http://www.onlineclasses.org/2011/01/20/the-50best-short-stories-of-all-time/ Jorge Luis Borges: The South The man who landed in Buenos Aires in 1871 bore the name of Johannes Dahlmann and he was a minister in the Evangelical Church. In 1939, one of his grandchlidren, Juan Dahlmann, was secretary of a municipal library on Calle Cordoba, and he considered himself profoundly Argentinian. His maternal grandfather had been that Francisco Flores, of the Second Line-Infantry Division, who had died on the frontier of Buenos Aires, run through with a lance by Indians from Catriel; in the discord inherent betweeh his two lines of descent, Juan Dahlmann (perhaps driven to it by his Germanic blood) chose the line represented by his romantic ancestor, his ancestor of the romantic death. An old sword, a leather frame containing the daguerreotype of a blank-faced man with a beard, the dash and grace of certin music, the familiar strophes of Martin Fierro, the passing years, boredom and solitude, all went to foster this voluntary, but never ostentatioous nationalism. At the cost of numerous small privations, Dahlmann had managed to save the empty shell of a ranch in the South which had belonged to the Flores family; he continually recalled the image of the balsamic eucalyptus trees and the great rosecolored house which had once been crimson. His duties, perhaps even indolence, kept him in the city. Summer after summer he contented himself with the abstract idea of possession and with the certitude that his ranch was waiting for him on a precise site in the middle of the plain. Late in February, 1939, something happened to him. looked fine. Dahlmann listened to them with a kind of feeble stupor and he marveled at their not knowing that he was in hell. A week, eight days passed, and they were like eight centuries. One afternoon, the usual doctor appeared, accompanied by a new doctor, and they carried him off to a sanitarium on the Calle Ecuador, for it was necessary to X-ray him. Dahlmann, in the hackney coach which bore them away, thought that he would, at last, be able to sleep in a room different from his own. He felt happy and communicative. When he arrived at his destination, they undressed him, shaved his head, bound him with metal fastenings to a stretcher; they shone bright lights on him until he was blind and dizzy, auscultated him, and a masked man stuck a needle into his arm. He awoke with a feeling of nausea, covered with a bandage, in a cell with something of a well about it; in the days and nights which followed the operation he came to realize that he had merely been, up until then, in a suburb of hell. Ice in his mouth did not leave the least trace of freshness. During these days Dahlmann hated himself in minute detail: he hated his identity, his bodily necessities, his humiliation, the beard which bristled up on his face. He stoically endured the curative measures, which were painful, but when the surgeon told him he had been on the point of death from septicemia, Dahlmann dissolved in tears of self-pity for his fate. Physical wretchedness and the incessant anticipation of horrible nights had not allowed him time to think of anything so abstact as death. On another day, the surgeon told him he was healing and that, very soon, he would be able to go to his ranch for convalescence. Incredibly enough, the promised day arrived. Blind to all fault, destiny can be ruthless at one's slightest distraction. Dahlmann had succeeded in acquiring, on that very afternoon, an imperfect copy of Weil's edition of The Thousand and One Nights. Avid to examine this find, he did not wait for the elevator but hurried up the stairs. In the obscurity, something brushed by his forehead: a bat, a bird? On the face of the woman who opened the door to him he saw horror engraved, and the hand he wiped across his face came away red with blood. The edge of a recently painted door which someone had forgotten to close had caused this wound. Dahlmann was able to fall asleep, but from the moment he awoke at dawn the savor of all things was atrociously poignant. Fever wasted him and the pictures in The Thousand and One Nights served to illustrate nightmares. Reality favors symmetries and slight anachronisms: Dahlmann had arrived at the sanitarium in a hackney coach and now a hackney coach was to take him to the Constitucion station. The first fresh tang of autumn, after the summer's oppressiveness, seemed like a symbol in nature of his rescue and release from fever and death. The city, at seven in the morning, had not lost that air of an old house lent it by the night; the streets seemed like long vestibules, the plazas were like patios. Dahlmann recognized the city with joy on the edge of vertigo: a second before his eyes registered the phenomena themselves, he recalled the corners, the billboards, the modest variety of Buenos Aires. In the yellow light of the new day, all things returned to him. Friends and relatives paid him visits and, with exaggerated smiles, assured him that they thought he Every Argentine knows that the South begins at the other side of Rivadavia. Dahlmann was in the habit 1 of saying that this was no mere convention, that whoever crosses this street enters a more ancient and sterner world. From inside the carriage he sought out, among the new buildings, the iron grill window, the brass knocker, the arched door, the entrance way, the intimate patio. At the railroad station he noted that he still had thirty minutes. He quickly recalled that in a cafe on the Calle Brazil (a few dozen feet from Yrigoyen's house) there was an enormous cat which allowed itself to be caressed as if it were a disdainful divinity. He entered the cafe. There was the cat, asleep. He ordered a cup of coffee, slowly stirred the sugar, sipped it (this pleasure had been denied him in the clinic), and thought, as he smoothed the cat's black coat, that this contact was an illusion and that the two beings, man and cat, were as good as separated by a glass, for man lives in time, in succession, while the magical animal lives in the present, in the eternity of the instant. Along the next to the last platform the train lay waiting. Dahlmann walked through the coaches until he found one almost empty. He arranged his baggage in the network rack. When the train started off, he took down his valise and extracted, after some hesitation, the first volume of The Thousand and One Nights. To travel with this book, which was so much a part of the history of his ill-fortune, was a kind of affirmation that his ill-fortune had been annulled; it was a joyous and secret defiance of the frustrated forces of evil. Along both sides of the train the city dissipated into suburbs; this sight, and then a view of the gardens and villas, delayed the beginning of his reading. The truth was that Dahlmann read very little. The magnetized mountain and the genie who swore to kill his benefactor are - who would deny it? - marvelous, but not so much more than the morning itself and the mere fact of being. The joy of life distracted him from paying attention to Scheherezade and her superfluous miracles. Dahlmann closed his book and allowed himself to live. Lunch - the bouillon served in shining metal bowls, as in the remote summers of childhood - was one more peaceful and rewarding delight. Tomorrow I'll wake up at the ranch, he thought, and it was as if he was two men at a time: the man who traveled through the autumn day and across the geography of the fatherland, and the other one, locked up in a sanitarium and subject to methodical servitude. He saw unplastered brick houses, long and angled, timelessly watching the trains go by; he saw horsemen along the dirt roads; he saw gullies and lagoons and ranches; he saw great luminous clouds that resembled marble; and all these things were accidental, casual, like dreams of the plain. He also thought he recognized trees and crop fields; but he would not have been able to name them, for his actual knowledge of the country side was quite inferior to his nostalgic and literary knowledge. From time to time he slept, and his dreams were animated by the impetus of the train. The intolerable white sun of high noon had already become the yellow sun which precedes nightfall, and it would not be long before it would turn red. The railroad car was now also different; it was not the same as the one which had quit the station siding at Constitucion; the plain and the hours had transfigured it. Outside, the moving shadow of the railroad car stretched toward the horizon. The elemental earth was not perturbed either by settlements or other signs of humanity. The country was vast but at the same time intimate and, in some measure, secret. The limitless country sometimes contained only a solitary bull. The solitude was perfect, perhaps hostile, and it might have occurred to Dahlmann that he was traveiling into the past and not merely south. He was distracted form these considerations by the railroad inspector who, on reading his ticket, advised him that the train would not let him off at the regular station but at another: an earlier stop, one scarcely known to Dahlmann. (The man added an explanation which Dahlmann did not attempt to understand, and which he hardly heard, for the mechanism of events did not concern him.) The train laboriously ground to a halt, practically in the middle of the plain. The station lay on the other side of the tracks; it was not much more than a siding and a shed. There was no means of conveyance to be seen, but the station chief supposed that the traveler might secure a vehicle from a general store and inn to be found some ten or twelve blocks away. Dahlmann accepted the walk as a small adventure. The sun had already disappeared from view, but a final splendor, exalted the vivid and silent plain, before the night erased its color. Less to avoid fatigue than to draw out his enjoyment of these sights, Dahmann walked slowly, breathing in the odor of clover with sumptuous joy. The general store at one time had been painted a deep scarlet, but the years had tempered this violent color for its own good. Something in its poor architecture recalled a steel engraving, perhaps one from an old 2 edition of Paul et Virginie. A number of horses were hitched up to the paling. Once inside, Dahlmann thought he recognized the shopkeeper. Then he realized that he had been deceived by the man's resemblance to one of the male nurses in the sanitarium. When the shopkeeper heard Dahlmann's request, he said he would have the shay made up. In order to add one more event to that day and to kill time, Dahlmann decided to eat at the general store. Some country louts, to whom Dahlmann did not at first pay any attention, were eating and drinking at one of the tables. On the floor, and hanging on to the bar, squatted an old man, immobile as an object. His years had reduced and polished him as water does a stone or the generations of men do a sentence. He was dark, dried up , diminutive, and seemed outside time, situated in eternity. Dahlmann noted with satisfaction the kerchief, the thick poncho, the long chiripa, and the colt boots, and told himself, as he recalled futile discussions with people from the Northern counties or from the province of Entre Rios, that gauchos like this no longer existed outside the South. Dahlmann sat down next to the window. The darkness began overcoming the plain, but the odor and sound of the earth penetrated the iron bars of the window. The shop owner brought him sardines, followed by some roast meat. Dahlmann washed the meal down with several glasses of red wine. Idling, he relished the tart savor of the wine, and let his gaze, now grown somewhat drowsy, wander over the shop. A kerosene lamp hung from a beam. There were three customers at the other table: two of them appeared to be farm workers; the third man, whose features hinted at Chinese blood, was drinking with his hat on. Of a sudden, Dahlmann felt something brush lightly against his face. Next to the heavy glass of turbid wine, upon one of the stripes in the table cloth, lay a spit ball of breadcrumb. That was all: but someone had throuwn it there. The men at the other table seemed totally cut off from him. Perplexed, Dahlmann decided that nothing had happened, and he opened the volume of The Thousand and One Nights, by way of suppressing reality. After a few moments another little ball landed on his table, and now the peones laughed outright. Dahlmann said to himself that he was not frightened, but he reasoned that it would be a major blunder if he, a convalescent, were to allow himself to be dragged by strangers into some chaotic quarrel. He determined to leave, and had already gotten to his feet when the owner came up and exhorted him in an alarmed voice: "Senor Dahlmann, don't pay any attention to those lads; they're half high." Dahlmann was not surprised to learn that the other man, now, knew his name. But he felt that these conciliatory words served only to aggravate the situation. Previous to the moment, the peones' provocation was directed againt an unknown face, against no one in particular, almost againt no one at all. Now it was an attack against him, against his name, and his neighbors knew it. Dahlmann pushed the owner aside, confronted the peones, and demanded to know what they wanted of him. The tough with a Chinese look staggered heavily to his feet. Almost in Juan Dahlmann's face he shouted insults, as if he had been a long way off. He game was to exaggerate constituted ferocious mockery. Between curses and obscenities, he threw a long knife into the air, followed it with his eyes, caught and juggled it, and challenged Dahlmann to a knife fight. The owner objected in a tremulous voice, pointing out that Dahlmann was unarmed. At this point, something unforeseeable occurred. From a corner of the room, the old ecstatic gaucho in whom Dahlmann saw a summary and cipher of the South (his South) - threw him a naked dagger, which landed at his feet. It was as if the South had resolved that Dahlmann should accept the duel. Dahlmann bent over to pick up the dagger, and felt two things. The first, that this almost instinctive act bound him to fight. The second, that the weapon, in his torpid hand, was no defense at all, but would merely serve to justify his murder. He had once played with a poniard, like all men, but his idea of fencing and knife-play did not go further than the notion that all strokes should be directed upwards, with the cutting edge held inwards. They would not have allowed such things ot happen to me in the sanitarium, he thought. "Let's get on our way," said that other man. They went out and if Dahlmann was without hope, he was also without fear. As he crossed the threshold, he felt that to die in a knife fight, under the open sky, and going forward to the attack, would have been a liberation, a joy, and a festive occasion, on the first night in the sanitarium, when they stuck him with the needle. He felt that if he had been able to choose, then, or to dream his death, this would have been the death he would have chosen or dreamt. Firmly clutching his knife, which he perhaps would not know how to wield, Dahlmann went out into the plain. 3 Nikolai Vasilievich Gogol THE NOSE I On 25 March an unusually strange event occurred in St. Petersburg. For that morning Barber Ivan Yakovlevitch, a dweller on the Voznesensky Prospekt (his family name is lost now — it no longer figures on a signboard bearing a portrait of a gentleman with a soaped cheek, and the words: “Also, Blood Let Here”) — for that morning Barber Ivan Yakovlevitch awoke early, and caught the smell of newly baked bread. Raising himself a little, he perceived his wife (a most respectable lady, and one especially fond of coffee) to be just in the act of drawing newly baked rolls from the oven. “Prascovia Osipovna,” he said, “I would rather not have any coffee for breakfast, but, instead, a hot roll and an onion,” — the truth being that he wanted both but knew it to be useless to ask for two things at once, as Prascovia Osipovna did not fancy such tricks. “Oh, the fool shall have his bread,” the wife thought, “So much the better for me then, as I shall have that much more coffee.” And she threw one roll on to the table. Ivan Yakovlevitch donned a jacket over his shirt for politeness' sake, and, seating himself at the table, poured out salt, got a couple of onions ready, took a knife into his hand, assumed an air of importance, and cut the roll open. Then he glanced into the roll's middle. To his intense surprise he saw something glimmering there. He probed it cautiously with the knife — then poked at it with a finger. “Quite solid it is!” he said to himself. “What in the world is it likely to be?” He stuck in his fingers, and pulled out — a nose! .. His hands dropped to his sides for a moment. Then he rubbed his eyes hard. Then again he probed the thing. A nose! Sure enough a nose! Yes, and one familiar to him, somehow! Oh, horror spread upon his feature! Yet that horror was a trifle compared with his spouse's overmastering wrath. “You brute!” she shouted frantically. “Where have you cut off that nose? You villain, you! You drunkard! Why, I'll go and report you to the police myself. You brigand, you! I have already heard from three men that, while shaving them, your pulled their noses to the point that they could hardly stand it.” But Ivan Yakovlevitch was neither alive nor dead. He realized that the nose was none other than that Collegiate Assessor Kovalev, whom he was shaved every Wednesday and Sunday. — “Stop, Prascovia Osipovna! I'll wrap it in a rag, in some corner: leave it there for awhile, and afterwards I'll take it away.” “And I won't hear of it! As if I'm going to have a cutoff nose lying around the room! Oh, you old stick! Maybe you can just strop a razor still; but soon you'll be no good at all for the rest of your work. You loafer, you wastrel, you bungler, you blockhead! Aye, I'll tell the police of you. Take it away, then. Take it away. Take it anywhere you like. Oh, that I'd never caught the smell of it!” Ivan Yakovlevitch was dumbfounded. He thought and thought, but did not know what to think. “The devil knows how it's happened,” he said, scratching one ear. “You see, I don't know for certain whether I came home drunk last night or not. But certainly things look as though something out of the way happened then, for bread comes of baking, and a nose of something else altogether. Oh, I just can't make it out.” So he sat silent. At the thought that the police might find the nose at his place, and arrest him, he felt frantic. Yes, already he could see the red collar with the smart silver braiding — the sword! He shuddered from head to foot. But at last he got out, and donned waistcoat and shoes, wrapped the nose in a rag, and departed amid Prascovia Osipovna's forcible objurgations. His one idea was to rid himself of the nose, and return quietly home — to do so either by throwing the nose into the gutter in front of the gates or by just letting it drop anywhere. Yet, unfortunately, he kept meeting friends, and they kept saying to him: “Where are you off to?” or “Whom have you arranged to shave at this early hour?” until finding a suitable moment became impossible. Once, true, he did succeed in dropping the thing, but no sooner had he done so than a constable pointed at him with his truncheon, and shouted: “Pick it up again! You've lost something,” and he perforce had to take the nose into his possession once more, and stuff it into a pocket. Meanwhile his desperation grew in proportion as more and more booths and shops opened for business, and more and more people appeared in the street. At last he decided that he would go to the Isaakievsky Bridge, and throw the thing, if he could, into the Neva. But here let me confess my fault in not having said more about Ivan Yakovlevitch himself, a man estimable in more respects than one. Like every decent Russian tradesman, Ivan Yakovlevitch was a terrible tippler. Daily he shaved the chins of others, but always his own was unshorn, and his jacket (he never wore a topcoat) piebald — black, thickly studded with grayish, brownishyellowish stains — and shiny at the collar, and adorned with three drooping tufts of thread instead of buttons. But, with that, Ivan Yakovlevitch was a great cynic. Whenever Collegiate Assessor Kovalev was 4 being shaved, and said to him, according to custom: “Ivan Yakovlevitch, your hands do smell!” he would retort: “But why should they smell?” and, when the Collegiate Assessor had replied: “Really I do not know, brother, but in any case they do,” take a pinch of snuff, and soap the Collegiate Assessor upon cheek, and under nose, and behind ears, and around chin at his good will and pleasure. So the worthy citizen stood on the Isaakievsky Bridge, and looked about him. Then, leaning over the parapet, he feigned to be trying to see if any fish were passing underneath. Then gently he cast forth the nose. At once ten puds-weight seemed to have been lifted from his shoulders. Actually he smiled! But, instead of departing, next, to shave the chins of chinovniki, he bethought him of making for a certain establishment inscribed “Meals and Tea,” that he might get there a glassful of punch. Suddenly he sighted a constable standing at the end of the bridge, a constable of smart appearance, with long whiskers, a three-cornered hat, and complete with a sword. Oh, Ivan Yakovlevitch could have fainted! Then the constable, beckoning with a finger, cried: “Nay, my good man. Come here.” Ivan Yaklovlevitch, knowing the proprieties, pulled off his cap at quite a distance away, advanced quickly, and said: “I wish your Excellency the best of health.” “No, no! None of that `your Excellency,' brother. Come and tell me what you have been doing on the bridge.” “Before God, sir, I was crossing it on my way to some customers when I peeped to see if there were any fish jumping.” “You lie, brother! You lie! You won't get out of it like that. Be so good as to answer me truthfully.” “Oh, twice a week in future I'll shave you for nothing. Aye, or even three times a week.” “No, no, friend. That is rubbish. Already I've got three barbers for the purpose, and all of them account it an honor. Now, tell me, I ask again, what you have just been doing?” This made Ivan Yakovlevitch blanch, and — — Further events here become enshrouded in mist. What happened after that is unknown to all men. II Collegiate Assessor KOVALEV also awoke early that morning. And when he had done so he made the “B-r-rh!” with his lips which he always did when he had been asleep — he himself could not have said why. Then he stretched, reached for a small mirror on the table near by, and set himself to inspect a pimple which had broken out on his nose the night before. But, to his unbounded astonishment, there was only a flat patch on his face where the nose should have been! Greatly alarmed, he got some water, washed, and rubbed his eyes hard with the towel. Yes, the nose indeed was gone! He prodded the spot with a hand — pinched himself to make sure that he was not still asleep. But no; he was not still sleeping. Then he leapt from the bed, and shook himself. No nose! Finally, he got his clothes on, and hurried to the office of the Police Commissioner. Here let me add something which may enable the reader to perceive just what the Collegiate Assessor was like. Of course, it goes without saying that Collegiate Assessors who acquire the title with the help of academic diplomas cannot be compared with Collegiate Assessors who become Collegiate Assessors through service in the Caucasus, for the two species are wholly distinct, they are — — Stay, though. Russia is so strange a country that, let one but say anything about any one Collegiate Assessor, and the rest, from Riga to Kamchatka, at once apply the remark to themselves — for all titles and all ranks it means the same thing. Now, Kovalev was a “Caucasian” Collegiate Assessor, and had, as yet, borne the title for two years only. Hence, unable ever to forget it, he sought the more to give himself dignity and weight by calling himself, in addition to “Collegiate Assessor,” “Major.” “Look here, good woman,” once he said to a shirts' vendor whom he met in the street, “come and see me at my home. My apartment is on Sadovaia Street. Just ask, ‘Is this where Major Kovalev lives?' Anyone will show you.” Or, on meeting fashionable ladies, he would say: “My dear madam, ask for Major Kovalev's apartment.” So we too will call the Collegiate Assessor “Major.” Major Kovalev was in the habit of taking a daily walk on Nevsky Prospekt in an extremely clean and well-starched shirt and collar, and in whiskers of the sort still to be seen on provincial surveyors, architects, regimental doctors, other officials, and all men who have round, red cheeks, and play a good hand of “Boston.” Such whiskers run across the exact center of the cheek — then head straight for the nose. Again, Major Kovalev always had on him a quantity of seals, both of seals engraved with coats of arms, and of seals inscribed “Wednesday,” “Thursday,” “Monday,” and the rest. And, finally, Major Kovalev had come to live in St. Petersburg because of necessity. That is to say, he had come to live in St. Petersburg because he wished to obtain a post befitting his new title — whether a ViceGovernorship or, failing that, an Administratorship in a leading department. Nor was Major Kovalev altogether set against marriage. Merely he required that his bride should possess not less than two 5 hundred thousand rubles in capital. The reader, therefore, can now imagine what was the Major's disposition when he saw that instead of a not unpresentable nose there was on his face an extremely uncouth, smooth, and uniform patch. Ill luck had it, that morning, that not a cab was visible throughout the street's whole length; so, huddling himself up in his cloak, and covering his face with a handkerchief (to make it look as though his nose were bleeding), he had to start upon his way on foot. “Perhaps this is only imagination?” he reflected. Presently he turned aside towards a restaurant (for he wished yet again to get a sight of himself in a mirror). “The nose can't have removed itself of sheer idiocy.” Luckily no customers were present in the restaurant — merely some waiters were sweeping out the rooms, and rearranging the chairs, and others, sleepyeyed fellows, were setting forth trayfuls of hot pastries. On chairs and tables last night's newspapers, coffee-stained, were strewn. “Thank God that no one is here!” the Major reflected. “Now I can look at myself again.” He approached a mirror in some trepidation, and peeped therein. Then he spat. “The devil only knows what this vileness means!” he muttered. “If even there had been something to take the nose's place! But, as it is, there's nothing there at all.” He bit his lips with vexation, and hurried out of the restaurant. No; as he went along he must look at no one, and smile at no one. Then he halted as though riveted to earth. For in front of the doors of a mansion he saw occur a phenomenon of which, simply, no explanation was possible. Before that mansion there stopped a carriage. And then a door of the carriage opened, and there leapt thence, huddling himself up, a uniformed gentleman, and that uniformed gentleman ran headlong up the mansion's entrance-steps, and disappeared within. And oh, Kovalev's horror and astonishment to perceive that the gentleman was none other than — his own nose! The unlooked-for spectacle made everything swim before his eyes. Scarcely, for a moment, could he even stand. Then, deciding that at all costs he must await the gentleman's return to the carriage, he remained where he was, shaking as though with fever. Sure enough, the Nose did return, two minutes later. It was clad in a gold-braided, high-collared uniform, buckskin breeches, and cockaded hat. And slung beside it there was a sword, and from the cockade on the hat it could be inferred that the Nose was purporting to pass for a State Councilor. It seemed now to be going to pay another visit somewhere. At all events it glanced about it, and then, shouting to the coachman, “Drive up here,” reentered the vehicle, and set forth. Poor Kovalev felt almost demented. The astounding event left him utterly at a loss. For how could the nose which had been on his face but yesterday, and able then neither to drive nor to walk independently, now be going about in uniform? — He started in pursuit of the carriage, which, luckily, did not go far, and soon halted before the Gostiny Dvor. [12] Kovalev too hastened to the building, pushed through the line of old beggar-women with bandaged faces and apertures for eyes whom he had so often scorned, and entered. Only a few customers were present, but Kovalev felt so upset that for a while he could decide upon no course of action save to scan every corner in the gentleman's pursuit. At last he sighted him again, standing before a counter, and, with face hidden altogether behind the uniform's standup collar, inspecting with absorbed attention some wares. “How, even so, am I to approach it?” Kovalev reflected. “Everything about it, uniform, hat, and all, seems to show that it is a State Councilor. now. Only the devil knows what is to be done!” He started to cough in the Nose's vicinity, but the Nose did not change its position for a single moment. “My good sir,” at length Kovalev said, compelling himself to boldness, “my good sir, I — — ” “What do you want?” And the Nose did then turn round. “My good sir, I am in a difficulty. Yet somehow, I think, I think, that — well, I think that you ought to know your proper place better. All at once, you see, I find you — where? Do you not feel as I do about it?” “Pardon me, but I cannot apprehend your meaning. Pray explain further.” “Yes, but how, I should like to know?” Kovalev thought to himself. Then, again taking courage, he went: on: “I am, you see — well, in point of fact, you see, I am a Major. Hence you will realize how unbecoming it is for me to have to walk about without a nose. Of course, a peddler of oranges on the Vozkresensky Bridge could sit there noseless well enough, but I myself am hoping soon to receive a — — Hm, yes. Also, I have amongst my acquaintances several ladies of good houses (Madame Chektareva, wife of the State Councilor, for example), and you may judge for yourself what that alone signifies. Good sir” — Major Kovalev gave his shoulders a shrug — “I do not know whether you yourself (pardon me) consider conduct of this sort to be altogether in accordance with the rules of duty and honor, but at least you can understand that — — ” 6 “I understand nothing at all,” the Nose broke in. “Explain yourself more satisfactorily.” “Good sir,” Kovalev went on with a heightened sense of dignity, “the one who is at a loss to understand the other is I. But at least the immediate point should be plain, unless you are determined to have it otherwise. Merely — you are my own nose.” The Nose regarded the Major, and contracted its brows a little. “My dear sir, you speak in error,” was its reply. “I am just myself — myself separately. And in any case there cannot ever have existed a close relation between us, for, judging from the buttons of your undress uniform, your service is being performed in another department than my own.” And the Nose definitely turned away. Kovalev stood dumbfounded. What to do, even what to think, he had not a notion. Presently the agreeable swish of ladies' dresses began to be heard. Yes, an elderly, lace-bedecked dame was approaching, and, with her, a slender maiden in a white frock which outlined delightfully a trim figure, and, above it, a straw hat of a lightness as of pastry. Behind them there came, stopping every now and then to open a snuffbox, a tall, whiskered beau in quite a twelve-fold collar. Kovalev moved a little nearer, pulled up the collar of his shirt, straightened the seals on his gold watchchain, smiled, and directed special attention towards the slender lady as, swaying like a floweret in spring, she kept raising to her brows a little white hand with fingers almost of transparency. And Kovalev's smiles became broader still when peeping from under the hat he saw there to be an alabaster, rounded little chin, and part of a cheek flushed like an early rose. But all at once he recoiled as though scorched, for all at once he had remembered that he had not a nose on him, but nothing at all. So, with tears forcing themselves upwards, he wheeled about to tell the uniformed gentleman that he, the uniformed gentleman, was no State Councilor, but an impostor and a knave and a villain and the Major's own nose. But the Nose, behold, was gone! That very moment had it driven away to, presumably, pay another visit. This drove Kovalev to the last pitch of desperation. He went back to the mansion, and stationed himself under its portico, in the hope that, by peering hither and thither, hither and thither, he might once more see the Nose appear. But, well though he remembered the Nose's cockaded hat and goldbraided uniform, he had failed at the time to note also its cloak, the color of its horses, the make of its carriage, the look of the lackey seated behind, and the pattern of the lackey's livery. Besides, so many carriages were moving swiftly up and down the street that it would have been impossible to note them all, and equally so to have stopped any one of them. Meanwhile, as the day was fine and sunny, the Prospekt was thronged with pedestrians also — a whole kaleidoscopic stream of ladies was flowing along the pavements, from Police Headquarters to the Anitchkin Bridge. There one could descry an Aulic Councilor. whom Kovalev knew well. A gentleman he was whom Kovalev always addressed as “Lieutenant-Colonel,” and especially in the presence of others. And there went Yaryzhkin, Chief Clerk to the Senate, a crony who always rendered forfeit at “Boston” on playing an eight. And, lastly, a “Major” like Kovalev, a similar “Major” with an Assessorship acquired through Caucasian service, started to beckon to Kovalev with a finger! “The devil take him!” was Kovalev's muttered comment. “Hi, cabman! Drive to the Police Commissioner's direct.” But just when he was entering the drozhki he added: “No. Go by Ivanovskaia Street.” “Is the Commissioner in?” he asked on crossing the threshold. “He is not,” was the doorkeeper's reply. “He's gone this very moment.” “There's luck for you!” “Aye,” the doorkeeper went on. “Only just a moment ago he was off. If you'd been a bare halfminute sooner you'd have found him at home, maybe.” Still holding the handkerchief to his face, Kovalev returned to the cab, and cried wildly: “Drive on!” “Where to, though?” the cabman inquired. “Oh, straight ahead!” “`Straight ahead'? But the street divides here. To right, or to left?” The question caused Kovalov to pause and recollect himself. In his situation he ought to make his next step an application to the Board of Discipline — not because the Board was directly connected with the police, but because its dispositions would be executed more speedily than in other departments. To seek satisfaction of the very department in which the Nose had declared itself to be serving would be quite unwise, since from the Nose's very replies it was clear that it was the sort of individual who held nothing sacred, and, in that case, might lie as unconscionably as it had lied in asserting itself never to have figured in its proprietor's company. Kovalev, therefore, decided to seek the Board of Discipline. But just as he was on the point of being driven thither there occurred to him the thought that the impostor and knave who had behaved so shamelessly during the late encounter might even now be using the time to get out of the city, and that in that case all further 7 pursuit of the rogue would become vain, or at all events last for, God preserve us! a full month. So at last, left only to the guidance of Providence, the Major resolved to go to a newspaper office, and publish a circumstantial description of the Nose in such good time that anyone meeting with the truant might at once be able either to restore it to him or to give information as to its whereabouts. So he not only directed the cabman to the newspaper office, but, all the way thither, prodded him in the back, and shouted: “Hurry up, you rascal! Hurry up, you rogue!” whilst the cabman intermittently responded: “Aye, barin,” and nodded, and plucked at the reins of a steed as shaggy as a spaniel. The moment that the drozhki halted Kovalev dashed, breathless, into a small reception-office. There, seated at a table, a gray-headed clerk in ancient jacket and pair of spectacles was, with pen tucked between lips, counting sums received in copper. “Who here takes the advertisements?” Kovalev exclaimed as he entered. “A-ah! Good day to you.” “And my respects,” the gray-headed clerk replied, raising his eyes for an instant, and then lowering them again to the spread out copper heaps. “I want you to publish — — ” “Pardon — one moment.” And the clerk with one hand committed to paper a figure, and with a finger of the other hand shifted two accounts markers. Standing beside him with an advertisement in his hands, a footman in a laced coat, and sufficiently smart to seem to be in service in an aristocratic mansion, now thought well to display some knowledge “Sir,” he said to the clerk, “I do assure you that the puppy is not worth eight grivni even. In any case I wouldn't give that much for it. Yet the countess loves it — yes, just loves it, by God! Anyone wanting it of her will have to pay a hundred rubles. Well, to tell the truth between you and me, people's tastes differ. Of course, if one's a sportsman one keeps a setter or a spaniel. And in that case don't you spare five hundred rubles, or even give a thousand, if the dog is a good one.” The worthy clerk listened with gravity, yet none the less accomplished a calculation of the number of letters in the advertisement brought. On either side there was a group of charwomen, shop assistants, doorkeepers, and the like. All had similar advertisements in their hands, with one of the documents to notify that a coachman of good character was about to be disengaged, and another one to advertise a koliaska imported from Paris in 1814, and only slightly used since, and another one a maidservant of nineteen experienced in laundry work, but prepared also for other jobs, and another one a sound drozhki save that a spring was lacking, and another one a gray-dappled, spirited horse of the age of seventeen, and another one some turnip and radish seed just received from London, and another one a country house with every amenity, stabling for two horses, and sufficient space for the laying out of a fine birch or spruce plantation, and another one some secondhand footwear, with, added, an invitation to attend the daily auction sale from eight o'clock to three. The room where the company thus stood gathered together was small, and its atmosphere confined; but this closeness, of course, Collegiate Assessor Kovalev never perceived, for, in addition to his face being muffled in a handkerchief, his nose was gone, and God only knew its present habitat! “My dear sir,” at last he said impatiently, “allow me to ask you something: it is a pressing matter.” “One moment, one moment! Two rubles, fortythree kopeks. Yes, presently. Sixty rubles, four kopeks.” With which the clerk threw the two advertisements concerned towards the group of charwomen and the rest, and turned to Kovalev. “Well?” he said. “What do you want?” “Your pardon,” replied Kovalev, “but fraud and knavery has been done. I still cannot understand the affair, but wish to announce that anyone returning me the rascal shall receive an adequate reward.” “Your name, if you would be so good?” “No, no. What can my name matter? I cannot tell it you. I know many acquaintances such as Madame Chektareva (wife of the State Councilor.) and Pelagea Grigorievna Podtochina (wife of the StaffOfficer), and, the Lord preserve us, they would learn of the affair at once. So say just `a Collegiate Assessor,' or, better, `a gentleman ranking as Major.”' “Has a household serf of yours absconded, then?” “A household serf of mine? As though even a household serf would perpetrate such a crime as the present one! No, indeed! It is my nose that has absconded from me.” “Gospodin Nossov, Gospodin Nossov? Indeed a strange name, that!13 Then has this Gospodin Nossov robbed you of some money?” “I said nose, not Nossov. You are making a mistake. There has disappeared, goodness knows whither, my nose, my own actual nose. Presumably it is trying to make a fool of me.” “But how could it so disappear? The matter has something about it which I do not fully understand.” “I cannot tell you the exact how. The point is that now the nose is driving about the city, and giving itself out for a State Councilor. — wherefore I beg you to announce that anyone apprehending any such nose ought at once, in the shortest possible space of time, to return it to myself. Surely you can judge 8 what it is for me meanwhile to be lacking such a conspicuous portion of my frame? For a nose is not like a toe which one can keep inside a boot, and hide the absence of if it is not there. Besides, every Thursday I am due to call upon Madame Chektareva (wife of the State Councilor); whilst Pelagea Grigorievna Podtochina (wife of the Staff-Officer, mother of a pretty daughter) also is one of my closest acquaintances. So, again, judge for yourself how I am situated at present. In such a condition as this I could not possibly present myself before the ladies named.” Upon that the clerk became thoughtful: the fact was clear from his tightly compressed lips alone. “No,” he said at length. “Insert such an announcement I cannot.” “But why not?” “Because, you see, it might injure the paper's reputation. Imagine if everyone were to start proclaiming a disappearance of his nose! People would begin to say that, that — well, that we printed absurdities and false tales.” “But how is this matter a false tale? Nothing of the sort has it got about it.” “You think not; but only last week a similar case occurred. One day a chinovnik brought us an advertisement as you have done. The cost would have been only two rubles, seventy-three kopeks, for all that it seemed to signify was the running away of a poodle. Yet what was it, do you think, in reality? Why, the thing turned out to be a libel, and the ‘poodle’ in question a cashier — of what department precisely I do not know.” “Yes, but here am I advertising not about a poodle, but about my own nose, which, surely, is, for all intents and purposes, myself?” “All the same, I cannot insert the advertisement.” “Even when actually I have lost my own nose!” “The fact that your nose is gone is a matter for a doctor. There are doctors, I have heard, who can fit one out with any sort of nose one likes. I take it that by nature you are a wag, and like playing jokes in public.” “That is not so. I swear it as God is holy. In fact, as things have gone so far, I will let you see for yourself.” “Why trouble?” Here the clerk took some snuff before adding with, nevertheless, a certain movement of curiosity: “However, if it really won't trouble you at all, a sight of the spot would gratify me.” The Collegiate Assessor removed the handkerchief. “Strange indeed! Very strange indeed!” the clerk exclaimed. “And the patch is as uniform as a newly fried pancake, almost unbelievably uniform.” “So you will dispute what I say no longer? Then surely you cannot but put the announcement into print. I shall be extremely grateful to you, and glad that the present occasion has given me such a pleasure as the making of your acquaintance” — whence it will be seen that for once the Major had decided to climb down. “To print what you want is nothing much,” the clerk replied. “Yet frankly I cannot see how you are going to benefit from the step. I would suggest, rather, that you commission a skilled writer to compose an article describing this as a rare product of nature, and have the article published in The Northern Bee” (here the clerk took more snuff), “either for the instruction of our young” (the clerk wiped his nose for a finish) “or as a matter of general interest.” This again depressed the Collegiate Assessor: and even though, on his eyes happening to fall upon a copy of the newspaper, and reach the column assigned to theatrical news, and encounter the name of a beautiful actress, so that he almost broke into a smile, and a hand began to finger a pocket for a Treasury note (since he held that only stalls were seats befitting Majors and so forth) — although all this was so, there again recurred to him the thought of the nose, and everything again became spoilt. Even the clerk seemed touched with the awkwardness of Kovalev's plight, and wishful to lighten with a few sympathetic words the Collegiate Assessor's depression. “I am sorry indeed that this has befallen,” he said. “Should you care for a pinch of this? Snuff can dissipate both headache and low spirits. Nay, it is good for hemorrhoids as well.” And he proffered his box-deftly, as he did so, folding back underneath it the lid depicting a lady in a hat. Kovalev lost his last shred of patience at the thoughtless act, and said heatedly: “How you can think fit thus to jest I cannot imagine. For surely you perceive me no longer to be in possession of a means of sniffing? Oh, you and your snuff can go to hell! Even the sight of it is more than I can bear. I should say the same even if you were offering me, not wretched birch bark, but real rapée.” Greatly incensed, he rushed out of the office, and made for the ward police inspector's residence. Unfortunately he arrived at the very moment when the inspector, after a yawn and a stretch, was reflecting: “Now for two hours' sleep!” In short, the Collegiate Assessor's visit chanced to be exceedingly ill-timed. Incidentally, the inspector, though a great patron of manufacturers and the arts, preferred still more a Treasury note. “That's the thing!” he frequently would say. “It's a thing which can't be beaten anywhere, for it wants nothing at all to eat, and it takes up very little room, 9 and it fits easily to the pocket, and it doesn't break in pieces if it happens to be dropped.” So the inspector received Kovalev very drily, and intimated that just after dinner was not the best moment for beginning an inquiry — nature had ordained that one should rest after food (which showed the Collegiate Assessor that at least the inspector had some knowledge of sages' old saws), and that in any case no one would purloin the nose of a really respectable man. Yes, the inspector gave it Kovalev between the eyes. And as it should be added that Kovalev was extremely sensitive where his title or his dignity was concerned (though he readily pardoned anything said against himself personally, and even held, with regard to stage plays, that, whilst Staff-Officers should not be assailed, officers of lesser rank might be referred to), the police inspector's reception so took him aback that, in a dignified way, and with hands set apart a little, he nodded, remarked: “After your insulting observations there is nothing which I wish to add,” and betook himself away again. He reached home scarcely hearing his own footsteps. Dusk had fallen, and, after the unsuccessful quests, his flat looked truly dreary. As he entered the hall he perceived Ivan, his valet, to be lying on his back on the stained old leather divan, and spitting at the ceiling with not a little skill as regards successively hitting the same spot. The man's coolness rearoused Kovalev's ire, and, smacking him over the head with his hat, he shouted: “You utter pig! You do nothing but play the fool.” Leaping up, Ivan hastened to take his master's cloak. The tired and despondent Major then sought his sitting-room, threw himself into an easy-chair, sighed, and said to himself: “My God, my God! why has this misfortune come upon me? Even loss of hands or feet would have been better, for a man without a nose is the devil knows what — a bird, but not a bird, a citizen, but not a citizen, a thing just to be thrown out of window. It would have been better, too, to have had my nose cut off in action, or in a duel, or through my own act: whereas here is the nose gone with nothing to show for it — uselessly — for not a groat's profit! — No, though,” he added after thought, “it's not likely that the nose is gone for good: it's not likely at all. And quite probably I am dreaming all this, or am fuddled. It may be that when I came home yesterday I drank the vodka with which I rub my chin after shaving instead of water — snatched up the stuff because that fool Ivan was not there to receive me.” So he sought to ascertain whether he might not be drunk by pinching himself till he fairly yelled. Then, certain, because of the pain, that he was acting and living in waking life, he approached the mirror with diffidence, and once more scanned himself with a sort of inward hope that the nose might by this time be showing as restored. But the result was merely that he recoiled and muttered: “What an absurd spectacle still!” Ah, it all passed his understanding! If only a button, or a silver spoon, or a watch, or some such article were gone, rather than that anything had disappeared like this — for no reason, and in his very flat! Eventually, having once more reviewed the circumstances, he reached the final conclusion that he should most nearly hit the truth in supposing Madame Podtochina (wife of the Staff-Officer, of course — the lady who wanted him to become her daughter's husband) to have been the prime agent in the affair. True, he had always liked dangling in the daughter's wake, but also he had always fought shy of really coming down to business. Even when the Staff-Officer's lady had said point blank that she desired him to become her son-in-law he had put her off with his compliments, and replied that the daughter was still too young, and himself due yet to perform five years service, and aged only forty-two. Yes, the truth must be that out of revenge the StaffOfficer's wife had resolved to ruin him, and hired a band of witches for the purpose, seeing that the nose could not conceivably have been cut off — no one had entered his private room lately, and, after being shaved by Ivan Yakovlevitch on the Wednesday, he had the nose intact, he knew and remembered well, throughout both the rest of the Wednesday and the day following. Also, if the nose had been cut off, pain would have resulted, and also a wound, and the place could not have healed so quickly, and become of the uniformity of a pancake. Next, the Major made his plans. Either he would sue the Staff-Officer's lady in legal form or he would pay her a surprise visit, and catch her in a trap. Then the foregoing reflections were cut short by a glimmer showing through the chink of the door — a sign that Ivan had just lit a candle in the hall: and presently Ivan himself appeared, carrying the candle in front of him, and throwing the room into such clear radiance that Kovalev had hastily to snatch up the handkerchief again, and once more cover the place where the nose had been but yesterday, lest the stupid fellow should be led to stand gaping at the monstrosity on his master's features. Ivan had just returned to his cupboard when an unfamiliar voice in the hall inquired: “Is this where Collegiate Assessor Kovalev lives?” “It is,” Kovalev shouted, leaping to his feet, and flinging wide the door. “Come in, will you?” Upon which there entered a police-officer of smart exterior, with whiskers neither light nor dark, and cheeks nicely plump. As a matter of fact, he was the 10 police-officer whom Ivan Yakovlevitch had met at the end of the Isaakievsky Bridge. “I beg your pardon, sir,” he said, “but have you lost your nose?” “I have — just so.” “Then the nose is found.” “What?” For a moment or two joy deprived Major Kovalev of further speech. All that he could do was to stand staring, open-eyed, at the officer's plump lips and cheeks, and at the tremulant beams which the candlelight kept throwing over them. “Then how did it come about?” “Well, by the merest chance the nose was found beside a roadway. Already it had entered a stagecoach, and was about to leave for Riga with a passport made out in the name of a certain chinovnik. And, curiously enough, I myself, at first, took it to be a gentleman. Luckily, though, I had my eyeglasses on me. Soon, therefore, I perceived the ‘gentleman’ to be no more than a nose. Such is my shortness of sight, you know, that even now, though I see you standing there before me, and see that you have a face, I cannot distinguish on that face the nose, the chin, or anything else. My mother-in-law (my wife's mother) too cannot easily distinguish details.” Kovalev felt almost beside himself. “Where is the nose now?” cried he. “Where, I ask? Let me go to it at once.” “Do not trouble, sir. Knowing how greatly you stand in need of it, I have it with me. It is a curious fact, too, that the chief agent in the affair has been a rascal of a barber who lives on the Vozkresensky Prospekt, and now is sitting at the police station. For long past I had suspected him of drunkenness and theft, and only three days ago he took away from a shop a button-card. Well, you will find your nose to be as before. And the officer delved into a pocket, and drew thence the nose, wrapped in paper. “Yes, that's the nose all right!” Kovalev shouted. “It's the nose precisely! Will you join me in a cup of tea?” “I should have accounted it indeed a pleasure if I had been able, but, unfortunately, I have to go straight on to the penitentiary. Provisions, sir, have risen greatly in price. And living with me I have not only my family, but my mother-in-law (my wife's mother). Yet the eldest of my children gives me much hope. He is a clever lad. The only thing is that I have not the means for his proper education.” When the officer was gone the Collegiate Assessor sat plunged in vagueness, plunged in inability to see or to feel, so greatly was he overcome with joy. Only after a while did he with care take the thus recovered nose in cupped hands, and again examine it attentively. “It, undoubtedly. It, precisely,” he said at length. “Yes, and it even has on it the pimple to the left which broke out on me yesterday.” Sheerly he laughed in his delight. But nothing lasts long in this world. Even joy grows less lively the next moment. And a moment later, again, it weakens further. And at last it reemerges insensibly with the normal mood, even as the ripple from a pebble's impact becomes reemerged with the smooth surface of the water at large. So Kovalev relapsed into thought again. For by now he had realized that even yet the affair was not wholly ended, seeing that, though retrieved, the nose needed to be re-stuck. “What if it should fail so to stick!” The bare question thus posed turned the Major pale. Feeling, somehow, very nervous, he drew the mirror closer to him, lest he should fit the nose awry. His hands were trembling as gently, very carefully he lifted the nose in place. But, oh, horrors, it would not remain in place! He held it to his lips, warmed it with his breath, and again lifted it to the patch between his cheeks — only to find, as before, that it would not retain its position. “Come, come, fool!” said he. “Stop where you are, I tell you.” But the nose, obstinately wooden, fell upon the table with a strange sound as of a cork, whilst the Major's face became convulsed. “Surely it is not too large now?” he reflected in terror. Yet as often as he raised it towards its proper position the new attempt proved as vain as the last. Loudly he shouted for Ivan, and sent for a doctor who occupied a flat (a better one than the Major's) on the first floor. The doctor was a fine-looking man with splendid, coal-black whiskers. Possessed of a healthy, comely wife, he ate some raw apples every morning, and kept his mouth extraordinarily clean — rinsed it out, each morning, for three-quarters of an hour, and polished its teeth with five different sorts of brushes. At once he answered Kovalev's summons, and, after asking how long ago the calamity had happened, tilted the Major's chin, and rapped the vacant site with a thumb until at last the Major wrenched his head away, and, in doing so, struck it sharply against the wall behind. This, the doctor said, was nothing; and after advising him to stand a little farther from the wall, and bidding him incline his head to the right, he once more rapped the vacant patch before, after bidding him incline his head to the left, dealing him, with a “Hm!” such a thumb-dig as left the Major standing like a horse which is having its teeth examined. The doctor, that done, shook his head. “The thing is not feasible,” he pronounced. “You had better remain as you are rather than go farther 11 and fare worse. Of course, I could stick it on again — I could do that for you in a moment; but at the same time I would assure you that your plight will only become worse as the result.” “Never mind,” Kovalev replied. “Stick it on again, pray. How can I continue without a nose? Besides, things could not possibly be worse than they are now. At present they are the devil himself. Where can I show this caricature of a face? My circle of acquaintances is a large one: this very night I am due in two houses, for I know a great many people like Madame Chektareva (wife of the State Councilor.), Madame Podtochina (wife of the Staff-Officer), and others. Of course, though, I shall have nothing further to do with Madame Podtochina (except through the police) after her present proceedings. Yes,” persuasively he went on, “I beg of you to do me the favor requested. Surely there are means of doing it permanently? Stick it on in any sort of a fashion — at all events so that it will hold fast, even if not becomingly. And then, when risky moments occur, I might even support it gently with my hand, and likewise dance no more — anything to avoid fresh injury through an unguarded movement. For the rest, you may feel assured that I shall show you my gratitude for this visit so far as ever my means will permit.” “Believe me,” the doctor replied, neither too loudly nor too softly, but just with incisiveness and magnetic force, “when I say that I never attend patients for money. To do that would be contrary alike to my rules and to my art. When I accept a fee for a visit I accept it only lest I offend through a refusal. Again I say — this time on my honor, as you will not believe my plain word — that, though I could easily re-affix your nose, the proceeding would make things worse, far worse, for you. It would be better for you to trust merely to the action of nature. Wash often in cold water, and I assure you that you will be as healthy without a nose as with one. This nose here I should advise you to put into a jar of spirit: or, better still, to steep in two tablespoonfuls of stale vodka and strong vinegar. Then you will be able to get a good sum for it. Indeed, I myself will take the thing if you consider it of no value.” “No, no!” shouted the distracted Major. “Not on any account will I sell it. I would rather it were lost again.” “Oh, I beg your pardon.” And the doctor bowed. “My only idea had been to serve you. What is it you want? Well, you have seen me do what I could.” And majestically he withdrew. Kovalev, meanwhile, had never once looked at his face. In his distraction he had noticed nothing beyond a pair of snowy cuffs projecting from black sleeves. He decided, next, that, before lodging a plea next day, he would write and request the Staff-Officer's lady to restore him his nose without publicity. His letter ran as follows: DEAR MADAME ALEXANDRA GRIGORIEVNA, I am at a loss to understand your strange conduct. At least, however, you may rest assured that you will benefit nothing by it, and that it will in no way further force me to marry your daughter. Believe me, I am now aware of all the circumstances connected with my nose, and know that you alone have been the prime agent in them. The nose's sudden disappearance, its subsequent gaddings about, its masqueradings as, firstly, a chinovnik and, secondly, itself — all these have come of witchcraft practiced either by you or by adepts in pursuits of a refinement equal to your own. This being so, I consider it my duty herewith to warn you that if the nose should not this very day reassume its correct position, I shall be forced to have resort to the law's protection and defense. With all respect, I have the honor. to remain your very humble servant, PLATON KOVALEV. “MY DEAR SIR,” wrote the lady in return, “your letter has greatly surprised me, and I will say frankly that I had not expected it, and least of all its unjust reproaches. I assure you that I have never at any time allowed the chinovnik whom you mention to enter my house — either masquerading or as himself. True, I have received calls from Philip Ivanovitch Potanchikov, who, as you know, is seeking my daughter's hand, and, besides, is a man steady and upright, as well as learned; but never, even so, have I given him reason to hope. You speak, too, of a nose. If that means that I seem to you to have desired to leave you with a nose and nothing else, that is to say, to return you a direct refusal of my daughter's hand, I am astonished at your words, for, as you cannot but be aware, my inclination is quite otherwise. So now, if still you wish for a formal betrothal to my daughter, I will readily, I do assure you, satisfy your desire, which all along has been, in the most lively manner, my own also. In hopes of that, I remain yours sincerely, ALEXANDRA PODTOCHINA. “No, no!” Kovalev exclaimed, after reading the missive. “She, at least, is not guilty. Oh, certainly not! No one who had committed such a crime could write such a letter.” The Collegiate Assessor was the more expert in such matters because more than once he had been sent to the Caucasus to institute prosecutions. “Then by what sequence of chances has the affair happened? Only the devil could say!” His hands fell in bewilderment. 12 It had not been long before news of the strange occurrence had spread through the capital. And, of course, it received additions with the progress of time. Everyone's mind was, at that period, bent upon the marvelous. Recently experiments with the action of magnetism had occupied public attention, and the history of the dancing chairs of Koniushennaia Street also was fresh. So no one could wonder when it began to be said that the nose of Collegiate Assessor Kovalev could be seen promenading the Nevski Prospekt at three o'clock, or when a crowd of curious sightseers gathered there. Next, someone declared that the nose, rather, could be beheld at Junker's store, and the throng which surged thither became so massed as to necessitate a summons to the police. Meanwhile a speculator of highly respectable aspect and whiskers who sold stale cakes at the entrance to a theater knocked together some stout wooden benches, and invited the curious to stand upon them for eighty kopeks each; whilst a retired colonel who came out early to see the show, and penetrated the crowd only with great difficulty, was disgusted when in the window of the store he beheld, not a nose, but merely an ordinary woolen waistcoat flanked by the selfsame lithograph of a girl pulling up a stocking, whilst a dandy with cutaway waistcoat and receding chin peeped at her from behind a tree, which had hung there for ten years past. “Dear me!” irritably he exclaimed. “How come people so to excite themselves about stupid, improbable reports?” Next, word had it that the nose was walking, not on the Nevski Prospekt, but in the Taurida Park, and, in fact, had been in the habit of doing so for a long while past, so that even in the days when Khozrev Mirza had lived near there he had been greatly astonished at the freak of nature. This led students to repair thither from the College of Medicine, and a certain eminent, respected lady to write and ask the Warden of the Park to show her children the phenomenon, and, if possible, add to the demonstration a lesson of edifying and instructive tenor. Naturally, these events greatly pleased also gentlemen who frequented routs, since those gentlemen wished to entertain the ladies, and their resources had become exhausted. Only a few solid, worthy persons deprecated it all. One such person even said, in his disgust, that comprehend how foolish inventions of the sort could circulate in such an enlightened age he could not — that, in fact, he was surprised that the Government had not turned its attention to the matter. From which utterance it will be seen that the person in question was one of those who would have dragged the Government into anything on earth, including even their daily quarrels with their wives. Next — — But again events here become enshrouded in mist. What happened after that is unknown to all men. [12] Formerly the “Whiteley's” of St. Petersburg. [13] Nose is noss in Russian, and Gospodin equivalent to the English “Mr.” III Farce really does occur in this world, and, sometimes, farce altogether without an element of probability. Thus, the nose which lately had gone about as a State Councilor., and stirred all the city, suddenly reoccupied its proper place (between the two cheeks of Major Kovalev) as though nothing at all had happened. The date was 7 April, and when, that morning, the major awoke as usual, and, as usual, threw a despairing glance at the mirror, he this time, beheld before him, what? — why, the nose again! Instantly he took hold of it. Yes, the nose, the nose precisely! “Aha!” he shouted, and, in his joy, might have executed a trepak about the room in bare feet had not Ivan's entry suddenly checked him. Then he had himself furnished with materials for washing, washed, and glanced at the mirror again. Oh, the nose was there still! So next he rubbed it vigorously with the towel. Ah, still it was there, the same as ever! “Look, Ivan,” he said. “Surely there is a pimple on my nose?” But meanwhile he was thinking: “What if he should reply: `You are wrong, sir. Not only is there not a pimple to be seen, but not even a nose'?” However, all that Ivan said was: “Not a pimple, sir, that isn't. The nose is clear all over.” “Good!” the Major reflected, and snapped his fingers. At the same moment Barber Ivan Yakovlevitch peeped round the door. He did so as timidly as a cat which has just been whipped for stealing cream. “Tell me first whether your hands are clean?” the Major cried. “They are, sir.” “You lie, I'll be bound.” “By God, sir, I do not!” “Then go carefully.' As soon as Kovalev had seated himself in position Ivan Yakovlevitch vested him in a sheet, and plied brush upon chin and a portion of a cheek until they looked like the blanc mange served on tradesmen's namedays. “Ah, you!” Here Ivan Yakovlevitch glanced at the nose. Then he bent his head askew, and contemplated the nose from a position on the flank. “It looks right 13 enough,” finally he commented, but eyed the member for quite a little while longer before carefully, so gently as almost to pass the imagination, he lifted two fingers towards it, in order to grasp its tip — such always being his procedure. “Come, come! Do mind!” came in a shout from Kovalev. Ivan Yakovlevitch let fall his hands, and stood disconcerted, dismayed as he had never been before. But at last he started scratching the razor lightly under the chin, and, despite the unhandiness and difficulty of shaving in that quarter without also grasping the organ of smell, contrived, with the aid of a thumb planted firmly upon the cheek and the lower gum, to overcome all obstacles, and bring the shave to a finish. Everything thus ready, Kovalev dressed, called a cab, and set out for the restaurant. He had not crossed the threshold before he shouted: “Waiter! A cup of chocolate!” Then he sought a mirror, and looked at himself. The nose was still in place! He turned round in cheerful mood, and, with eves contracted slightly, bestowed a bold, satirical scrutiny upon two military men, one of the noses on whom was no larger than a waistcoat button. Next, he sought the chancery of the department where he was agitating to obtain a ViceGovernorship (or, failing that, an Administratorship), and, whilst passing through the reception vestibule, again surveyed himself in a mirror. As much in place as ever the nose was! Next, he went to call upon a brother Collegiate Assessor, a brother “Major.” This colleague of his was a great satirist, but Kovalev always met his quarrelsome remarks merely with: “Ah, you! I know you, and know what a wag you are.” Whilst proceeding thither he reflected: “At least, if the Major doesn't burst into laughter on seeing me, I shall know for certain that all is in order again. And this turned out to be so, for the colleague said nothing at all on the subject. “Splendid, damn it all!” was Kovalev's inward comment. In the street, on leaving the colleague's, he met Madame Podtochina, and also Madame Podtochina's daughter. Bowing to them, he was received with nothing but joyous exclamations. Clearly all had been fancy, no harm had been done. So not only did he talk quite a while to the ladies, but he took special care, as he did so, to produce his snuffbox, and deliberately plug his nose at both entrances. Meanwhile inwardly he said: “There now, good ladies! There now, you couple of hens! I'm not going to marry the daughter, though. All this is just — par amour, allow me.” And from that time onwards Major Kovalev gadded about the same as before. He walked on the Nevski Prospekt, and he visited theaters, and he showed himself everywhere. And always the nose accompanied him the same as before, and evinced no signs of again purposing a departure. Great was his good humor, replete was he with smiles, intent was he upon pursuit of fair ladies. Once, it was noted, he even halted before a counter of the Gusting Dvor, and there purchased the ribbon of an order. Why precisely he did so is not known, for of no order was he a knight. To think of such an affair happening in this our vast empire's northern capital! Yet general opinion decided that the affair had about it much of the improbable. Leaving out of the question the nose's strange, unnatural removal, and its subsequent appearance as a State Councilor., how came Kovalev not to know that one ought not to advertise for a nose through a newspaper? Not that I say this because I consider newspaper charges for announcements excessive. No, that is nothing, and I do not belong to the number of the mean. I say it because such a proceeding would have been gauche, derogatory, not the thing. And how came the nose into the baked roll? And what of Ivan Yakovlevitch? Oh, I cannot understand these points — absolutely I cannot. And the strangest, most unintelligible fact of all is that authors actually can select such occurrences for their subject! I confess this too to pass my comprehension, to — — But no; I will say just that I do not understand it. In the first place, a course of the sort never benefits the country. And in the second place — in the second place, a course of the sort never benefits anything at all. I cannot divine the use of it. Yet, even considering these things; even conceding this, that, and the other (for where are not incongruities found at times?) there may have, after all, been something in the affair. For no matter what folk say to the contrary, such affairs do happen in this world — rarely of course, yet none the less really. _______________________________________ Brer Rabbit and the Tar-Baby Joel Chandler Harris www.world-english.org One evening recently, the lady whom Uncle Remus calls “Miss Sally” missed her little seven-year-old. Making search for him through the house and through the yard, she heard the sound of voices in the old man’s cabin, and looking through the window, saw the child sitting by Uncle Remus. His head rested against the old man’s arm, and he was gazing with an expression of the most intense interest into the rough, weather-beaten face that beamed so kindly upon him. This is what “Miss Sally” heard: 14 “Bimeby, one day, after Brer Fox bin doin’ all dat he could fer ter ketch Brer Rabbit, en Brer Rabbit bin doin’ all he could fer ter keep ’im fum it, Brer Fox say to hisse’f dat he’d put up a game on Brer Rabbit, en he ain’t mo’n got de wuds out’n his mouf twel Brer Rabbit come a-lopin’ up de big road, lookin’ des ez plump en ez fat en ez sassy ez a Moggin hoss in a barley-patch. “‘Hol’ on dar, Brer Rabbit,’ sez Brer Fox, sezee. “‘I ain’t got time, Brer Fox,’ sez Brer Rabbit, sezee, sorter mendin’ his licks. “‘I wanter have some confab wid you, Brer Rabbit,’ sez Brer Fox, sezee. “‘All right, Brer Fox, but you better holler fum whar you stan’: I’m monstus full er fleas dis mawnin’,’ sez Brer Rabbit, sezee. “‘I seed Brer B’ar yistiddy,’ sez Brer Fox, sezee, ‘en he sorter raked me over de coals kaze you en me ain’t make frens en live naberly, en I told him dat I’d see you.’ “Den Brer Rabbit scratch one year wid his off hinefoot sorter jub’usly, en den he ups en sez, sezee: “‘All a-settin’, Brer Fox. S’posen you drap roun’ termorrer en take dinner wid me. We ain’t got no great doin’s at our house, but I speck de ole ’oman en de chilluns kin sort o’ scramble roun’ en git up sump’n fer ter stay yo’ stummuck.’ “‘I’m ’gree’ble, Brer Rabbit,’ sez Brer Fox, sezee. “‘Den I’ll ’pen on you,’ says Brer Rabbit, sezee. “Nex’ day, Mr. Rabbit an’ Miss Rabbit got up soon, ’fo day, en raided on a gyarden like Miss Sally’s out dar, en got some cabbiges, en some roas’n-years, en some sparrer-grass, en dey fix up a smashin’ dinner. Bimeby one er de little Rabbits, playin’ out in de backyard, come runnin’ in hollerin’, ‘Oh, ma! oh, ma! I seed Mr. Fox a-comin’!’ En den Brer Rabbit he tuck de chilluns by der years en make um set down, and den him en Miss Rabbit sorter dally roun’ waitin’ for Brer Fox. En dey keep on waitin’, but no Brer Fox ain’t come. Atter while Brer Rabbit goes to de do’, easy like, en peep out, en dar, stickin’ out fum behime de cornder, wuz de tip-een’ er Brer Fox’s tail. Den Brer Rabbit shot de do’ en sot down, en put his paws behime his years, en begin fer ter sing: “‘De place wharbouts you spill de grease, Right dar youer boun’ ter slide, An’ whar you fine a bunch er ha’r, You’ll sholy fine de hide!”’ “Nex’ day Brer Fox sont word by Mr. Mink en skuze hisse’f kaze he wuz too sick fer ter come, en he ax Brer Rabbit fer ter come en take dinner wid him, en Brer Rabbit say he wuz ’gree’ble. “Bimeby, w’en de shadders wuz at der shortes’, Brer Rabbit he sorter brush up en santer down ter Brer Fox’s house, en w’en he got dar he yer somebody groanin’, en he look in de do’, en dar he see Brer Fox settin’ up in a rockin’-cheer all wrop up wid flannil, en he look mighty weak. Brer Rabbit look all roun’, he did, but he ain’t see no dinner. De dish-pan wuz settin’ on de table, en close by wuz a kyarvin-knife. “‘Look like you gwineter have chicken fer dinner, Brer Fox,’ sez Brer Rabbit, sezee. “‘Yes, Brer Rabbit, deyer nice en fresh en tender,’ sez Brer Fox, sezee. “Den Brer Rabbit sorter pull his mustarsh, en say, ‘You ain’t got no’ calamus-root, is you, Brer Fox? I done got so now dat I can’t eat no’ chicken ’ceppin’ she’s seasoned up wid calamus-root.’ En wid dat Brer Rabbit lipt out er de do’ and dodge ’mong de bushes, en sot dar watchin’ fer Brer Fox; en he ain’t watch long, nudder, kaze Brer Fox flung off de flannil en crope out er de house en got whar he could close in on Brer Rabbit, en bimeby Brer Rabbit holler out, ‘Oh, Brer Fox! I’ll des put yo’ calamus-root out yer on dis yer stump. Better come git it while hit’s fresh.’ And wid dat Brer Rabbit gallop off home. En Brer Fox ain’t never kotch ’im yit, en w’at’s mo’, honey, he ain’t gwineter.” “Didn’t the fox never catch the rabbit, Uncle Remus?” asked the little boy the next evening. “He come mighty nigh it, honey, sho’s you bawn— Brer Fox did. One day arter Brer Rabbit fool ’im wid dat calamus-root, Brer Fox went ter wuk en got ’im some tar, en mix it wid some turken-time, en fix up a contrapshun what he call a Tar-Baby, en he tuck dish yer Tar-Baby en he sot ’er in de big road, en den he lay off in de bushes fer ter see wat de news wuz gwineter be. En he didn’t hatter wait long, nudder, kaze bimeby here come Brer Rabbit pacin’ down de road—lippity-clippity, clippity-lippity—des ez sassy ez a jay-bird. Brer Fox he lay low. Brer Rabbit come prancin’ ’long twel he spy de Tar-Baby, en den he fotch up on his behime legs like he was ’stonished. De Tar-Baby she sot dar, she did, en Brer Fox he lay low. 15 “‘Mawnin’!’ sez Brer Rabbit, sezee; ‘nice wedder dis mawnin’,’ sezee. “Tar-Baby ain’t sayin’ nuthin’ en Brer Fox he lay low. “‘How duz yo’ sym’tums seem ter segashuate?’ sez Brer Rabbit, sezee. “Brer Fox he wink his eye slow, en lay low, en de Tar-Baby she ain’t sayin’ nuthin’. “‘How you come on, den? Is you deaf?’ sez Brer Rabbit, sezee. ‘Kaze if you is I kin holler louder,’ sezee. “Tar-Baby lay still, en Brer Fox he lay low. “‘Youer stuck up, dat’s w’at you is,’ says Brer Rabbit, sezee, ‘en I’m gwineter kyore you, dat’s w’at I’m a-gwineter do,’ sezee. “Brer Fox he sorter chuckle in his stummuck, he did, but Tar-Baby ain’t sayin’ nuthin’. “‘I’m gwineter larn you howter talk ter ’specttubble fokes ef hit’s de las ’ack,’ sez Brer Rabbit, sezee. ‘Ef you don’t take off dat hat en tell me howdy, I’m gwineter bus’ you wide open,’ sezee. “Tar-Baby stay still, en Brer Fox he lay low. “Brer Rabbit keep on axin’ ’im, en de Tar-Baby she keep on sayin’ nuthin’, twel present’y Brer Rabbit draw back wid his fis’, he did, en blip he tuck er side er de head. Right dar’s whar he broke his merlassesjug. His fis’ stuck, en he can’t pull loose. De tar hilt him. But Tar-Baby she stay still, en Brer Fox he lay low. “‘Ef you don’t lemme loose, I’ll knock you ag’in,’ sez Brer Rabbit, sezee; en wid dat he fotch ’er a wipe wid te udder han’, en dat stuck. Tar-Baby she ain’t sayin’ nuthin’, en Brer Fox he lay low. “‘Tu’n me loose, of’ I kick de natal stuffin’ outen you,’ sez Brer Rabbit, sezee; but de Tar-Baby she ain’t sayin’ nuthin’. She des hilt on, en den Brer Rabbit lose de use er his feet in de same way. Brer Fox he lay low. Den Brer Rabbit squall out dat ef de Tar-Baby don’t tu’n ’im loose he butt ’er crank-sided. En den he butted, en his head got stuck. Den Brer Fox he santered fort’, lookin’ des ez innercent ez wunner yo’ mammy’s mockin’-birds. “‘Howdy, Brer Rabbit?’ sez Brer Fox, sezee. ‘You look sorter stuck up dis mawnin’,’ sezee; en den he rolled on de groun’, en laft en laft twel he couldn’t laff no mo’. ‘I speck you’ll take dinner wid me dis time, Brer Rabbit. I done laid in some calamus-root, en I ain’t gwineter take no skuse,’ sez Brer Fox, sezee.” Here Uncle Remus paused, and drew a two-pound yam out of the ashes. “Did the fox eat the rabbit?” asked the little boy to whom the story had been told. “Dat’s all de fur de tale goes,” replied the old man. “He mout, en den ag’in he moutent. Some say Jedge B’ar come ’long en loosed ’im; some say he didn’t. I hear Miss Sally callin’. You better run ’long.”… “Uncle Remus,” said the little boy one evening, when he had found the old man with little or nothing to do, “did the fox kill and eat the rabbit when he caught him with the Tar-Baby?” “Law, honey, ain’t I tell you ’bout dat?” replied the old darky, chuckling slyly. “I ’clar ter grashus I ought er tole you dat; but ole man Nod wuz ridin’ on my eyelids twel a leetle mo’n I’d ’a’ dis’member’d my own name, en den on to dat here come yo’ mammy hollerin’ atter you. “W’at I tell you w’en I fus’ begin? I tole you Brer Rabbit wuz a monstus soon beas’; leas’ways dat’s w’at I laid out fer ter tell you. Well, den, honey, don’t you go en make no udder kalkalashuns, kaze in dem days Brer Rabbit en his family wuz at de head er de gang w’en enny racket wuz on han’, en dar dey stayed. ’Fo’ you begins fer ter wipe yo’ eyes ’bout Brer Rabbit, you wait en see whar’bouts Brer Rabbit gwineter fetch up at. But dat’s needer yer ner dar. “W’en Brer Fox fine Brer Rabbit mixt up wid de TarBaby, he feel mighty good, en he roll on de groun’ en laff. Bimeby he up ’n’ say, sezee: “Well, I speck I got you dis time, Brer Rabbit,’ sezee; ‘maybe I ain’t but I speck I is. You been runnin’ roun’ here sassin’ atter me a mighty long time, but I speck you done come ter de een’ er de row. You bin cuttin’ up yo’ capers en bouncin’ roun’ in dis naberhood ontwel you come ter b’leeve yo’se’f de boss er de whole gang. En den youer allers some’rs whar you got no bizness,’ sez Brer Fox, sezee. ‘Who ax you fer ter come en strike up a ’quaintence wid dish yer Tar-Baby? En who stuck you up dar whar you iz? Nobody in de roun’ worril. You des tuck en jam yo’se’f on dat Tar-Baby widout waitin’ fer enny invite,’ sez Brer Fox, sezee—‘ en dar you is, en dar you’ll stay twel I fixes up a bresh-pile and fires her 16 up, kaze I’m gwineter bobbycue you dis day, sho’,’ sez Brer Fox, sezee. “Den Brer Rabbit talk mighty ’umble. “‘I don’t keer w’at you do wid me, Brer Fox,’ sezee, ‘so you don’t fling me in dat brier-patch. Roas’ me, Brer Fox,’ sezee, ‘but don’t fling me in dat brierpatch,’ sezee. “‘Hit’s so much trouble fer ter kindle a fier,’ sez Brer Fox, sezee, ‘dat I speck I’ll hatter hang you,’ sezee. “‘Hang me des ez high ez you please, Brer Fox,’ sez Brer Rabbit, sezee, ‘but do fer de Lord’s sake don’t fling me in dat brier-patch,’ sezee. “‘I ain’t got no string,’ sez Brer Fox, sezee, ‘en now I speck I’ll hatter drown you,’ sezee. “‘Drown me ez deep ez you please, Brer Fox,’ sez Brer Rabbit, sezee, ‘but don’t fling me in dat brierpatch,’ sezee. “‘Dey ain’t no water nigh,’ sez Brer Fox, sezee, ‘en now I speck I’ll hatter skin you,’ sezee. “‘Skin me, Brer Fox,’ sez Brer Rabbit, sezee, ‘snatch out my eyeballs, t’ar out my years by de roots, en cut off my legs,’ sezee, ‘but do please, Brer Fox, don’t fling me in dat brier-patch,’ sezee. “Co’se Brer Fox wanter hurt Brer Rabbit bad ez he kin, so he cotch him by de behime legs en slung ’im right in de middle er de brier-patch. Dar wuz a considerbul flutter whar Brer Rabbit struck de bushes, en Brer Fox sorter hung roun’ fer ter see what wuz gwineter happen. Bimeby he hear somebody call ’im, en way up de hill he see Brer Rabbit settin’ cross-legged on a chinkapin log koamin’ de pitch outen his har wid a chip. Den Brer Fox know dat he bin swop off mighty bad. Brer Rabbit wuz bleedzed fer ter fling back some er his sass, en he holler out: “‘Bred en bawn in a brier-patch, Brer Fox; bred en bawn in a brier-patch!’ en wid dat he skip out des ez lively ez a cricket in de embers.” www.world-english.org _______________________________________ How the Leopard Got His Spots Rudyard Kipling www.world-english.org In the days when everybody started fair, Best Beloved, the Leopard lived in a place called the High Veldt. 'Member it wasn't the Low Veldt, or the Bush Veldt, or the Sour Veldt, but the 'sclusively bare, hot shiny High Veldt, where there was sand and sandycoloured rock and 'sclusively tufts of sandy-yellowish grass. The Giraffe and the Zebra and the Eland and the Koodoo and the Hartebeest lived there: and they were 'sclusively sandy-yellow-brownish all over; but the Leopard, he was the 'sclusivest sandiestyellowest-brownest of them all -- a greyish-yellowish catty-shaped kind of beast, and he matched the 'sclusively yellowish-greyish-brownish colour of the High Veldt to one hair. This was very bad for the Giraffe and the Zebra and the rest of them: for he would lie down by a 'sclusively yellowish-greyishbrownish stone or clump of grass, and when the Giraffe or the Zebra or the Eland or the Koodoo or the Bush-Buck or the Bonte-Buck came by he would surprise them out of their jumpsome lives. He would indeed! And, also, there was an Ethiopian with bows and arrows (a 'sclusively greyish-brownish-yellowish man he was then), who lived on the High Veldt with the Leopard: and the two used to hunt together -- the Ethiopian with his bows and arrows, and the Leopard 'sclusively with his teeth and claws -- till the Giraffe and the Eland and the Koodoo and the Quagga and all the rest of them didn't know which way to jump, Best Beloved. They didn't indeed! After a long time -- things lived for ever so long in those days -- they learned to avoid anything that looked like a Leopard or an Ethiopian: and bit by bit - the Giraffe began it, because his legs were the longest -- they went away from the High Veldt. They scuttled for days and days till they came to a great forest, 'sclusively full of trees and bushes and stripy, speckly, patchy-blatchy shadows, and there they hid: and after another long time, what with standing half in the shade and half out of it, and what with the slippery-slidy shadows of the trees falling on them, the Giraffe grew blotchy, and the Zebra grew stripy, and the Eland and the Koodoo grew darker, with little wavy grey lines on their backs like bark on a treetrunk: and so, though you could hear them and smell them, you could very seldom see them, and then only when you knew precisely where to look. They had a beautiful time in the 'sclusively speckly-spickly shadows of the forest, while the Leopard and the Ethiopian ran about over the 'sclusively greyishyellowish-reddish High Veldt outside, wondering where all their breakfasts and their dinners and their teas had gone. At last they were so hungry that they ate rats and beetles and rock-rabbits, the Leopard and the Ethiopian, and then they had the Big Tummyache, both together: and then they met Baviaan -- the dog-headed, barking baboon, who is Quite the Wisest Animal in All South Africa. Said the Leopard to Baviaan (and it was a very hot 17 day), 'Where has all the game gone?' And Baviaan winked. He knew. Said Ethiopian to Baviaan, 'Can you tell me the present habitat of the aboriginal Fauna?' (That meant just the same thing, but the Ethiopian always used long words. He was a grown-up.) And Baviaan winked. He knew. Then said Baviaan, 'The game has gone into other spots: and my advice to you, Leopard, is to go into other spots as soon as you can.' And the Ethiopian said, 'That is all very fine, but I wish to know whither the aboriginal Fauna has migrated.' Then said Baviaan, 'The aboriginal Fauna has joined the aboriginal Flora because it was high time for a change; and my advice to you, Ethiopian, is to change as soon as you can.' That puzzled the Leopard and the Ethiopian, but they set off to look for the aboriginal Flora, and presently, after ever so many days, they saw a great, high, tall forest full of tree-trunks all 'sclusively speckled and sprottled and spottled, dotted and splashed and slashed and hatched and cross-hatched with shadows. (Say that quickly aloud, and you will see how very shadowy the forest must have been.) 'What is this,' said the Leopard, 'that is so 'sclusively dark, and yet so full of little pieces of light?' 'I don't know,' said the Ethiopian, 'but it ought to be the aboriginal Flora. I can smell Giraffe, and I can hear Giraffe, but I can't see Giraffe.' 'That's curious,' said the Leopard. 'I suppose it is because we have just come in out of the sunshine. I can smell Zebra, and I can hear Zebra, but I can't see Zebra.' 'Wait a bit,' said the Ethiopian. 'It's a long time since we've hunted 'em. Perhaps we've forgotten what they were like.' 'Fiddle!' said the Leopard. I remember them perfectly on the High Veldt, especially their marrow- bones. Giraffe is about seventeen feet high, of a 'sclusively fulvous golden-yellow from head to heel: and Zebra is about four and a half feet high, of a 'sclusively grey-fawn colour from head to heel.' 'Umm,' said the Ethiopian, looking into the specklyspickly shadows of the aboriginal Flora-forest. 'Then they ought to show up in this dark place like ripe bananas in a smoke-house.' But they didn't. The Leopard and the Ethiopian hunted all day; and though they could smell them and hear them, they never saw one of them. 'For goodness' sake,' said the Leopard at tea-time, 'let us wait till it gets dark. This daylight hunting is a perfect scandal.' So they waited till dark, and then the Leopard heard something breathing sniffily in the starlight that fell all stripy through the branches, and he jumped at the noise, and it smelt like Zebra, and it felt like Zebra, and when he knocked it down it kicked like Zebra, but he couldn't see it. So he said, 'Be quiet, O you person without any form. I am going to sit on your head till morning, because there is something about you that I don't understand.' Presently he heard a grunt and a crash and a scramble, and the Ethiopian called out, 'I've caught a thing that I can't see. It smells like Giraffe, and it kicks like Giraffe, but it hasn't any form.' 'Don't you trust it, said the Leopard. 'Sit on its head till the morning -- same as me. They haven't any form -- any of 'em.' So they sat down on them hard till bright morningtime, and then Leopard said, 'What have you at your end of the table, Brother?' The Ethiopian scratched his head and said, 'It ought to be 'sclusively a rich fulvous orange-tawny from head to heel, and it ought to be Giraffe; but it is covered all over with chestnut blotches. What have you at your end of the table, Brother?' And the Leopard scratched his head and said, 'It ought to be 'sclusively a delicate greyish-fawn, and it ought to be Zebra; but it is covered all over with black and purple stripes. What in the world have you been doing to yourself, Zebra? Don't you know that if you were on the High Veldt I could see you ten miles off? You haven't any form.' 'Yes,' said the Zebra, 'but this isn't the High Veldt. Can't you see?' 'I can now,' said the Leopard, 'But I couldn't all yesterday. How is it done?' 18 'Let us up,' said the Zebra, 'and we will show you.' 'What's the use of that?' said the Leopard. They let the Zebra and the Giraffe get up; and Zebra moved away to some little thorn-bushes where the sunlight fell all stripy, and the Giraffe moved off to some tallish trees where the shadows fell all blotchy. 'Think of Giraffe,' said the Ethiopian. 'Or if you prefer stripes, think of Zebra. They find their spots and stripes give them per-fect satisfaction.' 'Now watch,' said the Zebra and the Giraffe. 'This is the way it's done. One -- two -- three! And where's your breakfast?' Leopard stared, and Ethiopian stared, but all they could see were stripy shadows and blotched shadows in the forest, but never a sign of Zebra and Giraffe. They had just walked off and hidden themselves in the shadowy forest. 'Hi! Hi!' said the Ethiopian. 'That's a trick worth learning. Take a lesson by it, Leopard. You show up in this dark place like a bar of soap in a coal-scuttle.' 'Ho! Ho!' said the Leopard. 'Would it surprise you very much to know that you show up in this dark place like a mustard-plaster on a sack of coals?' 'Well, calling names won't catch dinner,' said the Ethiopian. 'The long and the little of it is that we don't match our backgrounds. I'm going to take Baviaan's advice. He told me I ought to change: and as I've nothing to change except my skin I'm going to change that.' 'Umm,' said the Leopard. 'I wouldn't look like Zebra - not for ever so.' 'Well, make up your mind,' said the Ethiopian, 'because I'd hate to go hunting without you, but I must if you insist on looking like a sunflower against a tarred fence.' 'I'll take spots, then,' said the Leopard; 'but don't make 'em too vulgar-big. I wouldn't look like Giraffe -- not for ever so.' 'I'll make 'em with the tips of my fingers,' said the Ethiopian. 'There's plenty of black left on my skin still. Stand over!' Then the Ethiopian put his five fingers close together (there was plenty of black left on his new skin still) and pressed them all over the Leopard, and wherever the five fingers touched they left five little black marks, all close together. You can see them on any Leopard's skin you like, Best Beloved. Sometimes the fingers slipped and the marks got a little blurred; but if you look closely at any Leopard now you will see that there are always five spots -- off five black finger-tips. 'What to?' said the Leopard, tremendously excited. 'To a nice working blackish-brownish colour, with a little purple in it, and touches of slaty-blue. It will be the very thing for hiding in hollows and behind trees.' So he changed his skin then and there, and the Leopard was more excited than ever: he had never seen a man change his skin before. 'Now you are a beauty!' said the Ethiopian. 'You can lie out on the bare ground and look like a heap of pebbles. You can lie out on the naked rocks and look like a piece of pudding-stone. You can lie out on a leafy branch and look like sunshine sifting through the leaves; and you can lie right across the centre of a path and look like nothing in particular. Think of that and purr!' 'But what about me?' she said, when the Ethiopian had worked his last little finger into his fine new black skin. 'But if I'm all this,' said the Leopard, 'why didn't you go spotty too?' 'You take Baviaan's advice too. He told you to go into spots.' 'Oh, plain black's best,' said the Ethiopian. 'Now come along and we'll see if we can't get even with Mr One-Two-Three-Where's-your-Breakfast!' 'So I did,' said the Leopard. 'I went into other spots as fast as I could. I went into this spot with you, and a lot of good it has done me.' So they went away and lived happily ever afterwards, Best Beloved. That is all. 'Oh,' said the Ethiopian. 'Baviaan didn't mean spots in South Africa. he meant spots on your skin.' Oh, now and then you will hear grown-ups say, 'Can the Ethiopian change his skin or the Leopard his spots?' I don't think even grown-ups would keep on saying such a silly thing if the Leopard and the 19 Ethiopian hadn't done it once -- do you? But they will never do it again, Best Beloved. They are quite contented as they are. altogether if he had not unfortunately run into a gooseberry net, and got caught by the large buttons on his jacket. It was a blue jacket with brass buttons, quite new. www.world-english.org _______________________________________ The Tale of Peter Rabbit Beatrix Potter Once upon a time there were four little Rabbits, and their names were-- Flopsy, Mopsy, Cotton-tail, and Peter. They lived with their Mother in asand-bank, underneath the root of a very big fir-tree. "Now, my dears," said old Mrs. Rabbit one morning, "you may go into the fields or down the lane, but don't go into Mr. McGregor's garden: your Father had an accident there; he was put in a pie by Mrs. McGregor." "Now run along, and don't get into mischief. I am going out." Then old Mrs. Rabbit took a basket and her umbrella, and went through the wood to the baker's. She bought a loaf of brown bread and five currant buns. Flopsy, Mopsy, and Cotton-tail, who were good little bunnies, went down the lane to gather blackberries; But Peter, who was very naughty, ran straight away to Mr. McGregor's garden, and squeezed under the gate! First he ate some lettuces and some French beans; and then he ate some radishes; And then, feeling rather sick, he went to look for some parsley. But round the end of a cucumber frame, whom should he meet but Mr. McGregor! Mr. McGregor was on his hands and knees planting out young cabbages, but he jumped up and ran after Peter, waving a rake and calling out, "Stop thief." Peter was most dreadfully frightened; he rushed all over the garden, for he had forgotten the way back to the gate. He lost one of his shoes among the cabbages, and the other shoe amongst the potatoes. After losing them, he ran on four legs and went faster, so that I think he might have got away Peter gave himself up for lost, and shed big tears; but his sobs were overheard by some friendly sparrows, who flew to him in great excitement, and implored him to exert himself. Mr. McGregor came up with a sieve, which he intended to pop upon the top of Peter; but Peter wriggled out just in time, leaving his jacket behind him. And rushed into the toolshed, and jumped into a can. It would have been a beautiful thing to hide in, if it had not had so much water in it. Mr. McGregor was quite sure that Peter was somewhere in the toolshed, perhaps hidden underneath a flowerpot. He began to turn them over carefully, looking under each. Presently Peter sneezed-- "Kertyschoo!" Mr. McGregor was after him in no time, And tried to put his foot upon Peter, who jumped out of a window, upsetting three plants. The window was too small for Mr. McGregor, and he was tired of running after Peter. He went back to his work. Peter sat down to rest; he was out of breath and trembling with fright, and he had not the least idea which way to go. Also he was very damp with sitting in that can. After a time he began to wander about, going lippity-lippity--not very fast, and looking all around. He found a door in a wall; but it was locked, and there was no room for a fat little rabbit to squeeze underneath. An old mouse was running in and out over the stone doorstep, carrying peas and beans to her family in the wood. Peter asked her the way to the gate, but she had such a large pea in her mouth that she could not answer. She only shook her head at him. Peter began to cry. Then he tried to find his way straight across the garden, but he became more and more puzzled. Presently, he came to a pond where Mr. McGregor 20 filled his water-cans. A white cat was staring at some goldfish; she sat very, very still, but now and then the tip of her tail twitched as if it were alive. Peter thought it best to go away without speaking to her; he has heard about cats from his cousin, little Benjamin Bunny. He went back towards the toolshed, but suddenly, quite close to him, he heard the noise of a hoe--scrr-ritch, scratch, scratch, scritch. Peter scuttered underneath the bushes. But presently, as nothing happened, he came out, and climbed upon a wheelbarrow, and peeped over. The first thing he saw was Mr. McGregor hoeing onions. His back was turned towards Peter, and beyond him was the gate! Peter got down very quietly off the wheelbarrow, and started running as fast as he could go, along a straight walk behind some black-currant bushes. Mr. McGregor caught sight of him at the corner, but Peter did not care. He slipped underneath the gate, and was safe at last in the wood outside the garden. hedges topping an earth wall on each side of the road; then at the foot of the steep ascent before Ploumar the horse dropped into a walk, and the driver jumped down heavily from the box. He flicked his whip and climbed the incline, stepping clumsily uphill by the side of the carriage, one hand on the footboard, his eyes on the ground. After a while he lifted his head, pointed up the road with the end of the whip, and said-"The idiot!" The sun was shining violently upon the undulating surface of the land. The rises were topped by clumps of meagre trees, with their branches showing high on the sky as if they had been perched upon stilts. The small fields, cut up by hedges and stone walls that zig-zagged over the slopes, lay in rectangular patches of vivid greens and yellows, resembling the unskilful daubs of a naive picture. And the landscape was divided in two by the white streak of a road stretching in long loops far away, like a river of dust crawling out of the hills on its way to the sea. "Here he is," said the driver, again. Peter never stopped running or looked behind him till he got home to the big fir-tree. In the long grass bordering the road a face glided past the carriage at the level of the wheels as we drove slowly by. The imbecile face was red, and the bullet head with close-cropped hair seemed to lie alone, its chin in the dust. The body was lost in the bushes growing thick along the bottom of the deep ditch. He was so tired that he flopped down upon the nice soft sand on the floor of the rabbit-hole, and shut his eyes. His mother was busy cooking; she wondered what he had done with his clothes. It was the second little jacket and pair of shoes that Peter had lost in a fortnight! It was a boy's face. He might have been sixteen, judging from the size--perhaps less, perhaps more. Such creatures are forgotten by time, and live untouched by years till death gathers them up into its compassionate bosom; the faithful death that never forgets in the press of work the most insignificant of its children. I am sorry to say that Peter was not very well during the evening. "Ah! there's another," said the man, with a certain satisfaction in his tone, as if he had caught sight of something expected. Mr. McGregor hung up the little jacket and the shoes for a scare-crow to frighten the blackbirds. His mother put him to bed, and made some camomile tea; and she gave a dose of it to Peter! "One table-spoonful to be taken at bed-time." But Flopsy, Mopsy, and Cotton-tail had bread and milk and blackberries for supper. _______________________________________ The Idiots Joseph Conrad We were driving along the road from Treguier to Kervanda. We passed at a smart trot between the There was another. That one stood nearly in the middle of the road in the blaze of sunshine at the end of his own short shadow. And he stood with hands pushed into the opposite sleeves of his long coat, his head sunk between the shoulders, all hunched up in the flood of heat. From a distance he had the aspect of one suffering from intense cold. "Those are twins," explained the driver. The idiot shuffled two paces out of the way and looked at us over his shoulder when we brushed past 21 him. The glance was unseeing and staring, a fascinated glance; but he did not turn to look after us. Probably the image passed before the eyes without leaving any trace on the misshapen brain of the creature. When we had topped the ascent I looked over the hood. He stood in the road just where we had left him. The driver clambered into his seat, clicked his tongue, and we went downhill. The brake squeaked horribly from time to time. At the foot he eased off the noisy mechanism and said, turning half round on his box-"We shall see some more of them by-and-by." "More idiots? How many of them are there, then?" I asked. "There's four of them--children of a farmer near Ploumar here. . . . The parents are dead now," he added, after a while. "The grandmother lives on the farm. In the daytime they knock about on this road, and they come home at dusk along with the cattle. . . . It's a good farm." We saw the other two: a boy and a girl, as the driver said. They were dressed exactly alike, in shapeless garments with petticoat-like skirts. The imperfect thing that lived within them moved those beings to howl at us from the top of the bank, where they sprawled amongst the tough stalks of furze. Their cropped black heads stuck out from the bright yellow wall of countless small blossoms. The faces were purple with the strain of yelling; the voices sounded blank and cracked like a mechanical imitation of old people's voices; and suddenly ceased when we turned into a lane. I saw them many times in my wandering about the country. They lived on that road, drifting along its length here and there, according to the inexplicable impulses of their monstrous darkness. They were an offence to the sunshine, a reproach to empty heaven, a blight on the concentrated and purposeful vigour of the wild landscape. In time the story of their parents shaped itself before me out of the listless answers to my questions, out of the indifferent words heard in wayside inns or on the very road those idiots haunted. Some of it was told by an emaciated and sceptical old fellow with a tremendous whip, while we trudged together over the sands by the side of a two-wheeled cart loaded with dripping seaweed. Then at other times other people confirmed and completed the story: till it stood at last before me, a tale formidable and simple, as they always are, those disclosures of obscure trials endured by ignorant hearts. When he returned from his military service JeanPierre Bacadou found the old people very much aged. He remarked with pain that the work of the farm was not satisfactorily done. The father had not the energy of old days. The hands did not feel over them the eye of the master. Jean-Pierre noted with sorrow that the heap of manure in the courtyard before the only entrance to the house was not so large as it should have been. The fences were out of repair, and the cattle suffered from neglect. At home the mother was practically bedridden, and the girls chattered loudly in the big kitchen, unrebuked, from morning to night. He said to himself: "We must change all this." He talked the matter over with his father one evening when the rays of the setting sun entering the yard between the outhouses ruled the heavy shadows with luminous streaks. Over the manure heap floated a mist, opal-tinted and odorous, and the marauding hens would stop in their scratching to examine with a sudden glance of their round eye the two men, both lean and tall, talking in hoarse tones. The old man, all twisted with rheumatism and bowed with years of work, the younger bony and straight, spoke without gestures in the indifferent manner of peasants, grave and slow. But before the sun had set the father had submitted to the sensible arguments of the son. "It is not for me that I am speaking," insisted Jean-Pierre. "It is for the land. It's a pity to see it badly used. I am not impatient for myself." The old fellow nodded over his stick. "I dare say; I dare say," he muttered. "You may be right. Do what you like. It's the mother that will be pleased." The mother was pleased with her daughter-in-law. Jean-Pierre brought the two-wheeled spring-cart with a rush into the yard. The gray horse galloped clumsily, and the bride and bridegroom, sitting side by side, were jerked backwards and forwards by the up and down motion of the shafts, in a manner regular and brusque. On the road the distanced wedding guests straggled in pairs and groups. The men advanced with heavy steps, swinging their idle arms. They were clad in town clothes; jackets cut with clumsy smartness, hard black hats, immense boots, polished highly. Their women all in simple black, with white caps and shawls of faded tints folded triangularly on the back, strolled lightly by their side. In front the violin sang a strident tune, and the biniou snored and hummed, while the player capered solemnly, lifting high his heavy clogs. The sombre procession drifted in and out of the narrow lanes, through sunshine and through shade, between fields and hedgerows, scaring the little birds that darted away in troops right and left. In the yard of Bacadou's farm the dark ribbon wound itself up into a mass of men and women pushing at the door with 22 cries and greetings. The wedding dinner was remembered for months. It was a splendid feast in the orchard. Farmers of considerable means and excellent repute were to be found sleeping in ditches, all along the road to Treguier, even as late as the afternoon of the next day. All the countryside participated in the happiness of Jean-Pierre. He remained sober, and, together with his quiet wife, kept out of the way, letting father and mother reap their due of honour and thanks. But the next day he took hold strongly, and the old folks felt a shadow--precursor of the grave-fall upon them finally. The world is to the young. When the twins were born there was plenty of room in the house, for the mother of Jean-Pierre had gone away to dwell under a heavy stone in the cemetery of Ploumar. On that day, for the first time since his son's marriage, the elder Bacadou, neglected by the cackling lot of strange women who thronged the kitchen, left in the morning his seat under the mantel of the fireplace, and went into the empty cow-house, shaking his white locks dismally. Grandsons were all very well, but he wanted his soup at midday. When shown the babies, he stared at them with a fixed gaze, and muttered something like: "It's too much." Whether he meant too much happiness, or simply commented upon the number of his descendants, it is impossible to say. He looked offended --as far as his old wooden face could express anything; and for days afterwards could be seen, almost any time of the day, sitting at the gate, with his nose over his knees, a pipe between his gums, and gathered up into a kind of raging concentrated sulkiness. Once he spoke to his son, alluding to the newcomers with a groan: "They will quarrel over the land." "Don't bother about that, father," answered Jean-Pierre, stolidly, and passed, bent double, towing a recalcitrant cow over his shoulder. He was happy, and so was Susan, his wife. It was not an ethereal joy welcoming new souls to struggle, perchance to victory. In fourteen years both boys would be a help; and, later on, Jean-Pierre pictured two big sons striding over the land from patch to patch, wringing tribute from the earth beloved and fruitful. Susan was happy too, for she did not want to be spoken of as the unfortunate woman, and now she had children no one could call her that. Both herself and her husband had seen something of the larger world--he during the time of his service; while she had spent a year or so in Paris with a Breton family; but had been too home-sick to remain longer away from the hilly and green country, set in a barren circle of rocks and sands, where she had been born. She thought that one of the boys ought perhaps to be a priest, but said nothing to her husband, who was a republican, and hated the "crows," as he called the ministers of religion. The christening was a splendid affair. All the commune came to it, for the Bacadous were rich and influential, and, now and then, did not mind the expense. The grandfather had a new coat. Some months afterwards, one evening when the kitchen had been swept, and the door locked, JeanPierre, looking at the cot, asked his wife: "What's the matter with those children?" And, as if these words, spoken calmly, had been the portent of misfortune, she answered with a loud wail that must have been heard across the yard in the pig-sty; for the pigs (the Bacadous had the finest pigs in the country) stirred and grunted complainingly in the night. The husband went on grinding his bread and butter slowly, gazing at the wall, the soup-plate smoking under his chin. He had returned late from the market, where he had overheard (not for the first time) whispers behind his back. He revolved the words in his mind as he drove back. "Simple! Both of them. . . . Never any use! . . . Well! May be, may be. One must see. Would ask his wife." This was her answer. He felt like a blow on his chest, but said only: "Go, draw me some cider. I am thirsty!" She went out moaning, an empty jug in her hand. Then he arose, took up the light, and moved slowly towards the cradle. They slept. He looked at them sideways, finished his mouthful there, went back heavily, and sat down before his plate. When his wife returned he never looked up, but swallowed a couple of spoonfuls noisily, and remarked, in a dull manner"When they sleep they are like other people's children." She sat down suddenly on a stool near by, and shook with a silent tempest of sobs, unable to speak. He finished his meal, and remained idly thrown back in his chair, his eyes lost amongst the black rafters of the ceiling. Before him the tallow candle flared red and straight, sending up a slender thread of smoke. The light lay on the rough, sunburnt skin of his throat; the sunk cheeks were like patches of darkness, and his aspect was mournfully stolid, as if he had ruminated with difficulty endless ideas. Then he said, deliberately-"We must see . . . consult people. Don't cry. . . . They won't all be like that . . . surely! We must sleep now." After the third child, also a boy, was born, JeanPierre went about his work with tense hopefulness. His lips seemed more narrow, more tightly compressed than before; as if for fear of letting the earth he tilled hear the voice of hope that murmured 23 within his breast. He watched the child, stepping up to the cot with a heavy clang of sabots on the stone floor, and glanced in, along his shoulder, with that indifference which is like a deformity of peasant humanity. Like the earth they master and serve, those men, slow of eye and speech, do not show the inner fire; so that, at last, it becomes a question with them as with the earth, what there is in the core: heat, violence, a force mysterious and terrible--or nothing but a clod, a mass fertile and inert, cold and unfeeling, ready to bear a crop of plants that sustain life or give death. The mother watched with other eyes; listened with otherwise expectant ears. Under the high hanging shelves supporting great sides of bacon overhead, her body was busy by the great fireplace, attentive to the pot swinging on iron gallows, scrubbing the long table where the field hands would sit down directly to their evening meal. Her mind remained by the cradle, night and day on the watch, to hope and suffer. That child, like the other two, never smiled, never stretched its hands to her, never spoke; never had a glance of recognition for her in its big black eyes, which could only stare fixedly at any glitter, but failed hopelessly to follow the brilliance of a sun-ray slipping slowly along the floor. When the men were at work she spent long days between her three idiot children and the childish grandfather, who sat grim, angular, and immovable, with his feet near the warm ashes of the fire. The feeble old fellow seemed to suspect that there was something wrong with his grandsons. Only once, moved either by affection or by the sense of proprieties, he attempted to nurse the youngest. He took the boy up from the floor, clicked his tongue at him, and essayed a shaky gallop of his bony knees. Then he looked closely with his misty eyes at the child's face and deposited him down gently on the floor again. And he sat, his lean shanks crossed, nodding at the steam escaping from the cooking-pot with a gaze senile and worried. Then mute affliction dwelt in Bacadou's farmhouse, sharing the breath and the bread of its inhabitants; and the priest of the Ploumar parish had great cause for congratulation. He called upon the rich landowner, the Marquis de Chavanes, on purpose to deliver himself with joyful unction of solemn platitudes about the inscrutable ways of Providence. In the vast dimness of the curtained drawing-room, the little man, resembling a black bolster, leaned towards a couch, his hat on his knees, and gesticulated with a fat hand at the elongated, gracefully-flowing lines of the clear Parisian toilette from which the half-amused, half-bored marquise listened with gracious languor. He was exulting and humble, proud and awed. The impossible had come to pass. Jean-Pierre Bacadou, the enraged republican farmer, had been to mass last Sunday--had proposed to entertain the visiting priests at the next festival of Ploumar! It was a triumph for the Church and for the good cause. "I thought I would come at once to tell Monsieur le Marquis. I know how anxious he is for the welfare of our country," declared the priest, wiping his face. He was asked to stay to dinner. The Chavanes returning that evening, after seeing their guest to the main gate of the park, discussed the matter while they strolled in the moonlight, trailing their long shadows up the straight avenue of chestnuts. The marquise, a royalist of course, had been mayor of the commune which includes Ploumar, the scattered hamlets of the coast, and the stony islands that fringe the yellow flatness of the sands. He had felt his position insecure, for there was a strong republican element in that part of the country; but now the conversion of Jean-Pierre made him safe. He was very pleased. "You have no idea how influential those people are," he explained to his wife. "Now, I am sure, the next communal election will go all right. I shall be re- elected." "Your ambition is perfectly insatiable, Charles," exclaimed the marquise, gaily. "But, ma chere amie," argued the husband, seriously, "it's most important that the right man should be mayor this year, because of the elections to the Chamber. If you think it amuses me . . ." Jean-Pierre had surrendered to his wife's mother. Madame Levaille was a woman of business, known and respected within a radius of at least fifteen miles. Thick-set and stout, she was seen about the country, on foot or in an acquaintance's cart, perpetually moving, in spite of her fifty-eight years, in steady pursuit of business. She had houses in all the hamlets, she worked quarries of granite, she freighted coasters with stone--even traded with the Channel Islands. She was broad-cheeked, wide-eyed, persuasive in speech: carrying her point with the placid and invincible obstinacy of an old woman who knows her own mind. She very seldom slept for two nights together in the same house; and the wayside inns were the best places to inquire in as to her whereabouts. She had either passed, or was expected to pass there at six; or somebody, coming in, had seen her in the morning, or expected to meet her that evening. After the inns that command the roads, the churches were the buildings she frequented most. Men of liberal opinions would induce small children to run into sacred edifices to see whether Madame Levaille was there, and to tell her that so-and-so was in the road waiting to speak to her about potatoes, or 24 flour, or stones, or houses; and she would curtail her devotions, come out blinking and crossing herself into the sunshine; ready to discuss business matters in a calm, sensible way across a table in the kitchen of the inn opposite. Latterly she had stayed for a few days several times with her son-in-law, arguing against sorrow and misfortune with composed face and gentle tones. Jean-Pierre felt the convictions imbibed in the regiment torn out of his breast--not by arguments but by facts. Striding over his fields he thought it over. There were three of them. Three! All alike! Why? Such things did not happen to everybody--to nobody he ever heard of. One--might pass. But three! All three. Forever useless, to be fed while he lived and . . . What would become of the land when he died? This must be seen to. He would sacrifice his convictions. One day he told his wife-"See what your God will do for us. Pay for some masses." Susan embraced her man. He stood unbending, then turned on his heels and went out. But afterwards, when a black soutane darkened his doorway, he did not object; even offered some cider himself to the priest. He listened to the talk meekly; went to mass between the two women; accomplished what the priest called "his religious duties" at Easter. That morning he felt like a man who had sold his soul. In the afternoon he fought ferociously with an old friend and neighbour who had remarked that the priests had the best of it and were now going to eat the priesteater. He came home dishevelled and bleeding, and happening to catch sight of his children (they were kept generally out of the way), cursed and swore incoherently, banging the table. Susan wept. Madame Levaille sat serenely unmoved. She assured her daughter that "It will pass;" and taking up her thick umbrella, departed in haste to see after a schooner she was going to load with granite from her quarry. A year or so afterwards the girl was born. A girl. Jean-Pierre heard of it in the fields, and was so upset by the news that he sat down on the boundary wall and remained there till the evening, instead of going home as he was urged to do. A girl! He felt half cheated. However, when he got home he was partly reconciled to his fate. One could marry her to a good fellow--not to a good for nothing, but to a fellow with some understanding and a good pair of arms. Besides, the next may be a boy, he thought. Of course they would be all right. His new credulity knew of no doubt. The ill luck was broken. He spoke cheerily to his wife. She was also hopeful. Three priests came to that christening, and Madame Levaille was godmother. The child turned out an idiot too. Then on market days Jean-Pierre was seen bargaining bitterly, quarrelsome and greedy; then getting drunk with taciturn earnestness; then driving home in the dusk at a rate fit for a wedding, but with a face gloomy enough for a funeral. Sometimes he would insist on his wife coming with him; and they would drive in the early morning, shaking side by side on the narrow seat above the helpless pig, that, with tied legs, grunted a melancholy sigh at every rut. The morning drives were silent; but in the evening, coming home, Jean-Pierre, tipsy, was viciously muttering, and growled at the confounded woman who could not rear children that were like anybody else's. Susan, holding on against the erratic swayings of the cart, pretended not to hear. Once, as they were driving through Ploumar, some obscure and drunken impulse caused him to pull up sharply opposite the church. The moon swam amongst light white clouds. The tombstones gleamed pale under the fretted shadows of the trees in the churchyard. Even the village dogs slept. Only the nightingales, awake, spun out the thrill of their song above the silence of graves. Jean-Pierre said thickly to his wife-"What do you think is there?" He pointed his whip at the tower--in which the big dial of the clock appeared high in the moonlight like a pallid face without eyes--and getting out carefully, fell down at once by the wheel. He picked himself up and climbed one by one the few steps to the iron gate of the churchyard. He put his face to the bars and called out indistinctly-"Hey there! Come out!" "Jean! Return! Return!" entreated his wife in low tones. He took no notice, and seemed to wait there. The song of nightingales beat on all sides against the high walls of the church, and flowed back between stone crosses and flat gray slabs, engraved with words of hope and sorrow. "Hey! Come out!" shouted Jean-Pierre, loudly. The nightingales ceased to sing. "Nobody?" went on Jean-Pierre. "Nobody there. A swindle of the crows. That's what this is. Nobody anywhere. I despise it. Allez! Houp!" He shook the gate with all his strength, and the iron bars rattled with a frightful clanging, like a chain dragged over stone steps. A dog near by barked hurriedly. Jean-Pierre staggered back, and after three 25 successive dashes got into his cart. Susan sat very quiet and still. He said to her with drunken severity-"See? Nobody. I've been made a fool! Malheur! Somebody will pay for it. The next one I see near the house I will lay my whip on . . . on the black spine . . . I will. I don't want him in there . . . he only helps the carrion crows to rob poor folk. I am a man. . . . We will see if I can't have children like anybody else . . . now you mind. . . . They won't be all . . . all . . . we see. . . ." She burst out through the fingers that hid her face-"Don't say that, Jean; don't say that, my man!" He struck her a swinging blow on the head with the back of his hand and knocked her into the bottom of the cart, where she crouched, thrown about lamentably by every jolt. He drove furiously, standing up, brandishing his whip, shaking the reins over the gray horse that galloped ponderously, making the heavy harness leap upon his broad quarters. The country rang clamorous in the night with the irritated barking of farm dogs, that followed the rattle of wheels all along the road. A couple of belated wayfarers had only just time to step into the ditch. At his own gate he caught the post and was shot out of the cart head first. The horse went on slowly to the door. At Susan's piercing cries the farm hands rushed out. She thought him dead, but he was only sleeping where he fell, and cursed his men, who hastened to him, for disturbing his slumbers. Autumn came. The clouded sky descended low upon the black contours of the hills; and the dead leaves danced in spiral whirls under naked trees, till the wind, sighing profoundly, laid them to rest in the hollows of bare valleys. And from morning till night one could see all over the land black denuded boughs, the boughs gnarled and twisted, as if contorted with pain, swaying sadly between the wet clouds and the soaked earth. The clear and gentle streams of summer days rushed discoloured and raging at the stones that barred the way to the sea, with the fury of madness bent upon suicide. From horizon to horizon the great road to the sands lay between the hills in a dull glitter of empty curves, resembling an unnavigable river of mud. Jean-Pierre went from field to field, moving blurred and tall in the drizzle, or striding on the crests of rises, lonely and high upon the gray curtain of drifting clouds, as if he had been pacing along the very edge of the universe. He looked at the black earth, at the earth mute and promising, at the mysterious earth doing its work of life in death-like stillness under the veiled sorrow of the sky. And it seemed to him that to a man worse than childless there was no promise in the fertility of fields, that from him the earth escaped, defied him, frowned at him like the clouds, sombre and hurried above his head. Having to face alone his own fields, he felt the inferiority of man who passes away before the clod that remains. Must he give up the hope of having by his side a son who would look at the turned-up sods with a master's eye? A man that would think as he thought, that would feel as he felt; a man who would be part of himself, and yet remain to trample masterfully on that earth when he was gone? He thought of some distant relations, and felt savage enough to curse them aloud. They! Never! He turned homewards, going straight at the roof of his dwelling, visible between the enlaced skeletons of trees. As he swung his legs over the stile a cawing flock of birds settled slowly on the field; dropped down behind his back, noiseless and fluttering, like flakes of soot. That day Madame Levaille had gone early in the afternoon to the house she had near Kervanion. She had to pay some of the men who worked in her granite quarry there, and she went in good time because her little house contained a shop where the workmen could spend their wages without the trouble of going to town. The house stood alone amongst rocks. A lane of mud and stones ended at the door. The sea-winds coming ashore on Stonecutter's point, fresh from the fierce turmoil of the waves, howled violently at the unmoved heaps of black boulders holding up steadily short-armed, high crosses against the tremendous rush of the invisible. In the sweep of gales the sheltered dwelling stood in a calm resonant and disquieting, like the calm in the centre of a hurricane. On stormy nights, when the tide was out, the bay of Fougere, fifty feet below the house, resembled an immense black pit, from which ascended mutterings and sighs as if the sands down there had been alive and complaining. At high tide the returning water assaulted the ledges of rock in short rushes, ending in bursts of livid light and columns of spray, that flew inland, stinging to death the grass of pastures. The darkness came from the hills, flowed over the coast, put out the red fires of sunset, and went on to seaward pursuing the retiring tide. The wind dropped with the sun, leaving a maddened sea and a devastated sky. The heavens above the house seemed to be draped in black rags, held up here and there by pins of fire. Madame Levaille, for this evening the servant of her own workmen, tried to induce them to depart. "An old woman like me ought to be in bed at this late hour," she good-humouredly repeated. The 26 quarrymen drank, asked for more. They shouted over the table as if they had been talking across a field. At one end four of them played cards, banging the wood with their hard knuckles, and swearing at every lead. One sat with a lost gaze, humming a bar of some song, which he repeated endlessly. Two others, in a corner, were quarrelling confidentially and fiercely over some woman, looking close into one another's eyes as if they had wanted to tear them out, but speaking in whispers that promised violence and murder discreetly, in a venomous sibillation of subdued words. The atmosphere in there was thick enough to slice with a knife. Three candles burning about the long room glowed red and dull like sparks expiring in ashes. The slight click of the iron latch was at that late hour as unexpected and startling as a thunder-clap. Madame Levaille put down a bottle she held above a liqueur glass; the players turned their heads; the whispered quarrel ceased; only the singer, after darting a glance at the door, went on humming with a stolid face. Susan appeared in the doorway, stepped in, flung the door to, and put her back against it, saying, half aloud-"Mother!" Madame Levaille, taking up the bottle again, said calmly: "Here you are, my girl. What a state you are in!" The neck of the bottle rang on the rim of the glass, for the old woman was startled, and the idea that the farm had caught fire had entered her head. She could think of no other cause for her daughter's appearance. Susan, soaked and muddy, stared the whole length of the room towards the men at the far end. Her mother asked-"What has happened? God guard us from misfortune!" Susan moved her lips. No sound came. Madame Levaille stepped up to her daughter, took her by the arm, looked into her face. "In God's name," she said, shakily, "what's the matter? You have been rolling in mud. . . . Why did you come? . . . Where's Jean?" The men had all got up and approached slowly, staring with dull surprise. Madame Levaille jerked her daughter away from the door, swung her round upon a seat close to the wall. Then she turned fiercely to the men-- "Enough of this! Out you go--you others! I close." One of them observed, looking down at Susan collapsed on the seat: "She is--one may say--half dead." Madame Levaille flung the door open. "Get out! March!" she cried, shaking nervously. They dropped out into the night, laughing stupidly. Outside, the two Lotharios broke out into loud shouts. The others tried to soothe them, all talking at once. The noise went away up the lane with the men, who staggered together in a tight knot, remonstrating with one another foolishly. "Speak, Susan. What is it? Speak!" entreated Madame Levaille, as soon as the door was shut. Susan pronounced some incomprehensible words, glaring at the table. The old woman clapped her hands above her head, let them drop, and stood looking at her daughter with disconsolate eyes. Her husband had been "deranged in his head" for a few years before he died, and now she began to suspect her daughter was going mad. She asked, pressingly-"Does Jean know where you are? Where is Jean?" "He knows . . . he is dead." "What!" cried the old woman. She came up near, and peering at her daughter, repeated three times: "What do you say? What do you say? What do you say?" Susan sat dry-eyed and stony before Madame Levaille, who contemplated her, feeling a strange sense of inexplicable horror creep into the silence of the house. She had hardly realised the news, further than to understand that she had been brought in one short moment face to face with something unexpected and final. It did not even occur to her to ask for any explanation. She thought: accident-terrible accident--blood to the head--fell down a trap door in the loft. . . . She remained there, distracted and mute, blinking her old eyes. Suddenly, Susan said-"I have killed him." For a moment the mother stood still, almost unbreathing, but with composed face. The next second she burst out into a shout-"You miserable madwoman . . . they will cut your neck. . . ." 