WRAMTA REGIONAL CONFERENCE 2012 MAKING CONTINUING EDUCATION COUNT: SARAH PIERCY, M.M., MT-BC EARLY LEARNING MENTOR COACH Turning Theory into Practice “No man is wise enough by himself” - Plautus AGENDA Today we will be exploring the practice of Coaching, as an approach to Professional Development Par ticipants will gain knowledge and understanding of the following: 1. CBMT and AMTA Professional Development criteria 2. Professional Development Systems 3. Adult Learning Theor y 4. Change Theor y 5. The Coaching Approach and Process 6. How to take your Professional Development to the next level CBMT CBMT Code of Professional Practice “Maintenance of Board cer tification will require adherence to the CBMT’s Code of Professional Practice” “The CBMT does not guarantee the job perfor mance of any individual” Who does? CBMT CBMT Scope of Practice IV. Professional Development & Responsibilities A. Professional Development – 9 items B. Professional Responsibilities – 17 items How? AMTA AMTA Code of Ethics 1.3 The MT will par ticipate in continuing education activities to maintain and improve his/her knowledge and skills 2.1 The MT will str ive for the highest standards in his/her work, offer ing the highest quality 3.9 The MT will use ever y available resource to ser ve the client best 6.1 The MT will str ive to increase the level of knowledge, skills and research within the profession How? AMTA AMTA Standards of Practice “…r ules for measur ing the quality of ser vices” I. Refer ral & Acceptance II. Assessment III. Treatment Planning IV. Implementation V. Documentation VI. Ter mination of Ser vices VII. Continuing Education VIII. Super vision Who measures? AMTA AMTA Professional Competencies 22. Professional Role/Ethics 22.3 Demonstrate dependability: follow through with all tasks regarding education and professional training 22.8 Demonstrate critical self-awareness of strengths and weaknesses 22.15 Demonstrate basic knowledge of music therapy ser vice reimbursement and financing sources How? AMTA AMTA Education & Training Advisor y Board 2 Levels of Professional Practice – measured by Professional growth, Personal growth, Musical development & Clinical exper ience 1. Professional Level 2. Advanced Level It’s up to you to measure, track & submit….but, how? PROFESSIONAL DEVELOPMENT “Skills and knowledge attained for both personal development and career advancement” “Encompasses all types of facilitated lear ning oppor tunities” Current Approaches: consultation, coaching, communities of practice, technical assistance, lesson study, mentoring & reflective super vision What system do Music Therapists use? COACHING “Coaching is a process that enables lear ning and development to occur and thus perfor mance to improve. To be successful, a coach requires a knowledge and understanding of process, as well as, the var iety of styles, skills and techniques that are appropr iate to the context in which coaching takes place” “Coaching is unlocking a person’s potential to maximize their own perfor mance. It is helping them lear n rather than teaching them” “Coaching has emerged from a synthesis of many fields including training, adult lear ning, consulting, change management, the human potential movement, psychology and systems science” COACHING A Coach will challenge your cur rent attitudes and work practices, help you set realistic goals, share in the lear ning process, motivate, encourage and teach selfassessment and reflective practices Coaching is: Strengths-based Individualized Confidential Relationship-based Non-evaluative Supportive Regular & On-going COACHING Types of Coaching Executive, Skills, Life, Performance & Business Mentoring vs. Counseling vs. Coaching Share many techniques and strategies Mentor – offers advice, teaches and supports Counselor – deals more with in-depth personal issues Coach – facilitates the learning process Video: “How Coaching Works” ACTIVITY BREAK! Gather together in your group and wr ite a shor t poem in 6/8 meter. Use Music Therapy or attending Regional Conference as your topic. Use the first letter of each individuals name as the star ting letter for each line of your poem. Wr ite down your poem and hold onto it until the next activity. For example: Sarah, Tony, Mar ia, Victor ia Shar ing our talents and Talking with fr iends, Meeting new people a Valuable end! ADULT LEARNING THEORY Andragogy – the ar t and science of helping adults lear n 5 Assumptions of Adult Lear ners 1. Have an independent self-concept and can direct their own lear ning 2. Have accumulated a reser voir of life experiences that are rich resources for lear ning 3. Have lear ning needs closely related to changing social roles 4. Are problem-centered and interested in immediate application of knowledge 5. Are motivated to lear n by inter nal rather than exter nal factors What does this mean for Professional Development? ADULT LEARNING THEORY Pr inciples of Adult Lear ning based on the 5 Assumptions 1. Must include the adult lear ner in the process 2. Must include previous experience and provide opportunities for new experience 3. Must be centered around the adult lear ners interests 4. Must be relevant to the immediate situation of the adult lear ner 5. Must begin with the problem and not the solution Variables Life experience Work experience Positive/Negative previous experience with lear ning Perfor mance abilities Time between