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Hamlet Selected Bibliography

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Hamlet Selected Bibliography
Adelman, Janet. "'Born of Woman': Fantasies of Maternal Power in Macbeth," in Cannibals,
Witches, and Divorce: Estranging the Renaissance, edited by Marjorie Gruber, The Johns
Hopkins UP, 1987, pp. 90-121.
Al-Ali, Ahmed T. Hussein. “The Condemned and Condoned Mona Lisa: The Unique
Characterization of Shakespeare’s Gertrude.” Linguistics and Literature Studies, vol. 3,
no. 3, 2015, pp. 91-99, ResearchGate,
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Mona_Lisa_The_Unique_Characterization_of_Shakespeare%27s_Gertrude.
Azad, Bahareh, and Pyeaam Abbasi. "Hamlet's Catch-22: A Psychoanalytic Reading of Hamlet
and Catch-22." Critical Survey, vol. 30, no. 3, autumn 2018, pp. 97-115. Gale Academic
OneFile, link.gale.com/apps/doc/A569607152/AONE?u=lincclin_mdcc&sid=bookmarkAONE&xid=613a622d.
Bhat, Ishfaq Hussain. "A Doll's House as a Feminist Play." Language in India, vol. 17, no. 12,
Dec. 2017, pp. 162-70. Gale Academic OneFile,
link.gale.com/apps/doc/A530153561/AONE?u=lincclin_mdcc&sid=bookmarkAONE&xid=5a1e0ee4.
Byles, Joanna Montgomery. "Shakespeare and Psychoanalysis: Tragic Alternatives: Eros and
Superego Revenge in Hamlet". PSYART: A Hyperlink Journal for the Psychological
Study of the Arts, 25 Aug. 2005,
http://psyartjournal.com/article/show/montgomery_bylesshakespeare_and_psychoanalysis_tragic_al.
Camden, Carroll. “On Ophelia’s Madness.” Shakespeare Quarterly, vol. 15, no. 2, 1964, pp.
247–55. JSTOR,
https://www.jstor.org/stable/pdf/2867895.pdf?refreqid=excelsior%3Ae235f2d53ceef7928
cc8cdf5648d64be&ab_segments=&origin=&initiator=&acceptTC=1.
Chamberlain, Stephanie. "Fantasizing Infanticide: Lady Macbeth and the Murdering Mother in
Early Modern England." Shakespearean Criticism, edited by Michelle Lee, vol. 110,
Gale, 2008. Gale Literature Criticism,
https://link.gale.com/apps/doc/A135022676/SUIC?u=olla123&sid=bookmarkSUIC&xid=6e074283. Originally published in College Literature, vol. 32, no. 3, Summer
2005, pp.123-125.
Chan, Sumie. “Gender and Literature – Is Gender Gendered? Female Protagonists in Macbeth
(1606), Thelma and Louise (1991) and A Doll’s House (1879) – Three Different Genres
of Literature across Centuries.” International Journal of Languages, Literature and
Linguistics, vol. 7, no. 4, Dec. 2021, pp.189-92. The Hong Kong University of Science
and Technology SPD: The Institutional Repository,
https://repository.hkust.edu.hk/ir/bitstream/1783.1-112612/1/112612.pdf.
Chapman, Alison A. “Ophelia’s ‘Old Lauds’: Madness and Hagiography in Hamlet.” Medieval
& Renaissance Drama in England, vol. 20, 2007, pp. 111–35. Gale Academic OneFile,
https://link.gale.com/apps/doc/A169311540/AONE?u=lincclin_mdcc&sid=bookmarkAONE&xid=3989ebfc.
Daalder, Joost. "Shakespeare's Attitude to Gender in Macbeth." Shakespearean Criticism, edited
by Michelle Lee, vol. 57, Gale, 2001. Page 1-22. Gale Literature Criticism,
link.gale.com/apps/doc/MYNURJ217873364/LCO?u=olla123&sid=bookmark-LCO&xid
=85599643.
Davis, Marion A. "A Brief Look at Feminism in Shakespeare's Macbeth." Inquiries
Journal/Student Pulse vol. 1, no.11, 2009, http://www.inquiriesjournal.com/a?id=1691.
Ferguson, Lisa. Lady Macbeth and Gertrude: A Study in Gender. 2002. Western Kentucky U,
Masters thesis, http://digitalcommons.wku.edu/theses/656.
Gao, Yang. “A Feminist Approach to The Great Gatsby.” International Journal of Frontiers in
Sociology, vol. 3, no. 6, pp. 42-46. Semantic Scholar,
https://api.semanticscholar.org/CorpusID:252335549.