27 She fancied the gendarmes entering the house, saying to her: "We want your daughter; give her up:" the gendarmes with the severe, hard faces of men on duty. She knew the brigadier well--an old friend, familiar and respectful, saying heartily, "To your good health, Madame!" before lifting to his lips the small glass of cognac--out of the special bottle she kept for friends. And now! . . . She was losing her head. She rushed here and there, as if looking for something urgently needed--gave that up, stood stock still in the middle of the room, and screamed at her daughter-- amongst the wrinkles at the corners of her steady old eyes. She stammered-"You wicked woman--you disgrace me. But there! You always resembled your father. What do you think will become of you . . . in the other world? In this . . . Oh misery!" "Why? Say! Say! Why?" She was very hot now. She felt burning inside. She wrung her perspiring hands--and suddenly, starting in great haste, began to look for her big shawl and umbrella, feverishly, never once glancing at her daughter, who stood in the middle of the room following her with a gaze distracted and cold. The other seemed to leap out of her strange apathy. "Nothing worse than in this," said Susan. "Do you think I am made of stone?" she shouted back, striding towards her mother. Her mother, umbrella in hand and trailing the shawl over the floor, groaned profoundly. "No! It's impossible. . . ." said Madame Levaille, in a convinced tone. "I must go to the priest," she burst out passionately. "I do not know whether you even speak the truth! You are a horrible woman. They will find you anywhere. You may stay here--or go. There is no room for you in this world." "You go and see, mother," retorted Susan, looking at her with blazing eyes. "There's no money in heaven-no justice. No! . . . I did not know. . . . Do you think I have no heart? Do you think I have never heard people jeering at me, pitying me, wondering at me? Do you know how some of them were calling me? The mother of idiots--that was my nickname! And my children never would know me, never speak to me. They would know nothing; neither men--nor God. Haven't I prayed! But the Mother of God herself would not hear me. A mother! . . . Who is accursed-I, or the man who is dead? Eh? Tell me. I took care of myself. Do you think I would defy the anger of God and have my house full of those things--that are worse than animals who know the hand that feeds them? Who blasphemed in the night at the very church door? Was it I? . . . I only wept and prayed for mercy . . . and I feel the curse at every moment of the day--I see it round me from morning to night . . . I've got to keep them alive--to take care of my misfortune and shame. And he would come. I begged him and Heaven for mercy. . . . No! . . . Then we shall see. . . . He came this evening. I thought to myself: 'Ah! again!' . . . I had my long scissors. I heard him shouting . . . I saw him near. . . . I must--must I? . . . Then take! . . . And I struck him in the throat above the breastbone. . . . I never heard him even sigh. . . . I left him standing. . . . It was a minute ago. How did I come here?" Madame Levaille shivered. A wave of cold ran down her back, down her fat arms under her tight sleeves, made her stamp gently where she stood. Quivers ran over the broad cheeks, across the thin lips, ran Ready now to depart, she yet wandered aimlessly about the room, putting the bottles on the shelf, trying to fit with trembling hands the covers on cardboard boxes. Whenever the real sense of what she had heard emerged for a second from the haze of her thoughts she would fancy that something had exploded in her brain without, unfortunately, bursting her head to pieces--which would have been a relief. She blew the candles out one by one without knowing it, and was horribly startled by the darkness. She fell on a bench and began to whimper. After a while she ceased, and sat listening to the breathing of her daughter, whom she could hardly see, still and upright, giving no other sign of life. She was becoming old rapidly at last, during those minutes. She spoke in tones unsteady, cut about by the rattle of teeth, like one shaken by a deadly cold fit of ague. "I wish you had died little. I will never dare to show my old head in the sunshine again. There are worse misfortunes than idiot children. I wish you had been born to me simple--like your own. . . ." She saw the figure of her daughter pass before the faint and livid clearness of a window. Then it appeared in the doorway for a second, and the door swung to with a clang. Madame Levaille, as if awakened by the noise from a long nightmare, rushed out. "Susan!" she shouted from the doorstep. 28 She heard a stone roll a long time down the declivity of the rocky beach above the sands. She stepped forward cautiously, one hand on the wall of the house, and peered down into the smooth darkness of the empty bay. Once again she cried-"Susan! You will kill yourself there." The stone had taken its last leap in the dark, and she heard nothing now. A sudden thought seemed to strangle her, and she called no more. She turned her back upon the black silence of the pit and went up the lane towards Ploumar, stumbling along with sombre determination, as if she had started on a desperate journey that would last, perhaps, to the end of her life. A sullen and periodic clamour of waves rolling over reefs followed her far inland between the high hedges sheltering the gloomy solitude of the fields. Susan had run out, swerving sharp to the left at the door, and on the edge of the slope crouched down behind a boulder. A dislodged stone went on downwards, rattling as it leaped. When Madame Levaille called out, Susan could have, by stretching her hand, touched her mother's skirt, had she had the courage to move a limb. She saw the old woman go away, and she remained still, closing her eyes and pressing her side to the hard and rugged surface of the rock. After a while a familiar face with fixed eyes and an open mouth became visible in the intense obscurity amongst the boulders. She uttered a low cry and stood up. The face vanished, leaving her to gasp and shiver alone in the wilderness of stone heaps. But as soon as she had crouched down again to rest, with her head against the rock, the face returned, came very near, appeared eager to finish the speech that had been cut short by death, only a moment ago. She scrambled quickly to her feet and said: "Go away, or I will do it again." The thing wavered, swung to the right, to the left. She moved this way and that, stepped back, fancied herself screaming at it, and was appalled by the unbroken stillness of the night. She tottered on the brink, felt the steep declivity under her feet, and rushed down blindly to save herself from a headlong fall. The shingle seemed to wake up; the pebbles began to roll before her, pursued her from above, raced down with her on both sides, rolling past with an increasing clatter. In the peace of the night the noise grew, deepening to a rumour, continuous and violent, as if the whole semicircle of the stony beach had started to tumble down into the bay. Susan's feet hardly touched the slope that seemed to run down with her. At the bottom she stumbled, shot forward, throwing her arms out, and fell heavily. She jumped up at once and turned swiftly to look back, her clenched hands full of sand she had clutched in her fall. The face was there, keeping its distance, visible in its own sheen that made a pale stain in the night. She shouted, "Go away!"--she shouted at it with pain, with fear, with all the rage of that useless stab that could not keep him quiet, keep him out of her sight. What did he want now? He was dead. Dead men have no children. Would he never leave her alone? She shrieked at it-waved her outstretched hands. She seemed to feel the breath of parted lips, and, with a long cry of discouragement, fled across the level bottom of the bay. She ran lightly, unaware of any effort of her body. High sharp rocks that, when the bay is full, show above the glittering plain of blue water like pointed towers of submerged churches, glided past her, rushing to the land at a tremendous pace. To the left, in the distance, she could see something shining: a broad disc of light in which narrow shadows pivoted round the centre like the spokes of a wheel. She heard a voice calling, "Hey! There!" and answered with a wild scream. So, he could call yet! He was calling after her to stop. Never! . . . She tore through the night, past the startled group of seaweed-gatherers who stood round their lantern paralysed with fear at the unearthly screech coming from that fleeing shadow. The men leaned on their pitchforks staring fearfully. A woman fell on her knees, and, crossing herself, began to pray aloud. A little girl with her ragged skirt full of slimy seaweed began to sob despairingly, lugging her soaked burden close to the man who carried the light. Somebody said: "The thing ran out towards the sea." Another voice exclaimed: "And the sea is coming back! Look at the spreading puddles. Do you hear--you woman--there! Get up!" Several voices cried together. "Yes, let us be off! Let the accursed thing go to the sea!" They moved on, keeping close round the light. Suddenly a man swore loudly. He would go and see what was the matter. It had been a woman's voice. He would go. There were shrill protests from women--but his high form detached itself from the group and went off running. They sent an unanimous call of scared voices after him. A word, insulting and mocking, came back, thrown at them through the darkness. A woman moaned. An old man said gravely: "Such things ought to be left alone." They went on slower, shuffling in the yielding sand and whispering to one another that Millot feared nothing, having no religion, but that it would end badly some day. Susan met the incoming tide by the Raven islet and stopped, panting, with her feet in the water. She heard the murmur and felt the cold caress of the sea, and, calmer now, could see the sombre and confused 29 mass of the Raven on one side and on the other the long white streak of Molene sands that are left high above the dry bottom of Fougere Bay at every ebb. She turned round and saw far away, along the starred background of the sky, the ragged outline of the coast. Above it, nearly facing her, appeared the tower of Ploumar Church; a slender and tall pyramid shooting up dark and pointed into the clustered glitter of the stars. She felt strangely calm. She knew where she was, and began to remember how she came there-and why. She peered into the smooth obscurity near her. She was alone. There was nothing there; nothing near her, either living or dead. The tide was creeping in quietly, putting out long impatient arms of strange rivulets that ran towards the land between ridges of sand. Under the night the pools grew bigger with mysterious rapidity, while the great sea, yet far off, thundered in a regular rhythm along the indistinct line of the horizon. Susan splashed her way back for a few yards without being able to get clear of the water that murmured tenderly all around and, suddenly, with a spiteful gurgle, nearly took her off her feet. Her heart thumped with fear. This place was too big and too empty to die in. To-morrow they would do with her what they liked. But before she died she must tell them--tell the gentlemen in black clothes that there are things no woman can bear. She must explain how it happened. . . . She splashed through a pool, getting wet to the waist, too preoccupied to care. . . . She must explain. "He came in the same way as ever and said, just so: 'Do you think I am going to leave the land to those people from Morbihan that I do not know? Do you? We shall see! Come along, you creature of mischance!' And he put his arms out. Then, Messieurs, I said: 'Before God--never!' And he said, striding at me with open palms: 'There is no God to hold me! Do you understand, you useless carcase. I will do what I like.' And he took me by the shoulders. Then I, Messieurs, called to God for help, and next minute, while he was shaking me, I felt my long scissors in my hand. His shirt was unbuttoned, and, by the candle- light, I saw the hollow of his throat. I cried: 'Let go!' He was crushing my shoulders. He was strong, my man was! Then I thought: No! . . . Must I? . . . Then take!--and I struck in the hollow place. I never saw him fall. . . . The old father never turned his head. He is deaf and childish, gentlemen. . . . Nobody saw him fall. I ran out . . . Nobody saw. . . ." She had been scrambling amongst the boulders of the Raven and now found herself, all out of breath, standing amongst the heavy shadows of the rocky islet. The Raven is connected with the main land by a natural pier of immense and slippery stones. She intended to return home that way. Was he still standing there? At home. Home! Four idiots and a corpse. She must go back and explain. Anybody would understand. . . . Below her the night or the sea seemed to pronounce distinctly-"Aha! I see you at last!" She started, slipped, fell; and without attempting to rise, listened, terrified. She heard heavy breathing, a clatter of wooden clogs. It stopped. "Where the devil did you pass?" said an invisible man, hoarsely. She held her breath. She recognized the voice. She had not seen him fall. Was he pursuing her there dead, or perhaps . . . alive? She lost her head. She cried from the crevice where she lay huddled, "Never, never!" "Ah! You are still there. You led me a fine dance. Wait, my beauty, I must see how you look after all this. You wait. . . ." Millot was stumbling, laughing, swearing meaninglessly out of pure satisfaction, pleased with himself for having run down that fly-by-night. "As if there were such things as ghosts! Bah! It took an old African soldier to show those clodhoppers. . . . But it was curious. Who the devil was she?" Susan listened, crouching. He was coming for her, this dead man. There was no escape. What a noise he made amongst the stones. . . . She saw his head rise up, then the shoulders. He was tall--her own man! His long arms waved about, and it was his own voice sounding a little strange . . . because of the scissors. She scrambled out quickly, rushed to the edge of the causeway, and turned round. The man stood still on a high stone, detaching himself in dead black on the glitter of the sky. "Where are you going to?" he called, roughly. She answered, "Home!" and watched him intensely. He made a striding, clumsy leap on to another boulder, and stopped again, balancing himself, then said-"Ha! ha! Well, I am going with you. It's the least I can do. Ha! ha! ha!" 30 She stared at him till her eyes seemed to become glowing coals that burned deep into her brain, and yet she was in mortal fear of making out the well-known features. Below her the sea lapped softly against the rock with a splash continuous and gentle. The man said, advancing another step-"I am coming for you. What do you think?" She trembled. Coming for her! There was no escape, no peace, no hope. She looked round despairingly. Suddenly the whole shadowy coast, the blurred islets, the heaven itself, swayed about twice, then came to a rest. She closed her eyes and shouted-"Can't you wait till I am dead!" She was shaken by a furious hate for that shade that pursued her in this world, unappeased even by death in its longing for an heir that would be like other people's children. "Hey! What?" said Millot, keeping his distance prudently. He was saying to himself: "Look out! Some lunatic. An accident happens soon." men were carrying inland Susan's body on a handbarrow, while several others straggled listlessly behind. Madame Levaille looked after the procession. "Yes, Monsieur le Marquis," she said dispassionately, in her usual calm tone of a reasonable old woman. "There are unfortunate people on this earth. I had only one child. Only one! And they won't bury her in consecrated ground!" Her eyes filled suddenly, and a short shower of tears rolled down the broad cheeks. She pulled the shawl close about her. The Marquis leaned slightly over in his saddle, and said-"It is very sad. You have all my sympathy. I shall speak to the Cure. She was unquestionably insane, and the fall was accidental. Millot says so distinctly. Good-day, Madame." And he trotted off, thinking to himself: "I must get this old woman appointed guardian of those idiots, and administrator of the farm. It would be much better than having here one of those other Bacadous, probably a red republican, corrupting my commune." _______________________________________ She went on, wildly-- The Body Snatcher "I want to live. To live alone--for a week--for a day. I must explain to them. . . . I would tear you to pieces, I would kill you twenty times over rather than let you touch me while I live. How many times must I kill you--you blasphemer! Satan sends you here. I am damned too!" Every night in the year, four of us sat in the small parlour of the George at Debenham — the undertaker, and the landlord, and Fettes, and myself. Sometimes there would be more; but blow high, blow low, come rain or snow or frost, we four would be each planted in his own particular arm–chair. Fettes was an old drunken Scotchman, a man of education obviously, and a man of some property, since he lived in idleness. He had come to Debenham years ago, while still young, and by a mere continuance of living had grown to be an adopted townsman. His blue camlet cloak was a local antiquity, like the church–spire. His place in the parlour at the George, his absence from church, his old, crapulous, disreputable vices, were all things of course in Debenham. He had some vague Radical opinions and some fleeting infidelities, which he would now and again set forth and emphasise with tottering slaps upon the table. He drank rum – five glasses regularly every evening; and for the greater portion of his nightly visit to the George sat, with his glass in his right hand, in a state of melancholy alcoholic saturation. We called him the Doctor, for he was supposed to have some special knowledge of medicine, and had been known, upon a pinch, to set a fracture or reduce a dislocation; but beyond these slight particulars, we had no knowledge of his character and antecedents. "Come," said Millot, alarmed and conciliating. "I am perfectly alive! . . . Oh, my God!" She had screamed, "Alive!" and at once vanished before his eyes, as if the islet itself had swerved aside from under her feet. Millot rushed forward, and fell flat with his chin over the edge. Far below he saw the water whitened by her struggles, and heard one shrill cry for help that seemed to dart upwards along the perpendicular face of the rock, and soar past, straight into the high and impassive heaven. Madame Levaille sat, dry-eyed, on the short grass of the hill side, with her thick legs stretched out, and her old feet turned up in their black cloth shoes. Her clogs stood near by, and further off the umbrella lay on the withered sward like a weapon dropped from the grasp of a vanquished warrior. The Marquis of Chavanes, on horseback, one gloved hand on thigh, looked down at her as she got up laboriously, with groans. On the narrow track of the seaweed-carts four Robert Louis Stevenson 31 One dark winter night — it had struck nine some time before the landlord joined us — there was a sick man in the George, a great neighbouring proprietor suddenly struck down with apoplexy on his way to Parliament; and the great man’s still greater London doctor had been telegraphed to his bedside. It was the first time that such a thing had happened in Debenham, for the railway was but newly open, and we were all proportionately moved by the occurrence. me speak. You would think I was some good, old, decent Christian, would you not? But no, not I; I never canted. Voltaire might have canted if he’d stood in my shoes; but the brains’ — with a rattling fillip on his bald head — ‘the brains were clear and active, and I saw and made no deductions.’ ‘He’s come,’ said the landlord, after he had filled and lighted his pipe. Fettes paid no regard to me. ‘He?’ said I. ‘Who? — not the doctor?’ ‘Himself,’ replied our host. ‘What is his name?’ ‘Doctor Macfarlane,’ said the landlord. Fettes was far through his third tumbler, stupidly fuddled, now nodding over, now staring mazily around him; but at the last word he seemed to awaken, and repeated the name ‘Macfarlane’ twice, quietly enough the first time, but with sudden emotion at the second. ‘Yes,’ said the landlord, ‘that’s his name, Doctor Wolfe Macfarlane.’ Fettes became instantly sober; his eyes awoke, his voice became clear, loud, and steady, his language forcible and earnest. We were all startled by the transformation, as if a man had risen from the dead. ‘I beg your pardon,’ he said, ‘I am afraid I have not been paying much attention to your talk. Who is this Wolfe Macfarlane?’ And then, when he had heard the landlord out, ‘It cannot be, it cannot be,’ he added; ‘and yet I would like well to see him face to face.’ ‘Do you know him, Doctor?’ asked the undertaker, with a gasp. ‘God forbid!’ was the reply. ‘And yet the name is a strange one; it were too much to fancy two. Tell me, landlord, is he old?’ ‘Well,’ said the host, ‘he’s not a young man, to be sure, and his hair is white; but he looks younger than you.’ ‘He is older, though; years older. But,’ with a slap upon the table, ‘it’s the rum you see in my face — rum and sin. This man, perhaps, may have an easy conscience and a good digestion. Conscience! Hear ‘If you know this doctor,’ I ventured to remark, after a somewhat awful pause, ‘I should gather that you do not share the landlord’s good opinion.’ ‘Yes,’ he said, with sudden decision, ‘I must see him face to face.’ There was another pause, and then a door was closed rather sharply on the first floor, and a step was heard upon the stair. ‘That’s the doctor,’ cried the landlord. ‘Look sharp, and you can catch him.’ It was but two steps from the small parlour to the door of the old George Inn; the wide oak staircase landed almost in the street; there was room for a Turkey rug and nothing more between the threshold and the last round of the descent; but this little space was every evening brilliantly lit up, not only by the light upon the stair and the great signal–lamp below the sign, but by the warm radiance of the bar–room window. The George thus brightly advertised itself to passers–by in the cold street. Fettes walked steadily to the spot, and we, who were hanging behind, beheld the two men meet, as one of them had phrased it, face to face. Dr. Macfarlane was alert and vigorous. His white hair set off his pale and placid, although energetic, countenance. He was richly dressed in the finest of broadcloth and the whitest of linen, with a great gold watch–chain, and studs and spectacles of the same precious material. He wore a broad– folded tie, white and speckled with lilac, and he carried on his arm a comfortable driving–coat of fur. There was no doubt but he became his years, breathing, as he did, of wealth and consideration; and it was a surprising contrast to see our parlour sot — bald, dirty, pimpled, and robed in his old camlet cloak — confront him at the bottom of the stairs. ‘Macfarlane!’ he said somewhat loudly, more like a herald than a friend. The great doctor pulled up short on the fourth step, as though the familiarity of the address surprised and somewhat shocked his dignity. ‘Toddy Macfarlane!’ repeated Fettes. 32 The London man almost staggered. He stared for the swiftest of seconds at the man before him, glanced behind him with a sort of scare, and then in a startled whisper, ‘Fettes!’ he said, ‘You!’ ‘Ay,’ said the other, ‘me! Did you think I was dead too? We are not so easy shut of our acquaintance.’ ‘Hush, hush!’ exclaimed the doctor. ‘Hush, hush! this meeting is so unexpected — I can see you are unmanned. I hardly knew you, I confess, at first; but I am overjoyed — overjoyed to have this opportunity. For the present it must be how–d’ye–do and good– bye in one, for my fly is waiting, and I must not fail the train; but you shall — let me see — yes — you shall give me your address, and you can count on early news of me. We must do something for you, Fettes. I fear you are out at elbows; but we must see to that for auld lang syne, as once we sang at suppers.’ ‘Money!’ cried Fettes; ‘money from you! The money that I had from you is lying where I cast it in the rain.’ Dr. Macfarlane had talked himself into some measure of superiority and confidence, but the uncommon energy of this refusal cast him back into his first confusion. A horrible, ugly look came and went across his almost venerable countenance. ‘My dear fellow,’ he said, ‘be it as you please; my last thought is to offend you. I would intrude on none. I will leave you my address, however — ’ ‘I do not wish it — I do not wish to know the roof that shelters you,’ interrupted the other. ‘I heard your name; I feared it might be you; I wished to know if, after all, there were a God; I know now that there is none. Begone!’ He still stood in the middle of the rug, between the stair and doorway; and the great London physician, in order to escape, would be forced to step to one side. It was plain that he hesitated before the thought of this humiliation. White as he was, there was a dangerous glitter in his spectacles; but while he still paused uncertain, he became aware that the driver of his fly was peering in from the street at this unusual scene and caught a glimpse at the same time of our little body from the parlour, huddled by the corner of the bar. The presence of so many witnesses decided him at once to flee. He crouched together, brushing on the wainscot, and made a dart like a serpent, striking for the door. But his tribulation was not yet entirely at an end, for even as he was passing Fettes clutched him by the arm and these words came in a whisper, and yet painfully distinct, ‘Have you seen it again?’ The great rich London doctor cried out aloud with a sharp, throttling cry; he dashed his questioner across the open space, and, with his hands over his head, fled out of the door like a detected thief. Before it had occurred to one of us to make a movement the fly was already rattling toward the station. The scene was over like a dream, but the dream had left proofs and traces of its passage. Next day the servant found the fine gold spectacles broken on the threshold, and that very night we were all standing breathless by the bar– room window, and Fettes at our side, sober, pale, and resolute in look. ‘God protect us, Mr. Fettes!’ said the landlord, coming first into possession of his customary senses. ‘What in the universe is all this? These are strange things you have been saying.’ Fettes turned toward us; he looked us each in succession in the face. ‘See if you can hold your tongues,’ said he. ‘That man Macfarlane is not safe to cross; those that have done so already have repented it too late.’ And then, without so much as finishing his third glass, far less waiting for the other two, he bade us good–bye and went forth, under the lamp of the hotel, into the black night. We three turned to our places in the parlour, with the big red fire and four clear candles; and as we recapitulated what had passed, the first chill of our surprise soon changed into a glow of curiosity. We sat late; it was the latest session I have known in the old George. Each man, before we parted, had his theory that he was bound to prove; and none of us had any nearer business in this world than to track out the past of our condemned companion, and surprise the secret that he shared with the great London doctor. It is no great boast, but I believe I was a better hand at worming out a story than either of my fellows at the George; and perhaps there is now no other man alive who could narrate to you the following foul and unnatural events. In his young days Fettes studied medicine in the schools of Edinburgh. He had talent of a kind, the talent that picks up swiftly what it hears and readily retails it for its own. He worked little at home; but he was civil, attentive, and intelligent in the presence of his masters. They soon picked him out as a lad who listened closely and remembered well; nay, strange as it seemed to me when I first heard it, he was in those 33 days well favoured, and pleased by his exterior. There was, at that period, a certain extramural teacher of anatomy, whom I shall here designate by the letter K. His name was subsequently too well known. The man who bore it skulked through the streets of Edinburgh in disguise, while the mob that applauded at the execution of Burke called loudly for the blood of his employer. But Mr. K– was then at the top of his vogue; he enjoyed a popularity due partly to his own talent and address, partly to the incapacity of his rival, the university professor. The students, at least, swore by his name, and Fettes believed himself, and was believed by others, to have laid the foundations of success when he had acquired the favour of this meteorically famous man. Mr. K– was a BON VIVANT as well as an accomplished teacher; he liked a sly illusion no less than a careful preparation. In both capacities Fettes enjoyed and deserved his notice, and by the second year of his attendance he held the half–regular position of second demonstrator or sub– assistant in his class. In this capacity the charge of the theatre and lecture– room devolved in particular upon his shoulders. He had to answer for the cleanliness of the premises and the conduct of the other students, and it was a part of his duty to supply, receive, and divide the various subjects. It was with a view to this last — at that time very delicate — affair that he was lodged by Mr. K– in the same wynd, and at last in the same building, with the dissecting–rooms. Here, after a night of turbulent pleasures, his hand still tottering, his sight still misty and confused, he would be called out of bed in the black hours before the winter dawn by the unclean and desperate interlopers who supplied the table. He would open the door to these men, since infamous throughout the land. He would help them with their tragic burden, pay them their sordid price, and remain alone, when they were gone, with the unfriendly relics of humanity. From such a scene he would return to snatch another hour or two of slumber, to repair the abuses of the night, and refresh himself for the labours of the day. Few lads could have been more insensible to the impressions of a life thus passed among the ensigns of mortality. His mind was closed against all general considerations. He was incapable of interest in the fate and fortunes of another, the slave of his own desires and low ambitions. Cold, light, and selfish in the last resort, he had that modicum of prudence, miscalled morality, which keeps a man from inconvenient drunkenness or punishable theft. He coveted, besides, a measure of consideration from his masters and his fellow–pupils, and he had no desire to fail conspicuously in the external parts of life. Thus he made it his pleasure to gain some distinction in his studies, and day after day rendered unimpeachable eye–service to his employer, Mr. K–. For his day of work he indemnified himself by nights of roaring, blackguardly enjoyment; and when that balance had been struck, the organ that he called his conscience declared itself content. The supply of subjects was a continual trouble to him as well as to his master. In that large and busy class, the raw material of the anatomists kept perpetually running out; and the business thus rendered necessary was not only unpleasant in itself, but threatened dangerous consequences to all who were concerned. It was the policy of Mr. K– to ask no questions in his dealings with the trade. ‘They bring the body, and we pay the price,’ he used to say, dwelling on the alliteration — ‘QUID PRO QUO.’ And, again, and somewhat profanely, ‘Ask no questions,’ he would tell his assistants, ‘for conscience’ sake.’ There was no understanding that the subjects were provided by the crime of murder. Had that idea been broached to him in words, he would have recoiled in horror; but the lightness of his speech upon so grave a matter was, in itself, an offence against good manners, and a temptation to the men with whom he dealt. Fettes, for instance, had often remarked to himself upon the singular freshness of the bodies. He had been struck again and again by the hang–dog, abominable looks of the ruffians who came to him before the dawn; and putting things together clearly in his private thoughts, he perhaps attributed a meaning too immoral and too categorical to the unguarded counsels of his master. He understood his duty, in short, to have three branches: to take what was brought, to pay the price, and to avert the eye from any evidence of crime. One November morning this policy of silence was put sharply to the test. He had been awake all night with a racking toothache — pacing his room like a caged beast or throwing himself in fury on his bed — and had fallen at last into that profound, uneasy slumber that so often follows on a night of pain, when he was awakened by the third or fourth angry repetition of the concerted signal. There was a thin, bright moonshine; it was bitter cold, windy, and frosty; the town had not yet awakened, but an indefinable stir already preluded the noise and business of the day. The ghouls had come later than usual, and they seemed more than usually eager to be gone. Fettes, sick with sleep, lighted them upstairs. He heard their grumbling Irish voices through a dream; and as they stripped the sack from their sad merchandise he leaned dozing, with his shoulder propped against the wall; he had to shake himself to find the men their money. As he did so his eyes 34 lighted on the dead face. He started; he took two steps nearer, with the candle raised. ‘Well, what should I do?’ asked Fettes. ‘God Almighty!’ he cried. ‘That is Jane Galbraith!’ ‘Do?’ repeated the other. ‘Do you want to do anything? Least said soonest mended, I should say.’ The men answered nothing, but they shuffled nearer the door. ‘Some one else might recognise her,’ objected Fettes. ‘She was as well known as the Castle Rock.’ ‘I know her, I tell you,’ he continued. ‘She was alive and hearty yesterday. It’s impossible she can be dead; it’s impossible you should have got this body fairly.’ ‘We’ll hope not,’ said Macfarlane, ‘and if anybody does — well, you didn’t, don’t you see, and there’s an end. The fact is, this has been going on too long. Stir up the mud, and you’ll get K– into the most unholy trouble; you’ll be in a shocking box yourself. So will I, if you come to that. I should like to know how any one of us would look, or what the devil we should have to say for ourselves, in any Christian witness–box. For me, you know there’s one thing certain — that, practically speaking, all our subjects have been murdered.’ ‘Sure, sir, you’re mistaken entirely,’ said one of the men. But the other looked Fettes darkly in the eyes, and demanded the money on the spot. It was impossible to misconceive the threat or to exaggerate the danger. The lad’s heart failed him. He stammered some excuses, counted out the sum, and saw his hateful visitors depart. No sooner were they gone than he hastened to confirm his doubts. By a dozen unquestionable marks he identified the girl he had jested with the day before. He saw, with horror, marks upon her body that might well betoken violence. A panic seized him, and he took refuge in his room. There he reflected at length over the discovery that he had made; considered soberly the bearing of Mr. K–’s instructions and the danger to himself of interference in so serious a business, and at last, in sore perplexity, determined to wait for the advice of his immediate superior, the class assistant. This was a young doctor, Wolfe Macfarlane, a high favourite among all the reckless students, clever, dissipated, and unscrupulous to the last degree. He had travelled and studied abroad. His manners were agreeable and a little forward. He was an authority on the stage, skilful on the ice or the links with skate or golf–club; he dressed with nice audacity, and, to put the finishing touch upon his glory, he kept a gig and a strong trotting–horse. With Fettes he was on terms of intimacy; indeed, their relative positions called for some community of life; and when subjects were scarce the pair would drive far into the country in Macfarlane’s gig, visit and desecrate some lonely graveyard, and return before dawn with their booty to the door of the dissecting–room. On that particular morning Macfarlane arrived somewhat earlier than his wont. Fettes heard him, and met him on the stairs, told him his story, and showed him the cause of his alarm. Macfarlane examined the marks on her body. ‘Yes,’ he said with a nod, ‘it looks fishy.’ ‘Macfarlane!’ cried Fettes. ‘Come now!’ sneered the other. ‘As if you hadn’t suspected it yourself!’ ‘Suspecting is one thing — ’ ‘And proof another. Yes, I know; and I’m as sorry as you are this should have come here,’ tapping the body with his cane. ‘The next best thing for me is not to recognise it; and,’ he added coolly, ‘I don’t. You may, if you please. I don’t dictate, but I think a man of the world would do as I do; and I may add, I fancy that is what K– would look for at our hands. The question is, Why did he choose us two for his assistants? And I answer, because he didn’t want old wives.’ This was the tone of all others to affect the mind of a lad like Fettes. He agreed to imitate Macfarlane. The body of the unfortunate girl was duly dissected, and no one remarked or appeared to recognise her. One afternoon, when his day’s work was over, Fettes dropped into a popular tavern and found Macfarlane sitting with a stranger. This was a small man, very pale and dark, with coal–black eyes. The cut of his features gave a promise of intellect and refinement which was but feebly realised in his manners, for he proved, upon a nearer acquaintance, coarse, vulgar, and stupid. He exercised, however, a very remarkable control over Macfarlane; issued orders like the Great Bashaw; became inflamed at the least discussion or delay, and commented rudely on the servility with which he was obeyed. This most offensive person took a fancy to Fettes on the spot, plied him with drinks, and honoured him with unusual confidences 35 on his past career. If a tenth part of what he confessed were true, he was a very loathsome rogue; and the lad’s vanity was tickled by the attention of so experienced a man. ‘I’m a pretty bad fellow myself,’ the stranger remarked, ‘but Macfarlane is the boy — Toddy Macfarlane I call him. Toddy, order your friend another glass.’ Or it might be, ‘Toddy, you jump up and shut the door.’ ‘Toddy hates me,’ he said again. ‘Oh yes, Toddy, you do!’ ‘Don’t you call me that confounded name,’ growled Macfarlane. ‘Hear him! Did you ever see the lads play knife? He would like to do that all over my body,’ remarked the stranger. ‘We medicals have a better way than that,’ said Fettes. ‘When we dislike a dead friend of ours, we dissect him.’ Macfarlane looked up sharply, as though this jest were scarcely to his mind. The afternoon passed. Gray, for that was the stranger’s name, invited Fettes to join them at dinner, ordered a feast so sumptuous that the tavern was thrown into commotion, and when all was done commanded Macfarlane to settle the bill. It was late before they separated; the man Gray was incapably drunk. Macfarlane, sobered by his fury, chewed the cud of the money he had been forced to squander and the slights he had been obliged to swallow. Fettes, with various liquors singing in his head, returned home with devious footsteps and a mind entirely in abeyance. Next day Macfarlane was absent from the class, and Fettes smiled to himself as he imagined him still squiring the intolerable Gray from tavern to tavern. As soon as the hour of liberty had struck he posted from place to place in quest of his last night’s companions. He could find them, however, nowhere; so returned early to his rooms, went early to bed, and slept the sleep of the just. and laid it on the table, Macfarlane made at first as if he were going away. Then he paused and seemed to hesitate; and then, ‘You had better look at the face,’ said he, in tones of some constraint. ‘You had better,’ he repeated, as Fettes only stared at him in wonder. ‘But where, and how, and when did you come by it?’ cried the other. ‘Look at the face,’ was the only answer. Fettes was staggered; strange doubts assailed him. He looked from the young doctor to the body, and then back again. At last, with a start, he did as he was bidden. He had almost expected the sight that met his eyes, and yet the shock was cruel. To see, fixed in the rigidity of death and naked on that coarse layer of sackcloth, the man whom he had left well clad and full of meat and sin upon the threshold of a tavern, awoke, even in the thoughtless Fettes, some of the terrors of the conscience. It was a CRAS TIBI which re–echoed in his soul, that two whom he had known should have come to lie upon these icy tables. Yet these were only secondary thoughts. His first concern regarded Wolfe. Unprepared for a challenge so momentous, he knew not how to look his comrade in the face. He durst not meet his eye, and he had neither words nor voice at his command. It was Macfarlane himself who made the first advance. He came up quietly behind and laid his hand gently but firmly on the other’s shoulder. ‘Richardson,’ said he, ‘may have the head.’ Now Richardson was a student who had long been anxious for that portion of the human subject to dissect. There was no answer, and the murderer resumed: ‘Talking of business, you must pay me; your accounts, you see, must tally.’ Fettes found a voice, the ghost of his own: ‘Pay you!’ he cried. ‘Pay you for that?’ At four in the morning he was awakened by the well– known signal. Descending to the door, he was filled with astonishment to find Macfarlane with his gig, and in the gig one of those long and ghastly packages with which he was so well acquainted. ‘Why, yes, of course you must. By all means and on every possible account, you must,’ returned the other. ‘I dare not give it for nothing, you dare not take it for nothing; it would compromise us both. This is another case like Jane Galbraith’s. The more things are wrong the more we must act as if all were right. Where does old K– keep his money?’ ‘What?’ he cried. ‘Have you been out alone? How did you manage?’ ‘There,’ answered Fettes hoarsely, pointing to a cupboard in the corner. But Macfarlane silenced him roughly, bidding him turn to business. When they had got the body upstairs ‘Give me the key, then,’ said the other, calmly, holding out his hand. 36 There was an instant’s hesitation, and the die was cast. Macfarlane could not suppress a nervous twitch, the infinitesimal mark of an immense relief, as he felt the key between his fingers. He opened the cupboard, brought out pen and ink and a paper–book that stood in one compartment, and separated from the funds in a drawer a sum suitable to the occasion. ‘Now, look here,’ he said, ‘there is the payment made — first proof of your good faith: first step to your security. You have now to clinch it by a second. Enter the payment in your book, and then you for your part may defy the devil.’ The next few seconds were for Fettes an agony of thought; but in balancing his terrors it was the most immediate that triumphed. Any future difficulty seemed almost welcome if he could avoid a present quarrel with Macfarlane. He set down the candle which he had been carrying all this time, and with a steady hand entered the date, the nature, and the amount of the transaction. ‘And now,’ said Macfarlane, ‘it’s only fair that you should pocket the lucre. I’ve had my share already. By the bye, when a man of the world falls into a bit of luck, has a few shillings extra in his pocket — I’m ashamed to speak of it, but there’s a rule of conduct in the case. No treating, no purchase of expensive class–books, no squaring of old debts; borrow, don’t lend.’ ‘Macfarlane,’ began Fettes, still somewhat hoarsely, ‘I have put my neck in a halter to oblige you.’ ‘To oblige me?’ cried Wolfe. ‘Oh, come! You did, as near as I can see the matter, what you downright had to do in self– defence. Suppose I got into trouble, where would you be? This second little matter flows clearly from the first. Mr. Gray is the continuation of Miss Galbraith. You can’t begin and then stop. If you begin, you must keep on beginning; that’s the truth. No rest for the wicked.’ A horrible sense of blackness and the treachery of fate seized hold upon the soul of the unhappy student. ‘My God!’ he cried, ‘but what have I done? and when did I begin? To be made a class assistant — in the name of reason, where’s the harm in that? Service wanted the position; Service might have got it. Would HE have been where I am now?’ ‘My dear fellow,’ said Macfarlane, ‘what a boy you are! What harm HAS come to you? What harm CAN come to you if you hold your tongue? Why, man, do you know what this life is? There are two squads of us — the lions and the lambs. If you’re a lamb, you’ll come to lie upon these tables like Gray or Jane Galbraith; if you’re a lion, you’ll live and drive a horse like me, like K–, like all the world with any wit or courage. You’re staggered at the first. But look at K–! My dear fellow, you’re clever, you have pluck. I like you, and K– likes you. You were born to lead the hunt; and I tell you, on my honour and my experience of life, three days from now you’ll laugh at all these scarecrows like a High School boy at a farce.’ And with that Macfarlane took his departure and drove off up the wynd in his gig to get under cover before daylight. Fettes was thus left alone with his regrets. He saw the miserable peril in which he stood involved. He saw, with inexpressible dismay, that there was no limit to his weakness, and that, from concession to concession, he had fallen from the arbiter of Macfarlane’s destiny to his paid and helpless accomplice. He would have given the world to have been a little braver at the time, but it did not occur to him that he might still be brave. The secret of Jane Galbraith and the cursed entry in the day– book closed his mouth. Hours passed; the class began to arrive; the members of the unhappy Gray were dealt out to one and to another, and received without remark. Richardson was made happy with the head; and before the hour of freedom rang Fettes trembled with exultation to perceive how far they had already gone toward safety. For two days he continued to watch, with increasing joy, the dreadful process of disguise. On the third day Macfarlane made his appearance. He had been ill, he said; but he made up for lost time by the energy with which he directed the students. To Richardson in particular he extended the most valuable assistance and advice, and that student, encouraged by the praise of the demonstrator, burned high with ambitious hopes, and saw the medal already in his grasp. Before the week was out Macfarlane’s prophecy had been fulfilled. Fettes had outlived his terrors and had forgotten his baseness. He began to plume himself upon his courage, and had so arranged the story in his mind that he could look back on these events with an unhealthy pride. Of his accomplice he saw but little. They met, of course, in the business of the class; they received their orders together from Mr. K–. At times they had a word or two in private, and Macfarlane was from first to last particularly kind and jovial. But it was plain that he avoided any reference to their common secret; and even when Fettes whispered to 37 him that he had cast in his lot with the lions and foresworn the lambs, he only signed to him smilingly to hold his peace. At length an occasion arose which threw the pair once more into a closer union. Mr. K– was again short of subjects; pupils were eager, and it was a part of this teacher’s pretensions to be always well supplied. At the same time there came the news of a burial in the rustic graveyard of Glencorse. Time has little changed the place in question. It stood then, as now, upon a cross road, out of call of human habitations, and buried fathom deep in the foliage of six cedar trees. The cries of the sheep upon the neighbouring hills, the streamlets upon either hand, one loudly singing among pebbles, the other dripping furtively from pond to pond, the stir of the wind in mountainous old flowering chestnuts, and once in seven days the voice of the bell and the old tunes of the precentor, were the only sounds that disturbed the silence around the rural church. The Resurrection Man — to use a byname of the period — was not to be deterred by any of the sanctities of customary piety. It was part of his trade to despise and desecrate the scrolls and trumpets of old tombs, the paths worn by the feet of worshippers and mourners, and the offerings and the inscriptions of bereaved affection. To rustic neighbourhoods, where love is more than commonly tenacious, and where some bonds of blood or fellowship unite the entire society of a parish, the body–snatcher, far from being repelled by natural respect, was attracted by the ease and safety of the task. To bodies that had been laid in earth, in joyful expectation of a far different awakening, there came that hasty, lamp–lit, terror–haunted resurrection of the spade and mattock. The coffin was forced, the cerements torn, and the melancholy relics, clad in sackcloth, after being rattled for hours on moonless byways, were at length exposed to uttermost indignities before a class of gaping boys. Somewhat as two vultures may swoop upon a dying lamb, Fettes and Macfarlane were to be let loose upon a grave in that green and quiet resting–place. The wife of a farmer, a woman who had lived for sixty years, and been known for nothing but good butter and a godly conversation, was to be rooted from her grave at midnight and carried, dead and naked, to that far–away city that she had always honoured with her Sunday’s best; the place beside her family was to be empty till the crack of doom; her innocent and almost venerable members to be exposed to that last curiosity of the anatomist. Late one afternoon the pair set forth, well wrapped in cloaks and furnished with a formidable bottle. It rained without remission — a cold, dense, lashing rain. Now and again there blew a puff of wind, but these sheets of falling water kept it down. Bottle and all, it was a sad and silent drive as far as Penicuik, where they were to spend the evening. They stopped once, to hide their implements in a thick bush not far from the churchyard, and once again at the Fisher’s Tryst, to have a toast before the kitchen fire and vary their nips of whisky with a glass of ale. When they reached their journey’s end the gig was housed, the horse was fed and comforted, and the two young doctors in a private room sat down to the best dinner and the best wine the house afforded. The lights, the fire, the beating rain upon the window, the cold, incongruous work that lay before them, added zest to their enjoyment of the meal. With every glass their cordiality increased. Soon Macfarlane handed a little pile of gold to his companion. ‘A compliment,’ he said. ‘Between friends these little d–d accommodations ought to fly like pipe–lights.’ Fettes pocketed the money, and applauded the sentiment to the echo. ‘You are a philosopher,’ he cried. ‘I was an ass till I knew you. You and K– between you, by the Lord Harry! but you’ll make a man of me.’ ‘Of course we shall,’ applauded Macfarlane. ‘A man? I tell you, it required a man to back me up the other morning. There are some big, brawling, forty–year– old cowards who would have turned sick at the look of the d–d thing; but not you — you kept your head. I watched you.’ ‘Well, and why not?’ Fettes thus vaunted himself. ‘It was no affair of mine. There was nothing to gain on the one side but disturbance, and on the other I could count on your gratitude, don’t you see?’ And he slapped his pocket till the gold pieces rang. Macfarlane somehow felt a certain touch of alarm at these unpleasant words. He may have regretted that he had taught his young companion so successfully, but he had no time to interfere, for the other noisily continued in this boastful strain:– ‘The great thing is not to be afraid. Now, between you and me, I don’t want to hang — that’s practical; but for all cant, Macfarlane, I was born with a contempt. Hell, God, Devil, right, wrong, sin, crime, and all the old gallery of curiosities — they may frighten boys, but men of the world, like you and me, despise them. Here’s to the memory of Gray!’ It was by this time growing somewhat late. The gig, according to order, was brought round to the door 38 with both lamps brightly shining, and the young men had to pay their bill and take the road. They announced that they were bound for Peebles, and drove in that direction till they were clear of the last houses of the town; then, extinguishing the lamps, returned upon their course, and followed a by–road toward Glencorse. There was no sound but that of their own passage, and the incessant, strident pouring of the rain. It was pitch dark; here and there a white gate or a white stone in the wall guided them for a short space across the night; but for the most part it was at a foot pace, and almost groping, that they picked their way through that resonant blackness to their solemn and isolated destination. In the sunken woods that traverse the neighbourhood of the burying– ground the last glimmer failed them, and it became necessary to kindle a match and re–illumine one of the lanterns of the gig. Thus, under the dripping trees, and environed by huge and moving shadows, they reached the scene of their unhallowed labours. They were both experienced in such affairs, and powerful with the spade; and they had scarce been twenty minutes at their task before they were rewarded by a dull rattle on the coffin lid. At the same moment Macfarlane, having hurt his hand upon a stone, flung it carelessly above his head. The grave, in which they now stood almost to the shoulders, was close to the edge of the plateau of the graveyard; and the gig lamp had been propped, the better to illuminate their labours, against a tree, and on the immediate verge of the steep bank descending to the stream. Chance had taken a sure aim with the stone. Then came a clang of broken glass; night fell upon them; sounds alternately dull and ringing announced the bounding of the lantern down the bank, and its occasional collision with the trees. A stone or two, which it had dislodged in its descent, rattled behind it into the profundities of the glen; and then silence, like night, resumed its sway; and they might bend their hearing to its utmost pitch, but naught was to be heard except the rain, now marching to the wind, now steadily falling over miles of open country. They were so nearly at an end of their abhorred task that they judged it wisest to complete it in the dark. The coffin was exhumed and broken open; the body inserted in the dripping sack and carried between them to the gig; one mounted to keep it in its place, and the other, taking the horse by the mouth, groped along by wall and bush until they reached the wider road by the Fisher’s Tryst. Here was a faint, diffused radiancy, which they hailed like daylight; by that they pushed the horse to a good pace and began to rattle along merrily in the direction of the town. They had both been wetted to the skin during their operations, and now, as the gig jumped among the deep ruts, the thing that stood propped between them fell now upon one and now upon the other. At every repetition of the horrid contact each instinctively repelled it with the greater haste; and the process, natural although it was, began to tell upon the nerves of the companions. Macfarlane made some ill– favoured jest about the farmer’s wife, but it came hollowly from his lips, and was allowed to drop in silence. Still their unnatural burden bumped from side to side; and now the head would be laid, as if in confidence, upon their shoulders, and now the drenching sack–cloth would flap icily about their faces. A creeping chill began to possess the soul of Fettes. He peered at the bundle, and it seemed somehow larger than at first. All over the country– side, and from every degree of distance, the farm dogs accompanied their passage with tragic ululations; and it grew and grew upon his mind that some unnatural miracle had been accomplished, that some nameless change had befallen the dead body, and that it was in fear of their unholy burden that the dogs were howling. ‘For God’s sake,’ said he, making a great effort to arrive at speech, ‘for God’s sake, let’s have a light!’ Seemingly Macfarlane was affected in the same direction; for, though he made no reply, he stopped the horse, passed the reins to his companion, got down, and proceeded to kindle the remaining lamp. They had by that time got no farther than the cross– road down to Auchenclinny. The rain still poured as though the deluge were returning, and it was no easy matter to make a light in such a world of wet and darkness. When at last the flickering blue flame had been transferred to the wick and began to expand and clarify, and shed a wide circle of misty brightness round the gig, it became possible for the two young men to see each other and the thing they had along with them. The rain had moulded the rough sacking to the outlines of the body underneath; the head was distinct from the trunk, the shoulders plainly modelled; something at once spectral and human riveted their eyes upon the ghastly comrade of their drive. For some time Macfarlane stood motionless, holding up the lamp. A nameless dread was swathed, like a wet sheet, about the body, and tightened the white skin upon the face of Fettes; a fear that was meaningless, a horror of what could not be, kept mounting to his brain. Another beat of the watch, and he had spoken. But his comrade forestalled him. 39 ‘That is not a woman,’ said Macfarlane, in a hushed voice. ‘It was a woman when we put her in,’ whispered Fettes. ‘Hold that lamp,’ said the other. ‘I must see her face.’ And as Fettes took the lamp his companion untied the fastenings of the sack and drew down the cover from the head. The light fell very clear upon the dark, well–moulded features and smooth shaven cheeks of a too familiar countenance, often beheld in dreams of both of these young men. A wild yell rang up into the night; each leaped from his own side into the roadway: the lamp fell, broke, and was extinguished; and the horse, terrified by this unusual commotion, bounded and went off toward Edinburgh at a gallop, bearing along with it, sole occupant of the gig, the body of the dead and long–dissected Gray. ___________________________________________ A Jury of Her Peers Susan Glaspell When Martha Hale opened the storm-door and got a cut of the north wind, she ran back for her big woolen scarf. As she hurriedly wound that round her head her eye made a scandalized sweep of her kitchen. It was no ordinary thing that called her away--it was probably further from ordinary than anything that had ever happened in Dickson County. But what her eye took in was that her kitchen was in no shape for leaving: her bread all ready for mixing, half the flour sifted and half unsifted. She hated to see things half done; but she had been at that when the team from town stopped to get Mr. Hale, and then the sheriff came running in to say his wife wished Mrs. Hale would come too--adding, with a grin, that he guessed she was getting scary and wanted another woman along. So she had dropped everything right where it was. "Martha!" now came her husband's impatient voice. "Don't keep folks waiting out here in the cold." She again opened the storm-door, and this time joined the three men and the one woman waiting for her in the big two-seated buggy. After she had the robes tucked around her she took another look at the woman who sat beside her on the back seat. She had met Mrs. Peters the year before at the county fair, and the thing she remembered about her was that she didn't seem like a sheriff's wife. She was small and thin and didn't have a strong voice. Mrs. Gorman, sheriff's wife before Gorman went out and Peters came in, had a voice that somehow seemed to be backing up the law with every word. But if Mrs. Peters didn't look like a sheriff's wife, Peters made it up in looking like a sheriff. He was to a dot the kind of man who could get himself elected sheriff--a heavy man with a big voice, who was particularly genial with the law-abiding, as if to make it plain that he knew the difference between criminals and non-criminals. And right there it came into Mrs. Hale's mind, with a stab, that this man who was so pleasant and lively with all of them was going to the Wrights' now as a sheriff. "The country's not very pleasant this time of year," Mrs. Peters at last ventured, as if she felt they ought to be talking as well as the men. Mrs. Hale scarcely finished her reply, for they had gone up a little hill and could see the Wright place now, and seeing it did not make her feel like talking. It looked very lonesome this cold March morning. It had always been a lonesome-looking place. It was down in a hollow, and the poplar trees around it were lonesome-looking trees. The men were looking at it and talking about what had happened. The county attorney was bending to one side of the buggy, and kept looking steadily at the place as they drew up to it. "I'm glad you came with me," Mrs. Peters said nervously, as the two women were about to follow the men in through the kitchen door. Even after she had her foot on the door-step, her hand on the knob, Martha Hale had a moment of feeling she could not cross that threshold. And the reason it seemed she couldn't cross it now was simply because she hadn't crossed it before. Time and time again it had been in her mind, "I ought to go over and see Minnie Foster"--she still thought of her as Minnie Foster, though for twenty years she had been Mrs. Wright. And then there was always something to do and Minnie Foster would go from her mind. But now she could come. The men went over to the stove. The women stood close together by the door. Young Henderson, the county attorney, turned around and said, "Come up to the fire, ladies." Mrs. Peters took a step forward, then stopped. "I'm not--cold," she said. And so the two women stood by the door, at first not even so much as looking around the kitchen. 40 The men talked for a minute about what a good thing it was the sheriff had sent his deputy out that morning to make a fire for them, and then Sheriff Peters stepped back from the stove, unbuttoned his outer coat, and leaned his hands on the kitchen table in a way that seemed to mark the beginning of official business. "Now, Mr. Hale," he said in a sort of semiofficial voice, "before we move things about, you tell Mr. Henderson just what it was you saw when you came here yesterday morning." The county attorney was looking around the kitchen. "By the way," he said, "has anything been moved?" He turned to the sheriff. "Are things just as you left them yesterday?" Peters looked from cupboard to sink; from that to a small worn rocker a little to one side of the kitchen table. "It's just the same." "Somebody should have been left here yesterday," said the county attorney. "Oh--yesterday," returned the sheriff, with a little gesture as of yesterday having been more than he could bear to think of. "When I had to send Frank to Morris Center for that man who went crazy--let me tell you. I had my hands full yesterday. I knew you could get back from Omaha by today, George, and as long as I went over everything here myself--" "Well, Mr. Hale," said the county attorney, in a way of letting what was past and gone go, "tell just what happened when you came here yesterday morning." Mrs. Hale, still leaning against the door, had that sinking feeling of the mother whose child is about to speak a piece. Lewis often wandered along and got things mixed up in a story. She hoped he would tell this straight and plain, and not say unnecessary things that would just make things harder for Minnie Foster. He didn't begin at once, and she noticed that he looked queer--as if standing in that kitchen and having to tell what he had seen there yesterday morning made him almost sick. "Yes, Mr. Hale?" the county attorney reminded. "Harry and I had started to town with a load of potatoes," Mrs. Hale's husband began. Harry was Mrs. Hale's oldest boy. He wasn't with them now, for the very good reason that those potatoes never got to town yesterday and he was taking them this morning, so he hadn't been home when the sheriff stopped to say he wanted Mr. Hale to come over to the Wright place and tell the county attorney his story there, where he could point it all out. With all Mrs. Hale's other emotions came the fear now that maybe Harry wasn't dressed warm enough--they hadn't any of them realized how that north wind did bite. "We come along this road," Hale was going on, with a motion of his hand to the road over which they had just come, "and as we got in sight of the house I says to Harry, 'I'm goin' to see if I can't get John Wright to take a telephone.' You see," he explained to Henderson, "unless I can get somebody to go in with me they won't come out this branch road except for a price I can't pay. I'd spoke to Wright about it once before; but he put me off, saying folks talked too much anyway, and all he asked was peace and quiet-guess you know about how much he talked himself. But I thought maybe if I went to the house and talked about it before his wife, and said all the women-folks liked the telephones, and that in this lonesome stretch of road it would be a good thing--well, I said to Harry that that was what I was going to say--though I said at the same time that I didn't know as what his wife wanted made much difference to John--" Now there he was!--saying things he didn't need to say. Mrs. Hale tried to catch her husband's eye, but fortunately the county attorney interrupted with: "Let's talk about that a little later, Mr. Hale. I do want to talk about that but, I'm anxious now to get along to just what happened when you got here." When he began this time, it was very deliberately and carefully: "I didn't see or hear anything. I knocked at the door. And still it was all quiet inside. I knew they must be up--it was past eight o'clock. So I knocked again, louder, and I thought I heard somebody say, 'Come in.' I wasn't sure--I'm not sure yet. But I opened the door--this door," jerking a hand toward the door by which the two women stood. "and there, in that rocker"--pointing to it--"sat Mrs. Wright." Everyone in the kitchen looked at the rocker. It came into Mrs. Hale's mind that that rocker didn't look in the least like Minnie Foster--the Minnie Foster of twenty years before. It was a dingy red, with wooden rungs up the back, and the middle rung was gone, and the chair sagged to one side. "How did she--look?" the county attorney was inquiring. 41 "Well," said Hale, "she looked--queer." if every one were seeing the woman who had sat there the morning before. "How do you mean--queer?" As he asked it he took out a note-book and pencil. Mrs. Hale did not like the sight of that pencil. She kept her eye fixed on her husband, as if to keep him from saying unnecessary things that would go into that note-book and make trouble. Hale did speak guardedly, as if the pencil had affected him too. "Well, as if she didn't know what she was going to do next. And kind of--done up." "How did she seem to feel about your coming?" "Why, I don't think she minded--one way or other. She didn't pay much attention. I said, 'Ho' do, Mrs. Wright? It's cold, ain't it?' And she said. 'Is it?'--and went on pleatin' at her apron. "Well, I was surprised. She didn't ask me to come up to the stove, or to sit down, but just set there, not even lookin' at me. And so I said: 'I want to see John.' "And then she--laughed. I guess you would call it a laugh. "I thought of Harry and the team outside, so I said, a little sharp, 'Can I see John?' 'No,' says she--kind of dull like. 'Ain't he home?' says I. Then she looked at me. 'Yes,' says she, 'he's home.' 'Then why can't I see him?' I asked her, out of patience with her now. 'Cause he's dead' says she, just as quiet and dull--and fell to pleatin' her apron. 'Dead?' says, I, like you do when you can't take in what you've heard. "She just nodded her head, not getting a bit excited, but rockin' back and forth. "'Why--where is he?' says I, not knowing what to say. "She just pointed upstairs--like this"--pointing to the room above. "I got up, with the idea of going up there myself. By this time I--didn't know what to do. I walked from there to here; then I says: 'Why, what did he die of?' "'He died of a rope around his neck,' says she; and just went on pleatin' at her apron." Hale stopped speaking, and stood staring at the rocker, as if he were still seeing the woman who had sat there the morning before. Nobody spoke; it was as "And what did you do then?" the county attorney at last broke the silence. "I went out and called Harry. I thought I might--need help. I got Harry in, and we went upstairs." His voice fell almost to a whisper. "There he was--lying over the--" "I think I'd rather have you go into that upstairs," the county attorney interrupted, "where you can point it all out. Just go on now with the rest of the story." "Well, my first thought was to get that rope off. It looked--" He stopped, his face twitching. "But Harry, he went up to him, and he said. 'No, he's dead all right, and we'd better not touch anything.' So we went downstairs. "She was still sitting that same way. 'Has anybody been notified?' I asked. 'No, says she, unconcerned. "'Who did this, Mrs. Wright?' said Harry. He said it businesslike, and she stopped pleatin' at her apron. 'I don't know,' she says. 'You don't know?' says Harry. 'Weren't you sleepin' in the bed with him?' 'Yes,' says she, 'but I was on the inside. 'Somebody slipped a rope round his neck and strangled him, and you didn't wake up?' says Harry. 'I didn't wake up,' she said after him. "We may have looked as if we didn't see how that could be, for after a minute she said, 'I sleep sound.' "Harry was going to ask her more questions, but I said maybe that weren't our business; maybe we ought to let her tell her story first to the coroner or the sheriff. So Harry went fast as he could over to High Road--the Rivers' place, where there's a telephone." "And what did she do when she knew you had gone for the coroner?" The attorney got his pencil in his hand all ready for writing. "She moved from that chair to this one over here"-Hale pointed to a small chair in the corner--"and just sat there with her hands held together and lookin down. I got a feeling that I ought to make some conversation, so I said I had come in to see if John wanted to put in a telephone; and at that she started to 42 laugh, and then she stopped and looked at me-scared." At the sound of a moving pencil the man who was telling the story looked up. "I dunno--maybe it wasn't scared," he hastened: "I wouldn't like to say it was. Soon Harry got back, and then Dr. Lloyd came, and you, Mr. Peters, and so I guess that's all I know that you don't." He said that last with relief, and moved a little, as if relaxing. Everyone moved a little. The county attorney walked toward the stair door. "I guess we'll go upstairs first--then out to the barn and around there." He paused and looked around the kitchen. "You're convinced there was nothing important here?" he asked the sheriff. "Nothing that would-point to any motive?" The sheriff too looked all around, as if to re-convince himself. "Nothing here but kitchen things," he said, with a little laugh for the insignificance of kitchen things. The county attorney was looking at the cupboard--a peculiar, ungainly structure, half closet and half cupboard, the upper part of it being built in the wall, and the lower part just the old-fashioned kitchen cupboard. As if its queerness attracted him, he got a chair and opened the upper part and looked in. After a moment he drew his hand away sticky. "I guess before we're through with her she may have something more serious than preserves to worry about." "Oh, well," said Mrs. Hale's husband, with goodnatured superiority, "women are used to worrying over trifles." The two women moved a little closer together. Neither of them spoke. The county attorney seemed suddenly to remember his manners--and think of his future. "And yet," said he, with the gallantry of a young politician. "for all their worries, what would we do without the ladies?" The women did not speak, did not unbend. He went to the sink and began washing his hands. He turned to wipe them on the roller towel--whirled it for a cleaner place. "Dirty towelsl Not much of a housekeeper, would you say, ladies?" He kicked his foot against some dirty pans under the sink. "There's a great deal of work to be done on a farm," said Mrs. Hale stiffly. "To be sure. And yet"--with a little bow to her--'I know there are some Dickson County farm-houses that do not have such roller towels." He gave it a pull to expose its full length again. "Those towels get dirty awful quick. Men's hands aren't always as clean as they might be. "Here's a nice mess," he said resentfully. The two women had drawn nearer, and now the sheriff's wife spoke. "Ah, loyal to your sex, I see," he laughed. He stopped and gave her a keen look, "But you and Mrs. Wright were neighbors. I suppose you were friends, too." "Oh--her fruit," she said, looking to Mrs. Hale for sympathetic understanding. Martha Hale shook her head. She turned back to the county attorney and explained: "She worried about that when it turned so cold last night. She said the fire would go out and her jars might burst." Mrs. Peters' husband broke into a laugh. "Well, can you beat the women! Held for murder, and worrying about her preserves!" "I've seen little enough of her of late years. I've not been in this house--it's more than a year." "And why was that? You didn't like her?" "I liked her well enough," she replied with spirit. "Farmers' wives have their hands full, Mr. Henderson. And then--" She looked around the kitchen. "Yes?" he encouraged. The young attorney set his lips. 43 "It never seemed a very cheerful place," said she, more to herself than to him. "I'd hate to have men comin' into my kitchen," she said testily--"snoopin' round and criticizin'." "No," he agreed; "I don't think anyone would call it cheerful. I shouldn't say she had the home-making instinct." "Of course it's no more than their duty," said the sheriff's wife, in her manner of timid acquiescence. "Well, I don't know as Wright had, either," she muttered. "You mean they didn't get on very well?" he was quick to ask. "No; I don't mean anything," she answered, with decision. As she turned a lit- tle away from him, she added: "But I don't think a place would be any the cheerfuller for John Wright's bein' in it." "I'd like to talk to you about that a little later, Mrs. Hale," he said. "I'm anxious to get the lay of things upstairs now." He moved toward the stair door, followed by the two men. "I suppose anything Mrs. Peters does'll be all right?" the sheriff inquired. "She was to take in some clothes for her, you know--and a few little things. We left in such a hurry yesterday." The county attorney looked at the two women they were leaving alone there among the kitchen things. "Yes--Mrs. Peters," he said, his glance resting on the woman who was not Mrs. Peters, the big farmer woman who stood behind the sheriff's wife. "Of course Mrs. Peters is one of us," he said, in a manner of entrusting responsibility. "And keep your eye out, Mrs. Peters, for anything that might be of use. No telling; you women might come upon a clue to the motive--and that's the thing we need." Mr. Hale rubbed his face after the fashion of a showman getting ready for a pleasantry. "But would the women know a clue if they did come upon it?" he said; and, having delivered himself of this, he followed the others through the stair door. The women stood motionless and silent, listening to the footsteps, first upon the stairs, then in the room above them. Then, as if releasing herself from something strange. Mrs. Hale began to arrange the dirty pans under the sink, which the county attorney's disdainful push of the foot had deranged. "Duty's all right," replied Mrs. Hale bluffly; "but I guess that deputy sheriff that come out to make the fire might have got a little of this on." She gave the roller towel a pull. 'Wish I'd thought of that sooner! Seems mean to talk about her for not having things slicked up, when she had to come away in such a hurry." She looked around the kitchen. Certainly it was not "slicked up." Her eye was held by a bucket of sugar on a low shelf. The cover was off the wooden bucket, and beside it was a paper bag--half full. Mrs. HaIe moved toward it. "She was putting this in there," she said to herself-slowly. She thought of the flour in her kitchen at home--half sifted, half not sifted. She had been interrupted, and had left things half done. What had interrupted Minnie Foster? Why had that work been left half done? She made a move as if to finish it,--unfinished things always bothered her,--and then she glanced around and saw that Mrs. Peters was watching her-and she didn't want Mrs. Peters to get that feeling she had got of work begun and then--for some reason-not finished. "It's a shame about her fruit," she said, and walked toward the cupboard that the county attorney had opened, and got on the chair, murmuring: "I wonder if it's all gone." It was a sorry enough looking sight, but "Here's one that's all right," she said at last. She held it toward the light. "This is cherries, too." She looked again. "I declare I believe that's the only one." With a sigh, she got down from the chair, went to the sink, and wiped off the bottle. "She'Il feel awful bad, after all her hard work in the hot weather. I remember the afternoon I put up my cherries last summer. She set the bottle on the table, and, with another sigh, started to sit down in the rocker. But she did not sit down. Something kept her from sitting down in that chair. She straightened--stepped back, and, half 44 turned away, stood looking at it, seeing the woman who had sat there "pleatin' at her apron." She took the small gray shawl from behind the door leading upstairs, and stood a minute looking at it. The thin voice of the sheriff's wife broke in upon her: "I must be getting those things from the front-room closet." She opened the door into the other room, started in, stepped back. "You coming with me, Mrs. Hale?" she asked nervously. "You--you could help me get them." Suddenly Mrs. Hale took a quick step toward the other woman, "Mrs. Peters!" They were soon back--the stark coldness of that shutup room was not a thing to linger in. A frightened look blurred the other thing in Mrs. Peters' eyes. "My!" said Mrs. Peters, dropping the things on the table and hurrying to the stove. "Oh, I don't know," she said, in a voice that seemed to shink away from the subject. Mrs. Hale stood examining the clothes the woman who was being detained in town had said she wanted. "Well, I don't think she did," affirmed Mrs. Hale stoutly. "Asking for an apron, and her little shawl. Worryin' about her fruit." "Wright was close!" she exclaimed, holding up a shabby black skirt that bore the marks of much making over. "I think maybe that's why she kept so much to herself. I s'pose she felt she couldn't do her part; and then, you don't enjoy things when you feel shabby. She used to wear pretty clothes and be lively-when she was Minnie Foster, one of the town girls, singing in the choir. But that--oh, that was twenty years ago." With a carefulness in which there was something tender, she folded the shabby clothes and piled them at one corner of the table. She looked up at Mrs. Peters, and there was something in the other woman's look that irritated her. "She don't care," she said to herself. "Much difference it makes to her whether Minnie Foster had pretty clothes when she was a girl." Then she looked again, and she wasn't so sure; in fact, she hadn't at any time been perfectly sure about Mrs. Peters. She had that shrinking manner, and yet her eyes looked as if they could see a long way into things. "This all you was to take in?" asked Mrs. Hale. "No," said the sheriffs wife; "she said she wanted an apron. Funny thing to want, " she ventured in her nervous little way, "for there's not much to get you dirty in jail, goodness knows. But I suppose just to make her feel more natural. If you're used to wearing an apron--. She said they were in the bottom drawer of this cupboard. Yes--here they are. And then her little shawl that always hung on the stair door." "Yes, Mrs. Hale?" "Do you think she--did it?' "Mr. Peters says--." Footsteps were heard in the room above; she stopped, looked up, then went on in a lowered voice: "Mr. Peters says--it looks bad for her. Mr. Henderson is awful sarcastic in a speech, and he's going to make fun of her saying she didn't--wake up." For a moment Mrs. Hale had no answer. Then, "Well, I guess John Wright didn't wake up--when they was slippin' that rope under his neck," she muttered. "No, it's strange," breathed Mrs. Peters. "They think it was such a--funny way to kill a man." She began to laugh; at sound of the laugh, abruptly stopped. "That's just what Mr. Hale said," said Mrs. Hale, in a resolutely natural voice. "There was a gun in the house. He says that's what he can't understand." "Mr. Henderson said, coming out, that what was needed for the case was a motive. Something to show anger--or sudden feeling." 'Well, I don't see any signs of anger around here," said Mrs. Hale, "I don't--" She stopped. It was as if her mind tripped on something. Her eye was caught by a dish-towel in the middle of the kitchen table. Slowly she moved toward the table. One half of it was wiped clean, the other half messy. Her eyes made a slow, almost unwilling turn to the bucket of sugar and the half empty bag beside it. Things begun-and not finished. After a moment she stepped back, and said, in that manner of releasing herself: 45 "Wonder how they're finding things upstairs? I hope she had it a little more red up up there. You know,"-she paused, and feeling gathered,--"it seems kind of sneaking: locking her up in town and coming out here to get her own house to turn against her!" "But, Mrs. Hale," said the sheriff's wife, "the law is the law." "Do you suppose she was going to quilt it or just knot it?" The sheriff threw up his hands. "They wonder whether she was going to quilt it or just knot it!" "I s'pose 'tis," answered Mrs. Hale shortly. There was a laugh for the ways of women, a warming of hands over the stove, and then the county attorney said briskly: She turned to the stove, saying something about that fire not being much to brag of. She worked with it a minute, and when she straightened up she said aggressively: "Well, let's go right out to the barn and get that cleared up." "The law is the law--and a bad stove is a bad stove. How'd you like to cook on this?"--pointing with the poker to the broken lining. She opened the oven door and started to express her opinion of the oven; but she was swept into her own thoughts, thinking of what it would mean, year after year, to have that stove to wrestle with. The thought of Minnie Foster trying to bake in that oven--and the thought of her never going over to see Minnie Foster--. She was startled by hearing Mrs. Peters say: "A person gets discouraged--and loses heart." The sheriff's wife had looked from the stove to the sink--to the pail of water which had been carried in from outside. The two women stood there silent, above them the footsteps of the men who were looking for evidence against the woman who had worked in that kitchen. That look of seeing into things, of seeing through a thing to something else, was in the eyes of the sheriff's wife now. When Mrs. Hale next spoke to her, it was gently: "Better loosen up your things, Mrs. Peters. We'll not feel them when we go out." Mrs. Peters went to the back of the room to hang up the fur tippet she was wearing. A moment later she exclaimed, "Why, she was piecing a quilt," and held up a large sewing basket piled high with quilt pieces. "I don't see as there's anything so strange," Mrs. Hale said resentfully, after the outside door had closed on the three men--"our taking up our time with little things while we're waiting for them to get the evidence. I don't see as it's anything to laugh about." "Of course they've got awful important things on their minds," said the sheriff's wife apologetically. They returned to an inspection of the block for the quilt. Mrs. Hale was looking at the fine, even sewing, and preoccupied with thoughts of the woman who had done that sewing, when she heard the sheriff's wife say, in a queer tone: "Why, look at this one." She turned to take the block held out to her. "The sewing," said Mrs. Peters, in a troubled way, "All the rest of them have been so nice and even-but--this one. Why, it looks as if she didn't know what she was about!" Their eyes met--something flashed to life, passed between them; then, as if with an effort, they seemed to pull away from each other. A moment Mrs. Hale sat there, her hands folded over that sewing which was so unlike all the rest of the sewing. Then she had pulled a knot and drawn the threads. Mrs. Hale spread some of the blocks on the table. "Oh, what are you doing, Mrs. Hale?" asked the sheriff's wife, startled. "It's log-cabin pattern," she said, putting several of them together, "Pretty, isn't it?" "Just pulling out a stitch or two that's not sewed very good," said Mrs. Hale mildly. They were so engaged with the quilt that they did not hear the footsteps on the stairs. Just as the stair door opened Mrs. Hale was saying: "I don't think we ought to touch things," Mrs. Peters said, a little helplessly. "I'll just finish up this end," answered Mrs. Hale, still in that mild, matter-of-fact fashion. 46 She threaded a needle and started to replace bad sewing with good. For a little while she sewed in silence. Then, in that thin, timid voice, she heard: "Mrs. Hale!" "Yes, Mrs. Peters?" 'What do you suppose she was so--nervous about?" "Oh, I don't know," said Mrs. Hale, as if dismissing a thing not important enough to spend much time on. "I don't know as she was--nervous. I sew awful queer sometimes when I'm just tired." She cut a thread, and out of the corner of her eye looked up at Mrs. Peters. The small, lean face of the sheriff's wife seemed to have tightened up. Her eyes had that look of peering into something. But next moment she moved, and said in her thin, indecisive way: 'Well, I must get those clothes wrapped. They may be through sooner than we think. I wonder where I could find a piece of paper--and string." "In that cupboard, maybe," suggested to Mrs. Hale, after a glance around. One piece of the crazy sewing remained unripped. Mrs. Peter's back turned, Martha Hale now scrutinized that piece, compared it with the dainty, accurate sewing of the other blocks. The difference was startling. Holding this block made her feel queer, as if the distracted thoughts of the woman who had perhaps turned to it to try and quiet herself were communicating themselves to her. Mrs. Peters' voice roused her. "Here's a bird-cage," she said. "Did she have a bird, Mrs. Hale?" 'Why, I don't know whether she did or not." She turned to look at the cage Mrs. Peters was holding up. "I've not been here in so long." She sighed. "There was a man round last year selling canaries cheap--but I don't know as she took one. Maybe she did. She used to sing real pretty herself." Mrs. Peters looked around the kitchen. "Seems kind of funny to think of a bird here." She half laughed--an attempt to put up a barrier. "But she must have had one--or why would she have a cage? I wonder what happened to it." "I suppose maybe the cat got it," suggested Mrs. Hale, resuming her sewing. "No; she didn't have a cat. She's got that feeling some people have about cats--being afraid of them. When they brought her to our house yesterday, my cat got in the room, and she was real upset and asked me to take it out." "My sister Bessie was like that," laughed Mrs. Hale. The sheriff's wife did not reply. The silence made Mrs. Hale turn round. Mrs. Peters was examining the bird-cage. "Look at this door," she said slowly. "It's broke. One hinge has been pulled apart." Mrs. Hale came nearer. "Looks as if someone must have been--rough with it." Again their eyes met--startled, questioning, apprehensive. For a moment neither spoke nor stirred. Then Mrs. Hale, turning away, said brusquely: "If they're going to find any evidence, I wish they'd be about it. I don't like this place." "But I'm awful glad you came with me, Mrs. Hale." Mrs. Peters put the bird-cage on the table and sat down. "It would be lonesome for me--sitting here alone." "Yes, it would, wouldn't it?" agreed Mrs. Hale, a certain determined naturalness in her voice. She had picked up the sewing, but now it dropped in her lap, and she murmured in a different voice: "But I tell you what I do wish, Mrs. Peters. I wish I had come over sometimes when she was here. I wish--I had." "But of course you were awful busy, Mrs. Hale. Your house--and your children." "I could've come," retorted Mrs. Hale shortly. "I stayed away because it weren't cheerful--and that's why I ought to have come. I"--she looked around-"I've never liked this place. Maybe because it's down in a hollow and you don't see the road. I don't know what it is, but it's a lonesome place, and always was. I wish I had come over to see Minnie Foster sometimes. I can see now--" She did not put it into words. 47 "Well, you mustn't reproach yourself," counseled Mrs. Peters. "Somehow, we just don't see how it is with other folks till--something comes up." "Not having children makes less work," mused Mrs. Hale, after a silence, "but it makes a quiet house--and Wright out to work all day--and no company when he did come in. Did you know John Wright, Mrs. Peters?" "Not to know him. I've seen him in town. They say he was a good man." "Here's some red," said Mrs. Hale, bringing out a roll of cloth. Underneath that was a box. "Here, maybe her scissors are in here--and her things." She held it up. "What a pretty box! I'll warrant that was something she had a long time ago--when she was a girl." She held it in her hand a moment; then, with a little sigh, opened it. Instantly her hand went to her nose. "Why--!" "Yes--good," conceded John Wright's neighbor grimly. "He didn't drink, and kept his word as well as most, I guess, and paid his debts. But he was a hard man, Mrs. Peters. Just to pass the time of day with him--." She stopped, shivered a little. "Like a raw wind that gets to the bone." Her eye fell upon the cage on the table before her, and she added, almost bitterly: "I should think she would've wanted a bird!" Mrs. Peters drew nearer--then turned away. "There's something wrapped up in this piece of silk," faltered Mrs. Hale. "This isn't her scissors," said Mrs. Peters, in a shrinking voice. Suddenly she leaned forward, looking intently at the cage. "But what do you s'pose went wrong with it?" Her hand not steady, Mrs. Hale raised the piece of silk. "Oh, Mrs. Peters!" she cried. "It's--" "I don't know," returned Mrs. Peters; "unless it got sick and died." Mrs. Peters bent closer. But after she said it she reached over and swung the broken door. Both women watched it as if somehow held by it. "You didn't know--her?" Mrs. Hale asked, a gentler note in her voice. "It's the bird," she whispered. "But, Mrs. Peters!" cried Mrs. Hale. "Look at it! Its neck--look at its neck! It's all--other side to." She held the box away from her. The sheriff's wife again bent closer. "Not till they brought her yesterday," said the sheriff's wife. "Somebody wrung its neck," said she, in a voice that was slow and deep. "She--come to think of it, she was kind of like a bird herself. Real sweet and pretty, but kind of timid and-fluttery. How--she--did--change." And then again the eyes of the two women met--this time clung together in a look of dawning comprehension, of growing horror. Mrs. Peters looked from the dead bird to the broken door of the cage. Again their eyes met. And just then there was a sound at the outside door. Mrs. Hale slipped the box under the quilt pieces in the basket, and sank into the chair before it. Mrs. Peters stood holding to the table. The county attorney and the sheriff came in from outside. That held her for a long time. Finally, as if struck with a happy thought and relieved to get back to everyday things, she exclaimed: "Tell you what, Mrs. Peters, why don't you take the quilt in with you? It might take up her mind." "Why, I think that's a real nice idea, Mrs. Hale," agreed the sheriff's wife, as if she too were glad to come into the atmosphere of a simple kindness. "There couldn't possibly be any objection to that, could there? Now, just what will I take? I wonder if her patches are in here--and her things?" They turned to the sewing basket. "Well, ladies," said the county attorney, as one turning from serious things to little pleasantries, "have you decided whether she was going to quilt it or knot it?" "We think," began the sheriff's wife in a flurried voice, "that she was going to--knot it." 48 He was too preoccupied to notice the change that came in her voice on that last. thing that sang. She used to sing. He killed that too." Her voice tightened. "Well, that's very interesting, I'm sure," he said tolerantly. He caught sight of the bird-cage. Mrs. Peters moved uneasily. "Of course we don't know who killed the bird." "Has the bird flown?" "I knew John Wright," was Mrs. Hale's answer. "We think the cat got it," said Mrs. Hale in a voice curiously even. He was walking up and down, as if thinking something out. "It was an awful thing was done in this house that night, Mrs. Hale," said the sheriff's wife. "Killing a man while he slept--slipping a thing round his neck that choked the life out of him." "Is there a cat?" he asked absently. Mrs. Hale's hand went out to the bird cage. Mrs. Hale shot a look up at the sheriff's wife. "We don't know who killed him," whispered Mrs. Peters wildly. "We don't know." "Well, not now," said Mrs. Peters. "They're superstitious, you know; they Ieave." She sank into her chair. The county attorney did not heed her. "No sign at all of anyone having come in from the outside," he said to Peters, in the manner of continuing an interrupted conversation. "Their own rope. Now let's go upstairs again and go over it, picee by piece. It would have to have been someone who knew just the--" The stair door closed behind them and their voices were lost. Mrs. Hale had not moved. "If there had been years and years of--nothing, then a bird to sing to you, it would be awful--still--after the bird was still." It was as if something within her not herself had spoken, and it found in Mrs. Peters something she did not know as herself. "I know what stillness is," she said, in a queer, monotonous voice. "When we homesteaded in Dakota, and my first baby died--after he was two years old--and me with no other then--" Mrs. Hale stirred. The two women sat motionless, not looking at each other, but as if peering into something and at the same time holding back. When they spoke now it was as if they were afraid of what they were saying, but as if they could not help saying it. "She liked the bird," said Martha Hale, low and slowly. "She was going to bury it in that pretty box." When I was a girl," said Mrs. Peters, under her breath, "my kitten--there was a boy took a hatchet, and before my eyes--before I could get there--" She covered her face an instant. "If they hadn't held me back I would have"--she caught herself, looked upstairs where footsteps were heard, and finished weakly--"hurt him." "How soon do you suppose they'll be through looking for the evidence?" "I know what stillness is," repeated Mrs. Peters, in just that same way. Then she too pulled back. "The law has got to punish crime, Mrs. Hale," she said in her tight little way. "I wish you'd seen Minnie Foster," was the answer, "when she wore a white dress with blue ribbons, and stood up there in the choir and sang." The picture of that girl, the fact that she had lived neighbor to that girl for twenty years, and had let her die for lack of life, was suddenly more than she could bear. Then they sat without speaking or moving. "I wonder how it would seem," Mrs. Hale at last began, as if feeling her way over strange ground-"never to have had any children around?" Her eyes made a slow sweep of the kitchen, as if seeing what that kitchen had meant through all the years "No, Wright wouldn't like the bird," she said after that--"a "Oh, I wish I'd come over here once in a while!" she cried. "That was a crime! Who's going to punish that?" "We mustn't take on," said Mrs. Peters, with a frightened look toward the stairs. 49 "I might 'a' known she needed help! I tell you, it's queer, Mrs. Peters. We live close together, and we live far apart. We all go through the same things--it's all just a different kind of the same thing! If it weren't--why do you and I understand? Why do we know--what we know this minute?" She dashed her hand across her eyes. Then, seeing the jar of fruit on the table she reached for it and choked out: to go over everything. I'm not satisfied we can't do better." Again, for one brief moment, the two women's eyes found one another. The sheriff came up to the table. "Did you want to see what Mrs. Peters was going to take in?" "If I was you I wouldn't tell her her fruit was gone! Tell her it ain't. Tell her it's all right--all of it. Here-take this in to prove it to her! She--she may never know whether it was broke or not." The county attorney picked up the apron. He laughed. She turned away. Mrs. Hale's hand was on the sewing basket in which the box was concealed. She felt that she ought to take her hand off the basket. She did not seem able to. He picked up one of the quilt blocks which she had piled on to cover the box. Her eyes felt like fire. She had a feeling that if he took up the basket she would snatch it from him. Mrs. Peters reached out for the bottle of fruit as if she were glad to take it--as if touching a familiar thing, having something to do, could keep her from something else. She got up, looked about for something to wrap the fruit in, took a petticoat from the pile of clothes she had brought from the front room, and nervously started winding that round the bottle. "My!" she began, in a high, false voice, "it's a good thing the men couldn't hear us! Getting all stirred up over a little thing like a--dead canary." She hurried over that. "As if that could have anything to do with-with--My, wouldn't they laugh?" Footsteps were heard on the stairs. "Maybe they would," muttered Mrs. Hale--"maybe they wouldn't." "No, Peters," said the county attorney incisively; "it's all perfectly clear, except the reason for doing it. But you know juries when it comes to women. If there was some definite thing--something to show. Something to make a story about. A thing that would connect up with this clumsy way of doing it." In a covert way Mrs. Hale looked at Mrs. Peters. Mrs. Peters was looking at her. Quickly they looked away from each other. The outer door opened and Mr. Hale came in. "I've got the team round now," he said. "Pretty cold out there." "I'm going to stay here awhile by myself," the county attorney suddenly announced. "You can send Frank out for me, can't you?" he asked the sheriff. "I want "Oh, I guess they're not very dangerous things the ladies have picked out." But he did not take it up. With another little laugh, he turned away, saying: "No; Mrs. Peters doesn't need supervising. For that matter, a sheriff's wife is married to the law. Ever think of it that way, Mrs. Peters?" Mrs. Peters was standing beside the table. Mrs. Hale shot a look up at her; but she could not see her face. Mrs. Peters had turned away. When she spoke, her voice was muffled. "Not--just that way," she said. "Married to the law!" chuckled Mrs. Peters' husband. He moved toward the door into the front room, and said to the county attorney: "I just want you to come in here a minute, George. We ought to take a look at these windows." "Oh--windows," said the county attorney scoffingly. "We'll be right out, Mr. Hale," said the sheriff to the farmer, who was still waiting by the door. Hale went to look after the horses. The sheriff followed the county attorney into the other room. Again--for one final moment--the two women were alone in that kitchen. Martha Hale sprang up, her hands tight together, looking at that other woman, with whom it rested. At first she could not see her eyes, for the sheriff's wife 50 had not turned back since she turned away at that suggestion of being married to the law. But now Mrs. Hale made her turn back. Her eyes made her turn back. Slowly, unwillingly, Mrs. Peters turned her head until her eyes met the eyes of the other woman. There was a moment when they held each other in a steady, burning look in which there was no evasion or flinching. Then Martha Hale's eyes pointed the way to the basket in which was hidden the thing that would make certain the conviction of the other woman--that woman who was not there and yet who had been there with them all through that hour. For a moment Mrs. Peters did not move. And then she did it. With a rush forward, she threw back the quilt pieces, got the box, tried to put it in her handbag. It was too big. Desperately she opened it, started to take the bird out. But there she broke--she could not touch the bird. She stood there helpless, foolish. There was the sound of a knob turning in the inner door. Martha Hale snatched the box from the sheriff's wife, and got it in the pocket of her big coat just as the sheriff and the county attorney came back into the kitchen. "Well, Henry," said the county attorney facetiously, "at least we found out that she was not going to quilt it. She was going to--what is it you call it, ladies?" Mrs. Hale's hand was against the pocket of her coat. "We call it--knot it, Mr. Henderson." _______________________________________ The Fall of the House of Usher Edgar Allan Poe Son cœur est un luth suspendu; Sitôt qu'on le touche il résonne. De Béranger. DURING THE WHOLE of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was—but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium—the bitter lapse into everyday life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodelled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant and eyelike windows. Nevertheless, in this mansion of gloom I now proposed to myself a sojourn of some weeks. Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country—a letter from him—which, in its wildly importunate nature, had admitted of no other than a personal reply. The MS. gave evidence of nervous agitation. The writer spoke of acute bodily illness—of a mental disorder which oppressed him—and of an earnest desire to see me, as his best, and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady. It was the manner in which all this, and much more, was said— it was the apparent heart that went with his request— which allowed me no room for hesitation; and I accordingly obeyed forthwith what I still considered a very singular summons. Although, as boys, we had been even intimate associates, yet I really knew little of my friend. His 51 reserve had been always excessive and habitual. I was a man-of-ware, however, that his very ancient family had been noted, time out of mind, for a peculiar sensibility of temperament, displaying itself, through long ages, in many works of exalted art, and manifested, of late, in repeated deeds of munificent yet unobtrusive charity, as well as in a passionate devotion to the intricacies, perhaps even more than to the orthodox and easily recognisable beauties, of musical science. I had learned, too, the very remarkable fact, that the stem of the Usher race, all time-honoured as it was, had put forth, at no period, any enduring branch; in other words, that the entire family lay in the direct line of descent, and had always, with very trifling and very temporary variation, so lain. It was this deficiency, I considered, while running over in thought the perfect keeping of the character of the premises with the accredited character of the people, and while speculating upon the possible influence which the one, in the long lapse of centuries, might have exercised upon the other—it was this deficiency, perhaps, of collateral issue, and the consequent undeviating transmission, from sire to son, of the patrimony with the name, which had, at length, so identified the two as to merge the original title of the estate in the quaint and equivocal appellation of the “House of Usher”—an appellation which seemed to include, in the minds of the peasantry who used it, both the family and the family mansion. I have said that the sole effect of my somewhat childish experiment—that of looking down within the tarn—had been to deepen the first singular impression. There can be no doubt that the consciousness of the rapid increase of my superstition—for why should I not so term it?— served mainly to accelerate the increase itself. Such, I have long known, is the paradoxical law of all sentiments having terror as a basis. And it might have been for this reason only, that, when I again uplifted my eyes to the house itself, from its image in the pool, there grew in my mind a strange fancy—a fancy so ridiculous, indeed, that I but mention it to show the vivid force of the sensations which oppressed me. I had so worked upon my imagination as really to believe that about the whole mansion and domain there hung an atmosphere peculiar to themselves and their immediate vicinity—an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the gray wall, and the silent tarn—a pestilent and mystic vapour, dull, sluggish, faintly discernible, and leaden-hued. Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinising observer might have discovered a barely perceptible fissure, which, extending from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of the tarn. Noticing these things, I rode over a short causeway to the house. A servant in waiting took my horse, and I entered the Gothic archway of the hall. A valet, of stealthy step, thence conducted me, in silence, through many dark and intricate passages in my progress to the studio of his master. Much that I encountered on the way contributed, I know not how, to heighten the vague sentiments of which I have already spoken. While the objects around me—while the carvings of the ceilings, the sombre tapestries of the walls, the ebon blackness of the floors, and the phantasmagoric armorial trophies which rattled as I strode, were but matters to which, or to such as which, I had been accustomed from my infancy— while I hesitated not to acknowledge how familiar was all this—I still wondered to find how unfamiliar were the fancies which ordinary images were stirring up. On one of the staircases, I met the physician of the family. His countenance, I thought, wore a mingled expression of low cunning and perplexity. He accosted me with trepidation and passed on. The valet now threw open a door and ushered me into the presence of his master. The room in which I found myself was very large and lofty. The windows were long, narrow, and pointed, and at so vast a distance from the black oaken floor as to be altogether inaccessible from within. Feeble gleams of encrimsoned light made their way through the trellised panes, and served to render sufficiently distinct the more prominent objects around the eye, however, struggled in vain to reach the remoter angles of the chamber, or the recesses of the vaulted 52 and fretted ceiling. Dark draperies hung upon the walls. The general furniture was profuse, comfortless, antique, and tattered. Many books and musical instruments lay scattered about, but failed to give any vitality to the scene. I felt that I breathed an atmosphere of sorrow. An air of stern, deep, and irredeemable gloom hung over and pervaded all. Upon my entrance, Usher arose from a sofa on which he had been lying at full length, and greeted me with a vivacious warmth which had much in it, I at first thought, of an overdone cordiality—of the constrained effort of the ennuyé man of the world. A glance, however, at his countenance, convinced me of his perfect sincerity. We sat down; and for some moments, while he spoke not, I gazed upon him with a feeling half of pity, half of awe. Surely, man had never before so terribly altered, in so brief a period, as had Roderick Usher! It was with difficulty that I could bring myself to admit the identity of the wan being before me with the companion of my early boyhood. Yet the character of his face had been at all times remarkable. A cadaverousness of complexion; an eye large, liquid, and luminous beyond comparison; lips somewhat thin and very pallid, but of a surpassingly beautiful curve; a nose of a delicate Hebrew model, but with a breadth of nostril unusual in similar formations; a finely moulded chin, speaking, in its want of prominence, of a want of moral energy; hair of a more than web-like softness and tenuity; these features, with an inordinate expansion above the regions of the temple, made up altogether a countenance not easily to be forgotten. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now ghastly pallor of the skin, and the now miraculous lustre of the eve, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity. In the manner of my friend I was at once struck with an incoherence—an inconsistency; and I soon found this to arise from a series of feeble and futile struggles to overcome an habitual trepidancy—an excessive nervous agitation. For something of this nature I had indeed been prepared, no less by his letter, than by reminiscences of certain boyish traits, and by conclusions deduced from his peculiar physical conformation and temperament. His action was alternately vivacious and sullen. His voice varied rapidly from a tremulous indecision (when the animal spirits seemed utterly in abeyance) to that species of energetic concision—that abrupt, weighty, unhurried, and hollow-sounding enunciation—that leaden, selfbalanced and perfectly modulated guttural utterance, which may be observed in the lost drunkard, or the irreclaimable eater of opium, during the periods of his most intense excitement. It was thus that he spoke of the object of my visit, of his earnest desire to see me, and of the solace he expected me to afford him. He entered, at some length, into what he conceived to be the nature of his malady. It was, he said, a constitutional and a family evil, and one for which he despaired to find a remedy—a mere nervous affection, he immediately added, which would undoubtedly soon pass off. It displayed itself in a host of unnatural sensations. Some of these, as he detailed them, interested and bewildered me; although, perhaps, the terms, and the general manner of the narration had their weight. He suffered much from a morbid acuteness of the senses; the most insipid food was alone endurable; he could wear only garments of certain texture; the odours of all flowers were oppressive; his eyes were tortured by even a faint light; and there were but peculiar sounds, and these from stringed instruments, which did not inspire him with horror. To an anomalous species of terror I found him a bounden slave. “I shall perish,” said he, “I must perish in this deplorable folly. Thus, thus, and not otherwise, shall I be lost. I dread the events of the future, not in themselves, but in their results. I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed, no abhorrence of danger, except in its absolute effect—in terror. In this unnerved—in this pitiable condition—I feel that the period will sooner or later arrive when I must abandon life and reason together, in some struggle with the grim phantasm, FEAR.” I learned, moreover, at intervals, and through broken and equivocal hints, another singular feature of his mental condition. He was enchained by certain superstitious impressions in regard to the dwelling which he tenanted, and whence, for many years, he had never ventured forth—in regard to an influence whose supposititious force was conveyed in terms too shadowy here to be re-stated—an influence which some peculiarities in the mere form and substance of his family mansion, had, by dint of long sufferance, he said, obtained over his spirit-an effect which the physique of the gray walls and turrets, and of the dim tarn into which they all looked down, had, at length, brought about upon the morale of his existence. He admitted, however, although with hesitation, that much of the peculiar gloom which thus afflicted him 53 could be traced to a more natural and far more palpable origin—to the severe and long-continued illness—indeed to the evidently approaching dissolution—of a tenderly beloved sister—his sole companion for long years—his last and only relative on earth. “Her decease,” he said, with a bitterness which I can never forget, “would leave him (him the hopeless and the frail) the last of the ancient race of the Ushers.” While he spoke, the lady Madeline (for so was she called) passed slowly through a remote portion of the apartment, and, without having noticed my presence, disappeared. I regarded her with an utter astonishment not unmingled with dread—and yet I found it impossible to account for such feelings. A sensation of stupor oppressed me, as my eyes followed her retreating steps. When a door, at length, closed upon her, my glance sought instinctively and eagerly the countenance of the brother—but he had buried his face in his hands, and I could only perceive that a far more than ordinary wanness had overspread the emaciated fingers through which trickled many passionate tears. The disease of the lady Madeline had long baffled the skill of her physicians. A settled apathy, a gradual wasting away of the person, and frequent although transient affections of a partially cataleptical character, were the unusual diagnosis. Hitherto she had steadily borne up against the pressure of her malady, and had not betaken herself finally to bed; but, on the closing in of the evening of my arrival at the house, she succumbed (as her brother told me at night with inexpressible agitation) to the prostrating power of the destroyer; and I learned that the glimpse I had obtained of her person would thus probably be the last I should obtain—that the lady, at least while living, would be seen by me no more. For several days ensuing, her name was unmentioned by either Usher or myself: and during this period I was busied in earnest endeavours to alleviate the melancholy of my friend. We painted and read together; or I listened, as if in a dream, to the wild improvisations of his speaking guitar. And thus, as a closer and closer still intimacy admitted me more unreservedly into the recesses of his spirit, the more bitterly did I perceive the futility of all attempt at cheering a mind from which darkness, as if an inherent positive quality, poured forth upon all objects of the moral and physical universe, in one unceasing radiation of gloom. I shall ever bear about me a memory of the many solemn hours I thus spent alone with the master of the House of Usher. Yet I should fail in any attempt to convey an idea of the exact character of the studies, or of the occupations, in which he involved me, or led me the way. An excited and highly distempered ideality threw a sulphureous lustre over all. His long improvised dirges will ring forever in my ears. Among other things, I hold painfully in mind a certain singular perversion and amplification of the wild air of the last waltz of Von Weber. From the paintings over which his elaborate fancy brooded, and which grew, touch by touch, into vaguenesses at which I shuddered the more thrillingly, because I shuddered knowing not why;—from these paintings (vivid as their images now are before me) I would in vain endeavour to educe more than a small portion which should lie within the compass of merely written words. By the utter simplicity, by the nakedness of his designs, he arrested and overawed attention. If ever mortal painted an idea, that mortal was Roderick Usher. For me at least—in the circumstances then surrounding me—there arose out of the pure abstractions which the hypochondriac contrived to throw upon his canvas, an intensity of intolerable awe, no shadow of which felt I ever yet in the contemplation of the certainly glowing yet too concrete reveries of Fuseli. One of the phantasmagoric conceptions of my friend, partaking not so rigidly of the spirit of abstraction, may be shadowed forth, although feebly, in words. A small picture presented the interior of an immensely long and rectangular vault or tunnel, with low walls, smooth, white, and without interruption or device. Certain accessory points of the design served well to convey the idea that this excavation lay at an exceeding depth below the surface of the earth. No outlet was observed in any portion of its vast extent, and no torch, or other artificial source of light was discernible; yet a flood of intense rays rolled throughout, and bathed the whole in a ghastly and inappropriate splendour. I have just spoken of that morbid condition of the auditory nerve which rendered all music intolerable to the sufferer, with the exception of certain effects of stringed instruments. It was, perhaps, the narrow limits to which he thus confined himself upon the guitar, which gave birth, in great measure, to the fantastic character of his performances. But the fervid facility of his impromptus could not be so accounted for. They must have been, and were, in the notes, as well as in the words of his wild fantasias (for he not unfrequently accompanied himself with rhymed verbal improvisations), the result of that intense mental collectedness and concentration to which I have previously alluded as observable only in particular moments of the highest artificial excitement. The words of one of these rhapsodies I have easily remembered. I was, perhaps, the more 54 forcibly impressed with it, as he gave it, because, in the under or mystic current of its meaning, I fancied that I perceived, and for the first time, a full consciousness on the part of Usher, of the tottering of his lofty reason upon her throne. The verses, which were entitled “The Haunted Palace,” ran very nearly, if not accurately, thus: I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought's dominion— It stood there! