Investigative Interviewing – Understanding the Art IIA – Boise Chapter April 8, 2014 First Instincts Investigative Interviewing – Understanding the Art 2 First Instincts Investigative Interviewing – Understanding the Art 3 Interview vs. Interrogation • Interview: A discussion about a specific subject, best conducted between two persons, for the purpose of gathering accurate information regarding a specific subject • Interrogation: A controlled conversation between two persons to obtain a confession or admission of guilt Investigative Interviewing – Understanding the Art 4 Tools of Interrogation • Proper tools are required • Perception of interrogation Investigative Interviewing – Understanding the Art 5 Interview Preparation • To prepare thoroughly you must: – Know your end game (individually and corporately) – Know the risks – Know your topic—document review and outline – Know your subject • Employment file • Background check • Other interviews Investigative Interviewing – Understanding the Art 6 Interview Preparation: Develop a Strategy • WHO is present in the interview can make all the difference—pros and cons of having counsel or others present. • WHAT is your purpose in the interview? i.e., What do you hope to get out of it? What do you think they know? • WHERE you interview sets the stage, sends a message, and sets the tone, especially for adversarial interviews. Investigative Interviewing – Understanding the Art 7 Interview Preparation: Develop a Strategy • WHEN you interview is important – Time of day or week – Order of interviews • WHY have you decided to interview this person? Why now? Remember that every interviewee is a vulnerability to your investigation. • HOW are you going to start and end the interview? What you say in the first minute can make or break you. Investigative Interviewing – Understanding the Art 8 Interview Tips • Communications researchers claim non-verbal communication makes up 65% to 70% of the “real” message. • The real message can be contained in: – – – – voice - pitch, stress, tone, pauses, language - errors, qualifications, vagueness facial expressions - eye movement, licking lips body movements - grooming gestures, tapping Investigative Interviewing – Understanding the Art 9 Spare Thinking Time • S-l-o-w D-o-w-n • Control • Think before you speak • The power of Silence Investigative Interviewing – Understanding the Art 10 Take Control: “Have a seat.” • • • • • • • • Eliminate distractions Allow for open discussion Taking notes = control Recording interview? Fill in the missing links Move with a purpose and a rhythm Posture Witness Investigative Interviewing – Understanding the Art 11 The Interview Setting • • • • Location—“Your place or mine?” Physical/Psychological advantage Props: Files, Cabinets, Labels Position person being interviewed near the exit with their back to the door • 4–6 feet apart; entire body in view Investigative Interviewing – Understanding the Art 12 Developing Rapport • “To give of thyself ” • Be non-judgmental • Even non-adversarial interviews require rapport • Best sign of good rapport = conversational tone • Rapport development continues even after interview is over Investigative Interviewing – Understanding the Art 13 Mirroring - Rapport Means doing the mirror image of the movement of the subject in order to keep or take control of the interview Investigative Interviewing – Understanding the Art 14 History of Deceit • • • • Desire to be truthful Develop internal response by three Develop patterns of deceit Develop signals Investigative Interviewing – Understanding the Art 15 Deceit • What Indicates Deception? – According to Freud: “He that has eyes to see and ears to hear may convince himself that no mortal can keep a secret. If his lips are silent, he chatter with his fingertips; betrayal oozes out of him at every pore”. Investigative Interviewing – Understanding the Art 16 And the #1 Most Common Interview Mistake Is . . . TALKING OR WRITING AND NOT LISTENING! Investigative Interviewing – Understanding the Art 17 Listening •Discriminatory Listening –My Perceptions and Beliefs •Passive Listening –More Attention to Notes then the Subject •Empathetic Listening –Observes and Absorbs the Subject Investigative Interviewing – Understanding the Art 18 Interviewing Questions • • • • • Introductory Informational Assessment Closing Admission-seeking Investigative Interviewing – Understanding the Art 19 Introductory Questions • Provides an introduction • Establishes rapport • Establishes the theme of the interviews • Observes the person’s reactions Investigative Interviewing – Understanding the Art 20 General Rules for