Gates, Sarah. “Assembling the Ophelia Fragments: Gender, Genre, and Revenge in Hamlet.”
Explorations in Renaissance Culture, vol. 34, no. 2, 2008, pp. 229–47,
https://doi.org/10.1163/23526963-90000358.
Günenç, Mesut. “Ophelia and Gertrude: Victimized Women in Hamlet.” The Journal of
International Social Research vol. 41, 2015, pp. 164-164.
Gurr, Andrew. "The Claudian Globe." Shakespearean Criticism, edited by Michelle Lee, vol. 44,
Gale, 1999. Gale Literature Criticism,
link.gale.com/apps/doc/ABTQVZ382658391/LCO?u=olla123&sid=bookmarkLCO&xid=0cb1c671. Originally published in Hamlet and the Distracted Globe, Sussex
UP, 1978, pp. 26-41.
Habib, Imtiaz. "'Never Doubt I Love': Misreading Hamlet." College Literature, vol. 21, no. 2,
June 1994, pp. 19-32. Gale Academic OneFile,
link.gale.com/apps/doc/A15691719/AONE?u=lincclin_mdcc&sid=bookmarkAONE&xid=086aab4e. Accessed 25 Jan. 2023.
Harding, D. W. “Women’s Fantasy of Manhood: A Shakespearian Theme.” Shakespeare
Quarterly, vol. 20, no. 3, 1969, pp. 245–53. JSTOR,
https://www.jstor.org/stable/pdf/2868376.pdf?refreqid=excelsior%3A7f05ec43df05ccb70
96772f3f15e54ef&ab_segments=&origin=&initiator=..
Heine, Erik. "Controlling and Controlled: Ophelia and the Ghost as Defined by Music in Grigori
Kozintsev's Hamlet." Literature-Film Quarterly, vol. 37, no. 2, Apr. 2009, pp. 109-23.
Gale Academic OneFile,
link.gale.com/apps/doc/A198941682/AONE?u=olla123&sid=bookmarkAONE&xid=c6503be0.
Hyun, Sarah. “The Great Gatsby through the Lens of Feminism.” English 100, taught by
Pr. Whitley, Lehigh University, 19 Dec. 2018,
https://wordpress.lehigh.edu/ssh419/2018/12/19/great-gatsby-through-the-lens-offeminism/.
Jajja, M. Ayub. “A Feminist Reading of Shakespearean Tragedies: ‘Frailty, Thy Name Is
Woman.’” Pakistan Journal of Commerce and Social Sciences (PJCSS), vol. 8, no. 1,
2014, pp. 228-237. Econstor, http://hdl.handle.net/10419/188135.
Jiajia, Yuan. “An Analysis of Gatsby's American Dream in The Great Gatsby from the
Perspective of Lukacs.” Academic Journal of Humanities & Social Sciences, vol.4, no. 9,
10 Nov. 2021, pp. 131-135, Francis Academic Press Digital Library, https://francispress.com/uploads/papers/jaXLuX63JBA4IEZtbGOrm02BQFIu00qPfRUzQUsy.pdf.
Janton, Pierre. “Sonship and Fatherhood in Macbeth.” Cahiers Elisabethains, vol. 35, April
1989, pp. 47-58.
Jenkins, Harold. "Fortinbras and Laertes and the Composition of Hamlet." Rice Institute
Pamphlet-Rice University Studies, vol. 60, no. 2, Apr. 1974, pp. 95-108. Rice Digital
Scholarship Archive,
https://scholarship.rice.edu/bitstream/handle/1911/63151/article_RIP602_part6.pdf?seque
nce=1&isAllowed=y.
Joseph, Miriam. “Hamlet, a Christian Tragedy.” Studies in Philology, vol. 59, no. 2, 1962, pp.
119–40. JSTOR, http://www.jstor.org/stable/4173378.
Jorgensen, Paul A. Our Naked Frailties: Sensational Art and Meaning in Macbeth. U of
California P, 1971.
Kimbrough, Robert. "Macbeth: The Prisoner of Gender." Shakespearean Criticism, edited by
Michael Magoulias and Marie Lazzari, vol. 29, pp. 127033. Gale, 1996. Gale Literature
Criticism,
link.gale.com/apps/doc/LOWMGR511633215/LCO?u=olla123&sid=bookmarkLCO&xid=68192f9c. Originally published in Shakespeare Studies, vol. 16, 1983, pp.
175-190.
Klett. Elizabeth. “Reading between the Lines: Connecting with Gertrude and Ophelia in William
Shakespeare’s Hamlet (ca. 1600).” Women in Literature: Reading Through the Lens of
Gender, edited by Jerilyn Fisher and Ellen S. Silber, Greenwood P, 2003, pp. 130-33.