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow; (This—all this—was in the olden Time long ago) And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odour went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute's well-tuned law, Round about a throne, where sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch's high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows, see Vast forms that move fantastically To a discordant melody; While, like a rapid ghastly river, Through the pale door, A hideous throng rush out forever, And laugh—but smile no more. I well remember that suggestions arising from this ballad led us into a train of thought wherein there became manifest an opinion of Usher's which I mention not so much on account of its novelty, (for other men have thought thus,) as on account of the pertinacity with which he maintained it. This opinion, in its general form, was that of the sentience of all vegetable things. But, in his disordered fancy, the idea had assumed a more daring character, and trespassed, under certain conditions, upon the kingdom of inorganization. I lack words to express the full extent, or the earnest abandon of his persuasion. The belief, however, was connected (as I have previously hinted) with the gray stones of the home of his forefathers. The conditions of the sentience had been here, he imagined, fulfilled in the method of collocation of these stones—in the order of their arrangement, as well as in that of the many fungi which overspread them, and of the decayed trees which stood around—above all, in the long undisturbed endurance of this arrangement, and in its reduplication in the still waters of the tarn. Its evidence—the evidence of the sentience—was to be seen, he said, (and I here started as he spoke,) in the gradual yet certain condensation of an atmosphere of their own about the waters and the walls. The result was discoverable, he added, in that silent, yet importunate and terrible influence which for centuries had moulded the destinies of his family, and which made him what I now saw him—what he was. Such opinions need no comment, and I will make none. Our books—the books which, for years, had formed no small portion of the mental existence of the invalid—were, as might be supposed, in strict keeping with this character of phantasm. We pored together over such works as the Ververt et Chartreuse of Gresset; the Belphegor of Machiavelli; the Heaven and Hell of Swedenborg; the Subterranean Voyage of Nicholas Klimm by Holberg; the Chiromancy of Robert Flud, of Jean D'Indaginé, and of De la Chambre; the Journey into the Blue Distance of Tieck; and the City of the Sun of Campanella. One favourite volume was a small octavo edition of the Directorium Inquisitorum, by the Dominican Eymeric de Gironne; and there were passages in Pomponius Mela, about the old African Satyrs and Ægipans, over which Usher would sit dreaming for 55 hours. His chief delight, however, was found in the perusal of an exceedingly rare and curious book in quarto Gothic—the manual of a forgotten church— the Vigilae Mortuorum secundum Chorum Ecclesiae Maguntinae. I could not help thinking of the wild ritual of this work, and of its probable influence upon the hypochondriac, when, one evening, having informed me abruptly that the lady Madeline was no more, he stated his intention of preserving her corpse for a fortnight, (previously to its final interment,) in one of the numerous vaults within the main walls of the building. The worldly reason, however, assigned for this singular proceeding, was one which I did not feel at liberty to dispute. The brother had been led to his resolution (so he told me) by consideration of the unusual character of the malady of the deceased, of certain obtrusive and eager inquiries on the part of her medical men, and of the remote and exposed situation of the burial-ground of the family. I will not deny that when I called to mind the sinister countenance of the person whom I met upon the staircase, on the day of my arrival at the house, I had no desire to oppose what I regarded as at best but a harmless, and by no means an unnatural, precaution. At the request of Usher, I personally aided him in the arrangements for the temporary entombment. The body having been encoffined, we two alone bore it to its rest. The vault in which we placed it (and which had been so long unopened that our torches, half smothered in its oppressive atmosphere, gave us little opportunity for investigation) was small, damp, and entirely without means of admission for light; lying, at great depth, immediately beneath that portion of the building in which was my own sleeping apartment. It had been used, apparently, in remote feudal times, for the worst purposes of a donjonkeep, and, in later days, as a place of deposit for powder, or some other highly combustible substance, as a portion of its floor, and the whole interior of a long archway through which we reached it, were carefully sheathed with copper. The door, of massive iron, had been, also, similarly protected. Its immense weight caused an unusually sharp grating sound, as it moved upon its hinges. Having deposited our mournful burden upon tressels within this region of horror, we partially turned aside the yet unscrewed lid of the coffin, and looked upon the face of the tenant. A striking similitude between the brother and sister now first arrested my attention; and Usher, divining, perhaps, my thoughts, murmured out some few words from which I learned that the deceased and himself had been twins, and that sympathies of a scarcely intelligible nature had always existed between them. Our glances, however, rested not long upon the dead—for we could not regard her unawed. The disease which had thus entombed the lady in the maturity of youth, had left, as usual in all maladies of a strictly cataleptical character, the mockery of a faint blush upon the bosom and the face, and that suspiciously lingering smile upon the lip which is so terrible in death. We replaced and screwed down the lid, and, having secured the door of iron, made our way, with toil, into the scarcely less gloomy apartments of the upper portion of the house. And now, some days of bitter grief having elapsed, an observable change came over the features of the mental disorder of my friend. His ordinary manner had vanished. His ordinary occupations were neglected or forgotten. He roamed from chamber to chamber with hurried, unequal, and objectless step. The pallor of his countenance had assumed, if possible, a more ghastly hue—but the luminousness of his eye had utterly gone out. The once occasional huskiness of his tone was heard no more; and a tremulous quaver, as if of extreme terror, habitually characterized his utterance. There were times, indeed, when I thought his unceasingly agitated mind was labouring with some oppressive secret, to divulge which he struggled for the necessary courage. At times, again, I was obliged to resolve all into the mere inexplicable vagaries of madness, for I beheld him gazing upon vacancy for long hours, in an attitude of the profoundest attention, as if listening to some imaginary sound. It was no wonder that his condition terrified—that it infected me. I felt creeping upon me, by slow yet certain degrees, the wild influences of his own fantastic yet impressive superstitions. It was, especially, upon retiring to bed late in the night of the seventh or eighth day after the placing of the lady Madeline within the don-jon, that I experienced the full power of such feelings. Sleep came not near my couch—while the hours waned and waned away. I struggled to reason off the nervousness which had dominion over me. I endeavoured to believe that much, if not all of what I felt, was due to the bewildering influence of the gloomy furniture of the room—of the dark and tattered draperies, which, tortured into motion by the breath of a rising tempest, swayed fitfully to and fro upon the walls, and rustled uneasily about the decorations of the bed. But my efforts were fruitless. An irrepressible tremour gradually pervaded my frame; and, at length, there sat upon my very heart an incubus of utterly causeless alarm. Shaking this off with a gasp and a struggle, I uplifted myself upon the 56 pillows, and, peering earnestly within the intense darkness of the chamber, hearkened—I know not why, except that an instinctive spirit prompted me— to certain low and indefinite sounds which came, through the pauses of the storm, at long intervals, I knew not whence. Overpowered by an intense sentiment of horror, unaccountable yet unendurable, I threw on my clothes with haste (for I felt that I should sleep no more during the night), and endeavoured to arouse myself from the pitiable condition into which I had fallen, by pacing rapidly to and fro through the apartment. I had taken but few turns in this manner, when a light step on an adjoining staircase arrested my attention. I presently recognised it as that of Usher. In an instant afterward he rapped, with a gentle touch, at my door, and entered, bearing a lamp. His countenance was, as usual, cadaverously wan—but, moreover, there was a species of mad hilarity in his eyes—an evidently restrained hysteria in his whole demeanour. His air appalled me—but anything was preferable to the solitude which I had so long endured, and I even welcomed his presence as a relief. “And you have not seen it?” he said abruptly, after having stared about him for some moments in silence—“you have not then seen it?—but, stay! you shall.” Thus speaking, and having carefully shaded his lamp, he hurried to one of the casements, and threw it freely open to the storm. The impetuous fury of the entering gust nearly lifted us from our feet. It was, indeed, a tempestuous yet sternly beautiful night, and one wildly singular in its terror and its beauty. A whirlwind had apparently collected its force in our vicinity; for there were frequent and violent alterations in the direction of the wind; and the exceeding density of the clouds (which hung so low as to press upon the turrets of the house) did not prevent our perceiving the lifelike velocity with which they flew careering from all points against each other, without passing away into the distance. I say that even their exceeding density did not prevent our perceiving this—yet we had no glimpse of the moon or stars—nor was there any flashing forth of the lightning. But the under surfaces of the huge masses of agitated vapour, as well as all terrestrial objects immediately around us, were glowing in the unnatural light of a faintly luminous and distinctly visible gaseous exhalation which hung about and enshrouded the mansion. “You must not—you shall not behold this!” said I, shudderingly, to Usher, as I led him, with a gentle violence, from the window to a seat. “These appearances, which bewilder you, are merely electrical phenomena not uncommon—or it may be that they have their ghastly origin in the rank miasma of the tarn. Let us close this casement;—the air is chilling and dangerous to your frame. Here is one of your favourite romances. I will read, and you shall listen;—and so we will pass away this terrible night together.” The antique volume which I had taken up was the “Mad Trist” of Sir Launcelot Canning; but I had called it a favourite of Usher's more in sad jest than in earnest; for, in truth, there is little in its uncouth and unimaginative prolixity which could have had interest for the lofty and spiritual ideality of my friend. It was, however, the only book immediately at hand; and I indulged a vague hope that the excitement which now agitated the hypochondriac, might find relief (for the history of mental disorder is full of similar anomalies) even in the extremeness of the folly which I should read. Could I have judged, indeed, by the wild over-strained air of vivacity with which he hearkened, or apparently hearkened, to the words of the tale, I might well have congratulated myself upon the success of my design. I had arrived at that well-known portion of the story where Ethelred, the hero of the Trist, having sought in vain for peaceable admission into the dwelling of the hermit, proceeds to make good an entrance by force. Here, it will be remembered, the words of the narrative run thus: “And Ethelred, who was by nature of a doughty heart, and who was now mighty withal, on account of the powerfulness of the wine which he had drunken, waited no longer to hold parley with the hermit, who, in sooth, was of an obstinate and maliceful turn, but, feeling the rain upon his shoulders, and fearing the rising of the tempest, uplifted his mace outright, and, with blows, made quickly room in the plankings of the door for his gauntleted hand; and now pulling there-with sturdily, he so cracked, and ripped, and tore all asunder, that the noise of the dry and hollowsounding wood alarumed and reverberated throughout the forest. At the termination of this sentence I started, and for a moment, paused; for it appeared to me (although I at once concluded that my excited fancy had deceived me)—it appeared to me that, from some very remote portion of the mansion, there came, indistinctly, to my ears, what might have been, in its exact similarity of character, the echo (but a stifled and dull one certainly) of the very cracking and ripping sound which Sir Launcelot had so particularly described. It 57 was, beyond doubt, the coincidence alone which had arrested my attention; for, amid the rattling of the sashes of the casements, and the ordinary commingled noises of the still increasing storm, the sound, in itself, had nothing, surely, which should have interested or disturbed me. I continued the story: “But the good champion Ethelred, now entering within the door, was sore enraged and amazed to perceive no signal of the maliceful hermit; but, in the stead thereof, a dragon of a scaly and prodigious demeanour, and of a fiery tongue, which sate in guard before a palace of gold, with a floor of silver; and upon the wall there hung a shield of shining brass with this legend enwritten— Who entereth herein, a conqueror hath bin; Who slayeth the dragon, the shield he shall win; And Ethelred uplifted his mace, and struck upon the head of the dragon, which fell before him, and gave up his pesty breath, with a shriek so horrid and harsh, and withal so piercing, that Ethelred had fain to close his ears with his hands against the dreadful noise of it, the like whereof was never before heard.” Here again I paused abruptly, and now with a feeling of wild amazement—for there could be no doubt whatever that, in this instance, I did actually hear (although from what direction it proceeded I found it impossible to say) a low and apparently distant, but harsh, protracted, and most unusual screaming or grating sound—the exact counterpart of what my fancy had already conjured up for the dragon's unnatural shriek as described by the romancer. Oppressed, as I certainly was, upon the occurrence of the second and most extraordinary coincidence, by a thousand conflicting sensations, in which wonder and extreme terror were predominant, I still retained sufficient presence of mind to avoid exciting, by any observation, the sensitive nervousness of my companion. I was by no means certain that he had noticed the sounds in question; although, assuredly, a strange alteration had, during the last few minutes, taken place in his demeanour. From a position fronting my own, he had gradually brought round his chair, so as to sit with his face to the door of the chamber; and thus I could but partially perceive his features, although I saw that his lips trembled as if he were murmuring inaudibly. His head had dropped upon his breast—yet I knew that he was not asleep, from the wide and rigid opening of the eye as I caught a glance of it in profile. The motion of his body, too, was at variance with this idea—for he rocked from side to side with a gentle yet constant and uniform sway. Having rapidly taken notice of all this, I resumed the narrative of Sir Launcelot, which thus proceeded: “And now, the champion, having escaped from the terrible fury of the dragon, bethinking himself of the brazen shield, and of the breaking up of the enchantment which was upon it, removed the carcass from out of the way before him, and approached valorously over the silver pavement of the castle to where the shield was upon the wall; which in sooth tarried not for his full coming, but fell down at his feet upon the silver floor, with a mighty great and terrible ringing sound.” No sooner had these syllables passed my lips, than— as if a shield of brass had indeed, at the moment, fallen heavily upon a floor of silver became aware of a distinct, hollow, metallic, and clangorous, yet apparently muffled reverberation. Completely unnerved, I leaped to my feet; but the measured rocking movement of Usher was undisturbed. I rushed to the chair in which he sat. His eyes were bent fixedly before him, and throughout his whole countenance there reigned a stony rigidity. But, as I placed my hand upon his shoulder, there came a strong shudder over his whole person; a sickly smile quivered about his lips; and I saw that he spoke in a low, hurried, and gibbering murmur, as if unconscious of my presence. Bending closely over him, I at length drank in the hideous import of his words. “Not hear it?—yes, I hear it, and have heard it. Long—long—long—many minutes, many hours, many days, have I heard it—yet I dared not—oh, pity me, miserable wretch that I am!—I dared not—I dared not speak! We have put her living in the tomb! Said I not that my senses were acute? I now tell you that I heard her first feeble movements in the hollow coffin. I heard them—many, many days ago—yet I dared not—I dared not speak! And now—to-night— Ethelred—ha! ha!—the breaking of the hermit's door, and the death-cry of the dragon, and the clangour of the shield!—say, rather, the rending of her coffin, and the grating of the iron hinges of her prison, and her struggles within the coppered archway of the vault! Oh whither shall I fly? Will she not be here anon? Is she not hurrying to upbraid me for my haste? Have I not heard her footstep on the stair? Do I not distinguish that heavy and horrible beating of her heart? Madman!” here he sprang furiously to his feet, and shrieked out his syllables, as if in the effort he were giving up his soul—“Madman! I tell you that she now stands without the door!” 58 As if in the superhuman energy of his utterance there had been found the potency of a spell—the huge antique panels to which the speaker pointed, threw slowly back, upon the instant, ponderous and ebony jaws. It was the work of the rushing gust—but then without those doors there did stand the lofty and enshrouded figure of the lady Madeline of Usher. There was blood upon her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame. For a moment she remained trembling and reeling to and fro upon the threshold, then, with a low moaning cry, fell heavily inward upon the person of her brother, and in her violent and now final death-agonies, bore him to the floor a corpse, and a victim to the terrors he had anticipated. From that chamber, and from that mansion, I fled aghast. The storm was still abroad in all its wrath as I found myself crossing the old causeway. Suddenly there shot along the path a wild light, and I turned to see whence a gleam so unusual could we have issued; for the vast house and its shadows were alone behind me. The radiance was that of the full, setting, and blood-red moon which now shone vividly through that once barely-discernible fissure of which I have before spoken as extending from the roof of the building, in a zigzag direction, to the base. While I gazed, this fissure rapidly widened—there came a fierce breath of the whirlwind—the entire orb of the satellite burst at once upon my sight—my brain reeled as I saw the mighty walls rushing asunder— there was a long tumultuous shouting sound like the voice of a thousand waters—and the deep and dank tarn at my feet closed sullenly and silently over the fragments of the “HOUSE OF USHER _______________________________________ A Very Old Man With Enormous Wings: A Tale For Children Gabriel Garcia Marquez On the third day of rain they had killed so many crabs inside the house that Pelayo had to cross his drenched courtyard and throw them into the sea, because the newborn child had a temperature all night and they thought it was due to the stench. The world had been sad since Tuesday. Sea and sky were a single ash-gray thing and the sands of the beach, which on March nights glimmered like powdered light, had become a stew of mud and rotten shellfish. The light was so weak at noon that when Pelayo was coming back to the house after throwing away the crabs, it was hard for him to see what it was that was moving and groaning in the rear of the courtyard. He had to go very close to see that it was an old man, a very old man, lying face down in the mud, who, in spite of his tremendous efforts, couldn't get up, impeded by his enormous wings. Frightened by that nightmare, Pelayo ran to get Elisenda, his wife, who was putting compresses on the sick child, and he took her to the rear of the courtyard. They both looked at the fallen body with a mute stupor. He was dressed like a ragpicker. There were only a few faded hairs left on his bald skull and very few teeth in his mouth, and his pitiful condition of a drenched great-grandfather took away and sense of grandeur he might have had. His huge buzzard wings, dirty and half-plucked were forever entangled in the mud. They looked at him so long and so closely that Pelayo and Elisenda very soon overcame their surprise and in the end found him familiar. Then they dared speak to him, and he answered in an incomprehensible dialect with a strong sailor's voice. That was how they skipped over the inconvenience of the wings and quite intelligently concluded that he was a lonely castaway from some foreign ship wrecked by the storm. And yet, they called in a neighbor woman who knew everything about life and death to see him, and all she needed was one look to show them their mistake. "He's an angel," she told them. "He must have been coming for the child, but the poor fellow is so old that the rain knocked him down." On the following day everyone knew that a flesh-and-blood angel was held captive in Pelayo's house. Against the judgment of the wise neighbor woman, for whom angels in those times were the fugitive survivors of a spiritual conspiracy, they did not have the heart to club him to death. Pelayo watched over him all afternoon from the kitchen, armed with his bailiff's club, and before going to bed he dragged him out of the mud and locked him up with the hens in the wire chicken coop. In the middle of the night, when the rain stopped, Pelayo and Elisenda were still killing crabs. A short time afterward the child woke up without a fever and with a desire to eat. Then they felt magnanimous and decided to put the angel on a raft with fresh water and provisions for three days and leave him to his fate on the high seas. But when they went out into the courtyard with the first light of dawn, they found the whole neighborhood in front of the chicken coop having fun with the angel, without the slightest reverence, tossing him things to eat through the openings in the wire as if weren't a supernatural creature but a circus animal. Father Gonzaga arrived before seven o'clock, alarmed at the strange news. By that time onlookers less frivolous than those at dawn had already arrived 59 and they were making all kinds of conjectures concerning the captive's future. The simplest among them thought that he should be named mayor of the world. Others of sterner mind felt that he should be promoted to the rank of five-star general in order to win all wars. Some visionaries hoped that he could be put to stud in order to implant the earth a race of winged wise men who could take charge of the universe. But Father Gonzaga, before becoming a priest, had been a robust woodcutter. Standing by the wire, he reviewed his catechism in an instant and asked them to open the door so that he could take a close look at that pitiful man who looked more like a huge decrepit hen among the fascinated chickens. He was lying in the corner drying his open wings in the sunlight among the fruit peels and breakfast leftovers that the early risers had thrown him. Alien to the impertinences of the world, he only lifted his antiquarian eyes and murmured something in his dialect when Father Gonzaga went into the chicken coop and said good morning to him in Latin. The parish priest had his first suspicion of an imposter when he saw that he did not understand the language of God or know how to greet His ministers. Then he noticed that seen close up he was much too human: he had an unbearable smell of the outdoors, the back side of his wings was strewn with parasites and his main feathers had been mistreated by terrestrial winds, and nothing about him measured up to the proud dignity of angels. The he came out of the chicken coop and in a brief sermon warned the curious against the risks of being ingenuous. He reminded them that the devil had the bad habit of making use of carnival tricks in order to confuse the unwary. He argued that if wings were not the essential element in determining the different between a hawk and an airplane, they were even less so in the recognition of angels. Nevertheless, he promised to write a letter to his bishop so that the latter would write his primate so that the latter would write to the Supreme Pontiff in order to get the final verdict from the highest courts. His prudence fell on sterile hearts. The news of the captive angel spread with such rapidity that after a few hours the courtyard had the bustle of a marketplace and they had to call in troops with fixed bayonets to disperse the mob that was about to knock the house down. Elisenda, her spine all twisted from sweeping up so much marketplace trash, then got the idea of fencing in the yard and charging five cents admission to see the angel. The curious came from far away. A traveling carnival arrived with a flying acrobat who buzzed over the crowd several times, but no one paid any attention to him because his wings were not those of an angel but, rather, those of a sidereal bat. The most unfortunate invalids on earth came in search of health: a poor woman who since childhood has been counting her heartbeats and had run out of numbers; a Portuguese man who couldn't sleep because the noise of the stars disturbed him; a sleepwalker who got up at night to undo the things he had done while awake; and many others with less serious ailments. In the midst of that shipwreck disorder that made the earth tremble, Pelayo and Elisenda were happy with fatigue, for in less than a week they had crammed their rooms with money and the line of pilgrims waiting their turn to enter still reached beyond the horizon. The angel was the only one who took no part in his own act. He spent his time trying to get comfortable in his borrowed nest, befuddled by the hellish heat of the oil lamps and sacramental candles that had been placed along the wire. At first they tried to make him eat some mothballs, which, according to the wisdom of the wise neighbor woman, were the food prescribed for angels. But he turned them down, just as he turned down the papal lunches that the pentinents brought him, and they never found out whether it was because he was an angel or because he was an old man that in the end ate nothing but eggplant mush. His only supernatural virtue seemed to be patience. Especially during the first days, when the hens pecked at him, searching for the stellar parasites that proliferated in his wings, and the cripples pulled out feathers to touch their defective parts with, and even the most merciful threw stones at him, trying to get him to rise so they could see him standing. The only time they succeeded in arousing him was when they burned his side with an iron for branding steers, for he had been motionless for so many hours that they thought he was dead. He awoke with a start, ranting in his hermetic language and with tears in his eyes, and he flapped his wings a couple of times, which brought on a whirlwind of chicken dung and lunar dust and a gale of panic that did not seem to be of this world. Although many thought that his reaction had not been one of rage but of pain, from then on they were careful not to annoy him, because the majority understood that his passivity was not that of a her taking his ease but that of a cataclysm in repose. Father Gonzaga held back the crowd's frivolity with formulas of maidservant inspiration while awaiting the arrival of a final judgment on the nature of the captive. But the mail from Rome showed no sense of urgency. They spent their time finding out in the prisoner had a navel, if his dialect had any 60 connection with Aramaic, how many times he could fit on the head of a pin, or whether he wasn't just a Norwegian with wings. Those meager letters might have come and gone until the end of time if a providential event had not put and end to the priest's tribulations. It so happened that during those days, among so many other carnival attractions, there arrived in the town the traveling show of the woman who had been changed into a spider for having disobeyed her parents. The admission to see her was not only less than the admission to see the angel, but people were permitted to ask her all manner of questions about her absurd state and to examine her up and down so that no one would ever doubt the truth of her horror. She was a frightful tarantula the size of a ram and with the head of a sad maiden. What was most heartrending, however, was not her outlandish shape but the sincere affliction with which she recounted the details of her misfortune. While still practically a child she had sneaked out of her parents' house to go to a dance, and while she was coming back through the woods after having danced all night without permission, a fearful thunderclap rent the sky in tow and through the crack came the lightning bolt of brimstone that changed her into a spider. Her only nourishment came from the meatballs that charitable souls chose to toss into her mouth. A spectacle like that, full of so much human truth and with such a fearful lesson, was bound to defeat without even trying that of a haughty angel who scarcely deigned to look at mortals. Besides, the few miracles attributed to the angel showed a certain mental disorder, like the blind man who didn't recover his sight but grew three new teeth, or the paralytic who didn't get to walk but almost won the lottery, and the leper whose sores sprouted sunflowers. Those consolation miracles, which were more like mocking fun, had already ruined the angel's reputation when the woman who had been changed into a spider finally crushed him completely. That was how Father Gonzaga was cured forever of his insomnia and Pelayo's courtyard went back to being as empty as during the time it had rained for three days and crabs walked through the bedrooms. The owners of the house had no reason to lament. With the money they saved they built a twostory mansion with balconies and gardens and high netting so that crabs wouldn't get in during the winter, and with iron bars on the windows so that angels wouldn't get in. Pelayo also set up a rabbit warren close to town and have up his job as a bailiff for good, and Elisenda bought some satin pumps with high heels and many dresses of iridescent silk, the kind worn on Sunday by the most desirable women in those times. The chicken coop was the only thing that didn't receive any attention. If they washed it down with creolin and burned tears of myrrh inside it every so often, it was not in homage to the angel but to drive away the dungheap stench that still hung everywhere like a ghost and was turning the new house into an old one. At first, when the child learned to walk, they were careful that he not get too close to the chicken coop. But then they began to lose their fears and got used to the smell, and before they child got his second teeth he'd gone inside the chicken coop to play, where the wires were falling apart. The angel was no less standoffish with him than with the other mortals, but he tolerated the most ingenious infamies with the patience of a dog who had no illusions. They both came down with the chicken pox at the same time. The doctor who took care of the child couldn't resist the temptation to listen to the angel's heart, and he found so much whistling in the heart and so many sounds in his kidneys that it seemed impossible for him to be alive. What surprised him most, however, was the logic of his wings. They seemed so natural on that completely human organism that he couldn't understand why other men didn't have them too. When the child began school it had been some time since the sun and rain had caused the collapse of the chicken coop. The angel went dragging himself about here and there like a stray dying man. They would drive him out of the bedroom with a broom and a moment later find him in the kitchen. He seemed to be in so many places at the same time that they grew to think that he'd be duplicated, that he was reproducing himself all through the house, and the exasperated and unhinged Elisenda shouted that it was awful living in that hell full of angels. He could scarcely eat and his antiquarian eyes had also become so foggy that he went about bumping into posts. All he had left were the bare cannulae of his last feathers. Pelayo threw a blanket over him and extended him the charity of letting him sleep in the shed, and only then did they notice that he had a temperature at night, and was delirious with the tongue twisters of an old Norwegian. That was one of the few times they became alarmed, for they thought he was going to die and not even the wise neighbor woman had been able to tell them what to do with dead angels. And yet he not only survived his worst winter, but seemed improved with the first sunny days. He remained motionless for several days in the farthest corner of the courtyard, where no one would see him, and at the beginning of December some large, stiff feathers began to grow on his wings, the feathers of a 61 scarecrow, which looked more like another misfortune of decreptitude. But he must have known the reason for those changes, for he was quite careful that no one should notice them, that no one should hear the sea chanteys that he sometimes sang under the stars. One morning Elisenda was cutting some bunches of onions for lunch when a wind that seemed to come from the high seas blew into the kitchen. Then she went to the window and caught the angel in his first attempts at flight. They were so clumsy that his fingernails opened a furrow in the vegetable patch and he was on the point of knocking the shed down with the ungainly flapping that slipped on the light and couldn't get a grip on the air. But he did manage to gain altitude. Elisenda let out a sigh of relief, for herself and for him, when she watched him pass over the last houses, holding himself up in some way with the risky flapping of a senile vulture. She kept watching him even when she was through cutting the onions and she kept on watching until it was no longer possible for her to see him, because then he was no longer an annoyance in her life but an imaginary dot on the horizon of the sea. "We should make it in a few days. I hope the jaguar guns have come from Purdey's. We should have some good hunting up the Amazon. Great sport, hunting." "The best sport in the world," agreed Rainsford. "For the hunter," amended Whitney. "Not for the jaguar." "Don't talk rot, Whitney," said Rainsford. "You're a big-game hunter, not a philosopher. Who cares how a jaguar feels?" "Perhaps the jaguar does," observed Whitney. "Bah! They've no understanding." "Even so, I rather think they understand one thing-fear. The fear of pain and the fear of death." _______________________________________ "Nonsense," laughed Rainsford. "This hot weather is making you soft, Whitney. Be a realist. The world is made up of two classes--the hunters and the huntees. Luckily, you and I are hunters. Do you think we've passed that island yet?" The Most Dangerous Game "I can't tell in the dark. I hope so." Richard Connell "OFF THERE to the right--somewhere--is a large island," said Whitney." It's rather a mystery--" "Why? " asked Rainsford. "The place has a reputation--a bad one." "What island is it?" Rainsford asked. "Cannibals?" suggested Rainsford. "The old charts call it `Ship-Trap Island,"' Whitney replied." A suggestive name, isn't it? Sailors have a curious dread of the place. I don't know why. Some superstition--" "Hardly. Even cannibals wouldn't live in such a Godforsaken place. But it's gotten into sailor lore, somehow. Didn't you notice that the crew's nerves seemed a bit jumpy today?" "Can't see it," remarked Rainsford, trying to peer through the dank tropical night that was palpable as it pressed its thick warm blackness in upon the yacht. "They were a bit strange, now you mention it. Even Captain Nielsen--" "You've good eyes," said Whitney, with a laugh," and I've seen you pick off a moose moving in the brown fall bush at four hundred yards, but even you can't see four miles or so through a moonless Caribbean night." "Nor four yards," admitted Rainsford. "Ugh! It's like moist black velvet." "It will be light enough in Rio," promised Whitney. "Yes, even that tough-minded old Swede, who'd go up to the devil himself and ask him for a light. Those fishy blue eyes held a look I never saw there before. All I could get out of him was `This place has an evil name among seafaring men, sir.' Then he said to me, very gravely, `Don't you feel anything?'--as if the air about us was actually poisonous. Now, you mustn't laugh when I tell you this--I did feel something like a sudden chill. "There was no breeze. The sea was as flat as a plateglass window. We were drawing near the island then. What I felt was a--a mental chill; a sort of sudden dread." 62 "Pure imagination," said Rainsford. "One superstitious sailor can taint the whole ship's company with his fear." "Maybe. But sometimes I think sailors have an extra sense that tells them when they are in danger. Sometimes I think evil is a tangible thing--with wave lengths, just as sound and light have. An evil place can, so to speak, broadcast vibrations of evil. Anyhow, I'm glad we're getting out of this zone. Well, I think I'll turn in now, Rainsford." "I'm not sleepy," said Rainsford. "I'm going to smoke another pipe up on the afterdeck." but he stopped before he had swum fifty feet. A certain coolheadedness had come to him; it was not the first time he had been in a tight place. There was a chance that his cries could be heard by someone aboard the yacht, but that chance was slender and grew more slender as the yacht raced on. He wrestled himself out of his clothes and shouted with all his power. The lights of the yacht became faint and evervanishing fireflies; then they were blotted out entirely by the night. Rainsford remembered the shots. They had come from the right, and doggedly he swam in that direction, swimming with slow, deliberate strokes, conserving his strength. For a seemingly endless time he fought the sea. He began to count his strokes; he could do possibly a hundred more and then— "Good night, then, Rainsford. See you at breakfast." "Right. Good night, Whitney." Rainsford heard a sound. It came out of the darkness, a high screaming sound, the sound of an animal in an extremity of anguish and terror. There was no sound in the night as Rainsford sat there but the muffled throb of the engine that drove the yacht swiftly through the darkness, and the swish and ripple of the wash of the propeller. He did not recognize the animal that made the sound; he did not try to; with fresh vitality he swam toward the sound. He heard it again; then it was cut short by another noise, crisp, staccato. Rainsford, reclining in a steamer chair, indolently puffed on his favorite brier. The sensuous drowsiness of the night was on him." It's so dark," he thought, "that I could sleep without closing my eyes; the night would be my eyelids--" "Pistol shot," muttered Rainsford, swimming on. Ten minutes of determined effort brought another sound to his ears--the most welcome he had ever heard--the muttering and growling of the sea breaking on a rocky shore. He was almost on the rocks before he saw them; on a night less calm he would have been shattered against them. With his remaining strength he dragged himself from the swirling waters. Jagged crags appeared to jut up into the opaqueness; he forced himself upward, hand over hand. Gasping, his hands raw, he reached a flat place at the top. Dense jungle came down to the very edge of the cliffs. What perils that tangle of trees and underbrush might hold for him did not concern Rainsford just then. All he knew was that he was safe from his enemy, the sea, and that utter weariness was on him. He flung himself down at the jungle edge and tumbled headlong into the deepest sleep of his life. When he opened his eyes he knew from the position of the sun that it was late in the afternoon. Sleep had given him new vigor; a sharp hunger was picking at him. He looked about him, almost cheerfully. An abrupt sound startled him. Off to the right he heard it, and his ears, expert in such matters, could not be mistaken. Again he heard the sound, and again. Somewhere, off in the blackness, someone had fired a gun three times. Rainsford sprang up and moved quickly to the rail, mystified. He strained his eyes in the direction from which the reports had come, but it was like trying to see through a blanket. He leaped upon the rail and balanced himself there, to get greater elevation; his pipe, striking a rope, was knocked from his mouth. He lunged for it; a short, hoarse cry came from his lips as he realized he had reached too far and had lost his balance. The cry was pinched off short as the blood-warm waters of the Caribbean Sea dosed over his head. He struggled up to the surface and tried to cry out, but the wash from the speeding yacht slapped him in the face and the salt water in his open mouth made him gag and strangle. Desperately he struck out with strong strokes after the receding lights of the yacht, "Where there are pistol shots, there are men. Where there are men, there is food," he thought. But what kind of men, he wondered, in so forbidding a place? An unbroken front of snarled and ragged jungle fringed the shore. 63 He saw no sign of a trail through the closely knit web of weeds and trees; it was easier to go along the shore, and Rainsford floundered along by the water. Not far from where he landed, he stopped. hand the man held a long-barreled revolver, and he was pointing it straight at Rainsford's heart. Out of the snarl of beard two small eyes regarded Rainsford. Some wounded thing--by the evidence, a large animal--had thrashed about in the underbrush; the jungle weeds were crushed down and the moss was lacerated; one patch of weeds was stained crimson. A small, glittering object not far away caught Rainsford's eye and he picked it up. It was an empty cartridge. "Don't be alarmed," said Rainsford, with a smile which he hoped was disarming. "I'm no robber. I fell off a yacht. My name is Sanger Rainsford of New York City." "A twenty-two," he remarked. "That's odd. It must have been a fairly large animal too. The hunter had his nerve with him to tackle it with a light gun. It's clear that the brute put up a fight. I suppose the first three shots I heard was when the hunter flushed his quarry and wounded it. The last shot was when he trailed it here and finished it." He examined the ground closely and found what he had hoped to find--the print of hunting boots. They pointed along the cliff in the direction he had been going. Eagerly he hurried along, now slipping on a rotten log or a loose stone, but making headway; night was beginning to settle down on the island. Bleak darkness was blacking out the sea and jungle when Rainsford sighted the lights. He came upon them as he turned a crook in the coast line; and his first thought was that be had come upon a village, for there were many lights. But as he forged along he saw to his great astonishment that all the lights were in one enormous building--a lofty structure with pointed towers plunging upward into the gloom. His eyes made out the shadowy outlines of a palatial chateau; it was set on a high bluff, and on three sides of it cliffs dived down to where the sea licked greedy lips in the shadows. "Mirage," thought Rainsford. But it was no mirage, he found, when he opened the tall spiked iron gate. The stone steps were real enough; the massive door with a leering gargoyle for a knocker was real enough; yet above it all hung an air of unreality. He lifted the knocker, and it creaked up stiffly, as if it had never before been used. He let it fall, and it startled him with its booming loudness. He thought he heard steps within; the door remained closed. Again Rainsford lifted the heavy knocker, and let it fall. The door opened then--opened as suddenly as if it were on a spring--and Rainsford stood blinking in the river of glaring gold light that poured out. The first thing Rainsford's eyes discerned was the largest man Rainsford had ever seen--a gigantic creature, solidly made and black bearded to the waist. In his The menacing look in the eyes did not change. The revolver pointing as rigidly as if the giant were a statue. He gave no sign that he understood Rainsford's words, or that he had even heard them. He was dressed in uniform--a black uniform trimmed with gray astrakhan. "I'm Sanger Rainsford of New York," Rainsford began again. "I fell off a yacht. I am hungry." The man's only answer was to raise with his thumb the hammer of his revolver. Then Rainsford saw the man's free hand go to his forehead in a military salute, and he saw him click his heels together and stand at attention. Another man was coming down the broad marble steps, an erect, slender man in evening clothes. He advanced to Rainsford and held out his hand. In a cultivated voice marked by a slight accent that gave it added precision and deliberateness, he said, "It is a very great pleasure and honor to welcome Mr. Sanger Rainsford, the celebrated hunter, to my home." Automatically Rainsford shook the man's hand. "I've read your book about hunting snow leopards in Tibet, you see," explained the man. "I am General Zaroff." Rainsford's first impression was that the man was singularly handsome; his second was that there was an original, almost bizarre quality about the general's face. He was a tall man past middle age, for his hair was a vivid white; but his thick eyebrows and pointed military mustache were as black as the night from which Rainsford had come. His eyes, too, were black and very bright. He had high cheekbones, a sharpcut nose, a spare, dark face--the face of a man used to giving orders, the face of an aristocrat. Turning to the giant in uniform, the general made a sign. The giant put away his pistol, saluted, withdrew. "Ivan is an incredibly strong fellow," remarked the general, "but he has the misfortune to be deaf and dumb. A simple fellow, but, I'm afraid, like all his race, a bit of a savage." 64 "Is he Russian?" "He is a Cossack," said the general, and his smile showed red lips and pointed teeth. "So am I." "Come," he said, "we shouldn't be chatting here. We can talk later. Now you want clothes, food, rest. You shall have them. This is a most-restful spot." Ivan had reappeared, and the general spoke to him with lips that moved but gave forth no sound. "Follow Ivan, if you please, Mr. Rainsford," said the general. "I was about to have my dinner when you came. I'll wait for you. You'll find that my clothes will fit you, I think." "Perhaps," said General Zaroff, "you were surprised that I recognized your name. You see, I read all books on hunting published in English, French, and Russian. I have but one passion in my life, Mr. Rainsford, and it is the hunt." "You have some wonderful heads here," said Rainsford as he ate a particularly well-cooked filet mignon. " That Cape buffalo is the largest I ever saw." "Oh, that fellow. Yes, he was a monster." "Did he charge you?" "Hurled me against a tree," said the general. "Fractured my skull. But I got the brute." It was to a huge, beam-ceilinged bedroom with a canopied bed big enough for six men that Rainsford followed the silent giant. Ivan laid out an evening suit, and Rainsford, as he put it on, noticed that it came from a London tailor who ordinarily cut and sewed for none below the rank of duke. The dining room to which Ivan conducted him was in many ways remarkable. There was a medieval magnificence about it; it suggested a baronial hall of feudal times with its oaken panels, its high ceiling, its vast refectory tables where twoscore men could sit down to eat. About the hall were mounted heads of many animals--lions, tigers, elephants, moose, bears; larger or more perfect specimens Rainsford had never seen. At the great table the general was sitting, alone. "You'll have a cocktail, Mr. Rainsford," he suggested. The cocktail was surpassingly good; and, Rainsford noted, the table apointments were of the finest--the linen, the crystal, the silver, the china. They were eating borsch, the rich, red soup with whipped cream so dear to Russian palates. Half apologetically General Zaroff said, "We do our best to preserve the amenities of civilization here. Please forgive any lapses. We are well off the beaten track, you know. Do you think the champagne has suffered from its long ocean trip?" "Not in the least," declared Rainsford. He was finding the general a most thoughtful and affable host, a true cosmopolite. But there was one small trait of .the general's that made Rainsford uncomfortable. Whenever he looked up from his plate he found the general studying him, appraising him narrowly. "I've always thought," said Rainsford, "that the Cape buffalo is the most dangerous of all big game." For a moment the general did not reply; he was smiling his curious red-lipped smile. Then he said slowly, "No. You are wrong, sir. The Cape buffalo is not the most dangerous big game." He sipped his wine. "Here in my preserve on this island," he said in the same slow tone, "I hunt more dangerous game." Rainsford expressed his surprise. "Is there big game on this island?" The general nodded. "The biggest." "Really?" "Oh, it isn't here naturally, of course. I have to stock the island." "What have you imported, general?" Rainsford asked. "Tigers?" The general smiled. "No," he said. "Hunting tigers ceased to interest me some years ago. I exhausted their possibilities, you see. No thrill left in tigers, no real danger. I live for danger, Mr. Rainsford." The general took from his pocket a gold cigarette case and offered his guest a long black cigarette with a silver tip; it was perfumed and gave off a smell like incense. "We will have some capital hunting, you and I," said the general. "I shall be most glad to have your society." "But what game--" began Rainsford. 65 "I'll tell you," said the general. "You will be amused, I know. I think I may say, in all modesty, that I have done a rare thing. I have invented a new sensation. May I pour you another glass of port?" "Thank you, general." The general filled both glasses, and said, "God makes some men poets. Some He makes kings, some beggars. Me He made a hunter. My hand was made for the trigger, my father said. He was a very rich man with a quarter of a million acres in the Crimea, and he was an ardent sportsman. When I was only five years old he gave me a little gun, specially made in Moscow for me, to shoot sparrows with. When I shot some of his prize turkeys with it, he did not punish me; he complimented me on my marksmanship. I killed my first bear in the Caucasus when I was ten. My whole life has been one prolonged hunt. I went into the army--it was expected of noblemen's sons--and for a time commanded a division of Cossack cavalry, but my real interest was always the hunt. I have hunted every kind of game in every land. It would be impossible for me to tell you how many animals I have killed." "No doubt, General Zaroff." "So," continued the general, "I asked myself why the hunt no longer fascinated me. You are much younger than I am, Mr. Rainsford, and have not hunted as much, but you perhaps can guess the answer." "What was it?" "Simply this: hunting had ceased to be what you call `a sporting proposition.' It had become too easy. I always got my quarry. Always. There is no greater bore than perfection." The general lit a fresh cigarette. "No animal had a chance with me any more. That is no boast; it is a mathematical certainty. The animal had nothing but his legs and his instinct. Instinct is no match for reason. When I thought of this it was a tragic moment for me, I can tell you." Rainsford leaned across the table, absorbed in what his host was saying. "It came to me as an inspiration what I must do," the general went on. The general puffed at his cigarette. "And that was?" "After the debacle in Russia I left the country, for it was imprudent for an officer of the Czar to stay there. Many noble Russians lost everything. I, luckily, had invested heavily in American securities, so I shall never have to open a tearoom in Monte Carlo or drive a taxi in Paris. Naturally, I continued to hunt-grizzliest in your Rockies, crocodiles in the Ganges, rhinoceroses in East Africa. It was in Africa that the Cape buffalo hit me and laid me up for six months. As soon as I recovered I started for the Amazon to hunt jaguars, for I had heard they were unusually cunning. They weren't." The Cossack sighed. "They were no match at all for a hunter with his wits about him, and a high-powered rifle. I was bitterly disappointed. I was lying in my tent with a splitting headache one night when a terrible thought pushed its way into my mind. Hunting was beginning to bore me! And hunting, remember, had been my life. I have heard that in America businessmen often go to pieces when they give up the business that has been their life." "Yes, that's so," said Rainsford. The general smiled. "I had no wish to go to pieces," he said. "I must do something. Now, mine is an analytical mind, Mr. Rainsford. Doubtless that is why I enjoy the problems of the chase." The general smiled the quiet smile of one who has faced an obstacle and surmounted it with success. "I had to invent a new animal to hunt," he said. "A new animal? You're joking." "Not at all," said the general. "I never joke about hunting. I needed a new animal. I found one. So I bought this island built this house, and here I do my hunting. The island is perfect for my purposes--there are jungles with a maze of traits in them, hills, swamps--" "But the animal, General Zaroff?" "Oh," said the general, "it supplies me with the most exciting hunting in the world. No other hunting compares with it for an instant. Every day I hunt, and I never grow bored now, for I have a quarry with which I can match my wits." Rainsford's bewilderment showed in his face. "I wanted the ideal animal to hunt," explained the general. "So I said, `What are the attributes of an ideal quarry?' And the answer was, of course, `It must have courage, cunning, and, above all, it must be able to reason."' "But no animal can reason," objected Rainsford. 66 "My dear fellow," said the general, "there is one that can." "But you can't mean--" gasped Rainsford. "And why not?" "I can't believe you are serious, General Zaroff. This is a grisly joke." "Why should I not be serious? I am speaking of hunting." "Hunting? Great Guns, General Zaroff, what you speak of is murder." The general laughed with entire good nature. He regarded Rainsford quizzically. "I refuse to believe that so modern and civilized a young man as you seem to be harbors romantic ideas about the value of human life. Surely your experiences in the war--" "Did not make me condone cold-blooded murder," finished Rainsford stiffly. Laughter shook the general. "How extraordinarily droll you are!" he said. "One does not expect nowadays to find a young man of the educated class, even in America, with such a naive, and, if I may say so, mid-Victorian point of view. It's like finding a snuffbox in a limousine. Ah, well, doubtless you had Puritan ancestors. So many Americans appear to have had. I'll wager you'll forget your notions when you go hunting with me. You've a genuine new thrill in store for you, Mr. Rainsford." "Thank you, I'm a hunter, not a murderer." "Dear me," said the general, quite unruffled, "again that unpleasant word. But I think I can show you that your scruples are quite ill founded." "Yes?" "Life is for the strong, to be lived by the strong, and, if needs be, taken by the strong. The weak of the world were put here to give the strong pleasure. I am strong. Why should I not use my gift? If I wish to hunt, why should I not? I hunt the scum of the earth: sailors from tramp ships--lassars, blacks, Chinese, whites, mongrels--a thoroughbred horse or hound is worth more than a score of them." "But they are men," said Rainsford hotly. "Precisely," said the general. "That is why I use them. It gives me pleasure. They can reason, after a fashion. So they are dangerous." "But where do you get them?" The general's left eyelid fluttered down in a wink. "This island is called Ship Trap," he answered. "Sometimes an angry god of the high seas sends them to me. Sometimes, when Providence is not so kind, I help Providence a bit. Come to the window with me." Rainsford went to the window and looked out toward the sea. "Watch! Out there!" exclaimed the general, pointing into the night. Rainsford's eyes saw only blackness, and then, as the general pressed a button, far out to sea Rainsford saw the flash of lights. The general chuckled. "They indicate a channel," he said, "where there's none; giant rocks with razor edges crouch like a sea monster with wide-open jaws. They can crush a ship as easily as I crush this nut." He dropped a walnut on the hardwood floor and brought his heel grinding down on it. "Oh, yes," he said, casually, as if in answer to a question, "I have electricity. We try to be civilized here." "Civilized? And you shoot down men?" A trace of anger was in the general's black eyes, but it was there for but a second; and he said, in his most pleasant manner, "Dear me, what a righteous young man you are! I assure you I do not do the thing you suggest. That would be barbarous. I treat these visitors with every consideration. They get plenty of good food and exercise. They get into splendid physical condition. You shall see for yourself tomorrow." "What do you mean?" "We'll visit my training school," smiled the general. "It's in the cellar. I have about a dozen pupils down there now. They're from the Spanish bark San Lucar that had the bad luck to go on the rocks out there. A very inferior lot, I regret to say. Poor specimens and more accustomed to the deck than to the jungle." He raised his hand, and Ivan, who served as waiter, brought thick Turkish coffee. Rainsford, with an effort, held his tongue in check. "It's a game, you see," pursued the general blandly. "I suggest to one of them that we go hunting. I give him a supply of food and an excellent hunting knife. I give him three hours' start. I am to follow, armed only with a pistol of the smallest caliber and range. If my quarry eludes me for three whole days, he wins 67 the game. If I find him "--the general smiled--" he loses." "Suppose he refuses to be hunted?" "Oh," said the general, "I give him his option, of course. He need not play that game if he doesn't wish to. If he does not wish to hunt, I turn him over to Ivan. Ivan once had the honor of serving as official knouter to the Great White Czar, and he has his own ideas of sport. Invariably, Mr. Rainsford, invariably they choose the hunt." "And if they win?" The smile on the general's face widened. "To date I have not lost," he said. Then he added, hastily: "I don't wish you to think me a braggart, Mr. Rainsford. Many of them afford only the most elementary sort of problem. Occasionally I strike a tartar. One almost did win. I eventually had to use the dogs." "The dogs?" The bed was good, and the pajamas of the softest silk, and he was tired in every fiber of his being, but nevertheless Rainsford could not quiet his brain with the opiate of sleep. He lay, eyes wide open. Once he thought he heard stealthy steps in the corridor outside his room. He sought to throw open the door; it would not open. He went to the window and looked out. His room was high up in one of the towers. The lights of the chateau were out now, and it was dark and silent; but there was a fragment of sallow moon, and by its wan light he could see, dimly, the courtyard. There, weaving in and out in the pattern of shadow, were black, noiseless forms; the hounds heard him at the window and looked up, expectantly, with their green eyes. Rainsford went back to the bed and lay down. By many methods he tried to put himself to sleep. He had achieved a doze when, just as morning began to come, he heard, far off in the jungle, the faint report of a pistol. General Zaroff did not appear until luncheon. He was dressed faultlessly in the tweeds of a country squire. He was solicitous about the state of Rainsford's health. "This way, please. I'll show you." The general steered Rainsford to a window. The lights from the windows sent a flickering illumination that made grotesque patterns on the courtyard below, and Rainsford could see moving about there a dozen or so huge black shapes; as they turned toward him, their eyes glittered greenly. "A rather good lot, I think," observed the general. "They are let out at seven every night. If anyone should try to get into my house--or out of it-something extremely regrettable would occur to him." He hummed a snatch of song from the Folies Bergere. "And now," said the general, "I want to show you my new collection of heads. Will you come with me to the library?" "I hope," said Rainsford, "that you will excuse me tonight, General Zaroff. I'm really not feeling well." "Ah, indeed?" the general inquired solicitously. "Well, I suppose that's only natural, after your long swim. You need a good, restful night's sleep. Tomorrow you'll feel like a new man, I'll wager. Then we'll hunt, eh? I've one rather promising prospect--" Rainsford was hurrying from the room. "Sorry you can't go with me tonight," called the general. "I expect rather fair sport--a big, strong, black. He looks resourceful--Well, good night, Mr. Rainsford; I hope you have a good night's rest." "As for me," sighed the general, "I do not feel so well. I am worried, Mr. Rainsford. Last night I detected traces of my old complaint." To Rainsford's questioning glance the general said, "Ennui. Boredom." Then, taking a second helping of crêpes Suzette, the general explained: "The hunting was not good last night. The fellow lost his head. He made a straight trail that offered no problems at all. That's the trouble with these sailors; they have dull brains to begin with, and they do not know how to get about in the woods. They do excessively stupid and obvious things. It's most annoying. Will you have another glass of Chablis, Mr. Rainsford?" "General," said Rainsford firmly, "I wish to leave this island at once." The general raised his thickets of eyebrows; he seemed hurt. "But, my dear fellow," the general protested, "you've only just come. You've had no hunting--" "I wish to go today," said Rainsford. He saw the dead black eyes of the general on him, studying him. General Zaroff's face suddenly brightened. He filled Rainsford's glass with venerable Chablis from a dusty bottle. 68 "Tonight," said the general, "we will hunt--you and I." Rainsford shook his head. "No, general," he said. "I will not hunt." The general shrugged his shoulders and delicately ate a hothouse grape. "As you wish, my friend," he said. "The choice rests entirely with you. But may I not venture to suggest that you will find my idea of sport more diverting than Ivan's?" He nodded toward the corner to where the giant stood, scowling, his thick arms crossed on his hogshead of chest. that Lazarus followed him. You can imagine my feelings, Mr. Rainsford. I loved Lazarus; he was the finest hound in my pack. Well, I must beg you to excuse me now. I always' take a siesta after lunch. You'll hardly have time for a nap, I fear. You'll want to start, no doubt. I shall not follow till dusk. Hunting at night is so much more exciting than by day, don't you think? Au revoir, Mr. Rainsford, au revoir." General Zaroff, with a deep, courtly bow, strolled from the room. From another door came Ivan. Under one arm he carried khaki hunting clothes, a haversack of food, a leather sheath containing a long-bladed hunting knife; his right hand rested on a cocked revolver thrust in the crimson sash about his waist. "You don't mean--" cried Rainsford. "My dear fellow," said the general, "have I not told you I always mean what I say about hunting? This is really an inspiration. I drink to a foeman worthy of my steel--at last." The general raised his glass, but Rainsford sat staring at him. "You'll find this game worth playing," the general said enthusiastically." Your brain against mine. Your woodcraft against mine. Your strength and stamina against mine. Outdoor chess! And the stake is not without value, eh?" "And if I win--" began Rainsford huskily. "I'll cheerfully acknowledge myself defeat if I do not find you by midnight of the third day," said General Zaroff. "My sloop will place you on the mainland near a town." The general read what Rainsford was thinking. "Oh, you can trust me," said the Cossack. "I will give you my word as a gentleman and a sportsman. Of course you, in turn, must agree to say nothing of your visit here." "I'll agree to nothing of the kind," said Rainsford. "Oh," said the general, "in that case--But why discuss that now? Three days hence we can discuss it over a bottle of Veuve Cliquot, unless--" The general sipped his wine. Then a businesslike air animated him. "Ivan," he said to Rainsford, "will supply you with hunting clothes, food, a knife. I suggest you wear moccasins; they leave a poorer trail. I suggest, too, that you avoid the big swamp in the southeast corner of the island. We call it Death Swamp. There's quicksand there. One foolish fellow tried it. The deplorable part of it was Rainsford had fought his way through the bush for two hours. "I must keep my nerve. I must keep my nerve," he said through tight teeth. He had not been entirely clearheaded when the chateau gates snapped shut behind him. His whole idea at first was to put distance between himself and General Zaroff; and, to this end, he had plunged along, spurred on by the sharp rowers of something very like panic. Now he had got a grip on himself, had stopped, and was taking stock of himself and the situation. He saw that straight flight was futile; inevitably it would bring him face to face with the sea. He was in a picture with a frame of water, and his operations, clearly, must take place within that frame. "I'll give him a trail to follow," muttered Rainsford, and he struck off from the rude path he had been following into the trackless wilderness. He executed a series of intricate loops; he doubled on his trail again and again, recalling all the lore of the fox hunt, and all the dodges of the fox. Night found him legweary, with hands and face lashed by the branches, on a thickly wooded ridge. He knew it would be insane to blunder on through the dark, even if he had the strength. His need for rest was imperative and he thought, "I have played the fox, now I must play the cat of the fable." A big tree with a thick trunk and outspread branches was near by, and, taking care to leave not the slightest mark, he climbed up into the crotch, and, stretching out on one of the broad limbs, after a fashion, rested. Rest brought him new confidence and almost a feeling of security. Even so zealous a hunter as General Zaroff could not trace him there, he told himself; only the devil himself could follow that complicated trail through the jungle after dark. But perhaps the general was a devil-- 69 An apprehensive night crawled slowly by like a wounded snake and sleep did not visit Rainsford, although the silence of a dead world was on the jungle. Toward morning when a dingy gray was varnishing the sky, the cry of some startled bird focused Rainsford's attention in that direction. Something was coming through the bush, coming slowly, carefully, coming by the same winding way Rainsford had come. He flattened himself down on the limb and, through a screen of leaves almost as thick as tapestry, he watched. . . . That which was approaching was a man. It was General Zaroff. He made his way along with his eyes fixed in utmost concentration on the ground before him. He paused, almost beneath the tree, dropped to his knees and studied the ground. Rainsford's impulse was to hurl himself down like a panther, but he saw that the general's right hand held something metallic--a small automatic pistol. The hunter shook his head several times, as if he were puzzled. Then he straightened up and took from his case one of his black cigarettes; its pungent incenselike smoke floated up to Rainsford's nostrils. Rainsford held his breath. The general's eyes had left the ground and were traveling inch by inch up the tree. Rainsford froze there, every muscle tensed for a spring. But the sharp eyes of the hunter stopped before they reached the limb where Rainsford lay; a smile spread over his brown face. Very deliberately he blew a smoke ring into the air; then he turned his back on the tree and walked carelessly away, back along the trail he had come. The swish of the underbrush against his hunting boots grew fainter and fainter. The pent-up air burst hotly from Rainsford's lungs. His first thought made him feel sick and numb. The general could follow a trail through the woods at night; he could follow an extremely difficult trail; he must have uncanny powers; only by the merest chance had the Cossack failed to see his quarry. Rainsford's second thought was even more terrible. It sent a shudder of cold horror through his whole being. Why had the general smiled? Why had he turned back? Rainsford did not want to believe what his reason told him was true, but the truth was as evident as the sun that had by now pushed through the morning mists. The general was playing with him! The general was saving him for another day's sport! The Cossack was the cat; he was the mouse. Then it was that Rainsford knew the full meaning of terror. "I will not lose my nerve. I will not." He slid down from the tree, and struck off again into the woods. His face was set and he forced the machinery of his mind to function. Three hundred yards from his hiding place he stopped where a huge dead tree leaned precariously on a smaller, living one. Throwing off his sack of food, Rainsford took his knife from its sheath and began to work with all his energy. The job was finished at last, and he threw himself down behind a fallen log a hundred feet away. He did not have to wait long. The cat was coming again to play with the mouse. Following the trail with the sureness of a bloodhound came General Zaroff. Nothing escaped those searching black eyes, no crushed blade of grass, no bent twig, no mark, no matter how faint, in the moss. So intent was the Cossack on his stalking that he was upon the thing Rainsford had made before he saw it. His foot touched the protruding bough that was the trigger. Even as he touched it, the general sensed his danger and leaped back with the agility of an ape. But he was not quite quick enough; the dead tree, delicately adjusted to rest on the cut living one, crashed down and struck the general a glancing blow on the shoulder as it fell; but for his alertness, he must have been smashed beneath it. He staggered, but he did not fall; nor did he drop his revolver. He stood there, rubbing his injured shoulder, and Rainsford, with fear again gripping his heart, heard the general's mocking laugh ring through the jungle. "Rainsford," called the general, "if you are within sound of my voice, as I suppose you are, let me congratulate you. Not many men know how to make a Malay mancatcher. Luckily for me I, too, have hunted in Malacca. You are proving interesting, Mr. Rainsford. I am going now to have my wound dressed; it's only a slight one. But I shall be back. I shall be back." When the general, nursing his bruised shoulder, had gone, Rainsford took up his flight again. It was flight now, a desperate, hopeless flight, that carried him on for some hours. Dusk came, then darkness, and still he pressed on. The ground grew softer under his moccasins; the vegetation grew ranker, denser; insects bit him savagely. Then, as he stepped forward, his foot sank into the ooze. He tried to wrench it back, but the muck sucked viciously at his foot as if it were a giant leech. With a violent effort, he tore his feet loose. He knew where he was now. Death Swamp and its quicksand. His hands were tight closed as if his nerve were something tangible that someone in the darkness was 70 trying to tear from his grip. The softness of the earth had given him an idea. He stepped back from the quicksand a dozen feet or so and, like some huge prehistoric beaver, he began to dig. Rainsford had dug himself in in France when a second's delay meant death. That had been a placid pastime compared to his digging now. The pit grew deeper; when it was above his shoulders, he climbed out and from some hard saplings cut stakes and sharpened them to a fine point. These stakes he planted in the bottom of the pit with the points sticking up. With flying fingers he wove a rough carpet of weeds and branches and with it he covered the mouth of the pit. Then, wet with sweat and aching with tiredness, he crouched behind the stump of a lightning-charred tree. He knew his pursuer was coming; he heard the padding sound of feet on the soft earth, and the night breeze brought him the perfume of the general's cigarette. It seemed to Rainsford that the general was coming with unusual swiftness; he was not feeling his way along, foot by foot. Rainsford, crouching there, could not see the general, nor could he see the pit. He lived a year in a minute. Then he felt an impulse to cry aloud with joy, for he heard the sharp crackle of the breaking branches as the cover of the pit gave way; he heard the sharp scream of pain as the pointed stakes found their mark. He leaped up from his place of concealment. Then he cowered back. Three feet from the pit a man was standing, with an electric torch in his hand. "You've done well, Rainsford," the voice of the general called. "Your Burmese tiger pit has claimed one of my best dogs. Again you score. I think, Mr. Rainsford, Ill see what you can do against my whole pack. I'm going home for a rest now. Thank you for a most amusing evening." At daybreak Rainsford, lying near the swamp, was awakened by a sound that made him know that he had new things to learn about fear. It was a distant sound, faint and wavering, but he knew it. It was the baying of a pack of hounds. Rainsford knew he could do one of two things. He could stay where he was and wait. That was suicide. He could flee. That was postponing the inevitable. For a moment he stood there, thinking. An idea that held a wild chance came to him, and, tightening his belt, he headed away from the swamp. The baying of the hounds drew nearer, then still nearer, nearer, ever nearer. On a ridge Rainsford climbed a tree. Down a watercourse, not a quarter of a mile away, he could see the bush moving. Straining his eyes, he saw the lean figure of General Zaroff; just ahead of him Rainsford made out another figure whose wide shoulders surged through the tall jungle weeds; it was the giant Ivan, and he seemed pulled forward by some unseen force; Rainsford knew that Ivan must be holding the pack in leash. They would be on him any minute now. His mind worked frantically. He thought of a native trick he had learned in Uganda. He slid down the tree. He caught hold of a springy young sapling and to it he fastened his hunting knife, with the blade pointing down the trail; with a bit of wild grapevine he tied back the sapling. Then he ran for his life. The hounds raised their voices as they hit the fresh scent. Rainsford knew now how an animal at bay feels. He had to stop to get his breath. The baying of the hounds stopped abruptly, and Rainsford's heart stopped too. They must have reached the knife. He shinned excitedly up a tree and looked back. His pursuers had stopped. But the hope that was in Rainsford's brain when he climbed died, for he saw in the shallow valley that General Zaroff was still on his feet. But Ivan was not. The knife, driven by the recoil of the springing tree, had not wholly failed. Rainsford had hardly tumbled to the ground when the pack took up the cry again. "Nerve, nerve, nerve!" he panted, as he dashed along. A blue gap showed between the trees dead ahead. Ever nearer drew the hounds. Rainsford forced himself on toward that gap. He reached it. It was the shore of the sea. Across a cove he could see the gloomy gray stone of the chateau. Twenty feet below him the sea rumbled and hissed. Rainsford hesitated. He heard the hounds. Then he leaped far out into the sea. . . . When the general and his pack reached the place by the sea, the Cossack stopped. For some minutes he stood regarding the blue-green expanse of water. He shrugged his shoulders. Then be sat down, took a drink of brandy from a silver flask, lit a cigarette, and hummed a bit from Madame Butterfly. General Zaroff had an exceedingly good dinner in his great paneled dining hall that evening. With it he had a bottle of Pol Roger and half a bottle of Chambertin. Two slight annoyances kept him from perfect enjoyment. One was the thought that it would be difficult to replace Ivan; the other was that his quarry had escaped him; of course, the American hadn't 71 played the game--so thought the general as he tasted his after-dinner liqueur. In his library he read, to soothe himself, from the works of Marcus Aurelius. At ten he went up to his bedroom. He was deliciously tired, he said to himself, as he locked himself in. There was a little moonlight, so, before turning on his light, he went to the window and looked down at the courtyard. He could see the great hounds, and he called, "Better luck another time," to them. Then he switched on the light. the huge, hurtling eight-engined Navy hydroplane, looked at each other and grinned. "The old man will get us through" they said to one another. "The Old Man ain't afraid of Hell!" . . . "Not so fast! You're driving too fast!" said Mrs. Mitty. "What are you driving so fast for?" "Swam," said Rainsford. "I found it quicker than walking through the jungle." "Hmm?" said Walter Mitty. He looked at his wife, in the seat beside him, with shocked astonishment. She seemed grossly unfamiliar, like a strange woman who had yelled at him in a crowd. "You were up to fifty-five," she said. "You know I don't like to go more than forty. You were up to fifty-five." Walter Mitty drove on toward Waterbury in silence, the roaring of the SN202 through the worst storm in twenty years of Navy flying fading in the remote, intimate airways of his mind. The general sucked in his breath and smiled. "I congratulate you," he said. "You have won the game." "You're tensed up again," said Mrs. Mitty. "It's one of your days. I wish you'd let Dr. Renshaw look you over." Rainsford did not smile. "I am still a beast at bay," he said, in a low, hoarse voice. "Get ready, General Zaroff." Walter Mitty stopped the car in front of the building where his wife went to have her hair done. "Remember to get those overshoes while I'm having my hair done," she said. "I don't need overshoes," said Mitty. She put her mirror back into her bag. A man, who had been hiding in the curtains of the bed, was standing there. "Rainsford!" screamed the general. "How in God's name did you get here?" The general made one of his deepest bows. "I see," he said. "Splendid! One of us is to furnish a repast for the hounds. The other will sleep in this very excellent bed. On guard, Rainsford." . . . He had never slept in a better bed, Rainsford decided. _______________________________________ The Secret Life of Walter Mitty James Thurber "We're going through!" The Commander's voice was like thin ice breaking. He wore his full-dress uniform, with the heavily braided white cap pulled down rakishly over one cold gray eye. "We can't make it, sir. It's spoiling for a hurricane, if you ask me." "I'm not asking you, Lieutenant Berg," said the Commander. "Throw on the power lights! Rev her up to 8,500! We're going through!" The pounding of the cylinders increased: ta-pocketa-pocketa-pocketapocketa-pocketa. The Commander stared at the ice forming on the pilot window. He walked over and twisted a row of complicated dials. "Switch on No. 8 auxiliary!" he shouted. "Switch on No. 8 auxiliary!" repeated Lieutenant Berg. "Full strength in No. 3 turret!" shouted the Commander. "Full strength iNo. 3 turret!" The crew, bending to their various tasks in "We've been all through that," she said, getting out of the car. "You're not a young man any longer." He raced the engine a little. "Why don't you wear your gloves? Have you lost your gloves?" Walter Mitty reached in a pocket and brought out the gloves. He put them on, but after she had turned and gone into the building and he had driven on to a red light, he took them off again. "Pick it up, brother!" snapped a cop as the light changed, and Mitty hastily pulled on his gloves and lurched ahead. He drove around the streets aimlessly for a time, and then he drove past the hospital on his way to the parking lot. . . . "It's the millionaire banker, Wellington McMillan," said the pretty nurse. "Yes?" said Walter Mitty, removing his gloves slowly. "Who has the case?" "Dr. Renshaw and Dr. Benbow, but there are two specialists here, Dr. Remington from New York and Mr. Pritchard-Mitford from London. He flew over." A door opened down a long, cool corridor and Dr. Renshaw came out. He looked distraught and haggard. "Hello, Mitty," he said. "We're having the devil's own time with McMillan, the millionaire banker and close personal friend of Roosevelt. Obstreosis of the ductal tract. Tertiary. Wish you'd 72 take a look at him." "Glad to," said Mitty. In the operating room there were whispered introductions: "Dr. Remington, Dr. Mitty. Mr. Pritchard-Mitford, Dr. Mitty." "I've read your book on streptothricosis," said Pritchard-Mitford, shaking hands. "A brilliant performance, sir." "Thank you," said Walter Mitty. "Didn't know you were in the States, Mitty," grumbled Remington. "Coals to Newcastle, bringing Mitford and me up here for a tertiary." "You are very kind," said Mitty. A huge, complicated machine, connected to the operating table, with many tubes and wires, began at this moment to go pocketa-pocketa-pocketa. "The new anesthetizer is giving way!" shouted an intern. "There is no one in the East who knows how to fix it!" "Quiet, man!" said Mitty, in a low, cool voice. He sprang to the machine, which was going pocketapocketa-queep-pocketa-queep. He began fingering delicately a row of glistening dials. "Give me a fountain pen!" he snapped. Someone handed him a fountain pen. He pulled a faulty piston out of the machine and inserted the pen in its place. "That will hold for ten minutes," he said. "Get on with the operation." A nurse hurried over and whispered to Renshaw, and Mitty saw the man turn pale. "Coreopsis has set in," said Renshaw nervously. "If you would take over, Mitty?" Mitty looked at him and at the craven figure of Benbow, who drank, and at the grave, uncertain faces of the two great specialists. "If you wish," he said. They slipped a white gown on him; he adjusted a mask and drew on thin gloves; nurses handed him shining . . . "Back it up, Mac! Look out for that Buick!" Walter Mitty jammed on the brakes. "Wrong lane, Mac," said the parking-lot attendant, looking at Mitty closely. "Gee. Yeh," muttered Mitty. He began cautiously to back out of the lane marked "Exit Only." "Leave her sit there," said the attendant. "I'll put her away." Mitty got out of the car. "Hey, better leave the key." "Oh," said Mitty, handing the man the ignition key. The attendant vaulted into the car, backed it up with insolent skill, and put it where it belonged. They're so damn cocky, thought Walter Mitty, walking along Main Street; they think they know everything. Once he had tried to take his chains off, outside New Milford, and he had got them wound around the axles. A man had had to come out in a wrecking car and unwind them, a young, grinning garageman. Since then Mrs. Mitty always made him drive to the garage to have the chains taken off. The next time, he thought, I'll wear my right arm in a sling; they won't grin at me then. I'll have my right arm in a sling and they'll see I couldn't possibly take the chains off myself. He kicked at the slush on the sidewalk. "Overshoes," he said to himself, and he began looking for a shoe store. When he came out into the street again, with the overshoes in a box under his arm, Walter Mitty began to wonder what the other thing was his wife had told him to get. She had told him, twice, before they set out from their house for Waterbury. In a way he hated these weekly trips to town-he was always getting something wrong. Kleenex, he thought, Squibb's, razor blades? No. Toothpaste, toothbrush, bicarbonate, cardorundum, initiative and referendum? He gave it up. But she would remember it. "Where's the what's-its-name," she would ask. "Don't tell me you forgot the what's-its-name." A newsboy went by shouting something about the Waterbury trial. . . . "Perhaps this will refresh your memory." The District Attorney suddenly thrust a heavy automatic at the quiet figure on the witness stand. "Have you ever seen this before?" Walter Mitty took the gun and examined it expertly. "This is my Webley-Vickers 50.80," he said calmly. An excited buzz ran around the courtroom. The Judge rapped for order. "You are a crack shot with any sort of firearms, I believe?" said the District Attorney, insinuatingly. "Objection!" shouted Mitty's attorney. "We have shown that the defendant could not have fired the shot. We have shown that he wore his right arm in a sling on the night of the fourteenth of July." Walter Mitty raised his hand briefly and the bickering attorneys were stilled. "With any known make of gun," he said evenly, "I could have killed Gregory Fitzhurst at three hundred feet with my left hand." Pandemonium broke loose in the courtroom. A woman's scream rose above the bedlam and suddenly a lovely, dark-haired girl was in Walter Mitty's arms. The District Attorney struck at her savagely. Without rising from his chair, Mitty let the man have it on the point of the chin. "You miserable cur!" . . . "Puppy biscuit," said Walter Mitty. He stopped walking and the buildings of Waterbury rose up out of the misty courtroom and surrounded him again. A woman who was passing laughed. "He said 'Puppy biscuit'," she said to her companion. "That man said 'Puppy biscuit' to himself." Walter Mitty hurried on. He went into an A&P, not the first one he came to but a smaller one farther up the street. "I want some 73 biscuit for small, young dogs," he said to the clerk. "Any special brand, sir?" The greatest pistol shot in the world thought a moment. "It says 'Puppies Bark for It' on the box," said Walter Mitty. His wife would be through at the hairdresser's in fifteen minutes, Mitty saw in looking at his watch, unless they had trouble drying it; sometimes they had trouble drying it. She didn't like to get to the hotel first; she would want him to be there waiting for her as usual. He found a big leather chair in the lobby, facing a window, and he put the overshoes and the puppy biscuit on the floor beside it. He picked up an old copy of Liberty and sank down into the chair. "Can Germany Conquer the World Through the Air?" Walter Mitty looked at the pictures of bombing planes and of ruined streets. . . . "The cannonading has got the wind up in young Raleigh, sir," said the sergeant. Captain Mitty looked up at him through tousled hair. "Get him to bed," he said wearily. "With the others. I'll fly alone." "But you can't, sir," said the sergeant anxiously. "It takes two men to handle that bomber and the Archies are pounding hell out of the air. Von Richtman's circus is between here and Saulier." "Somebody's got to get that ammunition dump," said Mitty. "I'm going over. Spot of brandy?" He poured a drink for the sergeant and one for himself. War thundered and whined around the dugout and battered at the door. There was a rending of wood and splinters flew through the room. "A bit of a near thing," said Captain Mitty carelessly. "The box barrage is closing in," said the sergeant. "We only live once, Sergeant," said Mitty with his faint, fleeting smile. "Or do we?" He poured another brandy and tossed it off. "I never see a man could hold his brandy like you, sir," said the sergeant. "Begging your pardon, sir." Captain Mitty stood up and strapped on his huge WebleyVickers automatic. "It's forty kilometers through hell, sir," said the sergeant. Mitty finished one last brandy. "After all," he said softly, "what isn't?" The pounding of the cannon increased; there was the rat-tat-tatting of machine guns, and from somewhere came the menacing pocketa-pocketa-pocketa of the new flamethrowers. Walter Mitty walked to the door of the dugout humming "AuprËs de Ma Blonde." He turned and waved to the sergeant. "Cheerio!" he said. . . Something struck his shoulder. "I've been looking all over this hotel for you," said Mrs. Mitty. "Why do you have to hide in this old chair? How did you expect me to find you?" "Things close in," said Walter Mitty vaguely. "What?" Mrs. Mitty said. "Did you get the what's-its-name? The puppy biscuit? What's in that box?" "Overshoes," said Mitty. "Couldn't you have put them on in the store?" "I was thinking," said Walter Mitty. "Does it ever occur to you that I am sometimes thinking?" She looked at him. "I'm going to take your temperature when I get you home," she said. They went out through the revolving doors that made a faintly derisive whistling sound when you pushed them. It was two blocks to the parking lot. At the drugstore on the corner she said, "Wait here for me. I forgot something. I won't be a minute." She was more than a minute. Walter Mitty lighted a cigarette. It began to rain, rain with sleet in it. He stood up against the wall of the drugstore, smoking . . . He put his shoulders back and his heels together. "To hell with the handkerchief," said Walter Mitty scornfully. He took one last drag on his cigarette and snapped it away. Then, with that faint, fleeting smile playing about his lips, he faced the firing squad; erect and motionless, proud and disdainful, Walter Mitty the Undefeated, inscrutable to the last. _______________________________________ A Sound of Thunder Ray Bradbury The sign on the wall seemed to quaver under a film of sliding warm water. Eckels felt his eyelids blink over his stare, and the sign burned in this momentary darkness: TIME SAFARI, INC. SAFARIS TO ANY YEAR IN THE PAST. YOU NAME THE ANIMAL. WE TAKE YOU THERE. YOU SHOOT IT. Warm phlegm gathered in Eckels' throat; he swallowed and pushed it down. The muscles around his mouth formed a smile as he put his hand slowly out upon the air, and in that hand waved a check for ten thousand dollars to the man behind the desk. "Does this safari guarantee I come back alive?" "We guarantee nothing," said the official, "except the dinosaurs." He turned. "This is Mr. Travis, your Safari Guide in the Past. He'll tell you what and where to shoot. If he says no shooting, no shooting. If you disobey instructions, there's a stiff penalty of another ten thousand dollars, plus possible government action, on your return." 74 Eckels glanced across the vast office at a mass and tangle, a snaking and humming of wires and steel boxes, at an aurora that flickered now orange, now silver, now blue. There was a sound like a gigantic bonfire burning all of Time, all the years and all the parchment calendars, all the hours piled high and set aflame. A touch of the hand and this burning would, on the instant, beautifully reverse itself. Eckels remembered the wording in the advertisements to the letter. Out of chars and ashes, out of dust and coals, like golden salamanders, the old years, the green years, might leap; roses sweeten the air, white hair turn Irishblack, wrinkles vanish; all, everything fly back to seed, flee death, rush down to their beginnings, suns rise in western skies and set in glorious easts, moons eat themselves opposite to the custom, all and everything cupping one in another like Chinese boxes, rabbits into hats, all and everything returning to the fresh death, the seed death, the green death, to the time before the beginning. A touch of a hand might do it, the merest touch of a hand. "Unbelievable." Eckels breathed, the light of the Machine on his thin face. "A real Time Machine." He shook his head. "Makes you think, If the election had gone badly yesterday, I might be here now running away from the results. Thank God Keith won. He'll make a fine President of the United States." "Yes," said the man behind the desk. "We're lucky. If Deutscher had gotten in, we'd have the worst kind of dictatorship. There's an anti everything man for you, a militarist, anti-Christ, anti-human, anti-intellectual. People called us up, you know, joking but not joking. Said if Deutscher became President they wanted to go live in 1492. Of course it's not our business to conduct Escapes, but to form Safaris. Anyway, Keith's President now. All you got to worry about is-" "Shooting my dinosaur," Eckels finished it for him. "A Tyrannosaurus Rex. The Tyrant Lizard, the most incredible monster in history. Sign this release. Anything happens to you, we're not responsible. Those dinosaurs are hungry." Eckels flushed angrily. "Trying to scare me!" "Frankly, yes. We don't want anyone going who'll panic at the first shot. Six Safari leaders were killed last year, and a dozen hunters. We're here to give you the severest thrill a real hunter ever asked for. Traveling you back sixty million years to bag the biggest game in all of Time. Your personal check's still there. Tear it up."Mr. Eckels looked at the check. His fingers twitched. "Good luck," said the man behind the desk. "Mr. Travis, he's all yours." They moved silently across the room, taking their guns with them, toward the Machine, toward the silver metal and the roaring light. First a day and then a night and then a day and then a night, then it was day-night-day-night. A week, a month, a year, a decade! A.D. 2055. A.D. 2019. 1999! 1957! Gone! The Machine roared. They put on their oxygen helmets and tested the intercoms. Eckels swayed on the padded seat, his face pale, his jaw stiff. He felt the trembling in his arms and he looked down and found his hands tight on the new rifle. There were four other men in the Machine. Travis, the Safari Leader, his assistant, Lesperance, and two other hunters, Billings and Kramer. They sat looking at each other, and the years blazed around them. "Can these guns get a dinosaur cold?" Eckels felt his mouth saying. "If you hit them right," said Travis on the helmet radio. "Some dinosaurs have two brains, one in the head, another far down the spinal column. We stay away from those. That's stretching luck. Put your first two shots into the eyes, if you can, blind them, and go back into the brain." The Machine howled. Time was a film run backward. Suns fled and ten million moons fled after them. "Think," said Eckels. "Every hunter that ever lived would envy us today. This makes Africa seem like Illinois." The Machine slowed; its scream fell to a murmur. The Machine stopped. The sun stopped in the sky. The fog that had enveloped the Machine blew away and they were in an old time, a very old time indeed, three hunters and two Safari Heads with their blue metal guns across their knees. "Christ isn't born yet," said Travis, "Moses has not gone to the mountains to talk with God. The Pyramids are still in the earth, waiting to be cut out and put up. Remember that. Alexander, Caesar, Napoleon, Hitler-none of them exists." The man nodded. 75 "That" - Mr. Travis pointed - "is the jungle of sixty million two thousand and fifty-five years before President Keith." He indicated a metal path that struck off into green wilderness, over streaming swamp, among giant ferns and palms. "And that," he said, "is the Path, laid by Time Safari for your use. It floats six inches above the earth. Doesn't touch so much as one grass blade, flower, or tree. It's an antigravity metal. Its purpose is to keep you from touching this world of the past in any way. Stay on the Path. Don't go off it. I repeat. Don't go off. For any reason! If you fall off, there's a penalty. And don't shoot any animal we don't okay." "Why?" asked Eckels. They sat in the ancient wilderness. Far birds' cries blew on a wind, and the smell of tar and an old salt sea, moist grasses, and flowers the color of blood. "We don't want to change the Future. We don't belong here in the Past. The government doesn't like us here. We have to pay big graft to keep our franchise. A Time Machine is finicky business. Not knowing it, we might kill an important animal, a small bird, a roach, a flower even, thus destroying an important link in a growing species." "That's not clear," said Eckels. "All right," Travis continued, "say we accidentally kill one mouse here. That means all the future families of this one particular mouse are destroyed, right?" "Right" "And all the families of the families of the families of that one mouse! With a stamp of your foot, you annihilate first one, then a dozen, then a thousand, a million, a billion possible mice!" "So they're dead," said Eckels. "So what?" "So what?" Travis snorted quietly. "Well, what about the foxes that'll need those mice to survive? For want of ten mice, a fox dies. For want of ten foxes a lion starves. For want of a lion, all manner of insects, vultures, infinite billions of life forms are thrown into chaos and destruction. Eventually it all boils down to this: fifty-nine million years later, a caveman, one of a dozen on the entire world, goes hunting wild boar or saber-toothed tiger for food. But you, friend, have stepped on all the tigers in that region. By stepping on one single mouse. So the caveman starves. And the caveman, please note, is not just any expendable man, no! He is an entire future nation. From his loins would have sprung ten sons. From their loins one hundred sons, and thus onward to a civilization. Destroy this one man, and you destroy a race, a people, an entire history of life. It is comparable to slaying some of Adam's grandchildren. The stomp of your foot, on one mouse, could start an earthquake, the effects of which could shake our earth and destinies down through Time, to their very foundations. With the death of that one caveman, a billion others yet unborn are throttled in the womb. Perhaps Rome never rises on its seven hills. Perhaps Europe is forever a dark forest, and only Asia waxes healthy and teeming. Step on a mouse and you crush the Pyramids. Step on a mouse and you leave your print, like a Grand Canyon, across Eternity. Queen Elizabeth might never be born, Washington might not cross the Delaware, there might never be a United States at all. So be careful. Stay on the Path. Never step off!" "I see," said Eckels. "Then it wouldn't pay for us even to touch the grass?" "Correct. Crushing certain plants could add up infinitesimally. A little error here would multiply in sixty million years, all out of proportion. Of course maybe our theory is wrong. Maybe Time can't be changed by us. Or maybe it can be changed only in little subtle ways. A dead mouse here makes an insect imbalance there, a population disproportion later, a bad harvest further on, a depression, mass starvation, and finally, a change in social temperament in farflung countries. Something much more subtle, like that. Perhaps only a soft breath, a whisper, a hair, pollen on the air, such a slight, slight change that unless you looked close you wouldn't see it. Who knows? Who really can say he knows? We don't know. We're guessing. But until we do know for certain whether our messing around in Time can make a big roar or a little rustle in history, we're being careful. This Machine, this Path, your clothing and bodies, were sterilized, as you know, before the journey. We wear these oxygen helmets so we can't introduce our bacteria into an ancient atmosphere." "How do we know which animals to shoot?" "They're marked with red paint," said Travis. "Today, before our journey, we sent Lesperance here back with the Machine. He came to this particular era and followed certain animals." 76 "Studying them?" "Right," said Lesperance. "I track them through their entire existence, noting which of them lives longest. Very few. How many times they mate. Not often. Life's short, When I find one that's going to die when a tree falls on him, or one that drowns in a tar pit, I note the exact hour, minute, and second. I shoot a paint bomb. It leaves a red patch on his side. We can't miss it. Then I correlate our arrival in the Past so that we meet the Monster not more than two minutes before he would have died anyway. This way, we kill only animals with no future, that are never going to mate again. You see how careful we are?" "But if you come back this morning in Time," said Eckels eagerly, you must've bumped into us, our Safari! How did it turn out? Was it successful? Did all of us get through-alive?" Lesperance checked his wristwatch. "Up ahead, We'll bisect his trail in sixty seconds. Look for the red paint! Don't shoot till we give the word. Stay on the Path. Stay on the Path!" They moved forward in the wind of morning. "Strange," murmured Eckels. "Up ahead, sixty million years, Election Day over. Keith made President. Everyone celebrating. And here we are, a million years lost, and they don't exist. The things we worried about for months, a lifetime, not even born or thought of yet." "Safety catches off, everyone!" ordered Travis. "You, first shot, Eckels. Second, Billings, Third, Kramer." "I've hunted tiger, wild boar, buffalo, elephant, but now, this is it," said Eckels. "I'm shaking like a kid." "Ah," said Travis. Travis and Lesperance gave each other a look. Everyone stopped. "That'd be a paradox," said the latter. "Time doesn't permit that sort of mess-a man meeting himself. When such occasions threaten, Time steps aside. Like an airplane hitting an air pocket. You felt the Machine jump just before we stopped? That was us passing ourselves on the way back to the Future. We saw nothing. There's no way of telling if this expedition was a success, if we got our monster, or whether all of us - meaning you, Mr. Eckels - got out alive." Travis raised his hand. "Ahead," he whispered. "In the mist. There he is. There's His Royal Majesty now." The jungle was wide and full of twitterings, rustlings, murmurs, and sighs. Suddenly it all ceased, as if someone had shut a door. Silence. Eckels smiled palely. A sound of thunder. "Cut that," said Travis sharply. "Everyone on his feet!" Out of the mist, one hundred yards away, came Tyrannosaurus Rex. They were ready to leave the Machine. "It," whispered Eckels. "It...... The jungle was high and the jungle was broad and the jungle was the entire world forever and forever. Sounds like music and sounds like flying tents filled the sky, and those were pterodactyls soaring with cavernous gray wings, gigantic bats of delirium and night fever. Eckels, balanced on the narrow Path, aimed his rifle playfully. "Stop that!" said Travis. "Don't even aim for fun, blast you! If your guns should go off - - " Eckels flushed. "Where's our Tyrannosaurus?" "Sh!" It came on great oiled, resilient, striding legs. It towered thirty feet above half of the trees, a great evil god, folding its delicate watchmaker's claws close to its oily reptilian chest. Each lower leg was a piston, a thousand pounds of white bone, sunk in thick ropes of muscle, sheathed over in a gleam of pebbled skin like the mail of a terrible warrior. Each thigh was a ton of meat, ivory, and steel mesh. And from the great breathing cage of the upper body those two delicate arms dangled out front, arms with hands which might pick up and examine men like toys, while the snake neck coiled. And the head itself, a ton of sculptured stone, lifted easily upon the sky. Its 77 mouth gaped, exposing a fence of teeth like daggers. Its eyes rolled, ostrich eggs, empty of all expression save hunger. It closed its mouth in a death grin. It ran, its pelvic bones crushing aside trees and bushes, its taloned feet clawing damp earth, leaving prints six inches deep wherever it settled its weight. It ran with a gliding ballet step, far too poised and balanced for its ten tons. It moved into a sunlit area warily, its beautifully reptilian hands feeling the air. "Why, why," Eckels twitched his mouth. "It could reach up and grab the moon." "Sh!" Travis jerked angrily. "He hasn't seen us yet." "It can't be killed," Eckels pronounced this verdict quietly, as if there could be no argument. He had weighed the evidence and this was his considered opinion. The rifle in his hands seemed a cap gun. "We were fools to come. This is impossible." "Shut up!" hissed Travis. "Nightmare." "Turn around," commanded Travis. "Walk quietly to the Machine. We'll remit half your fee." "I didn't realize it would be this big," said Eckels. "I miscalculated, that's all. And now I want out." "It sees us!" "There's the red paint on its chest!" The Tyrant Lizard raised itself. Its armored flesh glittered like a thousand green coins. The coins, crusted with slime, steamed. In the slime, tiny insects wriggled, so that the entire body seemed to twitch and undulate, even while the monster itself did not move. It exhaled. The stink of raw flesh blew down the wilderness. "Get me out of here," said Eckels. "It was never like this before. I was always sure I'd come through alive. I had good guides, good safaris, and safety. This time, I figured wrong. I've met my match and admit it. This is too much for me to get hold of." "Don't run," said Lesperance. "Turn around. Hide in the Machine." "Yes." Eckels seemed to be numb. He looked at his feet as if trying to make them move. He gave a grunt of helplessness. "Eckels!" He took a few steps, blinking, shuffling. "Not that way!" The Monster, at the first motion, lunged forward with a terrible scream. It covered one hundred yards in six seconds. The rifles jerked up and blazed fire. A windstorm from the beast's mouth engulfed them in the stench of slime and old blood. The Monster roared, teeth glittering with sun. The rifles cracked again, Their sound was lost in shriek and lizard thunder. The great level of the reptile's tail swung up, lashed sideways. Trees exploded in clouds of leaf and branch. The Monster twitched its jeweler's hands down to fondle at the men, to twist them in half, to crush them like berries, to cram them into its teeth and its screaming throat. Its boulderstone eyes leveled with the men. They saw themselves mirrored. They fired at the metallic eyelids and the blazing black iris, Like a stone idol, like a mountain avalanche, Tyrannosaurus fell. Thundering, it clutched trees, pulled them with it. It wrenched and tore the metal Path. The men flung themselves back and away. The body hit, ten tons of cold flesh and stone. The guns fired. The Monster lashed its armored tail, twitched its snake jaws, and lay still. A fount of blood spurted from its throat. Somewhere inside, a sac of fluids burst. Sickening gushes drenched the hunters. They stood, red and glistening. The thunder faded. The jungle was silent. After the avalanche, a green peace. After the nightmare, morning. Billings and Kramer sat on the pathway and threw up. Travis and Lesperance stood with smoking rifles, cursing steadily. In the Time Machine, on his face, Eckels lay shivering. He had found his way back to the Path, climbed into the Machine. Travis came walking, glanced at Eckels, took cotton gauze from a metal box, and returned to the others, who were sitting on the Path. "Clean up." They wiped the blood from their helmets. They began to curse too. The Monster lay, a hill of solid flesh. Within, you could hear the sighs and murmurs as the furthest chambers of it died, the organs 78 malfunctioning, liquids running a final instant from pocket to sac to spleen, everything shutting off, closing up forever. It was like standing by a wrecked locomotive or a steam shovel at quitting time, all valves being released or levered tight. Bones cracked; the tonnage of its own flesh, off balance, dead weight, snapped the delicate forearms, caught underneath. The meat settled, quivering. Another cracking sound. Overhead, a gigantic tree branch broke from its heavy mooring, fell. It crashed upon the dead beast with finality. "There." Lesperance checked his watch. "Right on time. That's the giant tree that was scheduled to fall and kill this animal originally." He glanced at the two hunters. "You want the trophy picture?" "What?" "We can't take a trophy back to the Future. The body has to stay right here where it would have died originally, so the insects, birds, and bacteria can get at it, as they were intended to. Everything in balance. The body stays. But we can take a picture of you standing near it." The two men tried to think, but gave up, shaking their heads. They let themselves be led along the metal Path. They sank wearily into the Machine cushions. They gazed back at the ruined Monster, the stagnating mound, where already strange reptilian birds and golden insects were busy at the steaming armor. A sound on the floor of the Time Machine stiffened them. Eckels sat there, shivering. "I'm sorry," he said at last. government. They might revoke our license to travel. Who knows what he's done to Time, to History!" "Take it easy, all he did was kick up some dirt." "How do we know?" cried Travis. "We don't know anything! It's all a mystery! Get out of here, Eckels!" Eckels fumbled his shirt. "I'll pay anything. A hundred thousand dollars!" Travis glared at Eckels' checkbook and spat. "Go out there. The Monster's next to the Path. Stick your arms up to your elbows in his mouth. Then you can come back with us." "That's unreasonable!" "The Monster's dead, you idiot. The bullets! The bullets can't be left behind. They don't belong in the Past; they might change anything. Here's my knife. Dig them out!" The jungle was alive again, full of the old tremorings and bird cries. Eckels turned slowly to regard the primeval garbage dump, that hill of nightmares and terror. After a long time, like a sleepwalker he shuffled out along the Path. He returned, shuddering, five minutes later, his arms soaked and red to the elbows. He held out his hands. Each held a number of steel bullets. Then he fell. He lay where he fell, not moving. "You didn't have to make him do that," said Lesperance. "Didn't I? It's too early to tell." Travis nudged the still body. "He'll live. Next time he won't go hunting game like this. Okay." He jerked his thumb wearily at Lesperance. "Switch on. Let's go home." "Get up!" cried Travis. 1492. 1776. 1812. Eckels got up. "Go out on that Path alone," said Travis. He had his rifle pointed, "You're not coming back in the Machine. We're leaving you here!" Lesperance seized Travis's arm. "Wait-" "Stay out of this!" Travis shook his hand away. "This fool nearly killed us. But it isn't that so much, no. It's his shoes! Look at them! He ran off the Path. That ruins us! We'll forfeit! Thousands of dollars of insurance! We guarantee no one leaves the Path. He left it. Oh, the fool! I'll have to report to the They cleaned their hands and faces. They changed their caking shirts and pants. Eckels was up and around again, not speaking. Travis glared at him for a full ten minutes. "Don't look at me," cried Eckels. "I haven't done anything." "Who can tell?" "Just ran off the Path, that's all, a little mud on my shoes-what do you want me to do-get down and pray?" 79 "We might need it. I'm warning you, Eckels, I might kill you yet. I've got my gun ready." "I'm innocent. I've done nothing!" 1999.2000.2055. The Machine stopped. Eckels felt himself fall into a chair. He fumbled crazily at the thick slime on his boots. He held up a clod of dirt, trembling, "No, it can't be. Not a little thing like that. No!" Embedded in the mud, glistening green and gold and black, was a butterfly, very beautiful and very dead. "Not a little thing like that! Not a butterfly!" cried Eckels. "Get out," said Travis. The room was there as they had left it. But not the same as they had left it. The same man sat behind the same desk. But the same man did not quite sit behind the same desk. Travis looked around swiftly. "Everything okay here?" he snapped. "Fine. Welcome home!" Travis did not relax. He seemed to be looking through the one high window. "Okay, Eckels, get out. Don't ever come back." Eckels could not move. "You heard me," said Travis. "What're you staring at?" Eckels stood smelling of the air, and there was a thing to the air, a chemical taint so subtle, so slight, that only a faint cry of his subliminal senses warned him it was there. The colors, white, gray, blue, orange, in the wall, in the furniture, in the sky beyond the window, were . . . were . . . . And there was a feel. His flesh twitched. His hands twitched. He stood drinking the oddness with the pores of his body. Somewhere, someone must have been screaming one of those whistles that only a dog can hear. His body screamed silence in return. Beyond this room, beyond this wall, beyond this man who was not quite the same man seated at this desk that was not quite the same desk . . . lay an entire world of streets and people. What sort of world it was now, there was no telling. He could feel them moving there, beyond the walls, almost, like so many chess pieces blown in a dry wind .... But the immediate thing was the sign painted on the office wall, the same sign he had read earlier today on first entering. Somehow, the sign had changed: TYME SEFARI INC. SEFARIS TU ANY YEER EN THE PAST. YU NAIM THE ANIMALL. WEE TAEK YU THAIR. YU SHOOT ITT. It fell to the floor, an exquisite thing, a small thing that could upset balances and knock down a line of small dominoes and then big dominoes and then gigantic dominoes, all down the years across Time. Eckels' mind whirled. It couldn't change things. Killing one butterfly couldn't be that important! Could it? His face was cold. His mouth trembled, asking: "Who - who won the presidential election yesterday?" The man behind the desk laughed. "You joking? You know very well. Deutscher, of course! Who else? Not that fool weakling Keith. We got an iron man now, a man with guts!" The official stopped. "What's wrong?" Eckels moaned. He dropped to his knees. He scrabbled at the golden butterfly with shaking fingers. "Can't we," he pleaded to the world, to himself, to the officials, to the Machine, "can't we take it back, can't we make it alive again? Can't we start over? Can't we-" He did not move. Eyes shut, he waited, shivering. He heard Travis breathe loud in the room; he heard Travis shift his rifle, click the safety catch, and raise the weapon. There was a sound of thunder. Ray Bradbury, "A Sound of Thunder," in R is for Rocket, (New York: Doubleday, 1952) _______________________________________ The Tell-Tale Heart Edgar Allan Poe True! --nervous --very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses --not destroyed --not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily --how calmly I can tell you the whole story. It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and 80 night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees --very gradually --I made up my mind to take the life of the old man, and thus rid myself of the eye forever. Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded --with what caution --with what foresight --with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it --oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly --very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! would a madman have been so wise as this, And then, when my head was well in the room, I undid the lantern cautiously-oh, so cautiously -cautiously (for the hinges creaked) --I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights --every night just at midnight --but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept. Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers --of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back --but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily. I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out --"Who's there?" I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening; --just as I have done, night after night, hearkening to the death watches in the wall. Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief --oh, no! --it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself --"It is nothing but the wind in the chimney -it is only a mouse crossing the floor," or "It is merely a cricket which has made a single chirp." Yes, he had been trying to comfort himself with these suppositions: but he had found all in vain. All in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel -although he neither saw nor heard --to feel the presence of my head within the room. When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little --a very, very little crevice in the lantern. So I opened it --you cannot imagine how stealthily, stealthily --until, at length a simple dim ray, like the thread of the spider, shot from out the crevice and fell full upon the vulture eye. It was open --wide, wide open --and I grew furious as I gazed upon it. I saw it with perfect distinctness --all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the damned spot. And have I not told you that what you mistake for madness is but over-acuteness of the sense? --now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the 81 old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage. But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eve. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder every instant. The old man's terror must have been extreme! It grew louder, I say, louder every moment! --do you mark me well I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me --the sound would be heard by a neighbour! The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once --once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eve would trouble me no more. If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs. I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye --not even his --could have detected any thing wrong. There was nothing to wash out --no stain of any kind --no bloodspot whatever. I had been too wary for that. A tub had caught all --ha! ha! When I had made an end of these labors, it was four o'clock --still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, --for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbour during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises. I smiled, --for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search -search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim. The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The ringing became more distinct: --It continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definiteness --until, at length, I found that the noise was not within my ears. No doubt I now grew very pale; --but I talked more fluently, and with a heightened voice. Yet the sound increased --and what could I do? It was a low, dull, quick sound --much such a sound as a watch makes when enveloped in cotton. I gasped for breath --and yet the officers heard it not. I talked more quickly --more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men --but the noise steadily increased. Oh God! what could I do? I foamed --I raved --I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder --louder --louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! --no, no! They heard! --they suspected! --they knew! --they were making a mockery of my horror!-this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! and now -again! --hark! louder! louder! louder! louder! "Villains!" I shrieked, "dissemble no more! I admit the deed! --tear up the planks! here, here! --It is the beating of his hideous heart!" _______________________________________ 82 The Snows of Kilimanjaro Ernest Hemingway THE MARVELLOUS THING IS THAT IT’S painless," he said. "That's how you know when it starts." "Is it really?" "Absolutely. I'm awfully sorry about the odor though. That must bother you." "Don't! Please don't." "Look at them," he said. "Now is it sight or is it scent that brings them like that?" "I don't quarrel. I never want to quarrel. Let's not quarrel any more. No matter how nervous we get. Maybe they will be back with another truck today. Maybe the plane will come." "I don't want to move," the man said. "There is no sense in moving now except to make it easier for you." "That's cowardly." "Can't you let a man die as comfortably as he can without calling him names? What's the use of clanging me?" "You're not going to die." The cot the man lay on was in the wide shade of a mimosa tree and as he looked out past the shade onto the glare of the plain there were three of the big birds squatted obscenely, while in the sky a dozen more sailed, making quick-moving shadows as they passed. "They've been there since the day the truck broke down," he said. "Today's the first time any have lit on the ground. I watched the way they sailed very carefully at first in case I ever wanted to use them in a story. That's funny now.""I wish you wouldn't," she said. "I'm only talking," he said. "It's much easier if I talk. But I don't want to bother you." "Don't be silly. I'm dying now. Ask those bastards." He looked over to where the huge, filthy birds sat, their naked heads sunk in the hunched feathers. A fourth planed down, to run quick-legged and then waddle slowly toward the others. "They are around every camp. You never notice them. You can't die if you don't give up." "Where did you read that? You're such a bloody fool." "You might think about some one else." "For Christ's sake," he said, "that's been my trade." "You know it doesn't bother me," she said. "It's that I've gotten so very nervous not being able to do anything. I think we might make it as easy as we can until the plane comes." "Or until the plane doesn't come." "Please tell me what I can do. There must be something I can do. "You can take the leg off and that might stop it, though I doubt it. Or you can shoot me. You're a good shot now. I taught you to shoot, didn't I?" He lay then and was quiet for a while and looked across the heat shimmer of the plain to the edge of the bush. There were a few Tommies that showed minute and white against the yellow and, far off, he saw a herd of zebra, white against the green of the bush. This was a pleasant camp under big trees against a hill, with good water, and close by, a nearly dry water hole where sand grouse flighted in the mornings. "Wouldn't you like me to read?" she asked. She was sitting on a canvas chair beside his cot. "There's a breeze coming up. "Please don't talk that way. Couldn't I read to you?" "No thanks." "Read what?" "Maybe the truck will come." "Anything in the book that we haven't read." "I don't give a damn about the truck." "I can't listen to it," he said." Talking is the easiest. We quarrel and that makes the time pass." "I do." 83 "You give a damn about so many things that I don't." you wanted to go and I've done what you wanted to do But I wish we'd never come here." "Not so many, Harry." "You said you loved it." "What about a drink?" "It's supposed to be bad for you. It said in Black's to avoid all alcohol.You shouldn't drink." "Molo!" he shouted. "Yes Bwana." "Bring whiskey-soda." "Yes Bwana." "You shouldn't," she said. "That's what I mean by giving up. It says it's bad for you. I know it's bad for you." "No," he said. "It's good for me." So now it was all over, he thought. So now he would never have a chance to finish it. So this was the way it ended, in a bickering over a drink. Since the gangrene started in his right leg he had no pain and with the pain the horror had gone and all he felt now was a great tiredness and anger that this was the end of it. For this, that now was coming, he had very little curiosity. For years it had obsessed him; but now it meant nothing in itself. It was strange how easy being tired enough made it.Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now. "I wish we'd never come," the woman said. She was looking at him holding the glass and biting her lip. "You never would have gotten anything like this in Paris. You always said you loved Paris. We could have stayed in Paris or gone anywhere. I'd have gone anywhere. I said I'd go anywhere you wanted. If you wanted to shoot we could have gone shooting in Hungary and been comfortable." "Your bloody money," he said. "That's not fair," she said. "It was always yours as much as mine. I left everything and I went wherever "I did when you were all right. But now I hate it. I don't see why that had to happen to your leg. What have we done to have that happen to us?" "I suppose what I did was to forget to put iodine on it when I first scratched it. Then I didn't pay any attention to it because I never infect. Then, later, when it got bad, it was probably using that weak carbolic solution when the other antiseptics ran out that paralyzed the minute blood vessels and started the gangrene." He looked at her, "What else'" "I don't mean that." "If we would have hired a good mechanic instead of a half-baked Kikuyu driver, he would have checked the oil and never burned out that bearing in the truck." "I don't mean that." "If you hadn't left your own people, your goddamned Old Westbury Saratoga, Palm Beach people to take me on " *'Why, I loved you. That's not fair. I love you now. I'll always love you Don't you love me?" "No," said the man. "I don't think so. I never have." "Harry, what are you saying? You're out of your head." "No. I haven't any head to go out of." "Don't drink that," she said. "Darling, please don't drink that. We have to do everything we can." "You do it," he said. "I'm tired." Now in his mind he saw a railway station at Karagatch and he was standing with his pack and that was the headlight of the Simplon-Offent cutting the dark now and he was leaving Thrace then after the retreat. That was one of the things he had saved to write, with, in the morning at breakfast, looking out the window and seeing snow on the mountains in Bulgaffa and Nansen's Secretary asking the old man if it were snow and the old man looking at it and saying, No, that's not snow. It's too early for snow. And the Secretary repeating to the other girls, No, you see. It's not snow and them all saying, It's not snow we were mistaken. But it was the snow all right and he sent them on into it when he evolved exchange of populations. And it was snow they tramped along in until they died that winter. 