaine
Backgrounds for Marlowe’s Atheist
Lecture
The Witchcraft Basis in Marlowe’s Faustus
MEASURE FOR MEASURE
97
Ball, Robert Hamilton
Cinthio’s Epitia and Measure for Measure
MEDICINE
98:1
Thomson, Sir St. Clair
Shakespeare and Medicine. Being the
Annual Oration of the Medical
Society of London, 1916.
98:2
Edgar, Irving I., M.A.
Medical Practice and the Physician in
Elizabethan England and in
Shakespeare’s Dramas
18
MEDICINE (continued)
98:3
Cerna, David, M.D., Ph.D.
Shakespeare and the Circulation of the
Blood.
MEDIEVAL ELEMENT
99
Taylor, George C.
The Medieval Element in Shakespeare.
MELBANCKE
100
Rollins, Hyder E.
Notes on Brian Melbancke’s Philotimus.
MERCHANT OF VENICE
101:1 Nelson, B. N. and
J. Starr
The Legend of the Divine Surety and the
Jewish Moneylender.
101:2 West, E. J.
101:3 Praetorius, Charles
The Use of Contrast in Merchant of Venice.
Shakspere’s Merchant of Venice: the
Second (and better) Quarto, 1600.
I Will Try Confusions with Him
101:4 Traver, Hope
MERRY DEVIL
102
Law, Robert Adger
The Journal of English and Germanic
Philology
METRE
103
Van Dam, B. A. P.
Metrick. Robert Bridges, Milton’s Prosody,
And William Johnson Stone,
Classical Metres in English Verse.
MIDDLETON
104
Christian, Mildred G.
Middleton’s Residence at Oxford
MIDSUMMER NIGHT’S DREAM
105
Law, Robert Adger
The “Pre-Conceived Pattern” of A
Midsummer Night’s Dream
19
MIRROR CONCEPT
106
Anderson, Ruth L., Ph.D.
The Mirror Concept and its Relation to
The Drama of the Renaissance
MISTAKEN IDENTITY
107
Draper, John W.
Mistaken Identity in Shakespeare’s
Comedies
Tupper, Frederick, Jr.
The Shakespearean Mob
MOB
108
MOIETY
109
Brooke, Tucker
Shakespeare’s Moiety of the Stratford Tithes
MONTAIGNE
110
Taylor, George C.
Montaigne—Shakespeare and the Deadly
Parallel
MORALITY PLAYS
111
Roberts, Morris
A Note on the Sources of the English
Morality Play
MUCH ADO ABOUT NOTHING
112:1 Rhodes, R. Crompton
112:2 Thaler, Alwin
112:3 Bennett, Mackie Langham
112:4 Gaw, Allison
Much Ado about Nothing at Oxford 1606
Spenser and Much Ado About Nothing.
Shakespeare’s Much Ado and Its Possible
Italian Sources.
Is Shakespeare’s Much Ado a Revised
Earlier Play?
MYSTERY PLAYS
113
Wells, Henry W.
Style in the English Mystery Plays
NASHE
114
Allen, Don C.
A text from Nashe on the Latin Literature
of the Sixteenth Century.
20
NATURE
115
Luce, Morton
Nature in Shakespeare
ORRERY’S PLAYS
116
Clark, William S.
Lost Stage Directions in Orrery’s Plays
OSLER
117
White, William
Osler on Shakespeare, Bacon, and Burton
with a reprint of his Creators,
Transmuters, and Transmitters
OTHELLO
118:1
118:2
118:3
118:4
118:5
Kirschbaum, Leo
Stirling, Brents
Draper, John W.
Gilbert, Allan H.
Krappe, Alexander
Haggerty
118:6 Whitney, Lois
118:7 Hano, E.
The Modern Othello
Psychology in Othello
“Honest Iago”
Scenes of Discovery in Othello
A Bysantine Source of Shakespeare’s
Othello
Did Shakespeare Know “Leo Africanus”?
Some Hints About Shakespeare’s Othello
Vertical File: Drawer 3 – PALIMPSEST-WINTER’S TALE
PALIMPSEST
119
Harbage, Alfred
Elizabethan-Restoration Palimpsest
Sampley, Arthur M.
The Text of Peele’s David and Bethsabe
PEELE
120
PERICLES
121:1 Hastings, William T.