Introductory Questions • Don’t interview more than one person at a time • Conduct interviews under conditions of privacy • Ask non-sensitive questions (Minimization) Instead of: Investigation Audit Interview Embezzle Use: Inquiry Analysis Ask a few questions Shortage or paperwork problems Investigative Interviewing – Understanding the Art 21 General Rules for Introductory Questions • Get a commitment for assistance • Make a transitional statement • Seek continuous agreement • Do not promise confidentiality • Negotiations • Discussing the source of allegations Investigative Interviewing – Understanding the Art 22 Informational Questions • • • • Open questions Closed questions Leading questions Question sequences Investigative Interviewing – Understanding the Art 23 Informational Question Techniques • Begin by asking questions that are not likely to cause the respondent to become defensive or hostile. • Ask the questions in a manner that will develop the facts in the order of their occurrence, or in some other systematic order. • Ask only one question at a time, and frame the question so that only one answer is required. • Ask straightforward and frank questions; generally avoid shrewd approaches. • Keep interruptions to a minimum, and do not stop the subject’s narrative without good reason. Investigative Interviewing – Understanding the Art 24 Informational Question Techniques • Give the respondent ample time to answer; do not rush. • Try to help the respondent remember, but do not suggest answers; and be careful not to imply any particular answer by facial expressions, gestures, methods of asking questions, or types of questions asked. • Repeat or rephrase questions, if necessary, to get the desired facts. • Be sure you understand the answers, and if they are not perfectly clear, have the subject interpret them at that time instead of saving this for later. • Give the subject an opportunity to qualify their answers. Investigative Interviewing – Understanding the Art 25 Informational Question Techniques • Separate facts from inferences. • Have the subject give comparisons by percentages, fractions, estimates of time and distance, and other such methods to ensure accuracy. • After the respondent has given a narrative account, ask follow-up questions about every key issue that has been discussed. • Upon conclusion of the direct questioning, ask the respondent to summarize the information given; then summarize the facts, and have the respondent verify that these conclusions are correct. Investigative Interviewing – Understanding the Art 26 Methodology Informational Phase • Begin with background questions • Observe verbal and nonverbal behavior • Ask non-leading (open) questions • Approach sensitive questions carefully Investigative Interviewing – Understanding the Art 27 Dealing With Difficult People • Do not react • Disarm the person • Change tactics • Escort to the door – Inability to leave Investigative Interviewing – Understanding the Art 28 Volatile Interviews • An interview that has the potential to bring about strong emotional reactions in the respondent • There should be two interviewers • Should be conducted on a surprise basis • The order of questions should be out of sequence • Use hypothetical questions Investigative Interviewing – Understanding the Art 29 Assessment Questions • Establishes the credibility of the respondent • Norming or calibrating – Process of observing behavior before critical questions are asked • Physiology of deception – People lie for one of two reasons: to receive rewards or avoid punishment – The human body will attempt to relieve stress through verbal and nonverbal clues Investigative Interviewing – Understanding the Art 30 Methodology • Interviewer: “Most of them aren’t criminals at all. A lot of times, they’re just trying to save their jobs or just trying to get by because the company is so cheap that they won’t pay people what they are worth. Do you know what I mean?” • Interviewer: “Why do you think someone around here might be justified in making a secret arrangement with one of the company’s vendors?” • Interviewer: “How do you think we should deal with someone who got in a bind and did something wrong in the eyes of the company?” • Interviewer: “Do you think someone in your department might have done something wrong because they thought they were justified?” Investigative Interviewing – Understanding the Art 31 Methodology • Interviewer: “Have you ever felt yourself—even though you didn’t go through with it—justified in taking advantage of your position?” • Interviewer: “Who in your department do you feel would think they were justified in