84 It was snow too that fell all Christmas week that year up in the Gauertal, that year they lived in the woodcutter's house with the big square porcelain stove that filled half the room, and they slept on mattresses filled with beech leaves, the time the deserter came with his feet bloody in the snow. He said the police were right behind him and they gave him woolen socks and held the gendarmes talking until the tracks had drifted over. In Schrunz, on Christmas day, the snow was so bright it hurt your eyes when you looked out from the Weinstube and saw every one coming home from church. That was where they walked up the sleighsmoothed urine-yellowed road along the river with the steep pine hills, skis heavy on the shoulder, and where they ran down the glacier above the Madlenerhaus, the snow as smooth to see as cake frosting and as light as powder and he remembered the noiseless rush the speed made as you dropped down like a bird. How many winters had he lived in the Vorarlberg and the Arlberg? It was four and then he remembered the man who had the fox to sell when they had walked into Bludenz, that time to buy presents, and the cherry-pit taste of good kirsch, the fast-slipping rush of running powder-snow on crust, singing ''Hi! Ho! said Rolly!' ' as you ran down the last stretch to the steep drop, taking it straight, then running the orchard in three turns and out across the ditch and onto the icy road behind the inn. Knocking your bindings loose, kicking the skis free and leaning them up against the wooden wall of the inn, the lamplight coming from the window, where inside, in the smoky, new-wine smelling warmth, they were playing the accordion. "Where did we stay in Paris?" he asked the woman who was sitting by him in a canvas chair, now, in Africa. "At the Crillon. You know that." "Why do I know that?" They were snow-bound a week in the Madlenerhaus that time in the blizzard playing cards in the smoke by the lantern light and the stakes were higher all the time as Herr Lent lost more. Finally he lost it all. Everything, the Skischule money and all the season's profit and then his capital. He could see him with his long nose, picking up the cards and then opening, "Sans Voir." There was always gambling then. When there was no snow you gambled and when there was too much you gambled. He thought of all the time in his life he had spent gambling. But he had never written a line of that, nor of that cold, bright Christmas day with the mountains showing across the plain that Barker had flown across the lines to bomb the Austrian officers' leave train, machine-gunning them as they scattered and ran. He remembered Barker afterwards coming into the mess and starting to tell about it. And how quiet it got and then somebody saying, ''You bloody murderous bastard.'' Those were the same Austrians they killed then that he skied with later. No not the same. Hans, that he skied with all that year, had been in the Kaiser Jagers and when they went hunting hares together up the little valley above the saw-mill they had talked of the fighting on Pasubio and of the attack on Perticara and Asalone and he had never written a word of that. Nor of Monte Corona, nor the Sette Communi, nor of Arsiero. "That's where we always stayed." "No. Not always." "There and at the Pavillion Henri-Quatre in St. Germain. You said you loved it there." "Love is a dunghill," said Harry. "And I'm the cock that gets on it to crow." "If you have to go away," she said, "is it absolutely necessary to kill off everything you leave behind? I mean do you have to take away everything? Do you have to kill your horse, and your wife and burn your saddle and your armour?" "Yes," he said. "Your damned money was my armour. My Sword and my Armour." "Don't." "All right. I'll stop that. I don't want to hurt you.' "It's a little bit late now." "All right then. I'll go on hurting you. It's more amusing. The only thing I ever really liked to do with you I can't do now." "No, that's not true. You liked to do many things and everything you wanted to do I did." "Oh, for Christ sake stop bragging, will you?" 85 He looked at her and saw her crying. "Listen," he said. "Do you think that it is fun to do this? I don't know why I'm doing it. It's trying to kill to keep yourself alive, I imagine. I was all right when we started talking. I didn't mean to start this, and now I'm crazy as a coot and being as cruel to you as I can be. Don't pay any attention, darling, to what I say. I love you, really. You know I love you. I've never loved any one else the way I love you." He slipped into the familiar lie he made his bread and butter by. "You're sweet to me." "You bitch," he said. "You rich bitch. That's poetry. I'm full of poetry now. Rot and poetry. Rotten poetry." "Stop it. Harry, why do you have to turn into a devil now?" "I don't like to leave anything," the man said. "I don’t like to leave things behind." *** It was evening now and he had been asleep. The sun was gone behind the hill and there was a shadow all across the plain and the small animals were feeding close to camp; quick dropping heads and switching tails, he watched them keeping well out away from the bush now. The birds no longer waited on the ground. They were all perched heavily in a tree. There were many more of them. His personal boy was sitting by the bed. "Memsahib's gone to shoot," the boy said. "Does Bwana want?" "Nothing." She had gone to kill a piece of meat and, knowing how he liked to watch the game, she had gone well away so she would not disturb this little pocket of the plain that he could see. She was always thoughtful, he thought. On anything she knew about, or had read, or that she had ever heard. It was not her fault that when he went to her he was already over. How could a woman know that you meant nothing that you said; that you spoke only from habit and to be comfortable? After he no longer meant what he said, his lies were more successful with women than when he had told them the truth. It was not so much that he lied as that there was no truth to tell. He had had his life and it was over and then he went on living it again with different people and more money, with the best of the same places, and some new ones. You kept from thinking and it was all marvellous. You were equipped with good insides so that you did not go to pieces that way, the way most of them had, and you made an attitude that you cared nothing for the work you used to do, now that you could no longer do it. But, in yourself, you said that you would write about these people; about the very rich; that you were really not of them but a spy in their country; that you would leave it and write of it and for once it would be written by some one who knew what he was writing of. But he would never do it, because each day of not writing, of comfort, of being that which he despised, dulled his ability and softened his will to work so that, finally, he did no work at all. The people he knew now were all much more comfortable when he did not work. Africa was where he had been happiest in the good time of his life, so he had come out here to start again. They had made this safari with the minimum of comfort. There was no hardship; but there was no luxury and he had thought that he could get back into training that way. That in some way he could work the fat off his soul the way a fighter went into the mountains to work and train in order to burn it out of his body. She had liked it. She said she loved it. She loved anything that was exciting, that involved a change of scene, where there were new people and where things were pleasant. And he had felt the illusion of returning strength of will to work. Now if this was how it ended, and he knew it was, he must not turn like some snake biting itself because its back was broken. It wasn't this woman's fault. If it had not been she it would have been another. If he lived by a lie he should try to die by it. He heard a shot beyond the hill. She shot very well this good, this rich bitch, this kindly caretaker and destroyer of his talent. Nonsense. He had destroyed his talent himself. Why should he blame this woman because she kept him well? He had destroyed his talent by not using it, by betrayals of himself and what he believed in, by drinking so much that he blunted the edge of his perceptions, by laziness, by sloth, and by snobbery, by pride and by prejudice, by hook and by crook. What was this? A catalogue of old books? What was his talent anyway? It was a talent all right but instead 86 of using it, he had traded on it. It was never what he had done, but always what he could do. And he had chosen to make his living with something else instead of a pen or a pencil. It was strange, too, wasn't it, that when he fell in love with another woman, that woman should always have more money than the last one? But when he no longer was in love, when he was only lying, as to this woman, now, who had the most money of all, who had all the money there was, who had had a husband and children, who had taken lovers and been dissatisfied with them, and who loved him dearly as a writer, as a man, as a companion and as a proud possession; it was strange that when he did not love her at all and was lying, that he should be able to give her more for her money than when he had really loved. We must all be cut out for what we do, he thought. However you make your living is where your talent lies. He had sold vitality, in one form or another, all his life and when your affections are not too involved you give much better value for the money. He had found that out but he would never write that, now, either. No, he would not write that, although it was well worth writing. Now she came in sight, walking across the open toward the camp. She was wearing jodphurs and carrying her rifle. The two boys had a Tommie slung and they were coming along behind her. She was still a good-looking woman, he thought, and she had a pleasant body. She had a great talent and appreciation for the bed, she was not pretty, but he liked her face, she read enormously, liked to ride and shoot and, certainly, she drank too much. Her husband had died when she was still a comparatively young woman and for a while she had devoted herself to her two just-grown children, who did not need her and were embarrassed at having her about, to her stable of horses, to books, and to bottles. She liked to read in the evening before dinner and she drank Scotch and soda while she read. By dinner she was fairly drunk and after a bottle of wine at dinner she was usually drunk enough to sleep. That was before the lovers. After she had the lovers she did not drink so much because she did not have to be drunk to sleep. But the lovers bored her. She had been married to a man who had never bored her and these people bored her very much. Then one of her two children was killed in a plane crash and after that was over she did not want the lovers, and drink being no anaesthetic she had to make another life. Suddenly, she had been acutely frightened of being alone. But she wanted some one that she respected with her. It had begun very simply. She liked what he wrote and she had always envied the life he led. She thought he did exactly what he wanted to. The steps by which she had acquired him and the way in which she had finally fallen in love with him were all part of a regular progression in which she had built herself a new life and he had traded away what remained of his old life. He had traded it for security, for comfort too, there was no denying that, and for what else? He did not know. She would have bought him anything he wanted. He knew that. She was a damned nice woman too. He would as soon be in bed with her as any one; rather with her, because she was richer, because she was very pleasant and appreciative and because she never made scenes. And now this life that she had built again was coming to a term because he had not used iodine two weeks ago when a thorn had scratched his knee as they moved forward trying to photograph a herd of waterbuck standing, their heads up, peering while their nostrils searched the air, their ears spread wide to hear the first noise that would send them rushing into the bush. They had bolted, too, before he got the picture. Here she came now. He turned his head on the cot to look toward her. "Hello," he said. "I shot a Tommy ram," she told him. "He'll make you good broth and I'll have them mash some potatoes with the Klim. How do you feel?" "Much better." "Isn't that lovely? You know I thought perhaps you would. You were sleeping when I left." "I had a good sleep. Did you walk far?" "No. Just around behind the hill. I made quite a good shot on the Tommy." "You shoot marvellously, you know." "I love it. I've loved Africa. Really. If you're all right it's the most fun that I've ever had. You don't know the fun it's been to shoot with you. I've loved the country." "I love it too." 87 "Darling, you don't know how marvellous it is to see you feeling better. I couldn't stand it when you felt that way. You won't talk to me like that again, will you? Promise me?" "No," he said. "I don't remember what I said." "You don't have to destroy me. Do you? I'm only a middle-aged woman who loves you and wants to do what you want to do. I've been destroyed two or three times already. You wouldn't want to destroy me again, would you?" Drinking together, with no pain now except the discomfort of lying in the one position, the boys lighting a fire, its shadow jumping on the tents, he could feel the return of acquiescence in this life of pleasant surrender. She was very good to him. He had been cruel and unjust in the afternoon. She was a fine woman, marvellous really. And just then it occurred to him that he was going to die. It came with a rush; not as a rush of water nor of wind; but of a sudden, evil-smelling emptiness and the odd thing was that the hyena slipped lightly along the edge of it. "I'd like to destroy you a few times in bed," he said. "What is it, Harry?" she asked him. "Yes. That's the good destruction. That's the way we're made to be destroyed. The plane will be here tomorrow." "Nothing," he said. "You had better move over to the other side. To windward." "How do you know?" "Did Molo change the dressing?" "I'm sure. It's bound to come. The boys have the wood all ready and the grass to make the smudge. I went down and looked at it again today. There's plenty of room to land and we have the smudges ready at both ends." "Yes. I'm just using the boric now." "What makes you think it will come tomorrow?" "I'm sure it will. It's overdue now. Then, in town, they will fix up your leg and then we will have some good destruction. Not that dreadful talking kind." "I'm going in to bathe," she said. "I'll be right out. I'll eat with you and then we'll put the cot in." "Should we have a drink? The sun is down." "Do you think you should?" "I'm having one." "We'll have one together. Molo, letti dui whiskeysoda!" she called. "You'd better put on your mosquito boots," he told her. "I'll wait till I bathe . . ." While it grew dark they drank and just before it was dark and there was no longer enough light to shoot, a hyena crossed the open on his way around the hill. "That bastard crosses there every night," the man said. "Every night for two weeks." "He's the one makes the noise at night. I don't mind it. They're a filthy animal though." "How do you feel?" "A little wobbly." So, he said to himself, we did well to stop the quarrelling. He had never quarrelled much with this woman, while with the women that he loved he had quarrelled so much they had finally, always, with the corrosion of the quarrelling, killed what they had together. He had loved too much, demanded too much, and he wore it all out. He thought about alone in Constantinople that time, having quarrelled in Paris before he had gone out. He had whored the whole time and then, when that was over, and he had failed to kill his loneliness, but only made it worse, he had written her, the first one, the one who left him, a letter telling her how he had never been able to kill it ... How when he thought he saw her outside the Regence one time it made him go all faint and sick inside, and that he would follow a woman who looked like her in some way, along the Boulevard, afraid to see it was not she, afraid to lose the feeling it gave him. How every one he had slept with had only made him miss her more. How what she had done could never matter since he knew he could not cure himself of loving her. He wrote this letter at the Club, cold sober, and mailed it to New York asking her to write him at the of fice in Paris. 88 That seemed safe. And that night missing her so much it made him feel hollow sick inside, he wandered up past Maxim's, picked a girl up and took her out to supper. He had gone to a place to dance with her afterward, she danced badly, and left her for a hot Armenian slut, that swung her belly against him so it almost scalded. He took her away from a British gunner subaltern after a row. The gunner asked him outside and they fought in the street on the cobbles in the dark. He'd hit him twice, hard, on the side of the jaw and when he didn't go down he knew he was in for a fight. The gunner hit him in the body, then beside his eye. He swung with his left again and landed and the gunner fell on him and grabbed his coat and tore the sleeve off and he clubbed him twice behind the ear and then smashed him with his right as he pushed him away. When the gunner went down his head hit first and he ran with the girl because they heard the M.P. 's coming. They got into a taxi and drove out to Rimmily Hissa along the Bosphorus, and around, and back in the cool night and went to bed and she felt as over-ripe as she looked but smooth, rose-petal, syrupy, smooth-bellied, bigbreasted and needed no pillow under her buttocks, and he left her before she was awake looking blousy enough in the first daylight and turned up at the Pera Palace with a black eye, carrying his coat because one sleeve was missing. Tzara, who always wore a monocle and had a headache, and, back at the apartment with his wife that now he loved again, the quarrel all over, the madness all over, glad to be home, the office sent his mail up to the flat. So then the letter in answer to the one he'd written came in on a platter one morning and when he saw the hand writing he went cold all over and tried to slip the letter underneath another. But his wife said, ''Who is that letter from, dear?'' and that was the end of the beginning of that. That same night he left for Anatolia and he remembered, later on that trip, riding all day through fields of the poppies that they raised for opium and how strange it made you feel, finally, and all the distances seemed wrong, to where they had made the attack with the newly arrived Constantine officers, that did not know a god-damned thing, and the artillery had fired into the troops and the British observer had cried like a child. "All right." That was the day he'd first seen dead men wearing white ballet skirts and upturned shoes with pompons on them. The Turks had come steadily and lumpily and he had seen the skirted men running and the of ficers shooting into them and running then themselves and he and the British observer had run too until his lungs ached and his mouth was full of the taste of pennies and they stopped behind some rocks and there were the Turks coming as lumpily as ever. Later he had seen the things that he could never think of and later still he had seen much worse. So when he got back to Paris that time he could not talk about it or stand to have it mentioned. And there in the cafe as he passed was that American poet with a pile of saucers in front of him and a stupid look on his potato face talking about the Dada movement with a Roumanian who said his name was Tristan "I'm going to die tonight," he said. "I don't need my strength up." He remembered the good times with them all, and the quarrels. They always picked the finest places to have the quarrels. And why had they always quarrelled when he was feeling best? He had never written any of that because, at first, he never wanted to hurt any one and then it seemed as though there was enough to write without it. But he had always thought that he would write it finally. There was so much to write. He had seen the world change; not just the events; although he had seen many of them and had watched the people, but he had seen the subtler change and he could remember how the people were at different times. He had been in it and he had watched it and it was his duty to write of it; but now he never would. "How do you feel?" she said. She had come out from the tent now after her bath. "Could you eat now?" He saw Molo behind her with the folding table and the other boy with the dishes. "I want to write," he said. "You ought to take some broth to keep your strength up." "Don't be melodramatic, Harry, please," she said. "Why don't you use your nose? I'm rotted half way up my thigh now. What the hell should I fool with broth for? Molo bring whiskey-soda." "Please take the broth," she said gently. "All right." The broth was too hot. He had to hold it in the cup until it cooled enough to take it and then he just got it down without gagging. 89 "You're a fine woman," he said. "Don't pay any attention to me." She looked at him with her well-known, well-loved face from Spur and Town & Country, only a little the worse for drink, only a little the worse for bed, but Town & Country never showed those good breasts and those useful thighs and those lightly small-ofback-caressing hands, and as he looked and saw her well-known pleasant smile, he felt death come again. in. This time there was no rush. It was a puff, as of a wind that makes a candle flicker and the flame go tall. "They can bring my net out later and hang it from the tree and build the fire up. I'm not going in the tent tonight. It's not worth moving. It's a clear night. There won't be any rain." So this was how you died, in whispers that you did not hear. Well, there would be no more quarrelling. He could promise that. The one experience that he had never had he was not going to spoil now. He probably would. You spoiled everything. But perhaps he wouldn't. "You can't take dictation, can you?" "I never learned," she told him. "That's all right." There wasn't time, of course, although it seemed as though it telescoped so that you might put it all into one paragraph if you could get it right. There was a log house, chinked white with mortar, on a hill above the lake. There was a bell on a pole by the door to call the people in to meals. Behind the house were fields and behind the fields was the timber. A line of lombardy poplars ran from the house to the dock. Other poplars ran along the point. A road went up to the hills along the edge of the timber and along that road he picked blackberries. Then that log house was burned down and all the guns that had been on deer foot racks above the open fire place were burned and afterwards their barrels, with the lead melted in the magazines, and the stocks burned away, lay out on the heap of ashes that were used to make lye for the big iron soap kettles, and you asked Grandfather if you could have them to play with, and he said, no. You see they were his guns still and he never bought any others. Nor did he hunt any more. The house was rebuilt in the same place out of lumber now and painted white and from its porch you saw the poplars and the lake beyond; but there were never any more guns. The barrels of the guns that had hung on the deer feet on the wall of the log house lay out there on the heap of ashes and no one ever touched them. In the Black Forest, after the war, we rented a trout stream and there were two ways to walk to it. One was down the valley from Triberg and around the valley road in the shade of the trees that bordered the white road, and then up a side road that went up through the hills past many small farms, with the big Schwarzwald houses, until that road crossed the stream. That was where our fishing began. The other way was to climb steeply up to the edge of the woods and then go across the top of the hills through the pine woods, and then out to the edge of a meadow and down across this meadow to the bridge. There were birches along the stream and it was not big, but narrow, clear and fast, with pools where it had cut under the roots of the birches. At the Hotel in Triberg the proprietor had a fine season. It was very pleasant and we were all great friends. The next year came the inflation and the money he had made the year before was not enough to buy supplies to open the hotel and he hanged himself. You could dictate that, but you could not dictate the Place Contrescarpe where the flower sellers dyed their flowers in the street and the dye ran over the paving where the autobus started and the old men and the women, always drunk on wine and bad mare; and the children with their noses running in the cold; the smell of dirty sweat and poverty and drunkenness at the Cafe' des Amateurs and the whores at the Bal Musette they lived above. The concierge who entertained the trooper of the Garde Republicaine in her loge, his horse-hair-plumed helmet on a chair. The locataire across the hall whose husband was a bicycle racer and her joy that morning at the cremerie when she had opened L'Auto and seen where he placed third in Paris-Tours, his first big race. She had blushed and laughed and then gone upstairs crying with the yellow sporting paper in her hand. The husband of the woman who ran the Bal Musette drove a taxi and when he, Harry, had to take an early plane the husband knocked upon the door to wake him and they each drank a glass of white wine at the zinc of the bar before they started. He knew his neighbors in that quarter then because they all were poor. Around that Place there were two kinds; the drunkards and the sportifs. The drunkards killed their poverty that way; the sportifs took it out in exercise. 90 They were the descendants of the Communards and it was no struggle for them to know their politics. They knew who had shot their fathers, their relatives, their brothers, and their friends when the Versailles troops came in and took the town after the Commune and executed any one they could catch with calloused hands, or who wore a cap, or carried any other sign he was a working man. And in that poverty, and in that quarter across the street from a Boucherie Chevaline and a wine cooperative he had written the start of all he was to do. There never was another part of Paris that he loved like that, the sprawling trees, the old white plastered houses painted brown below, the long green of the autobus in that round square, the purple flower dye upon the paving, the sudden drop down the hill of the rue Cardinal Lemoine to the River, and the other way the narrow crowded world of the rue Mouffetard. The street that ran up toward the Pantheon and the other that he always took with the bicycle, the only asphalted street in all that quarter, smooth under the tires, with the high narrow houses and the cheap tall hotel where Paul Verlaine had died. There were only two rooms in the apartments where they lived and he had a room on the top floor of that hotel that cost him sixty francs a month where he did his writing, and from it he could see the roofs and chimney pots and all the hills of Paris. From the apartment you could only see the wood and coal man's place. He sold wine too, bad wine. The golden horse's head outside the Boucherie Chevaline where the carcasses hung yellow gold and red in the open window, and the green painted co-operative where they bought their wine; good wine and cheap. The rest was plaster walls and the windows of the neighbors. The neighbors who, at night, when some one lay drunk in the street, moaning and groaning in that typical French ivresse that you were propaganded to believe did not exist, would open their windows and then the murmur of talk. ''Where is the policeman? When you don't want him the bugger is always there. He's sleeping with some concierge. Get the Agent. " Till some one threw a bucket of water from a window and the moaning stopped. ''What's that? Water. Ah, that's intelligent." And the windows shutting. Marie, his femme de menage, protesting against the eight-hour day saying, ''If a husband works until six he gets only a riffle drunk on the way home and does not waste too much. If he works only until five he is drunk every night and one has no money. It is the wife of the working man who suffers from this shortening of hours. ' "Wouldn't you like some more broth?" the woman asked him now. "No, thank you very much. It is awfully good." "Try just a little." "I would like a whiskey-soda." "It's not good for you." "No. It's bad for me. Cole Porter wrote the words and the music. This knowledge that you're going mad for me." "You know I like you to drink." "Oh yes. Only it's bad for me." When she goes, he thought, I'll have all I want. Not all I want but all there is. Ayee he was tired. Too tired. He was going to sleep a little while. He lay still and death was not there. It must have gone around another street. It went in pairs, on bicycles, and moved absolutely silently on the pavements. No, he had never written about Paris. Not the Paris that he cared about. But what about the rest that he had never written? What about the ranch and the silvered gray of the sage brush, the quick, clear water in the irrigation ditches, and the heavy green of the alfalfa. The trail went up into the hills and the cattle in the summer were shy as deer. The bawling and the steady noise and slow moving mass raising a dust as you brought them down in the fall. And behind the mountains, the clear sharpness of the peak in the evening light and, riding down along the trail in the moonlight, bright across the valley. Now he remembered coming down through the timber in the dark holding the horse's tail when you could not see and all the stories that he meant to write. About the half-wit chore boy who was left at the ranch that time and told not to let any one get any hay, and that old bastard from the Forks who had beaten the boy when he had worked for him stopping to get some feed. The boy refusing and the old man saying he would beat him again. The boy got the rifle from the kitchen and shot him when he tried to come into the barn and when they came back to the ranch he'd been dead a week, frozen in the corral, and the dogs had eaten part of him. But what was left you packed on a sled wrapped in a blanket and roped on and you got the boy to help you haul it, and the two 91 of you took it out over the road on skis, and sixty miles down to town to turn the boy over. He having no idea that he would be arrested. Thinking he had done his duty and that you were his friend and he would be rewarded. He'd helped to haul the old man in so everybody could know how bad the old man had been and how he'd tried to steal some feed that didn't belong to him, and when the sheriff put the handcuffs on the boy he couldn't believe it. Then he'd started to cry. That was one story he had saved to write. He knew at least twenty good stories from out there and he had never written one. Why? "You tell them why," he said. Shoot me, Harry. For Christ sake shoot me. They had had an argument one time about our Lord never sending you anything you could not bear and some one's theory had been that meant that at a certain time the pain passed you out automatically. But he had always remembered Williamson, that night. Nothing passed out Williamson until he gave him all his morphine tablets that he had always saved to use himself and then they did not work right away. Still this now, that he had, was very easy; and if it was no worse as it went on there was nothing to worry about. Except that he would rather be in better company. "Why what, dear?" "Why nothing." She didn't drink so much, now, since she had him. But if he lived he would never write about her, he knew that now. Nor about any of them. The rich were dull and they drank too much, or they played too much backgammon. They were dull and they were repetitious. He remembered poor Julian and his romantic awe of them and how he had started a story once that began, "The very rich are different from you and me." And how some one had said to Julian, Yes, they have more money. But that was not humorous to Julian. He thought they were a special glamourous race and when he found they weren't it wrecked him just as much as any other thing that wrecked him. He had been contemptuous of those who wrecked. You did not have to like it because you understood it. He could beat anything, he thought, because no thing could hurt him if he did not care. All right. Now he would not care for death. One thing he had always dreaded was the pain. He could stand pain as well as any man, until it went on too long, and wore him out, but here he had something that had hurt frightfully and just when he had felt it breaking him, the pain had stopped. He thought a little about the company that he would like to have. No, he thought, when everything you do, you do too long, and do too late, you can't expect to find the people still there. The people all are gone. The party's over and you are with your hostess now. I'm getting as bored with dying as with everything else, he thought. "It's a bore," he said out loud. "What is, my dear?" "Anything you do too bloody long." He looked at her face between him and the fire. She was leaning back in the chair and the firelight shone on her pleasantly lined face and he could see that she was sleepy. He heard the hyena make a noise just outside the range of the fire. "I've been writing," he said. "But I got tired." "Do you think you will be able to sleep?" "Pretty sure. Why don't you turn in?" "I like to sit here with you." He remembered long ago when Williamson, the bombing officer, had been hit by a stick bomb some one in a German patrol had thrown as he was coming in through the wire that night and, screaming, had begged every one to kill him. He was a fat man, very brave, and a good officer, although addicted to fantastic shows. But that night he was caught in the wire, with a flare lighting him up and his bowels spilled out into the wire, so when they brought him in, alive, they had to cut him loose. "Do you feel anything strange?" he asked her. "No. Just a little sleepy." "I do," he said. He had just felt death come by again. 92 "You know the only thing I've never lost is curiosity," he said to her. "Bad leg," he told him. "Will you have some breakfast?" "You've never lost anything. You're the most complete man I've ever known." "Thanks. I'll just have some tea. It's the Puss Moth you know. I won't be able to take the Memsahib. There's only room for one. Your lorry is on the way." "Christ," he said. "How little a woman knows. What is that? Your intuition?" Because, just then, death had come and rested its head on the foot of the cot and he could smell its breath. "Never believe any of that about a scythe and a skull," he told her. "It can be two bicycle policemen as easily, or be a bird. Or it can have a wide snout like a hyena." It had moved up on him now, but it had no shape any more. It simply occupied space. "Tell it to go away." It did not go away but moved a little closer. "You've got a hell of a breath," he told it. "You stinking bastard." It moved up closer to him still and now he could not speak to it, and when it saw he could not speak it came a little closer, and now he tried to send it away without speaking, but it moved in on him so its weight was all upon his chest, and while it crouched there and he could not move or speak, he heard the woman say, "Bwana is asleep now. Take the cot up very gently and carry it into the tent." He could not speak to tell her to make it go away and it crouched now, heavier, so he could not breathe. And then, while they lifted the cot, suddenly it was all right and the weight went from his chest. It was morning and had been morning for some time and he heard the plane. It showed very tiny and then made a wide circle and the boys ran out and lit the fires, using kerosene, and piled on grass so there were two big smudges at each end of the level place and the morning breeze blew them toward the camp and the plane circled twice more, low this time, and then glided down and levelled off and landed smoothly and, coming walking toward him, was old Compton in slacks, a tweed jacket and a brown felt hat. Helen had taken Compton aside and was speaking to him. Compton came back more cheery than ever. "We'll get you right in," he said. "I'll be back for the Mem. Now I'm afraid I'll have to stop at Arusha to refuel. We'd better get going." "What about the tea?" "I don't really care about it, you know." The boys had picked up the cot and carried it around the green tents and down along the rock and out onto the plain and along past the smudges that were burning brightly now, the grass all consumed, and the wind fanning the fire, to the little plane. It was difficult getting him in, but once in he lay back in the leather seat, and the leg was stuck straight out to one side of the seat where Compton sat. Compton started the motor and got in. He waved to Helen and to the boys and, as the clatter moved into the old familiar roar, they swung around with Compie watching for warthog holes and roared, bumping, along the stretch between the fires and with the last bump rose and he saw them all standing below, waving, and the camp beside the hill, flattening now, and the plain spreading, clumps of trees, and the bush flattening, while the game trails ran now smoothly to the dry waterholes, and there was a new water that he had never known of. The zebra, small rounded backs now, and the wildebeeste, big-headed dots seeming to climb as they moved in long fingers across the plain, now scattering as the shadow came toward them, they were tiny now, and the movement had no gallop, and the plain as far as you could see, gray-yellow now and ahead old Compie's tweed back and the brown felt hat. Then they were over the first hills and the wildebeeste were trailing up them, and then they were over mountains with sudden depths of greenrising forest and the solid bamboo slopes, and then the heavy forest again, sculptured into peaks and hollows until they crossed, and hills sloped down and then another plain, hot now, and purple brown, bumpy with heat and Compie looking back to see how he was riding. Then there were other mountains dark ahead. "What's the matter, old cock?" Compton said. And then instead of going on to Arusha they turned left, he evidently figured that they had the gas, and 93 looking down he saw a pink sifting cloud, moving over the ground, and in the air, like the first snow in at ii blizzard, that comes from nowhere, and he knew the locusts were coming, up from the South. Then they began to climb and they were going to the East it seemed, and then it darkened and they were in a storm, the rain so thick it seemed like flying through a waterfall, and then they were out and Compie turned his head and grinned and pointed and there, ahead, all he could see, as wide as all the world, great, high, and unbelievably white in the sun, was the square top of Kilimanjaro. And then he knew that there was where he was going. Just then the hyena stopped whimpering in the night and started to make a strange, human, almost crying sound. The woman heard it and, stirred uneasily. She did not wake. In her dream she was at the house on Long Island and it was the night before her daughter's debut. Somehow her father was there and he had been very rude. Then the noise the hyena made was so loud she woke and for a moment she did not know where she was and she was very afraid. Then she took the flashlight and shone it on the other cot that they had carried in after Harry had gone to sleep. She could see his bulk under the mosquito bar but somehow he had gotten his leg out and it hung down alongside the cot. The dressings had all come down and she could not look at it. "Molo," she called, "Molo! Molo!" Then she said, "Harry, Harry!" Then her voice rising, "Harry! Please. Oh Harry!" There was no answer and she could not hear him breathing. Outside the tent the hyena made the same strange noise that had awakened her. But she did not hear him for the beating of her heart. _______________________________________ The Legend of Sleepy Hollow Washington Irving FOUND AMONG THE PAPERS OF THE LATE DIEDRICH KNICKERBOCKER. A pleasing land of drowsy head it was, Of dreams that wave before the half-shut eye; And of gay castles in the clouds that pass, Forever flushing round a summer sky. CASTLE OF INDOLENCE. In the bosom of one of those spacious coves which indent the eastern shore of the Hudson, at that broad expansion of the river denominated by the ancient Dutch navigators the Tappan Zee, and where they always prudently shortened sail and implored the protection of St. Nicholas when they crossed, there lies a small market town or rural port, which by some is called Greensburgh, but which is more generally and properly known by the name of Tarry Town. This name was given, we are told, in former days, by the good housewives of the adjacent country, from the inveterate propensity of their husbands to linger about the village tavern on market days. Be that as it may, I do not vouch for the fact, but merely advert to it, for the sake of being precise and authentic. Not far from this village, perhaps about two miles, there is a little valley or rather lap of land among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose; and the occasional whistle of a quail or tapping of a woodpecker is almost the only sound that ever breaks in upon the uniform tranquillity. I recollect that, when a stripling, my first exploit in squirrel-shooting was in a grove of tall walnut-trees that shades one side of the valley. I had wandered into it at noontime, when all nature is peculiarly quiet, and was startled by the roar of my own gun, as it broke the Sabbath stillness around and was prolonged and reverberated by the angry echoes. If ever I should wish for a retreat whither I might steal from the world and its distractions, and dream quietly away the remnant of a troubled life, I know of none more promising than this little valley. From the listless repose of the place, and the peculiar character of its inhabitants, who are descendants from the original Dutch settlers, this sequestered glen has long been known by the name of SLEEPY HOLLOW, and its rustic lads are called the Sleepy Hollow Boys throughout all the neighboring country. A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere. Some say that the place was bewitched by a High German doctor, during the early days of the settlement; others, that an old Indian chief, the prophet or wizard of his tribe, held his powwows there before the country was discovered by Master Hendrick Hudson. Certain it is, the place still continues under the sway of some witching power, that holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvellous beliefs, are subject to trances and visions, and frequently see strange sights, and hear music and voices in the air. The whole neighborhood abounds with local tales, haunted spots, and twilight superstitions; stars shoot and meteors glare oftener 94 across the valley than in any other part of the country, and the nightmare, with her whole ninefold, seems to make it the favorite scene of her gambols. The dominant spirit, however, that haunts this enchanted region, and seems to be commander-inchief of all the powers of the air, is the apparition of a figure on horseback, without a head. It is said by some to be the ghost of a Hessian trooper, whose head had been carried away by a cannon-ball, in some nameless battle during the Revolutionary War, and who is ever and anon seen by the country folk hurrying along in the gloom of night, as if on the wings of the wind. His haunts are not confined to the valley, but extend at times to the adjacent roads, and especially to the vicinity of a church at no great distance. Indeed, certain of the most authentic historians of those parts, who have been careful in collecting and collating the floating facts concerning this spectre, allege that the body of the trooper having been buried in the churchyard, the ghost rides forth to the scene of battle in nightly quest of his head, and that the rushing speed with which he sometimes passes along the Hollow, like a midnight blast, is owing to his being belated, and in a hurry to get back to the churchyard before daybreak. Such is the general purport of this legendary superstition, which has furnished materials for many a wild story in that region of shadows; and the spectre is known at all the country firesides, by the name of the Headless Horseman of Sleepy Hollow. It is remarkable that the visionary propensity I have mentioned is not confined to the native inhabitants of the valley, but is unconsciously imbibed by every one who resides there for a time. However wide awake they may have been before they entered that sleepy region, they are sure, in a little time, to inhale the witching influence of the air, and begin to grow imaginative, to dream dreams, and see apparitions. I mention this peaceful spot with all possible laud, for it is in such little retired Dutch valleys, found here and there embosomed in the great State of New York, that population, manners, and customs remain fixed, while the great torrent of migration and improvement, which is making such incessant changes in other parts of this restless country, sweeps by them unobserved. They are like those little nooks of still water, which border a rapid stream, where we may see the straw and bubble riding quietly at anchor, or slowly revolving in their mimic harbor, undisturbed by the rush of the passing current. Though many years have elapsed since I trod the drowsy shades of Sleepy Hollow, yet I question whether I should not still find the same trees and the same families vegetating in its sheltered bosom. In this by-place of nature there abode, in a remote period of American history, that is to say, some thirty years since, a worthy wight of the name of Ichabod Crane, who sojourned, or, as he expressed it, "tarried," in Sleepy Hollow, for the purpose of instructing the children of the vicinity. He was a native of Connecticut, a State which supplies the Union with pioneers for the mind as well as for the forest, and sends forth yearly its legions of frontier woodmen and country schoolmasters. The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weather-cock perched upon his spindle neck to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield. His schoolhouse was a low building of one large room, rudely constructed of logs; the windows partly glazed, and partly patched with leaves of old copybooks. It was most ingeniously secured at vacant hours, by a withe twisted in the handle of the door, and stakes set against the window shutters; so that though a thief might get in with perfect ease, he would find some embarrassment in getting out,--an idea most probably borrowed by the architect, Yost Van Houten, from the mystery of an eelpot. The schoolhouse stood in a rather lonely but pleasant situation, just at the foot of a woody hill, with a brook running close by, and a formidable birch-tree growing at one end of it. From hence the low murmur of his pupils' voices, conning over their lessons, might be heard in a drowsy summer's day, like the hum of a beehive; interrupted now and then by the authoritative voice of the master, in the tone of menace or command, or, peradventure, by the appalling sound of the birch, as he urged some tardy loiterer along the flowery path of knowledge. Truth to say, he was a conscientious man, and ever bore in mind the golden maxim, "Spare the rod and spoil the child." Ichabod Crane's scholars certainly were not spoiled. I would not have it imagined, however, that he was one of those cruel potentates of the school who joy in 95 the smart of their subjects; on the contrary, he administered justice with discrimination rather than severity; taking the burden off the backs of the weak, and laying it on those of the strong. Your mere puny stripling, that winced at the least flourish of the rod, was passed by with indulgence; but the claims of justice were satisfied by inflicting a double portion on some little tough wrong-headed, broad-skirted Dutch urchin, who sulked and swelled and grew dogged and sullen beneath the birch. All this he called "doing his duty by their parents;" and he never inflicted a chastisement without following it by the assurance, so consolatory to the smarting urchin, that "he would remember it and thank him for it the longest day he had to live." Sundays, to take his station in front of the church gallery, with a band of chosen singers; where, in his own mind, he completely carried away the palm from the parson. Certain it is, his voice resounded far above all the rest of the congregation; and there are peculiar quavers still to be heard in that church, and which may even be heard half a mile off, quite to the opposite side of the millpond, on a still Sunday morning, which are said to be legitimately descended from the nose of Ichabod Crane. Thus, by divers little makeshifts, in that ingenious way which is commonly denominated "by hook and by crook," the worthy pedagogue got on tolerably enough, and was thought, by all who understood nothing of the labor of headwork, to have a wonderfully easy life of it. When school hours were over, he was even the companion and playmate of the larger boys; and on holiday afternoons would convoy some of the smaller ones home, who happened to have pretty sisters, or good housewives for mothers, noted for the comforts of the cupboard. Indeed, it behooved him to keep on good terms with his pupils. The revenue arising from his school was small, and would have been scarcely sufficient to furnish him with daily bread, for he was a huge feeder, and, though lank, had the dilating powers of an anaconda; but to help out his maintenance, he was, according to country custom in those parts, boarded and lodged at the houses of the farmers whose children he instructed. With these he lived successively a week at a time, thus going the rounds of the neighborhood, with all his worldly effects tied up in a cotton handkerchief. The schoolmaster is generally a man of some importance in the female circle of a rural neighborhood; being considered a kind of idle, gentlemanlike personage, of vastly superior taste and accomplishments to the rough country swains, and, indeed, inferior in learning only to the parson. His appearance, therefore, is apt to occasion some little stir at the tea-table of a farmhouse, and the addition of a supernumerary dish of cakes or sweetmeats, or, peradventure, the parade of a silver teapot. Our man of letters, therefore, was peculiarly happy in the smiles of all the country damsels. How he would figure among them in the churchyard, between services on Sundays; gathering grapes for them from the wild vines that overran the surrounding trees; reciting for their amusement all the epitaphs on the tombstones; or sauntering, with a whole bevy of them, along the banks of the adjacent millpond; while the more bashful country bumpkins hung sheepishly back, envying his superior elegance and address. That all this might not be too onerous on the purses of his rustic patrons, who are apt to consider the costs of schooling a grievous burden, and schoolmasters as mere drones, he had various ways of rendering himself both useful and agreeable. He assisted the farmers occasionally in the lighter labors of their farms, helped to make hay, mended the fences, took the horses to water, drove the cows from pasture, and cut wood for the winter fire. He laid aside, too, all the dominant dignity and absolute sway with which he lorded it in his little empire, the school, and became wonderfully gentle and ingratiating. He found favor in the eyes of the mothers by petting the children, particularly the youngest; and like the lion bold, which whilom so magnanimously the lamb did hold, he would sit with a child on one knee, and rock a cradle with his foot for whole hours together. In addition to his other vocations, he was the singingmaster of the neighborhood, and picked up many bright shillings by instructing the young folks in psalmody. It was a matter of no little vanity to him on From his half-itinerant life, also, he was a kind of travelling gazette, carrying the whole budget of local gossip from house to house, so that his appearance was always greeted with satisfaction. He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through, and was a perfect master of Cotton Mather's "History of New England Witchcraft," in which, by the way, he most firmly and potently believed. He was, in fact, an odd mixture of small shrewdness and simple credulity. His appetite for the marvellous, and his powers of digesting it, were equally extraordinary; and both had been increased by his residence in this spell-bound region. No tale was too gross or monstrous for his capacious swallow. It was often his delight, after his school was dismissed in the afternoon, to stretch himself on the rich bed of clover bordering the little brook that whimpered by 96 his schoolhouse, and there con over old Mather's direful tales, until the gathering dusk of evening made the printed page a mere mist before his eyes. Then, as he wended his way by swamp and stream and awful woodland, to the farmhouse where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination,-the moan of the whip-poor-will from the hillside, the boding cry of the tree toad, that harbinger of storm, the dreary hooting of the screech owl, or the sudden rustling in the thicket of birds frightened from their roost. The fireflies, too, which sparkled most vividly in the darkest places, now and then startled him, as one of uncommon brightness would stream across his path; and if, by chance, a huge blockhead of a beetle came winging his blundering flight against him, the poor varlet was ready to give up the ghost, with the idea that he was struck with a witch's token. His only resource on such occasions, either to drown thought or drive away evil spirits, was to sing psalm tunes and the good people of Sleepy Hollow, as they sat by their doors of an evening, were often filled with awe at hearing his nasal melody, "in linked sweetness long drawn out," floating from the distant hill, or along the dusky road. Another of his sources of fearful pleasure was to pass long winter evenings with the old Dutch wives, as they sat spinning by the fire, with a row of apples roasting and spluttering along the hearth, and listen to their marvellous tales of ghosts and goblins, and haunted fields, and haunted brooks, and haunted bridges, and haunted houses, and particularly of the headless horseman, or Galloping Hessian of the Hollow, as they sometimes called him. He would delight them equally by his anecdotes of witchcraft, and of the direful omens and portentous sights and sounds in the air, which prevailed in the earlier times of Connecticut; and would frighten them woefully with speculations upon comets and shooting stars; and with the alarming fact that the world did absolutely turn round, and that they were half the time topsy-turvy! But if there was a pleasure in all this, while snugly cuddling in the chimney corner of a chamber that was all of a ruddy glow from the crackling wood fire, and where, of course, no spectre dared to show its face, it was dearly purchased by the terrors of his subsequent walk homewards. What fearful shapes and shadows beset his path, amidst the dim and ghastly glare of a snowy night! With what wistful look did he eye every trembling ray of light streaming across the waste fields from some distant window! How often was he appalled by some shrub covered with snow, which, like a sheeted spectre, beset his very path! How often did he shrink with curdling awe at the sound of his own steps on the frosty crust beneath his feet; and dread to look over his shoulder, lest he should behold some uncouth being tramping close behind him! And how often was he thrown into complete dismay by some rushing blast, howling among the trees, in the idea that it was the Galloping Hessian on one of his nightly scourings! All these, however, were mere terrors of the night, phantoms of the mind that walk in darkness; and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely perambulations, yet daylight put an end to all these evils; and he would have passed a pleasant life of it, in despite of the Devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was--a woman. Among the musical disciples who assembled, one evening in each week, to receive his instructions in psalmody, was Katrina Van Tassel, the daughter and only child of a substantial Dutch farmer. She was a blooming lass of fresh eighteen; plump as a partridge; ripe and melting and rosy-cheeked as one of her father's peaches, and universally famed, not merely for her beauty, but her vast expectations. She was withal a little of a coquette, as might be perceived even in her dress, which was a mixture of ancient and modern fashions, as most suited to set off her charms. She wore the ornaments of pure yellow gold, which her great-great-grandmother had brought over from Saardam; the tempting stomacher of the olden time, and withal a provokingly short petticoat, to display the prettiest foot and ankle in the country round. Ichabod Crane had a soft and foolish heart towards the sex; and it is not to be wondered at that so tempting a morsel soon found favor in his eyes, more especially after he had visited her in her paternal mansion. Old Baltus Van Tassel was a perfect picture of a thriving, contented, liberal-hearted farmer. He seldom, it is true, sent either his eyes or his thoughts beyond the boundaries of his own farm; but within those everything was snug, happy and wellconditioned. He was satisfied with his wealth, but not proud of it; and piqued himself upon the hearty abundance, rather than the style in which he lived. His stronghold was situated on the banks of the Hudson, in one of those green, sheltered, fertile nooks in which the Dutch farmers are so fond of nestling. A great elm tree spread its broad branches over it, at the foot of which bubbled up a spring of the softest and sweetest water, in a little well formed 97 of a barrel; and then stole sparkling away through the grass, to a neighboring brook, that babbled along among alders and dwarf willows. Hard by the farmhouse was a vast barn, that might have served for a church; every window and crevice of which seemed bursting forth with the treasures of the farm; the flail was busily resounding within it from morning to night; swallows and martins skimmed twittering about the eaves; and rows of pigeons, some with one eye turned up, as if watching the weather, some with their heads under their wings or buried in their bosoms, and others swelling, and cooing, and bowing about their dames, were enjoying the sunshine on the roof. Sleek unwieldy porkers were grunting in the repose and abundance of their pens, from whence sallied forth, now and then, troops of sucking pigs, as if to snuff the air. A stately squadron of snowy geese were riding in an adjoining pond, convoying whole fleets of ducks; regiments of turkeys were gobbling through the farmyard, and Guinea fowls fretting about it, like ill-tempered housewives, with their peevish, discontented cry. Before the barn door strutted the gallant cock, that pattern of a husband, a warrior and a fine gentleman, clapping his burnished wings and crowing in the pride and gladness of his heart,--sometimes tearing up the earth with his feet, and then generously calling his ever-hungry family of wives and children to enjoy the rich morsel which he had discovered. The pedagogue's mouth watered as he looked upon this sumptuous promise of luxurious winter fare. In his devouring mind's eye, he pictured to himself every roasting-pig running about with a pudding in his belly, and an apple in his mouth; the pigeons were snugly put to bed in a comfortable pie, and tucked in with a coverlet of crust; the geese were swimming in their own gravy; and the ducks pairing cosily in dishes, like snug married couples, with a decent competency of onion sauce. In the porkers he saw carved out the future sleek side of bacon, and juicy relishing ham; not a turkey but he beheld daintily trussed up, with its gizzard under its wing, and, peradventure, a necklace of savory sausages; and even bright chanticleer himself lay sprawling on his back, in a side dish, with uplifted claws, as if craving that quarter which his chivalrous spirit disdained to ask while living. As the enraptured Ichabod fancied all this, and as he rolled his great green eyes over the fat meadow lands, the rich fields of wheat, of rye, of buckwheat, and Indian corn, and the orchards burdened with ruddy fruit, which surrounded the warm tenement of Van Tassel, his heart yearned after the damsel who was to inherit these domains, and his imagination expanded with the idea, how they might be readily turned into cash, and the money invested in immense tracts of wild land, and shingle palaces in the wilderness. Nay, his busy fancy already realized his hopes, and presented to him the blooming Katrina, with a whole family of children, mounted on the top of a wagon loaded with household trumpery, with pots and kettles dangling beneath; and he beheld himself bestriding a pacing mare, with a colt at her heels, setting out for Kentucky, Tennessee,--or the Lord knows where! When he entered the house, the conquest of his heart was complete. It was one of those spacious farmhouses, with high- ridged but lowly sloping roofs, built in the style handed down from the first Dutch settlers; the low projecting eaves forming a piazza along the front, capable of being closed up in bad weather. Under this were hung flails, harness, various utensils of husbandry, and nets for fishing in the neighboring river. Benches were built along the sides for summer use; and a great spinning-wheel at one end, and a churn at the other, showed the various uses to which this important porch might be devoted. From this piazza the wondering Ichabod entered the hall, which formed the centre of the mansion, and the place of usual residence. Here rows of resplendent pewter, ranged on a long dresser, dazzled his eyes. In one corner stood a huge bag of wool, ready to be spun; in another, a quantity of linsey-woolsey just from the loom; ears of Indian corn, and strings of dried apples and peaches, hung in gay festoons along the walls, mingled with the gaud of red peppers; and a door left ajar gave him a peep into the best parlor, where the claw-footed chairs and dark mahogany tables shone like mirrors; andirons, with their accompanying shovel and tongs, glistened from their covert of asparagus tops; mock- oranges and conchshells decorated the mantelpiece; strings of variouscolored birds eggs were suspended above it; a great ostrich egg was hung from the centre of the room, and a corner cupboard, knowingly left open, displayed immense treasures of old silver and wellmended china. From the moment Ichabod laid his eyes upon these regions of delight, the peace of his mind was at an end, and his only study was how to gain the affections of the peerless daughter of Van Tassel. In this enterprise, however, he had more real difficulties than generally fell to the lot of a knight-errant of yore, who seldom had anything but giants, enchanters, fiery dragons, and such like easily conquered adversaries, to contend with and had to make his way merely through gates of iron and brass, and walls of adamant to the castle keep, where the 98 lady of his heart was confined; all which he achieved as easily as a man would carve his way to the centre of a Christmas pie; and then the lady gave him her hand as a matter of course. Ichabod, on the contrary, had to win his way to the heart of a country coquette, beset with a labyrinth of whims and caprices, which were forever presenting new difficulties and impediments; and he had to encounter a host of fearful adversaries of real flesh and blood, the numerous rustic admirers, who beset every portal to her heart, keeping a watchful and angry eye upon each other, but ready to fly out in the common cause against any new competitor. This rantipole hero had for some time singled out the blooming Katrina for the object of his uncouth gallantries, and though his amorous toyings were something like the gentle caresses and endearments of a bear, yet it was whispered that she did not altogether discourage his hopes. Certain it is, his advances were signals for rival candidates to retire, who felt no inclination to cross a lion in his amours; insomuch, that when his horse was seen tied to Van Tassel's paling, on a Sunday night, a sure sign that his master was courting, or, as it is termed, "sparking," within, all other suitors passed by in despair, and carried the war into other quarters. Among these, the most formidable was a burly, roaring, roystering blade, of the name of Abraham, or, according to the Dutch abbreviation, Brom Van Brunt, the hero of the country round, which rang with his feats of strength and hardihood. He was broadshouldered and double-jointed, with short curly black hair, and a bluff but not unpleasant countenance, having a mingled air of fun and arrogance. From his Herculean frame and great powers of limb he had received the nickname of BROM BONES, by which he was universally known. He was famed for great knowledge and skill in horsemanship, being as dexterous on horseback as a Tartar. He was foremost at all races and cock fights; and, with the ascendancy which bodily strength always acquires in rustic life, was the umpire in all disputes, setting his hat on one side, and giving his decisions with an air and tone that admitted of no gainsay or appeal. He was always ready for either a fight or a frolic; but had more mischief than ill-will in his composition; and with all his overbearing roughness, there was a strong dash of waggish good humor at bottom. He had three or four boon companions, who regarded him as their model, and at the head of whom he scoured the country, attending every scene of feud or merriment for miles round. In cold weather he was distinguished by a fur cap, surmounted with a flaunting fox's tail; and when the folks at a country gathering descried this wellknown crest at a distance, whisking about among a squad of hard riders, they always stood by for a squall. Sometimes his crew would be heard dashing along past the farmhouses at midnight, with whoop and halloo, like a troop of Don Cossacks; and the old dames, startled out of their sleep, would listen for a moment till the hurry-scurry had clattered by, and then exclaim, "Ay, there goes Brom Bones and his gang!" The neighbors looked upon him with a mixture of awe, admiration, and good-will; and, when any madcap prank or rustic brawl occurred in the vicinity, always shook their heads, and warranted Brom Bones was at the bottom of it. Such was the formidable rival with whom Ichabod Crane had to contend, and, considering all things, a stouter man than he would have shrunk from the competition, and a wiser man would have despaired. He had, however, a happy mixture of pliability and perseverance in his nature; he was in form and spirit like a supple-jack--yielding, but tough; though he bent, he never broke; and though he bowed beneath the slightest pressure, yet, the moment it was away-jerk!--he was as erect, and carried his head as high as ever. To have taken the field openly against his rival would have been madness; for he was not a man to be thwarted in his amours, any more than that stormy lover, Achilles. Ichabod, therefore, made his advances in a quiet and gently insinuating manner. Under cover of his character of singing-master, he made frequent visits at the farmhouse; not that he had anything to apprehend from the meddlesome interference of parents, which is so often a stumblingblock in the path of lovers. Balt Van Tassel was an easy indulgent soul; he loved his daughter better even than his pipe, and, like a reasonable man and an excellent father, let her have her way in everything. His notable little wife, too, had enough to do to attend to her housekeeping and manage her poultry; for, as she sagely observed, ducks and geese are foolish things, and must be looked after, but girls can take care of themselves. Thus, while the busy dame bustled about the house, or plied her spinning-wheel at one end of the piazza, honest Balt would sit smoking his evening pipe at the other, watching the achievements of a little wooden warrior, who, armed with a sword in each hand, was most valiantly fighting the wind on the pinnacle of the barn. In the mean time, Ichabod would carry on his suit with the daughter by the side of the spring under the great elm, or sauntering along in the twilight, that hour so favorable to the lover's eloquence. 99 I profess not to know how women's hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways. It is a great triumph of skill to gain the former, but a still greater proof of generalship to maintain possession of the latter, for man must battle for his fortress at every door and window. He who wins a thousand common hearts is therefore entitled to some renown; but he who keeps undisputed sway over the heart of a coquette is indeed a hero. Certain it is, this was not the case with the redoubtable Brom Bones; and from the moment Ichabod Crane made his advances, the interests of the former evidently declined: his horse was no longer seen tied to the palings on Sunday nights, and a deadly feud gradually arose between him and the preceptor of Sleepy Hollow. Brom, who had a degree of rough chivalry in his nature, would fain have carried matters to open warfare and have settled their pretensions to the lady, according to the mode of those most concise and simple reasoners, the knights-errant of yore,-- by single combat; but Ichabod was too conscious of the superior might of his adversary to enter the lists against him; he had overheard a boast of Bones, that he would "double the schoolmaster up, and lay him on a shelf of his own schoolhouse;" and he was too wary to give him an opportunity. There was something extremely provoking in this obstinately pacific system; it left Brom no alternative but to draw upon the funds of rustic waggery in his disposition, and to play off boorish practical jokes upon his rival. Ichabod became the object of whimsical persecution to Bones and his gang of rough riders. They harried his hitherto peaceful domains; smoked out his singing school by stopping up the chimney; broke into the schoolhouse at night, in spite of its formidable fastenings of withe and window stakes, and turned everything topsy-turvy, so that the poor schoolmaster began to think all the witches in the country held their meetings there. But what was still more annoying, Brom took all opportunities of turning him into ridicule in presence of his mistress, and had a scoundrel dog whom he taught to whine in the most ludicrous manner, and introduced as a rival of Ichabod's, to instruct her in psalmody. In this way matters went on for some time, without producing any material effect on the relative situations of the contending powers. On a fine autumnal afternoon, Ichabod, in pensive mood, sat enthroned on the lofty stool from whence he usually watched all the concerns of his little literary realm. In his hand he swayed a ferule, that sceptre of despotic power; the birch of justice reposed on three nails behind the throne, a constant terror to evil doers, while on the desk before him might be seen sundry contraband articles and prohibited weapons, detected upon the persons of idle urchins, such as halfmunched apples, popguns, whirligigs, fly-cages, and whole legions of rampant little paper gamecocks. Apparently there had been some appalling act of justice recently inflicted, for his scholars were all busily intent upon their books, or slyly whispering behind them with one eye kept upon the master; and a kind of buzzing stillness reigned throughout the schoolroom. It was suddenly interrupted by the appearance of a negro in tow-cloth jacket and trowsers, a round-crowned fragment of a hat, like the cap of Mercury, and mounted on the back of a ragged, wild, half-broken colt, which he managed with a rope by way of halter. He came clattering up to the school door with an invitation to Ichabod to attend a merry-making or "quilting frolic," to be held that evening at Mynheer Van Tassel's; and having delivered his message with that air of importance, and effort at fine language, which a negro is apt to display on petty embassies of the kind, he dashed over the brook, and was seen scampering away up the hollow, full of the importance and hurry of his mission. All was now bustle and hubbub in the late quiet schoolroom. The scholars were hurried through their lessons without stopping at trifles; those who were nimble skipped over half with impunity, and those who were tardy had a smart application now and then in the rear, to quicken their speed or help them over a tall word. Books were flung aside without being put away on the shelves, inkstands were overturned, benches thrown down, and the whole school was turned loose an hour before the usual time, bursting forth like a legion of young imps, yelping and racketing about the green in joy at their early emancipation. The gallant Ichabod now spent at least an extra half hour at his toilet, brushing and furbishing up his best, and indeed only suit of rusty black, and arranging his locks by a bit of broken looking-glass that hung up in the schoolhouse. That he might make his appearance before his mistress in the true style of a cavalier, he borrowed a horse from the farmer with whom he was domiciliated, a choleric old Dutchman of the name of Hans Van Ripper, and, thus gallantly mounted, issued forth like a knight- errant in quest of adventures. But it is meet I should, in the true spirit of romantic story, give some account of the looks and equipments of my hero and his steed. The animal he bestrode was a 100 broken-down plow-horse, that had outlived almost everything but its viciousness. He was gaunt and shagged, with a ewe neck, and a head like a hammer; his rusty mane and tail were tangled and knotted with burs; one eye had lost its pupil, and was glaring and spectral, but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from the name he bore of Gunpowder. He had, in fact, been a favorite steed of his master's, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and brokendown as he looked, there was more of the lurking devil in him than in any young filly in the country. Ichabod was a suitable figure for such a steed. He rode with short stirrups, which brought his knees nearly up to the pommel of the saddle; his sharp elbows stuck out like grasshoppers'; he carried his whip perpendicularly in his hand, like a sceptre, and as his horse jogged on, the motion of his arms was not unlike the flapping of a pair of wings. A small wool hat rested on the top of his nose, for so his scanty strip of forehead might be called, and the skirts of his black coat fluttered out almost to the horses tail. Such was the appearance of Ichabod and his steed as they shambled out of the gate of Hans Van Ripper, and it was altogether such an apparition as is seldom to be met with in broad daylight. It was, as I have said, a fine autumnal day; the sky was clear and serene, and nature wore that rich and golden livery which we always associate with the idea of abundance. The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the bark of the squirrel might be heard from the groves of beech and hickory- nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field. The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock robin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar bird, with its red-tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that noisy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove. As Ichabod jogged slowly on his way, his eye, ever open to every symptom of culinary abundance, ranged with delight over the treasures of jolly autumn. On all sides he beheld vast store of apples; some hanging in oppressive opulence on the trees; some gathered into baskets and barrels for the market; others heaped up in rich piles for the ciderpress. Farther on he beheld great fields of Indian corn, with its golden ears peeping from their leafy coverts, and holding out the promise of cakes and hasty- pudding; and the yellow pumpkins lying beneath them, turning up their fair round bellies to the sun, and giving ample prospects of the most luxurious of pies; and anon he passed the fragrant buckwheat fields breathing the odor of the beehive, and as he beheld them, soft anticipations stole over his mind of dainty slapjacks, well buttered, and garnished with honey or treacle, by the delicate little dimpled hand of Katrina Van Tassel. Thus feeding his mind with many sweet thoughts and "sugared suppositions," he journeyed along the sides of a range of hills which look out upon some of the goodliest scenes of the mighty Hudson. The sun gradually wheeled his broad disk down in the west. The wide bosom of the Tappan Zee lay motionless and glassy, excepting that here and there a gentle undulation waved and prolonged the blue shadow of the distant mountain. A few amber clouds floated in the sky, without a breath of air to move them. The horizon was of a fine golden tint, changing gradually into a pure apple green, and from that into the deep blue of the mid- heaven. A slanting ray lingered on the woody crests of the precipices that overhung some parts of the river, giving greater depth to the dark gray and purple of their rocky sides. A sloop was loitering in the distance, dropping slowly down with the tide, her sail hanging uselessly against the mast; and as the reflection of the sky gleamed along the still water, it seemed as if the vessel was suspended in the air. It was toward evening that Ichabod arrived at the castle of the Heer Van Tassel, which he found thronged with the pride and flower of the adjacent country. Old farmers, a spare leathern- faced race, in homespun coats and breeches, blue stockings, huge shoes, and magnificent pewter buckles. Their brisk, withered little dames, in close-crimped caps, longwaisted short gowns, homespun petticoats, with scissors and pincushions, and gay calico pockets hanging on the outside. Buxom lasses, almost as 101 antiquated as their mothers, excepting where a straw hat, a fine ribbon, or perhaps a white frock, gave symptoms of city innovation. The sons, in short square-skirted coats, with rows of stupendous brass buttons, and their hair generally queued in the fashion of the times, especially if they could procure an eelskin for the purpose, it being esteemed throughout the country as a potent nourisher and strengthener of the hair. Brom Bones, however, was the hero of the scene, having come to the gathering on his favorite steed Daredevil, a creature, like himself, full of mettle and mischief, and which no one but himself could manage. He was, in fact, noted for preferring vicious animals, given to all kinds of tricks which kept the rider in constant risk of his neck, for he held a tractable, well-broken horse as unworthy of a lad of spirit. Fain would I pause to dwell upon the world of charms that burst upon the enraptured gaze of my hero, as he entered the state parlor of Van Tassel's mansion. Not those of the bevy of buxom lasses, with their luxurious display of red and white; but the ample charms of a genuine Dutch country tea-table, in the sumptuous time of autumn. Such heaped up platters of cakes of various and almost indescribable kinds, known only to experienced Dutch housewives! There was the doughty doughnut, the tender oly koek, and the crisp and crumbling cruller; sweet cakes and short cakes, ginger cakes and honey cakes, and the whole family of cakes. And then there were apple pies, and peach pies, and pumpkin pies; besides slices of ham and smoked beef; and moreover delectable dishes of preserved plums, and peaches, and pears, and quinces; not to mention broiled shad and roasted chickens; together with bowls of milk and cream, all mingled higgledy- piggledy, pretty much as I have enumerated them, with the motherly teapot sending up its clouds of vapor from the midst-Heaven bless the mark! I want breath and time to discuss this banquet as it deserves, and am too eager to get on with my story. Happily, Ichabod Crane was not in so great a hurry as his historian, but did ample justice to every dainty. He was a kind and thankful creature, whose heart dilated in proportion as his skin was filled with good cheer, and whose spirits rose with eating, as some men's do with drink. He could not help, too, rolling his large eyes round him as he ate, and chuckling with the possibility that he might one day be lord of all this scene of almost unimaginable luxury and splendor. Then, he thought, how soon he'd turn his back upon the old schoolhouse; snap his fingers in the face of Hans Van Ripper, and every other niggardly patron, and kick any itinerant pedagogue out of doors that should dare to call him comrade! Old Baltus Van Tassel moved about among his guests with a face dilated with content and good humor, round and jolly as the harvest moon. His hospitable attentions were brief, but expressive, being confined to a shake of the hand, a slap on the shoulder, a loud laugh, and a pressing invitation to "fall to, and help themselves." And now the sound of the music from the common room, or hall, summoned to the dance. The musician was an old gray-headed negro, who had been the itinerant orchestra of the neighborhood for more than half a century. His instrument was as old and battered as himself. The greater part of the time he scraped on two or three strings, accompanying every movement of the bow with a motion of the head; bowing almost to the ground, and stamping with his foot whenever a fresh couple were to start. Ichabod prided himself upon his dancing as much as upon his vocal powers. Not a limb, not a fibre about him was idle; and to have seen his loosely hung frame in full motion, and clattering about the room, you would have thought St. Vitus himself, that blessed patron of the dance, was figuring before you in person. He was the admiration of all the negroes; who, having gathered, of all ages and sizes, from the farm and the neighborhood, stood forming a pyramid of shining black faces at every door and window, gazing with delight at the scene, rolling their white eyeballs, and showing grinning rows of ivory from ear to ear. How could the flogger of urchins be otherwise than animated and joyous? The lady of his heart was his partner in the dance, and smiling graciously in reply to all his amorous oglings; while Brom Bones, sorely smitten with love and jealousy, sat brooding by himself in one corner. When the dance was at an end, Ichabod was attracted to a knot of the sager folks, who, with Old Van Tassel, sat smoking at one end of the piazza, gossiping over former times, and drawing out long stories about the war. This neighborhood, at the time of which I am speaking, was one of those highly favored places which abound with chronicle and great men. The British and American line had run near it during the war; it had, therefore, been the scene of marauding and infested with refugees, cowboys, and all kinds of border chivalry. Just sufficient time had elapsed to enable each storyteller to dress up his tale with a little becoming fiction, and, in the indistinctness of his 102 recollection, to make himself the hero of every exploit. patrolling the country; and, it was said, tethered his horse nightly among the graves in the churchyard. There was the story of Doffue Martling, a large bluebearded Dutchman, who had nearly taken a British frigate with an old iron nine-pounder from a mud breastwork, only that his gun burst at the sixth discharge. And there was an old gentleman who shall be nameless, being too rich a mynheer to be lightly mentioned, who, in the battle of White Plains, being an excellent master of defence, parried a musket-ball with a small sword, insomuch that he absolutely felt it whiz round the blade, and glance off at the hilt; in proof of which he was ready at any time to show the sword, with the hilt a little bent. There were several more that had been equally great in the field, not one of whom but was persuaded that he had a considerable hand in bringing the war to a happy termination. The sequestered situation of this church seems always to have made it a favorite haunt of troubled spirits. It stands on a knoll, surrounded by locusttrees and lofty elms, from among which its decent, whitewashed walls shine modestly forth, like Christian purity beaming through the shades of retirement. A gentle slope descends from it to a silver sheet of water, bordered by high trees, between which, peeps may be caught at the blue hills of the Hudson. To look upon its grass-grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace. On one side of the church extends a wide woody dell, along which raves a large brook among broken rocks and trunks of fallen trees. Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road that led to it, and the bridge itself, were thickly shaded by overhanging trees, which cast a gloom about it, even in the daytime; but occasioned a fearful darkness at night. Such was one of the favorite haunts of the Headless Horseman, and the place where he was most frequently encountered. The tale was told of old Brouwer, a most heretical disbeliever in ghosts, how he met the Horseman returning from his foray into Sleepy Hollow, and was obliged to get up behind him; how they galloped over bush and brake, over hill and swamp, until they reached the bridge; when the Horseman suddenly turned into a skeleton, threw old Brouwer into the brook, and sprang away over the tree-tops with a clap of thunder. But all these were nothing to the tales of ghosts and apparitions that succeeded. The neighborhood is rich in legendary treasures of the kind. Local tales and superstitions thrive best in these sheltered, longsettled retreats; but are trampled under foot by the shifting throng that forms the population of most of our country places. Besides, there is no encouragement for ghosts in most of our villages, for they have scarcely had time to finish their first nap and turn themselves in their graves, before their surviving friends have travelled away from the neighborhood; so that when they turn out at night to walk their rounds, they have no acquaintance left to call upon. This is perhaps the reason why we so seldom hear of ghosts except in our long-established Dutch communities. The immediate cause, however, of the prevalence of supernatural stories in these parts, was doubtless owing to the vicinity of Sleepy Hollow. There was a contagion in the very air that blew from that haunted region; it breathed forth an atmosphere of dreams and fancies infecting all the land. Several of the Sleepy Hollow people were present at Van Tassel's, and, as usual, were doling out their wild and wonderful legends. Many dismal tales were told about funeral trains, and mourning cries and wailings heard and seen about the great tree where the unfortunate Major André was taken, and which stood in the neighborhood. Some mention was made also of the woman in white, that haunted the dark glen at Raven Rock, and was often heard to shriek on winter nights before a storm, having perished there in the snow. The chief part of the stories, however, turned upon the favorite spectre of Sleepy Hollow, the Headless Horseman, who had been heard several times of late, This story was immediately matched by a thrice marvellous adventure of Brom Bones, who made light of the Galloping Hessian as an arrant jockey. He affirmed that on returning one night from the neighboring village of Sing Sing, he had been overtaken by this midnight trooper; that he had offered to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire. All these tales, told in that drowsy undertone with which men talk in the dark, the countenances of the listeners only now and then receiving a casual gleam from the glare of a pipe, sank deep in the mind of Ichabod. He repaid them in kind with large extracts from his invaluable author, Cotton Mather, and added many marvellous events that had taken place in his native State of Connecticut, and fearful sights which 103 he had seen in his nightly walks about Sleepy Hollow. from a neighboring marsh, as if sleeping uncomfortably and turning suddenly in his bed. The revel now gradually broke up. The old farmers gathered together their families in their wagons, and were heard for some time rattling along the hollow roads, and over the distant hills. Some of the damsels mounted on pillions behind their favorite swains, and their light-hearted laughter, mingling with the clatter of hoofs, echoed along the silent woodlands, sounding fainter and fainter, until they gradually died away,--and the late scene of noise and frolic was all silent and deserted. Ichabod only lingered behind, according to the custom of country lovers, to have a tête-à -tête with the heiress; fully convinced that he was now on the high road to success. What passed at this interview I will not pretend to say, for in fact I do not know. Something, however, I fear me, must have gone wrong, for he certainly sallied forth, after no very great interval, with an air quite desolate and chapfallen. Oh, these women! these women! Could that girl have been playing off any of her coquettish tricks? Was her encouragement of the poor pedagogue all a mere sham to secure her conquest of his rival? Heaven only knows, not I! Let it suffice to say, Ichabod stole forth with the air of one who had been sacking a henroost, rather than a fair lady's heart. Without looking to the right or left to notice the scene of rural wealth, on which he had so often gloated, he went straight to the stable, and with several hearty cuffs and kicks roused his steed most uncourteously from the comfortable quarters in which he was soundly sleeping, dreaming of mountains of corn and oats, and whole valleys of timothy and clover. All the stories of ghosts and goblins that he had heard in the afternoon now came crowding upon his recollection. The night grew darker and darker; the stars seemed to sink deeper in the sky, and driving clouds occasionally hid them from his sight. He had never felt so lonely and dismal. He was, moreover, approaching the very place where many of the scenes of the ghost stories had been laid. In the centre of the road stood an enormous tulip-tree, which towered like a giant above all the other trees of the neighborhood, and formed a kind of landmark. Its limbs were gnarled and fantastic, large enough to form trunks for ordinary trees, twisting down almost to the earth, and rising again into the air. It was connected with the tragical story of the unfortunate André, who had been taken prisoner hard by; and was universally known by the name of Major André's tree. The common people regarded it with a mixture of respect and superstition, partly out of sympathy for the fate of its ill- starred namesake, and partly from the tales of strange sights, and doleful lamentations, told concerning it. It was the very witching time of night that Ichabod, heavy-hearted and crestfallen, pursued his travels homewards, along the sides of the lofty hills which rise above Tarry Town, and which he had traversed so cheerily in the afternoon. The hour was as dismal as himself. Far below him the Tappan Zee spread its dusky and indistinct waste of waters, with here and there the tall mast of a sloop, riding quietly at anchor under the land. In the dead hush of midnight, he could even hear the barking of the watchdog from the opposite shore of the Hudson; but it was so vague and faint as only to give an idea of his distance from this faithful companion of man. Now and then, too, the long-drawn crowing of a cock, accidentally awakened, would sound far, far off, from some farmhouse away among the hills--but it was like a dreaming sound in his ear. No signs of life occurred near him, but occasionally the melancholy chirp of a cricket, or perhaps the guttural twang of a bullfrog As Ichabod approached this fearful tree, he began to whistle; he thought his whistle was answered; it was but a blast sweeping sharply through the dry branches. As he approached a little nearer, he thought he saw something white, hanging in the midst of the tree: he paused and ceased whistling but, on looking more narrowly, perceived that it was a place where the tree had been scathed by lightning, and the white wood laid bare. Suddenly he heard a groan--his teeth chattered, and his knees smote against the saddle: it was but the rubbing of one huge bough upon another, as they were swayed about by the breeze. He passed the tree in safety, but new perils lay before him. About two hundred yards from the tree, a small brook crossed the road, and ran into a marshy and thicklywooded glen, known by the name of Wiley's Swamp. A few rough logs, laid side by side, served for a bridge over this stream. On that side of the road where the brook entered the wood, a group of oaks and chestnuts, matted thick with wild grape-vines, threw a cavernous gloom over it. To pass this bridge was the severest trial. It was at this identical spot that the unfortunate André was captured, and under the covert of those chestnuts and vines were the sturdy yeomen concealed who surprised him. This has ever since been considered a haunted stream, and fearful are the feelings of the schoolboy who has to pass it alone after dark. 104 As he approached the stream, his heart began to thump; he summoned up, however, all his resolution, gave his horse half a score of kicks in the ribs, and attempted to dash briskly across the bridge; but instead of starting forward, the perverse old animal made a lateral movement, and ran broadside against the fence. Ichabod, whose fears increased with the delay, jerked the reins on the other side, and kicked lustily with the contrary foot: it was all in vain; his steed started, it is true, but it was only to plunge to the opposite side of the road into a thicket of brambles and alder bushes. The schoolmaster now bestowed both whip and heel upon the starveling ribs of old Gunpowder, who dashed forward, snuffling and snorting, but came to a stand just by the bridge, with a suddenness that had nearly sent his rider sprawling over his head. Just at this moment a plashy tramp by the side of the bridge caught the sensitive ear of Ichabod. In the dark shadow of the grove, on the margin of the brook, he beheld something huge, misshapen and towering. It stirred not, but seemed gathered up in the gloom, like some gigantic monster ready to spring upon the traveller. The hair of the affrighted pedagogue rose upon his head with terror. What was to be done? To turn and fly was now too late; and besides, what chance was there of escaping ghost or goblin, if such it was, which could ride upon the wings of the wind? Summoning up, therefore, a show of courage, he demanded in stammering accents, "Who are you?" He received no reply. He repeated his demand in a still more agitated voice. Still there was no answer. Once more he cudgelled the sides of the inflexible Gunpowder, and, shutting his eyes, broke forth with involuntary fervor into a psalm tune. Just then the shadowy object of alarm put itself in motion, and with a scramble and a bound stood at once in the middle of the road. Though the night was dark and dismal, yet the form of the unknown might now in some degree be ascertained. He appeared to be a horseman of large dimensions, and mounted on a black horse of powerful frame. He made no offer of molestation or sociability, but kept aloof on one side of the road, jogging along on the blind side of old Gunpowder, who had now got over his fright and waywardness. Ichabod, who had no relish for this strange midnight companion, and bethought himself of the adventure of Brom Bones with the Galloping Hessian, now quickened his steed in hopes of leaving him behind. The stranger, however, quickened his horse to an equal pace. Ichabod pulled up, and fell into a walk, thinking to lag behind,--the other did the same. His heart began to sink within him; he endeavored to resume his psalm tune, but his parched tongue clove to the roof of his mouth, and he could not utter a stave. There was something in the moody and dogged silence of this pertinacious companion that was mysterious and appalling. It was soon fearfully accounted for. On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck on perceiving that he was headless!--but his horror was still more increased on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle! His terror rose to desperation; he rained a shower of kicks and blows upon Gunpowder, hoping by a sudden movement to give his companion the slip; but the spectre started full jump with him. Away, then, they dashed through thick and thin; stones flying and sparks flashing at every bound. Ichabod's flimsy garments fluttered in the air, as he stretched his long lank body away over his horse's head, in the eagerness of his flight. They had now reached the road which turns off to Sleepy Hollow; but Gunpowder, who seemed possessed with a demon, instead of keeping up it, made an opposite turn, and plunged headlong downhill to the left. This road leads through a sandy hollow shaded by trees for about a quarter of a mile, where it crosses the bridge famous in goblin story; and just beyond swells the green knoll on which stands the whitewashed church. As yet the panic of the steed had given his unskilful rider an apparent advantage in the chase, but just as he had got half way through the hollow, the girths of the saddle gave way, and he felt it slipping from under him. He seized it by the pommel, and endeavored to hold it firm, but in vain; and had just time to save himself by clasping old Gunpowder round the neck, when the saddle fell to the earth, and he heard it trampled under foot by his pursuer. For a moment the terror of Hans Van Ripper's wrath passed across his mind,--for it was his Sunday saddle; but this was no time for petty fears; the goblin was hard on his haunches; and (unskilful rider that he was!) he had much ado to maintain his seat; sometimes slipping on one side, sometimes on another, and sometimes jolted on the high ridge of his horse's backbone, with a violence that he verily feared would cleave him asunder. An opening in the trees now cheered him with the hopes that the church bridge was at hand. The wavering reflection of a silver star in the bosom of the brook told him that he was not mistaken. He saw the walls of the church dimly glaring under the trees 105 beyond. He recollected the place where Brom Bones's ghostly competitor had disappeared. "If I can but reach that bridge," thought Ichabod, "I am safe." Just then he heard the black steed panting and blowing close behind him; he even fancied that he felt his hot breath. Another convulsive kick in the ribs, and old Gunpowder sprang upon the bridge; he thundered over the resounding planks; he gained the opposite side; and now Ichabod cast a look behind to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin rising in his stirrups, and in the very act of hurling his head at him. Ichabod endeavored to dodge the horrible missile, but too late. It encountered his cranium with a tremendous crash,--he was tumbled headlong into the dust, and Gunpowder, the black steed, and the goblin rider, passed by like a whirlwind. The next morning the old horse was found without his saddle, and with the bridle under his feet, soberly cropping the grass at his master's gate. Ichabod did not make his appearance at breakfast; dinner-hour came, but no Ichabod. The boys assembled at the schoolhouse, and strolled idly about the banks of the brook; but no schoolmaster. Hans Van Ripper now began to feel some uneasiness about the fate of poor Ichabod, and his saddle. An inquiry was set on foot, and after diligent investigation they came upon his traces. In one part of the road leading to the church was found the saddle trampled in the dirt; the tracks of horses' hoofs deeply dented in the road, and evidently at furious speed, were traced to the bridge, beyond which, on the bank of a broad part of the brook, where the water ran deep and black, was found the hat of the unfortunate Ichabod, and close beside it a shattered pumpkin. The brook was searched, but the body of the schoolmaster was not to be discovered. Hans Van Ripper as executor of his estate, examined the bundle which contained all his worldly effects. They consisted of two shirts and a half; two stocks for the neck; a pair or two of worsted stockings; an old pair of corduroy small- clothes; a rusty razor; a book of psalm tunes full of dog's-ears; and a broken pitchpipe. As to the books and furniture of the schoolhouse, they belonged to the community, excepting Cotton Mather's "History of Witchcraft," a "New England Almanac," and a book of dreams and fortune-telling; in which last was a sheet of foolscap much scribbled and blotted in several fruitless attempts to make a copy of verses in honor of the heiress of Van Tassel. These magic books and the poetic scrawl were forthwith consigned to the flames by Hans Van Ripper; who, from that time forward, determined to send his children no more to school, observing that he never knew any good come of this same reading and writing. Whatever money the schoolmaster possessed, and he had received his quarter's pay but a day or two before, he must have had about his person at the time of his disappearance. The mysterious event caused much speculation at the church on the following Sunday. Knots of gazers and gossips were collected in the churchyard, at the bridge, and at the spot where the hat and pumpkin had been found. The stories of Brouwer, of Bones, and a whole budget of others were called to mind; and when they had diligently considered them all, and compared them with the symptoms of the present case, they shook their heads, and came to the conclusion that Ichabod had been carried off by the Galloping Hessian. As he was a bachelor, and in nobody's debt, nobody troubled his head any more about him; the school was removed to a different quarter of the hollow, and another pedagogue reigned in his stead. It is true, an old farmer, who had been down to New York on a visit several years after, and from whom this account of the ghostly adventure was received, brought home the intelligence that Ichabod Crane was still alive; that he had left the neighborhood partly through fear of the goblin and Hans Van Ripper, and partly in mortification at having been suddenly dismissed by the heiress; that he had changed his quarters to a distant part of the country; had kept school and studied law at the same time; had been admitted to the bar; turned politician; electioneered; written for the newspapers; and finally had been made a justice of the Ten Pound Court. Brom Bones, too, who, shortly after his rival's disappearance conducted the blooming Katrina in triumph to the altar, was observed to look exceedingly knowing whenever the story of Ichabod was related, and always burst into a hearty laugh at the mention of the pumpkin; which led some to suspect that he knew more about the matter than he chose to tell. The old country wives, however, who are the best judges of these matters, maintain to this day that Ichabod was spirited away by supernatural means; and it is a favorite story often told about the neighborhood round the winter evening fire. The bridge became more than ever an object of superstitious awe; and that may be the reason why the road has been altered of late years, so as to approach the church by the border of the millpond. The schoolhouse being deserted soon fell to decay, and was reported to be haunted by the ghost of the 106 unfortunate pedagogue and the plowboy, loitering homeward of a still summer evening, has often fancied his voice at a distance, chanting a melancholy psalm tune among the tranquil solitudes of Sleepy Hollow. ______________________________________ Where Are You Going, Where Have You Been? Joyce Carol Oates for Bob Dylan Her name was Connie. She was fifteen and she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right. Her mother, who noticed everything and knew everything and who hadn't much reason any longer to look at her own face, always scolded Connie about it. "Stop gawking at yourself. Who are you? You think you're so pretty?" she would say. Connie would raise her eyebrows at these familiar old complaints and look right through her mother, into a shadowy vision of herself as she was right at that moment: she knew she was pretty and that was everything. Her mother had been pretty once too, if you could believe those old snapshots in the album, but now her looks were gone and that was why she was always after Connie. "Why don't you keep your room clean like your sister? How've you got your hair fixed—what the hell stinks? Hair spray? You don't see your sister using that junk." Her sister June was twenty-four and still lived at home. She was a secretary in the high school Connie attended, and if that wasn't bad enough—with her in the same building—she was so plain and chunky and steady that Connie had to hear her praised all the time by her mother and her mother's sisters. June did this, June did that, she saved money and helped clean the house and cookedand Connie couldn't do a thing, her mind was all filled with trashy daydreams. Their father was away at work most of the time and when he came home he wanted supper and he read the newspaper at supper and after supper he went to bed. He didn't bother talking much to them, but around his bent head Connie's mother kept picking at her until Connie wished her mother was dead and she herself was dead and it was all over. "She makes me want to throw up sometimes," she complained to her friends. She had a high, breathless, amused voice that made everything she said sound a little forced, whether it was sincere or not. There was one good thing: June went places with girl friends of hers, girls who were just as plain and steady as she, and so when Connie wanted to do that her mother had no objections. The father of Connie's best girl friend drove the girls the three miles to town and left them at a shopping plaza so they could walk through the stores or go to a movie, and when he came to pick them up again at eleven he never bothered to ask what they had done. They must have been familiar sights, walking around the shopping plaza in their shorts and flat ballerina slippers that always scuffed the sidewalk, with charm bracelets jingling on their thin wrists; they would lean together to whisper and laugh secretly if someone passed who amused or interested them. Connie had long dark blond hair that drew anyone's eye to it, and she wore part of it pulled up on her head and puffed out and the rest of it she let fall down her back. She wore a pull-over jersey blouse that looked one way when she was at home and another way when she was away from home. Everything about her had two sides to it, one for home and one for anywhere that was not home: her walk, which could be childlike and bobbing, or languid enough to make anyone think she was hearing music in her head; her mouth, which was pale and smirking most of the time, but bright and pink on these evenings out; her laugh, which was cynical and drawling at home—"Ha, ha, very funny,"—but highpitched and nervous anywhere else, like the jingling of the charms on her bracelet. Sometimes they did go shopping or to a movie, but sometimes they went across the highway, ducking fast across the busy road, to a drive-in restaurant where older kids hung out. The restaurant was shaped like a big bottle, though squatter than a real bottle, and on its cap was a revolving figure of a grinning boy holding a hamburger aloft. One night in midsummer they ran across, breathless with daring, and right away someone leaned out a car window and invited them over, but it was just a boy from high school they didn't like. It made them feel good to be able to ignore him. They went up through the maze of parked and cruising cars to the bright-lit, fly-infested restaurant, their faces pleased and expectant as if they were entering a sacred building that loomed up out of the night to give them what haven and blessing they yearned for. They sat at the counter and crossed their legs at the ankles, their thin shoulders rigid with excitement, and listened to the music that made everything so good: the music was always in the background, like music at a church service; it was something to depend upon. 107 A boy named Eddie came in to talk with them. He sat backwards on his stool, turning himself jerkily around in semicircles and then stopping and turning back again, and after a while he asked Connie if she would like something to eat. She said she would and so she tapped her friend's arm on her way out—her friend pulled her face up into a brave, droll look— and Connie said she would meet her at eleven, across the way. "I just hate to leave her like that," Connie said earnestly, but the boy said that she wouldn't be alone for long. So they went out to his car, and on the way Connie couldn't help but let her eyes wander over the windshields and faces all around her, her face gleaming with a joy that had nothing to do with Eddie or even this place; it might have been the music. She drew her shoulders up and sucked in her breath with the pure pleasure of being alive, and just at that moment she happened to glance at a face just a few feet from hers. It was a boy with shaggy black hair, in a convertible jalopy painted gold. He stared at her and then his lips widened into a grin. Connie slit her eyes at him and turned away, but she couldn't help glancing back and there he was, still watching her. He wagged a finger and laughed and said, "Gonna get you, baby," and Connie turned away again without Eddie noticing anything. She spent three hours with him, at the restaurant where they ate hamburgers and drank Cokes in wax cups that were always sweating, and then down an alley a mile or so away, and when he left her off at five to eleven only the movie house was still open at the plaza. Her girl friend was there, talking with a boy. When Connie came up, the two girls smiled at each other and Connie said, "How was the movie?" and the girl said, 'You should know." They rode off with the girl's father, sleepy and pleased, and Connie couldn't help but look back at the darkened shopping plaza with its big empty parking lot and its signs that were faded and ghostly now, and over at the drive-in restaurant where cars were still circling tirelessly. She couldn't hear the music at this distance. Next morning June asked her how the movie was and Connie said, "So-so." She and that girl and occasionally another girl went out several times a week, and the rest of the time Connie spent around the house—it was summer vacation—getting in her mother s way and thinking, dreaming about the boys she met. But all the boys fell back and dissolved into a single face that was not even a face but an idea, a feeling, mixed up with the urgent insistent pounding of the music and the humid night air of July. Connie's mother kept dragging her back to the daylight by finding things for her to do or saying suddenly, 'What's this about the Pettinger girl?" And Connie would say nervously, "Oh, her. That dope." She always drew thick clear lines between herself and such girls, and her mother was simple and kind enough to believe it. Her mother was so simple, Connie thought, that it was maybe cruel to fool her so much. Her mother went scuffling around the house in old bedroom slippers and complained over the telephone to one sister about the other, then the other called up and the two of them complained about the third one. If June's name was mentioned her mother's tone was approving, and if Connie's name was mentioned it was disapproving. This did not really mean she disliked Connie, and actually Connie thought that her mother preferred her to June just because she was prettier, but the two of them kept up a pretense of exasperation, a sense that they were tugging and struggling over something of little value to either of them. Sometimes, over coffee, they were almost friends, but something would come up—some vexation that was like a fly buzzing suddenly around their heads—and their faces went hard with contempt. One Sunday Connie got up at eleven—none of them bothered with church—and washed her hair so that it could dry all day long in the sun. Her parents and sister were going to a barbecue at an aunt's house and Connie said no, she wasn't interested, rolling her eyes to let her mother know just what she thought of it. "Stay home alone then," her mother said sharply. Connie sat out back in a lawn chair and watched them drive away, her father quiet and bald, hunched around so that he could back the car out, her mother with a look that was still angry and not at all softened through the windshield, and in the back seat poor old June, all dressed up as if she didn't know what a barbecue was, with all the running yelling kids and the flies. Connie sat with her eyes closed in the sun, dreaming and dazed with the warmth about her as if this were a kind of love, the caresses of love, and her mind slipped over onto thoughts of the boy she had been with the night before and how nice he had been, how sweet it always was, not the way someone like June would suppose but sweet, gentle, the way it was in movies and promised in songs; and when she opened her eyes she hardly knew where she was, the back yard ran off into weeds and a fence-like line of trees and behind it the sky was perfectly blue and still. The asbestos ranch house that was now three years old startled her—it looked small. She shook her head as if to get awake. 108 It was too hot. She went inside the house and turned on the radio to drown out the quiet. She sat on the edge of her bed, barefoot, and listened for an hour and a half to a program called XYZ Sunday Jamboree, record after record of hard, fast, shrieking songs she sang along with, interspersed by exclamations from "Bobby King": "An' look here, you girls at Napoleon's—Son and Charley want you to pay real close attention to this song coming up!" Connie smirked and let her hair fall loose over one shoulder. And Connie paid close attention herself, bathed in a glow of slow-pulsed joy that seemed to rise mysteriously out of the music itself and lay languidly about the airless little room, breathed in and breathed out with each gentle rise and fall of her chest. After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. The gravel kept crunching all the way in from the road—the driveway was long—and Connie ran to the window. It was a car she didn't know. It was an open jalopy, painted a bright gold that caught the sunlight opaquely. Her heart began to pound and her fingers snatched at her hair, checking it, and she whispered, "Christ. Christ," wondering how bad she looked. The car came to a stop at the side door and the horn sounded four short taps, as if this were a signal Connie knew. She pretended to fidget, chasing flies away from the door. She went into the kitchen and approached the door slowly, then hung out the screen door, her bare toes curling down off the step. There were two boys in the car and now she recognized the driver: he had shaggy, shabby black hair that looked crazy as a wig and he was grinning at her. "He's kind of great," Connie said reluctantly. "I ain't late, am I?" he said. "Who the hell do you think you are?" Connie said. "Don'tcha like my car? New paint job," he said. "Hey." "What?" "You're cute." "Don'tcha believe me, or what?" he said. "Look, I don't even know who you are," Connie said in disgust. "Hey, Ellie's got a radio, see. Mine broke down." He lifted his friend's arm and showed her the little transistor radio the boy was holding, and now Connie began to hear the music. It was the same program that was playing inside the house. "Bobby King?" she said. "I listen to him all the time. I think he's great." "Listen, that guy's great. He knows where the action is." Connie blushed a little, because the glasses made it impossible for her to see just what this boy was looking at. She couldn't decide if she liked him or if he was just a jerk, and so she dawdled in the doorway and wouldn't come down or go back inside. She said, "What's all that stuff painted on your car?" "Toldja I'd be out, didn't I?" "I don't even know who you are." She spoke sullenly, careful to show no interest or pleasure, and he spoke in a fast, bright monotone. Connie looked past him to the other boy, taking her time. He had fair brown hair, with a lock that fell onto his forehead. His sideburns gave him a fierce, embarrassed look, but so far he hadn't even bothered to glance at her. Both boys wore sunglasses. The driver's glasses were metallic and mirrored everything in miniature. "You wanta come for a ride?" he said. "Can'tcha read it?" He opened the door very carefully, as if he were afraid it might fall off. He slid out just as carefully, planting his feet firmly on the ground, the tiny metallic world in his glasses slowing down like gelatine hardening, and in the midst of it Connie's bright green blouse. "This here is my name, to begin with, he said. ARNOLD FRIEND was written in tarlike black letters on the side, with a drawing of a round, grinning face that reminded Connie of a pumpkin, except it wore sunglasses. "I wanta introduce myself, I'm Arnold Friend and that's my real name and I'm gonna be your friend, honey, and inside the car's Ellie Oscar, he's kinda shy." Ellie brought his transistor radio up to his shoulder and balanced it there. "Now, these numbers are a secret code, honey," Arnold Friend explained. He read off 109 the numbers 33, 19, 17 and raised his eyebrows at her to see what she thought of that, but she didn't think much of it. The left rear fender had been smashed and around it was written, on the gleaming gold background: DONE BY CRAZY WOMAN DRIVER. Connie had to laugh at that. Arnold Friend was pleased at her laughter and looked up at her. "Around the other side's a lot more —you wanta come and see them?" "It's Connie." "No." "Maybe and maybe not." "I know my Connie," he said, wagging his finger. Now she remembered him even better, back at the restaurant, and her cheeks warmed at the thought of how she had sucked in her breath just at the moment she passed him—how she must have looked to him. And he had remembered her. "Ellie and I come out here especially for you," he said. "Ellie can sit in back. How about it?" "Why not?" "Where?" "Why should I?" "Where what?" "Don'tcha wanta see what's on the car? Don'tcha wanta go for a ride?" "Where're we going?" "I don't know." "Why not?" "I got things to do." He looked at her. He took off the sunglasses and she saw how pale the skin around his eyes was, like holes that were not in shadow but instead in light. His eyes were like chips of broken glass that catch the light in an amiable way. He smiled. It was as if the idea of going for a ride somewhere, to someplace, was a new idea to him. "Like what?" "Just for a ride, Connie sweetheart." "Things." "I never said my name was Connie," she said. He laughed as if she had said something funny. He slapped his thighs. He was standing in a strange way, leaning back against the car as if he were balancing himself. He wasn't tall, only an inch or so taller than she would be if she came down to him. Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pull-over shirt that was a little soiled and showed the hard small muscles of his arms and shoulders. He looked as if he probably did hard work, lifting and carrying things. Even his neck looked muscular. And his face was a familiar face, somehow: the jaw and chin and cheeks slightly darkened because he hadn't shaved for a day or two, and the nose long and hawklike, sniffing as if she were a treat he was going to gobble up and it was all a joke. "Connie, you ain't telling the truth. This is your day set aside for a ride with me and you know it," he said, still laughing. The way he straightened and recovered from his fit of laughing showed that it had been all fake. "How do you know what my name is?" she said suspiciously. "But I know what it is. I know your name and all about you, lots of things," Arnold Friend said. He had not moved yet but stood still leaning back against the side of his jalopy. "I took a special interest in you, such a pretty girl, and found out all about you—like I know your parents and sister are gone somewheres and I know where and how long they're going to be gone, and I know who you were with last night, and your best girl friend's name is Betty. Right?" He spoke in a simple lilting voice, exactly as if he were reciting the words to a song. His smile assured her that everything was fine. In the car Ellie turned up the volume on his radio and did not bother to look around at them. "Ellie can sit in the back seat," Arnold Friend said. He indicated his friend with a casual jerk of his chin, as if Ellie did not count and she should not bother with him. "How'd you find out all that stuff?" Connie said. "Listen: Betty Schultz and Tony Fitch and Jimmy Pettinger and Nancy Pettinger," he said in a chant. "Raymond Stanley and Bob Hutter—" 110 "Do you know all those kids?" "I know everybody." "Look, you're kidding. You're not from around here." "Sure." "But—how come we never saw you before?" "Sure you saw me before," he said. He looked down at his boots, as if he were a little offended. "You just don't remember." "I guess I'd remember you," Connie said. "Yeah?" He looked up at this, beaming. He was pleased. He began to mark time with the music from Ellie's radio, tapping his fists lightly together. Connie looked away from his smile to the car, which was painted so bright it almost hurt her eyes to look at it. She looked at that name, ARNOLD FRIEND. And up at the front fender was an expression that was familiar—MAN THE FLYING SAUCERS. It was an expression kids had used the year before but didn't use this year. She looked at it for a while as if the words meant something to her that she did not yet know. "What're you thinking about? Huh?" Arnold Friend demanded. "Not worried about your hair blowing around in the car, are you?" "No." "Think I maybe can't drive good?" "How do I know?" "You're a hard girl to handle. How come?" he said. "Don't you know I'm your friend? Didn't you see me put my sign in the air when you walked by?" "What sign?" "My sign." And he drew an X in the air, leaning out toward her. They were maybe ten feet apart. After his hand fell back to his side the X was still in the air, almost visible. Connie let the screen door close and stood perfectly still inside it, listening to the music from her radio and the boy's blend together. She stared at Arnold Friend. He stood there so stiffly relaxed, pretending to be relaxed, with one hand idly on the door handle as if he were keeping himself up that way and had no intention of ever moving again. She recognized most things about him, the tight jeans that showed his thighs and buttocks and the greasy leather boots and the tight shirt, and even that slippery friendly smile of his, that sleepy dreamy smile that all the boys used to get across ideas they didn't want to put into words. She recognized all this and also the singsong way he talked, slightly mocking, kidding, but serious and a little melancholy, and she recognized the way he tapped one fist against the other in homage to the perpetual music behind him. But all these things did not come together. She said suddenly, "Hey, how old are you?" His smiled faded. She could see then that he wasn't a kid, he was much older—thirty, maybe more. At this knowledge her heart began to pound faster. "That's a crazy thing to ask. Can'tcha see I'm your own age?" "Like hell you are." "Or maybe a couple years older. I'm eighteen." "Eighteen?" she said doubtfully. He grinned to reassure her and lines appeared at the corners of his mouth. His teeth were big and white. He grinned so broadly his eyes became slits and she saw how thick the lashes were, thick and black as if painted with a black tarlike material. Then, abruptly, he seemed to become embarrassed and looked over his shoulder at Ellie. "Him, he's crazy," he said. "Ain't he a riot? He's a nut, a real character." Ellie was still listening to the music. His sunglasses told nothing about what he was thinking. He wore a bright orange shirt unbuttoned halfway to show his chest, which was a pale, bluish chest and not muscular like Arnold Friend's. His shirt collar was turned up all around and the very tips of the collar pointed out past his chin as if they were protecting him. He was pressing the transistor radio up against his ear and sat there in a kind of daze, right in the sun. "He's kinda strange," Connie said. "Hey, she says you're kinda strange! Kinda strange!" Arnold Friend cried. He pounded on the car to get Ellie's attention. Ellie turned for the first time and Connie saw with shock that he wasn't a kid either— he had a fair, hairless face, cheeks reddened slightly as if the veins grew too close to the surface of his skin, the face of a forty-year-old baby. Connie felt a wave of dizziness rise in her at this sight and she 111 stared at him as if waiting for something to change the shock of the moment, make it all right again. Ellie's lips kept shaping words, mumbling along with the words blasting in his ear. "What fat woman?" Connie cried. "How do I know what fat woman, I don't know every goddamn fat woman in the world!" Arnold Friend laughed. "Maybe you two better go away," Connie said faintly. "What? How come?" Arnold Friend cried. "We come out here to take you for a ride. It's Sunday." He had the voice of the man on the radio now. It was the same voice, Connie thought. "Don'tcha know it's Sunday all day? And honey, no matter who you were with last night, today you're with Arnold Friend and don't you forget it! Maybe you better step out here," he said, and this last was in a different voice. It was a little flatter, as if the heat was finally getting to him. "No. I got things to do." "Oh, that's Mrs. Hornsby . . . . Who invited her?" Connie said. She felt a little lightheaded. Her breath was coming quickly. "Hey." "You two better leave." "We ain't leaving until you come with us." "Like hell I am—" "Connie, don't fool around with me. I mean—I mean, don't fool around," he said, shaking his head. He laughed incredulously. He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig, and brought the stems down behind his ears. Connie stared at him, another wave of dizziness and fear rising in her so that for a moment he wasn't even in focus but was just a blur standing there against his gold car, and she had the idea that he had driven up the driveway all right but had come from nowhere before that and belonged nowhere and that everything about him and even about the music that was so familiar to her was only half real. "She's too fat. I don't like them fat. I like them the way you are, honey," he said, smiling sleepily at her. They stared at each other for a while through the screen door. He said softly, "Now, what you're going to do is this: you're going to come out that door. You re going to sit up front with me and Ellie's going to sit in the back, the hell with Ellie, right? This isn't Ellie's date. You're my date. I'm your lover, honey." "What? You're crazy—" "Yes, I'm your lover. You don't know what that is but you will," he said. "I know that too. I know all about you. But look: it's real nice and you couldn't ask for nobody better than me, or more polite. I always keep my word. I'll tell you how it is, I'm always nice at first, the first time. I'll hold you so tight you won't think you have to try to get away or pretend anything because you'll know you can't. And I'll come inside you where it's all secret and you'll give in to me and you'll love me " "He ain't coming. He's at a barbecue." "Shut up! You're crazy!" Connie said. She backed away from the door. She put her hands up against her ears as if she'd heard something terrible, something not meant for her. "People don't talk like that, you're crazy," she muttered. Her heart was almost too big now for her chest and its pumping made sweat break out all over her. She looked out to see Arnold Friend pause and then take a step toward the porch, lurching. He almost fell. But, like a clever drunken man, he managed to catch his balance. He wobbled in his high boots and grabbed hold of one of the porch posts. "Honey?" he said. "You still listening?" "How do you know that?" "Get the hell out of here!" "Aunt Tillie's. Right now they're uh—they're drinking. Sitting around," he said vaguely, squinting as if he were staring all the way to town and over to Aunt Tillie's back yard. Then the vision seemed to get clear and he nodded energetically. "Yeah. Sitting around. There's your sister in a blue dress, huh? And high heels, the poor sad bitch—nothing like you, sweetheart! And your mother's helping some fat woman with the corn, they're cleaning the corn— husking the corn—" "Be nice, honey. Listen." "If my father comes and sees you—" "I'm going to call the police—" He wobbled again and out of the side of his mouth came a fast spat curse, an aside not meant for her to hear. But even this "Christ!" sounded forced. Then he began to smile again. She watched this smile come, awkward as if he were smiling from inside a mask. His whole face was a mask, she thought wildly, tanned down to his throat but then running out as if 112 he had plastered make-up on his face but had forgotten about his throat. "Honey—? Listen, here's how it is. I always tell the truth and I promise you this: I ain't coming in that house after you." "You better not! I'm going to call the police if you— if you don't—" "Honey," he said, talking right through her voice, "honey, I m not coming in there but you are coming out here. You know why?" She was panting. The kitchen looked like a place she had never seen before, some room she had run inside but that wasn't good enough, wasn't going to help her. The kitchen window had never had a curtain, after three years, and there were dishes in the sink for her to do—probably—and if you ran your hand across the table you'd probably feel something sticky there. "You listening, honey? Hey?" "—going to call the police—" "But my father's coming back. He's coming to get me. I had to wash my hair first—'' She spoke in a dry, rapid voice, hardly raising it for him to hear. "No, your daddy is not coming and yes, you had to wash your hair and you washed it for me. It's nice and shining and all for me. I thank you sweetheart," he said with a mock bow, but again he almost lost his balance. He had to bend and adjust his boots. Evidently his feet did not go all the way down; the boots must have been stuffed with something so that he would seem taller. Connie stared out at him and behind him at Ellie in the car, who seemed to be looking off toward Connie's right, into nothing. This Ellie said, pulling the words out of the air one after another as if he were just discovering them, "You want me to pull out the phone?" "Shut your mouth and keep it shut," Arnold Friend said, his face red from bending over or maybe from embarrassment because Connie had seen his boots. "This ain't none of your business." "Soon as you touch the phone I don't need to keep my promise and can come inside. You won't want that." She rushed forward and tried to lock the door. Her fingers were shaking. "But why lock it," Arnold Friend said gently, talking right into her face. "It's just a screen door. It's just nothing." One of his boots was at a strange angle, as if his foot wasn't in it. It pointed out to the left, bent at the ankle. "I mean, anybody can break through a screen door and glass and wood and iron or anything else if he needs to, anybody at all, and specially Arnold Friend. If the place got lit up with a fire, honey, you'd come runnin' out into my arms, right into my arms an' safe at home—like you knew I was your lover and'd stopped fooling around. I don't mind a nice shy girl but I don't like no fooling around." Part of those words were spoken with a slight rhythmic lilt, and Connie somehow recognized them—the echo of a song from last year, about a girl rushing into her boy friend's arms and coming home again— "What—what are you doing? What do you want?" Connie said. "If I call the police they'll get you, they'll arrest you—" Connie stood barefoot on the linoleum floor, staring at him. "What do you want?" she whispered. "Huh? What're you saying, honey?" "I want you," he said. "What?" "Seen you that night and thought, that's the one, yes sir. I never needed to look anymore." "Promise was not to come in unless you touch that phone, and I'll keep that promise," he said. He resumed his erect position and tried to force his shoulders back. He sounded like a hero in a movie, declaring something important. But he spoke too loudly and it was as if he were speaking to someone behind Connie. "I ain't made plans for coming in that house where I don't belong but just for you to come out to me, the way you should. Don't you know who I am?" "You're crazy," she whispered. She backed away from the door but did not want to go into another part of the house, as if this would give him permission to come through the door. "What do you . . . you're crazy, you. . . ." Her eyes darted everywhere in the kitchen. She could not remember what it was, this room. "This is how it is, honey: you come out and we'll drive away, have a nice ride. But if you don't come out we're gonna wait till your people come home and then they're all going to get it." 113 "You want that telephone pulled out?" Ellie said. He held the radio away from his ear and grimaced, as if without the radio the air was too much for him. "I toldja shut up, Ellie," Arnold Friend said, "you're deaf, get a hearing aid, right? Fix yourself up. This little girl's no trouble and's gonna be nice to me, so Ellie keep to yourself, this ain't your date right? Don't hem in on me, don't hog, don't crush, don't bird dog, don't trail me," he said in a rapid, meaningless voice, as if he were running through all the expressions he'd learned but was no longer sure which of them was in style, then rushing on to new ones, making them up with his eyes closed. "Don't crawl under my fence, don't squeeze in my chipmonk hole, don't sniff my glue, suck my popsicle, keep your own greasy fingers on yourself!" He shaded his eyes and peered in at Connie, who was backed against the kitchen table. "Don't mind him, honey, he's just a creep. He's a dope. Right? I'm the boy for you, and like I said, you come out here nice like a lady and give me your hand, and nobody else gets hurt, I mean, your nice old bald-headed daddy and your mummy and your sister in her high heels. Because listen: why bring them in this?" "Leave me alone," Connie whispered. "Hey, you know that old woman down the road, the one with the chickens and stuff—you know her?" "She's dead!" "Dead? What? You know her?" Arnold Friend said. "She's dead—" "Don't you like her?" "She's dead—she's—she isn't here any more—" But don't you like her, I mean, you got something against her? Some grudge or something?" Then his voice dipped as if he were conscious of a rudeness. He touched the sunglasses perched up on top of his head as if to make sure they were still there. "Now, you be a good girl." 