interactions Aging factors CHANGE THEORY Theor ies of Change 1. Lewin’s 3 Step Change Theor y 2. Lippitt’s Phases of Change Theor y 3. Prochaska & Diclementes Change Theor y 4. Social Cognitive Theor y 5. The Theor y of Reasoned Action and Planned Behavior Research has not proven any r ight or wrong way of understanding or approaching the process of change in adults but there are some commonalities these theor ies share that have been shown to make a difference in the success of adult lear ners…. CHANGE THEORY Things to regard when working with Adult Lear ners 1. Routine thoughts & behavior 2. Desire to change 3. Action to change 4. Social/Emotional/Environmental/Personal influences 5. Dr iving & restraining forces 6. Self-Efficacy – having the confidence in the ability to take action and persist in the action THE COACHING APPROACH Ever y coach has their own style but ultimately bases practice on their knowledge of adult lear ning, the process of change and the process of coaching There are many approaches to coaching – for mal/infor mal; directive/non-directive; business/personal; skill based/perfor mance based Coaches choose and modify their approach depending on the coaching context, as well as, the individual person being coached THE COACHING APPROACH Brain-Based Coaching – David Rock 1. Neurons detect changes in the environment and send out signals to aler t us to anything that is unusual” 2. Basal Ganglia - neural connections that control routine behavior; connections fire rapidly; lots of space (inside brain, thalamus) 3. Prefrontal Cor tex - neural connections that control the lear ning of new skills/behaviors; connections fire slowly; not much space (front of brain) 4. Actions repeated enough to become lear ned are pushed down to the basal ganglia, freeing up space for lear ning new things in the prefrontal cor tex THE COACHING APPROACH What we also know about the Prefrontal Cor tex Responsible for behavior regulation Processes abstract thinking Processes thought analysis Processes r ight and wrong Predicts probably outcomes to actions and events Mediates conflicting thoughts Gover ns social control (emotions/urges) Takes in data Decides on actions Exper iences in the first five years of life directly impact the growth and development of these functions and cannot be reversed, only treated through cognitive, behavioral or dr ug therapies….and Music Therapy! THE COACHING APPROACH Take a moment to process all that you’ve learned so far, as you watch…write down your thoughts/feelings/questions as you process (journaling) Video: “Instructional Coaching” ACTIVITY BREAK! Trade your poem with another group As a group compose a piece of music to go with your new poem (body/voice percussion, melody, movement…anything goes!) Clearly write down directions for how you’d like your poem to be perfor med. Others will have to read and perform this, so be sure to make it clear and legible! THE COACHING PROCESS The first and most impor tant step: Relationship Building After a relationship has been established, coaching includes a combination of the following: Discussion of past experiences and personal beliefs Review of current knowledge base Obser vation and self-assessment of skills Identify skills to refine and set realistic goals – needs to include a form of goal setting that fits the individual Repeated “in-action” practice of new skill – can include modeling, co-learning and shadowing Reflection and self-assessment Journaling COACHING & MUSIC THERAPY How can Music Therapists use coaching as an approach to Professional Development? 1. Adopt Coaching for Music Therapists as an organizational practice 2. Adopt coaching strategies to facilitate personal professional development COACHING & MUSIC THERAPY Let’s practice, Turning Theor y into Practice! Write down a skill that…. 1. You are not familiar with 2. You are wanting to refine 3. You have been given feedback on and need to improve for a performance evaluation COACHING & MUSIC THERAPY Write down your strengths Find correlation Write down what you need to be successful - resources Make a plan to practice Make a plan to reflect and assess COACHING & MUSIC THERAPY Anyone willing to share? CLOSING ACTIVITY! Trade your composition with another group As a group, learn how to perfor m the composition, divide parts and practice performing Take turns perfor ming for us all! CLOSING ACTIVITY REFLECTION Group discussion Process Strengths/Weaknesses Feelings Team Work/Communication “Lots of people want to ride with you in the limo, but what you want is someone who will take the bus with you when the limo breaks down” -Oprah Winfrey THANK YOU FOR ATTENDING! Sarah Piercy, M.M., MT-BC Early Lear ning Mentor Coach Salt Lake CAP Head Star t/Early Head Star t 850-322-0618 cell 801-323-3900 ext. 236 office piercysarah@hotmail.com personal spiercy@slcap.org work REFERENCES 1. Conlan, J., Grabowski, S., Smith, K., Adult Lear ning: Emerging Perspectives on Lear ning, Teaching and Technology, 2003. 2. Knowles, Malcolm., The Theor y of Andragogy, 1984 3. Kr itsonis, Alicia., Comparison of Change Theories, 2003 4. Rock, David., A Brain-Based Approach to Coaching, 2006 www.freedictionar y.com www.cbmt.org www.musictherapy.org www.youtube.com 1. How Coaching Works, by Wellcoaches 2. Instructional Coachinmg: Staff Development for Improved Teacher and Student Learning, by School Improvement Network