121:2 Gray, Henry David
121:3 Graves, T. S.
Exit George Wilkins?
Heywood’s Pericles, Revised by
Shakespeare
On the Date and Significance of Pericles
21
PERSONALITY
122
Brewster, William Tenney
The “Restoration” of Shakspere’s
Personality
PERFORMANCES
123:1 Gates, William Bryan
123:2 Thorndike, Ashley
123:3 Ball, Robert Hamilton
Performances of Shakespeare in
Ante-Bellum Mississippi
Shakespeare in America
If We Shadows Have Offended
PHOENIX AND TURTLE
124
Fairchild, Arthur H. R.
The Phoenix and Turtle. A Critical and
Historical Interpretation.
PLAYERS
125
Thaler, Alwin
The Travelling Players in Shakspere’s
England
Baldwin, T. W.
A Note Upon William Shakespeare’s Use
of Pliny
PLINY
126
POEMS
127
Tannenbaum, Samuel A.
Unfamiliar Versions of Some Elizabethan
Poems
POLEY
128
Seaton, Ethel
Robert Poley’s Ciphers
POLITICAL THEMES
129
Draper, John W.
Political Themes in Shakespeare’s
Later Plays
PORE HELPE
130
Lenthicum, M. Channing
‘A Pore Helpe’ and its Printers
22
PRINTER
131
McKerrow, R. B.
The Elizabethan Printer and Dramatic
Manuscripts
PRONUNCIATION
132
Ayres, Harry Morgan
The Question of Shakspere’s
Pronunciation
PROVERBS
133
Lever, Katherine
Proverbs and Sententiae in the Plays of
Shakspere
PURITANS
134
Daniels, R. Balfour
Shakspere and the Puritans
RACE PREJUDICE
135
Withington, Robert
Shakespeare and Race Prejudice
RALEGH
136
Bennett, Josephine
Waters
Early Texts of Two of Ralegh’s Poems
REALISM
137
Draper, John W.
The Realism of Shakespeare’s Roman Plays
RENAISSANCE
138:1 Taylor, George C.
138:2 Allen, Don Cameron
The Elizabethan Legacy (A Glance Towards
the Renaissance)
The Degeneration of Man and Renaissance
Pessimism
REVIEWS
139:1 Thaler, Alwin
Review: a New Variorum Edition of
Shakespeare: the poems (Venus and
23
REVIEWS (continued)
139:1 (cont.)
139:2 Northrup, Clark S.
139:3 Keller, Wolfgang
139:4 Rollins, Hyder
139:5 Tannenbaum, Samuel A.
139:6 Young, Karl
Adonis, Lucrece, The Passionate
Pilgrim, The Phoenix and the Turtle,
A Lover’s Complaint)
Review and Notes
Bucherschau
Mme. De Chambrun’s Shakespeare
Rediscovered
How Not to Edit Shakespeare: A Review
Samuel Johnson on Shakespeare: One
Aspect
REVISIONS
140
Craig, Hardin, Ph.D.
Shakespeare’s Revisions
RICHARD II
141:1 Sprague, Arthur Colby
141:2 Frijlinck, W. P., ed.
The First American Performance of
Richard II
The First Part of the Reign of King Richard
the Second or Thomas of
Woodstock.
RICHARD III
142:1 Mott, Lewis F.
142:2 Krappe, Alexander H.
A Political Allusion in Shakespeare’s
Richard III
Shakespeare Notes
RICHE
143
Starnes, D. T.
Barnabe Riche’s “Sappho Duke of
Mantona”
ROMEO AND JULIET
144:1 Allen, N. B.
144:2 Allen, Ned B.
144:3 Allen, B. Sprague
Romeo and Juliet Further Restored
Shakespeare and Arthur Brooke
Tom Coryat and Juliet’s “Balcony”
24
ST. OMER
145
McCabe, William H.
Notes on the St. Omer’s College Theatre
SHAKESPEARE
146:1
146:2
146:3
146:4
146:5
146:6
146:7
146:8
Luce, Morton
Gates, William Bran
Law, Robert Adger
Venable, Emerson
Bulthaupt, Heinrich
Elze, K.
Bab, Julius
Craig, Hardin
146:9 Hastings, William T.
146:10
146:11
146:12
146:13
Lawrence, W. J.