Kranz, David L. “The Sounds of Supernatural Soliciting in Macbeth.” Studies in Philology, vol.
100, no. 3, Summer 2003, pp. 346-383. JSTOR, https://www.jstor.org/stable/4174762.
Lawrence, William Witherle. “Hamlet and Fortinbras.” PMLA, vol. 61, no. 3, Sep. 1946, pp.
673-698. JSTOR, http://www.jstor.com/stable/459241.
Leonard, Kendra Preston. “Silencing Ophelia: Male Aurality as a Controlling Element in
Olivier's Hamlet.” Scope: An Online Journal of Film and Television Studies, vol. 14, June
2009, https://www.nottingham.ac.uk/scope/documents/2009/june-2009/leonard.pdf.
Lidz, Theodore. Hamlet's Enemy: Madness and Myth in Hamlet. Basic Books, 1975.
Liston, William T. “‘Male and Female Created He Them’: Sex and Gender in Macbeth.” College
Literature, vol. 16, no. 3, 1989, pp. 232–39. JSTOR,
http://www.jstor.org/stable/25111824.
Louden, Bruce. “Telemachos, the Odyssey and Hamlet.” Text & Presentation, 2014, edited by
Graley Herren, McFarland, 2014, pp. 33-50. The Comparative Drama Conference Series,
11.
Love, H. W. “Seeing the Difference: Good and Evil in the World of Macbeth.” Australasian
Universities Language and Literature Association Journal (AUMLA), vol. 72, 1989, pp.
203-28.
Mason, Tricia. “Hamlet and His Foils: Fortinbras and Laertes.” Owlcation, 18 July 2022,
https://owlcation.com/humanities/Shakespeares-Hamlet-Foils-Fortinbras-Laertes.
Montgomery, Abigail L. "Enter Queen Gertrude Stage Center: Re-Viewing Gertrude as Full
Participant and Active Interpreter in Hamlet." South Atlantic Review, vol. 74, no. 3,
summer 2009, pp. 99-117. Gale Academic OneFile,
link.gale.com/apps/doc/A301283615/AONE?u=olla123&sid=bookmarkAONE&xid=4bd79857.
Mallers, Melanie H. “Father-Son Relationships.” in Poisonous Parenting: Toxic Relationships
Between Parents and Their Adult Children, edited by Shea M. Dunham et al., Taylor &
Francis Group, 2011, pp. 119-44. ProQuest Ebook Central,
http://ebookcentral.proquest.com/lib/mdc/detail.action?docID=735304.
Murphy, Brett E. "Sulphurous and Tormenting Flames: Understanding the Ghost in Hamlet."
Shakespeare in Southern Africa, vol. 26, annual 2014, pp. 117-22. Gale Academic
OneFile, link.gale.com/apps/doc/A387827066/AONE?u=olla123&sid=bookmarkAONE&xid=5e2e926f.
Nardo, Anna K. “Hamlet, ‘A Man to Double Business Bound.’” Shakespeare Quarterly, vol. 34,
no. 2, 1983, pp. 181–99. JSTOR, https://doi.org/10.2307/2869833.
Neely, Carol Thomas. "Documents in Madness: Reading Madness and Gender in Shakespeare's
Tragedies and Early Modern Culture." Shakespearean Criticism, edited by Joseph C.
Tardiff, vol. 19, Gale, 1993. Gale Literature Criticism,
link.gale.com/apps/doc/LABFIF523542483/GLS?u=olla123&sid=bookmarkGLS&xid=9c73f4b6.
O'Leary, Niamh J. "Ambition and Desire: Gertrude as Tragic Hero in Feng Xiaogang's The
Banquet (2006)." The Upstart Crow, vol. 31, 2012, pp. 63-80. Gale Academic OneFile,
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O’Mahoney, Paul. “Ophelia’s Madness: A Suggested Stage Direction.” The Shakespeare
Newsletter, vol. 64, no. 1, summer 2014, pp. 28-30. Gale Academic OneFile,
link.gale.com/apps/doc/A397453782/AONE?u=lincclin_mdcc&sid=bookmarkAONE&xid=f0d3742b.
Rebecca Pancoast, “Morality and Gender: Feminist Interpretations of Macbeth.” Macbeth Study
Guide, Ceder Crest College Humanties Department,
https://www2.cedarcrest.edu/academic/eng/lfletcher/macbeth/papers/rpancoast.htm.