'What are you going to do?" "Just two things, or maybe three," Arnold Friend said. "But I promise it won't last long and you'll like me the way you get to like people you're close to. You will. It's all over for you here, so come on out. You don't want your people in any trouble, do you?" She turned and bumped against a chair or something, hurting her leg, but she ran into the back room and picked up the telephone. Something roared in her ear, a tiny roaring, and she was so sick with fear that she could do nothing but listen to it—the telephone was clammy and very heavy and her fingers groped down to the dial but were too weak to touch it. She began to scream into the phone, into the roaring. She cried out, she cried for her mother, she felt her breath start jerking back and forth in her lungs as if it were something Arnold Friend was stabbing her with again and again with no tenderness. A noisy sorrowful wailing rose all about her and she was locked inside it the way she was locked inside this house. After a while she could hear again. She was sitting on the floor with her wet back against the wall. Arnold Friend was saying from the door, "That's a good girl. Put the phone back." She kicked the phone away from her. "No, honey. Pick it up. Put it back right." She picked it up and put it back. The dial tone stopped. "That's a good girl. Now, you come outside." She was hollow with what had been fear but what was now just an emptiness. All that screaming had blasted it out of her. She sat, one leg cramped under her, and deep inside her brain was something like a pinpoint of light that kept going and would not let her relax. She thought, I'm not going to see my mother again. She thought, I'm not going to sleep in my bed again. Her bright green blouse was all wet. Arnold Friend said, in a gentle-loud voice that was like a stage voice, "The place where you came from ain't there any more, and where you had in mind to go is cancelled out. This place you are now—inside your daddy's house—is nothing but a cardboard box I can knock down any time. You know that and always did know it. You hear me?" She thought, I have got to think. I have got to know what to do. "We'll go out to a nice field, out in the country here where it smells so nice and it's sunny," Arnold Friend said. "I'll have my arms tight around you so you won't need to try to get away and I'll show you what love is like, what it does. The hell with this house! It looks solid all right," he said. He ran a fingernail 114 down the screen and the noise did not make Connie shiver, as it would have the day before. "Now, put your hand on your heart, honey. Feel that? That feels solid too but we know better. Be nice to me, be sweet like you can because what else is there for a girl like you but to be sweet and pretty and give in?—and get away before her people come back?" She felt her pounding heart. Her hand seemed to enclose it. She thought for the first time in her life that it was nothing that was hers, that belonged to her, but just a pounding, living thing inside this body that wasn't really hers either. "You don't want them to get hurt," Arnold Friend went on. "Now, get up, honey. Get up all by yourself." She stood. "Now, turn this way. That's right. Come over here to me.—Ellie, put that away, didn't I tell you? You dope. You miserable creepy dope," Arnold Friend said. His words were not angry but only part of an incantation. The incantation was kindly. "Now come out through the kitchen to me, honey, and let's see a smile, try it, you re a brave, sweet little girl and now they're eating corn and hot dogs cooked to bursting over an outdoor fire, and they don't know one thing about you and never did and honey, you're better than them because not a one of them would have done this for you." Connie felt the linoleum under her feet; it was cool. She brushed her hair back out of her eyes. Arnold Friend let go of the post tentatively and opened his arms for her, his elbows pointing in toward each other and his wrists limp, to show that this was an embarrassed embrace and a little mocking, he didn't want to make her self-conscious. She put out her hand against the screen. She watched herself push the door slowly open as if she were back safe somewhere in the other doorway, watching this body and this head of long hair moving out into the sunlight where Arnold Friend waited. "My sweet little blue-eyed girl," he said in a halfsung sigh that had nothing to do with her brown eyes but was taken up just the same by the vast sunlit reaches of the land behind him and on all sides of him—so much land that Connie had never seen before and did not recognize except to know that she was going to it. _______________________________________ The Looking Glass Anton Chekhov NEW YEAR'S EVE. Nellie, the daughter of a landowner and general, a young and pretty girl, dreaming day and night of being married, was sitting in her room, gazing with exhausted, half-closed eyes into the looking-glass. She was pale, tense, and as motionless as the looking-glass. The non-existent but apparent vista of a long, narrow corridor with endless rows of candles, the reflection of her face, her hands, of the frame -- all this was already clouded in mist and merged into a boundless grey sea. The sea was undulating, gleaming and now and then flaring crimson. . . . Looking at Nellie's motionless eyes and parted lips, one could hardly say whether she was asleep or awake, but nevertheless she was seeing. At first she saw only the smile and soft, charming expression of someone's eyes, then against the shifting grey background there gradually appeared the outlines of a head, a face, eyebrows, beard. It was he, the destined one, the object of long dreams and hopes. The destined one was for Nellie everything, the significance of life, personal happiness, career, fate. Outside him, as on the grey background of the looking-glass, all was dark, empty, meaningless. And so it was not strange that, seeing before her a handsome, gently smiling face, she was conscious of bliss, of an unutterably sweet dream that could not be expressed in speech or on paper. Then she heard his voice, saw herself living under the same roof with him, her life merged into his. Months and years flew by against the grey background. And Nellie saw her future distinctly in all its details. Picture followed picture against the grey background. Now Nellie saw herself one winter night knocking at the door of Stepan Lukitch, the district doctor. The old dog hoarsely and lazily barked behind the gate. The doctor's windows were in darkness. All was silence. "For God's sake, for God's sake!" whispered Nellie. But at last the garden gate creaked and Nellie saw the doctor's cook. "Is the doctor at home?" "His honour's asleep," whispered the cook into her sleeve, as though afraid of waking her master. "He's only just got home from his fever patients, and gave orders he was not to be waked." 115 But Nellie scarcely heard the cook. Thrusting her aside, she rushed headlong into the doctor's house. Running through some dark and stuffy rooms, upsetting two or three chairs, she at last reached the doctor's bedroom. Stepan Lukitch was lying on his bed, dressed, but without his coat, and with pouting lips was breathing into his open hand. A little nightlight glimmered faintly beside him. Without uttering a word Nellie sat down and began to cry. She wept bitterly, shaking all over. "My husband is ill!" she sobbed out. Stepan Lukitch was silent. He slowly sat up, propped his head on his hand, and looked at his visitor with fixed, sleepy eyes. "My husband is ill!" Nellie continued, restraining her sobs. "For mercy's sake come quickly. Make haste. . . . Make haste!" "Eh?" growled the doctor, blowing into his hand. "Come! Come this very minute! Or . . . it's terrible to think! For mercy's sake!" And pale, exhausted Nellie, gasping and swallowing her tears, began describing to the doctor her husband's illness, her unutterable terror. Her sufferings would have touched the heart of a stone, but the doctor looked at her, blew into his open hand, and -- not a movement. "I'll come to-morrow!" he muttered. "That's impossible!" cried Nellie. "I know my husband has typhus! At once . . . this very minute you are needed!" "I . . . er . . . have only just come in," muttered the doctor. "For the last three days I've been away, seeing typhus patients, and I'm exhausted and ill myself. . . . I simply can't! Absolutely! I've caught it myself! There!" And the doctor thrust before her eyes a clinical thermometer. "My temperature is nearly forty. . . . I absolutely can't. I can scarcely sit up. Excuse me. I'll lie down. . . ." The doctor lay down. "But I implore you, doctor," Nellie moaned in despair. "I beseech you! Help me, for mercy's sake! Make a great effort and come! I will repay you, doctor!" "Oh, dear! . . . Why, I have told you already. Ah!" Nellie leapt up and walked nervously up and down the bedroom. She longed to explain to the doctor, to bring him to reason. . . . She thought if only he knew how dear her husband was to her and how unhappy she was, he would forget his exhaustion and his illness. But how could she be eloquent enough? "Go to the Zemstvo doctor," she heard Stepan Lukitch's voice. "That's impossible! He lives more than twenty miles from here, and time is precious. And the horses can't stand it. It is thirty miles from us to you, and as much from here to the Zemstvo doctor. No, it's impossible! Come along, Stepan Lukitch. I ask of you an heroic deed. Come, perform that heroic deed! Have pity on us!" "It's beyond everything. . . . I'm in a fever. . . my head's in a whirl . . . and she won't understand! Leave me alone!" "But you are in duty bound to come! You cannot refuse to come! It's egoism! A man is bound to sacrifice his life for his neighbour, and you. . . you refuse to come! I will summon you before the Court." Nellie felt that she was uttering a false and undeserved insult, but for her husband's sake she was capable of forgetting logic, tact, sympathy for others. . . . In reply to her threats, the doctor greedily gulped a glass of cold water. Nellie fell to entreating and imploring like the very lowest beggar. . . . At last the doctor gave way. He slowly got up, puffing and panting, looking for his coat. "Here it is!" cried Nellie, helping him. "Let me put it on to you. Come along! I will repay you. . . . All my life I shall be grateful to you. . . ." But what agony! After putting on his coat the doctor lay down again. Nellie got him up and dragged him to the hall. Then there was an agonizing to-do over his goloshes, his overcoat. . . . His cap was lost. . . . But at last Nellie was in the carriage with the doctor. Now they had only to drive thirty miles and her husband would have a doctor's help. The earth was wrapped in darkness. One could not see one's hand before one's face. . . . A cold winter wind was blowing. There were frozen lumps under their wheels. The coachman was continually stopping and wondering which road to take. 116 Nellie and the doctor sat silent all the way. It was fearfully jolting, but they felt neither the cold nor the jolts. "Get on, get on!" Nellie implored the driver. At five in the morning the exhausted horses drove into the yard. Nellie saw the familiar gates, the well with the crane, the long row of stables and barns. At last she was at home. "Wait a moment, I will be back directly," she said to Stepan Lukitch, making him sit down on the sofa in the dining-room. "Sit still and wait a little, and I'll see how he is going on." On her return from her husband, Nellie found the doctor lying down. He was lying on the sofa and muttering. "Doctor, please! . . . doctor!" She saw the coffin, the candles, the deacon, and even the footmarks in the hall made by the undertaker. "Why is it, what is it for?" she asked, looking blankly at her husband's face. And all the previous life with her husband seemed to her a stupid prelude to this. Something fell from Nellie's hand and knocked on the floor. She started, jumped up, and opened her eyes wide. One looking-glass she saw lying at her feet. The other was standing as before on the table. She looked into the looking-glass and saw a pale, tear-stained face. There was no grey background now. "I must have fallen asleep," she thought with a sigh of relief. _______________________________________ A Telephone Call Dorothy Parker "Eh? Ask Domna!" muttered Stepan Lukitch. "What?" "They said at the meeting . . . Vlassov said . . . Who? . . . what?" And to her horror Nellie saw that the doctor was as delirious as her husband. What was to be done? "I must go for the Zemstvo doctor," she decided. Then again there followed darkness, a cutting cold wind, lumps of frozen earth. She was suffering in body and in soul, and delusive nature has no arts, no deceptions to compensate these sufferings. . . . Then she saw against the grey background how her husband every spring was in straits for money to pay the interest for the mortgage to the bank. He could not sleep, she could not sleep, and both racked their brains till their heads ached, thinking how to avoid being visited by the clerk of the Court. She saw her children: the everlasting apprehension of colds, scarlet fever, diphtheria, bad marks at school, separation. Out of a brood of five or six one was sure to die. The grey background was not untouched by death. That might well be. A husband and wife cannot die simultaneously. Whatever happened one must bury the other. And Nellie saw her husband dying. This terrible event presented itself to her in every detail. PLEASE, God, let him telephone me now. Dear God, let him call me now. I won't ask anything else of You, truly I won't. It isn't very much to ask. It would be so little to You, God, such a little, little thing. Only let him telephone now. Please, God. Please, please, please. If I didn't think about it, maybe the telephone might ring. Sometimes it does that. If I could think of something else. If I could think of something else. Knobby if I counted five hundred by fives, it might ring by that time. I'll count slowly. I won't cheat. And if it rings when I get to three hundred, I won't stop; I won't answer it until I get to five hundred. Five, ten, fifteen, twenty, twenty-five, thirty, thirty-five, forty, forty-five, fifty.... Oh, please ring. Please. This is the last time I'll look at the clock. I will not look at it again. It's ten minutes past seven. He said he would telephone at five o'clock. "I'll call you at five, darling." I think that's where he said "darling." I'm almost sure he said it there. I know he called me "darling" twice, and the other time was when he said good-by. "Good-by, darling." He was busy, and he can't say much in the office, but he called me "darling" twice. He couldn't have minded my calling him up. I know you shouldn't keep telephoning them-I know they don't like that. When you do that they know you are thinking about them and wanting them, and that makes them hate you. But I hadn't talked to him in three days-not in three days. And all I did was ask him how he was; it was just the way anybody 117 might have called him up. He couldn't have minded that. He couldn't have thought I was bothering him. "No, of course you're not," he said. And he said he'd telephone me. He didn't have to say that. I didn't ask him to, truly I didn't. I'm sure I didn't. I don't think he would say he'd telephone me, and then just never do it. Please don't let him do that, God. Please don't. "I'll call you at five, darling." "Good-by, darling.,' He was busy, and he was in a hurry, and there were people around him, but he called me "darling" twice. That's mine, that's mine. I have that, even if I never see him again. Oh, but that's so little. That isn't enough. Nothing's enough, if I never see him again. Please let me see him again, God. Please, I want him so much. I want him so much. I'll be good, God. I will try to be better, I will, If you will let me see him again. If You will let him telephone me. Oh, let him telephone me now. Ah, don't let my prayer seem too little to You, God. You sit up there, so white and old, with all the angels about You and the stars slipping by. And I come to You with a prayer about a telephone call. Ah, don't laugh, God. You see, You don't know how it feels. You're so safe, there on Your throne, with the blue swirling under You. Nothing can touch You; no one can twist Your heart in his hands. This is suffering, God, this is bad, bad suffering. Won't You help me? For Your Son's sake, help me. You said You would do whatever was asked of You in His name. Oh, God, in the name of Thine only beloved Son, Jesus Christ, our Lord, let him telephone me now. I must stop this. I mustn't be this way. Look. Suppose a young man says he'll call a girl up, and then something happens, and he doesn't. That isn't so terrible, is it? Why, it's going on all over the world, right this minute. Oh, what do I care what's going on all over the world? Why can't that telephone ring? Why can't it, why can't it? Couldn't you ring? Ah, please, couldn't you? You damned, ugly, shiny thing. It would hurt you to ring, wouldn't it? Oh, that would hurt you. Damn you, I'll pull your filthy roots out of the wall, I'll smash your smug black face in little bits. Damn you to hell. No, no, no. I must stop. I must think about something else. This is what I'll do. I'll put the clock in the other room. Then I can't look at it. If I do have to look at it, then I'll have to walk into the bedroom, and that will be something to do. Maybe, before I look at it again, he will call me. I'll be so sweet to him, if he calls me. If he says he can't see me tonight, I'll say, "Why, that's all right, dear. Why, of course it's all right." I'll be the way I was when I first met him. Then maybe he'll like me again. I was always sweet, at first. Oh, it's so easy to be sweet to people before you love them. I think he must still like me a little. He couldn't have called me "darling" twice today, if he didn't still like me a little. It isn't all gone, if he still likes me a little; even if it's only a little, little bit. You see, God, if You would just let him telephone me, I wouldn't have to ask You anything more. I would be sweet to him, I would be gay, I would be just the way I used to be, and then he would love me again. And then I would never have to ask You for anything more. Don't You see, God? So won't You please let him telephone me? Won't You please, please, please? Are You punishing me, God, because I've been bad? Are You angry with me because I did that? Oh, but, God, there are so many bad people --You could not be hard only to me. And it wasn't very bad; it couldn't have been bad. We didn't hurt anybody, God. Things are only bad when they hurt people. We didn't hurt one single soul; You know that. You know it wasn't bad, don't You, God? So won't You let him telephone me now? If he doesn't telephone me, I'll know God is angry with me. I'll count five hundred by fives, and if he hasn't called me then, I will know God isn't going to help me, ever again. That will be the sign. Five, ten, fifteen, twenty, twenty-five, thirty, thirty-five, forty, forty-five, fifty, fifty-five. . . It was bad. I knew it was bad. All right, God, send me to hell. You think You're frightening me with Your hell, don't You? You think. Your hell is worse than mine. I mustn't. I mustn't do this. Suppose he's a little late calling me up --that's nothing to get hysterical about. Maybe he isn't going to call--maybe he's coming straight up here without telephoning. He'll be cross if he sees I have been crying. They don't like you to cry. He doesn't cry. I wish to God I could make him cry. I wish I could make him cry and tread the floor and feel his heart heavy and big and festering in him. I wish I could hurt him like hell. He doesn't wish that about me. I don't think he even knows how he makes me feel. I wish he could know, without my telling him. They don't like you to tell them they've made you cry. They don't like you to tell them you're unhappy because of them. If you do, they think you're possessive and exacting. And then they hate you. They hate you whenever you say anything you really think. You always have to keep playing little games. Oh, I thought we didn't have to; I thought this was so big I could say whatever I 118 meant. I guess you can't, ever. I guess there isn't ever anything big enough for that. Oh, if he would just telephone, I wouldn't tell him I had been sad about him. They hate sad people. I would be so sweet and so gay, he couldn't help but like me. If he would only telephone. If he would only telephone. Maybe that's what he is doing. Maybe he is coming on here without calling me up. Maybe he's on his way now. Something might have happened to him. No, nothing could ever happen to him. I can't picture anything happening to him. I never picture him run over. I never see him lying still and long and dead. I wish he were dead. That's a terrible wish. That's a lovely wish. If he were dead, he would be mine. If he were dead, I would never think of now and the last few weeks. I would remember only the lovely times. It would be all beautiful. I wish he were dead. I wish he were dead, dead, dead. This is silly. It's silly to go wishing people were dead just because they don't call you up the very minute they said they would. Maybe the clock's fast; I don't know whether it's right. Maybe he's hardly late at all. Anything could have made him a little late. Maybe he had to stay at his office. Maybe he went home, to call me up from there, and somebody came in. He doesn't like to telephone me in front of people. Maybe he's worried, just a little, little bit, about keeping me waiting. He might even hope that I would call him up. I could do that. I could telephone him. I mustn't. I mustn't, I mustn't. Oh, God, please don't let me telephone him. Please keep me from doing that. I know, God, just as well as You do, that if he were worried about me, he'd telephone no matter where he was or how many people there were around him. Please make me know that, God. I don't ask YOU to make it easy for me--You can't do that, for all that You could make a world. Only let me know it, God. Don't let me go on hoping. Don't let me say comforting things to myself. Please don't let me hope, dear God. Please don't. I won't telephone him. I'll never telephone him again as long as I live. He'll rot in hell, before I'll call him up. You don't have to give me strength, God; I have it myself. If he wanted me, he could get me. He knows where I ram. He knows I'm waiting here. He's so sure of me, so sure. I wonder why they hate you, as soon as they are sure of you. I should think it would be so sweet to be sure. It would be so easy to telephone him. Then I'd know. Maybe it wouldn't be a foolish thing to do. Maybe he wouldn't mind. Maybe he'd like it. Maybe he has been trying to get me. Sometimes people try and try to get you on the telephone, and they say the number doesn't answer. I'm not just saying that to help myself; that really happens. You know that really happens, God. Oh, God, keep me away from that telephone. Keep me away. Let me still have just a little bit of pride. I think I'm going to need it, God. I think it will be all I'll have. Oh, what does pride matter, when I can't stand it if I don't talk to him? Pride like that is such a silly, shabby little thing. The real pride, the big pride, is in having no pride. I'm not saying that just because I want to call him. I am not. That's true, I know that's true. I will be big. I will be beyond little prides. Please, God, keep me from, telephoning him. Please, God. I don't see what pride has to do with it. This is such a little thing, for me to be bringing in pride, for me to be making such a fuss about. I may have misunderstood him. Maybe he said for me to call him up, at five. "Call me at five, darling." He could have said that, perfectly well. It's so possible that I didn't hear him right. "Call me at five, darling." I'm almost sure that's what he said. God, don't let me talk this way to myself. Make me know, please make me know. I'll think about something else. I'll just sit quietly. If I could sit still. If I could sit still. Maybe I could read. Oh, all the books are about people who love each other, truly and sweetly. What do they want to write about that for? Don't they know it isn't tree? Don't they know it's a lie, it's a God damned lie? What do they have to tell about that for, when they know how it hurts? Damn them, damn them, damn them. I won't. I'll be quiet. This is nothing to get excited about. Look. Suppose he were someone I didn't know very well. Suppose he were another girl. Then I d just telephone and say, "Well, for goodness' sake, what happened to you?" That's what I'd do, and I'd never even think about it. Why can't I be casual and natural, just because I love him? I can be. Honestly, I can be. I'll call him up, and be so easy and pleasant. You see if I won't, God. Oh, don't let me call him. Don't, don't, don't. God, aren't You really going to let him call me? Are You sure, God? Couldn't You please relent? Couldn't You? I don't even ask You to let him telephone me this minute, God; only let him do it in a little while. I'll count five hundred by fives. I'll do it so slowly and so fairly. If he hasn't telephoned then, I'll call 119 him. I will. Oh, please, dear God, dear kind God, my blessed Father in Heaven, let him call before then. Please, God. Please. Five, ten, fifteen, twenty, twentyfive, thirty, thirtyfive.… ___________________________________________ An Occurrence at Owl Creek Bridge Ambrose Bierce A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man's hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout crosstimber above his head and the slack fell to the level of his knees. Some loose boards laid upon the sleepers supporting the metals of the railway supplied a footing for him and his executioners--two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as "support," that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest--a formal and unnatural position, enforcing an erect carriage of the body. It did not appear to be the duty of these two men to know what was occurring at the center of the bridge; they merely blockaded the two ends of the foot planking that traversed it. Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view. Doubtless there was an outpost farther along. The other bank of the stream was open ground--a gentle acclivity topped with a stockade of vertical tree trunks, loopholed for rifles, with a single embrasure through which protruded the muzzle of a brass cannon commanding the bridge. Midway of the slope between the bridge and fort were the spectators--a single company of infantry in line, at "parade rest," the butts of the rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed upon the stock. A lieu tenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right. Excepting the group of four at the center of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference. The man who was engaged in being hanged was apparently about thirty-five years of age. He was a civilian, if one might judge from his habit, which was that of a planter. His features were good--a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well-fitting frock coat. He wore a mustache and pointed beard, but no whiskers; his eyes were large and dark gray, and had a kindly expression which one would hardly have expected in one whose neck was in the hemp. Evidently this was no vulgar assassin. The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded. The preparations being complete, the two private soldiers stepped aside and each drew away the plank upon which he had been standing. The sergeant turned to the captain, saluted and placed himself immediately behind that officer, who in turn moved apart one pace. These movements left the condemned man and the sergeant standing on the two ends of the same plank, which spanned three of the cross-ties of the bridge. The end upon which the civilian stood almost, but not quite, reached a fourth. This plank had been held in place by the weight of the captain; it was now held by that of the sergeant. At a signal from the former the latter would step aside, the plank would tilt and the condemned man go down between two ties. The arrangement commended itself to his judgment as simple and effective. His face had not been covered nor his eyes bandaged. He looked a moment at his "unsteadfast footing," then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move, What a sluggish stream! He closed his eyes in order to fix his last thoughts upon his wife and children. The water, touched to gold by the early sun, the brooding mists under the banks at some distance down the stream, the fort, the soldiers, the piece of drift--all had distracted him. And now he became conscious of a new disturbance. Striking through the thought of his dear ones was a sound which he could neither ignore nor understand, a sharp, distinct, metallic percussion like the stroke of a blacksmith's hammer upon the anvil; it had the same ringing quality. He wondered what it was, and whether immeasurably distant or nearby--it seemed 120 both. Its recurrence was regular, but as slow as the tolling of a death knell. He awaited each stroke with impatience and--he knew not why--apprehension. The intervals of silence grew progressively longer, the delays became maddening. With their greater infrequency the sounds increased in strength and sharpness. They hurt his ear like the thrust of a knife; he feared he would shriek. What he heard was the ticking of his watch. He unclosed his eyes and saw again the water below him. "If I could free my hands," he thought, "I might throw off the noose and spring into the stream. By diving I could evade the bullets and, swimming vigorously, reach the bank, take to the woods and get away home. My home, thank God, is as yet outside their lines; my wife and little ones are still beyond the invader's farthest advance." "The Yanks are repairing the railroads," said the man, "and are getting ready for another advance. They have reached the Owl Creek bridge, put it in order and built a stockade on the north bank. The commandant has issued an order, which is posted everywhere, declaring that any civilian caught interfering with the railroad, its bridges, tunnels or trains will be summarily hanged. I saw the order." "How far is it to the Owl Creek bridge?" Farquhar asked. "About thirty miles." "Is there no force on this side the creek?" "Only a picket post half a mile out, on the railroad, and a single sentinel at this end of the bridge." As these thoughts, which have here to be set down in words, were flashed into the doomed man's brain rather than evolved from it the captain nodded to the sergeant. The sergeant stepped aside. "Suppose a man--a civilian and student of hanging-should elude the picket post and perhaps get the better of the sentinel," said Farquhar, smiling, "what could he accomplish?" II The soldier reflected. "I was there a month ago," he replied. "I observed that the flood of last winter had lodged a great quantity of driftwood against the wooden pier at this end of the bridge. It is now dry and would burn like tow." Peyton Farquhar was a well-to-do planter, of an old and highly respected Alabama family. Being a slave owner and like other slave owners a politician he was naturally an original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with the gallant army that had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in war time. Meanwhile he did what he could. No service was too humble for him to perform in aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war. One evening while Farquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Farquhar was only toe, happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front. The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout. As Peyton Farquhar fell straight downward through the bridge he lost consciousness and was as one already dead. From this state he was awakened--ages later, it seemed to him--by the pain of a sharp pressure upon his throat, followed by a sense of suffocation. Keen, poignant agonies seemed to shoot from his neck downward through every fiber of his body and limbs. These pains appeared to flash along well-defined lines of ramification and to beat with an inconceivably rapid periodicity. They seemed like streams of pulsating fire heating him to an intolerable temperature. As to his head, he was conscious of nothing but a feeling of fullness--of congestion. These sensations were unaccompanied by thought. The intellectual part of his nature was already effaced; he had power only to feel, and feeling was torment. He was conscious of motion. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung 121 through unthinkable arcs of oscillation, like a vast pendulum. Then all at once, with terrible suddenness, the light about him shot upward with the noise of a loud splash; a frightful roaring was in his ears, and all was cold and dark. The power of thought was restored; he knew that the rope had broken and he had fallen into the stream. There was no additional strangulation; the noose about his neck was already suffocating him and kept the water from his lungs. To die of hanging at the bottom of a river!--the idea seemed to him ludicrous. He opened his eyes in the darkness and saw above him a gleam of light, but how distant, how inaccessible! He was still sinking, for the light became fainter and fainter until it was a mere glimmer. Then it began to grow and brighten, and he knew that he was rising toward the surface-knew it with reluctance, for he was now very comfortable. "To be hanged and drowned," he thought? "that is not so bad; but I do not wish to be shot. No; I will not be shot; that is not fair." He was not conscious of an effort, but a sharp pain in his wrist apprised him that he was trying to free his hands. He gave the struggle his attention, as an idler might observe the feat of a juggler, without interest in the outcome. What splendid effort!--what magnificent, what superhuman strength! Ah, that was a fine endeavor! Bravo! The cord fell away; his arms parted and floated upward, the hands dimly seen on each side in the growing light. He watched them with a new interest as first one and then the other pounced upon the noose at his neck. They tore it away and thrust it fiercely aside, its undulations resembling those of a water snake. "Put it back, put it back!" He thought he shouted these words to his hands, for the undoing of the noose had been succeeded by the direst pang that he had yet experienced. His neck ached horribly; his brain was on fire; his heart, which had been fluttering faintly, gave a great leap, trying to force itself out at his mouth. His whole body was racked and wrenched with an insupportable anguish! But his disobedient hands gave no heed to the command. They beat the water vigorously with quick, downward strokes, forcing him to the surface. He felt his head emerge; his eyes were blinded by the sunlight; his chest expanded convulsively, and with a supreme and crowning agony his lungs engulfed a great draught of air, which instantly he expelled in a shriek! He was now in full possession of his physical senses. They were, indeed, preternaturally keen and alert. Something in the awful disturbance of his organic system had so exalted and refined them that they made record of things never before perceived. He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf--saw the very insects upon them: the locusts, the brilliant-bodied flies, the grey spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies' wings, the strokes of the water-spiders' legs, like oars which had lifted their boat--all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water. He had come to the surface facing down the stream; in a moment the visible world seemed to wheel slowly round, himself the pivotal point, and he saw the bridge, the fort, the soldiers upon the bridge, the captain, the sergeant, the two privates, his executioners. They were in silhouette against the blue sky. They shouted and gesticulated, pointing at him. The captain had drawn his pistol, but did not fire; the others were unarmed. Their movements were grotesque and horrible, their forms gigantic. Suddenly he heard a sharp report and something struck the water smartly within a few inches of his head, spattering his face with spray. He heard a second report, and saw one of the sentinels with his rifle at his shoulder, a light cloud of blue smoke rising from the muzzle. The man in the water saw the eye of the man on the bridge gazing into his own through the sights of the rifle. He observed that it was a grey eye and remembered having read that grey eyes were keenest, and that all famous marksmen had them. Nevertheless, this one had missed. A counter-swirl had caught Farquhar and turned him half round; he was again looking into the forest on the bank opposite the fort. The sound of a clear, high voice in a monotonous singsong now rang out behind him and came across the water with a distinctness that pierced and subdued all other sounds, even the beating of the ripples in his ears. Although no soldier, he had frequented camps enough to know the dread significance of that deliberate, drawling, aspirated chant; the lieu. tenant on shore was taking a part in the morning's work. How coldly and pitilessly--with what an even, calm intonation, presaging, and enforcing tranquility in the men--with what accurately measured intervals fell those cruel words: "Attention, company! . . Shoulder arms! . . . Ready! . . . Aim! . . . Fire!" Farquhar dived--dived as deeply as he could. The 122 water roared in his ears like the voice of Niagara, yet he heard the dulled thunder of the volley and, rising again toward the surface, met shining bits of metal, singularly flattened, oscillating slowly downward. Some of them touched him on the face and hands, then fell away, continuing their descent. One lodged between his collar and neck; it was uncomfortably warm and he snatched it out. As he rose to the surface, gasping for breath, he saw that he had been a long time under water; he was perceptibly farther downstream nearer to safety. The soldiers had almost finished reloading; the metal ramrods flashed all at once in the sunshine as they were drawn from the barrels, turned in the air, and thrust into their sockets. The two sentinels fired again, independently and ineffectually. The hunted man saw all this over his shoulder; he was now swimming vigorously with the current. His brain was as energetic as his arms and legs; he thought with the rapidity of lightning. The officer," he reasoned, "will not make that martinet's error a second time. It is as easy to dodge a volley as a single shot. He has probably already given the command to fire at will. God help me, I cannot dodge them all!" advance and gyration that made him giddy and sick. In a few moments he was flung upon the gravel at the foot of the left bank of the stream--the southern bank-and behind a projecting point which concealed him from his enemies. The sudden arrest of his motion, the abrasion of one of his hands on the gravel, restored him, and he wept with delight. He dug his fingers into the sand, threw it over himself in handfuls and audibly blessed it. It looked like diamonds, rubies, emeralds; he could think of nothing beautiful which it did not resemble. The trees upon the bank were giant garden plants; he noted a definite order in their arrangement, inhaled the fragrance of their blooms. A strange, roseate light shone through the spaces among their trunks and the wind made in their branches the music of Æolian harps. He had no wish to perfect his escape--was content to remain in that enchanting spot until retaken. A whiz and rattle of grapeshot among the branches high above his head roused him from his dream. The baffled cannoneer had fired him a random farewell. He sprang to his feet, rushed up the sloping bank, and plunged into the forest. "They will not do that again," he thought; "the next time they will use a charge of grape. I must keep my eye upon the gun; the smoke will apprise me--the report arrives too late; it lags behind the missile. That is a good gun." All that day he traveled, laying his course by the rounding sun. The forest seemed interminable; nowhere did he discover a break in it, not even a woodman's road. He had not known that he lived in so wild a region. There was something uncanny in the revelation. By nightfall he was fatigued, footsore, famishing. The thought of his wife and children urged him on. At last he found a road which led him in what he knew to be the right direction. It was as wide and straight as a city street, yet it seemed untraveled. No fields bordered it, no dwelling anywhere. Not so much as the barking of a dog suggested human habitation. The black bodies of the trees formed a straight wall on both sides, terminating on the horizon in a point, like a diagram in a lesson in perspective. Overhead, as he looked up through this rift in the wood, shone great garden stars looking unfamiliar and grouped in strange constellations. He was sure they were arranged in some order which had a secret and malign significance. The wood on either side was full of singular noises, among which--once, twice, and again--he distinctly heard whispers in an unknown tongue. Suddenly he felt himself whirled round and round-spinning like a top. The water, the banks, the forests, the now distant bridge, fort and men--all were commingled and blurred. Objects were represented by their colors only; circular horizontal streaks of color--that was all he saw. He had been caught in a vortex and was being whirled on with a velocity of His neck was in pain and lifting his hand to it found it horribly swollen. He knew that it had a circle of black where the rope had bruised it. His eyes felt congested; he could no longer close them. His tongue was swollen with thirst; he relieved its fever by thrusting it forward from between his teeth into the cold air. How softly the turf had carpeted the An appalling plash within two yards of him was followed by a loud, rushing sound, diminuendo, which seemed to travel back through the air to the fort and died in an explosion which stirred the very river to its deeps! A rising sheet of water curved over him, fell down upon him, blinded him, strangled him! The cannon had taken a hand in the game. As he shook his head free from the commotion of the smitten water he heard the deflected shot humming through the air ahead, and in an instant it was cracking and smashing the branches in the forest beyond. 123 untraveled avenue--he could no longer feel the roadway beneath his feet! Doubtless, despite his suffering, he had fallen asleep while walking, for now he sees another scene-perhaps he has merely recovered from a delirium. He stands at the gate of his own home. All is as he left it, and all bright and beautiful in the morning sunshine. He must have traveled the entire night. As he pushes open the gate and passes up the wide white walk, he sees a flutter of female garments; his wife, looking fresh and cool and sweet, steps down from the veranda to meet him. At the bottom of the steps she stands waiting, with a smile of ineffable joy, an attitude of matchless grace and dignity. Ah, how beautiful she is! He springs forward with extended arms. As he is about to clasp her he feels a stunning blow upon the back of the neck; a blinding white light blazes all about him with a sound like the shock of a cannon--then all is darkness and silence! Peyton Farquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge. ___________________________________________ Rikki-Tikki-Tavi Rudyard Kipling "Rikki-Tikki-Tavi" At the hole where he went in Red-Eye called to Wrinkle-Skin. Hear what little Red-Eye saith: "Nag, come up and dance with death!" Eye to eye and head to head, (Keep the measure, Nag.) This shall end when one is dead; (At thy pleasure, Nag.) Turn for turn and twist for twist-(Run and hide thee, Nag.) Hah! The hooded Death has missed! (Woe betide thee, Nag!) This is the story of the great war that Rikki-tikki-tavi fought single-handed, through the bath-rooms of the big bungalow in Segowlee cantonment. Darzee, the Tailorbird, helped him, and Chuchundra, the muskrat, who never comes out into the middle of the floor, but always creeps round by the wall, gave him advice, but Rikki-tikki did the real fighting. He was a mongoose, rather like a little cat in his fur and his tail, but quite like a weasel in his head and his habits. His eyes and the end of his restless nose were pink. He could scratch himself anywhere he pleased with any leg, front or back, that he chose to use. He could fluff up his tail till it looked like a bottle brush, and his war cry as he scuttled through the long grass was: "Rikk-tikk-tikki-tikki-tchk!" One day, a high summer flood washed him out of the burrow where he lived with his father and mother, and carried him, kicking and clucking, down a roadside ditch. He found a little wisp of grass floating there, and clung to it till he lost his senses. When he revived, he was lying in the hot sun on the middle of a garden path, very draggled indeed, and a small boy was saying, "Here's a dead mongoose. Let's have a funeral." "No," said his mother, "let's take him in and dry him. Perhaps he isn't really dead." They took him into the house, and a big man picked him up between his finger and thumb and said he was not dead but half choked. So they wrapped him in cotton wool, and warmed him over a little fire, and he opened his eyes and sneezed. "Now," said the big man (he was an Englishman who had just moved into the bungalow), "don't frighten him, and we'll see what he'll do." It is the hardest thing in the world to frighten a mongoose, because he is eaten up from nose to tail with curiosity. The motto of all the mongoose family is "Run and find out," and Rikki-tikki was a true mongoose. He looked at the cotton wool, decided that it was not good to eat, ran all round the table, sat up and put his fur in order, scratched himself, and jumped on the small boy's shoulder. "Don't be frightened, Teddy," said his father. "That's his way of making friends." "Ouch! He's tickling under my chin," said Teddy. Rikki-tikki looked down between the boy's collar and neck, snuffed at his ear, and climbed down to the floor, where he sat rubbing his nose. "Good gracious," said Teddy's mother, "and that's a wild creature! I suppose he's so tame because we've been kind to him." "All mongooses are like that," said her husband. "If Teddy doesn't pick him up by the tail, or try to put him in a cage, he'll run in and out of the house all day long. Let's give him something to eat." They gave him a little piece of raw meat. Rikki-tikki liked it immensely, and when it was finished he went out into the veranda and sat in the sunshine and fluffed up his fur to make it dry to the roots. Then he felt better. "There are more things to find out about in this house," he said to himself, "than all my family could find out in all their lives. I shall certainly stay and find out." He spent all that day roaming over the house. He nearly drowned himself in the bath-tubs, put his nose into the ink on a writing table, and burned it on the end of the big man's cigar, for he climbed up in the big man's lap to see how writing was done. At nightfall he ran into Teddy's nursery to watch how kerosene lamps were lighted, and when Teddy went to bed Rikki-tikki climbed up too. But he was a restless companion, because he had to get up 124 and attend to every noise all through the night, and find out what made it. Teddy's mother and father came in, the last thing, to look at their boy, and Rikki-tikki was awake on the pillow. "I don't like that," said Teddy's mother. "He may bite the child." "He'll do no such thing," said the father. "Teddy's safer with that little beast than if he had a bloodhound to watch him. If a snake came into the nursery now--" But Teddy's mother wouldn't think of anything so awful. Early in the morning Rikki-tikki came to early breakfast in the veranda riding on Teddy's shoulder, and they gave him banana and some boiled egg. He sat on all their laps one after the other, because every well-brought-up mongoose always hopes to be a house mongoose some day and have rooms to run about in; and Rikki-tikki's mother (she used to live in the general's house at Segowlee) had carefully told Rikki what to do if ever he came across white men. Then Rikki-tikki went out into the garden to see what was to be seen. It was a large garden, only half cultivated, with bushes, as big as summer-houses, of Marshal Niel roses, lime and orange trees, clumps of bamboos, and thickets of high grass. Rikki-tikki licked his lips. "This is a splendid hunting-ground," he said, and his tail grew bottle-brushy at the thought of it, and he scuttled up and down the garden, snuffing here and there till he heard very sorrowful voices in a thorn-bush. It was Darzee, the Tailorbird, and his wife. They had made a beautiful nest by pulling two big leaves together and stitching them up the edges with fibers, and had filled the hollow with cotton and downy fluff. The nest swayed to and fro, as they sat on the rim and cried. "What is the matter?" asked Rikki-tikki. "We are very miserable," said Darzee. "One of our babies fell out of the nest yesterday and Nag ate him." "H'm!" said Rikki-tikki, "that is very sad--but I am a stranger here. Who is Nag?" Darzee and his wife only cowered down in the nest without answering, for from the thick grass at the foot of the bush there came a low hiss--a horrid cold sound that made Rikki-tikki jump back two clear feet. Then inch by inch out of the grass rose up the head and spread hood of Nag, the big black cobra, and he was five feet long from tongue to tail. When he had lifted one-third of himself clear of the ground, he stayed balancing to and fro exactly as a dandelion tuft balances in the wind, and he looked at Rikki-tikki with the wicked snake's eyes that never change their expression, whatever the snake may be thinking of. "Who is Nag?" said he. "I am Nag. The great God Brahm put his mark upon all our people, when the first cobra spread his hood to keep the sun off Brahm as he slept. Look, and be afraid!" He spread out his hood more than ever, and Rikki-tikki saw the spectacle-mark on the back of it that looks exactly like the eye part of a hook-and-eye fastening. He was afraid for the minute, but it is impossible for a mongoose to stay frightened for any length of time, and though Rikki-tikki had never met a live cobra before, his mother had fed him on dead ones, and he knew that all a grown mongoose's business in life was to fight and eat snakes. Nag knew that too and, at the bottom of his cold heart, he was afraid. "Well," said Rikki-tikki, and his tail began to fluff up again, "marks or no marks, do you think it is right for you to eat fledglings out of a nest?" Nag was thinking to himself, and watching the least little movement in the grass behind Rikki-tikki. He knew that mongooses in the garden meant death sooner or later for him and his family, but he wanted to get Rikki-tikki off his guard. So he dropped his head a little, and put it on one side. "Let us talk," he said. "You eat eggs. Why should not I eat birds?" "Behind you! Look behind you!" sang Darzee. Rikki-tikki knew better than to waste time in staring. He jumped up in the air as high as he could go, and just under him whizzed by the head of Nagaina, Nag's wicked wife. She had crept up behind him as he was talking, to make an end of him. He heard her savage hiss as the stroke missed. He came down almost across her back, and if he had been an old mongoose he would have known that then was the time to break her back with one bite; but he was afraid of the terrible lashing return stroke of the cobra. He bit, indeed, but did not bite long enough, and he jumped clear of the whisking tail, leaving Nagaina torn and angry. "Wicked, wicked Darzee!" said Nag, lashing up as high as he could reach toward the nest in the thornbush. But Darzee had built it out of reach of snakes, and it only swayed to and fro. Rikki-tikki felt his eyes growing red and hot (when a mongoose's eyes grow red, he is angry), and he sat back on his tail and hind legs like a little kangaroo, and looked all round him, and chattered with rage. But Nag and Nagaina had disappeared into the grass. When a snake misses its stroke, it never says anything or gives any sign of what it means to do next. Rikki-tikki did not care to follow them, for he did not feel sure that he could manage two snakes at once. So he trotted off to the gravel path near the house, and sat down to think. It was a serious matter for him. If you read the old books of natural history, you will find they say that when the mongoose fights the snake and happens to get bitten, he runs off and eats some herb that cures him. That is not true. The victory is only a matter of quickness of eye and quickness of foot--snake's blow against mongoose's jump--and as no eye can follow the motion of a snake's head when it strikes, this 125 makes things much more wonderful than any magic herb. Rikki-tikki knew he was a young mongoose, and it made him all the more pleased to think that he had managed to escape a blow from behind. It gave him confidence in himself, and when Teddy came running down the path, Rikki-tikki was ready to be petted. But just as Teddy was stooping, something wriggled a little in the dust, and a tiny voice said: "Be careful. I am Death!" It was Karait, the dusty brown snakeling that lies for choice on the dusty earth; and his bite is as dangerous as the cobra's. But he is so small that nobody thinks of him, and so he does the more harm to people. Rikki-tikki's eyes grew red again, and he danced up to Karait with the peculiar rocking, swaying motion that he had inherited from his family. It looks very funny, but it is so perfectly balanced a gait that you can fly off from it at any angle you please, and in dealing with snakes this is an advantage. If Rikki-tikki had only known, he was doing a much more dangerous thing than fighting Nag, for Karait is so small, and can turn so quickly, that unless Rikki bit him close to the back of the head, he would get the return stroke in his eye or his lip. But Rikki did not know. His eyes were all red, and he rocked back and forth, looking for a good place to hold. Karait struck out. Rikki jumped sideways and tried to run in, but the wicked little dusty gray head lashed within a fraction of his shoulder, and he had to jump over the body, and the head followed his heels close. Teddy shouted to the house: "Oh, look here! Our mongoose is killing a snake." And Rikki-tikki heard a scream from Teddy's mother. His father ran out with a stick, but by the time he came up, Karait had lunged out once too far, and Rikki-tikki had sprung, jumped on the snake's back, dropped his head far between his forelegs, bitten as high up the back as he could get hold, and rolled away. That bite paralyzed Karait, and Rikki-tikki was just going to eat him up from the tail, after the custom of his family at dinner, when he remembered that a full meal makes a slow mongoose, and if he wanted all his strength and quickness ready, he must keep himself thin. He went away for a dust bath under the castor-oil bushes, while Teddy's father beat the dead Karait. "What is the use of that?" thought Rikki-tikki. "I have settled it all;" and then Teddy's mother picked him up from the dust and hugged him, crying that he had saved Teddy from death, and Teddy's father said that he was a providence, and Teddy looked on with big scared eyes. Rikki-tikki was rather amused at all the fuss, which, of course, he did not understand. Teddy's mother might just as well have petted Teddy for playing in the dust. Rikki was thoroughly enjoying himself. That night at dinner, walking to and fro among the wine-glasses on the table, he might have stuffed himself three times over with nice things. But he remembered Nag and Nagaina, and though it was very pleasant to be patted and petted by Teddy's mother, and to sit on Teddy's shoulder, his eyes would get red from time to time, and he would go off into his long war cry of "Rikk-tikk-tikki-tikki-tchk!" Teddy carried him off to bed, and insisted on Rikkitikki sleeping under his chin. Rikki-tikki was too well bred to bite or scratch, but as soon as Teddy was asleep he went off for his nightly walk round the house, and in the dark he ran up against Chuchundra, the musk-rat, creeping around by the wall. Chuchundra is a broken-hearted little beast. He whimpers and cheeps all the night, trying to make up his mind to run into the middle of the room. But he never gets there. "Don't kill me," said Chuchundra, almost weeping. "Rikki-tikki, don't kill me!" "Do you think a snake-killer kills muskrats?" said Rikki-tikki scornfully. "Those who kill snakes get killed by snakes," said Chuchundra, more sorrowfully than ever. "And how am I to be sure that Nag won't mistake me for you some dark night?" "There's not the least danger," said Rikki-tikki. "But Nag is in the garden, and I know you don't go there." "My cousin Chua, the rat, told me--" said Chuchundra, and then he stopped. "Told you what?" "H'sh! Nag is everywhere, Rikkitikki. You should have talked to Chua in the garden." "I didn't--so you must tell me. Quick, Chuchundra, or I'll bite you!" Chuchundra sat down and cried till the tears rolled off his whiskers. "I am a very poor man," he sobbed. "I never had spirit enough to run out into the middle of the room. H'sh! I mustn't tell you anything. Can't you hear, Rikki-tikki?" Rikki-tikki listened. The house was as still as still, but he thought he could just catch the faintest scratch-scratch in the world--a noise as faint as that of a wasp walking on a window-pane-the dry scratch of a snake's scales on brick-work. "That's Nag or Nagaina," he said to himself, "and he is crawling into the bath-room sluice. You're right, Chuchundra; I should have talked to Chua." He stole off to Teddy's bath-room, but there was nothing there, and then to Teddy's mother's bathroom. At the bottom of the smooth plaster wall there was a brick pulled out to make a sluice for the bath water, and as Rikki-tikki stole in by the masonry curb where the bath is put, he heard Nag and Nagaina whispering together outside in the moonlight. "When the house is emptied of people," said Nagaina to her husband, "he will have to go away, and then the garden will be our own again. Go in quietly, and remember that the big 126 man who killed Karait is the first one to bite. Then come out and tell me, and we will hunt for Rikkitikki together." "But are you sure that there is anything to be gained by killing the people?" said Nag. "Everything. When there were no people in the bungalow, did we have any mongoose in the garden? So long as the bungalow is empty, we are king and queen of the garden; and remember that as soon as our eggs in the melon bed hatch (as they may tomorrow), our children will need room and quiet." "I had not thought of that," said Nag. "I will go, but there is no need that we should hunt for Rikki-tikki afterward. I will kill the big man and his wife, and the child if I can, and come away quietly. Then the bungalow will be empty, and Rikki-tikki will go." Rikki-tikki tingled all over with rage and hatred at this, and then Nag's head came through the sluice, and his five feet of cold body followed it. Angry as he was, Rikki-tikki was very frightened as he saw the size of the big cobra. Nag coiled himself up, raised his head, and looked into the bathroom in the dark, and Rikki could see his eyes glitter. "Now, if I kill him here, Nagaina will know; and if I fight him on the open floor, the odds are in his favor. What am I to do?" said Rikki-tikki-tavi. Nag waved to and fro, and then Rikki-tikki heard him drinking from the biggest water-jar that was used to fill the bath. "That is good," said the snake. "Now, when Karait was killed, the big man had a stick. He may have that stick still, but when he comes in to bathe in the morning he will not have a stick. I shall wait here till he comes. Nagaina--do you hear me?--I shall wait here in the cool till daytime." There was no answer from outside, so Rikki-tikki knew Nagaina had gone away. Nag coiled himself down, coil by coil, round the bulge at the bottom of the water jar, and Rikki-tikki stayed still as death. After an hour he began to move, muscle by muscle, toward the jar. Nag was asleep, and Rikki-tikki looked at his big back, wondering which would be the best place for a good hold. "If I don't break his back at the first jump," said Rikki, "he can still fight. And if he fights-O Rikki!" He looked at the thickness of the neck below the hood, but that was too much for him; and a bite near the tail would only make Nag savage. "It must be the head"' he said at last; "the head above the hood. And, when I am once there, I must not let go." Then he jumped. The head was lying a little clear of the water jar, under the curve of it; and, as his teeth met, Rikki braced his back against the bulge of the red earthenware to hold down the head. This gave him just one second's purchase, and he made the most of it. Then he was battered to and fro as a rat is shaken by a dog--to and fro on the floor, up and down, and around in great circles, but his eyes were red and he held on as the body cart-whipped over the floor, upsetting the tin dipper and the soap dish and the flesh brush, and banged against the tin side of the bath. As he held he closed his jaws tighter and tighter, for he made sure he would be banged to death, and, for the honor of his family, he preferred to be found with his teeth locked. He was dizzy, aching, and felt shaken to pieces when something went off like a thunderclap just behind him. A hot wind knocked him senseless and red fire singed his fur. The big man had been wakened by the noise, and had fired both barrels of a shotgun into Nag just behind the hood. Rikki-tikki held on with his eyes shut, for now he was quite sure he was dead. But the head did not move, and the big man picked him up and said, "It's the mongoose again, Alice. The little chap has saved our lives now." Then Teddy's mother came in with a very white face, and saw what was left of Nag, and Rikki-tikki dragged himself to Teddy's bedroom and spent half the rest of the night shaking himself tenderly to find out whether he really was broken into forty pieces, as he fancied. When morning came he was very stiff, but well pleased with his doings. "Now I have Nagaina to settle with, and she will be worse than five Nags, and there's no knowing when the eggs she spoke of will hatch. Goodness! I must go and see Darzee," he said. Without waiting for breakfast, Rikki-tikki ran to the thornbush where Darzee was singing a song of triumph at the top of his voice. The news of Nag's death was all over the garden, for the sweeper had thrown the body on the rubbish-heap. "Oh, you stupid tuft of feathers!" said Rikki-tikki angrily. "Is this the time to sing?" "Nag is dead--is dead--is dead!" sang Darzee. "The valiant Rikki-tikki caught him by the head and held fast. The big man brought the bang-stick, and Nag fell in two pieces! He will never eat my babies again." "All that's true enough. But where's Nagaina?" said Rikki-tikki, looking carefully round him. "Nagaina came to the bathroom sluice and called for Nag," Darzee went on, "and Nag came out on the end of a stick--the sweeper picked him up on the end of a stick and threw him upon the rubbish heap. Let us sing about the great, the red-eyed Rikki-tikki!" And Darzee filled his throat and sang. "If I could get up to your nest, I'd roll your babies out!"said Rikki-tikki. "You don't know when to do the right thing at the right time. You're safe enough in your nest there, but 127 it's war for me down here. Stop singing a minute, Darzee." "For the great, the beautiful Rikki-tikki's sake I will stop," said Darzee. "What is it, O Killer of the terrible Nag?" "Where is Nagaina, for the third time?" "On the rubbish heap by the stables, mourning for Nag. Great is Rikki-tikki with the white teeth." "Bother my white teeth! Have you ever heard where she keeps her eggs?" "In the melon bed, on the end nearest the wall, where the sun strikes nearly all day. She hid them there weeks ago." "And you never thought it worthwhile to tell me? The end nearest the wall, you said?" "Rikki-tikki, you are not going to eat her eggs?" "Not eat exactly; no. Darzee, if you have a grain of sense you will fly off to the stables and pretend that your wing is broken, and let Nagaina chase you away to this bush. I must get to the melon-bed, and if I went there now she'd see me." Darzee was a feather-brained little fellow who could never hold more than one idea at a time in his head. And just because he knew that Nagaina's children were born in eggs like his own, he didn't think at first that it was fair to kill them. But his wife was a sensible bird, and she knew that cobra's eggs meant young cobras later on. So she flew off from the nest, and left Darzee to keep the babies warm, and continue his song about the death of Nag. Darzee was very like a man in some ways. She fluttered in front of Nagaina by the rubbish heap and cried out, "Oh, my wing is broken! The boy in the house threw a stone at me and broke it." Then she fluttered more desperately than ever. Nagaina lifted up her head and hissed, "You warned Rikki-tikki when I would have killed him. Indeed and truly, you've chosen a bad place to be lame in." And she moved toward Darzee's wife, slipping along over the dust. "The boy broke it with a stone!" shrieked Darzee's wife. "Well! It may be some consolation to you when you're dead to know that I shall settle accounts with the boy. My husband lies on the rubbish heap this morning, but before night the boy in the house will lie very still. What is the use of running away? I am sure to catch you. Little fool, look at me!" Darzee's wife knew better than to do that, for a bird who looks at a snake's eyes gets so frightened that she cannot move. Darzee's wife fluttered on, piping sorrowfully, and never leaving the ground, and Nagaina quickened her pace. Rikki-tikki heard them going up the path from the stables, and he raced for the end of the melon patch near the wall. There, in the warm litter above the melons, very cunningly hidden, he found twenty-five eggs, about the size of a bantam's eggs, but with whitish skin instead of shell. "I was not a day too soon," he said, for he could see the baby cobras curled up inside the skin, and he knew that the minute they were hatched they could each kill a man or a mongoose. He bit off the tops of the eggs as fast as he could, taking care to crush the young cobras, and turned over the litter from time to time to see whether he had missed any. At last there were only three eggs left, and Rikkitikki began to chuckle to himself, when he heard Darzee's wife screaming: "Rikki-tikki, I led Nagaina toward the house, and she has gone into the veranda, and--oh, come quickly--she means killing!" Rikkitikki smashed two eggs, and tumbled backward down the melon-bed with the third egg in his mouth, and scuttled to the veranda as hard as he could put foot to the ground. Teddy and his mother and father were there at early breakfast, but Rikki-tikki saw that they were not eating anything. They sat stone-still, and their faces were white. Nagaina was coiled up on the matting by Teddy's chair, within easy striking distance of Teddy's bare leg, and she was swaying to and fro, singing a song of triumph. "Son of the big man that killed Nag," she hissed, "stay still. I am not ready yet. Wait a little. Keep very still, all you three! If you move I strike, and if you do not move I strike. Oh, foolish people, who killed my Nag!" Teddy's eyes were fixed on his father, and all his father could do was to whisper, "Sit still, Teddy. You mustn't move. Teddy, keep still." Then Rikkitikki came up and cried, "Turn round, Nagaina. Turn and fight!" "All in good time," said she, without moving her eyes. "I will settle my account with you presently. Look at your friends, Rikki-tikki. They are still and white. They are afraid. They dare not move, and if you come a step nearer I strike." "Look at your eggs," said Rikki-tikki, "in the melon bed near the wall. Go and look, Nagaina!" The big snake turned half around, and saw the egg on the veranda. "Ah-h! Give it to me," she said. Rikki-tikki put his paws one on each side of the egg, and his eyes were blood-red. "What price for a snake's egg? For a young cobra? For a young king cobra? For the last--the very last of the brood? The ants are eating all the others down by the melon bed." Nagaina spun clear round, forgetting everything for the sake of the one egg. Rikki-tikki saw Teddy's father shoot out a big hand, catch Teddy by the shoulder, and drag him across the little table with the tea-cups, safe and out of reach of Nagaina. "Tricked! Tricked! Tricked! Rikk-tck-tck!" chuckled Rikki-tikki. "The boy is safe, and it was I--I--I that caught Nag by the hood last night in the bathroom." Then he began to jump up and down, all four feet 128 together, his head close to the floor. "He threw me to and fro, but he could not shake me off. He was dead before the big man blew him in two. I did it! Rikkitikki-tck-tck! Come then, Nagaina. Come and fight with me. You shall not be a widow long." Nagaina saw that she had lost her chance of killing Teddy, and the egg lay between Rikki-tikki's paws. "Give me the egg, Rikki-tikki. Give me the last of my eggs, and I will go away and never come back," she said, lowering her hood. "Yes, you will go away, and you will never come back. For you will go to the rubbish heap with Nag. Fight, widow! The big man has gone for his gun! Fight!" Rikki-tikki was bounding all round Nagaina, keeping just out of reach of her stroke, his little eyes like hot coals. Nagaina gathered herself together and flung out at him. Rikki-tikki jumped up and backward. Again and again and again she struck, and each time her head came with a whack on the matting of the veranda and she gathered herself together like a watch spring. Then Rikki-tikki danced in a circle to get behind her, and Nagaina spun round to keep her head to his head, so that the rustle of her tail on the matting sounded like dry leaves blown along by the wind. He had forgotten the egg. It still lay on the veranda, and Nagaina came nearer and nearer to it, till at last, while Rikki-tikki was drawing breath, she caught it in her mouth, turned to the veranda steps, and flew like an arrow down the path, with Rikki-tikki behind her. When the cobra runs for her life, she goes like a whip-lash flicked across a horse's neck. Rikki-tikki knew that he must catch her, or all the trouble would begin again. She headed straight for the long grass by the thorn-bush, and as he was running Rikki-tikki heard Darzee still singing his foolish little song of triumph. But Darzee's wife was wiser. She flew off her nest as Nagaina came along, and flapped her wings about Nagaina's head. If Darzee had helped they might have turned her, but Nagaina only lowered her hood and went on. Still, the instant's delay brought Rikki-tikki up to her, and as she plunged into the rat-hole where she and Nag used to live, his little white teeth were clenched on her tail, and he went down with her--and very few mongooses, however wise and old they may be, care to follow a cobra into its hole. It was dark in the hole; and Rikki-tikki never knew when it might open out and give Nagaina room to turn and strike at him. He held on savagely, and stuck out his feet to act as brakes on the dark slope of the hot, moist earth. Then the grass by the mouth of the hole stopped waving, and Darzee said, "It is all over with Rikki-tikki! We must sing his death song. Valiant Rikki-tikki is dead! For Nagaina will surely kill him underground." So he sang a very mournful song that he made up on the spur of the minute, and just as he got to the most touching part, the grass quivered again, and Rikkitikki, covered with dirt, dragged himself out of the hole leg by leg, licking his whiskers. Darzee stopped with a little shout. Rikki-tikki shook some of the dust out of his fur and sneezed. "It is all over," he said. "The widow will never come out again." And the red ants that live between the grass stems heard him, and began to troop down one after another to see if he had spoken the truth. Rikki-tikki curled himself up in the grass and slept where he was--slept and slept till it was late in the afternoon, for he had done a hard day's work. "Now," he said, when he awoke, "I will go back to the house. Tell the Coppersmith, Darzee, and he will tell the garden that Nagaina is dead." The Coppersmith is a bird who makes a noise exactly like the beating of a little hammer on a copper pot; and the reason he is always making it is because he is the town crier to every Indian garden, and tells all the news to everybody who cares to listen. As Rikki-tikki went up the path, he heard his "attention" notes like a tiny dinner gong, and then the steady "Ding-dong-tock! Nag is dead-dong! Nagaina is dead! Ding-dong-tock!" That set all the birds in the garden singing, and the frogs croaking, for Nag and Nagaina used to eat frogs as well as little birds. When Rikki got to the house, Teddy and Teddy's mother (she looked very white still, for she had been fainting) and Teddy's father came out and almost cried over him; and that night he ate all that was given him till he could eat no more, and went to bed on Teddy's shoulder, where Teddy's mother saw him when she came to look late at night. "He saved our lives and Teddy's life," she said to her husband. "Just think, he saved all our lives." Rikkitikki woke up with a jump, for the mongooses are light sleepers. "Oh, it's you," said he. "What are you bothering for? All the cobras are dead. And if they weren't, I'm here." Rikki-tikki had a right to be proud of himself. But he did not grow too proud, and he kept that garden as a mongoose should keep it, with tooth and jump and spring and bite, till never a cobra dared show its head inside the walls. ___________________________________________ Rip Van Winkle Washington Irving A Posthumous Writing of Diedrich Knickerbocker By Woden, God of Saxons, From whence comes Wensday, that is Wodensday, Truth is a thing that ever I will keep Unto thylke day in which I creep into My sepulchre. CARTWRIGHT 129 The following Tale was found among the papers of the late Diedrich Knickerbocker, an old gentleman of New York, who was very curious in the Dutch history of the province, and the manners of the descendants from its primitive settlers. His historical researches, however, did not lie so much among books as among men; for the former are lamentably scanty on his favorite topics; whereas he found the old burghers, and still more their wives, rich in that legendary lore, so invaluable to true history. Whenever, therefore, he happened upon a genuine Dutch family, snugly shut up in its low-roofed farmhouse, under a spreading sycamore, he looked upon it as a little clasped volume of black-letter, and studied it with the zeal of a book-worm. The result of all these researches was a history of the province during the reign of the Dutch governors, which he published some years since. There have been various opinions as to the literary character of his work, and, to tell the truth, it is not a whit better than it should be. Its chief merit is its scrupulous accuracy, which indeed was a little questioned on its first appearance, but has since been completely established; and it is now admitted into all historical collections, as a book of unquestionable authority. The old gentleman died shortly after the publication of his work, and now that he is dead and gone, it cannot do much harm to his memory to say that his time might have been better employed in weightier labors. He, however, was apt to ride his hobby his own way; and though it did now and then kick up the dust a little in the eyes of his neighbors, and grieve the spirit of some friends, for whom he felt the truest deference and affection; yet his errors and follies are remembered "more in sorrow than in anger," and it begins to be suspected, that he never intended to injure or offend. But however his memory may be appreciated by critics, it is still held dear by many folks, whose good opinion is well worth having; particularly by certain biscuit-bakers, who have gone so far as to imprint his likeness on their new-year cakes; and have thus given him a chance for immortality, almost equal to the being stamped on a Waterloo Medal, or a Queen Anne's Farthing. *** Whoever has made a voyage up the Hudson must remember the Kaatskill mountains. They are a dismembered branch of the great Appalachian family, and are seen away to the west of the river, swelling up to a noble height, and lording it over the surrounding country. Every change of season, every change of weather, indeed, every hour of the day, produces some change in the magical hues and shapes of these mountains, and they are regarded by all the good wives, far and near, as perfect barometers. When the weather is fair and settled, they are clothed in blue and purple, and print their bold outlines on the clear evening sky, but, sometimes, when the rest of the landscape is cloudless, they will gather a hood of gray vapors about their summits, which, in the last rays of the setting sun, will glow and light up like a crown of glory. At the foot of these fairy mountains, the voyager may have descried the light smoke curling up from a village, whose shingle-roofs gleam among the trees, just where the blue tints of the upland melt away into the fresh green of the nearer landscape. It is a little village of great antiquity, having been founded by some of the Dutch colonists, in the early times of the province, just about the beginning of the government of the good Peter Stuyvesant, (may he rest in peace!) and there were some of the houses of the original settlers standing within a few years, built of small yellow bricks brought from Holland, having latticed windows and gable fronts, surmounted with weathercocks. In that same village, and in one of these very houses (which, to tell the precise truth, was sadly time-worn and weather-beaten), there lived many years since, while the country was yet a province of Great Britain, a simple good-natured fellow of the name of Rip Van Winkle. He was a descendant of the Van Winkles who figured so gallantly in the chivalrous days of Peter Stuyvesant, and accompanied him to the siege of Fort Christina. He inherited, however, but little of the martial character of his ancestors. I have observed that he was a simple good-natured man; he was, moreover, a kind neighbor, and an obedient henpecked husband. Indeed, to the latter circumstance might be owing that meekness of spirit which gained him such universal popularity; for those men are most apt to be obsequious and conciliating abroad, who are under the discipline of shrews at home. Their tempers, doubtless, are rendered pliant and malleable in the fiery furnace of domestic tribulation; and a curtain lecture is worth all the sermons in the world for teaching the virtues of patience and longsuffering. A termagant wife may, therefore, in some respects, be considered a tolerable blessing; and if so, Rip Van Winkle was thrice blessed. Certain it is, that he was a great favorite among all the good wives of the village, who, as usual, with the amiable sex, took his part in all family squabbles; and never failed, whenever they talked those matters over 130 in their evening gossipings, to lay all the blame on Dame Van Winkle. The children of the village, too, would shout with joy whenever he approached. He assisted at their sports, made their playthings, taught them to fly kites and shoot marbles, and told them long stories of ghosts, witches, and Indians. Whenever he went dodging about the village, he was surrounded by a troop of them, hanging on his skirts, clambering on his back, and playing a thousand tricks on him with impunity; and not a dog would bark at him throughout the neighborhood. The great error in Rip's composition was an insuperable aversion to all kinds of profitable labor. It could not be from the want of assiduity or perseverance; for he would sit on a wet rock, with a rod as long and heavy as a Tartar's lance, and fish all day without a murmur, even though he should not be encouraged by a single nibble. He would carry a fowling-piece on his shoulder for hours together, trudging through woods and swamps, and uphill and down dale, to shoot a few squirrels or wild pigeons. He would never refuse to assist a neighbor even in the roughest toil, and was a foremost man at all country frolics for husking Indian corn, or building stone-fences; the women of the village, too, used to employ him to run their errands, and to do such little odd jobs as their less obliging husbands would not do for them. In a word Rip was ready to attend to anybody's business but his own; but as to doing family duty, and keeping his farm in order, he found it impossible. In fact, he declared it was of no use to work on his farm; it was the most pestilent little piece of ground in the whole country; everything about it went wrong, and would go wrong, in spite of him. His fences were continually falling to pieces; his cow would either go astray, or get among the cabbages; weeds were sure to grow quicker in his fields than anywhere else; the rain always made a point of setting in just as he had some out-door work to do; so that though his patrimonial estate had dwindled away under his management, acre by acre, until there was little more left than a mere patch of Indian corn and potatoes, yet it was the worst conditioned farm in the neighborhood. His children, too, were as ragged and wild as if they belonged to nobody. His son Rip, an urchin begotten in his own likeness, promised to inherit the habits, with the old clothes of his father. He was generally seen trooping like a colt at his mother's heels, equipped in a pair of his father's cast-off galligaskins, which he had much ado to hold up with one hand, as a fine lady does her train in bad weather. Rip Van Winkle, however, was one of those happy mortals, of foolish, well-oiled dispositions, who take the world easy, eat white bread or brown, whichever can be got with least thought or trouble, and would rather starve on a penny than work for a pound. If left to himself, he would have whistled life away in perfect contentment; but his wife kept continually dinning in his ears about his idleness, his carelessness, and the ruin he was bringing on his family. Morning, noon, and night, her tongue was incessantly going, and everything he said or did was sure to produce a torrent of household eloquence. Rip had but one way of replying to all lectures of the kind, and that, by frequent use, had grown into a habit. He shrugged his shoulders, shook his head, cast up his eyes, but said nothing. This, however, always provoked a fresh volley from his wife; so that he was fain to draw off his forces, and take to the outside of the house - the only side which, in truth, belongs to a hen-pecked husband. Rip's sole domestic adherent was his dog Wolf, who was as much hen-pecked as his master; for Dame Van Winkle regarded them as companions in idleness, and even looked upon Wolf with an evil eye, as the cause of his master's going so often astray. True it is, in all points of spirit befitting an honorable dog, he was as courageous an animal as ever scoured the woods - but what courage can withstand the everduring and all-besetting terrors of a woman's tongue? The moment Wolf entered the house his crest fell, his tail drooped to the ground, or curled between his legs, he sneaked about with a gallows air, casting many a sidelong glance at Dame Van Winkle, and at the least flourish of a broom-stick or ladle, he would fly to the door with yelping precipitation. Times grew worse and worse with Rip Van Winkle as years of matrimony rolled on; a tart temper never mellows with age, and a sharp tongue is the only edged tool that grows keener with constant use. For a long while he used to console himself, when driven from home, by frequenting a kind of perpetual club of the sages, philosophers, and other idle personages of the village; which held its sessions on a bench before a small inn, designated by a rubicund portrait of His Majesty George the Third. Here they used to sit in the shade through a long lazy summer's day, talking listlessly over village gossip, or telling endless sleepy stories about nothing. But it would have been worth any statesman's money to have heard the profound discussions that sometimes took place, when by chance an old newspaper fell into their hands from some passing traveller. How solemnly they would listen to the contents, as drawled out by Derrick Van Bummel, the 131 schoolmaster, a dapper learned little man, who was not to be daunted by the most gigantic word in the dictionary; and how sagely they would deliberate upon public events some months after they had taken place. The opinions of this junto were completely controlled by Nicholas Vedder, a patriarch of the village, and landlord of the inn, at the door of which he took his seat from morning till night, just moving sufficiently to avoid the sun and keep in the shade of a large tree; so that the neighbors could tell the hour by his movements as accurately as by a sundial. It is true he was rarely heard to speak, but smoked his pipe incessantly. His adherents, however (for every great man has his adherents), perfectly understood him, and knew how to gather his opinions. When anything that was read or related displeased him, he was observed to smoke his pipe vehemently, and to send forth short, frequent and angry puffs; but when pleased, he would inhale the smoke slowly and tranquilly, and emit it in light and placid clouds; and sometimes, taking the pipe from his mouth, and letting the fragrant vapor curl about his nose, would gravely nod his head in token of perfect approbation. From even this stronghold the unlucky Rip was at length routed by his termagant wife, who would suddenly break in upon the tranquillity of the assemblage and call the members all to naught; nor was that august personage, Nicholas Vedder himself, sacred from the daring tongue of this terrible virago, who charged him outright with encouraging her husband in habits of idleness. Poor Rip was at last reduced almost to despair; and his only alternative, to escape from the labor of the farm and clamor of his wife, was to take gun in hand and stroll away into the woods. Here he would sometimes seat himself at the foot of a tree, and share the contents of his wallet with Wolf, with whom he sympathized as a fellow-sufferer in persecution. "Poor Wolf," he would say, "thy mistress leads thee a dog's life of it; but never mind, my lad, whilst I live thou shalt never want a friend to stand by thee!" Wolf would wag his tail, look wistfuly in his master's face, and if dogs can feel pity I verily believe he reciprocated the sentiment with all his heart. In a long ramble of the kind on a fine autumnal day, Rip had unconsciously scrambled to one of the highest parts of the Kaatskill mountains. He was after his favorite sport of squirrel shooting, and the still solitudes had echoed and re-echoed with the reports of his gun. Panting and fatigued, he threw himself, late in the afternoon, on a green knoll, covered with mountain herbage, that crowned the brow of a precipice. From an opening between the trees he could overlook all the lower country for many a mile of rich woodland. He saw at a distance the lordly Hudson, far, far below him, moving on its silent but majestic course, with the reflection of a purple cloud, or the sail of a lagging bark, here and there sleeping on its glassy bosom, and at last losing itself in the blue highlands. On the other side he looked down into a deep mountain glen, wild, lonely, and shagged, the bottom filled with fragments from the impending cliffs, and scarcely lighted by the reflected rays of the setting sun. For some time Rip lay musing on this scene; evening was gradually advancing; the mountains began to throw their long blue shadows over the valleys; he saw that it would be dark long before he could reach the village, and he heaved a heavy sigh when he thought of encountering the terrors of Dame Van Winkle. As he was about to descend, he heard a voice from a distance, hallooing, "Rip Van Winkle! Rip Van Winkle!" He looked round, but could see nothing but a crow winging its solitary flight across the mountain. He thought his fancy must have deceived him, and turned again to descend, when he heard the same cry ring through the still evening air: "Rip Van Winkle! Rip Van Winkle!" - at the same time Wolf bristled up his back, and giving a low growl, skulked to his master's side, looking fearfully down into the glen. Rip now felt a vague apprehension stealing over him; he looked anxiously in the same direction, and perceived a strange figure slowly toiling up the rocks, and bending under the weight of something he carried on his back. He was surprised to see any human being in this lonely and unfrequented place, but supposing it to be some one of the neighborhood in need of his assistance, he hastened down to yield it. On nearer approach he was still more surprised at the singularity of the stranger's appearance. He was a short square-built old fellow, with thick bushy hair, and a grizzled beard. His dress was of the antique Dutch fashion - a cloth jerkin strapped round the waist - several pair of breeches, the outer one of ample volume, decorated with rows of buttons down the sides, and bunches at the knees. He bore on his shoulder a stout keg, that seemed full of liquor, and made signs for Rip to approach and assist him with the load. Though rather shy and distrustful of this new acquaintance, Rip complied with his usual alacrity; and mutually relieving one another, they clambered up a narrow gully, apparently the dry bed 132 of a mountain torrent. As they ascended, Rip every now and then heard long rolling peals, like distant thunder, that seemed to issue out of a deep ravine, or rather cleft, between lofty rocks, toward which their rugged path conducted. He paused for an instant, but supposing it to be the muttering of one of those transient thunder-showers which often take place in mountain heights, he proceeded. Passing through the ravine, they came to a hollow, like a small amphitheatre, surrounded by perpendicular precipices, over the brinks of which impending trees shot their branches, so that you only caught glimpses of the azure sky and the bright evening cloud. During the whole time Rip and his companion had labored on in silence; for though the former marveled greatly what could be the object of carrying a keg of liquor up this wild mountain, yet there was something strange and incomprehensible about the unknown, that inspired awe and checked familiarity. On entering the amphitheatre, new objects of wonder presented themselves. On a level spot in the centre was a company of odd-looking personages playing at nine-pins. They were dressed in a quaint outlandish fashion; some wore short doublets, others jerkins, with long knives in their belts, and most of them had enormous breeches, of similar style with that of the guide's. Their visages, too, were peculiar: one had a large beard, broad face, and small piggish eyes: the face of another seemed to consist entirely of nose, and was surmounted by a white sugar-loaf hat set off with a little red cock's tail. They all had beards, of various shapes and colors. There was one who seemed to be the commander. He was a stout old gentleman, with a weather-beaten countenance; he wore a laced doublet, broad belt and hanger, highcrowned hat and feather, red stockings, and highheeled shoes, with roses in them. The whole group reminded Rip of the figures in an old Flemish painting, in the parlor of Dominie Van Shaick, the village parson, and which had been brought over from Holland at the time of the settlement. What seemed particularly odd to Rip was, that though these folks were evidently amusing themselves, yet they maintained the gravest faces, the most mysterious silence, and were, withal, the most melancholy party of pleasure he had ever witnessed. Nothing interrupted the stillness of the scene but the noise of the balls, which, whenever they were rolled, echoed along the mountains like rumbling peals of thunder. As Rip and his companion approached them, they suddenly desisted from their play, and stared at him with such fixed statue-like gaze, and such strange, uncouth, lack-lustre countenances, that his heart turned within him, and his knees smote together. His companion now emptied the contents of the keg into large flagons, and made signs to him to wait upon the company. He obeyed with fear and trembling; they quaffed the liquor in profound silence, and then returned to their game. By degrees Rip's awe and apprehension subsided. He even ventured, when no eye was fixed upon him, to taste the beverage, which he found had much of the flavor of excellent Hollands. He was naturally a thirsty soul, and was soon tempted to repeat the draught. One taste provoked another; and he reiterated his visits to the flagon so often that at length his senses were overpowered, his eyes swam in his head, his head gradually declined, and he fell into a deep sleep. On waking, he found himself on the green knoll whence he had first seen the old man of the glen. He rubbed his eyes - it was a bright sunny morning. The birds were hopping and twittering among the bushes, and the eagle was wheeling aloft, and breasting the pure mountain breeze. "Surely," thought Rip, "I have not slept here all night." He recalled the occurrences before he fell asleep. The strange man with a keg of liquor - the mountain ravine - the wild retreat among the rocks - the woe-begone party at ninepins - the flagon - "Oh! that flagon! that wicked flagon!" thought Rip - "what excuse shall I make to Dame Van Winkle!" He looked round for his gun, but in place of the clean well-oiled fowling-piece, he found an old firelock lying by him, the barrel incrusted with rust, the lock falling off, and the stock worm-eaten. He now suspected that the grave roysterers of the mountain had put a trick upon him, and having dosed him with liquor, had robbed him of his gun. Wolf, too, had disappeared, but he might have strayed away after a squirrel or partridge. He whistled after him and shouted his name, but all in vain; the echoes repeated his whistle and shout, but no dog was to be seen. He determined to revisit the scene of the last evening's gambol, and if he met with any of the party, to demand his dog and gun. As he rose to walk, he found himself stiff in the joints, and wanting in his usual activity. "These mountain beds do not agree with me," thought Rip; "and if this frolic should lay me up with a fit of the rheumatism, I shall have a blessed time with Dame Van Winkle." With some difficulty he got down into the glen: he found the gully up which he and his companion had ascended the preceding evening; but to his astonishment a mountain stream was now foaming down it, leaping from rock to rock, and filling the glen with babbling murmurs. He, however, made shift to scramble up its 133 sides, working his toilsome way through thickets of birch, sassafras, and witch-hazel, and sometimes tripped up or entangled by the wild grapevines that twisted their coils or tendrils from tree to tree, and spread a kind of network in his path. At length he reached to where the ravine had opened through the cliffs to the amphitheatre; but no traces of such opening remained. The rocks presented a high impenetrable wall over which the torrent came tumbling in a sheet of feathery foam, and fell into a broad deep basin, black from the shadows of the surrounding forest. Here, then, poor Rip was brought to a stand. He again called and whistled after his dog; he was only answered by the cawing of a flock of idle crows, sporting high in air about a dry tree that overhung a sunny precipice; and who, secure in their elevation, seemed to look down and scoff at the poor man's perplexities. What was to be done? the morning was passing away, and Rip felt famished for want of his breakfast. He grieved to give up his dog and gun; he dreaded to meet his wife; but it would not do to starve among the mountains. He shook his head, shouldered the rusty firelock, and, with a heart full of trouble and anxiety, turned his steps homeward. As he approached the village he met a number of people, but none whom he knew, which somewhat surprised him, for he had thought himself acquainted with everyone in the country round. Their dress, too, was of a different fashion from that to which he was accustomed. They all stared at him with equal marks of surprise, and whenever they cast their eyes upon him, invariably stroked their chins. The constant recurrence of this gesture induced Rip, involuntarily, to do the same, when to his astonishment, he found his beard had grown a foot long! He had now entered the skirts of the village. A troop of strange children ran at his heels, hooting after him, and pointing at his gray beard. The dogs, too, not one of which he recognized for an old acquaintance, barked at him as he passed. The very village was altered; it was larger and more populous. There were rows of houses which he had never seen before, and those which had been his familiar haunts had disappeared. Strange names were over the doors strange faces at the windows - everything was strange. His mind now misgave him; he began to doubt whether both he and the world around him were not bewitched. Surely this was his native village, which he had left but the day before. There stood the Kaatskill mountains - there ran the silver Hudson at a distance - there was every hill and dale precisely as it had always been - Rip was sorely perplexed - "That flagon last night," thought he, "has addled my poor head sadly!" It was with some difficulty that he found the way to his own house, which he approached with silent awe, expecting every moment to hear the shrill voice of Dame Van Winkle. He found the house gone to decay - the roof fallen in, the windows shattered, and the doors off the hinges. A half-starved dog that looked like Wolf was skulking about it. Rip called him by name, but the cur snarled, showed his teeth, and passed on. This was an unkind cut indeed - "My very dog," sighed poor Rip, "has forgotten me!" He entered the house, which, to tell the truth, Dame Van Winkle had always kept in neat order. It was empty, forlorn, and apparently abandoned. This desolateness overcame all his connubial fears - he called loudly for his wife and children - the lonely chambers rang for a moment with his voice, and then all again was silence. He now hurried forth, and hastened to his old resort, the village inn - but it too was gone. A large rickety wooden building stood in its place, with great gaping windows, some of them broken and mended with old hats and petticoats, and over the door was painted, "the Union Hotel, by Jonathan Doolittle." Instead of the great tree that used to shelter the quiet little Dutch inn of yore, there now was reared a tall naked pole, with something on the top that looked like a red night-cap, and from it was fluttering a flag, on which was a singular assemblage of stars and stripes - all this was strange and incomprehensible. He recognized on the sign, however, the ruby face of King George, under which he had smoked so many a peaceful pipe; but even this was singularly metamorphosed. The red coat was changed for one of blue and buff, a sword was held in the hand instead of a sceptre, the head was decorated with a cocked hat, and underneath was painted in large characters, GENERAL WASHINGTON. There was, as usual, a crowd of folk about the door, but none that Rip recollected. The very character of the people seemed changed. There was a busy, bustling, disputatious tone about it, instead of the accustomed phlegm and drowsy tranquillity. He looked in vain for the sage Nicholas Vedder, with his broad face, double chin, and fair long pipe, uttering clouds of tobacco-smoke instead of idle speeches; or Van Bummel, the schoolmaster, doling forth the contents of an ancient newspaper. In place of these, a lean, bilious-looking fellow, with his pockets full of handbills, was haranguing vehemently about rights of citizens - elections - members of congress - liberty Bunker's Hill - heroes of seventy-six - and other 134 words, which were a perfect Babylonish jargon to the bewildered Van Winkle. The appearance of Rip, with his long grizzled beard, his rusty fowling-piece, his uncouth dress, and an army of women and children at his heels, soon attracted the attention of the tavern politicians. They crowded round him, eyeing him from head to foot with great curiosity. The orator bustled up to him, and, drawing him partly aside, inquired "on which side he voted?" Rip stared in vacant stupidity. Another short but busy little fellow pulled him by the arm, and, rising on tiptoe, inquired in his ear, "Whether he was Federal or Democrat?" Rip was equally at a loss to comprehend the question; when a knowing, self-important old gentleman, in a sharp cocked hat, made his way through the crowd, putting them to the right and left with his elbows as he passed, and planting himself before Van Winkle, with one arm akimbo, the other resting on his cane, his keen eyes and sharp hat penetrating, as it were, into his very soul, demanded in an austere tone, "what brought him to the election with a gun on his shoulder, and a mob at his heels, and whether he meant to breed a riot in the village?" - "Alas! gentlemen," cried Rip, somewhat dismayed, "I am a poor quiet man, a native of the place, and a loyal subject of the king, God bless him!" Here a general shout burst from the by-standers - "A tory! a tory! a spy! a refugee! hustle him! away with him!" It was with great difficulty that the selfimportant man in the cocked hat restored order; and, having assumed a tenfold austerity of brow, demanded again of the unknown culprit, what he came there for, and whom he was seeking? The poor man humbly assured him that he meant no harm, but merely came there in search of some of his neighbors, who used to keep about the tavern. "Well - who are they? - name them." Rip bethought himself a moment, and inquired, "Where's Nicholas Vedder?" There was a silence for a little while, when an old man replied, in a thin piping voice, "Nicholas Vedder! why, he is dead and gone these eighteen years! There was a wooden tombstone in the churchyard that used to tell all about him, but that's rotten and gone too." "Where's Brom Dutcher?" "Oh, he went off to the army in the beginning of the war; some say he was killed at the storming of Stony Point - others say he was drowned in a squall at the foot of Antony's Nose. I don't know - he never came back again." "Where's Van Bummel, the schoolmaster?" "He went off to the wars too, was a great militia general, and is now in congress." Rip's heart died away at hearing of these sad changes in his home and friends, and finding himself thus alone in the world. Every answer puzzled him too, by treating of such enormous lapses of time, and of matters which he could not understand: war congress - Stony Point; - he had no courage to ask after any more friends, but cried out in despair, "Does nobody here know Rip Van Winkle?" "Oh, Rip Van Winkle!" exclaimed two or three, "Oh, to be sure! that's Rip Van Winkle yonder, leaning against the tree." Rip looked, and beheld a precise counterpart of himself, as he went up the mountain: apparently as lazy, and certainly as ragged. The poor fellow was now completely confounded. He doubted his own identity, and whether he was himself or another man. In the midst of his bewilderment, the man in the cocked hat demanded who he was, and what was his name? "God knows," exclaimed he, at his wit's end; "I'm not myself - I'm somebody else - that's me yonder - no that's somebody else got into my shoes - I was myself last night, but I fell asleep on the mountain, and they've changed my gun, and every thing's changed, and I'm changed, and I can't tell what's my name, or who I am!" The by-standers began now to look at each other, nod, wink significantly, and tap their fingers against their foreheads. There was a whisper also, about securing the gun, and keeping the old fellow from doing mischief, at the very suggestion of which the self-important man in the cocked hat retired with some precipitation. At this critical moment a fresh comely woman pressed through the throng to get a peep at the gray-bearded man. She had a chubby child in her arms, which, frightened at his looks, began to cry. "Hush, Rip," cried she, "hush, you little fool; the old man won't hurt you." The name of the child, the air of the mother, the tone of her voice, all awakened a train of recollections in his mind. "What is your name, my good woman?" asked he. "Judith Gardenier." 135 "And your father's name?" "Ah, poor man, Rip Van Winkle was his name, but it's twenty years since he went away from home with his gun, and never has been heard of since - his dog came home without him; but whether he shot himself, or was carried away by the Indians, nobody can tell. I was then but a little girl." Rip had but one question more to ask; but he put it with a faltering voice: "Where's your mother?" "Oh, she too had died but a short time since; she broke a blood-vessel in a fit of passion at a NewEngland peddler." There was a drop of comfort, at least, in this intelligence. The honest man could contain himself no longer. He caught his daughter and her child in his arms. "I am your father!" cried he - "Young Rip Van Winkle once - old Rip Van Winkle now! - Does nobody know poor Rip Van Winkle?" All stood amazed, until an old woman, tottering out from among the crowd, put her hand to her brow, and peering under it in his face for a moment, exclaimed, "Sure enough! it is Rip Van Winkle - it is himself! Welcome home again, old neighbor - Why, where have you been these twenty long years?" Rip's story was soon told, for the whole twenty years had been to him but as one night. The neighbors stared when they heard it; some were seen to wink at each other, and put their tongues in their cheeks: and the self-important man in the cocked hat, who, when the alarm was over, had returned to the field, screwed down the corners of his mouth, and shook his head upon which there was a general shaking of the head throughout the assemblage. It was determined, however, to take the opinion of old Peter Vanderdonk, who was seen slowly advancing up the road. He was a descendant of the historian of that name, who wrote one of the earliest accounts of the province. Peter was the most ancient inhabitant of the village, and well versed in all the wonderful events and traditions of the neighborhood. He recollected Rip at once, and corroborated his story in the most satisfactory manner. He assured the company that it was a fact, handed down from his ancestor the historian, that the Kaatskill mountains had always been haunted by strange beings. That it was affirmed that the great Hendrick Hudson, the first discoverer of the river and country, kept a kind of vigil there every twenty years, with his crew of the Half-moon; being permitted in this way to revisit the scenes of his enterprise, and keep a guardian eye upon the river, and the great city called by his name. That his father had once seen them in their old Dutch dresses playing at nine-pins in a hollow of the mountain; and that he himself had heard, one summer afternoon, the sound of their balls, like distant peals of thunder. To make a long story short, the company broke up, and returned to the more important concerns of the election. Rip's daughter took him home to live with her; she had a snug, well-furnished house, and a stout cheery farmer for a husband, whom Rip recollected for one of the urchins that used to climb upon his back. As to Rip's son and heir, who was the ditto of himself, seen leaning against the tree, he was employed to work on the farm; but evinced an hereditary disposition to attend to anything else but his business. Rip now resumed his old walks and habits; he soon found many of his former cronies, though all rather the worse for the wear and tear of time; and preferred making friends among the rising generation, with whom he soon grew into great favor. Having nothing to do at home, and being arrived at that happy age when a man can be idle with impunity, he took his place once more on the bench at the inn door, and was reverenced as one of the patriarchs of the village, and a chronicle of the old times "before the war." It was some time before he could get into the regular track of gossip, or could be made to comprehend the strange events that had taken place during his torpor. How that there had been a revolutionary war - that the country had thrown off the yoke of old England - and that, instead of being a subject of his Majesty George the Third, he was now a free citizen of the United States. Rip, in fact, was no politician; the changes of states and empires made but little impression on him; but there was one species of despotism under which he had long groaned, and that was - petticoat government. Happily that was at an end; he had got his neck out of the yoke of matrimony, and could go in and out whenever he pleased, without dreading the tyranny of Dame Van Winkle. Whenever her name was mentioned, however, he shook his head, shrugged his shoulders, and cast up his eyes; which might pass either for an expression of resignation to his fate, or joy at his deliverance. He used to tell his story to every stranger that arrived at Mr. Doolittle's hotel. He was observed, at first, to 136 vary on some points every time he told it, which was, doubtless, owing to his having so recently awaked. It at last settled down precisely to the tale I have related, and not a man, woman, or child in the neighborhood, but knew it by heart. Some always pretended to doubt the reality of it, and insisted that Rip had been out of his head, and that this was one point on which he always remained flighty. The old Dutch inhabitants, however, almost universally gave it full credit. Even to this day they never hear a thunderstorm of a summer afternoon about the Kaatskill, but they say Hendrick Hudson and his crew are at their game of nine-pins; and it is a common wish of all hen-pecked husbands in the neighborhood, when life hangs heavy on their hands, that they might have a quieting draught out of Rip Van Winkle's flagon. NOTE - The foregoing Tale, one would suspect, had been suggested to Mr. Knickerbocker by a little German superstition about the Emperor Frederick der Rothbart, and the Kypphauser mountain: the subjoined note, however, which he had appended to the tale, shows that it is an absolute fact, narrated with his usual fidelity: "The story of Rip Van Winkle may seem incredible to many, but nevertheless I give it my full belief, for I know the vicinity of our old Dutch settlements to have been very subject to marvellous events and appearances. Indeed, I have heard many stranger stories than this, in the villages along the Hudson; all of which were too well authenticated to admit of a doubt. I have even talked with Rip Van Winkle myself who, when last I saw him, was a very venerable old man, and so perfectly rational and consistent on every other point, that I think no conscientious person could refuse to take this into the bargain; nay, I have seen a certificate on the subject taken before a country justice and signed with a cross, in the justice's own handwriting. The story, therefore, is beyond the possibility of doubt. D. K." ___________________________________________ Shooting an Elephant George Orwell IN MOULMEIN, IN LOWER BURMA, I was hated by large numbers of people--the only time in my life that I have been important enough for this to happen to me. I was sub-divisional police officer of the town, and in an aimless, petty kind of way anti-European feeling was very bitter. No one had the guts to raise a riot, but if a European woman went through the bazaars alone somebody would probably spit betel juice over her dress. As a police officer I was an obvious target and was baited whenever it seemed safe to do so. When a nimble Burman tripped me up on the football field and the referee (another Burman) looked the other way, the crowd yelled with hideous laughter. This happened more than once. In the end the sneering yellow faces of young men that met me everywhere, the insults hooted after me when I was at a safe distance, got badly on my nerves. The young Buddhist priests were the worst of all. There were several thousands of them in the town and none of them seemed to have anything to do except stand on street corners and jeer at Europeans. All this was perplexing and upsetting. For at that time I had already made up my mind that imperialism was an evil thing and the sooner I chucked up my job and got out of it the better. Theoretically--and secretly, of course--I was all for the Burmese and all against their oppressors, the British. As for the job I was doing, I hated it more bitterly than I can perhaps make clear. In a job like that you see the dirty work of Empire at close quarters. The wretched prisoners huddling in the stinking cages of the lock-ups, the grey, cowed faces of the long-term convicts, the scarred buttocks of the men who had been Bogged with bamboos--all these oppressed me with an intolerable sense of guilt. But I could get nothing into perspective. I was young and ill-educated and I had had to think out my problems in the utter silence that is imposed on every Englishman in the East. I did not even know that the British Empire is dying, still less did I know that it is a great deal better than the younger empires that are going to supplant it. All I knew was that I was stuck between my hatred of the empire I served and my rage against the evil-spirited little beasts who tried to make my job impossible. With one part of my mind I thought of the British Raj as an unbreakable tyranny, as something clamped down, in saecula saeculorum, upon the will of prostrate peoples; with another part I thought that the greatest joy in the world would be to drive a bayonet into a Buddhist priest's guts. Feelings like these are the normal by-products of imperialism; ask any Anglo-Indian official, if you can catch him off duty. One day something happened which in a roundabout way was enlightening. It was a tiny incident in itself, but it gave me a better glimpse than I had had before of the real nature of imperialism--the real motives for which despotic governments act. Early one morning the sub-inspector at a police station the other end of the town rang me up on the phone and said that an elephant was ravaging the bazaar. Would I please come and do something about it? I did not know what I could do, but I wanted to see what was happening and I got on to a pony and started out. I took my rifle, an old .44 Winchester and much too small to kill an elephant, but I thought the noise might be useful in 137 terrorem. Various Burmans stopped me on the way and told me about the elephant's doings. It was not, of course, a wild elephant, but a tame one which had gone "must." It had been chained up, as tame elephants always are when their attack of "must" is due, but on the previous night it had broken its chain and escaped. Its mahout, the only person who could manage it when it was in that state, had set out in pursuit, but had taken the wrong direction and was now twelve hours' journey away, and in the morning the elephant had suddenly reappeared in the town. The Burmese population had no weapons and were quite helpless against it. It had already destroyed somebody's bamboo hut, killed a cow and raided some fruit-stalls and devoured the stock; also it had met the municipal rubbish van and, when the driver jumped out and took to his heels, had turned the van over and inflicted violences upon it. The Burmese sub-inspector and some Indian constables were waiting for me in the quarter where the elephant had been seen. It was a very poor quarter, a labyrinth of squalid bamboo huts, thatched with palmleaf, winding all over a steep hillside. I remember that it was a cloudy, stuffy morning at the beginning of the rains. We began questioning the people as to where the elephant had gone and, as usual, failed to get any definite information. That is invariably the case in the East; a story always sounds clear enough at a distance, but the nearer you get to the scene of events the vaguer it becomes. Some of the people said that the elephant had gone in one direction, some said that he had gone in another, some professed not even to have heard of any elephant. I had almost made up my mind that the whole story was a pack of lies, when we heard yells a little distance away. There was a loud, scandalized cry of "Go away, child! Go away this instant!" and an old woman with a switch in her hand came round the corner of a hut, violently shooing away a crowd of naked children. Some more women followed, clicking their tongues and exclaiming; evidently there was something that the children ought not to have seen. I rounded the hut and saw a man's dead body sprawling in the mud. He was an Indian, a black Dravidian coolie, almost naked, and he could not have been dead many minutes. The people said that the elephant had come suddenly upon him round the corner of the hut, caught him with its trunk, put its foot on his back and ground him into the earth. This was the rainy season and the ground was soft, and his face had scored a trench a foot deep and a couple of yards long. He was lying on his belly with arms crucified and head sharply twisted to one side. His face was coated with mud, the eyes wide open, the teeth bared and grinning with an expression of unendurable agony. (Never tell me, by the way, that the dead look peaceful. Most of the corpses I have seen looked devilish.) The friction of the great beast's foot had stripped the skin from his back as neatly as one skins a rabbit. As soon as I saw the dead man I sent an orderly to a friend's house nearby to borrow an elephant rifle. I had already sent back the pony, not wanting it to go mad with fright and throw me if it smelt the elephant. The orderly came back in a few minutes with a rifle and five cartridges, and meanwhile some Burmans had arrived and told us that the elephant was in the paddy fields below, only a few hundred yards away. As I started forward practically the whole population of the quarter flocked out of the houses and followed me. They had seen the rifle and were all shouting excitedly that I was going to shoot the elephant. They had not shown much interest in the elephant when he was merely ravaging their homes, but it was different now that he was going to be shot. It was a bit of fun to them, as it would be to an English crowd; besides they wanted the meat. It made me vaguely uneasy. I had no intention of shooting the elephant--I had merely sent for the rifle to defend myself if necessary--and it is always unnerving to have a crowd following you. I marched down the hill, looking and feeling a fool, with the rifle over my shoulder and an ever-growing army of people jostling at my heels. At the bottom, when you got away from the huts, there was a metalled road and beyond that a miry waste of paddy fields a thousand yards across, not yet ploughed but soggy from the first rains and dotted with coarse grass. The elephant was standing eight yards from the road, his left side towards us. He took not the slightest notice of the crowd's approach. He was tearing up bunches of grass, beating them against his knees to clean them and stuffing them into his mouth. I had halted on the road. As soon as I saw the elephant I knew with perfect certainty that I ought not to shoot him. It is a serious matter to shoot a working elephant--it is comparable to destroying a huge and costly piece of machinery--and obviously one ought not to do it if it can possibly be avoided. And at that distance, peacefully eating, the elephant looked no more dangerous than a cow. I thought then and I think now that his attack of "must" was already passing off; in which case he would merely wander harmlessly about until the mahout came back and caught him. Moreover, I did not in the least want to shoot him. I decided that I would watch him for a little while to make sure that he did not turn savage again, and then go home. 138 But at that moment I glanced round at the crowd that had followed me. It was an immense crowd, two thousand at the least and growing every minute. It blocked the road for a long distance on either side. I looked at the sea of yellow faces above the garish clothes-faces all happy and excited over this bit of fun, all certain that the elephant was going to be shot. They were watching me as they would watch a conjurer about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching. And suddenly I realized that I should have to shoot the elephant after all. The people expected it of me and I had got to do it; I could feel their two thousand wills pressing me forward, irresistibly. And it was at this moment, as I stood there with the rifle in my hands, that I first grasped the hollowness, the futility of the white man's dominion in the East. Here was I, the white man with his gun, standing in front of the unarmed native crowd--seemingly the leading actor of the piece; but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind. I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys. He becomes a sort of hollow, posing dummy, the conventionalized figure of a sahib. For it is the condition of his rule that he shall spend his life in trying to impress the "natives," and so in every crisis he has got to do what the "natives" expect of him. He wears a mask, and his face grows to fit it. I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle. A sahib has got to act like a sahib; he has got to appear resolute, to know his own mind and do definite things. To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing--no, that was impossible. The crowd would laugh at me. And my whole life, every white man's life in the East, was one long struggle not to be laughed at. took no notice of you if you left him alone, but he might charge if you went too close to him. But I did not want to shoot the elephant. I watched him beating his bunch of grass against his knees, with that preoccupied grandmotherly air that elephants have. It seemed to me that it would be murder to shoot him. At that age I was not squeamish about killing animals, but I had never shot an elephant and never wanted to. (Somehow it always seems worse to kill a large animal.) Besides, there was the beast's owner to be considered. Alive, the elephant was worth at least a hundred pounds; dead, he would only be worth the value of his tusks, five pounds, possibly. But I had got to act quickly. I turned to some experienced-looking Burmans who had been there when we arrived, and asked them how the elephant had been behaving. They all said the same thing: he When I pulled the trigger I did not hear the bang or feel the kick--one never does when a shot goes home-but I heard the devilish roar of glee that went up from the crowd. In that instant, in too short a time, one would have thought, even for the bullet to get there, a mysterious, terrible change had come over the elephant. He neither stirred nor fell, but every line of his body had altered. He looked suddenly stricken, shrunken, immensely old, as though the frighfful impact of the bullet had paralysed him without knocking him down. At last, after what seemed a long time--it might have been five seconds, I dare say--he sagged flabbily to his knees. His mouth slobbered. An enormous senility seemed to have settled upon him. One could have imagined him It was perfectly clear to me what I ought to do. I ought to walk up to within, say, twenty-five yards of the elephant and test his behavior. If he charged, I could shoot; if he took no notice of me, it would be safe to leave him until the mahout came back. But also I knew that I was going to do no such thing. I was a poor shot with a rifle and the ground was soft mud into which one would sink at every step. If the elephant charged and I missed him, I should have about as much chance as a toad under a steam-roller. But even then I was not thinking particularly of my own skin, only of the watchful yellow faces behind. For at that moment, with the crowd watching me, I was not afraid in the ordinary sense, as I would have been if I had been alone. A white man mustn't be frightened in front of "natives"; and so, in general, he isn't frightened. The sole thought in my mind was that if anything went wrong those two thousand Burmans would see me pursued, caught, trampled on and reduced to a grinning corpse like that Indian up the hill. And if that happened it was quite probable that some of them would laugh. That would never do. There was only one alternative. I shoved the cartridges into the magazine and lay down on the road to get a better aim. The crowd grew very still, and a deep, low, happy sigh, as of people who see the theatre curtain go up at last, breathed from innumerable throats. They were going to have their bit of fun after all. The rifle was a beautiful German thing with cross-hair sights. I did not then know that in shooting an elephant one would shoot to cut an imaginary bar running from ear-hole to ear-hole. I ought, therefore, as the elephant was sideways on, to have aimed straight at his ear-hole, actually I aimed several inches in front of this, thinking the brain would be further forward. 