Brockerhoff, Oberlehrer
Rolfe, Wm. J., A.M.
Pemberton, Henry, Jr.
146:14 Newdick, Robert S.
146:15 Bauer, Harry C.
146:16 Deaton, Mary
146:17
Boucher, Harold I.
Shakespeare: a Vindication
O. Henry and Shakspere
Mr. Kittredge and His Shakespeare
A Speculation Regarding Shakespeare
Shakespeare und der Naturalismus
Der Shakespeare-Dilettantismus
Der Mensch Auf Der Buhne
Renaissance Ideal: a Lecture on
Shakespeare
To The Next Editor of Shakspere: Notes
for His Prospectus
Something New About Shakespeare
Abhandlung: Ueber Shakespeare’s Sturm
Shakespeare for the School and Family
The Social Position in London of
William Shakspere
Some Notes on Robert Frost and Shakspere
Shakespeare’s Last Words
Something Shakspere Left Out
The Shakespeare Club of New York City.
Thirty-fifth Year.
1922-23
Will Clause Precedents- Who Invented
The Will?
SHAW
147
Chesterton, G. K.
Shakespeare and Shaw
SIDNEY
148
Schelling, Felix E.
“Sidney’s Sister, Pembroke’s Mother:” A
Consideration of the Elizabethan
Woman in Her Sphere as a Patron of
Learning
25
SEIGE OF TROY
149
Tatlock, John S. P.
The Siege of Troy in Elizabethan
Literature, Especially in
Shakespeare and Heywood
SIGNATURES
150:1 Tannenbaum, Samuel A.
150:2
150:3 Stopes, Charlotte
Reclaiming one of Shakspere’s Signatures
Shakespeare’s Handwriting. Facsimiles
Of the Five Authentic Autograph
Signatures of the Poet
The Earliest Official Record of
Shakespeare’s Name
SOCIETY
151
Wolff, Max J.
Die Soziale Stellung Der Englischen
Renaissancedramatiker
SONNETS
152:1 Oliphant, E. H. C.
152:2 Mattingly, Garrett
Sonnet Structure: An Analysis
The Date of Shakespeare’s Sonnet CVII
SPELLING
153:1 Pollard, Alfred W.
Byrne, M. St. Clare
153:2 Spielmann, M. H.
Elizabethan Spelling as a Literary &
Bibliographical Clue
Anthony Munday’s Spelling as a
Literary Clue
Sixteenth and Seventeenth Century
Spelling: a Suggested Reason for its
Variability.
SPENSER
154:1 Koller, Kathrine
154:2 Osgood, Charles G.
154:3 Millican, C. Bowie
154:4 Heffner, Ray
154:4 Strathmann, Ernest A.
Spenser and Ralegh
Verse in Spenser’s Prose
Ralph Knevett, Author of the Supplement
To Spenser’s Faerie Queene
Spenser’s Acquisition of Kilcoman
Spenser’s Legends and Court of Cupid
26
SPENSER (continued)
154:5 Thaler, Alwin
154:6 Thaler, Alwin
154:7 Millican, C. Bowie
154:8 Neill, Kerby
154:9 Jenkins, Dr. Raymond
154:10 Millican, C. Bowie
154:11
154:12
154:13
154:14
Draper, John W.
Millican, C. Bowie
Padelford, Frederick M.
Millican, C. Bowie
154:15 Hughes, Merritt Y.
Shakspere and Spenser
(1935)
Shakspere and Spenser
(1936)
Notes on Mulcaster and Spenser
Spenser’s Shamefastnesse, Faerie Queene
Who Is E. K.?
The Northern Dialect of the Shepheardes
Calender
Classical Coinage in the Faerie Queene
The Supplicats for Spenser’s Degrees
The Muse of the Faerie Queene
Spenser’s and Drant’s Poetic Names for
Elizabeth: Tanaquil, Gloria, and Una
Spenser’s Acrasia and the Circe of the
Renaissance
STAGING
155:1
155:2
155:3
155:4
Myers, A. Michael
Sprague, Arthur Colby
Sprague, Arthur Colby
McCabe, William H.
British and American Staging of Shakspere
Shakespeare and William Poel
Off-Stage Sounds
Music and Dance on a 17th Century College
Stage
STATIONER
156
Greg, W. W.