doing something against the company?” • Interviewer: “Is there any reason why someone who works with you would say they thought you might feel justified in doing something wrong?” • Interviewer: “What would concern you most if you did something wrong and it was found out?” Investigative Interviewing – Understanding the Art 32 Closing Questions • Reconfirming facts • Gathering additional facts – What could you ask? • Concluding the interview on a positive note – Why? Investigative Interviewing – Understanding the Art 33 Nonverbal Clues • Full-body motions • Anatomical physical responses – Breathing – Sweating • Illustrators • The Face • Manipulators • Fleeing positions • Crossing – Arms or Legs • Reaction to evidence • Fake smiles – Mouth – Eyes Investigative Interviewing – Understanding the Art 34 Physical Indicators of Deceit • Everyone but the most skilled commando exhibits involuntary outward physical signs when they are discussing something that makes them uncomfortable. • The main indicator is change in movement. – Eyes • Up, down, all around • Look for variation Investigative Interviewing – Understanding the Art 35 Physical Indicators of Deceit • Posture – Determine under casual circumstances – Observe change as pressure builds • Changes in demeanor – Mouth, Hands, Attention, Ticks Investigative Interviewing – Understanding the Art 36 Nonverbal Clues Touching the Face Investigative Interviewing – Understanding the Art 37 Nonverbal Clues Sensitive Nose Investigative Interviewing – Understanding the Art 38 Nonverbal Clues The Mouth Investigative Interviewing – Understanding the Art 39 Nonverbal Clues The Eyes Investigative Interviewing – Understanding the Art 40 Nonverbal Clues Blinking Investigative Interviewing – Understanding the Art 41 Nonverbal Clues Eyebrows Investigative Interviewing – Understanding the Art 42 Nonverbal Clues Crossing Investigative Interviewing – Understanding the Art 43 Nonverbal Clues The Hands Investigative Interviewing – Understanding the Art 44 Nonverbal Clues Posture Investigative Interviewing – Understanding the Art 45 Verbal Clues to Deception • • • • • • • • Changes in speech patterns Repetition of the question Comments regarding the interview Selective memory Making excuses Oaths Character testimony Answering with a question Investigative Interviewing – Understanding the Art 46 46 Verbal Clues to Deception • • • • • • • • Overuse of respect Increasingly weaker denials Failure to deny Avoidance of emotive words Refusal to implicate other suspects Tolerant attitudes Reluctance to terminate interview Feigned unconcern Investigative Interviewing – Understanding the Art 47 47 Verbal Indicators of Deceit • Disruption in the speech pattern – Stammer – Stutter – Slurring • Buying time—repeating the question – “I don’t understand what you’re asking me.” • Utterances – Whew! – Sigh – Snicker Investigative Interviewing – Understanding the Art 48 Qualified Memory Lapses • • • • • • • • “I don’t think so.” “I can’t recall.” “Not to my knowledge.” “I can’t remember.” “Not that I can think of.” “Not that I can remember.” “Not as far as I know.” “I have never heard that before.” Investigative Interviewing – Understanding the Art 49 The Criminal Gets Religion! • “Honest to God . . .” • “I swear on my mothers grave . . .” • “May my parents drop dead if I’m lying . . .” • “As God is my witness . . .” Investigative Interviewing – Understanding the Art 50 Opposites and Qualifiers • • • • • “Honestly . . .” “I would never do . . .” “I’m not the type of person . . .” “You may not believe this, but . . .” “This is going to sound like a lie, but . . .” Investigative Interviewing – Understanding the Art 51 I’m GUILTY! • • • • • Past trouble Similar incident in the past, admitted to it Third-person Denies virtually everything Prejudice on the interviewers part Investigative Interviewing – Understanding the Art 52 False Issues • History • Unjustified anger • Argument over irrelevant issues Investigative Interviewing – Understanding the Art 53 The Word NO • Timing is everything—too late or too soon? • Quality over quantity—“No, no, no, no, no.” • Keep it cool—“ NOOOOOO!” • Size matters—½ No (“N…”) Investigative Interviewing – Understanding the Art 54 The Half No Investigative Interviewing – Understanding the Art 55 The Verbal Queues Seeing for Ourselves Investigative Interviewing – Understanding the Art 56 Closing the Deal • • • • • • Requires momentum Requires timing Requires control May only get one chance . . . be ready! Happens in steps Don’t rush it! Investigative Interviewing – Understanding the Art 57 Admission-Seeking Questions • Distinguish the innocent from