139 thousands of years old. I fired again into the same spot. At the second shot he did not collapse but climbed with desperate slowness to his feet and stood weakly upright, with legs sagging and head drooping. I fired a third time. That was the shot that did for him. You could see the agony of it jolt his whole body and knock the last remnant of strength from his legs. But in falling he seemed for a moment to rise, for as his hind legs collapsed beneath him he seemed to tower upward like a huge rock toppling, his trunk reaching skyward like a tree. He trumpeted, for the first and only time. And then down he came, his belly towards me, with a crash that seemed to shake the ground even where I lay. I got up. The Burmans were already racing past me across the mud. It was obvious that the elephant would never rise again, but he was not dead. He was breathing very rhythmically with long rattling gasps, his great mound of a side painfully rising and falling. His mouth was wide open--I could see far down into caverns of pale pink throat. I waited a long time for him to die, but his breathing did not weaken. Finally I fired my two remaining shots into the spot where I thought his heart must be. The thick blood welled out of him like red velvet, but still he did not die. His body did not even jerk when the shots hit him, the tortured breathing continued without a pause. He was dying, very slowly and in great agony, but in some world remote from me where not even a bullet could damage him further. I felt that I had got to put an end to that dreadful noise. It seemed dreadful to see the great beast Lying there, powerless to move and yet powerless to die, and not even to be able to finish him. I sent back for my small rifle and poured shot after shot into his heart and down his throat. They seemed to make no impression. The tortured gasps continued as steadily as the ticking of a clock. In the end I could not stand it any longer and went away. I heard later that it took him half an hour to die. Burmans were bringing dahs and baskets even before I left, and I was told they had stripped his body almost to the bones by the afternoon. Afterwards, of course, there were endless discussions about the shooting of the elephant. The owner was furious, but he was only an Indian and could do nothing. Besides, legally I had done the right thing, for a mad elephant has to be killed, like a mad dog, if its owner fails to control it. Among the Europeans opinion was divided. The older men said I was right, the younger men said it was a damn shame to shoot an elephant for killing a coolie, because an elephant was worth more than any damn Coringhee coolie. And afterwards I was very glad that the coolie had been killed; it put me legally in the right and it gave me a sufficient pretext for shooting the elephant. I often wondered whether any of the others grasped that I had done it solely to avoid looking a fool. ___________________________________________ The Lottery Shirley Jackson The morning of June 27th was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green. The people of the village began to gather in the square, between the post office and the bank, around ten o'clock; in some towns there were so many people that the lottery took two days and had to be started on June 26th. but in this village, where there were only about three hundred people, the whole lottery took less than two hours, so it could begin at ten o'clock in the morning and still be through in time to allow the villagers to get home for noon dinner. The children assembled first, of course. School was recently over for the summer, and the feeling of liberty sat uneasily on most of them; they tended to gather together quietly for a while before they broke into boisterous play, and their talk was still of the classroom and the teacher, of books and reprimands. Bobby Martin had already stuffed his pockets full of stones, and the other boys soon followed his example, selecting the smoothest and roundest stones; Bobby and Harry Jones and Dickie Delacroix- the villagers pronounced this name "Dellacroy"-eventually made a great pile of stones in one corner of the square and guarded it against the raids of the other boys. The girls stood aside, talking among themselves, looking over their shoulders at the boys, and the very small children rolled in the dust or clung to the hands of their older brothers or sisters. Soon the men began to gather, surveying their own children, speaking of planting and rain, tractors and taxes. They stood together, away from the pile of stones in the corner, and their jokes were quiet and they smiled rather than laughed. The women, wearing faded house dresses and sweaters, came shortly after their menfolk. They greeted one another and exchanged bits of gossip as they went to join their husbands. Soon the women, standing by their husbands, began to call to their children, and the children came reluctantly, having to be called four or five times. Bobby Martin ducked under his mother's grasping hand and ran, laughing, back to the pile of 140 stones. His father spoke up sharply, and Bobby came quickly and took his place between his father and his oldest brother. The lottery was conducted--as were the square dances, the teen club, the Halloween program--by Mr. Summers, who had time and energy to devote to civic activities. He was a round-faced, jovial man and he ran the coal business, and people were sorry for him because he had no children and his wife was a scold. When he arrived in the square, carrying the black wooden box, there was a murmur of conversation among the villagers, and he waved and called, "Little late today, folks." The postmaster, Mr. Graves, followed him, carrying a three- legged stool, and the stool was put in the center of the square and Mr. Summers set the black box down on it. The villagers kept their distance, leaving a space between themselves and the stool, and when Mr. Summers said, "Some of you fellows want to give me a hand?" there was a hesitation before two men, Mr. Martin and his oldest son, Baxter, came forward to hold the box steady on the stool while Mr. Summers stirred up the papers inside it. The original paraphernalia for the lottery had been lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born. Mr. Summers spoke frequently to the villagers about making a new box, but no one liked to upset even as much tradition as was represented by the black box. There was a story that the present box had been made with some pieces of the box that had preceded it, the one that had been constructed when the first people settled down to make a village here. Every year, after the lottery, Mr. Summers began talking again about a new box, but every year the subject was allowed to fade off without anything's being done. The black box grew shabbier each year: by now it was no longer completely black but splintered badly along one side to show the original wood color, and in some places faded or stained. Mr. Martin and his oldest son, Baxter, held the black box securely on the stool until Mr. Summers had stirred the papers thoroughly with his hand. Because so much of the ritual had been forgotten or discarded, Mr. Summers had been successful in having slips of paper substituted for the chips of wood that had been used for generations. Chips of wood, Mr. Summers had argued, had been all very well when the village was tiny, but now that the population was more than three hundred and likely to keep on growing, it was necessary to use something that would fit more easily into the black box. The night before the lottery, Mr. Summers and Mr. Graves made up the slips of paper and put them in the box, and it was then taken to the safe of Mr. Summers' coal company and locked up until Mr. Summers was ready to take it to the square next morning. The rest of the year, the box was put way, sometimes one place, sometimes another; it had spent one year in Mr. Graves's barn and another year underfoot in the post office. and sometimes it was set on a shelf in the Martin grocery and left there. There was a great deal of fussing to be done before Mr. Summers declared the lottery open. There were the lists to make up--of heads of families, heads of households in each family, members of each household in each family. There was the proper swearing-in of Mr. Summers by the postmaster, as the official of the lottery; at one time, some people remembered, there had been a recital of some sort, performed by the official of the lottery, a perfunctory, tuneless chant that had been rattled off duly each year; some people believed that the official of the lottery used to stand just so when he said or sang it, others believed that he was supposed to walk among the people, but years and years ago this part of the ritual had been allowed to lapse. There had been, also, a ritual salute, which the official of the lottery had had to use in addressing each person who came up to draw from the box, but this also had changed with time, until now it was felt necessary only for the official to speak to each person approaching. Mr. Summers was very good at all this; in his clean white shirt and blue jeans, with one hand resting carelessly on the black box, he seemed very proper and important as he talked interminably to Mr. Graves and the Martins. Just as Mr. Summers finally left off talking and turned to the assembled villagers, Mrs. Hutchinson came hurriedly along the path to the square, her sweater thrown over her shoulders, and slid into place in the back of the crowd. "Clean forgot what day it was," she said to Mrs. Delacroix, who stood next to her, and they both laughed softly. "Thought my old man was out back stacking wood," Mrs. Hutchinson went on, "and then I looked out the window and the kids was gone, and then I remembered it was the twenty-seventh and came a-running." She dried her hands on her apron, and Mrs. Delacroix said, "You're in time, though. They're still talking away up there." Mrs. Hutchinson craned her neck to see through the crowd and found her husband and children standing near the front. She tapped Mrs. Delacroix on the arm as a farewell and began to make her way through the 141 crowd. The people separated good-humoredly to let her through; two or three people said, in voices just loud enough to be heard across the crowd, "Here comes your Missus, Hutchinson," and "Bill, she made it after all." Mrs. Hutchinson reached her husband, and Mr. Summers, who had been waiting, said cheerfully, "Thought we were going to have to get on without you, Tessie." Mrs. Hutchinson said, grinning, "Wouldn't have me leave m'dishes in the sink, now, would you. Joe?" and soft laughter ran through the crowd as the people stirred back into position after Mrs. Hutchinson's arrival. "Well, now," Mr. Summers said soberly, "guess we better get started, get this over with, so's we can go back to work. Anybody ain't here?" "Dunbar," several people said. "Dunbar, Dunbar." Mr. Summers consulted his list. "Clyde Dunbar," he said. "That's right. He's broke his leg, hasn't he? Who's drawing for him?" A sudden hush fell on the crowd as Mr. Summers cleared his throat and looked at the list. "All ready?" he called. "Now, I'll read the names--heads of families first--and the men come up and take a paper out of the box. Keep the paper folded in your hand without looking at it until everyone has had a turn. Everything clear?" The people had done it so many times that they only half listened to the directions; most of them were quiet, wetting their lips, not looking around. Then Mr. Summers raised one hand high and said, "Adams." A man disengaged himself from the crowd and came forward. "Hi, Steve," Mr. Summers said, and Mr. Adams said, "Hi, Joe." They grinned at one another humorlessly and nervously. Then Mr. Adams reached into the black box and took out a folded paper. He held it firmly by one corner as he turned and went hastily back to his place in the crowd, where he stood a little apart from his family, not looking down at his hand. "Allen," Mr. Summers said. "Anderson.... Bentham." "Me, I guess," a woman said, and Mr. Summers turned to look at her. "Wife draws for her husband," Mr. Summers said. "Don't you have a grown boy to do it for you, Janey?" Although Mr. Summers and everyone else in the village knew the answer perfectly well, it was the business of the official of the lottery to ask such questions formally. Mr. Summers waited with an expression of polite interest while Mrs. Dunbar answered. "Horace's not but sixteen yet," Mrs. Dunbar said regretfully. "Guess I gotta fill in for the old man this year." "Right," Mr. Summers said. He made a note on the list he was holding. Then he asked, "Watson boy drawing this year?" A tall boy in the crowd raised his hand. "Here," he said. "I m drawing for m'mother and me." He blinked his eyes nervously and ducked his head as several voices in the crowd said things like "Good fellow, Jack," and "Glad to see your mother's got a man to do it." "Well," Mr. Summers said, "guess that's everyone. Old Man Warner make it?" "Here," a voice said, and Mr. Summers nodded. "Seems like there's no time at all between lotteries anymore," Mrs. Delacroix said to Mrs. Graves in the back row. "Seems like we got through with the last one only last week." "Time sure goes fast," Mrs. Graves said. "Clark.... Delacroix." "There goes my old man," Mrs. Delacroix said. She held her breath while her husband went forward. "Dunbar," Mr. Summers said, and Mrs. Dunbar went steadily to the box while one of the women said, "Go on, Janey," and another said, "There she goes." "We're next," Mrs. Graves said. She watched while Mr. Graves came around from the side of the box, greeted Mr. Summers gravely and selected a slip of paper from the box. By now, all through the crowd there were men holding the small folded papers in their large hands, turning them over and over nervously Mrs. Dunbar and her two sons stood together, Mrs. Dunbar holding the slip of paper. "Harburt.... Hutchinson." "Get up there, Bill," Mrs. Hutchinson said, and the people near her laughed. 142 "Jones." "They do say," Mr. Adams said to Old Man Warner, who stood next to him, "that over in the north village they're talking of giving up the lottery." Old Man Warner snorted, "Pack of crazy fools," he said. "Listening to the young folks, nothing's good enough for them. Next thing you know, they'll be wanting to go back to living in caves, nobody work anymore, live that way for a while. Used to be a saying about 'Lottery in June, corn be heavy soon.' First thing you know, we'd all be eating stewed chickweed and acorns. There's always been a lottery," he added petulantly. "Bad enough to see young Joe Summers up there joking with everybody." "Some places have already quit lotteries," Mrs. Adams said. "Nothing but trouble in that," Old Man Warner said stoutly. "Pack of young fools." "Martin." And Bobby Martin watched his father go forward. "Overdyke.... Percy." "I wish they'd hurry," Mrs. Dunbar said to her older son. "I wish they'd hurry." "They're almost through," her son said. Dunbars?," "Is it the Watsons?" Then the voices began to say, "It's Hutchinson. It's Bill," "Bill Hutchinson's got it." "Go tell your father," Mrs. Dunbar said to her older son. People began to look around to see the Hutchinsons. Bill Hutchinson was standing quiet, staring down at the paper in his hand. Suddenly, Tessie Hutchinson shouted to Mr. Summers, "You didn't give him time enough to take any paper he wanted. I saw you. It wasn't fair!" "Be a good sport, Tessie, " Mrs. Delacroix called, and Mrs. Graves said, "All of us took the same chance." "Shut up, Tessie," Bill Hutchinson said. "Well, everyone," Mr. Summers said, "that was done pretty fast, and now we've got to be hurrying a little more to get done in time." He consulted his next list. "Bill," he said, "you draw for the Hutchinson family. You got any other households in the Hutchinsons?" "There's Don and Eva," Mrs. Hutchinson yelled. "Make them take their chance!" "Daughters draw with their husbands' families, Tessie," Mr. Summers said gently. "You know that as well as anyone else." "You get ready to run tell Dad," Mrs. Dunbar said. "It wasn't fair," Tessie said. Mr. Summers called his own name and then stepped forward precisely and selected a slip from the box. Then he called, "Warner." "Seventy-seventh year I been in the lottery," Old Man Warner said as he went through the crowd. "Seventyseventh time." "Watson." The tall boy came awkwardly through the crowd. Someone said, "Don't be nervous, Jack," and Mr. Summers said, "Take your time, son." "I guess not, Joe," Bill Hutchinson said regretfully. "My daughter draws with her husband's family, that's only fair. And I've got no other family except the kids." "Then, as far as drawing for families is concerned, it's you," Mr. Summers said in explanation, "and as far as drawing for households is concerned, that's you, too. Right?" "Right," Bill Hutchinson said. "Zanini." After that, there was a long pause, a breathless pause, until Mr. Summers, holding his slip of paper in the air, said, "All right, fellows." For a minute, no one moved, and then all the slips of paper were opened. Suddenly, all the women began to speak at once, saying, "Who is it?" "Who's got it?" "Is it the "How many kids, Bill?" Mr. Summers asked formally. "Three," Bill Hutchinson said. "There's Bill, Jr., and Nancy, and little Dave. And Tessie and me." 143 "All right, then," Mr. Summers said. "Harry, you got their tickets back?" "It's not the way it used to be," Old Man Warner said clearly. "People ain't the way they used to be." Mr. Graves nodded and held up the slips of paper. "Put them in the box, then," Mr. Summers directed. "Take Bill's and put it in." "All right," Mr. Summers said. "Open the papers. Harry, you open little Dave's." "I think we ought to start over," Mrs. Hutchinson said, as quietly as she could. "I tell you it wasn't fair. You didn't give him time enough to choose. Everybody saw that." Mr. Graves opened the slip of paper and there was a general sigh through the crowd as he held it up and everyone could see that it was blank. Nancy and Bill. Jr., opened theirs at the same time, and both beamed and laughed, turning around to the crowd and holding their slips of paper above their heads. Mr. Graves had selected the five slips and put them in the box, and he dropped all the papers but those onto the ground, where the breeze caught them and lifted them off. "Tessie," Mr. Summers said. There was a pause, and then Mr. Summers looked at Bill Hutchinson, and Bill unfolded his paper and showed it. It was blank. "Listen, everybody," Mrs. Hutchinson was saying to the people around her. "It's Tessie," Mr. Summers said, and his voice was hushed. "Show us her paper. Bill." "Ready, Bill?" Mr. Summers asked, and Bill Hutchinson, with one quick glance around at his wife and children, nodded. Bill Hutchinson went over to his wife and forced the slip of paper out of her hand. It had a black spot on it, the black spot Mr. Summers had made the night before with the heavy pencil in the coal company office. Bill Hutchinson held it up, and there was a stir in the crowd. "Remember," Mr. Summers said, "take the slips and keep them folded until each person has taken one. Harry, you help little Dave." Mr. Graves took the hand of the little boy, who came willingly with him up to the box. "Take a paper out of the box, Davy," Mr. Summers said. Davy put his hand into the box and laughed. "Take just one paper," Mr. Summers said. "Harry, you hold it for him." Mr. Graves took the child's hand and removed the folded paper from the tight fist and held it while little Dave stood next to him and looked up at him wonderingly. "Nancy next," Mr. Summers said. Nancy was twelve, and her school friends breathed heavily as she went forward, switching her skirt, and took a slip daintily from the box "Bill, Jr.," Mr. Summers said, and Billy, his face red and his feet overlarge, nearly knocked the box over as he got a paper out. "Tessie," Mr. Summers said. She hesitated for a minute, looking around defiantly, and then set her lips and went up to the box. She snatched a paper out and held it behind her. "Bill," Mr. Summers said, and Bill Hutchinson reached into the box and felt around, bringing his hand out at last with the slip of paper in it. "All right, folks," Mr. Summers said. "Let's finish quickly." Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones. The pile of stones the boys had made earlier was ready; there were stones on the ground with the blowing scraps of paper that had come out of the box. Mrs. Delacroix selected a stone so large she had to pick it up with both hands and turned to Mrs. Dunbar. "Come on," she said. "Hurry up." Mrs. Dunbar had small stones in both hands, and she said. gasping for breath, "I can't run at all. You'll have to go ahead and I'll catch up with you." The children had stones already, and someone gave little Davy Hutchinson few pebbles. Tessie Hutchinson was in the center of a cleared space by now, and she held her hands out desperately as the villagers moved in on her. "It isn't fair," she said. A stone hit her on the side of the head. The crowd was quiet. A girl whispered, "I hope it's not Nancy," and the sound of the whisper reached the edges of the crowd. 144 Old Man Warner was saying, "Come on, come on, everyone." Steve Adams was in the front of the crowd of villagers, with Mrs. Graves beside him. "It isn't fair, it isn't right," Mrs. Hutchinson screamed and then they were upon her. ___________________________________________ “The Valley of Childish Things” Edith Wharton Once upon a time a number of children lived together in the Valley of Childish Things, playing all manner of delightful games, and studying the same lessonbooks. But one day a little girl, one of their number, decided that it was time to see something of the world about which the lesson-books had taught her; and as none of the other children cared to leave their games, she set out alone to climb the pass which led out of the valley. It was a hard climb, but at length she reached a cold, bleak table-land beyond the mountains. Here she saw cities and men, and learned many useful arts, and in so doing grew to be a woman. But the tableland was bleak and cold, and when she had served her apprenticeship she decided to return to her old companions in the Valley of Childish Things, and work with them instead of with strangers. It was a weary way back, and her feet were bruised by the stones, and her face was beaten by the weather; but half way down the pass she met a man, who kindly helped her over the roughest places. Like herself, he was lame and weather-beaten; but as soon as he spoke she recognized him as one of her old playmates. He too had been out in the world, and was going back to the valley; and on the way they talked together of the work they meant to do there. He had been a dull boy, and she had never taken much notice of him; but as she listened to his plans for building bridges and draining swamps and cutting roads through the jungle, she thought to herself, "Since he has grown into such a fine fellow, what splendid men and women my other playmates must have become!" studies, he was playing marbles with all the youngest boys in the valley. At first, the children seemed glad to have her back, but soon she saw that her presence interfered with their games; and when she tried to tell them of the great things that were being done on the table-land beyond the mountains, they picked up their toys and went farther down the valley to play. Then she turned to her fellow-traveler, who was the only grown man in the valley; but he was on his knees before a dear little girl with blue eyes and a coral necklace, for whom he was making a garden out of cockle-shells and bits of glass, and broken flowers stuck in sand. The little girl was clapping her hands and crowing (she was too young to speak articulately); and when she who had grown to be a woman laid her hand on the man's shoulder, and asked him if he did not want to set to work with her building bridges, draining swamps, and cutting roads through the jungle, he replied that at that particular moment he was too busy. And as she turned away, he added in the kindest possible way, "Really, my dear, you ought to have taken better care of your complexion." ___________________________________________ Charlotte Perkins Gilman, The Yellow Wallpaper It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity -- but that would be asking But what was her surprise to find, on reaching the valley, that her former companions, instead of growing into men and women, had all remained little children. Most of them were playing the same old games, and the few who affected to be working were engaged in such strenuous occupations as building mud-pies and sailing paper boats in basins. As for the lad who had been the favorite companion of her too much of fate! Still I will proudly declare that there is something queer about it. 145 Else, why should it be let so cheaply? and exercise, and am absolutely forbidden to And why have stood so long untenanted? "work" until I am well John laughs at me, of course, but one again. expects that in marriage. Personally, I disagree with their ideas. John is practical in the extreme. He has Personally, I believe that congenial work, no patience with faith, an intense horror of with excitement and change, would do me good. superstition, and he scoffs openly at any talk of But what is one to do? things not to be felt and seen and put down in I did write for a while in spite of them; figures. but it does exhaust me a good deal -- having to John is a physician, and perhaps -- (I be too sly about it, or else meet with heavy would not say it to a living soul, of course, but opposition. this is dead paper and a great relief to my mind) I sometimes fancy that in my condition if -- perhaps that is one reason I do not get well I had less opposition and more society and faster. stimulus -- but John says the very worst thing I You see he does not believe I am sick! can do is to think about my condition, and I And what can one do? confess it always makes me feel bad. If a physician of high standing, and one's So I will let it alone and talk about the own husband, assures friends and relatives that house. there is really nothing the matter with one but The most beautiful place! It is quite alone temporary nervous depression -- a slight standing well back from the road, quite three hysterical tendency -- what is one to do? miles from the village. It makes me think of My brother is also a physician, and also English places that you read about, for there are of high standing, and he says the same thing. hedges and walls and gates that lock, and lots of So I take phosphates or phosphites -- separate little houses for the gardeners and whichever it is, and tonics, and journeys, and air, people. 146 There is a delicious garden! I never saw roses all over the window, and such pretty such a garden -- large and shady, full of old-fashioned chintz hangings! but John would box-bordered paths, and lined with long not hear of it. grape-covered arbors with seats under them. He said there was only one window and There were greenhouses, too, but they are not room for two beds, and no near room for him all broken now. if he took another. There was some legal trouble, I believe, He is very careful and loving, and hardly something about the heirs and coheirs; anyhow, lets me stir without special direction. the place has been empty for years. I have a schedule prescription for each That spoils my ghostliness, I am afraid, hour in the day; he takes all care from me, and so but I don't care -- there is something strange I feel basely ungrateful not to value it more. about the house -- I can feel it. He said we came here solely on my I even said so to John one moonlight account, that I was to have perfect rest and all evening but he said what I felt was a draught, the air I could get. "Your exercise depends on and shut the window. your strength, my dear," said he, "and your food I get unreasonably angry with John somewhat on your appetite; but air you can sometimes I'm sure I never used to be so absorb all the time. 'So we took the nursery at sensitive. I think it is due to this nervous the top of the house. condition. It is a big, airy room, the whole floor But John says if I feel so, I shall neglect nearly, with windows that look all ways, and air proper self-control; so I take pains to control and sunshine galore. It was nursery first and myself -- before him, at least, and that makes me then playroom and gymnasium, I should judge; very tired. for the windows are barred for little children, I don't like our room a bit. I wanted one and there are rings and things in the walls. downstairs that opened on the piazza and had The paint and paper look as if a boys' 147 school had used it. It is stripped off -- the paper haven't felt like writing before, since that first in great patches all around the head of my bed, day. about as far as I can reach, and in a great place I am sitting by the window now, up in on the other side of the room low down. I never this atrocious nursery, and there is nothing to saw a worse paper in my life. hinder my writing as much as I please, save lack One of those sprawling flamboyant of strength. patterns committing every artistic sin. John is away all day, and even some It is dull enough to confuse the eye in nights when his cases are serious. following, pronounced enough to constantly I am glad my case is not serious! irritate and provoke study, and when you follow But these nervous troubles are dreadfully the lame uncertain curves for a little distance depressing. they suddenly commit suicide -- plunge off at John does not know how much I really outrageous angles, destroy themselves in suffer. He knows there is no reason to suffer, unheard of contradictions. and that satisfies him. The color is repellent, almost revolting; a Of course it is only nervousness. It does smouldering unclean yellow, strangely faded by weigh on me so not to do my duty in any way! the slow-turning sunlight. I meant to be such a help to John, such a It is a dull yet lurid orange in some real rest and comfort, and here I am a places, a sickly sulphur tint in others. comparative burden already! No wonder the children hated it! I should Nobody would believe what an effort it is hate it myself if I had to live in this room long. to do what little I am able, -- to dress and There comes John, and I must put this entertain, and order things. away, -- he hates to have me write a word. It is fortunate Mary is so good with the ---------- baby. Such a dear baby! We have been here two weeks, and I And yet I cannot be with him, it makes 148 me so nervous. silly as to make him uncomfortable just for a I suppose John never was nervous in his whim. life. He laughs at me so about this wall-paper! I'm really getting quite fond of the big At first he meant to repaper the room, but room, all but that horrid paper. afterwards he said that I was letting it get the Out of one window I can see the garden, better of me, and that nothing was worse for a those mysterious deepshaded arbors, the riotous nervous patient than to give way to such fancies. old-fashioned flowers, and bushes and gnarly He said that after the wall-paper was trees. changed it would be the heavy bedstead, and Out of another I get a lovely view of the then the barred windows, and then that gate at bay and a little private wharf belonging to the the head of the stairs, and so on. estate. There is a beautiful shaded lane that runs "You know the place is doing you good," down there from the house. I always fancy I see he said, "and really, dear, I don't care to renovate people walking in these numerous paths and the house just for a three months' arbors, but John has cautioned me not to give rental." way to fancy in the least. He says that with my "Then do let us go downstairs," I said, imaginative power and habit of story-making, a "there are such pretty rooms there." nervous weakness like mine is sure to lead to all Then he took me in his arms and called manner of excited fancies, and that I ought to me a blessed little goose, and said he would go use my will and good sense to check the down to the cellar, if I wished, and have it tendency. So I try. whitewashed into the bargain. I think sometimes that if I were only well But he is right enough about the beds and enough to write a little it would relieve the press windows and things. of ideas and rest me. It is an airy and comfortable room as any But I find I get pretty tired when I try. one need wish, and, of course, I would not be so It is so discouraging not to have any 149 advice and companionship about my work. children could find in a toy-store. When I get really well, John says we will ask I remember what a kindly wink the knobs Cousin Henry and Julia down for a long visit; of our big, old bureau used to have, and there but he says he would as soon put fireworks in was one chair that always seemed like a strong my pillow-case as to let me have those friend. stimulating people about now. I used to feel that if any of the other I wish I could get well faster. things looked too fierce I could always hop into But I must not think about that. This that chair and be safe. paper looks to me as if it knew what a vicious The furniture in this room is no worse influence it had! than inharmonious, however, for we had to bring There is a recurrent spot where the it all from downstairs. I suppose when this was pattern lolls like a broken neck and two bulbous used as a playroom they had to take the nursery eyes stare at you upside down. things out, and no wonder! I never saw such I get positively angry with the ravages as the children have made here. impertinence of it and the everlastingness. Up The wall-paper, as I said before, is torn and down and sideways they crawl, and those off in spots, and it sticketh closer than a brother - absurd, unblinking eyes are everywhere There is - they must have had perseverance as well as one place where two breaths didn't match, and hatred. the eyes go all up and down the line, one a little Then the floor is scratched and gouged higher than the other. and splintered, the plaster itself is dug out here I never saw so much expression in an and there, and this great heavy bed which is all inanimate thing before, and we all know how we found in the room, looks as if it had been much expression they have! I used to lie awake through the wars. as a child and get more entertainment and terror But I don't mind it a bit -- only the paper. out of blank walls and plain furniture than most There comes John's sister. Such a dear 150 girl as she is, and so careful of me! I must not let thought it might do me good to see a little her find me writing. company, so we just had mother and Nellie and She is a perfect and enthusiastic the children down for a week. housekeeper, and hopes for no better profession. Of course I didn't do a thing. Jennie sees I verily believe she thinks it is the writing which to everything now. made me sick! But it tired me all the same. But I can write when she is out, and see John says if I don't pick up faster he shall her a long way off from these windows. send me to Weir Mitchell in the fall. There is one that commands the road, a But I don't want to go there at all. I had a lovely shaded winding road, and one that just friend who was in his hands once, and she says looks off over the country. A lovely country, he is just like John and my brother, only more so! too, full of great elms and velvet meadows. Besides, it is such an undertaking to go This wall-paper has a kind of sub-pattern so far. in a, different shade, a particularly irritating one, I don't feel as if it was worth while to for you can only see it in certain lights, and not turn my hand over for anything, and I'm getting clearly then. dreadfully fretful and querulous. But in the places where it isn't faded and I cry at nothing, and cry most of the time. where the sun is just so -- I can see a strange, Of course I don't when John is here, or provoking, formless sort of figure, that seems to anybody else, but when I am alone. skulk about behind that silly and conspicuous And I am alone a good deal just now. front design. John is kept in town very often by serious cases, There's sister on the stairs! and Jennie is good and lets me alone when I ---------- want her to. Well, the Fourth of July is over! The So I walk a little in the garden or down people are all gone and I am tired out. John that lovely lane, sit on the porch under the roses, 151 and lie down up here a good deal. diagonally, and the sprawling outlines run off in I'm getting really fond of the room in great slanting waves of optic horror, like a lot of spite of the wall-paper. Perhaps because of the wallowing seaweeds in full chase. wall-paper. The whole thing goes horizontally, too, It dwells in my mind so! at least it seems so, and I exhaust myself in I lie here on this great immovable bed -- trying to distinguish the order of its going in that it is nailed down, I believe -- and follow that direction. pattern about by the hour. It is as good as They have used a horizontal breadth for a gymnastics, I assure you. I start, we'll say, at the frieze, and that adds wonderfully to the bottom, down in the corner over there where it confusion. has not been touched, and I determine for the There is one end of the room where it is thousandth time that I will follow that pointless almost intact, and there, when the crosslights pattern to some sort of a conclusion. fade and the low sun shines directly upon it, I I know a little of the principle of design, can almost fancy radiation after all, -- the and I know this thing was not arranged on any interminable grotesques seem to form around a laws of radiation, or alternation, or repetition, or common centre and rush off in headlong plunges symmetry, or anything else that I ever heard of. of equal distraction. It is repeated, of course, by the breadths, It makes me tired to follow it. I will take but not otherwise. a nap I guess. Looked at in one way each breadth ---------- stands alone, the bloated curves and flourishes -- I don't know why I should write this. a kind of "debased Romanesque" with delirium I don't want to. tremens -- go waddling up and down in isolated I don't feel able. And I know John would columns of fatuity. think it absurd. But I must say what I feel and But, on the other hand, they connect think in some way -- it is such a relief! 152 But the effort is getting to be greater than and all he had, and that I must take care of the relief. myself for his sake, and keep well. Half the time now I am awfully lazy, and He says no one but myself can help me lie down ever so much. out of it, that I must use my will and self-control John says I mustn't lose my strength, and and not let any silly fancies run away with me. has me take cod liver oil and lots of tonics and There's one comfort, the baby is well and things, to say nothing of ale and wine and rare happy, and does not have to occupy this nursery meat. with the horrid wall-paper. Dear John! He loves me very dearly, and If we had not used it, that blessed child hates to have me sick. I tried to have a real would have! What a fortunate escape! Why, I earnest reasonable talk with him the other day, wouldn't have a child of mine, an impressionable and tell him how I wish he would let me go and little thing, live in such a room for worlds. make a visit to Cousin Henry and Julia. I never thought of it before, but it is But he said I wasn't able to go, nor able lucky that John kept me here after all, I can stand to stand it after I got there; and I did not make it so much easier than a baby, you see. out a very good case for myself, for I was crying Of course I never mention it to them any before I had finished . more -- I am too wise, -- but I keep watch of it It is getting to be a great effort for me to all the same. think straight. Just this nervous weakness I There are things in that paper that suppose. nobody knows but me, or ever will. And dear John gathered me up in his Behind that outside pattern the dim arms, and just carried me upstairs and laid me on shapes get clearer every day. the bed, and sat by me and read to me till it tired It is always the same shape, only very my head. numerous. He said I was his darling and his comfort And it is like a woman stooping down 153 and creeping about behind that pattern. I don't that I wished he would take me away. like it a bit. I wonder -- I begin to think -- I wish "Why darling!" said he, "our lease will be John would take me away from here! up in three weeks, and I can't see how to leave ---------- before. It is so hard to talk with John about my "The repairs are not done at home, and I case, because he is so wise, and because he loves cannot possibly leave town just now. Of course me so. if you were in any danger, I could and would, but But I tried it last night. you really are better, dear, whether you can see it It was moonlight. The moon shines in all or not. I am a doctor, dear, and I know. You are around just as the sun does. gaining flesh and color, your appetite is better, I I hate to see it sometimes, it creeps so feel really much easier about you." slowly, and always comes in by one window or "I don't weigh a bit more," said I, "nor as another. much; and my appetite may be better in the John was asleep and I hated to waken evening when you are here, but it is worse in the him, so I kept still and watched the moonlight on morning when you are away!" that undulating wall-paper till I felt creepy. "Bless her little heart!" said he with a big The faint figure behind seemed to shake hug, "she shall be as sick as she pleases! But the pattern, just as if she wanted to get out. now let's improve the shining hours by going to I got up softly and went to feel and see if sleep, and talk about it in the morning!" the paper did move, and when I came back John "And you won't go away?" I asked was awake. gloomily. "What is it, little girl?" he said. "Don't "Why, how can I, dear? It is only three go walking about like that -- you'll get cold." weeks more and then we will take a nice little I thought it was a good time to talk, so I trip of a few days while Jennie is getting the told him that I really was not gaining here, and house ready. Really dear you are better!" 154 "Better in body perhaps -- "I began, and as you get well underway in following, it turns a stopped short, for he sat up straight and looked back somersault and there you are. It slaps you at me with such a stern, reproachful look that I in the face, knocks you down, and tramples upon could not say another word. you. It is like a bad dream. "My darling," said he, "I beg of you, for The outside pattern is a florid arabesque, my sake and for our child's sake, as well as for reminding one of a fungus. If you can imagine a your own, that you will never for one instant let toadstool in joints, an interminable string of that idea enter your mind! There is nothing so toadstools, budding and sprouting in endless dangerous, so fascinating, to a temperament like convolutions -- why, that is something like it. yours. It is a false and foolish fancy. Can you That is, sometimes! not trust me as a physician when I tell you so?" There is one marked peculiarity about So of course I said no more on that score, this paper, a thing nobody seems to notice but and we went to sleep before long. He thought I myself, and that is that it changes as the light was asleep first, but I wasn't, and lay there for changes. hours trying to decide whether that front pattern When the sun shoots in through the east and the back pattern really did move together or window -- I always watch for that first long, separately. straight ray -- it changes so quickly that I never ---------- can quite believe it. On a pattern like this, by daylight, there That is why I watch it always. is a lack of sequence, a defiance of law, that is a By moonlight -- the moon shines in all constant irritant to a normal mind. night when there is a moon -- I wouldn't know it The color is hideous enough, and was the same paper. unreliable enough, and infuriating enough, but At night in any kind of light, in twilight, the pattern is torturing. candlelight, lamplight, and worst of all by You think you have mastered it, but just moonlight, it becomes bars! The outside pattern 155 I mean, and the woman behind it is as plain as know I was looking, and come into the room can be. suddenly on the most innocent excuses, and I've I didn't realize for a long time what the caught him several times looking at the paper! thing was that showed behind, that dim And Jennie too. I caught Jennie with her hand sub-pattern, but now I am quite sure it is a on it once. woman. She didn't know I was in the room, and By daylight she is subdued, quiet. I when I asked her in a quiet, a very quiet voice, fancy it is the pattern that keeps her so still. It is with the most restrained manner possible, what so puzzling. It keeps me quiet by the hour. she was doing with the paper -- she turned I lie down ever so much now. John says around as if she had been caught stealing, and it is good for me, and to sleep all I can. looked quite angry -- asked me why I should Indeed he started the habit by making me frighten her so! lie down for an hour after each meal. Then she said that the paper stained It is a very bad habit I am convinced, for everything it touched, that she had found yellow you see I don't sleep. smooches on all my clothes and John's, and she And that cultivates deceit, for I don't tell wished we would be more careful! them I'm awake -- O no! Did not that sound innocent? But I know The fact is I am getting a little afraid of she was studying that pattern, and I am John. determined that nobody shall find it out but He seems very queer sometimes, and myself! even Jennie has an inexplicable look. ---------- It strikes me occasionally, just as a Life is very much more exciting now scientific hypothesis, -- that perhaps it is the than it used to be. You see I have something paper! more to expect, to look forward to, to watch. I I have watched John when he did not really do eat better, and am more quiet than I 156 was. saw -- not beautiful ones like buttercups, but old John is so pleased to see me improve! He foul, bad yellow things. laughed a little the other day, and said I seemed But there is something else about that to be flourishing in spite of my paper -- the smell! I noticed it the moment we wall-paper. came into the room, but with so much air and I turned it off with a laugh. I had no sun it was not bad. Now we have had a week of intention of telling him it was because of the fog and rain, and whether the windows are open wall-paper -- he would make fun of me. He or not, the smell is here. might even want to take me away. It creeps all over the house. I don't want to leave now until I have I find it hovering in the dining-room, found it out. There is a week more, and I think skulking in the parlor, hiding in the hall, lying in that will be enough. wait for me on the stairs. ---------- It gets into my hair. I'm feeling ever so much better! I don't Even when I go to ride, if I turn my head sleep much at night, for it is so interesting to suddenly and surprise it -- there is that smell! watch developments; but I sleep a good deal in Such a peculiar odor, too! I have spent the daytime. hours in trying to analyze it, to find what it In the daytime it is tiresome and smelled like. perplexing. It is not bad -- at first, and very gentle, There are always new shoots on the but quite the subtlest, most enduring odor I ever fungus, and new shades of yellow all over it. I met. cannot keep count of them, though I have tried In this damp weather it is awful, I wake conscientiously. up in the night and find it hanging over me. It is the strangest yellow, that wall-paper! It used to disturb me at first. I thought It makes me think of all the yellow things I ever seriously of burning the house -- to reach the 157 smell. Then in the very bright spots she keeps But now I am used to it. The only thing I still, and in the very shady spots she just takes can think of that it is like is the color of the hold of the bars and shakes them hard. paper! A yellow smell. And she is all the time trying to climb There is a very funny mark on this wall, through. But nobody could climb through that low down, near the mopboard. A streak that pattern -- it strangles so; I think that is why it has runs round the room. It goes behind every piece so many heads. of furniture, except the bed, a long, straight, They get through, and then the pattern even smooch, as if it had been rubbed over and strangles them off and turns them upside down, over. and makes their eyes white! I wonder how it was done and who did it, If those heads were covered or taken off and what they did it for. Round and round and it would not be half so bad. round -- round and round and round -- it makes ---------- me dizzy! I think that woman gets out in the ---------- daytime! I really have discovered something at And I'll tell you why -- privately -- I've last. seen her! Through watching so much at night, I can see her out of every one of my when it changes so, I have finally found out. windows! The front pattern does move -- and no It is the same woman, I know, for she is wonder! The woman behind shakes it! always creeping, and most women do not creep Sometimes I think there are a great many by daylight. women behind, and sometimes only one, and she I see her on that long road under the crawls around fast, and her crawling shakes it all trees, creeping along, and when a carriage comes over. she hides under the blackberry vines. 158 I don't blame her a bit. It must be very There are only two more days to get this humiliating to be caught creeping by daylight! paper off, and I believe John is beginning to I always lock the door when I creep by notice. I don't like the look in his eyes. daylight. I can't do it at night, for I know John And I heard him ask Jennie a lot of would suspect something at once. professional questions about me. She had a very And John is so queer now, that I don't good report to give. want to irritate him. I wish he would take She said I slept a good deal in the another room! Besides, I don't want anybody to daytime. get that woman out at night but myself. John knows I don't sleep very well at I often wonder if I could see her out of all night, for all I'm so quiet! the windows at once. He asked me all sorts of questions, too, But, turn as fast as I can, I can only see and pretended to be very loving and kind. out of one at one time. As if I couldn't see through him! And though I always see her, she may be Still, I don't wonder he acts so, sleeping able to creep faster than I can turn! under this paper for three months. I have watched her sometimes away off It only interests me, but I feel sure John in the open country, creeping as fast as a cloud and Jennie are secretly affected by it. shadow in a high wind. ---------- ---------- Hurrah! This is the last day, but it is If only that top pattern could be gotten enough. John to stay in town over night, and off from the under one! I mean to try it, little by won't be out until this evening. little. Jennie wanted to sleep with me -- the sly I have found out another funny thing, but thing! but I told her I should undoubtedly rest I shan't tell it this time! It does not do to trust better for a night all alone. people too much. That was clever, for really I wasn't alone 159 a bit! As soon as it was moonlight and that poor down again and sleep all I could; and not to thing began to crawl and shake the pattern, I got wake me even for dinner -- I would call when I up and ran to help her. woke. I pulled and she shook, I shook and she So now she is gone, and the servants are pulled, and before morning we had peeled off gone, and the things are gone, and there is yards of that paper. nothing left but that great bedstead nailed down, A strip about as high as my head and half with the canvas mattress we found on it. around the room. We shall sleep downstairs to-night, and And then when the sun came and that take the boat home to-morrow. awful pattern began to laugh at me, I declared I I quite enjoy the room, now it is bare would finish it to-day! again. We go away to-morrow, and they are How those children did tear about here! moving all my furniture down again to leave This bedstead is fairly gnawed! things as they were before. But I must get to work. Jennie looked at the wall in amazement, I have locked the door and thrown the but I told her merrily that I did it out of pure key down into the front path. spite at the vicious thing. I don't want to go out, and I don't want to She laughed and said she wouldn't mind have anybody come in, till John comes. doing it herself, but I must not get tired. I want to astonish him. How she betrayed herself that time! I've got a rope up here that even Jennie But I am here, and no person touches this did not find. If that woman does get out, and paper but me, -- not alive ! tries to get away, I can tie her! She tried to get me out of the room -- it But I forgot I could not reach far without was too patent! But I said it was so quiet and anything to stand on! empty and clean now that I believed I would lie This bed will not move! 160 I tried to lift and push it until I was lame, It is so pleasant to be out in this great and then I got so angry I bit off a little piece at room and creep around as I please! one corner -- but it hurt my teeth. I don't want to go outside. I won't, even Then I peeled off all the paper I could if Jennie asks me to. reach standing on the floor. It sticks horribly For outside you have to creep on the and the pattern just enjoys it! All those strangled ground, and everything is green instead of heads and bulbous eyes and waddling fungus yellow. growths just shriek with derision! But here I can creep smoothly on the I am getting angry enough to do floor, and my shoulder just fits in that long something desperate. To jump out of the smooch around the wall, so I cannot lose my window would be admirable exercise, but the way. bars are too strong even to try. Why there's John at the door! Besides I wouldn't do it. Of course not. It is no use, young man, you can't open it! I know well enough that a step like that is How he does call and pound! improper and might be misconstrued. Now he's crying for an axe. I don't like to look out of the windows It would be a shame to break down that even -- there are so many of those creeping beautiful door! women, and they creep so fast. "John dear!" said I in the gentlest voice, I wonder if they all come out of that "the key is down by the front steps, under a wall-paper as I did? plantain leaf!" But I am securely fastened now by my That silenced him for a few moments. well-hidden rope -- you don't get me out in the Then he said -- very quietly indeed, road there ! "Open the door, my darling!" I suppose I shall have to get back behind "I can't," said I. "The key is down by the the pattern when it comes night, and that is hard! front door under a plantain leaf!" 161 And then I said it again, several times, begging my pardon -- had I been there? very gently and slowly, and said it so often that Now the story of the story is this: he had to go and see, and he got it of course, and For many years I suffered from a severe came in. He stopped short by the door. and continuous nervous breakdown tending to "What is the matter?" he cried. "For melancholia -- and beyond. During about the God's sake, what are you doing!" third year of this trouble I went, in devout faith I kept on creeping just the same, but I and some faint stir of hope, to a noted looked at him over my shoulder. specialist in nervous diseases, the best known "I've got out at last," said I, "in spite of in the country. This wise man put me to bed you and Jane. And I've pulled off most of the and applied the rest cure, to which a still-good paper, so you can't put me back!" physique responded so promptly that he Now why should that man have fainted? concluded there was nothing much the matter But he did, and right across my path by the wall, with me, and sent me home with solemn so that I had to creep over him every time! advice to "live as domestic a life as far as Charlotte Perkins Gilman, "Why I Wrote The Yellow Wallpaper" (1913) possible," to "have but two hours' intellectual life a day," and "never to touch pen, brush, or This article o riginally appe ared in the O ctober 19 13 issue of The Forerunner. pencil again" as long as I lived. This was in Many and many a reader has asked 1887. that. When the story first came out, in the New I went home and obeyed those England Magazine about 1891, a Boston directions for some three months, and came so physician made protest in The Transcript. near the borderline of utter mental ruin that I Such a story ought not to be written, he said; it could see over. was enough to drive anyone mad to read it. Then, using the remnants of Another physician, in Kansas I think, intelligence that remained, and helped by a wrote to say that it was the best description of wise friend, I cast the noted specialist's advice incipient insanity he had ever seen, and -- 162 to the winds and went to work again -- work, crazy, but to save people from being driven the normal life of every human being; work, in crazy, and it worked. which is joy and growth and service, without ___________________________________________ which one is a pauper and a parasite -- A Good Man Is Hard To Find Flannery O'Connor ultimately recovering some measure of power. Being naturally moved to rejoicing by this narrow escape, I wrote The Yellow Wallpaper, with its embellishments and additions, to carry out the ideal (I never had hallucinations or objections to my mural decorations) and sent a copy to the physician who so nearly drove me mad. He never acknowledged it. The little book is valued by alienists and as a good specimen of one kind of literature. It has, to my knowledge, saved one woman from a similar fate -- so terrifying her family that they let her out into normal activity and she recovered. But the best result is this. Many years The grandmother didn't want to go to Florida. She wanted to visit some of her connections in east Tennes- see and she was seizing at every chance to change Bailey's mind. Bailey was the son she lived with, her only boy. He was sitting on the edge of his chair at the table, bent over the orange sports section of the Journal. "Now look here, Bailey," she said, "see here, read this," and she stood with one hand on her thin hip and the other rattling the newspaper at his bald head. "Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida and you read here what it says he did to these people. Just you read it. I wouldn't take my children in any direction with a criminal like that aloose in it. I couldn't answer to my conscience if I did." Bailey didn't look up from his reading so she wheeled around then and faced the children's mother, a young woman in slacks, whose face was as broad and innocent as a cabbage and was tied around with a green head-kerchief that had two points on the top like rabbit's ears. She was sitting on the sofa, feeding the baby his apricots out of a jar. "The children have been to Florida before," the old lady said. "You all ought to take them somewhere else for a change so they would see different parts of the world and be broad. They never have been to east Tennessee." The children's mother didn't seem to hear her but the eight-year-old boy, John Wesley, a stocky child with glasses, said, "If you don't want to go to Florida, why dontcha stay at home?" He and the little girl, June Star, were reading the funny papers on the floor. later I was told that the great specialist had admitted to friends of his that he had altered his treatment of neurasthenia since reading The "She wouldn't stay at home to be queen for a day," June Star said without raising her yellow head. "Yes and what would you do if this fellow, The Misfit, caught you?" the grandmother asked. Yellow Wallpaper. "I'd smack his face," John Wesley said. It was not intended to drive people 163 "She wouldn't stay at home for a million bucks," June Star said. "Afraid she'd miss something. She has to go everywhere we go." "All right, Miss," the grandmother said. "Just remember that the next time you want me to curl your hair." various crops that made rows of green lace-work on the ground. The trees were full of silver-white sunlight and the meanest of them sparkled. The children were reading comic magazines and their mother and gone back to sleep. "Let's go through Georgia fast so we won't have to look at it much," John Wesley said. June Star said her hair was naturally curly. The next morning the grandmother was the first one in the car, ready to go. She had her big black valise that looked like the head of a hippopotamus in one corner, and underneath it she was hiding a basket with Pitty Sing, the cat, in it. She didn't intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of her gas burners and accidentally asphyxiate himself. Her son, Bailey, didn't like to arrive at a motel with a cat. She sat in the middle of the back seat with John Wesley and June Star on either side of her. Bailey and the children's mother and the baby sat in front and they left Atlanta at eight forty-five with the mileage on the car at 55890. The grandmother wrote this down because she thought it would be interesting to say how many miles they had been when they got back. It took them twenty minutes to reach the outskirts of the city. The old lady settled herself comfortably, removing her white cotton gloves and putting them up with her purse on the shelf in front of the back window. The children's mother still had on slacks and still had her head tied up in a green kerchief, but the grandmother had on a navy blue straw sailor hat with a bunch of white violets on the brim and a navy blue dress with a small white dot in the print. Her collars and cuffs were white organdy trimmed with lace and at her neckline she had pinned a purple spray of cloth violets containing a sachet. In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady. She said she thought it was going to be a good day for driving, neither too hot nor too cold, and she cautioned Bailey that the speed limit was fifty-five miles an hour and that the patrolmen hid themselves behind billboards and small clumps of trees and sped out after you before you had a chance to slow down. She pointed out interesting details of the scenery: Stone Mountain; the blue granite that in some places came up to both sides of the highway; the brilliant red clay banks slightly streaked with purple; and the "If I were a little boy," said the grandmother, "I wouldn't talk about my native state that way. Tennessee has the mountains and Georgia has the hills." "Tennessee is just a hillbilly dumping ground," John Wesley said, "and Georgia is a lousy state too." "You said it," June Star said. "In my time," said the grandmother, folding her thin veined fingers, "children were more respectful of their native states and their parents and everything else. People did right then. Oh look at the cute little pickaninny!" she said and pointed to a Negro child standing in the door of a shack. "Wouldn't that make a picture, now?" she asked and they all turned and looked at the little Negro out of the back window. He waved "He didn't have any britches on," June Star said. "He probably didn't have any," the grandmother explained. "Little riggers in the country don't have things like we do. If I could paint, I'd paint that picture," she said. The children exchanged comic books. The grandmother offered to hold the baby and the children's mother passed him over the front seat to her. She set him on her knee and bounced him and told him about the things they were passing. She rolled her eyes and screwed up her mouth and stuck her leathery thin face into his smooth bland one. Occasionally he gave her a faraway smile. They passed a large cotton field with five or fix graves fenced in the middle of it, like a small island. "Look at the graveyard!" the grandmother said, pointing it out. "That was the old family burying ground. That belonged to the plantation." "Where's the plantation?" John Wesley asked. 164 "Gone With the Wind" said the grandmother. "Ha. Ha." When the children finished all the comic books they had brought, they opened the lunch and ate it. The grandmother ate a peanut butter sandwich and an olive and would not let the children throw the box and the paper napkins out the window. When there was nothing else to do they played a game by choosing a cloud and making the other two guess what shape it suggested. John Wesley took one the shape of a cow and June Star guessed a cow and John Wesley said, no, an automobile, and June Star said he didn't play fair, and they began to slap each other over the grandmother. The grandmother said she would tell them a story if they would keep quiet. When she told a story, she rolled her eyes and waved her head and was very dramatic. She said once when she was a maiden lady she had been courted by a Mr. Edgar Atkins Teagarden from Jasper, Georgia. She said he was a very good-looking man and a gentleman and that he brought her a watermelon every Saturday afternoon with his initials cut in it, E. A. T. Well, one Saturday, she said, Mr. Teagarden brought the watermelon and there was nobody at home and he left it on the front porch and returned in his buggy to Jasper, but she never got the watermelon, she said, because a nigger boy ate it when he saw the initials, E. A. T. ! This story tickled John Wesley's funny bone and he giggled and giggled but June Star didn't think it was any good. She said she wouldn't marry a man that just brought her a watermelon on Saturday. The grandmother said she would have done well to marry Mr. Teagarden because he was a gentle man and had bought Coca-Cola stock when it first came out and that he had died only a few years ago, a very wealthy man. They stopped at The Tower for barbecued sandwiches. The Tower was a part stucco and part wood filling station and dance hall set in a clearing outside of Timothy. A fat man named Red Sammy Butts ran it and there were signs stuck here and there on the building and for miles up and down the highway saying, TRY RED SAMMY'S FAMOUS BARBECUE. NONE LIKE FAMOUS RED SAMMY'S! RED SAM! THE FAT BOY WITH THE HAPPY LAUGH. A VETERAN! RED SAMMY'S YOUR MAN! Red Sammy was lying on the bare ground outside The Tower with his head under a truck while a gray monkey about a foot high, chained to a small chinaberry tree, chattered nearby. The monkey sprang back into the tree and got on the highest limb as soon as he saw the children jump out of the car and run toward him. Inside, The Tower was a long dark room with a counter at one end and tables at the other and dancing space in the middle. They all sat down at a board table next to the nickelodeon and Red Sam's wife, a tall burnt-brown woman with hair and eyes lighter than her skin, came and took their order. The children's mother put a dime in the machine and played "The Tennessee Waltz," and the grandmother said that tune always made her want to dance. She asked Bailey if he would like to dance but he only glared at her. He didn't have a naturally sunny disposition like she did and trips made him nervous. The grandmother's brown eyes were very bright. She swayed her head from side to side and pretended she was dancing in her chair. June Star said play something she could tap to so the children's mother put in another dime and played a fast number and June Star stepped out onto the dance floor and did her tap routine. "Ain't she cute?" Red Sam's wife said, leaning over the counter. "Would you like to come be my little girl?" "No I certainly wouldn't," June Star said. "I wouldn't live in a broken-down place like this for a million bucks!" and she ran back to the table. "Ain't she cute?" the woman repeated, stretching her mouth politely. "Arn't you ashamed?" hissed the grandmother. Red Sam came in and told his wife to quit lounging on the counter and hurry up with these people's order. His khaki trousers reached just to his hip bones and his stomach hung over them like a sack of meal swaying under his shirt. He came over and sat down at a table nearby and let out a combination sigh and yodel. "You can't win," he said. "You can't win," and he wiped his sweating red face off with a gray handkerchief. "These days you don't know who to trust," he said. "Ain't that the truth?" "People are certainly not nice like they used to be," said the grandmother. "Two fellers come in here last week," Red Sammy said, "driving a Chrysler. It was a old beat-up car but 165 it was a good one and these boys looked all right to me. Said they worked at the mill and you know I let them fellers charge the gas they bought? Now why did I do that?" "Because you're a good man!" the grandmother said at once. "Yes'm, I suppose so," Red Sam said as if he were struck with this answer. His wife brought the orders, carrying the five plates all at once without a tray, two in each hand and one balanced on her arm. "It isn't a soul in this green world of God's that you can trust," she said. "And I don't count nobody out of that, not nobody," she repeated, looking at Red Sammy. "Did you read about that criminal, The Misfit, that's escaped?" asked the grandmother. "I wouldn't be a bit surprised if he didn't attack this place right here," said the woman. "If he hears about it being here, I wouldn't be none surprised to see him. If he hears it's two cent in the cash register, I wouldn't be a tall surprised if he . . ." "That'll do," Red Sam said. "Go bring these people their Co'-Colas," and the woman went off to get the rest of the order. "A good man is hard to find," Red Sammy said. "Everything is getting terrible. I remember the day you could go off and leave your screen door unlatched. Not no more." He and the grandmother discussed better times. The old lady said that in her opinion Europe was entirely to blame for the way things were now. She said the way Europe acted you would think we were made of money and Red Sam said it was no use talking about it, she was exactly right. The children ran outside into the white sunlight and looked at the monkey in the lacy chinaberry tree. He was busy catching fleas on himself and biting each one carefully between his teeth as if it were a delicacy. They drove off again into the hot afternoon. The grandmother took cat naps and woke up every few minutes with her own snoring. Outside of Toombsboro she woke up and recalled an old plantation that she had visited in this neighborhood once when she was a young lady. She said the house had six white columns across the front and that there was an avenue of oaks leading up to it and two little wooden trellis arbors on either side in front where you sat down with your suitor after a stroll in the garden. She recalled exactly which road to turn off to get to it. She knew that Bailey would not be willing to lose any time looking at an old house, but the more she talked about it, the more she wanted to see it once again and find out if the little twin arbors were still standing. "There was a secret:-panel in this house," she said craftily, not telling the truth but wishing that she were, "and the story went that all the family silver was hidden in it when Sherman came through but it was never found . . ." "Hey!" John Wesley said. "Let's go see it! We'll find it! We'll poke all the woodwork and find it! Who lives there? Where do you turn off at? Hey Pop, can't we turn off there?" "We never have seen a house with a secret panel!" June Star shrieked. "Let's go to the house with the secret panel! Hey Pop, can't we go see the house with the secret panel!" "It's not far from here, I know," the grandmother said. "It wouldn't take over twenty minutes." Bailey was looking straight ahead. His jaw was as rigid as a horseshoe. "No," he said. The children began to yell and scream that they wanted to see the house with the secret panel. John Wesley kicked the back of the front seat and June Star hung over her mother's shoulder and whined desperately into her ear that they never had any fun even on their vacation, that they could never do what THEY wanted to do. The baby began to scream and John Wesley kicked the back of the seat so hard that his father could feel the blows in his kidney. "All right!" he shouted and drew the car to a stop at the side of the road. "Will you all shut up? Will you all just shut up for one second? If you don't shut up, we won't go anywhere." "It would be very educational for them," the grandmother murmured. "All right," Bailey said, "but get this: this is the only time we're going to stop for anything like this. This is the one and only time." 166 "The dirt road that you have to turn down is about a mile back," the grandmother directed. "I marked it when we passed." "A dirt road," Bailey groaned. After they had turned around and were headed toward the dirt road, the grandmother recalled other points about the house, the beautiful glass over the front doorway and the candle-lamp in the hall. John Wesley said that the secret panel was probably in the fireplace. "You can't go inside this house," Bailey said. "You don't know who lives there." "While you all talk to the people in front, I'll run around behind and get in a window," John Wesley suggested. "We'll all stay in the car," his mother said. They turned onto the dirt road and the car raced roughly along in a swirl of pink dust. The grandmother recalled the times when there were no paved roads and thirty miles was a day's journey. The dirt road was hilly and there were sudden washes in it and sharp curves on dangerous embankments. All at once they would be on a hill, looking down over the blue tops of trees for miles around, then the next minute, they would be in a red depression with the dust-coated trees looking down on them. "This place had better turn up in a minute," Bailey said, "or I'm going to turn around." The road looked as if no one had traveled on it in months. "It's not much farther," the grandmother said and just as she said it, a horrible thought came to her. The thought was so embarrassing that she turned red in the face and her eyes dilated and her feet jumped up, upsetting her valise in the corner. The instant the valise moved, the newspaper top she had over the basket under it rose with a snarl and Pitty Sing, the cat, sprang onto Bailey's shoulder. The children were thrown to the floor and their mother, clutching the baby, was thrown out the door onto the ground; the old lady was thrown into the front seat. The car turned over once and landed rightside-up in a gulch off the side of the road. Bailey remained in the driver's seat with the cat gray-striped with a broad white face and an orange nose clinging to his neck like a caterpillar. As soon as the children saw they could move their arms and legs, they scrambled out of the car, shouting, "We've had an ACCIDENT!" The grandmother was curled up under the dashboard, hoping she was injured so that Bailey's wrath would not come down on her all at once. The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee. Bailey removed the cat from his neck with both hands and flung it out the window against the side of a pine tree. Then he got out of the car and started looking for the children's mother. She was sitting against the side of the red gutted ditch, holding the screaming baby, but she only had a cut down her face and a broken shoulder. "We've had an ACCIDENT!" the children screamed in a frenzy of delight. "But nobody's killed," June Star said with disappointment as the grandmother limped out of the car, her hat still pinned to her head but the broken front brim standing up at a jaunty angle and the violet spray hanging off the side. They all sat down in the ditch, except the children, to recover from the shock. They were all shaking. "Maybe a car will come along," said the children's mother hoarsely. "I believe I have injured an organ," said the grandmother, pressing her side, but no one answered her. Bailey's teeth were clattering. He had on a yellow sport shirt with bright blue parrots designed in it and his face was as yellow as the shirt. The grandmother decided that she would not mention that the house was in Tennessee. The road was about ten feet above and they could see only the tops of the trees on the other side of it. Behind the ditch they were sitting in there were more woods, tall and dark and deep. In a few minutes they saw a car some distance away on top of a hill, coming slowly as if the occupants were watching them. The grandmother stood up and waved both arms dramatically to attract their attention. The car continued to come on slowly, disappeared around a bend and appeared again, moving even slower, on top of the hill they had gone over. It was a big black battered hearselike automobile. There were three men in it. 167 It came to a stop just over them and for some minutes, the driver looked down with a steady expressionless gaze to where they were sitting, and didn't speak. Then he turned his head and muttered something to the other two and they got out. One was a fat boy in black trousers and a red sweat shirt with a silver stallion embossed on the front of it. He moved around on the right side of them and stood staring, his mouth partly open in a kind of loose grin. The other had on khaki pants and a blue striped coat and a gray hat pulled down very low, hiding most of his face. He came around slowly on the left side. Neither spoke. The driver got out of the car and stood by the side of it, looking down at them. He was an older man than the other two. His hair was just beginning to gray and he wore silver-rimmed spectacles that gave him a scholarly look. He had a long creased face and didn't have on any shirt or undershirt. He had on blue jeans that were too tight for him and was holding a black hat and a gun. The two boys also had guns. "We've had an ACCIDENT!" the children screamed. The grandmother had the peculiar feeling that the bespectacled man was someone she knew. His face was as familiar to her as if she had known him all her life but she could not recall who he was. He moved away from the car and began to come down the embankment, placing his feet carefully so that he wouldn't slip. He had on tan and white shoes and no socks, and his ankles were red and thin. "Good afternoon," he said. "I see you all had you a little spill." "We turned over twice!" said the grandmother. "Once", he corrected. "We seen it happen. Try their car and see will it run, Hiram," he said quietly to the boy with the gray hat. "What you got that gun for?" John Wesley asked. "Whatcha gonna do with that gun?" "Lady," the man said to the children's mother, "would you mind calling them children to sit down by you? Children make me nervous. I want all you all to sit down right together there where you're at." "Look here now," Bailey began suddenly, "we're in a predicament! We're in . . ." The grandmother shrieked. She scrambled to her feet and stood staring. "You're The Misfit!" she said. "I recognized you at once!" "Yes'm," the man said, smiling slightly as if he were pleased in spite of himself to be known, "but it would have been better for all of you, lady, if you hadn't of reckernized me." Bailey turned his head sharply and said something to his mother that shocked even the children. The old lady began to cry and The Misfit reddened. "Lady," he said, "don't you get upset. Sometimes a man says things he don't mean. I don't reckon he meant to talk to you thataway." "You wouldn't shoot a lady, would you?" the grandmother said and removed a clean handkerchief from her cuff and began to slap at her eyes with it. The Misfit pointed the toe of his shoe into the ground and made a little hole and then covered it up again. "I would hate to have to," he said. "Listen," the grandmother almost screamed, "I know you're a good man. You don't look a bit like you have common blood. I know you must come from nice people!" "Yes mam," he said, "finest people in the world." When he smiled he showed a row of strong white teeth. "God never made a finer woman than my mother and my daddy's heart was pure gold," he said. The boy with the red sweat shirt had come around behind them and was standing with his gun at his hip. The Misfit squatted down on the ground. "Watch them children, Bobby Lee," he said. "You know they make me nervous." He looked at the six of them huddled together in front of him and he seemed to be embarrassed as if he couldn't think of anything to say. "Ain't a cloud in the sky," he remarked, looking up at it. "Don't see no sun but don't see no cloud neither." "What are you telling US what to do for?" June Star asked. "Yes, it's a beautiful day," said the grandmother. "Listen," she said, "you shouldn't call yourself The Misfit because I know you're a good man at heart. I can just look at you and tell." Behind them the line of woods gaped like a dark open mouth. "Come here," said their mother. "Hush!" Bailey yelled. "Hush! Everybody shut up and let me handle this!" He was squatting in the 168 position of a runner about to sprint forward but he didn't move. "I pre-chate that, lady," The Misfit said and drew a little circle in the ground with the butt of his gun. "It'll take a half a hour to fix this here car," Hiram called, looking over the raised hood of it. "Well, first you and Bobby Lee get him and that little boy to step over yonder with you," The Misfit said, pointing to Bailey and John Wesley. "The boys want to ast you something," he said to Bailey. "Would you mind stepping back in them woods there with them?" "Listen," Bailey began, "we're in a terrible predicament! Nobody realizes what this is," and his voice cracked. His eyes were as blue and intense as the parrots in his shirt and he remained perfectly still. The grandmother reached up to adjust her hat brim as if she were going to the woods with him but it came off in her hand. She stood staring at it and after a second she let it fall on the ground. Hiram pulled Bailey up by the arm as if he were assisting an old man. John Wesley caught hold of his father's hand and Bobby I,ee followed. They went off toward the woods and just as they reached the dark edge, Bailey turned and supporting himself against a gray naked pine trunk, he shouted, "I'll be back in a minute, Mamma, wait on me!" "Come back this instant!" his mother shrilled but they all disappeared into the woods. "Bailey Boy!" the grandmother called in a tragic voice but she found she was looking at The Misfit squatting on the ground in front of her. "I just know you're a good man," she said desperately. "You're not a bit common!" "Nome, I ain't a good man," The Misfit said after a second ah if he had considered her statement carefully, "but I ain't the worst in the world neither. My daddy said I was a different breed of dog from my brothers and sisters. 'You know,' Daddy said, 'it's some that can live their whole life out without asking about it and it's others has to know why it is, and this boy is one of the latters. He's going to be into everything!"' He put on his black hat and looked up suddenly and then away deep into the woods as if he were embarrassed again. "I'm sorry I don't have on a shirt before you ladies," he said, hunching his shoulders slightly. "We buried our clothes that we had on when we escaped and we're just making do until we can get better. We borrowed these from some folks we met," he explained. "That's perfectly all right," the grandmother said. "Maybe Bailey has an extra shirt in his suitcase." "I'll look and see terrectly," The Misfit said. "Where are they taking him?" the children's mother screamed. "Daddy was a card himself," The Misfit said. "You couldn't put anything over on him. He never got in trouble with the Authorities though. Just had the knack of handling them." "You could be honest too if you'd only try," said the grandmother. "Think how wonderful it would be to settle down and live a comfortable life and not have to think about somebody chasing you all the time." The Misfit kept scratching in the ground with the butt of his gun as if he were thinking about it. "Yestm, somebody is always after you," he murmured. The grandmother noticed how thin his shoulder blades were just behind his hat because she was standing up looking down on him. "Do you every pray?" she asked. He shook his head. All she saw was the black hat wiggle between his shoulder blades. "Nome," he said. There was a pistol shot from the woods, followed closely by another. Then silence. The old lady's head jerked around. She could hear the wind move through the tree tops like a long satisfied insuck of breath. "Bailey Boy!" she called. "I was a gospel singer for a while," The Misfit said. "I been most everything. Been in the arm service both land and sea, at home and abroad, been twict married, been an undertaker, been with the railroads, plowed Mother Earth, been in a tornado, seen a man burnt alive oncet," and he looked up at the children's mother and the little girl who were sitting close together, their faces white and their eyes glassy; "I even seen a woman flogged," he said. "Pray, pray," the grandmother began, "pray, pray . . ." 169 I never was a bad boy that I remember of," The Misfit said in an almost dreamy voice, "but somewheres along the line I done something wrong and got sent to the penitentiary. I was buried alive," and he looked up and held her attention to him by a steady stare. "That's when you should have started to pray," she said. "What did you do to get sent to the penitentiary that first time?" "Turn to the right, it was a wall," The Misfit said, looking up again at the cloudless sky. "Turn to the left, it was a wall. Look up it was a ceiling, look down it was a floor. I forget what I done, lady. I set there and set there, trying to remember what it was I done and I ain't recalled it to this day. Oncet in a while, I would think it was coming to me, but it never come." "Thow me that shirt, Bobby Lee," The Misfit said. The shirt came flying at him and landed on his shoulder and he put it on. The grandmother couldn't name what the shirt reminded her of. "No, lady," The Misfit said while he was buttoning it up, "I found out the crime don't matter. You can do one thing or you can do another, kill a man or take a tire off his car, because sooner or later you're going to forget what it was you done and just be punished for it." The children's mother had begun to make heaving noises as if she couldn't get her breath. "Lady," he asked, "would you and that little girl like to step off yonder with Bobby Lee and Hiram and join your husband?" "Maybe they put you in by mistake," the old lady said vaguely. "Yes, thank you," the mother said faintly. Her left arm dangled helplessly and she was holding the baby, who had gone to sleep, in the other. "Hep that lady up, Hiram," The Misfit said as she struggled to climb out of the ditch, "and Bobby Lee, you hold onto that little girl's hand." "Nome," he said. "It wasn't no mistake. They had the papers on me." "I don't want to hold hands with him," June Star said. "He reminds me of a pig." "You must have stolen something," she said. The fat boy blushed and laughed and caught her by the arm and pulled her off into the woods after Hiram and her mother. The Misfit sneered slightly. "Nobody had nothing I wanted," he said. "It was a head-doctor at the penitentiary said what I had done was kill my daddy but I known that for a lie. My daddy died in nineteen ought nineteen of the epidemic flu and I never had a thing to do with it. He was buried in the Mount Hopewell Baptist churchyard and you can go there and see for yourself." "If you would pray," the old lady said, "Jesus would help you." "That's right," The Misfit said. "Well then, why don't you pray?" she asked trembling with delight suddenly. "I don't want no hep," he said. "I'm doing all right by myself." Bobby Lee and Hiram came ambling back from the woods. Bobby Lee was dragging a yellow shirt with bright blue parrots in it. Alone with The Misfit, the grandmother found that she had lost her voice. There was not a cloud in the sky nor any sun. There was nothing around her but woods. She wanted to tell him that he must pray. She opened and closed her mouth several times before anything came out. Finally she found herself saying, "Jesus. Jesus," meaning, Jesus will help you, but the way she was saying it, it sounded as if she might be cursing. "Yes'm, The Misfit said as if he agreed. "Jesus shown everything off balance. It was the same case with Him as with me except He hadn't committed any crime and they could prove I had committed one because they had the papers on me. Of course," he said, "they never shown me my papers. That's why I sign myself now. I said long ago, you get you a signature and sign everything you do and keep a copy of it. Then you'll know what you done and you can hold up the crime to the punishment and see do they match and in the end you'll have something to prove you ain't been treated right. I call myself The Misfit," he said, "because I can't make what all I done wrong fit what all I gone through in punishment." 170 There was a piercing scream from the woods, followed closely by a pistol report. "Does it seem right to you, lady, that one is punished a heap and another ain't punished at all?" "Jesus!" the old lady cried. "You've got good blood! I know you wouldn't shoot a lady! I know you come from nice people! Pray! Jesus, you ought not to shoot a lady. I'll give you all the money I've got!" "Lady," The Misfit said, looking beyond her far into the woods, "there never was a body that give the undertaker a tip." There were two more pistol reports and the grandmother raised her head like a parched old turkey hen crying for water and called, "Bailey Boy, Bailey Boy!" as if her heart would break. "Jesus was the only One that ever raised the dead," The Misfit continued, "and He shouldn't have done it. He shown everything off balance. If He did what He said, then it's nothing for you to do but thow away everything and follow Him, and if He didn't, then it's nothing for you to do but enjoy the few minutes you got left the best way you can by killing somebody or burning down his house or doing some other meanness to him. No pleasure but meanness," he said and his voice had become almost a snarl. "Maybe He didn't raise the dead," the old lady mumbled, not knowing what she was saying and feeling so dizzy that she sank down in the ditch with her legs twisted under her. "I wasn't there so I can't say He didn't," The Misfit said. "I wisht I had of been there," he said, hitting the ground with his fist. "It ain't right I wasn't there because if I had of been there I would of known. Listen lady," he said in a high voice, "if I had of been there I would of known and I wouldn't be like I am now." His voice seemed about to crack and the grandmother's head cleared for an instant. She saw the man's face twisted close to her own as if he were going to cry and she murmured, "Why you're one of my babies. You're one of my own children !" She reached out and touched him on the shoulder. The Misfit sprang back as if a snake had bitten him and shot her three times through the chest. Then he put his gun down on the ground and took off his glasses and began to clean them. Hiram and Bobby Lee returned from the woods and stood over the ditch, looking down at the grandmother who half sat and half lay in a puddle of blood with her legs crossed under her like a child's and her face smiling up at the cloudless sky. Without his glasses, The Misfit's eyes were redrimmed and pale and defenseless-looking. "Take her off and thow her where you thown the others," he said, picking up the cat that was rubbing itself against his leg. "She was a talker, wasn't she?" Bobby Lee said, sliding down the ditch with a yodel. "She would of been a good woman," The Misfit said, "if it had been somebody there to shoot her every minute of her life." "Some fun!" Bobby Lee said. "Shut up, Bobby Lee," The Misfit said. "It's no real pleasure in life." ___________________________________________ The Fly Katherine Mansfield "Y'are very snug in here," piped old Mr. Woodifield, and he peered out of the great, green-leather armchair by his friend the boss's desk as a baby peers out of its pram. His talk was over; it was time for him to be off. But he did not want to go. Since he had retired, since his...stroke, the wife and the girls kept him boxed up in the house every day of the week except Tuesday. On Tuesday he was dressed and brushed and allowed to cut back to the City for the day. Though what he did there the wife and girls couldn't imagine. Made a nuisance of himself to his friends, they supposed....Well, perhaps so. All the same, we cling to our last pleasures as the tree clings to its last leaves. So there sat old Woodifield, smoking a cigar and staring almost greedily at the boss, who rolled in his office chair, stout, rosy, five years older than he, and still going strong, still at the helm. It did one good to see him. Wistfully, admiringly, the old voice added, "It's snug in here, upon my word!" "Yes, it's comfortable enough," agreed the boss, and he flipped the Financial Times with a paper-knife. As a matter of fact he was proud of his room; he liked to have it admired, especially by old Woodifield. It gave him a feeling of deep, solid satisfaction to be planted 171 there in the midst of it in full view of that frail old figure in the muffler. "I've had it done up lately," he explained, as he had explained for the past -- how many? -- weeks. "New carpet," and he pointed to the bright red carpet with a pattern of large white rings. "New furniture," and he nodded towards the massive bookcase and the table with legs like twisted treacle. "Electric heating!" He waved almost exultantly towards the five transparent, pearly sausages glowing so softly in the tilted copper pan. But he did not draw old Woodifield's attention to the photograph over the table of a grave-looking boy in uniform standing in one of those spectral photographers' parks with photographers' stormclouds behind him. It was not new. It had been there for over six years. "There was something I wanted to tell you," said old Woodifield, and his eyes grew dim remembering. "Now what was it? I had it in my mind when I started out this morning." His hands began to tremble, and patches of red showed above his beard. Poor old chap, he's on his last pins, thought the boss. And, feeling kindly, he winked at the old man, and said jokingly, "I tell you what. I've got a little drop of something here that'll do you good before you go out into the cold again. It's beautiful stuff. It wouldn't hurt a child." He took a key off his watch-chain, unlocked a cupboard below his desk, and drew forth a dark, squat bottle. "That's the medicine," said he. "And the man from whom I got it told me on the strict Q.T. it came from the cellars at Windor Castle." Old Woodifield's mouth fell open at the sight. He couldn't have looked more surprised if the boss had produced a rabbit. "It's whisky, ain't it?" he piped feebly. The boss turned the bottle and lovingly showed him the label. Whisky it was. "D'you know," said he, peering up at the boss wonderingly, "they won't let me touch it at home." And he looked as though he was going to cry. "Ah, that's where we know a bit more than the ladies," cried the boss, swooping across for two tumblers that stood on the table with the water-bottle, and pouring a generous finger into each. "Drink it down. It'll do you good. And don't put any water with it. It's sacrilege to tamper with stuff like this. Ah!" He tossed off his, pulled out his handkerchief, hastily wiped his moustaches, and cocked an eye at old Woodifield, who was rolling his in his chaps. The old man swallowed, was silent a moment, and then said faintly, "It's nutty!" But it warmed him; it crept into his chill old brain -he remembered. "That was it," he said, heaving himself out of his chair. "I thought you'd like to know. The girls were in Belgium last week having a look at poor Reggie's grave, and they happened to come across your boy's. They're quite near each other, it seems." Old Woodifield paused, but the boss made no reply. Only a quiver in his eyelids showed that he heard. "The girls were delighted with the way the place is kept," piped the old voice. "Beautifully looked after. Couldn't be better if they were at home. You've not been across, have yer?" "No, no!" For various reasons the boss had not been across. "There's miles of it," quavered old Woodifield, "and it's all as neat as a garden. Flowers growing on all the graves. Nice broad paths." It was plain from his voice how much he liked a nice broad path. The pause came again. Then the old man brightened wonderfully. "D'you know what the hotel made the girls pay for a pot of jam?" he piped. "Ten francs! Robbery, I call it. It was a little pot, so Gertrude says, no bigger than a half-crown. And she hadn't taken more than a spoonful when they charged her ten francs. Gertrude brought the pot away with her to teach 'em a lesson. Quite right, too; it's trading on our feelings. They think because we're over there having a look round we're ready to pay anything. That's what it is." And he turned towards the door. "Quite right, quite right!" cried the boss, though what was quite right he hadn't the least idea. He came round by his desk, followed the shuffling footsteps to the door, and saw the old fellow out. Woodifield was gone. 172 For a long moment the boss stayed, staring at nothing, while the grey-haired office messenger, watching him, dodged in and out of his cubby-hole like a dog that expects to be taken for a run. Then: "I'll see nobody for half an hour, Macey," said the boss. "Understand? Nobody at all." "Very good, sir." The door shut, the firm heavy steps recrossed the bright carpet, the fat body plumped down in the spring chair, and leaning forward, the boss covered his face with his hands. He wanted, he intended, he had arranged to weep.... It had been a terrible shock to him when old Woodifield sprang that remark upon him about the boy's grave. It was exactly as though the earth had opened and he had seen the boy lying there with Woodifield's girls staring down at him. For it was strange. Although over six years had passed away, the boss never thought of the boy except as lying unchanged, unblemished in his uniform, asleep for ever. "My son!" groaned the boss. But no tears came yet. In the past, in the first few months and even years after the boy's death, he had only to say those words to be overcome by such grief that nothing short of a violent fit of weeping could relieve him. Time, he had declared then, he had told everybody, could make no difference. Other men perhaps might recover, might live their loss down, but not he. How was it possible? His boy was an only son. Ever since his birth the boss had worked at building up this business for him; it had no other meaning if it was not for the boy. Life itself had come to have no other meaning. How on earth could he have slaved, denied himself, kept going all those years without the promise for ever before him of the boy's stepping into his shoes and carrying on where he left off? And that promise had been so near being fulfilled. The boy had been in the office learning the ropes for a year before the war. Every morning they had started off together; they had come back by the same train. And what congratulations he had received as the boy's father! No wonder; he had taken to it marvellously. As to his popularity with the staff, every man jack of them down to old Macey couldn't make enough of the boy. And he wasn't the least spoilt. No, he was just his bright natural self, with the right word for everybody, with that boyish look and his habit of saying, "Simply splendid!" But all that was over and done with as though it never had been. The day had come when Macey had handed him the telegram that brought the whole place crashing about his head. "Deeply regret to inform you..." And he had left the office a broken man, with his life in ruins. Six years ago, six years....How quickly time passed! It might have happened yesterday. The boss took his hands from his face; he was puzzled. Something seemed to be wrong with him. He wasn't feeling as he wanted to feel. He decided to get up and have a look at the boy's photograph. But it wasn't a favourite photograph of his; the expression was unnatural. It was cold, even stern-looking. The boy had never looked like that. At that moment the boss noticed that a fly had fallen into his broad inkpot, and was trying feebly but deperately to clamber out again. Help! help! said those struggling legs. But the sides of the inkpot were wet and slippery; it fell back again and began to swim. The boss took up a pen, picked the fly out of the ink, and shook it on to a piece of blotting-paper. For a fraction of a second it lay still on the dark patch that oozed round it. Then the front legs waved, took hold, and, pulling its small, sodden body up, it began the immense task of cleaning the ink from its wings. Over and under, over and under, went a leg along a wing, as the stone goes over and under the scythe. Then there was a pause, while the fly, seeming to stand on the tips of its toes, tried to expand first one wing and then the other. It succeeded at last, and, sitting down, it began, like a minute cat, to clean its face. Now one could imagine that the little front legs rubbed against each other lightly, joyfully. The horrible danger was over; it had escaped; 1t was ready for life again. But just then the boss had an idea. He plunged his pen back into the ink, leaned his thick wrist on the blotting-paper, and as the fly tried its wings down came a great heavy blot. What would it make of that? What indeed! The little beggar seemed absolutely cowed, stunned, and afraid to move because of what would happen next. But then, as if painfully, it dragged itself forward. The front legs waved, caught hold, and, more slowly this time, the task began from the beginning. He's a plucky little devil, thought the boss, and he felt a real admiration for the fly's courage. That was the way to tackle things; that was the right spirit. Never say die; it was only a question of...But the fly had again finished its laborious task, and the boss had just time to refill his pen, to shake fair and square on the new-cleaned body yet another dark drop. What about 173 it this time? A painful moment of suspense followed. But behold, the front legs were again waving; the boss felt a rush of relief. He leaned over the fly and said to it tenderly, "You artful little b..." And he actually had the brilliant notion of breathing on it to help the drying process. All the same, there was something timid and weak about its efforts now, and the boss decided that this time should be the last, as he dipped the pen deep into the inkpot. It was. The last blot fell on the soaked blotting-paper, and the draggled fly lay in it and did not stir. The back legs were stuck to the body; the front legs were not to be seen. "Come on," said the boss. "Look sharp!" And he stirred it with his pen -- in vain. Nothing happened or was likely to happen. The fly was dead. The boss lifted the corpse on the end of the paperknife and flung it into the waste-paper basket. But such a grinding feeling of wretchedness seized him that he felt positively frightened. He started forward and pressed the bell for Macey. "Bring me some fresh blotting-paper," he said sternly,"and look sharp about it." And while the old dog padded away he fell to wondering what it was he had been thinking about before. What was it? It was...He took out his handkerchief and passed it inside his collar. For the life of him he could not remember. ___________________________________________ Franz Kafka In the Penal Colony “It’s a remarkable apparatus,” said the Officer to the Explorer and gazed with a certain look of admiration at the device, with which he was, of course, thoroughly familiar. It appeared that the Traveller had responded to the invitation of the Commandant only out of politeness, when he had been asked to attend the execution of a soldier condemned for disobeying and insulting his superior. Interest in this execution was not really very high even in the penal colony itself. At least, here in the small, deep, sandy valley, closed in on all sides by barren slopes, apart from the Officer and the Traveller there were present only the Condemned, a vacant-looking man with a broad mouth and dilapidated hair and face, and the Soldier, who held the heavy chain to which were connected the small chains which bound the Condemned Man by his feet and wrist bones, as well as by his neck, and which were also linked to each other by connecting chains. The Condemned Man, incidentally, had an expression of such dog-like resignation that it looked as if one could set him free to roam around the slopes and would only have to whistle at the start of the execution for him to return. The Traveller had little interest in the apparatus and walked back and forth behind the Condemned Man, almost visibly indifferent, while the Officer took care of the final preparations. Sometimes he crawled under the apparatus, which was built deep into the earth, and sometimes he climbed up a ladder to inspect the upper parts. These were jobs which really could have been left to a mechanic, but the Officer carried them out with great enthusiasm, maybe because he was particularly fond of this apparatus or maybe because there was some other reason why the work could not be entrusted to anyone else. “It’s all ready now!” he finally cried and climbed back down the ladder. He was unusually tired, breathing with his mouth wide open, and he had pushed two fine lady’s handkerchiefs under the collar of his uniform at the back. “These uniforms are really too heavy for the tropics,” the Traveller said, instead of asking some questions about the apparatus, as the Officer had expected. “That’s true,” said the Officer. He washed the oil and grease from his dirty hands in a bucket of water standing ready, “But they mean home, and we don’t want to lose our homeland.” “Now, have a look at this apparatus,” he added immediately, drying his hands with a towel and at the same time pointing to the apparatus. “Up to this point I still had to do some work by hand, but from now on the apparatus works entirely on its own.” The Traveller nodded and followed the Officer. The latter tried to protect himself against all eventualities by saying, “Of course, breakdowns do happen. I really hope none will occur today, but we must be prepared for them. The apparatus is supposed to keep going for twelve hours without interruption. But if any breakdowns occur, they are only very minor, and will be dealt with right away.” “Don’t you want to sit down?” he asked finally. He pulled out a chair from a pile of cane chairs and offered it to the Traveller. The latter could not refuse. He was now sitting on the edge of a pit, into which he cast a fleeting glance. It was not very deep. On one side of the hole the piled earth was heaped up into a wall; on the other side stood the apparatus. “I don’t know,” the Officer said, “whether the Commandant has already explained the apparatus to you.” The Traveller made a vague gesture with his hand. That was good enough for the Officer, for now he could 174 explain the apparatus himself. “This apparatus,” he said, grasping a connecting rod and leaning against it, “is our previous Commandant’s invention. I also worked with him on the very first tests and took part in all the work right up to its completion. However, the credit for the invention belongs entirely to him alone. Have you heard of our previous Commandant? No? Well, I’m not claiming too much when I say that the organization of the entire penal colony is his work. We, his friends, already knew at the time of his death that the administration of the colony was so self-contained that even if his successor had a thousand new plans in mind, he would not be able to alter anything of the old plan, at least not for several years. And our prediction has held. The New Commandant has had to recognize that. It’s a shame that you didn’t know the previous Commandant!” “However,” the Officer said, interrupting himself, “I’m chattering, and his apparatus stands here in front of us. As you see, it consists of three parts. With the passage of time certain popular names have been developed for each of these parts. The one underneath is called the Bed, the upper one is called the Inscriber, and here in the middle, this moving part is called the Harrow.” “The Harrow?” the Traveller asked. He had not been listening with full attention. The sun was excessively strong, trapped in the shadowless valley, and one could hardly collect one’s thoughts. So the Officer appeared to him all the more admirable in his tight tunic weighed down with epaulettes and festooned with braid, ready to go on parade, as he explained the matter so eagerly and, in addition, while he was talking, still kept adjusting screws here and there with a screwdriver. The Soldier appeared to be in a state similar to the Traveller. He had wound the Condemned Man’s chain around both his wrists and was supporting himself with his hand on his weapon, letting his head hang backward, not bothering about anything. The Traveller was not surprised at that, for the Officer spoke French, and clearly neither the Soldier nor the Condemned Man understood the language. So it was certainly all the more striking that the Condemned Man, in spite of that, did what he could to follow the Officer’s explanations. With a sort of sleepy persistence he kept directing his gaze to the place where the Officer had just pointed, and when a question from the Traveller interrupted the Officer, the Condemned Man looked at the Traveller, too, just as the Officer was doing. “Yes, the Harrow,” said the Officer. “The name fits. The needles are arranged as in a harrow, and the whole thing is driven like a harrow, although it stays in one place and is, in principle, much more artistic. Anyway, you’ll understand in a moment. The condemned is laid out here on the Bed. I’ll describe the apparatus first and only then let the procedure go to work. That way you’ll be able to follow it better. Also a sprocket in the Inscriber is excessively worn. It really squeaks. When it’s in motion one can hardly make oneself understood. Unfortunately replacement parts are difficult to come by in this place. So, here is the Bed, as I said. The whole thing is completely covered with a layer of cotton wool, the purpose of which you’ll find out in a moment. The condemned man is laid out on his stomach on this cotton wool— naked, of course. There are straps for the hands here, for the feet here, and for the throat here, to tie him in securely. At the head of the Bed here, where the man, as I have mentioned, first lies face down, is this small protruding lump of felt, which can easily be adjusted so that it presses right into the man’s mouth. Its purpose is to prevent him screaming and biting his tongue to pieces. Of course, the man has to let the felt in his mouth—otherwise the straps around his throat will break his neck.” “That’s cotton wool?” asked the Traveller and bent down. “Yes, it is,” said the Officer smiling, “feel it for yourself.” He took the Traveller’s hand and led him over to the Bed. “It’s a specially prepared cotton wool. That’s why it looks so unrecognizable. I’ll get around to mentioning its purpose in a moment.” The Traveller was already being won over a little to the apparatus. With his hand over his eyes to protect them from the sun, he looked up at the height of the apparatus. It was a massive construction. The Bed and the Inscriber were the same size and looked like two dark chests. The Inscriber was set about two metres above the Bed, and the two were joined together at the corners by four brass rods, which almost reflected rays from the sun. The Harrow hung between the chests on a band of steel. The Officer had hardly noticed the earlier indifference of the Traveller, but he did have a sense now of how the latter’s interest was being aroused now. So he paused in his explanation in order to allow the Traveller time to observe the apparatus undisturbed. The Condemned Man imitated the Traveller, but since he could not put his hand over his eyes, he blinked upward with his eyes uncovered. “So now the man is lying down,” said the Traveller. He leaned back in his chair and crossed his legs. “Yes,” said the Officer. He pushed his cap back a little and ran his hand over his hot face. “Now, listen. Both the Bed and the Inscriber have their own electric batteries. The Bed needs them for itself, and the Inscriber for the Harrow. As soon as the man is 175 strapped in securely, the Bed is set in motion. It quivers with tiny, very rapid oscillations from side to side and up and down simultaneously. You will have seen similar devices in mental hospitals. Only with our Bed all movements are precisely calibrated, for they must be meticulously coordinated with the movements of the Harrow. But it’s the Harrow which has the job of actually carrying out the sentence.” “What is the sentence?” the Traveller asked. “You don’t even know that?” asked the Officer in astonishment and bit his lip. “Forgive me if my explanations are perhaps confused. I really do beg your pardon. Previously it was the Commandant’s habit to provide such explanations. But the New Commandant has excused himself from this honourable duty. However, the fact that with such an eminent visitor”—the Traveller tried to deflect the honour with both hands, but the Officer insisted on the expression—“that with such an eminent visitor he didn’t even once make him aware of the form of our sentencing is yet again something new, which. . . .” He had a curse on his lips, but controlled himself and said merely: “I was not informed about it. It’s not my fault. In any case, I am certainly the person best able to explain our style of sentencing, for here I am carrying”—he patted his breast pocket—“the relevant diagrams drawn by the previous Commandant.” “Diagrams made by the Commandant himself?” asked the Traveller. “Then was he in his own person a combination of everything? Was he soldier, judge, engineer, chemist, and draftsman?” “He was indeed,” said the Officer, nodding his head with a fixed and thoughtful expression. Then he looked at his hands, examining them. They didn’t seem to him clean enough to handle the diagrams. So he went to the bucket and washed them again. Then he pulled out a small leather folder and said, “Our sentence does not sound severe. The law which a condemned man has violated is inscribed on his body with the Harrow. This Condemned Man, for example,” and the Officer pointed to the man, “will have inscribed on his body, ‘Honour your superiors!’” The Traveller had a quick look at the man. When the Officer was pointing at him, the man kept his head down and appeared to be directing all his energy into listening in order to learn something. But the movements of his pouting lips, which were pressed close together, showed clearly that he was incapable of understanding anything. The Traveller wanted to raise various questions, but after looking at the Condemned Man he merely asked, “Does he know his sentence?” “No,” said the Officer. He wished to get on with his explanation right away, but the Traveller interrupted him: “He doesn’t know his own sentence?” “No,” said the Officer once more. He then paused for a moment, as if he was requesting from the Traveller a more detailed reason for his question, and said, “It would be useless to give him that information. He experiences it on his own body.” The Traveller really wanted to keep quiet at this point, but he felt how the Condemned Man was gazing at him—he seemed to be asking whether he could approve of the process the Officer had described. So the Traveller, who had up to this point been leaning back, bent forward again and kept up his questions, “But does he nonetheless have some general idea that he’s been condemned?” “Not that either,” said the Officer, and he smiled at the Traveller, as if he was still waiting for some strange revelations from him. “No?” said the Traveller, wiping his forehead, “So the man does not yet know even at this point how his defence was received?” “He has had no opportunity to defend himself,” said the Officer and looked away, as if he was talking to himself and did not wish to embarrass the Traveller with an explanation of matters so self-evident to him. “But he must have had a chance to defend himself,” said the Traveller and stood up from his chair. The Officer recognized that he was in danger of having his explanation of the apparatus held up for a long time. So he went to the Traveller, took him by the arm, pointed with his hand at the Condemned Man, who stood there stiffly now that the attention was so clearly directed at him—the Soldier was also pulling on his chain—and said, “The matter stands like this. Here in the penal colony I have been appointed judge. In spite of my youth. For I stood at the side of our previous Commandant in all matters of punishment, and I also know the most about the apparatus. The basic principle I use for my decisions is this: Guilt is always beyond a doubt. Other courts could not follow this principle, for they are made up of many heads and, in addition, have even higher courts above them. But that is not the case here, or at least it was not that way with the previous Commandant. It’s true the New Commandant has already shown a desire to get mixed up in my court, but I’ve succeeded so far in fending him off. And I’ll continue to be successful. You wanted this case explained. It’s so simple—just like all of them. This morning a captain laid a charge that this man, who is assigned to him as a servant and who sleeps before his door, had been sleeping on duty. For his duty is to stand up every time the clock strikes the hour and salute in front of the captain’s door. That’s certainly 176 not a difficult duty—and it’s necessary, since he is supposed to remain fresh both for guarding and for service. Yesterday night the captain wanted to check whether his servant was fulfilling his duty. He opened the door on the stroke of two and found him curled up asleep. He got his horsewhip and hit him across the face. Now, instead of standing up and begging for forgiveness, the man grabbed his master by the legs, shook him, and cried out, ‘Throw away that whip or I’ll eat you up.’ Those are the facts. The captain came to me an hour ago. I wrote up his statement and right after that the sentence. Then I had the man chained up. It was all very simple. If I had first summoned the man and interrogated him, the result would have been confusion. He would have lied, and if I had been successful in refuting his lies, he would have replaced them with new lies, and so forth. But now I have him, and I won’t release him again. Now, does that clarify everything? But time is passing. We should be starting the execution already, and I haven’t finished explaining the apparatus yet.” He urged the Traveller to sit down in his chair, moved to the apparatus again, and started, “As you see, the shape of the Harrow corresponds to the shape of a man. This is the harrow for the upper body, and here are the harrows for the legs. This small cutter is the only one designated for the head. Is that clear to you?” He leaned forward to the Traveller in a friendly way, ready to give the most comprehensive explanation. The Traveller looked at the Harrow with a wrinkled frown. The information about the judicial procedures had not satisfied him. However, he had to tell himself that here it was a matter of a penal colony, that in this place special regulations were necessary, and that one had to give precedence to military measures right down to the last detail. Beyond that, however, he had some hopes in the New Commandant, who obviously, although slowly, was intending to introduce a new procedure which the limited understanding of this Officer could not accept. Following this train of thought, the Traveller asked, “Will the Commandant be present at the execution?” “That is not certain,” said the Officer, embarrassingly affected by the sudden question, and his friendly expression made a grimace. “That is why we need to hurry up. As much as I regret the fact, I’ll have to make my explanation even shorter. But tomorrow, once the apparatus is clean again—the fact that it gets so very dirty is its only fault—I could add a more detailed explanation. So now, only the most essential things. When the man is lying on the Bed and it starts quivering, the Harrow sinks onto the body. It positions itself automatically in such a way that it touches the body only lightly with the needle tips. Once the machine is set in position, this steel cable tightens up immediately into a rod. And now the performance begins. Someone who is not an initiate sees no external difference among the punishments. The Harrow seems to do its work uniformly. As it quivers, it sticks the tips of its needles into the body, which is also vibrating from the movement of the bed. Now, to enable someone to check on how the sentence is being carried out, the Harrow is made of glass. That gave rise to certain technical difficulties with fastening the needles in it securely, but after several attempts we were successful. We didn’t spare any efforts. And now, as the inscription is made on the body, everyone can see through the glass. Don’t you want to come closer and see the needles for yourself.” The Traveller stood slowly, moved up, and bent over the Harrow. “You see,” the Officer said, “two sorts of needles in a multiple arrangement. Each long needle has a short one next to it. The long one inscribes, and the short one squirts water out to wash away the blood and keep the inscription always clear. The bloody water is then channeled here into small grooves and finally flows into these main gutters, and their outlet pipe takes it to the pit.” The Officer indicated with his finger the exact path which the bloody water had to take. As he began formally to demonstrate with both hands at the mouth of the outlet pipe, in order to make his account as clear as possible, the Traveller raised his head and, feeling behind him with his hand, wanted to return to his chair. Then he saw to his horror that the Condemned Man had also, like him, accepted the Officer’s invitation to inspect the arrangement of the Harrow up close. He had pulled the sleeping Soldier holding the chain a little forward and was also bending over the glass. One could see how with a confused gaze he also was looking for what the two gentlemen had just observed, but how he didn’t succeed because he lacked the explanation. He leaned forward this way and that. He kept running his eyes over the glass again and again. The Traveller wanted to push him back, for what he was doing was probably punishable. But the Officer held the Traveller firmly with one hand, and with the other he took a lump of earth from the wall and threw it at the Soldier. The latter opened his eyes with a start, saw what the Condemned Man had dared to do, let his weapon fall, braced his heels in the earth, and jerked the Condemned Man back, so that he immediately collapsed. The Soldier looked down at him, as he writhed around, making his chain clink. “Stand him up,” cried the Officer, for he noticed that the Condemned Man was distracting the Traveller too much. The latter was even leaning out away from the 177 Harrow, without paying any attention to it and wanted merely to find out what was happening to the Condemned Man. “Handle him carefully,” the Officer yelled again. He ran around the apparatus, personally grabbed the Condemned Man under the armpits and, with the help of the Soldier, straightened up the man, whose feet kept slipping. “Now I know all about it,” said the Traveller, as the Officer turned back to him again. “Except the most important thing,” said the latter. He grabbed the Traveller by the arm and pointed up high. “There in the Inscriber is the mechanism which determines the movement of the Harrow, and this mechanism is arranged according to the diagram on which the sentence is set down. I still use the diagrams of the previous Commandant. Here they are.” He pulled some pages out of the leather folder. “Unfortunately I can’t hand them to you. They are the most cherished thing I possess. Sit down, and I’ll show you them from this distance. Then you’ll be able to see it all well.” He showed the first sheet. The Traveller would have been happy to say something appreciative, but all he saw was a labyrinthine series of lines, crisscrossing each other in all sorts of ways. These covered the paper so thickly that only with difficulty could one make out the white spaces in between. “Read it,” said the Officer. “I can’t,” said the Traveller. “But it’s clear,” said the Officer.” “It’s very elaborate,” said the Traveller evasively, “but I can’t decipher it.” “Yes,” said the Officer, smiling and putting the folder back again, “it’s not calligraphy for school children. One has to read it a long time. You, too, would finally understand it clearly. Of course, it has to be a script that isn’t simple. You see, it’s not supposed to kill right away, but on average over a period of twelve hours. The turning point is set for the sixth hour. There must also be many, many embellishments surrounding the basic script. The essential script moves around the body only in a narrow belt. The rest of the body is reserved for decoration. Can you now appreciate the work of the Harrow and of the whole apparatus? Just look at it!” He jumped up the ladder, turned a wheel, and called down, “Watch out—move to the side!” Everything started moving. If the wheel had not squeaked, it would have been marvellous. The Officer threatened the wheel with his fist, as if he was surprised by the disturbance it created. Then he spread his arms out to the Traveller, apologized, and quickly clambered down, in order to observe the operation of the apparatus from below. Something was still not working properly, something only he noticed. He clambered up again and reached with both hands into the inside of the Inscriber. Then, in order to descend more quickly, instead of using the ladder, he slid down on one of the poles and, to make himself understandable through the noise, strained his voice to the limit as he yelled in the Traveller’s ear, “Do you understand the process? The Harrow is starting to write. When it’s finished with the first part of the script on the man’s back, the layer of cotton wool rolls and turns the body slowly onto its side to give the Harrow a new area. Meanwhile those parts lacerated by the inscription are lying on the cotton wool which, because it has been specially treated, immediately stops the bleeding and prepares the script for a further deepening. Here, as the body continues to rotate, prongs on the edge of the Harrow then pull the cotton wool from the wounds, throw it into the pit, and the Harrow goes to work again. In this way it keeps making the inscription deeper for twelve hours. For the first six hours the condemned man goes on living almost as before. He suffers nothing but pain. After two hours, the felt is removed, for at that point the man has no more energy for screaming. Here at the head of the Bed warm rice pudding is put in this electrically heated bowl. From this the man, if he feels like it, can help himself to what he can lap up with his tongue. No one passes up this opportunity. I don’t know of a single one, and I have had a lot of experience. He first loses his pleasure in eating around the sixth hour. I usually kneel down at this point and observe the phenomenon. The man rarely swallows the last bit. He merely turns it around in his mouth and spits it into the pit. When he does that, I have to lean aside or else he’ll get me in the face. But how quiet the man becomes around the sixth hour! The most stupid of them begins to understand. It starts around the eyes and spreads out from there. A look that could tempt one to lie down with him under the Harrow. Nothing else happens. The man simply begins to decipher the inscription. He purses his lips, as if he is listening. You’ve seen that it is not easy to figure out the inscription with your eyes, but our man deciphers it with his wounds. True, it takes a lot of work. It requires six hours to complete. But then the Harrow spits all of him out and throws him into the pit, where he splashes down into the bloody water and cotton wool. Then the judgment is over, and we, the Soldier and I, quickly bury him.” The Traveller had leaned his ear towards the Officer and, with his hands in his coat pockets, was observing the machine at work. The Condemned Man was also watching, but without understanding. He bent forward a little and followed the moving needles, as the Soldier, after a signal from the Officer, cut through the back of his shirt and trousers with a knife, so that they fell off the Condemned Man. He wanted to grab the falling garments to cover 178 his bare flesh, but the Soldier held him up high and shook the last rags from him. The Officer turned the machine off, and in the silence which then ensued the Condemned Man was laid out under the Harrow. The chains were taken off and the straps fastened in their place. For the Condemned Man it seemed at first glance to signify almost a relief. And now the Harrow sunk down a stage lower still, for he was a thin man. As the needle tips touched him, a shudder went over his skin. While the Soldier was busy with the right hand, the Condemned Man stretched out his left, with no sense of its direction. But it was pointing to where the Traveller was standing. The Officer kept looking at the Traveller from the side, without taking his eyes off him, as if he was trying to read from his face the impression he was getting of the execution, which he had now explained to him, at least superficially. The strap meant to hold the wrist ripped off. The Soldier probably had pulled on it too hard. The Soldier showed the Officer the torn-off piece of strap, wanting him to help. So the Officer went over to him and said, with his face turned towards the Traveller, “The machine is very complicated. Now and then something has to tear or break. One shouldn’t let that detract from one’s overall opinion. Anyway, we have an immediate replacement for the strap. I’ll use a chain—even though that will affect the sensitivity of the oscillations for the right arm.” And while he put the chain in place, he still kept talking, “Our resources for maintaining the machine are very limited at the moment. Under the previous Commandant, I had free access to a cash box specially set aside exclusively for this purpose. There was a storeroom here in which all possible replacement parts were kept. I admit I made almost extravagant use of it. I mean earlier, not now, as the New Commandant claims. For him everything serves only as a pretext to fight against the old arrangements. Now he keeps the cash box for machinery under his own control, and if I ask him for a new strap, he demands the torn one as a piece of evidence, the new one doesn’t arrive for ten days, and then it’s an inferior brand, of not much use to me. But how I am supposed to get the machine to work in the meantime without a strap—no one’s concerned about that.” The Traveller thought about the situation: it is always questionable to intervene decisively in strange circumstances. He was neither a citizen of the penal colony nor a citizen of the state to which it belonged. If he wanted to condemn this execution or even hinder it, people could say to him: You are a foreigner—keep quiet. He would have nothing in response to that, but could only add that he did not understand what he was doing on this occasion, for the purpose of his traveling was merely to observe and not to alter other people’s judicial systems in any way. True, at this point the way things were turning out it was very tempting. The injustice of the process and the inhumanity of the execution were beyond doubt. No one could assume that the Traveller was acting out of any sense of his own self-interest, for the Condemned Man was a stranger to him, not a countryman and not someone who invited sympathy in any way. The Traveller himself had letters of reference from high officials and had been welcomed here with great courtesy. The fact that he had been invited to this execution even seemed to indicate that people were asking for his judgment of this court. This was all the more likely since the Commandant, as he had now had heard only too clearly, was no supporter of this process and maintained an almost hostile relationship with the Officer. Then the Traveller heard a cry of rage from the Officer. He had just shoved the stub of felt in the Condemned Man’s mouth, not without difficulty, when the Condemned Man, overcome by an irresistible nausea, shut his eyes and threw up. The Officer quickly yanked him up off the stump and wanted to turn his head aside toward the pit. But it was too late. The vomit was already flowing down onto the machine. “This is all the Commandant’s fault!” cried the Officer and mindlessly rattled the brass rods at the front. “My machine’s as filthy as a pigsty.” With trembling hands he indicated to the Traveller what had happened. “Haven’t I spent hours trying to make the Commandant understand that a day before the execution there should be no more food served? But the new, lenient administration has a different opinion. Before the man is led away, the Commandant’s women cram sugary things down his throat. His whole life he’s fed himself on stinking fish, and now he has to eat sweets! But that would be all right—I’d have no objections—but why don’t they get a new felt, the way I’ve been asking him for three months now? How can anyone take this felt into his mouth without feeling disgusted—something that more than a hundred men have sucked and bitten on it as they were dying?” The Condemned Man had laid his head down and appeared peaceful. The Soldier was busy cleaning up the machine with the Condemned Man’s shirt. The Officer went up to the Traveller, who, feeling some premonition, took a step backwards. But the Officer grasped him by the hand and pulled him aside. “I 179 want to speak a few words to you in confidence,” he said. “May I do that?” “Of course,” said the Traveller and listened with his eyes lowered. “This process and this execution, which you now have an opportunity to admire, have at present no more open supporters in our colony. I am its single defender and at the same time the single advocate for the legacy of the Old Commandant. I can no longer think about a more extensive organization of the process—I’m using all my powers to maintain what there is at present. When the Old Commandant was alive, the colony was full of his supporters. I have something of the Old Commandant’s persuasiveness, but I completely lack his power, and as a result the supporters have gone into hiding. There are still a lot of them, but no one admits to it. If you go into a tea house today—that is to say, on a day of execution— and keep your ears open, perhaps you’ll hear nothing but ambiguous remarks. They are all supporters, but under the present Commandant, considering his present views, they are totally useless to me. And now I’m asking you: Should such a life’s work,” he pointed to the machine, “come to nothing because of this Commandant and the women influencing him? Should people let that happen? Even if one is only a foreigner on our island for a couple of days? But there is no time to lose. People are already preparing something against my judicial proceedings. Discussions are already taking place in the Commandant’s headquarters, to which I am not invited. Even your visit today seems to me typical of the whole situation. People are cowards and send you out—a foreigner. You should have seen the executions in earlier days! The entire valley was overflowing with people, even a day before the execution. They all came merely to watch. Early in the morning the Commandant appeared with his women. Fanfares woke up the entire campsite. I delivered the news that everything was ready. The whole society—and every high official had to attend—arranged itself around the machine. This pile of cane chairs is a sorry left over from that time. The machine was freshly cleaned and glowed. For almost every execution I had new replacement parts. In front of hundreds of eyes—all the spectators stood on tip toe right up to the hills there—the condemned man was laid down under the Harrow by the Commandant himself. What nowadays has to be done by a common soldier was then my work as the senior judge, and it was an honour for me. And then the execution began! No discordant note disturbed the work of the machine. Many people did not look any more at all, but lay down with closed eyes in the sand. They all knew: now justice was being carried out. In the silence people heard nothing but the groans of the condemned man, muffled by the felt. These days the machine no longer manages to squeeze out of the condemned man a groan stronger than the felt is capable of smothering. But back then the needles which made the inscription dripped a caustic liquid which today we are not permitted to use any more. Well, then came the sixth hour! It was impossible to grant all the requests people made to be allowed to watch from up close. The Commandant, in his wisdom, arranged that the children should be taken care of before all the rest. Naturally, I was always allowed to stand close by, because of my official position. Often I crouched down there with two small children in my arms, on my right and left. How we all took in the expression of transfiguration on the martyred face! How we held our cheeks in the glow of this justice, finally attained and already passing away! What times we had, my friend!” The Officer had obviously forgotten who was standing in front of him. He had put his arm around the Traveller and laid his head on his shoulder. The Traveller was extremely embarrassed. Impatiently he looked away over the Officer’s head. The Soldier had ended his task of cleaning and had just shaken some rice pudding into the bowl from a tin. No sooner had the Condemned Man, who seemed to have fully recovered already, noticed this than his tongue began to lick at the pudding. The Soldier kept pushing him away, for the pudding was probably meant for a later time, but in any case it was not proper for the Soldier to reach in and grab some food with his dirty hands and eat it in front of the famished Condemned Man. The Officer quickly collected himself. “I didn’t want to upset you in any way,” he said. “I know it is impossible to make someone understand those days now. Besides, the machine still works and operates on its own. It operates on its own even when it is standing alone in this valley. And at the end, the body still keeps falling in that incredibly soft flight into the pit, even if hundreds of people are not gathered like flies around the hole the way they used to be. Back then we had to erect a strong railing around the pit. It was pulled out long ago.” The Traveller wanted to turn his face away from the Officer and looked aimlessly around him. The Officer thought he was looking at the wasteland of the valley. So he grabbed his hands, turned him around in order to catch his gaze, and asked, “Do you see the shame of it?” But the Traveller said nothing. The Officer left him alone for a while. With his legs apart and his hands on his hips, the Officer stood still and looked at the 180 ground. Then he smiled at the Traveller cheerfully and said, “Yesterday I was nearby when the Commandant invited you. I heard the invitation. I know the Commandant. I understood right away what he intended with his invitation. Although his power might be sufficiently great to take action against me, he doesn’t yet dare to. But my guess is that with you he is exposing me to the judgment of a respected foreigner. He calculates things with care. You are now in your second day on the island. You didn’t know the Old Commandant and his way of thinking. You are biased in your European way of seeing things. Perhaps you are fundamentally opposed to the death penalty in general and to this kind of mechanical style of execution in particular. Moreover, you see how the execution is a sad procedure, without any public participation, using a machine which is already somewhat damaged. Now, if we take all this together (so the Commandant thinks) surely one could easily imagine that that you would not consider my procedure appropriate? And if you didn’t consider it right, you wouldn’t keep quiet about it—I’m still speaking the mind of the Commandant—for you no doubt have faith that your tried-and-true convictions are correct. It’s true that you have seen many peculiar things among many peoples and have learned to respect them. Thus, you will probably not speak out against the procedure with your full power, as you would perhaps in your own homeland. But the Commandant doesn’t really need that. A casual word, merely a careless remark, is enough. It doesn’t have to match your convictions at all, so long as it apparently corresponds to his wishes. I’m certain he will use all his shrewdness to interrogate you. And his women will sit around in a circle and perk up their ears. You will say something like, ‘Among us the judicial procedures are different,’ or ‘With us the accused is questioned before the verdict,’ or ‘With us the accused hears the judgment’ or ‘With us there are punishments other than the death penalty’ or ‘With us there was torture only in the Middle Ages.’ For you all these observations appear as correct as they are self-evident—innocent remarks which do not impugn my procedure. But how will the Commandant take them? I see him, our excellent Commandant—the way he immediately pushes his stool aside and hurries out onto the balcony—I see his women, how they stream after him. I hear his voice—the women call it a thunder voice. And now he’s speaking: ‘A great Western explorer who has been commissioned to inspect judicial procedures in all countries has just said that our process based on old customs is inhuman. After this verdict of such a personality it is, of course, no longer possible for me to tolerate this procedure. So from this day on I am ordering . . . and so forth.’ You want to intervene—you didn’t say what he is reporting—you didn’t call my procedure inhuman; by contrast, in keeping with your deep insight, you consider it the most humane and most worthy of human beings. You also admire this machinery. But it is too late. You don’t even go onto the balcony, which is already filled with women. You want to attract attention. You want to cry out. But a lady’s hand is covering your mouth, and I and the Old Commandant’s work are lost.” The Traveller had to suppress a smile. So the work which he had considered so difficult was easy. He said evasively, “You’re exaggerating my influence. The Commandant has read my letters of recommendation. He knows that I am no expert in judicial processes. If I were to express an opinion, it would be that of a lay person, no more significant than the opinion of anyone else, and in any case far less significant than the opinion of the Commandant, who, as I understand it, has very extensive powers in this penal colony. If his views of this procedure are as definite as you think they are, then I’m afraid the time has surely come for this procedure to end, without any need for my humble assistance.” Did the Officer understand by now? No, he did not yet grasp it. He shook his head vigorously, briefly looked back at the Condemned Man and the Soldier, who both flinched and stopped eating the rice, went up really close up to the Traveller, without looking into his face, but gazing at parts of his jacket, and said more gently than before: “You don’t know the Commandant. Where he and all of us are concerned you are—forgive the expression—to a certain extent innocent. Your influence, believe me, cannot be overestimated. In fact, I was blissfully happy when I heard that you were to be present at the execution by yourself. This arrangement of the Commandant was aimed at me, but now I’m turning it to my advantage. Without being distracted by false insinuations and disparaging looks—which could not have been avoided with a greater number of participants at the execution—you have listened to my explanation, looked at the machine, and are now about to view the execution. Your verdict is no doubt already fixed. If some small uncertainties still remain, witnessing the execution will remove them. And now I’m asking you—help me against the Commandant!” The Traveller did not let him go on talking. “How can I do that?” he cried. “It’s totally impossible. I can help you as little as I can harm you.” 181 “You could do it,” said the Officer. With some apprehension the Traveller observed that the Officer was clenching his fists. “You could do it,” repeated the Officer, even more emphatically. “I have a plan which must succeed. You think your influence is insufficient. I know it will be enough. But assuming you’re right, doesn’t saving this procedure require one to try everything, even those methods which may possibly be inadequate? So listen to my plan. To carry it out, it’s necessary, above all, for you to keep as quiet as possible today in the colony about your verdict on this procedure. Unless someone asks you directly, you should not express any view whatsoever. But what you do say must be short and vague. People should notice that it has become difficult for you to speak about the subject, that you feel bitter, that, if you were to speak openly, you’d have to burst out cursing on the spot. I’m not asking you to lie, not at all. You should give only brief answers—something like, ‘Yes, I’ve seen the execution’ or ‘Yes, I’ve heard the full explanation.’ That’s all—nothing further. For that will be enough of an indication for people to observe in you a certain bitterness, even if that’s not what the Commandant will think. Naturally, he will completely misunderstand the issue and interpret it in his own way. My plan is based on that. Tomorrow a large meeting of all the higher administrative officials takes place at headquarters under the chairmanship of the Commandant. He, of course, understands how to turn such meetings into a spectacle. A gallery has been built, which is always full of spectators. I’m compelled to take part in the discussions, though they make me shiver with disgust. In any case, you will certainly be invited to the meeting. If you follow my plan today and behave accordingly, the invitation will become an emphatic request. But should you for some inexplicable reason still not be invited, you must make sure you request an invitation. Then you’ll receive one without question. Now, tomorrow you are sitting with the women in the Commandant’s box. With frequent upward glances he reassures himself that you are there. After various trivial and ridiculous agenda items designed only for the spectators—mostly harbour construction, always harbour construction!—the judicial process also comes up for discussion. If it’s not raised by the Commandant himself or does not occur soon enough, I’ll make sure that it comes up. I’ll stand up and report the news of today’s execution. Really briefly—just this announcement. True, such a report is not customary there; however, I’ll do it, nonetheless. The Commandant thanks me, as always, with a friendly smile. And now he cannot restrain himself. He seizes this excellent opportunity. ‘The report of the execution,’ he’ll say, or something like that, ‘has just been given. I would like to add to this report only the fact that this particular execution was attended by the great explorer whose visit confers such extraordinary honour on our colony, as you all know. Even the significance of our meeting today has been increased by his presence. Do we not now wish to ask this great explorer for his appraisal of the execution based on old customs and of the process which preceded it?’ Of course, there is the noise of applause everywhere, universal agreement. And I’m louder than anyone. The Commandant bows before you and says, ‘Then in everyone’s name, I’m putting the question to you.’ And now you step up to the railing. Place your hands where everyone can see them. Otherwise the ladies will grab them and play with your fingers. And now finally come your remarks. I don’t know how I’ll bear the tense moments up to that point. In your speech you mustn’t hold back. Let truth resound. Lean over the railing and shout it out—yes, yes, roar your opinion at the Commandant, your unshakeable opinion. But perhaps you don’t want to do that. It doesn’t suit your character. Perhaps in your homeland people behave differently in such situations. That’s all right. That’s perfectly satisfactory. Don’t stand up at all. Just say a couple of words. Whisper them so that only the officials underneath you can hear them. That’s enough. You don’t even have to say anything at all about the lack of attendance at the execution or about the squeaky wheel, the torn strap, the disgusting felt. No. I’ll take over all further details, and, believe me, if my speech doesn’t chase him out of the room, it will force him to his knees, so he’ll have to admit it: ‘Old Commandant, I bow down before you.’ That’s my plan. Do you want to help me carry it out? But, of course, you want to. More than that—you have to.” And the Officer gripped the Traveller by both arms and looked at him, breathing heavily into his face. He had yelled the last sentences so loudly that even the Soldier and the Condemned Man were paying attention. Although they couldn’t understand a thing, they stopped eating and looked over at the Traveller, still chewing. From the very start the Traveller had had no doubts about the answer he must give. He had experienced too much in his life to be able to waver here. Basically he was honest and unafraid. Still, with the Soldier and the Condemned Man looking at him, he hesitated a moment. But finally he said, as he had to, “No.” The Officer’s eyes blinked several times, but he did not take his eyes off the Traveller. “Would you like an explanation,” asked the Traveller. The Officer nodded dumbly. “I am opposed to this procedure,” said the Traveller. “Even before you took me into your confidence—and, of course, I will never abuse 182 your confidence under any circumstances—I was already thinking about whether I was entitled to intervene against this procedure and whether my intervention could have even a small chance of success. And if that was the case, it was clear to me whom I had to turn to first of all—naturally, to the Commandant. You have clarified the issue for me even more, but without reinforcing my decision in any way—quite the reverse. I find your conviction genuinely moving, even if it cannot deter me.” The Officer remained silent, turned towards the machine, grabbed one of the brass rods, and then, leaning back a little, looked up at the Inscriber, as if he was checking that everything was in order. The Soldier and the Condemned Man seemed to have made friends with each other. The Condemned Man was making signs to the Soldier, although, given the tight straps on him, this was difficult for him to do. The Soldier was leaning into him. The Condemned Man whispered something to him, and the Soldier nodded. The Traveller went over to the Officer and said, “You don’t yet know what I’ll do. Yes, I will tell the Commandant my opinion of the procedure—not in a meeting, but in private. In addition, I won’t stay here long enough to be able to get called in to some meeting or other. Early tomorrow morning I leave, or at least I go on board ship.” It did not look as if the Officer had been listening. “So the process has not convinced you,” he said to himself and smiled the way an old man smiles over the silliness of a child, concealing his own true thoughts behind that smile. “Well then, it’s time,” he said finally and suddenly looked at the Traveller with bright eyes which contained some sort of demand, some appeal for participation. “Time for what?” asked the Traveller uneasily. But there was no answer. “You are free,” the Officer told the Condemned Man in his own language. At first the man did not believe him. “You are free now,” said the Officer. For the first time the face of the Condemned Man showed signs of real life. Was it the truth? Was it only the Officer’s mood, which could change? Had the foreign Traveller brought him a reprieve? What was it? That is what the man’s face seemed to be asking. But not for long. Whatever the case might be, if he could he wanted to be truly free, and he began to shake back and forth, as much as the Harrow permitted. “You’re tearing my straps,” cried the Officer. “Be still! We’ll undo them right away.” And, giving a signal to the Soldier, he set to work with him. The Condemned Man said nothing and smiled slightly to himself. At times he turned his face to the Officer on the left and at times to the Soldier on the right, without ignoring the Traveller. “Pull him out,” the Officer ordered the Soldier. This process required a certain amount of care because of the Harrow. The Condemned Man already had a few small wounds on his back, thanks to his own impatience. From this point on, however, the Officer paid no more attention to him. He went up to the Traveller, pulled out the small leather folder once more, leafed through it, finally found the sheet he was looking for, and showed it to the Traveller. “Read that,” he said. “I can’t,” said the Traveller. “I’ve already told you I can’t read these pages.” “But take a close look at the page,” said the Officer and moved up right next to the Traveller in order to read with him. When that didn’t help, he raised his little finger high up over the paper, as if the page must not be touched under any circumstances, so that using this he might make the task of reading easier for the Traveller. The Traveller also made an effort so that at least he could satisfy the Officer, but it was impossible for him. At that point the Officer began to spell out the inscription, and then he read out once again the joined up letters. “‘Be just!’ it states,” he said. “Now you can read it.” The Traveller bent so low over the paper that the Officer, afraid that he might touch it, moved it further away. The Traveller didn’t say anything more, but it was clear that he was still unable to read anything. “‘Be just!’ it says,” the Officer remarked once again. “That could be,” said the Traveller. “I do believe that’s written there.” “Good,” said the Officer, at least partially satisfied. He climbed up the ladder, holding the paper. With great care he set the page in the Inscriber and appeared to rotate the gear mechanism completely around. This was very tiring work. It must have required him to deal with extremely small wheels. He had to inspect the gears so closely that sometimes the Officer’s head disappeared completely into the Inscriber. The Traveller followed this work from below without looking away. His neck grew stiff, and his eyes found the sunlight pouring down from the sky painful. The Soldier and the Condemned Man were keeping each other busy. With the tip of his bayonet the Soldier pulled out the Condemned Man’s shirt and trousers which were lying in the hole. The shirt was horribly 183 dirty, and the Condemned Man washed it in the bucket of water. When he was putting on his shirt and trousers, the Soldier and the Condemned Man had to laugh out loud, for the pieces of clothing were cut in two up the back. Perhaps the Condemned Man thought that it was his duty to amuse the Soldier. In his ripped-up clothes he circled in front of the Soldier, who crouched down on the ground, laughed, and slapped his knees. But they still restrained themselves out of consideration for the two gentlemen present. When the Officer was finally finished up on the machine, with a smile he looked over the whole thing and all its parts once more, and this time closed the cover of the Inscriber, which had been open up to this point. He climbed down, looked into the hole and then at the Condemned Man, observed with satisfaction that his clothes had been hauled out, then went to the bucket of water to wash his hands, recognized too late that it was disgustingly dirty, and was upset that now he could not wash his hands. Finally he pushed them into the sand. This option did not satisfy him, but he had to do what he could in the circumstances. Then he stood up and began to unbutton the coat of his uniform. As he did this, the two lady’s handkerchiefs, which he had pushed into the back of his collar, fell into his hands. “Here you have your handkerchiefs,” he said and threw them over to the Condemned Man. And to the Traveller he said by way of an explanation, “Presents from the ladies.” In spite of the obvious speed with which he took off the coat of his uniform and then undressed himself completely, he handled each piece of clothing very carefully, even running his fingers over the silver braids on his tunic with special care and shaking a tassel into place. But in great contrast to this care, as soon he was finished handling an article of clothing, he immediately flung it angrily into the hole. The last items he had left were his short sword and its harness. He pulled the sword out of its scabbard, broke it in pieces, then gathered up everything—the pieces of the sword, the scabbard, and the harness—and threw them away so forcefully that they rattled against each other down in the pit. Now he stood there naked. The Traveller bit his lip and said nothing. For he was aware what would happen, but he had no right to hinder the Officer in any way. If the judicial process to which the Officer clung was really so close to the point of being cancelled—possibly as a result of the intervention of the Traveller, something to which he for his part felt duty-bound—then the Officer was now acting in a completely correct manner. In his place, the Traveller would not have acted any differently. The Soldier and the Condemned Man at first did not understand a thing. To begin with they did not look, not even once. The Condemned Man was extremely happy to get the handkerchiefs back, but he was not permitted to enjoy them very long, because the Soldier snatched them from him with a quick grab, which he had not anticipated. The Condemned Man then tried to pull the handkerchiefs out from the Soldier’s belt, where he had put them for safe keeping, but the Soldier was watching carefully. So they were fighting, half in jest. Only when the Officer was fully naked did they start to pay attention. The Condemned Man especially seemed to be struck by a premonition of some sort of significant transformation. What had happened to him was now taking place with the Officer. Perhaps this time the procedure would play itself out to its conclusion. The foreign Traveller had probably given the order for it. So that was revenge. Without having suffered all the way to the end himself, nonetheless he would be completely avenged. A wide, silent laugh now appeared on his face and never went away. The Officer, however, had turned towards the machine. If earlier on it had already become clear that he understood the machine thoroughly, one could well get alarmed now at the way he handled it and how it obeyed. He only had to bring his hand near the Harrow for it to rise and sink several times, until it had reached the correct position to make room for him. He only had to grasp the Bed by the edges, and it already began to quiver. The stump of felt moved up to his mouth. One could see how the Officer really did not want to accept it, but his hesitation was only momentary—he immediately submitted and took it in. Everything was ready, except that the straps still hung down on the sides. But they were clearly unnecessary. The Officer did not have to be strapped down. When the Condemned Man saw the loose straps, he thought the execution would be incomplete unless they were fastened. He waved eagerly to the Soldier, and they ran over to strap in the Officer. The latter had already stuck out his foot to kick the crank designed to set the Inscriber in motion. Then he saw the two men coming. So he pulled his foot back and let himself be strapped in. But now he could no longer reach the crank. Neither the Soldier nor the Condemned Man would find it, and the Traveller was determined not to touch it. But that was unnecessary. Hardly were the straps attached when the machine already started working: the Bed quivered, the 184 needles danced on his skin, and the Harrow swung up and down. The Traveller had already been staring for some time before he remembered that a wheel in the Inscriber was supposed to squeak. But everything was quiet, without the slightest audible hum. Because of its silent working, the machine did not really attract attention. The Traveller looked over at the Soldier and the Condemned Man. The Condemned Man was the livelier of the two. Everything in the machine interested him. At times he bent down; at other times he stretched up, always pointing with his forefinger in order to show something to the Soldier. For the Traveller it was embarrassing. He was determined to remain here until the end, but he could no longer endure the sight of the two men. “Go home,” he said. The Soldier might perhaps have been ready to do that, but the Condemned Man took the order as a direct punishment. With his hands folded he pleaded to be allowed to stay there. And when the Traveller shook his head and was unwilling to give in, he even knelt down. Seeing that orders were of no help here, the Traveller wanted to go over and chase the two away. Then he heard a noise from up in the Inscriber. He looked up. So was the gear wheel going out of alignment? But it was something else. The lid on the Inscriber was lifting up slowly. Then it fell completely open. The teeth of a cog wheel were exposed and lifted up. Soon the entire wheel appeared. It was as if some huge force was compressing the Inscriber, so that there was no longer sufficient room left for this wheel. The wheel rolled all the way to the edge of the Inscriber, fell down, rolled upright a bit in the sand, and then fell over and lay still. But already up on the Inscriber another gear wheel was moving upwards. Several others followed—large ones, small ones, ones hard to distinguish. With each of them the same thing happened. One kept thinking that now the Inscriber must surely be already empty, but then a new cluster with lots of parts would move up, fall down, roll in the sand, and lie still. With all this going on, the Condemned Man totally forgot the Traveller’s order. The gear wheels completely delighted him. He kept wanting to grab one, and at the same time he was urging the Soldier to help him. But he kept pulling his hand back startled, for immediately another wheel followed, which, at least in its initial rolling, surprised him. The Traveller, by contrast, was very upset. Obviously the machine was breaking up. Its quiet operation had been an illusion. He felt as if he had to look after the Officer, now that the latter could no longer look after himself. But while the falling gear wheels were claiming all his attention, he had neglected to look at the rest of the machine. However, when he now bent over the Harrow, once the last gear wheel had left the Inscriber, he had a new, even more unpleasant surprise. The Harrow was not writing but only stabbing, and the Bed was not rolling the body, but lifting it, quivering, up into the needles. The Traveller wanted to reach in to stop the whole thing, if possible. This was not the torture the Officer wished to attain; it was murder, pure and simple. He stretched out his hands. But at that point the Harrow was already moving upwards and to the side, with the skewered body—just as it did in other cases, but only in the twelfth hour. Blood flowed out in hundreds of streams, not mixed with water—the water tubes had failed to work this time, as well. Then one last thing went wrong: the body would not come loose from the long needles. Its blood streamed out, but it hung over the pit without falling. The Harrow wanted to move back to its original position, but, as if realizing that it could not free itself of its load, it remained over the hole. “Help,” the Traveller yelled out to the Soldier and the Condemned Man, and he himself grabbed the Officer’s feet. He wanted to push against the feet himself and have the two others grab the Officer’s head from the other side, so he could be slowly lifted off the needles. But now the two men could not make up their mind whether to come or not. The Condemned Man turned away at once. The Traveller had to go over to him and drag him to the Officer’s head by force. At this point, almost against his will, he looked at the face of the corpse. It was as it had been in life. He could discover no sign of the promised transfiguration. What all the others had found in the machine, the Officer had not. His lips were pressed firmly together, his eyes were open and looked as they had when he was alive, his gaze was calm and convinced. The tip of a large iron needle had gone through his forehead. * * * As the Traveller, with the Soldier and the Condemned Man behind him, came to the first houses in the colony, the Soldier pointed to one and said, “That’s the tea house.” On the ground floor of the house was a deep, low room, like a cave, with smoke-covered walls and ceiling. On the street side it was open along its full width. Although there was little difference between the tea house and the rest of the houses in the colony, which were all very dilapidated, except for the Commandant’s palatial structure, the Traveller was 185 nonetheless struck by the impression of historical memory, and he felt the power of earlier times. Followed by his companions, he walked closer inside, going between the unoccupied tables, which stood in the street in front of the tea house, and took a breath of the cool, musty air which came from inside. “The old man is buried here,” said the Soldier; “a place in the cemetery was denied him by the chaplain. For a while people were undecided where they should bury him. Finally they buried him here. Of course, the Officer explained none of that to you, for naturally he was the one most ashamed about it. A few times he even tried to dig up the old man at night, but he was always chased off.” “Where is the grave?” asked the Traveller, who could not believe the Soldier. Instantly both men, the Soldier and the Condemned Man, ran in front of him and with hands outstretched pointed to the place where the grave was located. They led the Traveller to the back wall, where guests were sitting at a few tables. They were presumably dock workers, strong men with short, shiny, black beards. None of them wore coats, and their shirts were torn. They were poor, humiliated people. As the Traveller came closer, a few got up, leaned against the wall, and looked at him. A whisper went up around the Traveller—“It’s a foreigner. He wants to look at the grave.” They pushed one of the tables aside, under which there was a real grave stone. It was a simple stone, low enough for it to remain hidden under a table. It bore an inscription in very small letters. In order to read it the Traveller had to kneel down. It read, “Here rests the Old Commandant. His followers, who are now not permitted to have a name, buried him in this grave and erected this stone. There exists a prophecy that the Commandant will rise again after a certain number of years and from this house will lead his followers to a re-conquest of the colony. Have faith and wait!” When the Traveller had read it and got up, he saw the men standing around him and smiling, as if they had read the inscription with him, found it ridiculous, and were asking him to share their opinion. The Traveller acted as if he had not noticed, distributed some coins among them, waited until the table was pushed back over the grave, left the tea house, and went to the harbour. In the tea house the Soldier and the Condemned Man had come across some people they knew who detained them. However, they must have broken free of them soon, because by the time the Traveller found himself in the middle of a long staircase which led to the boats, they were already running after him. They probably wanted to force the Traveller at the last minute to take them with him. While the Traveller was haggling at the bottom of the stairs with a sailor about his passage out to the steamer, the two men were racing down the steps in silence, for they did not dare cry out. But as they reached the bottom, the Traveller was already in the boat, and the sailor at once cast off from shore. They could still have jumped into the boat, but the Traveller picked up a heavy knotted rope from the boat bottom, threatened them with it, and thus prevented them from jumping in. A Hunger Artist Frank Kafka In the last decades interest in hunger artists has declined considerably. Whereas in earlier days there was good money to be earned putting on major productions of this sort under one’s own management, nowadays that is totally impossible. Those were different times. Back then the hunger artist captured the attention of the entire city. From day to day while the fasting lasted, participation increased. Everyone wanted to see the hunger artist at least once a day. During the later days there were people with subscription tickets who sat all day in front of the small barred cage. And there were even viewing hours at night, their impact heightened by torchlight. On fine days the cage was dragged out into the open air, and then the hunger artist was put on display particularly for the children. While for grown-ups the hunger artist was often merely a joke, something they participated in because it was fashionable, the children looked on amazed, their mouths open, holding each other’s hands for safety, as he sat there on scattered straw—spurning a chair— in black tights, looking pale, with his ribs sticking out prominently, sometimes nodding politely, answering questions with a forced smile, even sticking his arm out through the bars to let people feel how emaciated he was, but then completely sinking back into himself, so that he paid no attention to anything, not even to what was so important to him, the striking of the clock, which was the single furnishing in the cage, but merely looking out in front of him with his eyes almost shut and now and then sipping from a tiny glass of water to moisten his lips. Apart from the changing groups of spectators there were also constant observers chosen by the public— strangely enough they were usually butchers—who, always three at a time, were given the task of observing the hunger artist day and night, so that he didn’t get anything to eat in some secret manner. It was, however, merely a formality, introduced to reassure the masses, for those who understood knew 186 well enough that during the period of fasting the hunger artist would never, under any circumstances, have eaten the slightest thing, not even if compelled by force. The honour of his art forbade it. Naturally, none of the watchers understood that. Sometimes there were nightly groups of watchers who carried out their vigil very laxly, deliberately sitting together in a distant corner and putting all their attention into playing cards there, clearly intending to allow the hunger artist a small refreshment, which, according to their way of thinking, he could get from some secret supplies. Nothing was more excruciating to the hunger artist than such watchers. They depressed him. They made his fasting terribly difficult. Sometimes he overcame his weakness and sang during the time they were observing, for as long as he could keep it up, to show people how unjust their suspicions about him were. But that was little help. For then they just wondered among themselves about his skill at being able to eat even while singing. He much preferred the observers who sat down right against the bars and, not satisfied with the dim backlighting of the room, illuminated him with electric flashlights, which the impresario made available to them. The glaring light didn’t bother him in the slightest. Generally he couldn’t sleep at all, and he could always doze off a little under any lighting and at any hour, even in an overcrowded, noisy auditorium. With such observers, he was very happily prepared to spend the entire night without sleeping. He was ready to joke with them, to recount stories from his nomadic life and then, in turn, to listen to their stories—doing everything just to keep them awake, so that he could keep showing them once again that he had nothing to eat in his cage and that he was fasting as none of them could. He was happiest, however, when morning came and a lavish breakfast was brought for them at his own expense, on which they hurled themselves with the appetite of healthy men after a hard night’s work without sleep. True, there were still people who wanted to see in this breakfast an unfair means of influencing the observers, but that was going too far, and if they were asked whether they wanted to undertake the observers’ night shift for its own sake, without the breakfast, they excused themselves. But nonetheless they stood by their suspicions. However, it was, in general, part of fasting that these doubts were inextricably associated with it. For, in fact, no one was in a position to spend time watching the hunger artist every day and night without interruption, so no one could know, on the basis of his own observation, whether this was a case of truly continuous, flawless fasting. The hunger artist himself was the only one who could know that and, at the same time, the only spectator capable of being completely satisfied with his own fasting. But the reason he was never satisfied was something different. Perhaps it was not fasting at all which made him so very emaciated that many people, to their own regret, had to stay away from his performance, because they couldn’t bear to look at him. For he was also so skeletal out of dissatisfaction with himself, because he alone knew something that even initiates didn’t know—how easy it was to fast. It was the easiest thing in the world. About this he did not remain silent, but people did not believe him. At best they thought he was being modest. Most of them, however, believed he was a publicity seeker or a total swindler, for whom, at all events, fasting was easy, because he understood how to make it easy, and then still had the nerve to half admit it. He had to accept all that. Over the years he had become accustomed to it. But this dissatisfaction kept gnawing at his insides all the time and never yet—and this one had to say to his credit—had he left the cage of his own free will after any period of fasting. The impresario had set the maximum length of time for the fast at forty days— he would never allow the fasting go on beyond that point, not even in the cosmopolitan cities. And, in fact, he had a good reason. Experience had shown that for about forty days one could increasingly whip up a city’s interest by gradually increasing advertising, but that then the public turned away— one could demonstrate a significant decline in popularity. In this respect, there were, of course, small differences among different towns and among different countries, but as a rule it was true that forty days was the maximum length of time. So then on the fortieth day the door of the cage—which was covered with flowers—was opened, an enthusiastic audience filled the amphitheatre, a military band played, two doctors entered the cage, in order to take the necessary measurements of the hunger artist, the results were announced to the auditorium through a megaphone, and finally two young ladies arrived, happy about the fact that they were the ones who had just been selected by lot, and sought to lead the hunger artist down a couple of steps out of the cage, where on a small table a carefully chosen hospital meal was laid out. And at this moment the hunger artist always fought back. Of course, he still freely laid his bony arms in the helpful outstretched hands of the ladies bending over him, but he did not want to stand up. Why stop right now after forty days? He could have kept going for even longer, for an unlimited length of time. Why stop right now, when he was in his best form, indeed, not yet even in his best fasting form? Why did people want to rob him of the fame of fasting longer, not just so that he could become the greatest hunger artist of all time, which, 187 in fact, he probably was already, but also so that he could surpass himself in some unimaginable way, for he felt there were no limits to his capacity for fasting. Why did this crowd, which pretended to admire him so much, have so little patience with him? If he kept going and kept fasting even longer, why would they not tolerate it? Then, too, he was tired and felt good sitting in the straw. Now he was supposed to stand up straight and tall and go to eat, something which, when he merely imagined it, made him feel nauseous right away. With great difficulty he repressed mentioning this only out of consideration for the women. And he looked up into the eyes of these women, apparently so friendly but in reality so cruel, and shook his excessively heavy head on his feeble neck. But then happened what always happened. The impresario came forward without a word—the music made talking impossible—raised his arms over the hunger artist, as if inviting heaven to look upon its work here on the straw, this unfortunate martyr, something the hunger artist certainly was, only in a completely different sense, grabbed the hunger artist around his thin waist, in the process wanting with his exaggerated caution to make people believe that here he had to deal with something fragile, and handed him over—not without secretly shaking him a little, so that the hunger artist’s legs and upper body swung back and forth uncontrollably—to the women, who had in the meantime turned as pale as death. At this point, the hunger artist endured everything. His head lay on his chest—it was as if it had inexplicably rolled around and just stopped there—his body was arched back, his legs, in an impulse of selfpreservation, pressed themselves together at the knees, but scraped the ground, as if they were not really on the floor but were looking for the real ground, and the entire weight of his body, admittedly very small, lay against one of the women, who appealed for help with flustered breath, for she had not imagined her post of honour would be like this, and then stretched her neck as far as possible, to keep her face from the least contact with the hunger artist, but then, when she couldn’t manage this and her more fortunate companion didn’t come to her assistance but trembled and remained content to hold in front of her the hunger artist’s hand, that small bundle of knuckles, she broke into tears, to the delighted laughter of the auditorium, and had to be relieved by an attendant who had been standing ready for some time. Then came the meal. The impresario put a little food into the mouth of the hunger artist, now dozing as if he were fainting, and kept up a cheerful patter designed to divert attention away from the hunger artist’s condition. Then a toast was proposed to the public, which was supposedly whispered to the impresario by the hunger artist, the orchestra confirmed everything with a great fanfare, people dispersed, and no one had the right to be dissatisfied with the event, no one except the hunger artist—he was always the only one. He lived this way, taking small regular breaks, for many years, apparently in the spotlight, honoured by the world, but for all that, his mood was usually gloomy, and it kept growing gloomier all the time, because no one understood how to take it seriously. But how was he to find consolation? What was there left for him to wish for? And if a good-natured man who felt sorry for him ever wanted to explain to him that his sadness probably came from his fasting, then it could happen, especially at an advanced stage of the fasting, that the hunger artist responded with an outburst of rage and began to shake the cage like an animal, frightening everyone. But the impresario had a way of punishing moments like this, something he was happy to use. He would make an apology for the hunger artist to the assembled public, conceding that the irritability had been provoked only by his fasting, which well-fed people did not readily understand and which was capable of excusing the behaviour of the hunger artist. From there he would move on to speak about the equally hard to understand claim of the hunger artist that he could go on fasting for much longer than he was doing. He would praise the lofty striving, the good will, and the great self-denial no doubt contained in this claim, but then would try to contradict it simply by producing photographs, which were also on sale, for in the pictures one could see the hunger artist on the fortieth day of his fast, in bed, almost dead from exhaustion. Although the hunger artist was very familiar with this perversion of the truth, it always strained his nerves again and was too much for him. What was a result of the premature ending of the fast people were now proposing as its cause! It was impossible to fight against this lack of understanding, against this world of misunderstanding. In good faith he always still listened eagerly to the impresario at the bars of his cage, but each time, once the photographs came out, he would let go of the bars and, with a sigh, sink back into the straw, and a reassured public could come up again and view him. When those who had witnessed such scenes thought back on them a few years later, often they were unable to understand themselves. For in the meantime that change mentioned above had set it. It happened almost immediately. There may have been more profound reasons for it, but who bothered to discover what they were? At any rate, one day the pampered hunger artist saw himself abandoned by the 188 crowd of pleasure seekers, who preferred to stream to other attractions. The impresario chased around half of Europe one more time with him, to see whether he could still re-discover the old interest here and there. It was all futile. It was as if a secret agreement against the fasting performances had really developed everywhere. Naturally, the truth is that it could not have happened so quickly, and people later remembered some things which in the days of intoxicating success they had not paid sufficient attention to, some inadequately suppressed indications, but now it was too late to do anything to counter them. Of course, it was certain that the popularity of fasting would return once more someday, but for those now alive that was no consolation. What was the hunger artist to do now? The man whom thousands of people had cheered on could not display himself in show booths at small fun fairs, and the hunger artist was not only too old to take up a different profession, but was fanatically devoted to fasting more than anything else. So he said farewell to the impresario, an incomparable companion on his life’s road, and let himself be hired by a large circus. In order to spare his own feelings, he didn’t even look at the terms of his contract at all. A large circus with its huge number of men, animals, and gimmicks, which are constantly being let go and replenished, can use anyone at any time, even a hunger artist, provided, of course, his demands are modest. Moreover, in this particular case it was not only the hunger artist himself who was engaged, but also his old and famous name. In fact, given the characteristic nature of his art, which was not diminished by his advancing age, one could never claim that a worn-out artist, who no longer stood at the pinnacle of his ability, wanted to escape to a quiet position in the circus. On the contrary, the hunger artist declared that he could fast just as well as in earlier times—something that was entirely credible. Indeed, he even affirmed that if people would let him do what he wanted—and he was promised this without further ado—he would really now legitimately amaze the world for the first time, an assertion which, however, given the mood of the time, something the hunger artist in his enthusiasm easily overlooked, only brought smiles from the experts. However, basically the hunger artist had also not forgotten his sense of the way things really were, and he took it as self-evident that people would not set him and his cage up as some star attraction in the middle of the arena, but would move him outside in some other readily accessible spot near the animal stalls. Huge brightly painted signs surrounded the cage and announced what there was to look at there. During the intervals in the main performance, when the general public pushed out towards the menagerie in order to see the animals, they could hardly avoid moving past the hunger artist and stopping there a moment. They would perhaps have remained with him longer, if those pushing up behind them in the narrow passageway, who did not understand this pause on the way to the animal stalls they wanted to see, had not made a longer peaceful observation impossible. This was also the reason why the hunger artist began to tremble before these visiting hours, which he naturally used to long for as the main purpose of his life. In the early days he could hardly wait for the pauses in the performances. He had looked forward with delight to the crowd pouring around him, until he became convinced only too quickly—and even the most stubborn, almost deliberate self-deception could not hold out against the experience—that, judging by their intentions, most of these people were, time and again without exception, only visiting the menagerie. And this view from a distance still remained his most beautiful moment. For when they had come right up to him, he immediately got an earful from the shouting and cursing of the two steadily increasing groups, the ones who wanted to take their time looking at the hunger artist, not with any understanding but on a whim or from mere defiance—for him these ones were soon the more painful—and a second group of people whose only demand was to go straight to the animal stalls. Once the large crowds had passed, the late-comers would arrive, and although there was nothing preventing these people any more from sticking around for as long as they wanted, they rushed past with long strides, almost without a sideways glance, to get to the animals in time. And it was an all-too-rare stroke of luck when the father of a family came by with his children, pointed his finger at the hunger artist, gave a detailed explanation about what was going on here, and talked of earlier years, when he had been present at similar but incomparably more magnificent performances, and then the children, because they had been inadequately prepared at school and in life, always stood around still uncomprehendingly. What was fasting to them? But nonetheless the brightness of the look in their searching eyes revealed something of new and more gracious times coming. Perhaps, the hunger artist said to himself sometimes, everything would be a little better if his location were not quite so near the animal stalls. That way it would be easy for people to make their choice, to say nothing of the fact that he was very upset and constantly depressed by the stink from the stalls, the animals’ commotion at night, the pieces 189 of raw meat dragged past him for the carnivorous beasts, and the roars at feeding time. But he did not dare to approach the administration about it. In any case, he had the animals to thank for the crowds of visitors among whom, now and then, there could also be one destined for him. And who knew where they would hide him if he wished to remind them of his existence and, along with that, of the fact that, strictly speaking, he was only an obstacle on the way to the menagerie. A small obstacle, at any rate, a constantly diminishing obstacle. People became accustomed to thinking it strange that in these times they would want to pay attention to a hunger artist, and with this habitual awareness the judgment on him was pronounced. He might fast as well as he could—and he did—but nothing could save him any more. People went straight past him. Try to explain the art of fasting to anyone! If someone doesn’t feel it, then he cannot be made to understand it. The beautiful signs became dirty and illegible. People tore them down, and no one thought of replacing them. The small table with the number of days the fasting had lasted, which early on had been carefully renewed every day, remained unchanged for a long time, for after the first weeks the staff grew tired of even this small task. And so the hunger artist kept fasting on and on, as he once had dreamed about in earlier times, and he had no difficulty at all managing to achieve what he had predicted back then, but no one was counting the days—no one, not even the hunger artist himself, knew how great his achievement was by this point, and his heart grew heavy. And when once in a while a person strolling past stood there making fun of the old number and talking of a swindle, that was in a sense the stupidest lie which indifference and innate maliciousness could invent, for the hunger artist was not being deceptive—he was working honestly—but the world was cheating him of his reward. order to indicate to the staff the state the hunger artist was in, “we forgive you.” “I always wanted you to admire my fasting,” said the hunger artist. “But we do admire it,” said the supervisor obligingly. “But you shouldn’t admire it,” said the hunger artist. “Well then, we don’t admire it,” said the supervisor, “but why shouldn’t we admire it?” “Because I had to fast. I can’t do anything else,” said the hunger artist. “Just look at you,” said the supervisor, “why can’t you do anything else?” “Because,” said the hunger artist, lifting his head a little and, with his lips pursed as if for a kiss, speaking right into the supervisor’s ear so that he wouldn’t miss anything, “because I couldn’t find a food which tasted good to me. If had found that, believe me, I would not have made a spectacle of myself and would have eaten to my heart’s content, like you and everyone else.” Those were his last words, but in his failing eyes there was still the firm, if no longer proud, conviction that he was continuing to fast. “All right, tidy this up now,” said the supervisor. And they buried the hunger artist along with the straw. But in his cage they put a young panther. Even for a person with the dullest mind it was clearly refreshing to see this wild animal prowling around in this cage, which had been dreary for such a long time. It lacked nothing. Without thinking about it for any length of time, the guards brought the animal food whose taste it enjoyed. It never seemed once to miss its freedom. This noble body, equipped with everything necessary, almost to the point of bursting, even appeared to carry freedom around with it. That seem to be located somewhere or other in its teeth, and its joy in living came with such strong passion from its throat that it was not easy for spectators to keep watching. But they controlled themselves, kept pressing around the cage, and had no desire at all to move on. ___________________________________________ Many days went by once more, and this, too, came to an end. Finally the cage caught the attention of a supervisor, and he asked the attendant why they had left this perfectly useful cage standing here unused with rotting straw inside. Nobody knew, until one man, with the help of the table with the number on it, remembered the hunger artist. They pushed the straw around with poles and found the hunger artist in there. “Are you still fasting?” the supervisor asked. “When are you finally going to stop?” “Forgive me everything,” whispered the hunger artist. Only the supervisor, who was pressing his ear up against the cage, understood him. “Certainly,” said the supervisor, tapping his forehead with his finger in Franz Kafka The Metamorphosis One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that in his bed he had been changed into a monstrous verminous bug. He lay on his armour-hard back and saw, as he lifted his head up a little, his brown, arched abdomen divided up into rigid bow-like sections. From this height the blanket, just about ready to slide off completely, could hardly stay in place. His numerous legs, pitifully thin in comparison to the rest of his circumference, flickered helplessly before his eyes. 190 “What’s happened to me,” he thought. It was no dream. His room, a proper room for a human being, only somewhat too small, lay quietly between the four well-known walls. Above the table, on which an unpacked collection of sample cloth goods was spread out—Samsa was a travelling salesman—hung the picture which he had cut out of an illustrated magazine a little while ago and set in a pretty gilt frame. It was a picture of a woman with a fur hat and a fur boa. She sat erect there, lifting up in the direction of the viewer a solid fur muff into which her entire forearm had disappeared. Gregor’s glance then turned to the window. The dreary weather—the rain drops were falling audibly down on the metal window ledge—made him quite melancholy. “Why don’t I keep sleeping for a little while longer and forget all this foolishness,” he thought. But this was entirely impractical, for he was used to sleeping on his right side, but in his present state he could not get himself into this position. No matter how hard he threw himself onto his right side, he always rolled onto his back again. He must have tried it a hundred times, closing his eyes so that he would not have to see the wriggling legs, and gave up only when he began to feel a light, dull pain in his side which he had never felt before. “O God,” he thought, “what a demanding job I’ve chosen! Day in, day out, on the road. The stresses of selling are much greater than the actual work going on at head office, and, in addition to that, I still have to cope with the problems of travelling, the worries about train connections, irregular bad food, temporary and constantly changing human relationships, which never come from the heart. To hell with it all!” He felt a slight itching on the top of his abdomen. He slowly pushed himself on his back closer to the bed post so that he could lift his head more easily, found the itchy part, which was entirely covered with small white spots—he did not know what to make of them and wanted to feel the place with a leg, but he retracted it immediately, for the contact felt like a cold shower all over him. He slid back again into his earlier position. “This getting up early,” he thought, “makes a man quite idiotic. A man must have his sleep. Other travelling salesmen live like harem women. For instance, when I come back to the inn during the course of the morning to write up the necessary orders, these gentlemen are just sitting down to breakfast. If I were to try that with my boss, I’d be thrown out on the spot. Still, who knows whether that mightn’t be really good for me. If I didn’t hold back for my parents’ sake, I’d have quit ages ago. I would’ve gone to the boss and told him just what I think from the bottom of my heart. He would’ve fallen right off his desk! How weird it is to sit up at that desk and talk down to the employee from way up there. What’s more, the boss has trouble hearing, so the employee has to step up quite close to him. Anyway, I haven’t completely given up that hope yet. Once I’ve got together the money to pay off my parents’ debt to him—that should take another five or six years—I’ll do it for sure. Then I’ll make the big break. In any case, right now I have to get up. My train leaves at five o’clock.” He looked over at the alarm clock ticking away by the chest of drawers. “Good God!” he thought. It was half past six, and the hands were going quietly on. It was even past the half hour, already nearly quarter to. Could the alarm have failed to ring? One saw from the bed that it was properly set for four o’clock. Certainly it had rung. Yes, but was it possible to sleep peacefully through that noise which made the furniture shake? Now, it is true he had not slept peacefully, but evidently he had slept all the more deeply. Still, what should he do now? The next train left at seven o’clock. To catch that one, he would have to go in a mad rush. The sample collection was not packed up yet, and he really did not feel particularly fresh and active. And even if he caught the train, there was no avoiding a blow-up with the boss, because the firm’s errand boy would have waited for the five o’clock train and reported the news of his absence long ago. He was the boss’s minion, without backbone and intelligence. Well then, what if he reported in sick? But that would be extremely embarrassing and suspicious, because during his five years’ service Gregor had not been sick even once. The boss would certainly come with the doctor from the health insurance company and would reproach his parents for their lazy son and cut short all objections with the insurance doctor’s comments; for him everyone was completely healthy but really lazy about work. And besides, would the doctor in this case be totally wrong? Apart from a really excessive drowsiness after the long sleep, Gregor, in fact, felt quite well and even had a really strong appetite. As he was thinking all this over in the greatest haste, without being able to make the decision to get out of bed—the alarm clock was indicating exactly quarter to seven—there was a cautious knock on the door by the head of the bed. “Gregor,” a voice called—it was his mother—“it’s quarter to seven. Don’t you want to be on your way?” The soft voice! Gregor was startled 191 when he heard his voice answering. It was clearly and unmistakably his earlier voice, but in it was intermingled, as if from below, an irrepressible, painful squeaking, which left the words positively distinct only in the first moment and distorted them in the reverberation, so that one did not know if one had heard correctly. Gregor wanted to answer in detail and explain everything, but in these circumstances he confined himself to saying, “Yes, yes, thank you mother. I’m getting up right away.” Because of the wooden door the change in Gregor’s voice was not really noticeable outside, so his mother calmed down with this explanation and shuffled off. However, as a result of the short conversation, the other family members became aware that Gregor was unexpectedly still at home, and already his father was knocking on one side door, weakly but with his fist. “Gregor, Gregor,” he called out, “what’s going on?” And, after a short while, he urged him on again in a deeper voice: “Gregor! Gregor!” At the other side door, however, his sister knocked lightly. “Gregor? Are you all right? Do you need anything?” Gregor directed answers in both directions, “I’ll be ready right away.” He made an effort with the most careful articulation and inserted long pauses between the individual words to remove everything remarkable from his voice. His father turned back to his breakfast. However, the sister whispered, “Gregor, open the door—I beg you.” Gregor had no intention of opening the door, but congratulated himself on his precaution, acquired from travelling, of locking all doors during the night, even at home. First he wanted to stand up quietly and undisturbed, get dressed, above all have breakfast, and only then consider further action, for—he noticed this clearly— by thinking things over in bed he would not reach a reasonable conclusion. He remembered that he had already often felt some light pain or other in bed, perhaps the result of an awkward lying position, which later, once he stood up, turned out to be purely imaginary, and he was eager to see how his present fantasies would gradually dissipate. That the change in his voice was nothing other than the onset of a real chill, an occupational illness of commercial travellers, of that he had not the slightest doubt. It was very easy to throw aside the blanket. He needed only to push himself up a little, and it fell by itself. But to continue was difficult, particularly because he was so unusually wide. He needed arms and hands to push himself upright. Instead of these, however, he had only many small limbs, which were incessantly moving with very different motions and which, in addition, he was unable to control. If he wanted to bend one of them, then it was the first to extend itself, and if he finally succeeded doing what he wanted with this limb, in the meantime all the others, as if left free, moved around in an excessively painful agitation. “But I must not stay in bed uselessly,” said Gregor to himself. At first he wanted to get out of bed with the lower part of his body, but this lower part—which, by the way, he had not yet looked at and which he also could not picture clearly—proved itself too difficult to move. The attempt went so slowly. When, having become almost frantic, he finally hurled himself forward with all his force and without thinking, he chose his direction incorrectly, and he hit the lower bedpost hard. The violent pain he felt revealed to him that the lower part of his body was at the moment probably the most sensitive. Thus, he tried to get his upper body out of the bed first and turned his head carefully toward the edge of the bed. He managed to do this easily, and in spite of its width and weight his body mass at last slowly followed the turning of his head. But as he finally raised his head outside the bed in the open air, he became anxious about moving forward any further in this manner, for if he allowed himself eventually to fall by this process, it would really take a miracle to prevent his head from getting injured. And at all costs he must not lose consciousness right now. He preferred to remain in bed. However, after a similar effort, while he lay there again, sighing as before, and once again saw his small limbs fighting one another, if anything even worse than earlier, and did not see any chance of imposing quiet and order on this arbitrary movement, he told himself again that he could not possibly remain in bed and that it might be the most reasonable thing to sacrifice everything if there was even the slightest hope of getting himself out of bed in the process. At the same moment, however, he did not forget to remind himself from time to time of the fact that calm—indeed the calmest—reflection might be much better than confused decisions. At such moments, he directed his gaze as precisely as he could toward the window, but unfortunately there was little confident cheer to be had from a glance at the morning mist, which concealed even the other side of the narrow street. “It’s already seven o’clock,” he told himself at the latest sounds from the alarm clock, “already seven o’clock and still such a fog.” And for a little while longer he lay quietly with weak breathing, as if perhaps waiting for normal and 192 natural conditions to re-emerge out of the complete stillness. But then he said to himself, “Before it strikes a quarter past seven, whatever happens I must be completely out of bed. Besides, by then someone from the office will arrive to inquire about me, because the office will open before seven o’clock.” And he made an effort then to rock his entire body length out of the bed with a uniform motion. If he let himself fall out of the bed in this way, his head, which in the course of the fall he intended to lift up sharply, would probably remain uninjured. His back seemed to be hard; nothing would really happen to that as a result of the fall onto the carpet. His greatest reservation was a worry about the loud noise which the fall must create and which presumably would arouse, if not fright, then at least concern on the other side of all the doors. However, he had to take that chance. As Gregor was already in the process of lifting himself half out of bed—the new method was more of a game than an effort; he needed only to rock with a series of jerks—it struck him how easy all this would be if someone were to come to his aid. Two strong people—he thought of his father and the servant girl—would have been quite sufficient. They would only have had to push their arms under his arched back to get him out of the bed, to bend down with their load, and then merely to exercise patience so that he could complete the flip onto the floor, where his diminutive legs would then, he hoped, acquire a purpose. Now, quite apart from the fact that the doors were locked, should he really call out for help? In spite of all his distress, he was unable to suppress a smile at this idea. He had already got to the point where, by rocking more strongly, he maintained his equilibrium with difficulty, and very soon he would finally have to make a final decision, for in five minutes it would be a quarter past seven. Then there was a ring at the door of the apartment. “That’s someone from the office,” he told himself, and he almost froze, while his small limbs only danced around all the faster. For one moment everything remained still. “They aren’t opening,” Gregor said to himself, caught up in some absurd hope. But of course then, as usual, the servant girl with her firm tread went to the door and opened it. Gregor needed to hear only the first word of the visitor’s greeting to recognize immediately who it was, the manager himself. Why was Gregor the only one condemned to work in a firm where, at the slightest lapse, someone at once attracted the greatest suspicion? Were all the employees then collectively, one and all, scoundrels? Among them was there then no truly devoted person who, if he failed to use just a couple of hours in the morning for office work, would become abnormal from pangs of conscience and really be in no state to get out of bed? Was it really not enough to let an apprentice make inquiries, if such questioning was even generally necessary? Must the manager himself come, and in the process must it be demonstrated to the entire innocent family that the investigation of this suspicious circumstance could be entrusted only to the intelligence of the manager? And more as a consequence of the excited state in which this idea put Gregor than as a result of an actual decision, he swung himself with all his might out of the bed. There was a loud thud, but not a real crash. The fall was absorbed somewhat by the carpet and, in addition, his back was more elastic than Gregor had thought. For that reason the dull noise was not quite so conspicuous. But he had not held his head up with sufficient care and had hit it. He turned his head, irritated and in pain, and rubbed it on the carpet. “Something has fallen in there,” said the manager in the next room on the left. Gregor tried to imagine to himself whether anything similar to what was happening to him today could have also happened at some point to the manager. At least one had to concede the possibility of such a thing. However, as if to give a rough answer to this question, the manager now, with a squeak of his polished boots, took a few determined steps in the next room. From the neighbouring room on the right the sister was whispering to inform Gregor: “Gregor, the manager is here.” “I know,” said Gregor to himself. But he did not dare make his voice loud enough so that his sister could hear. “Gregor,” his father now said from the neighbouring room on the left, “Mr. Manager has come and is asking why you have not left on the early train. We don’t know what we should tell him. Besides, he also wants to speak to you personally. So please open the door. He will be good enough to forgive the mess in your room.” In the middle of all this, the manager called out in a friendly way, “Good morning, Mr. Samsa.” “He is not well,” said his mother to the manager, while his father was still talking at the door, “He is not well, believe me, Mr. Manager. Otherwise how would Gregor miss a train? The young man has nothing in his head except business. I’m almost angry that he never goes out in the evening. Right now he’s been in the city eight days, but he’s been at home every evening. He sits here with us at the table and 193 reads the newspaper quietly or studies his travel schedules. It’s a quite a diversion for him to busy himself with fretwork. For instance, he cut out a small frame over the course of two or three evenings. You’d be amazed how pretty it is. It’s hanging right inside the room. You’ll see it immediately, as soon as Gregor opens the door. Anyway, I’m happy that you’re here, Mr. Manager. By ourselves, we would never have made Gregor open the door. He’s so stubborn, and he’s certainly not well, although he denied that this morning.” “I’m coming right away,” said Gregor slowly and deliberately and didn’t move, so as not to lose one word of the conversation. “My dear lady, I cannot explain it to myself in any other way,” said the manager; “I hope it is nothing serious. On the other hand, I must also say that we business people, luckily or unluckily, however one looks at it, very often simply have to overcome a slight indisposition for business reasons.” “So can Mr. Manager come in to see you now?” asked his father impatiently and knocked once again on the door. “No,” said Gregor. In the neighbouring room on the left an awkward stillness descended. In the neighbouring room on the right the sister began to sob. Why did his sister not go to the others? She had probably just got up out of bed now and had not even started to get dressed yet. Then why was she crying? Because he was not getting up and letting the manager in, because he was in danger of losing his position, and because then his boss would badger his parents once again with the old demands? Those were probably unnecessary worries right now. Gregor was still here and was not thinking at all about abandoning his family. At the moment he was lying right there on the carpet, and no one who knew about his condition would have seriously demanded that he let the manager in. But Gregor would not be casually dismissed right way because of this small discourtesy, for which he would find an easy and suitable excuse later on. It seemed to Gregor that it might be far more reasonable to leave him in peace at the moment, instead of disturbing him with crying and conversation. But it was the very uncertainty which distressed the others and excused their behaviour. “Mr. Samsa,” the manager was now shouting, his voice raised, “what’s the matter? You are barricading yourself there in your room, answering with only a yes and a no, are making serious and unnecessary trouble for your parents, and neglecting—I mention this only incidentally—your commercial duties in a truly unheard of manner. I am speaking here in the name of your parents and your employer, and I am requesting you in all seriousness for an immediate and clear explanation. I am amazed. I am amazed. I thought I knew you as a calm, reasonable person, and now you appear suddenly to want to start parading around in weird moods. The Chief indicated to me earlier this very day a possible explanation for your neglect—it concerned the collection of cash entrusted to you a short while ago—but in truth I almost gave him my word of honour that this explanation could not be correct. However, now I see here your unimaginable pig headedness, and I am totally losing any desire to speak up for you in the slightest. And your position is not at all the most secure. Originally I intended to mention all this to you privately, but since you are letting me waste my time here uselessly, I don’t know why the matter shouldn’t come to the attention of your parents as well. Your productivity has also been very unsatisfactory recently. Of course, it’s not the time of year to conduct exceptional business, we recognize that, but a time of year for conducting no business, there is no such thing at all, Mr. Samsa, and such a thing must not be permitted.” “But Mr. Manager,” called Gregor, beside himself and, in his agitation, forgetting everything else, “I’m opening the door immediately, this very moment. A slight indisposition, a dizzy spell, has prevented me from getting up. I’m still lying in bed right now. But I’m quite refreshed once again. I’m in the midst of getting out of bed. Just have patience for a short moment! Things are not yet going as well as I thought. But things are all right with me. How suddenly this can overcome someone! Only yesterday evening everything was fine with me. My parents certainly know that. Actually just yesterday evening I had a small premonition. People must have seen that in me. Why have I not reported that to the office? But people always think that they’ll get over sickness without having to stay at home. Mr. Manager! Take it easy on my parents! There is really no basis for the criticisms which you’re now making against me. Nobody has said a word to me about that. Perhaps you have not read the latest orders which I sent in. Besides, now I’m setting out on my trip on the eight o’clock train; the few hours’ rest have made me stronger. Mr. Manager, do not stay. I will be at the office in person right away. Please have the goodness to say that and to convey my respects to the Chief.” While Gregor was quickly blurting all this out, hardly aware of what he was saying, he had moved close to the chest of drawers without effort, probably as a 194 result of the practice he had already had in bed, and now he was trying to raise himself up on it. Actually, he wanted to open the door. He really wanted to let himself be seen and to speak with the manager. He was keen to witness what the others now asking about him would say when they saw him. If they were startled, then Gregor had no more responsibility and could be calm. But if they accepted everything quietly, then he would have no reason to get excited and, if he got a move on, could really be at the station around eight o’clock. At first he slid down a few times on the smooth chest of drawers. But at last he gave himself a final swing and stood upright there. He was no longer at all aware of the pains in his lower body, no matter how they might still sting. Now he let himself fall against the back of a nearby chair, on the edge of which he braced himself with his small limbs. By doing this he gained control over himself and kept quiet, for he could now hear the manager. “Did you understand even a single word?” the manager asked the parents, “Is he playing the fool with us?” “For God’s sake,” cried the mother, already in tears, “perhaps he’s very ill, and we’re upsetting him. Grete! Grete!” she yelled at that point. “Mother?” called the sister from the other side. They were making themselves understood through Gregor’s room. “You must go to the doctor right away. Gregor is sick. Hurry to the doctor. Did you hear Gregor speak just now?” “That was an animal’s voice,” said the manager, remarkably quiet in comparison to the mother’s cries. “Anna! Anna!” yelled the father through the hall into the kitchen, clapping his hands, “Fetch a locksmith right away!” The two young women were already running through the hall with swishing skirts—how had his sister dressed herself so quickly?—and pulled open the doors of the apartment. One could not hear the doors closing at all. They probably had left them open, as is customary in an apartment where a huge misfortune has taken place. However, Gregor had become much calmer. All right, people did not understand his words any more, although they seemed clear enough to him, clearer than previously, perhaps because his ears had gotten used to them. But at least people now thought that things were not completely all right with him and were prepared to help him. The confidence and assurance with which the first arrangements had been carried out made him feel good. He felt himself included once again in the circle of humanity and was expecting from both the doctor and the locksmith, without differentiating between them with any real precision, splendid and surprising results. In order to get as clear a voice as possible for the critical conversation which was imminent, he coughed a little, and certainly took the trouble to do this in a really subdued way, since it was possible that even this noise sounded like something different from a human cough. He no longer trusted himself to decide any more. Meanwhile in the next room it had become really quiet. Perhaps his parents were sitting with the manager at the table whispering; perhaps they were all leaning against the door and listening. Gregor pushed himself slowly towards the door, with the help of the easy chair, let go of it there, threw himself against the door, held himself upright against it—the balls of his tiny limbs had a little sticky stuff on them—and rested there momentarily from his exertion. Then he made an effort to turn the key in the lock with his mouth. Unfortunately it seemed that he had no real teeth. How then was he to grab hold of the key? But to make up for that his jaws were naturally very strong; with their help he managed to get the key really moving. He did not notice that he was obviously inflicting some damage on himself, for a brown fluid came out of his mouth, flowed over the key, and dripped onto the floor. “Just listen,” said the manager in the next room. “He’s turning the key.” For Gregor that was a great encouragement. But they should all have called out to him, including his father and mother, “Come on, Gregor,” they should have shouted. “Keep going, keep working on the lock!” Imagining that all his efforts were being followed with suspense, he bit down frantically on the key with all the force he could muster. As the key turned more, he danced around the lock. Now he was holding himself upright only with his mouth, and he had to hang onto the key or then press it down again with the whole weight of his body, as necessary. The quite distinct click of the lock as it finally snapped really woke Gregor up. Breathing heavily he said to himself, “So I didn’t need the locksmith,” and he set his head against the door handle to open the door completely. Because he had to open the door in this way, it was already open really wide without him yet being visible. He first had to turn himself slowly around the edge of the door, very carefully, of course, if he did not want to fall awkwardly on his back right at the entrance into the room. He was still preoccupied with this difficult movement and had no time to pay attention to anything else, when he heard the manager exclaim a loud “Oh!”—it sounded like the wind whistling—and now he saw him, nearest to the door, pressing his hand against his open mouth and moving 195 slowly back, as if an invisible constant force was pushing him away. His mother—in spite of the presence of the manager she was standing here with her hair sticking up on end, still a mess from the night—first looked at his father with her hands clasped, then went two steps towards Gregor and collapsed right in the middle of her skirts, which were spread out all around her, her face sunk on her breast, completely concealed. His father clenched his fist with a hostile expression, as if he wished to push Gregor back into his room, then looked uncertainly around the living room, covered his eyes with his hands, and cried so that his mighty breast shook. At this point Gregor did not take one step into the room, but leaned his body from the inside against the firmly bolted wing of the door, so that only half his body was visible, as well as his head, tilted sideways, with which he peeped over at the others. Meanwhile it had become much brighter. Standing out clearly from the other side of the street was a section of the endless gray-black house situated opposite—it was a hospital—with its severe regular windows breaking up the facade. The rain was still coming down, but only in large individual drops visibly and firmly thrown down one by one onto the ground. Countless breakfast dishes were standing piled around on the table, because for his father breakfast was the most important meal time in the day, which he prolonged for hours by reading various newspapers. Directly across on the opposite wall hung a photograph of Gregor from the time of his military service; it was a picture of him as a lieutenant, as he, smiling and worry free, with his hand on his sword, demanded respect for his bearing and uniform. The door to the hall was ajar, and since the door to the apartment was also open, one could see out into the landing of the apartment and the start of the staircase going down. “Now,” said Gregor, well aware that he was the only one who had kept his composure. “I’ll get dressed right away, pack up the collection of samples, and set off. You’ll allow me to set out on my way, will you not? You see, Mr. Manager, I am not pig-headed, and I am happy to work. Travelling is exhausting, but I couldn’t live without it. Where are you going, Mr. Manager? To the office? Really? Will you report everything truthfully? A person can be incapable of work momentarily, but that’s precisely the best time to remember the earlier achievements and to consider that later, after the obstacles have been shoved aside, the person will certainly work all the more diligently and intensely. I am really so indebted to Mr. Chief— you know that perfectly well. On the other hand, I am concerned about my parents and my sister. I’m in a fix, but I’ll work myself out of it again. Don’t make things more difficult for me than they already are. Speak up on my behalf in the office! People don’t like travelling salesmen. I know that. People think they earn pots of money and thus lead a fine life. People don’t even have any special reason to think through this judgment more clearly. But you, Mr. Manager, you have a better perspective on what’s involved than other people, even, I tell you in total confidence, a better perspective than Mr. Chief himself, who in his capacity as the employer may easily let his judgment make mistakes at the expense of an employee. You also know well enough that the travelling salesman who is outside the office almost the entire year can become so easily a victim of gossip, coincidences, and groundless complaints, against which it’s totally impossible for him to defend himself, since for the most part he doesn’t hear about them at all and only then when he’s exhausted after finishing a trip and at home gets to feel in his own body the nasty consequences, which can’t be thoroughly explored back to their origins. Mr. Manager, don’t leave without speaking a word indicating to me that you’ll at least concede that I’m a little in the right!” But at Gregor’s first words the manager had already turned away, and now he looked back with pursed lips at Gregor over his twitching shoulders. During Gregor’s speech he was not still for a moment but kept moving away towards the door, without taking his eyes off Gregor, but really gradually, as if there was a secret ban on leaving the room. He was already in the hall, and given the sudden movement with which he finally pulled his foot out of the living room, one could have believed that he had just burned the sole of his foot. In the hall, however, he stretched his right hand out away from his body towards the staircase, as if some truly supernatural relief was waiting for him there. Gregor realized that he must not under any circumstances allow the manager to go away in this frame of mind, especially if his position in the firm was not to be placed in the greatest danger. His parents did not understand all this very well. Over the long years, they had developed the conviction that Gregor was set up for life in this firm and, in addition, they had so much to do nowadays with their present troubles that all foresight was foreign to them. But Gregor had this foresight. The manager must be held back, calmed down, convinced, and finally won over. The future of Gregor and his family really depended on it! If only the sister had been there! She was clever. She had already cried while 196 Gregor was still lying quietly on his back. And the manager, this friend of the ladies, would certainly let himself be guided by her. She would have closed the door to the apartment and talked him out of his fright in the hall. But the sister was not even there. Gregor must deal with it himself. And without thinking that as yet he did not know anything about his present ability to move and without thinking that his speech possibly—indeed probably—had once again not been understood, he left the wing of the door, pushed himself through the opening, and wanted to go over to the manager, who was already holding tight with both hands gripping the handrail on the landing in a ridiculous way. But as Gregor looked for something to steady himself, with a small scream he immediately fell down onto his numerous little legs. Scarcely had this happened, when he felt for the first time that morning a general physical well being. The small limbs had firm floor under them; they obeyed perfectly, as he noticed to his joy, and even strove to carry him forward in the direction he wanted. Right away he believed that the final amelioration of all his suffering was immediately at hand. But at the very moment when he lay on the floor rocking in a restrained manner quite close and directly across from his mother, who had apparently totally sunk into herself, she suddenly sprang right up with her arms spread far apart and her fingers extended and cried out, “Help, for God’s sake, help!” She held her head bowed down, as if she wanted to view Gregor better, but ran senselessly back, contradicting that gesture, forgetting that behind her stood the table with all the dishes on it. When she reached the table, she sat down heavily on it, as if absent-mindedly, and did not appear to notice at all that next to her coffee was pouring out onto the carpet in a full stream from the large, overturned container. “Mother, mother,” said Gregor quietly and looked over towards her. The manager had momentarily vanished completely from his mind. On the other hand, when he saw the flowing coffee Gregor could not stop himself snapping his jaws in the air a few times. At that his mother screamed all over again, hurried from the table, and collapsed into the arms of his father, who was rushing towards her. But Gregor had no time right now for his parents—the manager was already on the staircase. With his chin on the bannister, the manager looked back for the last time. Gregor took an initial movement to catch up to him if possible. But the manager must have suspected something, because he made a leap down over a few stairs and disappeared, still shouting “Huh!” The sound echoed throughout the entire stairwell. But now unfortunately this flight of the manager seemed to bewilder his father completely. Earlier he had been relatively calm. For instead of running after the manager himself or at least not hindering Gregor from his pursuit, with his right hand he grabbed hold of the manager’s cane, which he had left behind on a chair with his hat and overcoat. With his left hand, his father grabbed a large newspaper from the table and, stamping his feet on the floor, he set out to drive Gregor back into his room by waving the cane and the newspaper. No request of Gregor’s was of any use; no request would even be understood. No matter how willing he was to turn his head respectfully, his father just stomped all the harder with his feet. Across the room from him his mother had pulled open a window, in spite of the cool weather, and leaning out with her hands on her cheeks, she pushed her face far outside the window. Between the lane and the stairwell a strong draught came up, the curtains on the window flew around, the newspapers on the table rustled, and individual sheets fluttered down over the floor. The father relentlessly pushed his way forward, hissing like a wild man. Now, Gregor still had no practice at all in going backwards—it was really very slow going. If Gregor only had been allowed to turn himself around, he would have been in his room right away, but he was afraid to make his father impatient by the timeconsuming process of turning around, and each moment he faced the threat of a mortal blow on his back or his head from the cane in his father’s hand. Finally Gregor had no other option, for he noticed with horror that he did not understand yet how to maintain his direction going backwards. And so he began, amid constantly anxious sideways glances in his father’s direction, to turn himself around as quickly as possible, although in truth this was only done very slowly. Perhaps his father noticed his good intentions, for he did not disrupt Gregor in this motion, but with the tip of the cane from a distance he even directed Gregor’s rotating movement now and then. If only his father had not hissed so unbearably! Because of that Gregor totally lost his head. He was already almost totally turned around, when, always with this hissing in his ear, he just made a mistake and turned himself back a little. But when he finally was successful in getting his head in front of the door opening, it became clear that his body was too wide to go through any further. Naturally his father, in his present mental state, had no idea of, say, opening the other wing of the door a bit to create a suitable passage for Gregor to get through. His single fixed thought was that Gregor must get into his room as quickly as possible. He would never have allowed the elaborate preparations that Gregor required to orient himself and thus 197 perhaps in this way to get through the door. Perhaps with his excessive noise he was now driving Gregor forwards as if there were no obstacle. Behind Gregor the sound at this point was no longer like the voice of only a single father. Now it was really no longer a joke, and Gregor forced himself, come what might, into the door. One side of his body was lifted up. He lay at an angle in the door opening. His one flank was really sore from the scraping. On the white door ugly blotches were left. Soon he was stuck fast and would not have been able to move any more on his own. The tiny legs on one side hung twitching in the air above, and the ones on the other side were pushed painfully into the floor. Then his father gave him one really strong liberating push from behind, and he scurried, bleeding severely, far into the interior of his room. The door was slammed shut with the cane, and then finally it was quiet. II Gregor first woke up from his heavy swoon-like sleep in the evening twilight. He would certainly have woken up soon afterwards even without any disturbance, for he felt himself sufficiently rested and wide awake, although it appeared to him as if a hurried step and a cautious closing of the door to the hall had roused him. Light from the electric streetlamps lay pale here and there on the ceiling of his room and on the higher parts of the furniture, but underneath around Gregor it was dark. He pushed himself slowly toward the door, still groping awkwardly with his feelers, which he now learned to value for the first time, to check what was happening there. His left side seemed one single long unpleasantly stretched scar, and he really had to hobble on his two rows of legs. In addition, one small leg had been seriously wounded in the course of the morning incident—it was almost a miracle that only one had been hurt—and dragged lifelessly behind. By the door he first noticed what had really lured him there: it was the smell of something to eat. For a bowl stood there, filled with sweetened milk, in which swam tiny pieces of white bread. He almost laughed with joy, for he had an even greater hunger than in the morning, and he immediately dipped his head almost up to and over his eyes down into the milk. But he soon drew it back again in disappointment, not just because it was difficult for him to eat on account of his delicate left side—he could eat only if his entire panting body worked in a coordinated way—but also because the milk, which otherwise was his favourite drink and which his sister had certainly placed there for that reason, did not appeal to him at all. He turned away from the bowl almost with aversion and crept back into the middle of the room. In the living room, as Gregor saw through the crack in the door, the gas was lit, but where, on other occasions at this time of day, his father was accustomed to read the afternoon newspaper in a loud voice to his mother and sometimes also to his sister, at the moment no sound was audible. Now, perhaps this reading aloud, about which his sister had always spoken and written to him, had recently fallen out of their general routine. But it was so still all around, in spite of the fact that the apartment was certainly not empty. “What a quiet life the family leads,” said Gregor to himself, and, as he stared fixedly out in front of him into the darkness, he felt a great pride that he had been able to provide such a life for his parents and his sister in such a beautiful apartment. But how would things go if now all tranquillity, all prosperity, all contentment should come to a horrible end? In order not to lose himself in such thoughts, Gregor preferred to set himself moving, so he crawled up and down in his room. Once during the long evening one side door and then the other door were opened just a tiny crack and quickly closed again. Someone presumably needed to come in but had then thought better of it. Gregor immediately took up a position by the living room door, determined to bring in the hesitant visitor somehow or other or at least to find out who it might be. But now the door was not opened any more, and Gregor waited in vain. Earlier, when the door had been barred, they had all wanted to come in to him; now, when he had opened one door and when the others had obviously been opened during the day, no one came any more, and now the keys were stuck in the locks on the outside. The light in the living room was turned off only late at night, and it was now easy to establish that his parents and his sister had stayed awake all this time, for one could hear them clearly as all three moved away on tiptoe. Now it was certain that no one would come in to Gregor any more until the morning. Thus, he had a long time to think undisturbed about how he should reorganize his life from scratch. But the high, open room, in which he was compelled to lie flat on the floor, made him anxious, without his being able to figure out the reason, for he had lived in the room for five years. With a half-unconscious turn and not without a little shame he scurried under the couch, where, in spite of the fact that his back was a little cramped and he could no longer lift up his head, he 198 felt very comfortable right away and was sorry only that his body was too wide to fit completely under the couch. There he remained the entire night, which he spent partly in a state of semi-sleep, out of which his hunger constantly woke him with a start, but partly in a state of worry and murky hopes, which all led to the conclusion that for the time being he would have to keep calm and with patience and the greatest consideration for his family tolerate the troubles which in his present condition he was now forced to cause them. Already early in the morning—it was still almost night—Gregor had an opportunity to test the power of the decisions he had just made, for his sister, almost fully dressed, opened the door from the hall into his room and looked eagerly inside. She did not find him immediately, but when she noticed him under the couch—God, he had to be somewhere or other, for he could hardly fly away—she got such a shock that, without being able to control herself, she slammed the door shut once again from the outside. However, as if she was sorry for her behaviour, she immediately opened the door again and walked in on her tiptoes, as if she was in the presence of a serious invalid or a total stranger. Gregor had pushed his head forward just to the edge of the couch and was observing her. Would she really notice that he had left the milk standing, not indeed from any lack of hunger, and would she bring in something else to eat more suitable for him? If she did not do it on her own, he would sooner starve to death than call her attention to the fact, although he had a really powerful urge to move beyond the couch, throw himself at his sister’s feet, and beg her for something or other good to eat. But his sister noticed right away with astonishment that the bowl was still full, with only a little milk spilled around it. She picked it up immediately, although not with her bare hands but with a rag, and took it out of the room. Gregor was extremely curious what she would bring as a substitute, and he pictured to himself very different ideas about it. But he never could have guessed what his sister, out of the goodness of her heart, in fact, did. To test his taste, she brought him an entire selection, all spread out on an old newspaper. There were old half-rotten vegetables, bones from the evening meal, covered with a white sauce which had almost solidified, some raisins and almonds, cheese which Gregor had declared inedible two days earlier, a slice of dry bread, a slice with butter, and a slice of salted bread smeared with butter. In addition to all this, she put down the bowl—probably designated once and for all as Gregor’s—into which she had poured some water. And out of her delicacy of feeling, since she knew that Gregor would not eat in front of her, she went away very quickly and even turned the key in the lock, so that Gregor could now know that he might make himself as comfortable as he wished. Gregor’s small limbs buzzed now that the time for eating had come. His wounds must, in any case, have already healed completely. He felt no handicap on that score. He was astonished at that and thought about how more than a month ago he had cut his finger very slightly with a knife and how this wound had hurt enough even the day before yesterday. “Am I now going to be less sensitive?” he thought, already sucking greedily on the cheese, which had strongly attracted him right away, more than all the other foods. Quickly and with his eyes watering with satisfaction, he ate one after the other the cheese, the vegetables, and the sauce. The fresh food, by contrast, did not taste good to him. He could not even bear the smell and carried the things he wanted to eat a little distance away. By the time his sister slowly turned the key as a sign that he should withdraw, he was long finished with everything and now lay lazily in the same spot. The noise immediately startled him, in spite of the fact that he was already almost asleep, and he scurried back again under the couch. But it cost him great self-control to remain under the couch, even for the short time his sister was in the room, because his body had filled out somewhat on account of the rich meal and in the narrow space there he could scarcely breathe. In the midst of minor attacks of asphyxiation, he looked at her with somewhat protruding eyes, as his unsuspecting sister swept up with a broom, not just the remnants, but even the foods which Gregor had not touched at all, as if these were also now useless, and as she dumped everything quickly into a bucket, which she closed with a wooden lid, and then carried all of it out of the room. She had hardly turned around before Gregor had already dragged himself out from under the couch, stretched out, and let his body expand. In this way Gregor now got his food every day, once in the morning, when his parents and the servant girl were still asleep, and a second time after the common noon meal, for his parents were asleep then for a little while, and the servant girl was sent off by his sister on some errand or other. They certainly would not have wanted Gregor to starve to death, but perhaps they could not have endured finding out what he ate other than by hearsay. Perhaps his sister also wanted to spare them what was possibly only a small grief, for they were really suffering quite enough already. 