Some Notes on the Stationer’s Register
STYLE
157
Thaler, Alwin
Shakespeare on Style, Imagination, and
Poetry
SUPERNATURAL
158
Burcham, Carl
An Examination of Shakespeare’s Use of
The Supernatural in His Dramas
SWINBURNE
159
Furnivall, F. J.
Mr. Swinburne’s “Flat Burglary” on
Shakspere
27
TAMING OF THE SHREW
160:1
160:2
160:3
160:4
Draper, John W.
Van Dam, B. A. P.
Van Dam, B. A. P.
Kobbe, Gustav
“Kate the Curst”
The Taming of a Shrew
The Taming of the Shrew
The Taming of Kate: A Shakesperian
Fantasy
TEMPEST
161:1
161:2
161:3
161:4
Einstein, Alfred
Moulton, R. G.
Adams, John C.
Libby, Melanchthon F.
161:5 Libby, Melanchthon F.
161:6 Libby, Melanchthon F.
161:7 Libby, Melanchthon F.
161:8 Perott, Joseph De
Mozart und Shakespeare’s “Tempest”
Shakspere’s Tempest
The Staging of The Tempest, III.
Shakespeare and Psychognosis. Essay I.
Minor Characters of “The Tempest”
Shakespeare and Psychognosis. Essay II.
Major Characters of “The Tempest”
Shakespeare and Psychognosis. Essay III.
Major Characters of “The Tempest”
(concluded)
Shakespeare and Psychognosis. Essay IV.
Types of Situation in “The Tempest”
The Probable Source of the Plot of
Shakespeare’s Tempest
TIMON OF ATHENS
162:1
162:2 Draper, John W.
162:3 Bond, R. Warwick
An Aspect of “Timon of Athens”
The Theme of ‘Timon of Athens’
Lucian and Boiardo in ‘Timon of Athens’
TITUS ANDRONICUS
163:1
163:2
163:3
163:4
163:5
Gray, Austin K.
Bolton, Joseph S. G.
Price, Hereward T.
Brooke, Tucker
Fuller, Harold De W.
Shakespeare and Titus Andronicus
The Authentic Text of Titus Andronicus
The Language of Titus Andronicus
Titus Andronicus and Shakespeare
The Sources of Titus Andronicus
28
TRAGEDY
164:1 Anderson, Ruth L.
164:2 Anderson, Ruth L.
Excessive Goodness A Tragic Fault
“As Heart Can Think
TROILUS AND CRESSIDA
165:1 Rollins, Hyder E.
165:2 Anderson, Ruth L.
165:3 Lawrence, William
Witherle
165:4 Elton, William
The Troilus-Cressida Story from Chaucer
to Shakespeare
“As Heart Can Think”
The Love Story in ‘Troilus and Cressida’
Shakespeare’s Portrait of Ajax in Troilus
And Cressida
TOURNEUR
166
Brooke, Tucker
A Tourneur Mystification
TURBERVILLE
167
Rollins, Hyder E.
New Facts About George Turbervile
TWELFTH NIGHT
168:1 Draper, John W.
168:2 Mueschke, Paul and
Jeannette Fleisher
168:3 Struble, George G.
168:4 Draper, John W.
168:5 Draper, John W.
The Wooing of Olivia
Jonsonian Elements in the Comic Underplot
of Twelfth Night
Schlegel’s Translation of Twelfth Night
Sir Toby’s “Cakes and Ale”
The Melancholy Duke Orsino
TWO GENTLEMEN OF VERONA
169
Allen, Mozelle Scaff
Broke’s Romeus and Juliet as a Source
for the Valentine-Silvia Plot in
The Two Gentlemen of Verona
VENICE
170:1 Draper, John W.
Shakespeare and the Doge of Venice
29
VENICE (continued)
170:2 Draper, John W.
“This Poor Trash of Venice”
VENUS AND ADONIS
171
Price, Hereward T.
Function of Imagery in Venus and Adonis
VOLTAIRE
172
Babcock, R. W.
The English Reaction Against Voltaire’s
Criticism of Shakespeare
WILSON, WOODROW
173
Townsend, Charles Louis
Ph.D.
Shakespeare and Woodrow Wilson
WINTER’S TALE
174
Taylor, George C.
Hermione’s Statue Again
30