the culpable • Obtain a valid confession • Obtain from the confessor a written statement acknowledging the facts Investigative Interviewing – Understanding the Art 58 Admission-Seeking Questions • Presence of outsiders • Miranda warnings • Theme development – People will confess if they perceive that the benefits outweigh the penalties – Offer a morally acceptable reason for the confessor’s behavior – Convey absolute confidence in the premise of the admission you seek from the subject Investigative Interviewing – Understanding the Art 59 Accusing an Innocent Person • The accuser has reasonable suspicion or predication to believe the accused has committed an offense. • The accusation is made under conditions of privacy. • The accuser does not take any action likely to make an innocent person confess. • The accusation is conducted under reasonable conditions. Investigative Interviewing – Understanding the Art 60 Subject Facts • Subject is cashier & responsible for sales and cash refunds • Internal Audit determined - Most returns of any other cashier • Used employee discount to purchase 11 TVs and returned 8 of them for cash Theory – Sold TVs to others and faked returns and/or created fake returns and pocketed the cash Investigative Interviewing – Understanding the Art 61 The Admission Seeking Interview Investigative Interviewing – Understanding the Art 62 Steps In The AdmissionSeeking Interview • Direct accusation • Observe reaction • Repeat accusation Investigative Interviewing – Understanding the Art 63 The Accusation Investigative Interviewing – Understanding the Art 64 Steps In The AdmissionSeeking Interview • Interrupt denials – Delays – Interruptions – Reasoning Investigative Interviewing – Understanding the Art 65 Cut off Denials Investigative Interviewing – Understanding the Art 66 Steps In The AdmissionSeeking Interview • Establish rationalization – – – – – – Unfair treatment Inadequate recognition Financial problems Aberration of conduct Family problems Accuser’s actions • Establish rationalization – Stress, drugs, alcohol – Revenge – Depersonalizing the victim – Minor moral infraction – Altruism – Genuine need Investigative Interviewing – Understanding the Art 67 Establish Rationalizations Investigative Interviewing – Understanding the Art 68 Steps In The AdmissionSeeking Interview • Diffuse alibis – Display physical evidence – Discuss witnesses – Discuss deceptions – Present alternative Investigative Interviewing – Understanding the Art 69 Diffuse Alibis Investigative Interviewing – Understanding the Art 70 Steps In The AdmissionSeeking Interview • Benchmark admission – Reinforce rationalization Investigative Interviewing – Understanding the Art 71 Benchmark to Final Admission Investigative Interviewing – Understanding the Art 72 Steps In The AdmissionSeeking Interview • Verbal confession – That the accused knew the conduct was wrong – Facts known only to the perpetrator – An estimate of the number of instances or amounts – A motive for the offense – When the misconduct began Investigative Interviewing – Understanding the Art 73 Steps In The AdmissionSeeking Interview • Verbal confession – When/if the misconduct was terminated – Others involved – Physical evidence – Disposition of proceeds – Location of assets – Specifics of each offense Investigative Interviewing – Understanding the Art 74 Admission Seeking – The Flow Step 1: Accuse the Subject • “You did …” • Lay out the facts that relate to subject’s guilt. • Observe the subject’s reaction. • If the subject denies responsibility - repeat the accusation. Investigative Interviewing – Understanding the Art 75 Admission Seeking – The Flow Step 2: Cut off Denials • Stop denials by subject or he/she will become stronger and doubt the strength of your case. • Interrupt and prevent additional denials remember this is not an interview. • Use nonverbal gestures to stop denials. • A guilty subject will grow weaker as the denials are stopped. • Tell the subject it is his/her turn to listen. Investigative Interviewing – Understanding the Art 76 Admission Seeking – The Flow Step 3: Provide reasons to confess • Tell the suspect why he committed the crime: • Rationalize and minimize the subject’s behavior. • Use the “emotional handles” located during the interview - Mom, drugs, alcohol, • Give the subject reasons to confess. • PATIENCE, PERSISTENCE & “PATTER”. – Patter per Webster is “rapid speech of a salesman”. • Maintain a monologue and momentum. Investigative Interviewing – Understanding the Art 77 Admission Seeking – The Flow Step 4: Redirect Protests • Protests are reasons for innocence provided by the subject. • The