Edwidge Danticat Krik? Krak!

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Edwidge Danticat
Krik? Krak!
KENDRA AMIDON
Edwidge Danticat

Born in Port-au-Price, Haiti in 1969

Her parents left for America when
she was an infant and she was
raised by her Aunt and Uncle in
Haiti


Went to America at the age of 12
and lived in a Haitian-American
neighborhood in NY
Writing was her solace from her
identity disorientation
Main Themes

Gender

Water

Voudou (Religious Symbols)

Lineage and preservation of history

Passed mostly from mother to daughter through oral story telling
Danticat’s Style

Colloquial style

Story telling within the story

An oral story is usually explained to the main character of something
happening in the past


This leads into the title “Krik? Krak!”
Historical/Religious symbols

As a post-colonial narrative tool, there is a mix of Catholicism and
Voudou and historic events that are not often explored outside of Haiti

Focusing on one family/character and how that event related to that person
“Children of the Sea”

Written as corresponding letters

The boy, a member of the liberation front, has fled Haiti on a boat

The girl has been stuck in Port-au-Prince, listening to the violence of
the macoutes

The letters are never sent to one another

(Butterflies as symbols)
“Nineteen Thirty-Seven”

Josephine visits her mother in prison, recalling
memories with her mother

Yearly pilgrimages to “Massacre River” on
Josephine’s birthday


The day that Dios Trujillo had ordered Haitians in
the Dominican Republic be slaughtered
The lineage of the women whose mothers were
killed in the Dominican Republic is preserved

“Sister…life is never lost, another one always
comes up to replaced the last” (48).
“Night Women”

A prostitute practices her profession in the same room as her
sleeping son


Her struggles as a mother trying to provide for her son and also shield
him from the reality of her work
“Shadows shrink and spread over the lace curtain as my son slips
into bed. I watch as he stretches from a little boy into the broom-size
of a man, his height mounting the innocent fabric that splits our oneroom house into two spaces, two mats, two worlds” (83).
“Between the Pool and the
Gardenias”


Marie finds a dead baby in the street and names it Rose

She cares for it to fill the void after her miscarriages

She tells the baby stories about her female ancestors
She pretends that she is not the servant in the foreigner’s household,
but that it is hers.


She makes up a fantasy life with the man she had an affair with once
and Rose as their child
The man she had an affair with finds her finally burying the baby
and calls the gendarmes, accusing her of witchcraft and killing the
baby for evil purposes.
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