199 What sorts of excuses people had used on that first morning to get the doctor and the locksmith out of the house again Gregor was completely unable to ascertain. Since they could not understand him, no one, not even his sister, thought that he might be able to understand others, and thus, when his sister was in his room, he had to be content with listening now and then to her sighs and invocations to the saints. Only later, when she had grown somewhat accustomed to everything—naturally there could never be any talk of her growing completely accustomed to it—Gregor sometimes caught a comment which was intended to be friendly or could be interpreted as such. “Well, today it tasted good to him,” she said, if Gregor had really cleaned up what he had to eat; whereas, in the reverse situation, which gradually repeated itself more and more frequently, she used to say almost sadly, “Now everything has been left again.” But while Gregor could get no new information directly, he did hear a good deal from the room next door, and as soon as he heard voices, he scurried right away to the appropriate door and pressed his entire body against it. In the early days especially, there was no conversation which was not concerned with him in some way or other, even if only in secret. For two days at all meal times discussions of that subject could be heard on how people should now behave; but they also talked about the same subject in the times between meals, for there were always at least two family members at home, since no one really wanted to remain in the house alone and people could not under any circumstances leave the apartment completely empty. In addition, on the very first day the servant girl—it was not completely clear what and how much she knew about what had happened—on her knees had begged his mother to let her go immediately, and when she said good bye about fifteen minutes later, she thanked them for the dismissal with tears in her eyes, as if she was receiving the greatest favour which people had shown her there, and, without anyone demanding it from her, she swore a fearful oath not to reveal anything to anyone, not even the slightest detail. Now his sister had to team up with his mother to do the cooking, although that did not create much trouble because people were eating almost nothing. Again and again Gregor listened as one of them vainly invited another one to eat and received no answer other than “Thank you. I’ve had enough” or something like that. And perhaps they had stopped having anything to drink, too. His sister often asked his father whether he wanted to have a beer and gladly offered to fetch it herself, and when his father was silent, she said, in order to remove any reservations he might have, that she could send the caretaker’s wife to get it. But then his father finally said a resounding “No,” and nothing more would be spoken about it. Already during the first day his father laid out all the financial circumstances and prospects to his mother and to his sister as well. From time to time he stood up from the table and pulled out of the small lockbox salvaged from his business, which had collapsed five years previously, some document or other or some notebook. The sound was audible as he opened up the complicated lock and, after removing what he was looking for, locked it up again. These explanations by his father were, in part, the first enjoyable thing that Gregor had the chance to listen to since his imprisonment. He had thought that nothing at all was left over for his father from that business; at least his father had told him nothing to contradict that view, and Gregor in any case had not asked him about it. At the time Gregor’s only concern had been to use everything he had in order to allow his family to forget as quickly as possible the business misfortune which had brought them all into a state of complete hopelessness. And so at that point he had started to work with a special intensity and from a minor assistant had become, almost overnight, a travelling salesman, who naturally had entirely different possibilities for earning money and whose successes at work were converted immediately into the form of cash commissions, which could be set out on the table at home for his astonished and delighted family. Those had been beautiful days, and they had never come back afterwards, at least not with the same splendour, in spite of the fact that Gregor later earned so much money that he was in a position to bear the expenses of the entire family, costs which he, in fact, did bear. They had become quite accustomed to it, both the family and Gregor as well. They took the money with thanks, and he happily surrendered it, but a special warmth was no longer present. Only the sister had remained still close to Gregor, and it was his secret plan to send her next year to the Conservatory, regardless of the great expense which that necessarily involved and which would be made up in other ways. In contrast to Gregor, she loved music very much and knew how to play the violin charmingly. Now and then during Gregor’s short stays in the city the Conservatory was mentioned in conversations with his sister, but always merely as a beautiful dream, whose realization was unimaginable, and their parents never listened to these innocent expectations with pleasure. But Gregor thought about them with scrupulous consideration and intended to 200 explain the matter in all seriousness on Christmas Eve. In his present situation, such completely futile ideas went through his head, while he pushed himself right up against the door and listened. Sometimes in his general exhaustion he could not listen any more and let his head bang listlessly against the door, but he immediately pulled himself together once more, for even the small sound which he made by this motion was heard near by and silenced everyone. “There he goes on again,” said his father after a while, clearly turning towards the door, and only then would the interrupted conversation gradually be resumed again. Now, Gregor found out clearly enough—for his father tended to repeat himself from time to time in his explanations, partly because he had not personally concerned himself with these matters for a long time now, and partly because his mother did not understand everything right away the first time—that, in spite all bad luck, an amount of money, although a very small one, was still available from the old times and that the interest, which had not been touched, had in the intervening time allowed it to increase a little. Furthermore, in addition to this, the money which Gregor had brought home every month—he had kept only a few crowns for himself—had not been completely spent and had grown into a small capital amount. Gregor, behind his door, nodded eagerly, rejoicing over this unanticipated foresight and frugality. True, with this excess money, he could really have paid off more of his father’s debt to his employer and the day on which he could be rid of this position would have been a lot closer, but now things were doubtless better the way his father had arranged them. At the moment, however, this money was not nearly sufficient to permit the family to live on the interest payments. Perhaps it would be enough to maintain the family for one or at most two years, that was all. Thus, it only added up to an amount which one should not really draw upon and which must be set aside for an emergency. But they had to earn money to live on. Now, it’s true his father was indeed a healthy man, but he was old and had not worked for five years and thus could not be counted on for very much. He had in these five years, the first holidays of his laborious but unsuccessful life, put on a good deal of fat and thus had become really heavy. And should his old mother now perhaps work for money, a woman who suffered from asthma, for whom wandering through the apartment even now was a great strain and who spent every second day on the sofa by the open window having trouble with her breathing? Should his sister earn money, a girl who was still a seventeen-year-old child and whose earlier life style had been so very delightful that it had consisted of dressing herself nicely, sleeping in late, helping around the house, taking part in a few modest enjoyments and, above all, playing the violin? When it came to talking about this need to earn money, at first Gregor went away from the door and threw himself on the cool leather sofa beside the door, for he was quite hot from shame and sorrow. Often he lay there all night long, not sleeping at all, just scratching on the leather for hours at a time. Or he undertook the very difficult task of pushing a chair over to the window. Then he crept up on the window sill and, braced on the chair, leaned against the window to look out, obviously with some memory or other of the liberating sense which looking out the window used to bring him in earlier times. For, in fact, from day to day he perceived things with less and less clarity, even those only a short distance away. The hospital across the street, the all-toofrequent sight of which he had previously cursed, was not visible at all any more, and if he had not been very well aware that he lived in the quiet but completely urban Charlotte Street, he could have believed that from his window he was peering out at a featureless wasteland, in which the grey heaven and the grey earth had merged and were indistinguishable. His observant sister only had to notice a couple of times that the chair stood by the window; then, after cleaning up the room, each time, she pushed the chair back right against the window again and from now on she even left the inner casements open. If Gregor had only been able to speak to his sister and thank her for everything that she had to do for him, he would have tolerated her service more easily. As it was, he suffered under it. The sister admittedly sought to cover up the awkwardness of everything as much as possible, and, as time went by, she naturally became more successful at it. But with the passing of time Gregor also came to understand everything much more clearly. Even her entrance was terrible for him. As soon as she came in, she ran straight to the window, without taking the time to shut the door, in spite of the fact that she was otherwise very considerate in sparing anyone the sight of Gregor’s room, and yanked the window open with eager hands, as if she was almost suffocating, and remained for a while by the window breathing deeply, even when it was still so cold. With this running and noise she frightened Gregor twice every day. The entire 201 time he trembled under the couch, and yet he knew very well that she would certainly have spared him gladly if it had only been possible to remain with the window closed in a room where Gregor lived. On one occasion—about one month had already gone by since Gregor’s transformation, and there was now no particular reason any more for his sister to be startled at Gregor’s appearance—she arrived a little earlier than usual and came upon Gregor as he was still looking out the window, immobile and well positioned to frighten someone. It would not have come as a surprise to Gregor if she had not come in, since his position was preventing her from opening the window immediately. But not only did she not step inside; she even retreated and shut the door. A stranger really could have concluded from this that Gregor had been lying in wait for her and wanted to bite her. Of course, Gregor immediately concealed himself under the couch, but he had to wait until noon before his sister returned, and she seemed much less calm than usual. From this he realized that his appearance was still intolerable to her and must remain intolerable to her in future, and that she really had to exert a lot of self-control not to run away from a glimpse of only the small part of his body which stuck out from under the couch. In order to spare her even this sight, one day he dragged the sheet on his back and onto the couch—this task took him four hours—and arranged it in such a way that he was now completely concealed and his sister, even if she bent down, could not see him. If this sheet was not necessary as far as she was concerned, then she could remove it, for it was clear enough that Gregor could not derive any pleasure from isolating himself away so completely. But she left the sheet just as it was, and Gregor believed he even caught a look of gratitude when, on one occasion, he carefully lifted up the sheet a little with his head to check, as his sister took stock of the new arrangement. In the first two weeks his parents could not bring themselves to visit him, and he often heard how they fully acknowledged his sister’s present work; whereas, earlier they had often got annoyed at his sister because she had seemed to them a somewhat useless young woman. However, now both his father and his mother frequently waited in front of Gregor’s door while his sister cleaned up inside, and as soon as she came out, she had to explain in great detail how things looked in the room, what Gregor had eaten, how he had behaved this time, and whether perhaps a slight improvement was perceptible. In any event, his mother comparatively soon wanted to visit Gregor, but his father and his sister restrained her, at first with reasons which Gregor listened to very attentively and which he completely endorsed. Later, however, they had to hold her back forcefully, and when she then cried “Let me go to Gregor. He’s my unfortunate son! Don’t you understand that I have to go to him?” Gregor then thought that perhaps it would be a good thing if his mother came in, not every day, of course, but maybe once a week. She understood everything much better than his sister, who, in spite of all her courage, was still merely a child and, in the last analysis, had perhaps undertaken such a difficult task only out of childish recklessness. Gregor’s wish to see his mother was soon realized. While during the day Gregor, out of consideration for his parents, did not want to show himself by the window, he could not crawl around very much on the few square metres of the floor. He found it difficult to bear lying quietly during the night, and soon eating no longer gave him the slightest pleasure. So for diversion he acquired the habit of crawling back and forth across the walls and ceiling. He was especially fond of hanging from the ceiling. The experience was quite different from lying on the floor. It was easier to breathe, a slight vibration went through his body, and in the midst of the almost happy amusement which Gregor found up there, it could happen that, to his own surprise, he let go and hit the floor. However, now he naturally controlled his body quite differently than before, and he did not injure himself in such a great fall. Now, his sister noticed immediately the new amusement which Gregor had found for himself—for as he crept around he left behind here and there traces of his sticky stuff—and so she got the idea of making the area where Gregor could creep around as large as possible and thus of removing the furniture which got in the way, especially the chest of drawers and the writing desk. But she was in no position to do this by herself. She did not dare to ask her father to help, and the servant girl would certainly not have assisted her, for although this girl, about sixteen years old, had courageously remained since the dismissal of the previous cook, she had begged for the privilege of being allowed to stay permanently confined to the kitchen and of having to open the door only in answer to a special summons. Thus, his sister had no other choice but to involve his mother at a time when his father was absent. His mother approached Gregor’s room with cries of excited joy, but she fell silent at the door. Of course, his sister first checked whether everything in the room was in order. Only then did she let his mother enter. Gregor had drawn the sheet down with the greatest haste even further and wrinkled it more. The whole thing really looked just like a coverlet thrown carelessly over the couch. On this occasion, Gregor also held 202 back from spying out from under the sheet. He refrained from looking at his mother this time and was merely happy that she had now come. “Come on. You can’t see him,” said his sister and evidently led his mother by the hand. Now Gregor listened as these two weak women shifted the still heavy old chest of drawers from its position and as his sister constantly took on herself the greatest part of the work, without listening to the warnings of his mother, who was afraid that she would strain herself. The work lasted a very long time. After about a quarter of an hour had already gone by, his mother said it would be better if they left the chest of drawers where it was, because, in the first place, it was too heavy: they would not be finished before his father’s arrival, and leaving the chest of drawers in the middle of the room would block all Gregor’s pathways, but, in the second place, they could not be at all certain that Gregor would be pleased with the removal of the furniture. To her the reverse seemed to be true; the sight of the empty walls pierced her right to the heart, and why should Gregor not feel the same, since he had been accustomed to the room furnishings for a long time and would therefore feel himself abandoned in an empty room. “And is it not the case,” his mother concluded very quietly, almost whispering, as if she wished to prevent Gregor, whose exact location she really did not know, from hearing even the sound of her voice—for she was convinced that he did not understand her words—“and isn’t it a fact that by removing the furniture we’re showing that we’re giving up all hope of an improvement and are leaving him to his own resources without any consideration? I think it would be best if we tried to keep the room exactly in the condition it was in before, so that, when Gregor returns to us, he finds everything unchanged and can forget the intervening time all the more easily.” As he heard his mother’s words Gregor realized that the lack of all immediate human contact, together with the monotonous life surrounded by the family over the course of these two months, must have confused his understanding, because otherwise he could not explain to himself how he, in all seriousness, could have been so keen to have his room emptied. Was he really eager to let the warm room, comfortably furnished with pieces he had inherited, be turned into a cavern in which he would, of course, then be able to crawl about in all directions without disturbance, but at the same time with a quick and complete forgetting of his human past as well? Was he then at this point already on the verge of forgetting and was it only the voice of his mother, which he had not heard for a long time, that had aroused him? Nothing was to be removed— everything must remain. In his condition he could not function without the beneficial influences of his furniture. And if the furniture prevented him from carrying out his senseless crawling about all over the place, then there was no harm in that, but rather a great benefit. But his sister unfortunately thought otherwise. She had grown accustomed, certainly not without justification, so far as the discussion of matters concerning Gregor was concerned, to act as a special expert with respect to their parents, and so now the mother’s advice was for his sister sufficient reason to insist on the removal, not only of the chest of drawers and the writing desk, which were the only items she had thought about at first, but also of all the furniture, with the exception of the indispensable couch. Of course, it was not only childish defiance and her recent very unexpected and hard won self-confidence which led her to this demand. She had also actually observed that Gregor needed a great deal of room to creep about; the furniture, on the other hand, as far as one could see, was not the slightest use. But perhaps the enthusiastic sensibility of young women of her age also played a role. This feeling sought release at every opportunity, and with it Grete now felt tempted to want to make Gregor’s situation even more terrifying, so that then she would be able to do even more for him than she had up to now. For surely no one except Grete would ever trust themselves to enter a room in which Gregor ruled the empty walls all by himself. And so she did not let herself be dissuaded from her decision by her mother, who in this room seemed uncertain of herself in her sheer agitation and soon kept quiet, helping his sister with all her energy to get the chest of drawers out of the room. Now, Gregor could still do without the chest of drawers if need be, but the writing desk really had to stay. And scarcely had the women left the room with the chest of drawers, groaning as they pushed it, when Gregor stuck his head out from under the sofa to see how he could intervene, cautiously and with as much consideration as possible. But unfortunately it was his mother who came back into the room first, while Grete had her arms wrapped around the chest of drawers in the next room and was rocking it back and forth by herself, of course without moving it from its position. But his mother was not used to the sight of Gregor; he could have made her ill, and so, frightened, Gregor scurried backwards right to the other end of the sofa. However, he could no longer prevent the sheet from moving forward a little. That was enough to catch his mother’s attention. She came 203 to a halt, stood still for a moment, and then went back to Grete. Although Gregor kept repeating to himself over and over that really nothing unusual was going on, that only a few pieces of furniture were being rearranged, he soon had to admit to himself that the movements of the women to and fro, their quiet conversations, and the scraping of the furniture on the floor affected him like a great commotion stirred up on all sides, and, so firmly was he pulling in his head and legs and pressing his body into the floor, he had to tell himself unequivocally that he would not be able to endure all this much longer. They were cleaning out his room, taking away from him everything he cherished; they had already dragged out the chest of drawers in which the fret saw and other tools were kept, and they were now loosening the writing desk which was fixed tight to the floor, the desk on which he, as a business student, a school student, indeed even as an elementary school student, had written out his assignments. At that moment he really did not have any more time to check the good intentions of the two women, whose existence he had in any case almost forgotten, because in their exhaustion they were working really silently, and the heavy stumbling of their feet was the only sound to be heard. clear to Gregor: she wanted to bring his mother to a safe place and then chase him down from the wall. Well, let her just try! He squatted on his picture and did not hand it over. He would sooner spring into Grete’s face. And so he scuttled out—the women were just propping themselves up on the writing desk in the next room in order to take a short breather. He changed the direction of his path four times. He really did not know what he should rescue first. Then he saw hanging conspicuously on the wall, which was otherwise already empty, the picture of the woman dressed in nothing but fur. He quickly scurried up over it and pressed himself against the glass which held it in place and which made his hot abdomen feel good. At least this picture, which Gregor at the moment completely concealed, surely no one would now take away. He twisted his head towards the door of the living room to observe the women as they came back in. But Grete’s words had immediately made the mother very uneasy. She walked to the side, caught sight of the enormous brown splotch on the flowered wallpaper, and, before she became truly aware that what she was looking at was Gregor, screamed out in a high-pitched raw voice “Oh God, oh God” and fell with outstretched arms, as if she was surrendering everything, down onto the couch and lay there motionless. “Gregor, you. . .” cried out his sister with a raised fist and an urgent glare. Since his transformation these were the first words which she had directed right at him. She ran into the room next door to bring some spirits or other with which she could revive her mother from her fainting spell. Gregor wanted to help as well—there was time enough to save the picture—but he was stuck fast on the glass and had to tear himself loose forcibly. Then he also scurried into the next room, as if he could give his sister some advice, as in earlier times, but then he had to stand there idly behind her, while she rummaged about among various small bottles. Still, she was frightened when she turned around. A bottle fell onto the floor and shattered. A splinter of glass wounded Gregor in the face, and some corrosive medicine or other dripped over him. Now, without lingering any longer, Grete took as many small bottles as she could hold and ran with them in to her mother. She slammed the door shut with her foot. Gregor was now shut off from his mother, who was perhaps near death, thanks to him. He could not open the door; he did not want to chase away his sister, who had to remain with her mother. At this point he had nothing to do but wait, and, overwhelmed with self-reproach and worry, he began to creep and crawl over everything: walls, furniture, and ceiling. Finally, in his despair, as the entire room started to spin around him, he fell onto the middle of the large table. They had not allowed themselves very much rest and were coming back right away. Grete had placed her arm around her mother and held her tightly. “So what shall we take now?” said Grete and looked around her. Then her glance met Gregor’s from the wall. She kept her composure only because her mother was there. She bent her face towards her mother in order to prevent her from looking around, and said, although in a trembling voice and too quickly, “Come, wouldn’t it be better to go back to the living room for just another moment?” Grete’s purpose was A short time elapsed. Gregor lay there limply. All around was still. Perhaps that was a good sign. Then there was ring at the door. The servant girl was naturally shut up in her kitchen, and therefore Grete had to go to open the door. The father had arrived. “What’s happened?” were his first words. Grete’s appearance had told him everything. Grete replied with a dull voice; evidently she was pressing her face against her father’s chest: “Mother fainted, but she’s getting better now. Gregor has broken loose.” “Yes, I have expected that,” said his father, “I always warned 204 you of that, but you women don’t want to listen.” It was clear to Gregor that his father had badly misunderstood Grete’s all-too-brief message and was assuming that Gregor had committed some violent crime or other. Thus, Gregor now had to find his father to calm him down, for he had neither the time nor the ability to explain things to him. And so he rushed away to the door of his room and pushed himself against it, so that his father could see right away as he entered from the hall that Gregor fully intended to return at once to his room, that it was not necessary to drive him back, but that one only needed to open the door, and he would disappear immediately. But his father was not in the mood to observe such niceties. “Ah!” he yelled as soon as he entered, with a tone as if he were at once angry and pleased. Gregor pulled his head back from the door and raised it in the direction of his father. He had not really pictured his father as he now stood there. Of course, what with his new style of creeping all around, he had in the past while neglected to pay attention to what was going on in the rest of the apartment, as he had done before, and really should have grasped the fact that he would encounter different conditions. And yet, and yet, was that still his father? Was that the same man who had lain exhausted and buried in bed in earlier days when Gregor was setting out on a business trip, who had received him on the evenings of his return in a sleeping gown and arm chair, totally incapable of standing up, who had only lifted his arm as a sign of happiness, and who in their rare strolls together a few Sundays a year and on the most important holidays made his way slowly forwards between Gregor and his mother—who themselves moved slowly—always a bit more slowly than them, bundled up in his old coat, working hard to move forwards and always setting down his walking stick carefully, and who, when he had wanted to say something, almost always stood still and gathered his entourage around him? But now he was standing up really straight, dressed in a tight-fitting blue uniform with gold buttons, like the ones servants wear in a banking company. Above the high stiff collar of his jacket his firm double chin stuck out prominently, beneath his bushy eyebrows the glance of his black eyes was fresh and alert, and his usually dishevelled white hair was combed down into a shining and carefully exact parting. He threw his cap, on which a gold monogram, probably the symbol of a bank, was affixed, in an arc across the entire room onto the sofa and, thrusting back the edges of the long coat of his uniform, with his hands in his trouser pockets and a grim face, moved right up to Gregor. He really did not know what he had in mind, but he raised his foot uncommonly high anyway, and Gregor was astonished at the gigantic size of the sole of his boot. However, he did not linger on that point, for he had known even from the first day of his new life that, as far as he was concerned, his father considered the only appropriate response to be the greatest force. And so he scurried away from his father, stopped when his father remained standing, and scampered forward again when his father merely stirred. In this way they made their way around the room repeatedly, without anything decisive taking place. In fact, because of the slow pace, it did not look like a chase. So Gregor remained on the floor for the time being, especially since he was afraid that his father could interpret a flight up onto the wall or the ceiling as an act of real malice. At any event, Gregor had to tell himself that he could not keep up this running around for a long time, because whenever his father took a single step, he had to go through a large number of movements. Already he was starting to feel a shortage of breath, just as in his earlier days when his lungs had been quite unreliable. As he now staggered around in this way in order to gather all his energies for running, hardly keeping his eyes open and feeling so listless that he had no notion at all of any escape other than by running and had almost already forgotten that the walls were available to him, although here they were obstructed by carefully carved furniture full of sharp points and spikes, at that moment something or other thrown casually flew close by and rolled in front of him. It was an apple. Immediately a second one flew after it. Gregor stood still in fright. Further running away was useless, for his father had decided to bombard him. From the fruit bowl on the sideboard his father had filled his pockets, and now, without for the moment taking accurate aim, he was throwing apple after apple. These small red apples rolled around on the floor, as if electrified, and collided with each other. A weakly thrown apple grazed Gregor’s back but skidded off harmlessly. However, another thrown immediately after that one drove into Gregor’s back really hard. Gregor wanted to drag himself off, as if he could make the unexpected and incredible pain go away if he changed his position. But he felt as if he was nailed in place and lay stretched out completely confused in all his senses. Only with his final glance did he notice how the door of his room was pulled open and how, right in front of his screaming sister, his mother ran out in her underbodice, for his sister had loosened her clothing in order to give her some freedom to breathe in her fainting spell, and how his mother then ran up to his father—on the way her loosened petticoats slipped toward the floor one after the other—and how, tripping over them, she hurled herself onto his father and, throwing her arms around him, in complete 205 union with him—but at this moment Gregor’s powers of sight gave way—as her hands reached around his father’s neck, and she begged him to spare Gregor’s life. III Gregor’s serious wound, from which he suffered for over a month —since no one ventured to remove the apple, it remained in his flesh as a visible reminder— seemed by itself to have reminded the father that, in spite of Gregor’s present unhappy and hateful appearance, he was a member of the family and should not be treated as an enemy, but that it was, on the contrary, a requirement of family duty to suppress one’s aversion and to endure—nothing else, just endure. And if through his wound Gregor had now also apparently lost for good his ability to move and for the time being needed many, many minutes to crawl across his room, like an aged invalid—so far as creeping up high was concerned, that was unimaginable—nevertheless, for this worsening of his condition, in his view he did get completely satisfactory compensation, because every day towards evening the door to the living room, which he was in the habit of keeping a sharp eye on even one or two hours beforehand, was opened, so that he, lying down in the darkness of his room, invisible from the living room, could see the entire family at the illuminated table and listen to their conversation, to a certain extent with their common permission, a situation quite different from what had happened before. Of course, it was no longer the animated social interaction of former times, which in small hotel rooms Gregor had always thought about with a certain longing, when, tired out, he had had to throw himself into the damp bedclothes. For the most part what went on now was only very quiet. After the evening meal, the father soon fell asleep in his arm chair. The mother and sister warned each other to be quiet. Bent far over the light, the mother sewed fine undergarments for a fashion shop. The sister, who had taken on a job as a salesgirl, in the evening studied stenography and French, so as perhaps to obtain a better position later on. Sometimes the father woke up and, as if he was quite ignorant that he had been asleep, said to the mother “How long you have been sewing again today!” and went right back to sleep, while the mother and the sister smiled tiredly to each other. With a sort of stubbornness the father refused to take off his servant’s uniform even at home, and while his sleeping gown hung unused on the coat hook, the father dozed completely dressed in his place, as if he was always ready for his responsibility and even here was waiting for the voice of his superior. As a result, in spite of all the care from the mother and sister, his uniform, which even at the start was not new, grew dirty, and Gregor looked, often for the entire evening, at this clothing, with stains all over it and with its gold buttons always polished, in which the old man, although very uncomfortable, nonetheless was sleeping peacefully. As soon as the clock struck ten, the mother tried gently encouraging the father to wake up and then persuading him to go to bed, on the ground that he could not get a proper sleep here and that the father, who had to report for service at six o’clock, really needed a good sleep. But in his stubbornness, which had gripped him since he had become a servant, he always insisted on staying even longer by the table, although he regularly fell asleep and then could be prevailed upon only with the greatest difficulty to trade his chair for the bed. No matter how much the mother and sister might at that point work on him with small admonitions, for a quarter of an hour he would remain shaking his head slowly, his eyes closed, without standing up. The mother would pull him by the sleeve and speak flattering words into his ear; the sister would leave her work to help her mother, but that would not have the desired effect on the father. He would merely settle himself even more deeply into his arm chair. Only when the two women grabbed him under the armpits would he throw his eyes open, look back and forth at the mother and sister, and habitually say “This is a life. This is the peace and quiet of my old age.” And propped up by both women, he would heave himself up elaborately, as if for him it was the greatest trouble, allow himself to be led to the door by the women, wave them away there, and proceed on his own from that point, while the mother quickly threw down her sewing implements and the sister her pen in order to run after the father and help him some more. In this overworked and exhausted family who had time to worry any longer about Gregor more than was absolutely necessary? The household was constantly getting smaller. The servant girl was now let go. A huge bony cleaning woman with white hair flying all over her head came in the morning and evening to do the heaviest work. The mother took care of everything else, in addition to her considerable sewing work. It even happened that various pieces of 206 family jewellery, which previously the mother and sister had been overjoyed to wear on social and festive occasions, were sold, as Gregor found out in the evening from the general discussion of the prices they had fetched. But the greatest complaint was always that they could not leave this apartment, which was much too big for their present means, since it was impossible to imagine how Gregor might be moved. But Gregor fully recognized that it was not just consideration for him which was preventing a move, for he could have been transported easily in a suitable box with a few air holes. The main thing holding the family back from a change in living quarters was far more their complete hopelessness and the idea that they had been struck by a misfortune like no one else in their entire circle of relatives and acquaintances. What the world demands of poor people they now carried out to an extreme degree. The father bought breakfast to the petty officials at the bank, the mother sacrificed herself for the undergarments of strangers, the sister behind her desk was at the beck and call of customers, but the family’s energies did not extend any further. And the wound in his back began to pain Gregor all over again, when his mother and sister, after they had escorted the father to bed, now came back, let their work lie, moved close together, and sat cheek to cheek and when his mother would now say, pointing to Gregor’s room, “Close the door, Grete,” and when Gregor was again in the darkness, while close by the women mingled their tears or, quite dry eyed, stared at the table. Gregor spent his nights and days with hardly any sleep. Sometimes he thought that the next time the door opened he would take over the family arrangements just as he had earlier. In his imagination appeared again, after a long time, his boss and the manager, the chief clerk and the apprentices, the excessively spineless custodian, two or three friends from other businesses, a chambermaid from a hotel in the provinces, a loving, fleeting memory, a female cashier from a hat shop, whom he had seriously but too slowly courted—they all appeared mixed in with strangers or people he had already forgotten, but instead of helping him and his family, they were all unapproachable, and he was happy to see them disappear. But then again he was in no mood to worry about his family. He was filled with sheer anger over the wretched care he was getting, even though he could not imagine anything which he might have an appetite for. Still, he made plans about how he could get into the larder to take there what he at all accounts deserved, even if he was not hungry. Without thinking any more about how they might be able to give Gregor special pleasure, the sister very quickly kicked some food or other, whatever she felt like, into his room in the morning and at noon, before she ran off to her shop. And in the evening, quite indifferent to whether the food had perhaps only been tasted or, what happened most frequently, remained entirely undisturbed, she whisked it out with one sweep of her broom. The task of cleaning his room, which she now always carried out in the evening, could not have been done any more quickly. Streaks of dirt ran along the walls; here and there lay tangles of dust and garbage. At first, when his sister arrived, Gregor positioned himself in a particularly filthy corner in order with this posture to make something of a protest. But he could well have stayed there for weeks without his sister’s doing the job any better. In fact, she perceived the dirt as much as he did, but she had decided just to let it stay. In this business, with a touchiness which was quite new to her and which had generally taken over the entire family, she kept watch to see that the cleaning of Gregor’s room remained reserved for her. His mother had once undertaken a major clean up of his room, which she had only completed successfully after using a few buckets of water. But the extensive dampness made Gregor sick, and he lay spread out, embittered and immobile, on the couch. However, the mother’s punishment did not fail to materialize. For in the evening the sister had hardly observed the change in Gregor’s room before she ran into the living room mightily offended and, in spite of her mother’s hand lifted high in entreaty, broke out in a fit of crying. Her parents—the father had, of course, woken up with a start in his armchair—at first looked at her astonished and helpless, until they started to get agitated. Turning to his right, the father heaped reproaches on the mother that she had not left the cleaning of Gregor’s room to the sister and, turning to his left, he shouted at the sister that she would no longer be allowed to clean Gregor’s room ever again, while the mother tried to pull the father, beside himself in his excitement, into the bed room. The sister, shaken by her crying fit, pounded on the table with her tiny fists, and Gregor hissed at all this, angry that no one thought about shutting the door and sparing him the sight of this commotion. But even when the sister, exhausted from her daily work, had grown tired of caring for Gregor as she had before, even then the mother did not have to come at all in her place. And Gregor did not have to be neglected. For now the cleaning woman was there. This old widow, whose bony frame had enabled her to survive the worst a long life can offer, had no real horror of Gregor. Without being in the least curious, she had once accidentally opened Gregor’s door. At the sight of Gregor, who, totally surprised, began to 207 scamper here and there, although no one was chasing him, she remained standing with her hands folded across her stomach staring at him. Since then she did not fail to open the door furtively a little every morning and evening and look in on Gregor. At first, she also called him to her with words which she probably thought were friendly, like “Come here for a bit, old dung beetle!” or “Hey, look at the old dung beetle!” Addressed in such a manner, Gregor made no answer, but remained motionless in his place, as if the door had not been opened at all. If only, instead of allowing this cleaning woman to disturb him uselessly whenever she felt like it, they had given her orders to clean up his room every day! Once in the early morning—a hard downpour, perhaps already a sign of the coming spring, struck the window panes—when the cleaning woman started up once again with her usual conversation, Gregor was so bitter that he turned towards her, as if for an attack, although slowly and weakly. But instead of being afraid of him, the cleaning woman merely lifted up a chair standing close by the door and, as she stood there with her mouth wide open, her intention was clear: she would close her mouth only when the chair in her hand had been thrown down on Gregor’s back. “This goes no further, all right?” she asked, as Gregor turned himself around again, and she placed the chair calmly back in the corner. Gregor ate hardly anything any more. Only when he chanced to move past the food which had been prepared did he, as a game, take a bit into his mouth, hold it there for hours, and generally spit it out again. At first he thought it might be his sadness over the condition of his room which kept him from eating, but he very soon became reconciled to the alterations in his room. People had grown accustomed to discard in there things which they could not put anywhere else, and at this point there were many such items, now that they had rented one room of the apartment to three lodgers. These solemn gentlemen—all three had full beards, as Gregor once found out through a crack in the door—were meticulously intent on tidiness, not only in their own room but, since they had now rented a room here, in the entire household, particularly in the kitchen. They simply did not tolerate any useless or shoddy stuff. Moreover, for the most part they had brought with them their own pieces of furniture. Thus, many items had become superfluous, and these were not really things one could sell or things people wanted to throw out. All these pieces ended up in Gregor’s room, even the box of ashes and the garbage pail from the kitchen. The cleaning woman, always in a great hurry, simply flung anything that was for the moment useless into Gregor’s room. Fortunately Gregor generally saw only the relevant object and the hand which held it. The cleaning woman perhaps was intending, when time and opportunity allowed, to take the stuff out again or to throw everything out all at once, but in fact the things remained lying there, wherever they had ended up at the first throw, unless Gregor squirmed his way through the accumulation of junk and moved it. At first he was forced to do this because otherwise there was no room for him to creep around, but later he did it with a growing pleasure, although after such movements, tired to death and feeling wretched, he did not budge again for hours. Because the lodgers sometimes also took their evening meal at home in the common living room, the door to it stayed shut on many evenings. But Gregor had no trouble at all going without the open door. Already on many evenings when it was open he had not availed himself of it, but, without the family noticing, was stretched out in the darkest corner of his room. However, on one occasion the cleaning woman had left the door to the living room slightly ajar, and it remained open even when the lodgers came in as evening fell and the lights were put on. They sat down at the head of the table, where in earlier days the mother, the father, and Gregor had eaten, unfolded their serviettes, and picked up their knives and forks. The mother immediately appeared in the door with a dish of meat and right behind her the sister with a dish piled high with potatoes. The food gave off a lot of steam. The gentlemen lodgers bent over the plates set before them, as if they wanted to check them before eating, and in fact the one who sat in the middle—for the other two he seemed to serve as the authority—cut off a piece of meat still on the dish, obviously to establish whether it was sufficiently tender and whether or not it should be sent back to the kitchen. He was satisfied, and mother and sister, who had looked on in suspense, began to breathe easily and to smile. The family itself ate in the kitchen. In spite of that, before the father went into the kitchen, he came into the living room and with a single bow, cap in hand, made a tour of the table. The lodgers rose up collectively and murmured something into their beards. Then, when they were alone, they ate almost in complete silence. It seemed odd to Gregor that, out of all the many different sorts of sounds of eating, what was always audible was their chewing teeth, as if by that Gregor should be shown that people needed their teeth to eat and that nothing could be done even with the most handsome toothless jawbone. “I really do have an appetite,” Gregor said to himself 208 sorrowfully, “but not for these things. How these lodgers stuff themselves, and I am dying of hunger!” On this very evening the violin sounded from the kitchen. Gregor did not remember hearing it all through this period. The lodgers had already ended their night meal, the middle one had pulled out a newspaper and had given each of the other two a page, and they were now leaning back, reading and smoking. When the violin started playing, they became attentive, got up, and went on tiptoe to the hall door, at which they remained standing pressed up against one another. They must have been audible from the kitchen, because the father called out, “Perhaps the gentlemen don’t like the playing? It can be stopped at once.” “On the contrary,” stated the lodger in the middle, “might the young woman not come into us and play in the room here, where it is really much more comfortable and cheerful?” “Oh, certainly,” cried the father, as if he were the one playing the violin. The men stepped back into the room and waited. Soon the father came with the music stand, the mother with the sheet music, and the sister with the violin. The sister calmly prepared everything for the recital. The parents, who had never previously rented a room and therefore exaggerated their politeness to the lodgers, dared not sit on their own chairs. The father leaned against the door, his right hand stuck between two buttons of his buttonedup uniform. The mother, however, accepted a chair offered by one of the lodgers. Since she let the chair stay where the gentleman had chanced to put it, she sat to one side in a corner. The sister began to play. The father and mother, one on each side, followed attentively the movements of her hands. Attracted by the playing, Gregor had ventured to advance a little further forward, and his head was already in the living room. He scarcely wondered about the fact that recently he had had so little consideration for the others. Earlier this consideration had been something he was proud of. And for that very reason he would have had at this moment more reason to hide away, because as a result of the dust which lay all over his room and flew around with the slightest movement, he was totally covered in dirt. On his back and his sides he carted around with him threads, hair, and remnants of food. His indifference to everything was much too great for him to lie on his back and scour himself on the carpet, as he had done earlier several times a day. In spite of this condition he had no timidity about inching forward a bit on the spotless floor of the living room. In any case, no one paid him any attention. The family was all caught up in the violin playing. The lodgers, by contrast, who for the moment had placed themselves, hands in their trouser pockets, behind the music stand much too close to the sister, so that they could all see the sheet music, something that must certainly have bothered the sister, soon drew back to the window conversing in low voices with bowed heads, where they then remained, anxiously observed by the father. It now seemed really clear that, having assumed they were to hear a beautiful or entertaining violin recital, they were disappointed; they had had enough of the entire performance and were allowing their peace and quiet to be disturbed only out of politeness. In particular, the way in which they all blew the smoke from their cigars out of their noses and mouths up into the air led one to conclude that they were very irritated. And yet his sister was playing so beautifully. Her face was turned to the side, her eyes following the score intently and sadly. Gregor crept forward still a little further, keeping his head close against the floor in order to be able to catch her gaze if possible. Was he an animal that music so captivated him? For him it was as if the way to the unknown nourishment he craved was revealing itself. He was determined to press forward right up to his sister, to tug at her dress, and to indicate to her in this way that she might still come with her violin into his room, because here no one valued the recital as he wanted to value it. He did not wish to let her go from his room any more, at least not so long as he lived. His frightening appearance would for the first time become useful for him. He wanted to be at all the doors of his room simultaneously and snarl back at the attackers. However, his sister should not be compelled but would remain with him voluntarily. She would sit next to him on the sofa, bend down her ear to him, and he would then confide in her that he firmly intended to send her to the Conservatory and that, if his misfortune had not arrived in the interim, he would have declared all this last Christmas—had Christmas really already come and gone?—and would have brooked no argument. After this explanation his sister would break out in tears of emotion, and Gregor would lift himself up to her armpit and kiss her throat, which she, from the time she had been going to work, had left exposed without a band or a collar. “Mr. Samsa!” called out the middle lodger to the father and, without uttering a further word, pointed his index finger at Gregor as he was moving slowly forward. The violin fell silent. The middle lodger smiled, first shaking his head at his friends, and then looked down at Gregor once more. Rather than driving Gregor back, the father seemed to consider it 209 more important for the time being to calm down the lodgers, although they were not at all upset and Gregor seemed to entertain them more than the violin recital. The father hurried over to them and with outstretched arms tried to push them into their own room and at the same time to block their view of Gregor with his own body. At this point they became really somewhat irritated, although one no longer knew whether that was because of the father’s behaviour or because of the knowledge they had just acquired that they had, without being aware of it, a neighbour like Gregor. They demanded explanations from his father, raised their arms to make their points, tugged agitatedly at their beards, and moved back towards their room quite slowly. In the meantime, the isolation which had suddenly fallen upon his sister after the unexpected breaking off of the recital had overwhelmed her. She had held onto the violin and bow in her limp hands for a little while and had continued to look at the sheet music as if she was still playing. All at once she pulled herself together, placed the instrument in her mother’s lap—the mother was still sitting in her chair having trouble breathing, for her lungs were labouring hard—and had run into the next room, which the lodgers, pressured by the father, were already approaching more rapidly. One could observe how under the sister’s practised hands the covers and pillows on the beds were thrown high and then rearranged. Even before the lodgers had reached the room, she had finished fixing the beds and was slipping out. The father seemed once again so gripped by his stubbornness that he forgot about the respect which, after all, he must show his lodgers. He pressed on and on, until right in the door of the room the middle gentleman stamped loudly with his foot and thus brought the father to a standstill. “I hereby declare,” the middle lodger said, raising his hand and casting his glance both on the mother and the sister, “that considering the disgraceful conditions prevailing in this apartment and family”—with this he spat decisively on the floor—“I immediately cancel my room. I will, of course, pay nothing at all for the days which I have lived here; on the contrary, I shall think about whether or not I will initiate some sort of action against you, something which—believe me— will be very easy to establish.” He fell silent and looked directly in front of him, as if he was waiting for something. In fact, his two friends immediately joined in with their opinions, “We also give immediate notice.” At that he seized the door handle and with a bang slammed the door shut. The father groped his way tottering to his chair and let himself fall in it. It looked as if he was stretching out for his usual evening snooze, but the heavy nodding of his head, which appeared as if it had no support, showed that he was not sleeping at all. Gregor had lain motionless the entire time in the spot where the lodgers had caught him. Disappointment with the collapse of his plan and perhaps also weakness brought on by his severe hunger made it impossible for him to move. He was afraid and reasonably certain that they might launch a combined attack against him at any moment, and he waited. He was not even startled when the violin fell from the mother’s lap, out from under her trembling fingers, and gave off a reverberating tone. “My dear parents,” said the sister banging her hand on the table by way of an introduction, “things cannot go on any longer in this way. Maybe if you don’t understand that, well, I do. I will not utter my brother’s name in front of this monster, and thus I say only that we must try to get rid of it. We have tried what is humanly possible to take care of it and to be patient. I believe that no one can criticize us in the slightest.” “She is right in a thousand ways,” said the father to himself. The mother, who was still incapable of breathing properly, began to cough numbly with her hand held up over her mouth and a manic expression in her eyes. The sister hurried over to her mother and held her forehead. The sister’s words seemed to have led the father to certain reflections. He sat upright, played with his service hat among the plates, which still lay on the table from the lodgers’ evening meal, and looked now and then at the motionless Gregor. “We must try to get rid of it,” the sister now said decisively to the father, for the mother, in her coughing fit, was not listening to anything. “It is killing you both. I see it coming. When people have to work as hard as we all do, they cannot also tolerate this endless torment at home. I just can’t go on any more.” And she broke out into such a crying fit that her tears flowed out down onto her mother’s face. She wiped them off her mother with mechanical motions of her hands. “Child,” said the father sympathetically and with obvious appreciation, “then what should we do?” The sister only shrugged her shoulders as a sign of the perplexity which, in contrast to her previous confidence, had now come over her while she was crying. 210 “If he understood us,” said the father in a semiquestioning tone. The sister, in the midst of her sobbing, shook her hand energetically as a sign that there was no point thinking of that. “If he understood us,” repeated the father and by shutting his eyes he absorbed the sister’s conviction of the impossibility of this point, “then perhaps some compromise would be possible with him. But as it is. . .” “It has to go,” cried the sister. “That is the only way, father. You must try to get rid of the idea that this is Gregor. The fact that we have believed this for so long, that is truly our real misfortune. But how can it be Gregor? If it were Gregor, he would have long ago realized that a communal life among human beings is not possible with such a creature and would have gone away voluntarily. Then we would not have a brother, but we could go on living and honour his memory. But this animal plagues us. It drives away the lodgers, will obviously take over the entire apartment, and leave us to spend the night in the lane. Just look, father,” she suddenly cried out, “he’s already starting up again.” With a fright which was totally incomprehensible to Gregor, the sister even left the mother, literally pushed herself away from her chair, as if she would sooner sacrifice her mother than remain in Gregor’s vicinity, and rushed behind her father who, excited merely by her behaviour, also stood up and half raised his arms in front of the sister as though to protect her. But Gregor did not have any notion of wishing to create problems for anyone and certainly not for his sister. He had just started to turn himself around in order to creep back into his room, quite a startling sight, since, as a result of his suffering condition, he had to guide himself through the difficulty of turning around with his head, in this process lifting and striking it against the floor several times. He paused and looked around. His good intentions seemed to have been recognized. The fright had lasted only for a moment. Now they looked at him in silence and sorrow. His mother lay in her chair, with her legs stretched out and pressed together, her eyes almost shut from weariness. The father and sister sat next to one another. The sister had put her hands around the father’s neck. “Now perhaps I can actually turn myself around,” thought Gregor and began the task again. He couldn’t stop puffing at the effort and had to rest now and then. Besides, no one was urging him on. It was all left to him on his own. When he had completed turning around, he immediately began to wander straight back. He was astonished at the great distance which separated him from his room and did not understand in the least how in his weakness he had covered the same distance a short time before, almost without noticing it. Always intent only on creeping along quickly, he hardly paid any attention to the fact that no word or cry from his family interrupted him. Only when he was already in the doorway did he turn his head, not completely, because he felt his neck growing stiff. At any rate, he still saw that behind him nothing had changed. Only the sister was standing up. His last glimpse brushed over the mother, who was now completely asleep. He was only just inside his room when the door was pushed shut very quickly, bolted fast, and barred. Gregor was startled by the sudden commotion behind him, so much so that his little limbs bent double under him. It was his sister who had been in such a hurry. She was already standing up, had waited, and then sprung forward nimbly. Gregor had not heard anything of her approach. She cried out “Finally!” to her parents, as she turned the key in the lock. “What now?” Gregor asked himself and looked around him in the darkness. He soon made the discovery that he could no longer move at all. He was not surprised at that. On the contrary, it struck him as unnatural that up to this point he had really been able up to move around with these thin little legs. Besides he felt relatively content. True, he had pains throughout his entire body, but it seemed to him that they were gradually becoming weaker and weaker and would finally go away completely. The rotten apple in his back and the inflamed surrounding area, entirely covered with white dust, he hardly noticed. He remembered his family with deep feelings of love. In this business, his own thought that he had to disappear was, if possible, even more decisive than his sister’s. He remained in this state of empty and peaceful reflection until the tower clock struck three in the morning. In front of the window he witnessed the beginning of the outside growing generally lighter. Then without willing it, his head sank all the way down, and from his nostrils his last breath flowed weakly out. Early in the morning the cleaning woman came. In her sheer energy and haste she banged all the doors— in precisely the way people had already frequently asked her to avoid—so much so that once she arrived a quiet sleep was no longer possible anywhere in the entire apartment. In her customarily brief visit to Gregor she at first found nothing special. She thought 211 he lay so immobile there on purpose and was playing the offended party. She gave him credit for as complete an understanding as possible. Since she happened to be holding the long broom in her hand, she tried to tickle Gregor with it from the door. When that was quite unsuccessful, she became irritated and poked Gregor a little, and only when she had shoved him from his place without any resistance did she become attentive. When she quickly realized the true state of affairs, her eyes grew large and she whistled to herself. However, she didn’t restrain herself for long. She pulled open the door of the bedroom and yelled in a loud voice into the darkness, “Come and look. It’s kicked the bucket. It’s lying there. It’s completely snuffed it!” The Samsas sat upright in their marriage bed and had to get over their fright at the cleaning woman before they managed to grasp her message. But then Mr. and Mrs. Samsa climbed very quickly out of bed, one on either side. Mr. Samsa threw the bedspread over his shoulders, Mrs. Samsa came out only in her nightshirt, and like this they stepped into Gregor’s room. Meanwhile, the door of the living room, in which Grete had slept since the lodgers had arrived on the scene, had also opened. She was fully clothed, as if she had not slept at all; her white face also seemed to indicate that. “Dead?” said Mrs. Samsa and looked questioningly at the cleaning woman, although she could have checked everything on her own and it was clear even without a check. “I should say so,” said the cleaning woman and, by way of proof, poked Gregor’s body with the broom a considerable distance more to the side. Mrs. Samsa made a movement, as if she wished to restrain the broom, but did not do it. “Well,” said Mr. Samsa, “now we can give thanks to God.” He crossed himself, and the three women followed his example. Grete, who did not take her eyes off the corpse, said, “Just look how thin he was. He has eaten nothing for such a long time. The meals which came in here came out again exactly the same.” In fact, Gregor’s body was completely flat and dry. That was apparent really for the first time, now that he was no longer raised on his small limbs and nothing else distracted one from looking. “Grete, come into us for a moment,” said Mrs. Samsa with a melancholy smile, and Grete went, not without looking back at the corpse, behind her parents into the bed room. The cleaning woman shut the door and opened the window wide. In spite of the early morning, the fresh air was partly tinged with warmth. It was already almost the end of March. The three lodgers stepped out of their room and looked around for their breakfast, astonished that they had been forgotten. The middle one of the gentlemen asked the cleaning woman grumpily “Where is the breakfast?” However, she laid her finger to her lips and then quickly and silently indicated to the lodgers that they could come into Gregor’s room. So they came and stood in the room, which was already quite bright, around Gregor’s corpse, their hands in the pockets of their somewhat worn jackets. Then the door of the bedroom opened, and Mr. Samsa appeared in his uniform, with his wife on one arm and his daughter on the other. All were a little tear stained. Now and then Grete pressed her face into her father’s arm. “Get out of my apartment immediately,” said Mr. Samsa and pointed to the door, without letting go of the women. “What do you mean?” said the middle lodger, somewhat dismayed and with a sugary smile. The two others kept their hands behind them and constantly rubbed them against each other, as if in joyful anticipation of a great squabble which must end up in their favour. “I mean exactly what I say,” replied Mr. Samsa and went directly up to the lodger with his two female companions. The latter at first stood there motionless and looked at the floor, as if matters were arranging themselves in a new way in his head. “All right, then we’ll go,” he said and looked up at Mr. Samsa as if, suddenly overcome by humility, he was even asking fresh permission for this decision. Mr. Samsa merely nodded briefly and repeatedly to him with his eyes open wide. Following that, with long strides the lodger actually went out immediately into the hall. His two friends had already been listening for a while with their hands quite still, and now they hopped smartly after him, as if afraid that Mr. Samsa could step into the hall ahead of them and disturb their reunion with their leader. In the hall all three of them took their hats from the coat rack, pulled their canes from the umbrella stand, bowed silently, and left the apartment. In what turned out to be an entirely groundless mistrust, Mr. Samsa stepped with the two women out onto the landing, leaned against the railing, and looked over as the three lodgers slowly but steadily made their way down the long staircase, disappeared on each floor in a certain turn of the stairwell, and in a few seconds reappeared again. The further down they went, the more the Samsa family lost interest in them, and when a butcher with a tray on his head came up to meet them and then with a proud bearing ascended the stairs high above them, Mr. Samsa, together with 212 the women, soon left the bannister, and they all returned, as if relieved, back into their apartment. They decided to pass that day resting and going for a stroll. Not only had they earned this break from work, but there was no question that they really needed it. And so they sat down at the table and wrote three letters of apology: Mr. Samsa to his supervisor, Mrs. Samsa to her client, and Grete to her proprietor. During the writing the cleaning woman came in to say that she was going off, for her morning work was finished. The three people writing at first merely nodded, without glancing up. Only when the cleaning woman was still unwilling to depart, did they look up annoyed. “Well?” asked Mr. Samsa. The cleaning woman stood smiling in the doorway, as if she had a great stroke of luck to report to the family but would only do it if she was questioned thoroughly. The almost upright small ostrich feather in her hat, which had irritated Mr. Samsa during her entire service with them, swayed lightly in all directions. “All right then, what do you really want?” asked Mrs. Samsa, whom the cleaning lady respected more than the others. “Well,” answered the cleaning woman, smiling so happily she couldn’t go on speaking right away, “you mustn’t worry about throwing out that rubbish from the next room. It’s all taken care of.” Mrs. Samsa and Grete bent down to their letters, as though they wanted to go on writing. Mr. Samsa, who noticed that the cleaning woman now wanted to start describing everything in detail, decisively prevented her with an outstretched hand. But since she was not allowed to explain, she remembered the great hurry she was in, and called out, clearly insulted, “Bye bye, everyone,” then turned around furiously and left the apartment with a fearful slamming of the door. totally engulfed by the warm sun. Leaning back comfortably in their seats, they talked to each other about future prospects, and they discovered that on closer observation these were not at all bad, for the three of them had employment, about which they had not really questioned each other at all, which was extremely favourable and with especially promising future prospects. The greatest improvement in their situation at this point, of course, had to come from a change of dwelling. Now they wanted to rent a smaller and cheaper apartment but better situated and generally more practical than the present one, which Gregor had chosen. While they amused themselves in this way, it struck Mr. and Mrs. Samsa, almost at the same moment, as they looked at their daughter, who was getting more animated all the time, how she had blossomed recently, in spite of all the troubles which had made her cheeks pale, into a beautiful and voluptuous young woman. Growing more silent and almost unconsciously understanding each other in their glances, they thought that the time was now at hand to seek out a good honest man for her. And it was something of a confirmation of their new dreams and good intentions when at the end of their journey their daughter stood up first and stretched her young body. ___________________________________________ The Rocking Horse Winner DH Lawrence “This evening she’ll be given notice,” said Mr. Samsa, but he got no answer from either his wife or from his daughter, because the cleaning woman seemed to have once again upset the tranquillity they had just attained. The women got up, went to the window, and remained there, with their arms about each other. Mr. Samsa turned around in his chair in their direction and observed them quietly for a while. Then he called out, “All right, come here then. Let’s finally get rid of old things. And have a little consideration for me.” The women attended to him at once. They rushed to him, caressed him, and quickly ended their letters. There was a woman who was beautiful, who started with all the advantages, yet she had no luck. She married for love, and the love turned to dust. She had bonny children, yet she felt they had been thrust upon her, and she could not love them. They looked at her coldly, as if they were finding fault with her. And hurriedly she felt she must cover up some fault in herself. Yet what it was that she must cover up she never knew. Nevertheless, when her children were present, she always felt the centre of her heart go hard. This troubled her, and in her manner she was all the more gentle and anxious for her children, as if she loved them very much. Only she herself knew that at the centre of her heart was a hard little place that could not feel love, no, not for anybody. Everybody else said of her: "She is such a good mother. She adores her children." Only she herself, and her children themselves, knew it was not so. They read it in each other's eyes. Then all three left the apartment together, something they had not done for months now, and took the electric tram into the open air outside the city. The car in which they were sitting by themselves was There were a boy and two little girls. They lived in a pleasant house, with a garden, and they had discreet servants, and felt themselves superior to anyone in the neighbourhood. 213 Although they lived in style, they felt always an anxiety in the house. There was never enough money. The mother had a small income, and the father had a small income, but not nearly enough for the social position which they had to keep up. The father went into town to some office. But though he had good prospects, these prospects never materialised. There was always the grinding sense of the shortage of money, though the style was always kept up. At last the mother said: "I will see if I can't make something." But she did not know where to begin. She racked her brains, and tried this thing and the other, but could not find anything successful. The failure made deep lines come into her face. Her children were growing up, they would have to go to school. There must be more money, there must be more money. The father, who was always very handsome and expensive in his tastes, seemed as if he never would be able to do anything worth doing. And the mother, who had a great belief in herself, did not succeed any better, and her tastes were just as expensive. And so the house came to be haunted by the unspoken phrase: There must be more money! There must be more money! The children could hear it all the time though nobody said it aloud. They heard it at Christmas, when the expensive and splendid toys filled the nursery. Behind the shining modern rocking-horse, behind the smart doll's house, a voice would start whispering: "There must be more money! There must be more money!" And the children would stop playing, to listen for a moment. They would look into each other's eyes, to see if they had all heard. And each one saw in the eyes of the other two that they too had heard. "There must be more money! There must be more money!" It came whispering from the springs of the stillswaying rocking-horse, and even the horse, bending his wooden, champing head, heard it. The big doll, sitting so pink and smirking in her new pram, could hear it quite plainly, and seemed to be smirking all the more self-consciously because of it. The foolish puppy, too, that took the place of the teddy-bear, he was looking so extraordinarily foolish for no other reason but that he heard the secret whisper all over the house: "There must be more money!" "Mother," said the boy Paul one day, "why don't we keep a car of our own? Why do we always use uncle's, or else a taxi?" "Because we're the poor members of the family," said the mother. "But why are we, mother?" "Well - I suppose," she said slowly and bitterly, "it's because your father has no luck." The boy was silent for some time. "Is luck money, mother?" he asked, rather timidly. "No, Paul. Not quite. It's what causes you to have money." "Oh!" said Paul vaguely. "I thought when Uncle Oscar said filthy lucker, it meant money." "Filthy lucre does mean money," said the mother. "But it's lucre, not luck." "Oh!" said the boy. "Then what is luck, mother?" "It's what causes you to have money. If you're lucky you have money. That's why it's better to be born lucky than rich. If you're rich, you may lose your money. But if you're lucky, you will always get more money." "Oh! Will you? And is father not lucky?" "Very unlucky, I should say," she said bitterly. The boy watched her with unsure eyes. "Why?" he asked. "I don't know. Nobody ever knows why one person is lucky and another unlucky." "Don't they? Nobody at all? Does nobody know?" "Perhaps God. But He never tells." Yet nobody ever said it aloud. The whisper was everywhere, and therefore no one spoke it. Just as no one ever says: "We are breathing!" in spite of the fact that breath is coming and going all the time. "He ought to, then. And aren't you lucky either, mother?" "I can't be, it I married an unlucky husband." 214 "But by yourself, aren't you?" "I used to think I was, before I married. Now I think I am very unlucky indeed." "Why?" "Well - never mind! Perhaps I'm not really," she said. The child looked at her to see if she meant it. But he saw, by the lines of her mouth, that she was only trying to hide something from him. "Well, anyhow," he said stoutly, "I'm a lucky person." "Why?" said his mother, with a sudden laugh. He stared at her. He didn't even know why he had said it. "God told me," he asserted, brazening it out. "I hope He did, dear!", she said, again with a laugh, but rather bitter. "He did, mother!" "Excellent!" said the mother, using one of her husband's exclamations. The boy saw she did not believe him; or rather, that she paid no attention to his assertion. This angered him somewhere, and made him want to compel her attention. He went off by himself, vaguely, in a childish way, seeking for the clue to 'luck'. Absorbed, taking no heed of other people, he went about with a sort of stealth, seeking inwardly for luck. He wanted luck, he wanted it, he wanted it. When the two girls were playing dolls in the nursery, he would sit on his big rocking-horse, charging madly into space, with a frenzy that made the little girls peer at him uneasily. Wildly the horse careered, the waving dark hair of the boy tossed, his eyes had a strange glare in them. The little girls dared not speak to him. When he had ridden to the end of his mad little journey, he climbed down and stood in front of his rocking-horse, staring fixedly into its lowered face. Its red mouth was slightly open, its big eye was wide and glassy-bright. "Now!" he would silently command the snorting steed. "Now take me to where there is luck! Now take me!" And he would slash the horse on the neck with the little whip he had asked Uncle Oscar for. He knew the horse could take him to where there was luck, if only he forced it. So he would mount again and start on his furious ride, hoping at last to get there. "You'll break your horse, Paul!" said the nurse. "He's always riding like that! I wish he'd leave off!" said his elder sister Joan. But he only glared down on them in silence. Nurse gave him up. She could make nothing of him. Anyhow, he was growing beyond her. One day his mother and his Uncle Oscar came in when he was on one of his furious rides. He did not speak to them. "Hallo, you young jockey! Riding a winner?" said his uncle. "Aren't you growing too big for a rocking-horse? You're not a very little boy any longer, you know," said his mother. But Paul only gave a blue glare from his big, rather close-set eyes. He would speak to nobody when he was in full tilt. His mother watched him with an anxious expression on her face. At last he suddenly stopped forcing his horse into the mechanical gallop and slid down. "Well, I got there!" he announced fiercely, his blue eyes still flaring, and his sturdy long legs straddling apart. "Where did you get to?" asked his mother. "Where I wanted to go," he flared back at her. "That's right, son!" said Uncle Oscar. "Don't you stop till you get there. What's the horse's name?" "He doesn't have a name," said the boy. "Gets on without all right?" asked the uncle. 215 "Well, he has different names. He was called Sansovino last week." "Honour bright, son!" said the uncle. "Well, then, Daffodil." "Sansovino, eh? Won the Ascot. How did you know this name?" "Daffodil! I doubt it, sonny. What about Mirza?" "He always talks about horse-races with Bassett," said Joan. "I only know the winner," said the boy. "That's Daffodil." The uncle was delighted to find that his small nephew was posted with all the racing news. Bassett, the young gardener, who had been wounded in the left foot in the war and had got his present job through Oscar Cresswell, whose batman he had been, was a perfect blade of the 'turf'. He lived in the racing events, and the small boy lived with him. "Daffodil, eh?" Oscar Cresswell got it all from Bassett. "Yes, son?" "Master Paul comes and asks me, so I can't do more than tell him, sir," said Bassett, his face terribly serious, as if he were speaking of religious matters. "You won't let it go any further, will you? I promised Bassett." "And does he ever put anything on a horse he fancies?" "Well - I don't want to give him away - he's a young sport, a fine sport, sir. Would you mind asking him himself? He sort of takes a pleasure in it, and perhaps he'd feel I was giving him away, sir, if you don't mind. Bassett was serious as a church. The uncle went back to his nephew and took him off for a ride in the car. "Say, Paul, old man, do you ever put anything on a horse?" the uncle asked. The boy watched the handsome man closely. "Why, do you think I oughtn't to?" he parried. "Not a bit of it! I thought perhaps you might give me a tip for the Lincoln." The car sped on into the country, going down to Uncle Oscar's place in Hampshire. There was a pause. Daffodil was an obscure horse comparatively. "Uncle!" "Bassett be damned, old man! What's he got to do with it?" "We're partners. We've been partners from the first. Uncle, he lent me my first five shillings, which I lost. I promised him, honour bright, it was only between me and him; only you gave me that ten-shilling note I started winning with, so I thought you were lucky. You won't let it go any further, will you?" The boy gazed at his uncle from those big, hot, blue eyes, set rather close together. The uncle stirred and laughed uneasily. "Right you are, son! I'll keep your tip private. How much are you putting on him?" "All except twenty pounds," said the boy. "I keep that in reserve." The uncle thought it a good joke. "You keep twenty pounds in reserve, do you, you young romancer? What are you betting, then?" "I'm betting three hundred," said the boy gravely. "But it's between you and me, Uncle Oscar! Honour bright?" "Honour bright?" said the nephew. 216 "It's between you and me all right, you young Nat Gould," he said, laughing. "But where's your three hundred?" His uncle studied him for some moments. "Look here, son!" he said. "You're not serious about Bassett and that fifteen hundred, are you?" "Bassett keeps it for me. We're partners." "You are, are you! And what is Bassett putting on Daffodil?" "He won't go quite as high as I do, I expect. Perhaps he'll go a hundred and fifty." "What, pennies?" laughed the uncle. "Pounds," said the child, with a surprised look at his uncle. "Bassett keeps a bigger reserve than I do." Between wonder and amusement Uncle Oscar was silent. He pursued the matter no further, but he determined to take his nephew with him to the Lincoln races. "Yes, I am. But it's between you and me, uncle. Honour bright?" "Honour bright all right, son! But I must talk to Bassett." "If you'd like to be a partner, uncle, with Bassett and me, we could all be partners. Only, you'd have to promise, honour bright, uncle, not to let it go beyond us three. Bassett and I are lucky, and you must be lucky, because it was your ten shillings I started winning with ..." Uncle Oscar took both Bassett and Paul into Richmond Park for an afternoon, and there they talked. "I should if it was my own fiver," said the child. "It's like this, you see, sir," Bassett said. "Master Paul would get me talking about racing events, spinning yarns, you know, sir. And he was always keen on knowing if I'd made or if I'd lost. It's about a year since, now, that I put five shillings on Blush of Dawn for him: and we lost. Then the luck turned, with that ten shillings he had from you: that we put on Singhalese. And since that time, it's been pretty steady, all things considering. What do you say, Master Paul?" "Good! Good! Right you are! A fiver for me and a fiver for you on Daffodil." "We're all right when we're sure," said Paul. "It's when we're not quite sure that we go down." The child had never been to a race-meeting before, and his eyes were blue fire. He pursed his mouth tight and watched. A Frenchman just in front had put his money on Lancelot. Wild with excitement, he flayed his arms up and down, yelling "Lancelot!, Lancelot!" in his French accent. "Oh, but we're careful then," said Bassett. "Now, son," he said, "I'm putting twenty on Mirza, and I'll put five on for you on any horse you fancy. What's your pick?" "Daffodil, uncle." "No, not the fiver on Daffodil!" Daffodil came in first, Lancelot second, Mirza third. The child, flushed and with eyes blazing, was curiously serene. His uncle brought him four fivepound notes, four to one. "What am I to do with these?" he cried, waving them before the boys eyes. "I suppose we'll talk to Bassett," said the boy. "I expect I have fifteen hundred now; and twenty in reserve; and this twenty." "But when are you sure?" smiled Uncle Oscar. "It's Master Paul, sir," said Bassett in a secret, religious voice. "It's as if he had it from heaven. Like Daffodil, now, for the Lincoln. That was as sure as eggs." "Did you put anything on Daffodil?" asked Oscar Cresswell. "Yes, sir, I made my bit." "And my nephew?" Bassett was obstinately silent, looking at Paul. 217 "I made twelve hundred, didn't I, Bassett? I told uncle I was putting three hundred on Daffodil." "That's right," said Bassett, nodding. "But where's the money?" asked the uncle. "I keep it safe locked up, sir. Master Paul he can have it any minute he likes to ask for it." "What, fifteen hundred pounds?" "And twenty! And forty, that is, with the twenty he made on the course." "It's amazing!" said the uncle. "If Master Paul offers you to be partners, sir, I would, if I were you: if you'll excuse me," said Bassett. Oscar Cresswell thought about it. "I'll see the money," he said. But he became a partner. And when the Leger was coming on Paul was 'sure' about Lively Spark, which was a quite inconsiderable horse. The boy insisted on putting a thousand on the horse, Bassett went for five hundred, and Oscar Cresswell two hundred. Lively Spark came in first, and the betting had been ten to one against him. Paul had made ten thousand. "You see," he said. "I was absolutely sure of him." Even Oscar Cresswell had cleared two thousand. "Look here, son," he said, "this sort of thing makes me nervous." "It needn't, uncle! Perhaps I shan't be sure again for a long time." "But what are you going to do with your money?" asked the uncle. "Of course," said the boy, "I started it for mother. She said she had no luck, because father is unlucky, so I thought if I was lucky, it might stop whispering." They drove home again, and, sure enough, Bassett came round to the garden-house with fifteen hundred pounds in notes. The twenty pounds reserve was left with Joe Glee, in the Turf Commission deposit. "What might stop whispering?" "You see, it's all right, uncle, when I'm sure! Then we go strong, for all we're worth, don't we, Bassett?" "What does it whisper?" "We do that, Master Paul." "And when are you sure?" said the uncle, laughing. "Oh, well, sometimes I'm absolutely sure, like about Daffodil," said the boy; "and sometimes I have an idea; and sometimes I haven't even an idea, have I, Bassett? Then we're careful, because we mostly go down." "You do, do you! And when you're sure, like about Daffodil, what makes you sure, sonny?" "Oh, well, I don't know," said the boy uneasily. "I'm sure, you know, uncle; that's all." "It's as if he had it from heaven, sir," Bassett reiterated. "Our house. I hate our house for whispering." "Why - why" - the boy fidgeted - "why, I don't know. But it's always short of money, you know, uncle." "I know it, son, I know it." "You know people send mother writs, don't you, uncle?" "I'm afraid I do," said the uncle. "And then the house whispers, like people laughing at you behind your back. It's awful, that is! I thought if I was lucky -" "You might stop it," added the uncle. The boy watched him with big blue eyes, that had an uncanny cold fire in them, and he said never a word. "Well, then!" said the uncle. "What are we doing?" "I should say so!" said the uncle. 218 "I shouldn't like mother to know I was lucky," said the boy. on her mouth. She hid the letter under the pile of others, and said not a word about it. "Why not, son?" "Didn't you have anything nice in the post for your birthday, mother?" said Paul. "She'd stop me." "I don't think she would." "Oh!" - and the boy writhed in an odd way - "I don't want her to know, uncle." "All right, son! We'll manage it without her knowing." They managed it very easily. Paul, at the other's suggestion, handed over five thousand pounds to his uncle, who deposited it with the family lawyer, who was then to inform Paul's mother that a relative had put five thousand pounds into his hands, which sum was to be paid out a thousand pounds at a time, on the mother's birthday, for the next five years. "So she'll have a birthday present of a thousand pounds for five successive years," said Uncle Oscar. "I hope it won't make it all the harder for her later." Paul's mother had her birthday in November. The house had been 'whispering' worse than ever lately, and, even in spite of his luck, Paul could not bear up against it. He was very anxious to see the effect of the birthday letter, telling his mother about the thousand pounds. When there were no visitors, Paul now took his meals with his parents, as he was beyond the nursery control. His mother went into town nearly every day. She had discovered that she had an odd knack of sketching furs and dress materials, so she worked secretly in the studio of a friend who was the chief 'artist' for the leading drapers. She drew the figures of ladies in furs and ladies in silk and sequins for the newspaper advertisements. This young woman artist earned several thousand pounds a year, but Paul's mother only made several hundreds, and she was again dissatisfied. She so wanted to be first in something, and she did not succeed, even in making sketches for drapery advertisements. She was down to breakfast on the morning of her birthday. Paul watched her face as she read her letters. He knew the lawyer's letter. As his mother read it, her face hardened and became more expressionless. Then a cold, determined look came "Quite moderately nice," she said, her voice cold and hard and absent. She went away to town without saying more. But in the afternoon Uncle Oscar appeared. He said Paul's mother had had a long interview with the lawyer, asking if the whole five thousand could not be advanced at once, as she was in debt. "What do you think, uncle?" said the boy. "I leave it to you, son." "Oh, let her have it, then! We can get some more with the other," said the boy. "A bird in the hand is worth two in the bush, laddie!" said Uncle Oscar. "But I'm sure to know for the Grand National; or the Lincolnshire; or else the Derby. I'm sure to know for one of them," said Paul. So Uncle Oscar signed the agreement, and Paul's mother touched the whole five thousand. Then something very curious happened. The voices in the house suddenly went mad, like a chorus of frogs on a spring evening. There were certain new furnishings, and Paul had a tutor. He was really going to Eton, his father's school, in the following autumn. There were flowers in the winter, and a blossoming of the luxury Paul's mother had been used to. And yet the voices in the house, behind the sprays of mimosa and almondblossom, and from under the piles of iridescent cushions, simply trilled and screamed in a sort of ecstasy: "There must be more money! Oh-h-h; there must be more money. Oh, now, now-w! Now-w-w there must be more money! - more than ever! More than ever!" It frightened Paul terribly. He studied away at his Latin and Greek with his tutor. But his intense hours were spent with Bassett. The Grand National had gone by: he had not 'known', and had lost a hundred pounds. Summer was at hand. He was in agony for the Lincoln. But even for the Lincoln he didn't 219 'know', and he lost fifty pounds. He became wildeyed and strange, as if something were going to explode in him. "Let it alone, son! Don't you bother about it!" urged Uncle Oscar. But it was as if the boy couldn't really hear what his uncle was saying. "I've got to know for the Derby! I've got to know for the Derby!" the child reiterated, his big blue eyes blazing with a sort of madness. His mother noticed how overwrought he was. "You'd better go to the seaside. Wouldn't you like to go now to the seaside, instead of waiting? I think you'd better," she said, looking down at him anxiously, her heart curiously heavy because of him. But his mother, after standing undecided and a little bit sullen for some moments, said: "Very well, then! Don't go to the seaside till after the Derby, if you don't wish it. But promise me you won't think so much about horse-racing and events as you call them!" "Oh no," said the boy casually. "I won't think much about them, mother. You needn't worry. I wouldn't worry, mother, if I were you." "If you were me and I were you," said his mother, "I wonder what we should do!" "But you know you needn't worry, mother, don't you?" the boy repeated. "I should be awfully glad to know it," she said wearily. But the child lifted his uncanny blue eyes. "I couldn't possibly go before the Derby, mother!" he said. "I couldn't possibly!" "Oh, well, you can, you know. I mean, you ought to know you needn't worry," he insisted. "Ought I? Then I'll see about it," she said. "Why not?" she said, her voice becoming heavy when she was opposed. "Why not? You can still go from the seaside to see the Derby with your Uncle Oscar, if that that's what you wish. No need for you to wait here. Besides, I think you care too much about these races. It's a bad sign. My family has been a gambling family, and you won't know till you grow up how much damage it has done. But it has done damage. I shall have to send Bassett away, and ask Uncle Oscar not to talk racing to you, unless you promise to be reasonable about it: go away to the seaside and forget it. You're all nerves!" "I'll do what you like, mother, so long as you don't send me away till after the Derby," the boy said. "Send you away from where? Just from this house?" Paul's secret of secrets was his wooden horse, that which had no name. Since he was emancipated from a nurse and a nursery-governess, he had had his rocking-horse removed to his own bedroom at the top of the house. "Surely you're too big for a rocking-horse!" his mother had remonstrated. "Well, you see, mother, till I can have a real horse, I like to have some sort of animal about," had been his quaint answer. "Do you feel he keeps you company?" she laughed. "Oh yes! He's very good, he always keeps me company, when I'm there," said Paul. "Yes," he said, gazing at her. "Why, you curious child, what makes you care about this house so much, suddenly? I never knew you loved it." He gazed at her without speaking. He had a secret within a secret, something he had not divulged, even to Bassett or to his Uncle Oscar. So the horse, rather shabby, stood in an arrested prance in the boy's bedroom. The Derby was drawing near, and the boy grew more and more tense. He hardly heard what was spoken to him, he was very frail, and his eyes were really uncanny. His mother had sudden strange seizures of uneasiness about him. Sometimes, for half an hour, she would feel a sudden anxiety about him that was 220 almost anguish. She wanted to rush to him at once, and know he was safe. Softly, frozen with anxiety and fear, she turned the door-handle. Two nights before the Derby, she was at a big party in town, when one of her rushes of anxiety about her boy, her first-born, gripped her heart till she could hardly speak. She fought with the feeling, might and main, for she believed in common sense. But it was too strong. She had to leave the dance and go downstairs to telephone to the country. The children's nursery-governess was terribly surprised and startled at being rung up in the night. The room was dark. Yet in the space near the window, she heard and saw something plunging to and fro. She gazed in fear and amazement. Then suddenly she switched on the light, and saw her son, in his green pyjamas, madly surging on the rocking-horse. The blaze of light suddenly lit him up, as he urged the wooden horse, and lit her up, as she stood, blonde, in her dress of pale green and crystal, in the doorway. "Are the children all right, Miss Wilmot?" "Paul!" she cried. "Whatever are you doing?" "Oh yes, they are quite all right." "Master Paul? Is he all right?" "He went to bed as right as a trivet. Shall I run up and look at him?" "No," said Paul's mother reluctantly. "No! Don't trouble. It's all right. Don't sit up. We shall be home fairly soon." She did not want her son's privacy intruded upon. "Very good," said the governess. It was about one o'clock when Paul's mother and father drove up to their house. All was still. Paul's mother went to her room and slipped off her white fur cloak. She had told her maid not to wait up for her. She heard her husband downstairs, mixing a whisky and soda. And then, because of the strange anxiety at her heart, she stole upstairs to her son's room. Noiselessly she went along the upper corridor. Was there a faint noise? What was it? She stood, with arrested muscles, outside his door, listening. There was a strange, heavy, and yet not loud noise. Her heart stood still. It was a soundless noise, yet rushing and powerful. Something huge, in violent, hushed motion. What was it? What in God's name was it? She ought to know. She felt that she knew the noise. She knew what it was. Yet she could not place it. She couldn't say what it was. And on and on it went, like a madness. "It's Malabar!" he screamed in a powerful, strange voice. "It's Malabar!" His eyes blazed at her for one strange and senseless second, as he ceased urging his wooden horse. Then he fell with a crash to the ground, and she, all her tormented motherhood flooding upon her, rushed to gather him up. But he was unconscious, and unconscious he remained, with some brain-fever. He talked and tossed, and his mother sat stonily by his side. "Malabar! It's Malabar! Bassett, Bassett, I know! It's Malabar!" So the child cried, trying to get up and urge the rocking-horse that gave him his inspiration. "What does he mean by Malabar?" asked the heartfrozen mother. "I don't know," said the father stonily. "What does he mean by Malabar?" she asked her brother Oscar. "It's one of the horses running for the Derby," was the answer. And, in spite of himself, Oscar Cresswell spoke to Bassett, and himself put a thousand on Malabar: at fourteen to one. The third day of the illness was critical: they were waiting for a change. The boy, with his rather long, curly hair, was tossing ceaselessly on the pillow. He 221 neither slept nor regained consciousness, and his eyes were like blue stones. His mother sat, feeling her heart had gone, turned actually into a stone. In the evening Oscar Cresswell did not come, but Bassett sent a message, saying could he come up for one moment, just one moment? Paul's mother was very angry at the intrusion, but on second thoughts she agreed. The boy was the same. Perhaps Bassett might bring him to consciousness. The gardener, a shortish fellow with a little brown moustache and sharp little brown eyes, tiptoed into the room, touched his imaginary cap to Paul's mother, and stole to the bedside, staring with glittering, smallish eyes at the tossing, dying child. "Master Paul!" he whispered. "Master Paul! Malabar came in first all right, a clean win. I did as you told me. You've made over seventy thousand pounds, you have; you've got over eighty thousand. Malabar came in all right, Master Paul." "Malabar! Malabar! Did I say Malabar, mother? Did I say Malabar? Do you think I'm lucky, mother? I knew Malabar, didn't I? Over eighty thousand pounds! I call that lucky, don't you, mother? Over eighty thousand pounds! I knew, didn't I know I knew? Malabar came in all right. If I ride my horse till I'm sure, then I tell you, Bassett, you can go as high as you like. Did you go for all you were worth, Bassett?" "I went a thousand on it, Master Paul." "I never told you, mother, that if I can ride my horse, and get there, then I'm absolutely sure - oh, absolutely! Mother, did I ever tell you? I am lucky!" "No, you never did," said his mother. The Gift of the Magi O. Henry .......One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one's cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas. .......There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating. .......While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad. .......In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name "Mr. James Dillingham Young." The "Dillingham" had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, the letters of "Dillingham" looked blurred, as though they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called "Jim" and greatly hugged by Mrs. James Dillingham Young, already introduced to you as Della. Which is all very good. But the boy died in the night. And even as he lay dead, his mother heard her brother's voice saying to her, "My God, Hester, you're eighty-odd thousand to the good, and a poor devil of a son to the bad. But, poor devil, poor devil, he's best gone out of a life where he rides his rockinghorse to find a winner." ___________________________________________ .......Della finished her cry and attended to her cheeks with the powder rag. She stood by the window and looked out dully at a grey cat walking a grey fence in a grey backyard. Tomorrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn't go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. 222 Something fine and rare and sterling—something just a little bit near to being worthy of the honour of being owned by Jim. ......."Will you buy my hair?" asked Della. ......."I buy hair," said Madame. "Take yer hat off and let's have a sight at the looks of it." .......There was a pier-glass between the windows of the room. Perhaps you have seen a pier-glass in an $8 flat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art. .......Down rippled the brown cascade. "Twenty dollars," said Madame, lifting the mass with a practised hand. ......."Give it to me quick," said Della. .......Suddenly she whirled from the window and stood before the glass. Her eyes were shining brilliantly, but her face had lost its colour within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length. .......Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim's gold watch that had been his father's and his grandfather's. The other was Della's hair. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy. .......So now Della's beautiful hair fell about her, rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her. And then she did it up again nervously and quickly. Once she faltered for a minute and stood still while a tear or two splashed on the worn red carpet. .......On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she fluttered out the door and down the stairs to the street. .......Where she stopped the sign read: "Mme. Sofronie. Hair Goods of All Kinds." One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the "Sofronie." .......Oh, and the next two hours tripped by on rosy wings. Forget the hashed metaphor. She was ransacking the stores for Jim's present. .......She found it at last. It surely had been made for Jim and no one else. There was no other like it in any of the stores, and she had turned all of them inside out. It was a platinum fob chain simple and chaste in design, properly proclaiming its value by substance alone and not by meretricious ornamentation—as all good things should do. It was even worthy of The Watch. As soon as she saw it she knew that it must be Jim's. It was like him. Quietness and value—the description applied to both. Twenty-one dollars they took from her for it, and she hurried home with the 87 cents. With that chain on his watch Jim might be properly anxious about the time in any company. Grand as the watch was, he sometimes looked at it on the sly on account of the old leather strap that he used in place of a chain. .......When Della reached home her intoxication gave way a little to prudence and reason. She got out her curling irons and lighted the gas and went to work repairing the ravages made by generosity added to love. Which is always a tremendous task, dear friends—a mammoth task. .......Within forty minutes her head was covered with tiny, close-lying curls that made her look wonderfully like a truant schoolboy. She looked at her reflection in the mirror long, carefully, and critically. ......."If Jim doesn't kill me," she said to herself, "before he takes a second look at me, he'll say I look 223 like a Coney Island chorus girl. But what could I do—oh! what could I do with a dollar and eightyseven cents?" ......."Cut it off and sold it," said Della. "Don't you like me just as well, anyhow? I'm me without my hair, ain't I?" .......At 7 o'clock the coffee was made and the fryingpan was on the back of the stove hot and ready to cook the chops. .......Jim looked about the room curiously. ......."You say your hair is gone?" he said, with an air almost of idiocy. .......Jim was never late. Della doubled the fob chain in her hand and sat on the corner of the table near the door that he always entered. Then she heard his step on the stair away down on the first flight, and she turned white for just a moment. She had a habit for saying little silent prayers about the simplest everyday things, and now she whispered: "Please God, make him think I am still pretty." .......The door opened and Jim stepped in and closed it. He looked thin and very serious. Poor fellow, he was only twenty-two—and to be burdened with a family! He needed a new overcoat and he was without gloves. .......Jim stopped inside the door, as immovable as a setter at the scent of quail. His eyes were fixed upon Della, and there was an expression in them that she could not read, and it terrified her. It was not anger, nor surprise, nor disapproval, nor horror, nor any of the sentiments that she had been prepared for. He simply stared at her fixedly with that peculiar expression on his face. .......Della wriggled off the table and went for him. ......."Jim, darling," she cried, "don't look at me that way. I had my hair cut off and sold because I couldn't have lived through Christmas without giving you a present. It'll grow out again—you won't mind, will you? I just had to do it. My hair grows awfully fast. Say 'Merry Christmas!' Jim, and let's be happy. You don't know what a nice—what a beautiful, nice gift I've got for you." ......."You've cut off your hair?" asked Jim, laboriously, as if he had not arrived at that patent fact yet even after the hardest mental labor. ......."You needn't look for it," said Della. "It's sold, I tell you—sold and gone, too. It's Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered," she went on with sudden serious sweetness, "but nobody could ever count my love for you. Shall I put the chops on, Jim?" .......Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year—what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts, but that was not among them. This dark assertion will be illuminated later on. .......Jim drew a package from his overcoat pocket and threw it upon the table. ......."Don't make any mistake, Dell," he said, "about me. I don't think there's anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you'll unwrap that package you may see why you had me going a while at first." .......White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat. .......For there lay The Combs—the set of combs, side and back, that Della had worshipped long in a Broadway window. Beautiful combs, pure tortoise shell, with jewelled rims—just the shade to wear in 224 the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone. .......But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: "My hair grows so fast, Jim!" .......And then Della leaped up like a little singed cat and cried, "Oh, oh!" .......Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit. ......."Isn't it a dandy, Jim? I hunted all over town to find it. You'll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it." .......Instead of obeying, Jim tumbled down on the couch and put his hands under the back of his head and smiled. ......."Dell," said he, "let's put our Christmas presents away and keep 'em a while. They're too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on." .......The magi, as you know, were wise men— wonderfully wise men—who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi. ___________________________________________ THE MONKEY'S PAW W.W. Jacobs I. WITHOUT, the night was cold and wet, but in the small parlour of Laburnam Villa the blinds were drawn and the fire burned brightly. Father and son were at chess, the former, who possessed ideas about the game involving radical changes, putting his king into such sharp and unnecessary perils that it even provoked comment from the white-haired old lady knitting placidly by the fire. "Hark at the wind," said Mr. White, who, having seen a fatal mistake after it was too late, was amiably desirous of preventing his son from seeing it. "I'm listening," said the latter, grimly surveying the board as he stretched out his hand. "Check." "I should hardly think that he'd come to-night," said his father, with his hand poised over the board. "Mate," replied the son. "That's the worst of living so far out," bawled Mr. White, with sudden and unlooked-for violence; "of all the beastly, slushy, out-of-the-way places to live in, this is the worst. Pathway's a bog, and the road's a torrent. I don't know what people are thinking about. I suppose because only two houses on the road are let, they think it doesn't matter." "Never mind, dear," said his wife soothingly; "perhaps you'll win the next one." Mr. White looked up sharply, just in time to intercept a knowing glance between mother and son. The words died away on his lips, and he hid a guilty grin in his thin grey beard. "There he is," said Herbert White, as the gate banged to loudly and heavy footsteps came toward the door. The old man rose with hospitable haste, and opening the door, was heard condoling with the new arrival. The new arrival also condoled with himself, so that Mrs. White said, "Tut, tut!" and coughed gently as 225 her husband entered the room, followed by a tall burly man, beady of eye and rubicund of visage. He took something out of his pocket and proffered it. Mrs. White drew back with a grimace, but her son, taking it, examined it curiously. "Sergeant-Major Morris," he said, introducing him. The sergeant-major shook hands, and taking the proffered seat by the fire, watched contentedly while his host got out whisky and tumblers and stood a small copper kettle on the fire. At the third glass his eyes got brighter, and he began to talk, the little family circle regarding with eager interest this visitor from distant parts, as he squared his broad shoulders in the chair and spoke of strange scenes and doughty deeds; of wars and plagues and strange peoples. "Twenty-one years of it," said Mr. White, nodding at his wife and son. "When he went away he was a slip of a youth in the warehouse. Now look at him." "He don't look to have taken much harm," said Mrs. White, politely. "I'd like to go to India myself," said the old man, "just to look round a bit, you know." "Better where you are," said the sergeant-major, shaking his head. He put down the empty glass, and sighing softly, shook it again. "I should like to see those old temples and fakirs and jugglers," said the old man. "What was that you started telling me the other day about a monkey's paw or something, Morris?" "Nothing," said the soldier hastily. "Leastways, nothing worth hearing." "Monkey's paw?" said Mrs. White curiously. "Well, it's just a bit of what you might call magic, perhaps," said the sergeant-major off-handedly. His three listeners leaned forward eagerly. The visitor absentmindedly put his empty glass to his lips and then set it down again. His host filled it for him. "To look at," said the sergeant-major, fumbling in his pocket, "it's just an ordinary little paw, dried to a mummy." "And what is there special about it?" inquired Mr. White, as he took it from his son and, having examined it, placed it upon the table. "It had a spell put on it by an old fakir," said the sergeant-major, "a very holy man. He wanted to show that fate ruled people's lives, and that those who interfered with it did so to their sorrow. He put a spell on it so that three separate men could each have three wishes from it." His manner was so impressive that his hearers were conscious that their light laughter jarred somewhat. "Well, why don't you have three, sir?" said Herbert White cleverly. The soldier regarded him in the way that middle age is wont to regard presumptuous youth. "I have," he said quietly, and his blotchy face whitened. "And did you really have the three wishes granted?" asked Mrs. White. "I did," said the sergeant-major, and his glass tapped against his strong teeth. "And has anybody else wished?" inquired the old lady. "The first man had his three wishes, yes," was the reply. "I don't know what the first two were, but the third was for death. That's how I got the paw." His tones were so grave that a hush fell upon the group. "If you've had your three wishes, it's no good to you now, then, Morris," said the old man at last. "What do you keep it for?" The soldier shook his head. "Fancy, I suppose," he said slowly. "If you could have another three wishes," said the old man, eyeing him keenly, "would you have them?" "I don't know," said the other. "I don't know." 226 He took the paw, and dangling it between his front finger and thumb, suddenly threw it upon the fire. White, with a slight cry, stooped down and snatched it off. "Better let it burn," said the soldier solemnly. "If you don't want it, Morris," said the old man, "give it to me." "I won't," said his friend doggedly. "I threw it on the fire. If you keep it, don't blame me for what happens. Pitch it on the fire again, like a sensible man." The other shook his head and examined his new possession closely. "How do you do it?" he inquired. "Hold it up in your right hand and wish aloud,' said the sergeant-major, "but I warn you of the consequences." "Sounds like the Arabian Nights," said Mrs White, as she rose and began to set the supper. "Don't you think you might wish for four pairs of hands for me?" Her husband drew the talisman from his pocket and then all three burst into laughter as the sergeantmajor, with a look of alarm on his face, caught him by the arm. "If you must wish," he said gruffly, "wish for something sensible." Mr. White dropped it back into his pocket, and placing chairs, motioned his friend to the table. In the business of supper the talisman was partly forgotten, and afterward the three sat listening in an enthralled fashion to a second instalment of the soldier's adventures in India. "If the tale about the monkey paw is not more truthful than those he has been telling us," said Herbert, as the door closed behind their guest, just in time for him to catch the last train, "we shan't make much out of it." "Did you give him anything for it, father?" inquired Mrs. White, regarding her husband closely. "A trifle," said he, colouring slightly. "He didn't want it, but I made him take it. And he pressed me again to throw it away." "Likely," said Herbert, with pretended horror. "Why, we're going to be rich, and famous, and happy. Wish to be an emperor, father, to begin with; then you can't be henpecked." He darted round the table, pursued by the maligned Mrs. White armed with an antimacassar. Mr. White took the paw from his pocket and eyed it dubiously. "I don't know what to wish for, and that's a fact," he said slowly. "It seems to me I've got all I want." "If you only cleared the house, you'd be quite happy, wouldn't you?" said Herbert, with his hand on his shoulder. "Well, wish for two hundred pounds, then; that'll just do it." His father, smiling shamefacedly at his own credulity, held up the talisman, as his son, with a solemn face somewhat marred by a wink at his mother, sat down at the piano and struck a few impressive chords. "I wish for two hundred pounds," said the old man distinctly. A fine crash from the piano greeted the words, interrupted by a shuddering cry from the old man. His wife and son ran toward him. "It moved, he cried, with a glance of disgust at the object as it lay on the floor. "As I wished it twisted in my hands like a snake." "Well, I don't see the money," said his son, as he picked it up and placed it on the table, "and I bet I never shall." "It must have been your fancy, father," said his wife, regarding him anxiously. He shook his head. "Never mind, though; there's no harm done, but it gave me a shock all the same." They sat down by the fire again while the two men finished their pipes. Outside, the wind was higher than ever, and the old man started nervously at the sound of a door banging upstairs. A silence unusual and depressing settled upon all three, which lasted until the old couple rose to retire for the night. 227 "I expect you'll find the cash tied up in a big bag in the middle of your bed," said Herbert, as he bade them good-night, "and something horrible squatting up on top of the wardrobe watching you as you pocket your ill-gotten gains." He sat alone in the darkness, gazing at the dying fire, and seeing faces in it. The last face was so horrible and so simian that he gazed at it in amazement. It got so vivid that, with a little uneasy laugh, he felt on the table for a glass containing a little water to throw over it. His hand grasped the monkey's paw, and with a little shiver he wiped his hand on his coat and went up to bed. II. IN the brightness of the wintry sun next morning as it streamed over the breakfast table Herbert laughed at his fears. There was an air of prosaic wholesomeness about the room which it had lacked on the previous night, and the dirty, shrivelled little paw was pitched on the sideboard with a carelessness which betokened no great belief in its virtues. "I suppose all old soldiers are the same," said Mrs White. "The idea of our listening to such nonsense! How could wishes be granted in these days? And if they could, how could two hundred pounds hurt you, father?" "Might drop on his head from the sky," said the frivolous Herbert. "Morris said the things happened so naturally," said his father, "that you might if you so wished attribute it to coincidence." "Well, don't break into the money before I come back," said Herbert, as he rose from the table. "I'm afraid it'll turn you into a mean, avaricious man, and we shall have to disown you." His mother laughed, and following him to the door, watched him down the road, and returning to the breakfast table, was very happy at the expense of her husband's credulity. All of which did not prevent her from scurrying to the door at the postman's knock, nor prevent her from referring somewhat shortly to retired sergeant-majors of bibulous habits when she found that the post brought a tailor's bill. "Herbert will have some more of his funny remarks, I expect, when he comes home," she said, as they sat at dinner. "I dare say," said Mr. White, pouring himself out some beer; "but for all that, the thing moved in my hand; that I'll swear to." "You thought it did," said the old lady soothingly. "I say it did," replied the other. "There was no thought about it; I had just----What's the matter?" His wife made no reply. She was watching the mysterious movements of a man outside, who, peering in an undecided fashion at the house, appeared to be trying to make up his mind to enter. In mental connection with the two hundred pounds, she noticed that the stranger was well dressed and wore a silk hat of glossy newness. Three times he paused at the gate, and then walked on again. The fourth time he stood with his hand upon it, and then with sudden resolution flung it open and walked up the path. Mrs. White at the same moment placed her hands behind her, and hurriedly unfastening the strings of her apron, put that useful article of apparel beneath the cushion of her chair. She brought the stranger, who seemed ill at ease, into the room. He gazed at her furtively, and listened in a preoccupied fashion as the old lady apologized for the appearance of the room, and her husband's coat, a garment which he usually reserved for the garden. She then waited as patiently as her sex would permit, for him to broach his business, but he was at first strangely silent. "I--was asked to call," he said at last, and stooped and picked a piece of cotton from his trousers. "I come from Maw and Meggins." The old lady started. "Is anything the matter?" she asked breathlessly. "Has anything happened to Herbert? What is it? What is it?" Her husband interposed. "There, there, mother," he said hastily. "Sit down, and don't jump to conclusions. You've not brought bad news, I'm sure, sir" and he eyed the other wistfully. "I'm sorry----" began the visitor. "Is he hurt?" demanded the mother. 228 The visitor bowed in assent. "Badly hurt," he said quietly, "but he is not in any pain." "Oh, thank God!" said the old woman, clasping her hands. "Thank God for that! Thank----" She broke off suddenly as the sinister meaning of the assurance dawned upon her and she saw the awful confirmation of her fears in the other's averted face. She caught her breath, and turning to her slowerwitted husband, laid her trembling old hand upon his. There was a long silence. "He was caught in the machinery," said the visitor at length, in a low voice. "Caught in the machinery," repeated Mr. White, in a dazed fashion, "yes." He sat staring blankly out at the window, and taking his wife's hand between his own, pressed it as he had been wont to do in their old courting days nearly forty years before. "He was the only one left to us," he said, turning gently to the visitor. "It is hard." Unconscious of his wife's shriek, the old man smiled faintly, put out his hands like a sightless man, and dropped, a senseless heap, to the floor. III. IN the huge new cemetery, some two miles distant, the old people buried their dead, and came back to a house steeped in shadow and silence. It was all over so quickly that at first they could hardly realize it, and remained in a state of expectation as though of something else to happen--something else which was to lighten this load, too heavy for old hearts to bear. But the days passed, and expectation gave place to resignation--the hopeless resignation of the old, sometimes miscalled, apathy. Sometimes they hardly exchanged a word, for now they had nothing to talk about, and their days were long to weariness. It was about a week after that that the old man, waking suddenly in the night, stretched out his hand and found himself alone. The room was in darkness, and the sound of subdued weeping came from the window. He raised himself in bed and listened. "Come back," he said tenderly. "You will be cold." The other coughed, and rising, walked slowly to the window. "The firm wished me to convey their sincere sympathy with you in your great loss," he said, without looking round. "I beg that you will understand I am only their servant and merely obeying orders." There was no reply; the old woman's face was white, her eyes staring, and her breath inaudible; on the husband's face was a look such as his friend the sergeant might have carried into his first action. "I was to say that Maw and Meggins disclaim all responsibility," continued the other. "They admit no liability at all, but in consideration of your son's services they wish to present you with a certain sum as compensation." Mr. White dropped his wife's hand, and rising to his feet, gazed with a look of horror at his visitor. His dry lips shaped the words, "How much?" "It is colder for my son," said the old woman, and wept afresh. The sound of her sobs died away on his ears. The bed was warm, and his eyes heavy with sleep. He dozed fitfully, and then slept until a sudden wild cry from his wife awoke him with a start. "The paw!" she cried wildly. "The monkey's paw!" He started up in alarm. "Where? Where is it? What's the matter?" She came stumbling across the room toward him. "I want it," she said quietly. "You've not destroyed it?" "It's in the parlour, on the bracket," he replied, marvelling. "Why?" She cried and laughed together, and bending over, kissed his cheek. "Two hundred pounds," was the answer. "I only just thought of it," she said hysterically. "Why didn't I think of it before? Why didn't you think of it?" 229 "Think of what?" he questioned. "The other two wishes," she replied rapidly. "We've only had one." "Was not that enough?" he demanded fiercely. "No," she cried, triumphantly; "we'll have one more. Go down and get it quickly, and wish our boy alive again." The man sat up in bed and flung the bedclothes from his quaking limbs. "Good God, you are mad!" he cried aghast. "Get it," she panted; "get it quickly, and wish---Oh, my boy, my boy!" Her husband struck a match and lit the candle. "Get back to bed," he said, unsteadily. "You don't know what you are saying." "We had the first wish granted," said the old woman, feverishly; "why not the second." "A coincidence," stammered the old man. "Go and get it and wish," cried the old woman, quivering with excitement. The old man turned and regarded her, and his voice shook. "He has been dead ten days, and besides he--I would not tell you else, but--I could only recognize him by his clothing. If he was too terrible for you to see then, how now?" "Bring him back," cried the old woman, and dragged him toward the door. "Do you think I fear the child I have nursed?" He went down in the darkness, and felt his way to the parlour, and then to the mantelpiece. The talisman was in its place, and a horrible fear that the unspoken wish might bring his mutilated son before him ere he could escape from the room seized upon him, and he caught his breath as he found that he had lost the direction of the door. His brow cold with sweat, he felt his way round the table, and groped along the wall until he found himself in the small passage with the unwholesome thing in his hand. Even his wife's face seemed changed as he entered the room. It was white and expectant, and to his fears seemed to have an unnatural look upon it. He was afraid of her. "Wish!" she cried, in a strong voice. "It is foolish and wicked," he faltered. "Wish!" repeated his wife. He raised his hand. "I wish my son alive again." The talisman fell to the floor, and he regarded it fearfully. Then he sank trembling into a chair as the old woman, with burning eyes, walked to the window and raised the blind. He sat until he was chilled with the cold, glancing occasionally at the figure of the old woman peering through the window. The candle end, which had burnt below the rim of the china candlestick, was throwing pulsating shadows on the ceiling and walls, until, with a flicker larger than the rest, it expired. The old man, with an unspeakable sense of relief at the failure of the talisman, crept back to his bed, and a minute or two afterward the old woman came silently and apathetically beside him. Neither spoke, but both lay silently listening to the ticking of the clock. A stair creaked, and a squeaky mouse scurried noisily through the wall. The darkness was oppressive, and after lying for some time screwing up his courage, the husband took the box of matches, and striking one, went downstairs for a candle. At the foot of the stairs the match went out, and he paused to strike another, and at the same moment a knock, so quiet and stealthy as to be scarcely audible, sounded on the front door. The matches fell from his hand. He stood motionless, his breath suspended until the knock was repeated. Then he turned and fled swiftly back to his room, and closed the door behind him. A third knock sounded through the house. "What's that?" cried the old woman, starting up. "A rat," said the old man, in shaking tones--"a rat. It passed me on the stairs." His wife sat up in bed listening. A loud knock resounded through the house. 230 "It's Herbert!" she screamed. "It's Herbert!" She ran to the door, but her husband was before her, and catching her by the arm, held her tightly. "What are you going to do?" he whispered hoarsely. "It's my boy; it's Herbert!" she cried, struggling mechanically. "I forgot it was two miles away. What are you holding me for? Let go. I must open the door." "For God's sake, don't let it in," cried the old man trembling. "You're afraid of your own son," she cried, struggling. "Let me go. I'm coming, Herbert; I'm coming." There was another knock, and another. The old woman with a sudden wrench broke free and ran from the room. Her husband followed to the landing, and called after her appealingly as she hurried downstairs. He heard the chain rattle back and the bottom bolt drawn slowly and stiffly from the socket. Then the old woman's voice, strained and panting. "The bolt," she cried loudly. "Come down. I can't reach it." But her husband was on his hands and knees groping wildly on the floor in search of the paw. If he could only find it before the thing outside got in. A perfect fusillade of knocks reverberated through the house, and he heard the scraping of a chair as his wife put it down in the passage against the door. He heard the creaking of the bolt as it came slowly back, and at the same moment he found the monkey's paw, and frantically breathed his third and last wish. The knocking ceased suddenly, although the echoes of it were still in the house. He heard the chair drawn back and the door opened. A cold wind rushed up the staircase, and a long loud wail of disappointment and misery from his wife gave him courage to run down to her side, and then to the gate beyond. The street lamp flickering opposite shone on a quiet and deserted road. ___________________________________________ Guy de Maupassant The Necklace She was one of those pretty and charming girls born, as though fate had blundered over her, into a family of artisans. She had no marriage portion, no expectations, no means of getting known, understood, loved, and wedded by a man of wealth and distinction; and she let herself be married off to a little clerk in the Ministry of Education. Her tastes were simple because she had never been able to afford any other, but she was as unhappy as though she had married beneath her; for women have no caste or class, their beauty, grace, and charm serving them for birth or family, their natural delicacy, their instinctive elegance, their nimbleness of wit, are their only mark of rank, and put the slum girl on a level with the highest lady in the land. She suffered endlessly, feeling herself born for every delicacy and luxury. She suffered from the poorness of her house, from its mean walls, worn chairs, and ugly curtains. All these things, of which other women of her class would not even have been aware, tormented and insulted her. The sight of the little Breton girl who came to do the work in her little house aroused heart-broken regrets and hopeless dreams in her mind. She imagined silent antechambers, heavy with Oriental tapestries, lit by torches in lofty bronze sockets, with two tall footmen in knee-breeches sleeping in large arm-chairs, overcome by the heavy warmth of the stove. She imagined vast saloons hung with antique silks, exquisite pieces of furniture supporting priceless ornaments, and small, charming, perfumed rooms, created just for little parties of intimate friends, men who were famous and sought after, whose homage roused every other woman's envious longings. When she sat down for dinner at the round table covered with a three-days-old cloth, opposite her husband, who took the cover off the soup-tureen, exclaiming delightedly: "Aha! Scotch broth! What could be better?" she imagined delicate meals, gleaming silver, tapestries peopling the walls with folk of a past age and strange birds in faery forests; she imagined delicate food served in marvellous dishes, murmured gallantries, listened to with an inscrutable smile as one trifled with the rosy flesh of trout or wings of asparagus chicken. She had no clothes, no jewels, nothing. And these were the only things she loved; she felt that she was made for them. She had longed so eagerly to charm, to be desired, to be wildly attractive and sought after. 231 She had a rich friend, an old school friend whom she refused to visit, because she suffered so keenly when she returned home. She would weep whole days, with grief, regret, despair, and misery. yours whose wife will be turned out better than I shall." One evening her husband came home with an exultant air, holding a large envelope in his hand. "Look here, Mathilde," he persisted. "What would be the cost of a suitable dress, which you could use on other occasions as well, something very simple?" He was heart-broken. "Here's something for you," he said. Swiftly she tore the paper and drew out a printed card on which were these words: "The Minister of Education and Madame Ramponneau request the pleasure of the company of Monsieur and Madame Loisel at the Ministry on the evening of Monday, January the 18th." Instead of being delighted, as her husband hoped, she flung the invitation petulantly across the table, murmuring: "What do you want me to do with this?" "Why, darling, I thought you'd be pleased. You never go out, and this is a great occasion. I had tremendous trouble to get it. Every one wants one; it's very select, and very few go to the clerks. You'll see all the really big people there." She looked at him out of furious eyes, and said impatiently: "And what do you suppose I am to wear at such an affair?" She thought for several seconds, reckoning up prices and also wondering for how large a sum she could ask without bringing upon herself an immediate refusal and an exclamation of horror from the careful-minded clerk. At last she replied with some hesitation: "I don't know exactly, but I think I could do it on four hundred francs." He grew slightly pale, for this was exactly the amount he had been saving for a gun, intending to get a little shooting next summer on the plain of Nanterre with some friends who went lark-shooting there on Sundays. Nevertheless he said: "Very well. I'll give you four hundred francs. But try and get a really nice dress with the money." The day of the party drew near, and Madame Loisel seemed sad, uneasy and anxious. Her dress was ready, however. One e