Researching Arts and Culture: An Intellectual Journey Dr Marta Herrero University of Plymouth UK Sociology, arts and culture METHODOLOGIES Legitimacy within the discipline of sociology Impact and relationship to theories Personal/Intellectual journey Developing a research agenda: arts and culture…a journey Art: Uncomfortable?? The journey begins… relationship with theories APPLYING THEORIES, CONCEPTS Museums and art collections Modern art collecting in Ireland, Dublin Cultural value of art Disciplinary legitimacy: the arts PhD upgrade Irish Museum of Modern Art LEGITIMATING RESEARCH Pierre Bourdieu CAPITALS: FORMATION Study of cultural fields: Museums: ‘Modern art’ Collecting policies Display practices Methods Interviews: curators, museum directors, civil servants, board members Analysis of exhbition displays Historical background: archival research Theories: Pierre Bourdieu The social construction of art values The market for symbolic goods Social actors, capitals and cultural fields Art object: cultural and symbolic capital Social actors: cultural, economic, symbolic capitals Challenge The arts economy: art market Which theories, concepts… Sociology of the arts + Sociology of Economy Economic sociology: a sociological approach to the arts economy? Cultural sociology: conceptualise culture? ‘Market’ as a concept? Shaping up a research agenda: ‘A toolbox...’ Art market: Dublin-London Economic, instrumental value: profit Nationality, cultural value: tastes, preferences of buyers and vendors Selling in London: helping differentiate ‘Irish art’ vs. ‘British art’ Selling in Dublin: patriotism, keeping art within national boundaries Similarities ‘Irish art’ repository of national value Cultural Sociology, 2011 Social Studies of Finance and Markets Actor network theory Challenge ‘the social’: actor networks Network interactions: humans, technological devices, institutions The ‘economy’ ‘Calculation tools’ Making the arts economy Art value creation and calculation tools: the art catalogue Bourdieu: cultural, symbolic capital Adding to human agency: objects Catalogue as a work of art: aesthetics Journal of Cultural Economy, 2010 Performing calculation in the art market THE CULTURAL: actorstechnologies Reassessing Bourdieu: capital creation as calculation Artworks: passive, acted upon by human agents Site of meaning production: actors, and market devices(instruments, technologies) catalogues, exhibition media, frames… Renewal: setting up agendas Culture, markets and emotions Artistic markets/non artistic markets Emotions and the arts economy Researching emotions... Emotions and Rituals Randal Collins Group rituals Body presence and collective symbol Emotional energy Emotions and rituals in the art market AIMS Emotions as a feature of economic behaviour Centrality of the art object Role of art institutions: increasing/decreasing emotional energy Type of art for sale Thesis Eleven, 2010 Rituals, emotions and art RECYCLING DATA Art as a cultural + emotional object Repository of emotions Mediates emotions of buyers Moulin (1967) The French Art Market, art collecting as a passion … Advantages: Centrality of the art object More encompassing view of market behavior Centrality of emotions in markets: challenges Economic behaviour: prominence of economics Initial reaction to my research! Positive and negative How to research emotions? How to distinguish emotions from self-interested behaviour? Its all self-interested behaviour Influence of economic paradigms, Arts, Culture and Sociology: challenges LEGITIMACY: Centrality of arts to sociology, and to economic processes SETTING RESEARCH AGENDAS Developing, advancing existing theories Challenges: Opening up inter-disciplinarity: a dialogue sociology & economics+ emotions? REVISIONING METHODS: Formulating questions, accessing interviewees, confidentiality... ADVANTAGES: Pushing the boundaries of sociological research to incorporate and combine previously unexplored subject areas