Peterson, Kaara. "Framing Ophelia: Representation and the Pictorial Tradition." Mosaic: A
Journal for the Interdisciplinary Study of Literature, vol. 31, no. 3, Sept. 1998, pp. 1-24.
Gale Academic OneFile,
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Pollard, Tanya. GreekTtragicWwomen on Shakespearean Stages. Oxford, 2017.
Rahman, Muhanmmad Safiur. “‘Frailty, Thy Name is Woman’–How Frail are Women in
the World of Shakespeare? IiUC Studies, vol. – 3, Dec. 2006, pp. 31-44. Bangladesh
Journals Online, https://www.banglajol.info/index.php/IIUCS/article/view/2630/2245.
Rani, Zamila Abdul et al. “Discovering Feminism through Gertrude and Ophelia in
Shakespeare’s Hamlet.” Proceeding of the 2nd International Conference on Economics
& Banking 2016 (2nd ICEB), May 24–25, 2016, pp. 247-52. ResearchGate,
https://www.researchgate.net/publication/305734925_DISCOVERING_FEMINISM_TH
ROUGH_GERTRUDE_AND_OPHELIA_IN_SHAKESPEARE%27S_HAMLET.
Reid, Robert L. “Macbeth’s Three Murders: Shakespearean Psychology and Tragic Form,” in
Renaissance Papers 1991, edited by George Walton Williams and Barbara J. Baines, The
Southeastern Renaissance Conference, 1992, pp. 75-92.
Reyes, Camila and Amy Kenny. “Shakespeare’s Violent Women: A Feminist Analysis of Lady
Macbeth.” UC Riverside Undergraduate Research Journal, vol. 14, no. 1, pp. 81-85.
eScholarship, https://escholarship.org/uc/item/43v335x5.
Ronk, Martha C. "Representations of Ophelia." Criticism, vol. 36, no. 1, winter 1994, pp. 21-43.
Gale Academic OneFile,
link.gale.com/apps/doc/A608188309/AONE?u=olla123&sid=bookmarkAONE&xid=dce51f50. Accessed 25 Jan. 2023.
Samons, Loren. “Noble Minds and Nymphs: The Tragic Romance of Hamlet and Ophelia.” CLA
Journal, vol. 6, 2018, pp. 12-21. Docslib, https://docslib.org/doc/11639989/noble-mindsand-nymphs-the-tragic-romance-of-hamlet-and-ophelia.
Schiffer, James. “Macbeth and the Bearded Women.” In Another Country: Feminist Perspectives
on Renaissance Drama, vol. 10, edited by Dorothe Kehler and Susan Baker, Scarecrow
P., 1991, pp. 205-17. Internet Archive,
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Singh, Rahul. "Shakespeare's Plays: Men Celebrated, Women Despised?" Language in India,
vol. 14, no. 2, Feb. 2014, pp. 141-56. Gale Academic OneFile,
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Tomko, Seth. “Analyzing Fortinbras as a Foil for Hamlet.” Owlcation, 1 Aug. 2022,
https://owlcation.com/humanities/Fortinbras-as-a-Foil-for-Hamlet.
Wagner, Linda Welshimer. “Ophelia: Shakespeare’s Pathetic Plot Device.” Shakespeare
Quarterly, vol. 14, no. 1, 1963, pp. 94–97. JSTOR, https://doi.org/10.2307/2868164.
White, R. S. “The Tragedy of Ophelia.” Ariel: A Review of International English Literature, vol.
9, no. 2, 1 Apr. 1978,
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Wilber, Jennifer. “The Madness of Hamlet and Ophelia: Mental Illness in Shakespeare.”
Owlcation, 6 July 2022, https://owlcation.com/humanities/The-Madness-of-Hamlet-andOphelia-Mental-Illness-in-Shakespeare.
Wilson, Jeffrey R. "The Fortunes of Fate in Hamlet: Divine Providence and Social
Determination." The Midwest Quarterly, vol. 62, no. 1, fall 2020, pp. 10-26. Gale
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Wiśniewska, Dorota J. “Supernatural Agents of the Unconscious Mind: The Gothic Mode in
Hamlet and Macbeth.” Acta Universitatis Lodziensis. Folia Litteraria Anglica, vol. 5,
2002, pp. 183-91, The Central European Journal of Social Sciences and Humanities,
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Young, Sandra. "Recognising Hamlet." Shakespeare in Southern Africa, vol. 26, 2014, pp. 1326. Gale Academic OneFile,
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Zysk, Jay. “In the Name of the Father: Revenge and Unsacramental Death in Hamlet.”
Christianity & Literature, vol. 66, no. 3, 2017, pp. 422–43, Gale Academic OneFile,
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