guilty subject will use protests because the denials have failed. • Protests many times are accurate - don’t try to argue over something that is hard to refute. • Try to incorporate protests into reasons to confess. Investigative Interviewing – Understanding the Art 78 Admission Seeking – The Flow Step 5: Maintain the Subject’s Attention • Subjects have a tendency to withdraw after denials and protests fail. • Move closer to subject - violate his personal space. Get closer than 18 inches. • Use the subject’s name and reek sincerity. • Make the subject focus on the reason to confess. Investigative Interviewing – Understanding the Art 79 Admission Seeking – The Flow Step 6: Is the Subject Receptive? • Nonverbal cues to subject giving in: – Head drops • Body leans forward – Tears - the “last line of defense” – Reduce “Reasons to Confess” to a succinct concept. Investigative Interviewing – Understanding the Art 80 Admission Seeking – The Flow Step 7: Present a Good/Bad Option –Alternative Question • Present two explanations for subject’s criminal behavior: • One explanation is objectionable - bad. • The other explanation understandable - good. • Tell the subject he based his actions on the good option. • Ask the subject to confirm the good option. Investigative Interviewing – Understanding the Art 81 Admission Seeking – The Flow Step 8: Obtain the Confession • If the subject selects the “good option”: • Express empathy and understanding. • Ask open ended questions followed by more specific detailed questions. • Get details of crime only known to subject. • If the subject refuses to make a selection go back to different reasons to confess. • Confessions come in pieces not one complete statement. • Subjects will “test the water” with small omissions • Give the subject several little pieces or statements they can say yes to. Investigative Interviewing – Understanding the Art 82 Admission Seeking – The Flow • After the subject makes a verbal confession express understanding. • “You made a mistake”. • Shake the subject’s hand and say “… I’m proud of you….” • No high fives or gloating in front of the subject • Why the act? • Get the confession on paper. Investigative Interviewing – Understanding the Art 83 Taking a Signed Statement • Voluntary confessions • Intent Instead of: Use: Lie I knew the statement/action was untrue. Steal I wrongfully took the property of ______ for my Embezzle Fraud own benefit. I wrongfully took ______’s property which had been entrusted to me, and used it for my own benefit. I knowingly told ______ an untrue statement and he/she/they relied on it. Investigative Interviewing – Understanding the Art 84 Taking a Signed Statement • • • • • • • • Approximate dates of the offense Approximate amounts of losses Approximate number of instances Willingness to cooperate Excuse clause Have the confessor read the statement Truthfulness of statement Preparing the statement Investigative Interviewing – Understanding the Art 85 Take a Signed Statement Investigative Interviewing – Understanding the Art 86 Scientific Content Analysis (SCAN) • Interviewing is often time consuming and difficult due to the investigators case load. – Statement analysis • Utilizes written statements to narrow the focus of an investigation • Eliminates innocent parties in minimal time • Structured on proven interviewing techniques Investigative Interviewing – Understanding the Art 87 Famous Statement “…I did not have sexual relations with that woman, Miss Lewinski. I never told anybody to lie. Not a single time. Never. These allegations are false and I need to go back to work for the American people.” Investigative Interviewing – Understanding the Art 88 CONCLUSION • When to use interview techniques – At work? • Boss • Co-workers – At home? • Spouse • Children • Neighbors Investigative Interviewing – Understanding the Art 89 CONCLUSION II • What do the indicators really mean? – The subject is guilty • NO – The subject is lying • NO Investigative Interviewing – Understanding the Art 90 P.S. • I have only given you some of what is available to you in the search for truth. I learn something new every time I “interview” someone. Seek out additional information in your quest for the truth. Investigative Interviewing – Understanding the Art 91 Investigative Interviewing: Understanding the Art The End . . . No, Just the Beginning! Investigative Interviewing – Understanding the Art 92 Investigative Interviewing – Understanding the Art Larry Rosipajla, CPA, CFE Forensic Alliance LLC (303) 854-7007 Cell rosipajla@forensicalliance.biz www.forensicalliance.biz Investigative Interviewing – Understanding the Art 93