Claudia Barnett Publications & Awards Book of Plays I Love You Terribly: Six Plays. Pittsburgh: Carnegie Mellon UP: 2012. Plays Published in Literary Journals Highway 16. Qu Literary Magazine (2014): forthcoming. Kilometer 14. Poems & Plays 21 (2014): 81-­‐88. Till Death. Santa Clara Review 98.1 (2010): 17-­‐28. Emily Dickinson’s Sister. Poems & Plays 16 (2009): 35-­‐43. Help. Aries: A Journal of Creative Expression 24 (2009): 90-­‐102. Sex Lessons. River Styx 80 (2009): 8-­‐14. Eden. Atlantic Pacific Press 3 (2008): 46-­‐53. Nora 2000. The Pacific Review 18 (2000): 117-­‐132. Door to Door. Dramatics (March 1993): 24-­‐29. Plays Published in Anthologies and Scene Books Absent Grace. The Best Ten-­‐Minute Plays of 2013. Ed. Lawrence Harbison. Lyme, NH: Smith & Kraus, 2013. 13-­‐19. Lillie Meant Murder. The Best American Short Plays, 2011-­‐12. Ed. William W. Demastes. Milwauki: Applause, 2013. 97-­‐107. VELB. Original Middle School Scenes and Monologues. Ed. Kent R. Brown. Woodstock, IL: Dramatic, 2012. 192-­‐194. Destiny (a monologue from Feather). The Theatre Audition Book 2. Ed. Gerald Ratliff. Colorado Springs: Meriwether, 2009. 24-­‐25. Henry (excerpt). Duo! The Best Scenes for Two for the 21st Century. Ed. Joyce E. Henry et al. Milwauki, WI: Applause, 2009. 62-­‐66. Ada (a monologue from Feather). One on One: The Best Women’s Monologues for the 21st Century. Ed. Joyce E. Henry et al. New York: Applause, 2007. 65-­‐68. Devoted. The Art of the One-­‐Act. Ed. Arnold Johnston and Deborah Ann Percy. Kalamazoo, MI: New Issues, 2007. 441-­‐459. Scholarship: Journal Articles & Book Chapters “‘More Life’: Ethel Rosenberg’s Ghost and Angels in America.” Women’s Studies 43.2 (2014): 131-­‐54. “AIDS=Purgatory: Prior Walter’s Prophecy and Angels in America.” Modern Drama 53.4 (2010): 471-­‐494. “A Moral Dialectic: Shelagh Stephenson’s An Experiment with an Air Pump.” Modern Drama 49.2 (2006): 206-­‐222. “‘An Evasion of Ontology’: Being Adrienne Kennedy” (includes an interview with Kennedy and her previously unpublished short story, “Milena’s Wedding”). TDR: The Drama Review 49.3 (2005): 157-­‐186. “Judith Thompson’s Ghosts: The Revenants that Haunt the Plays.” Canadian Theatre Review 114 (2003): 33-­‐37. Rpt. as “Judith Thompson I Duchy” (in Polish) in Dialog 9 Barnett 2
(2004): 141-­‐147. Rpt. in Judith Thompson: Critical Perspectives on Canadian Theatre in English, Volume 3. Ed. Ric Knowles. Toronto: Playwrights Canada Press, 2005. 92-­‐98. “Painting as Performance: Charlotte Salomon’s Life? or Theatre?” TDR: The Drama Review 47.1 (2003): 97-­‐126. “Physical Prisons: Naomi Wallace’s Drama of Captivity.” Captive Audience: Prison and Captivity in Contemporary Theater. Ed. Thomas Fahy and Kimball King. New York: Routledge, 2003. 147-­‐165. “Dialectic and the Drama of Naomi Wallace.” Southern Women Playwrights: New Essays in Literary History and Criticism. Ed. Robert L. McDonald and Linda Rohrer Paige. Tuscaloosa: U Alabama P, 2002. 154-­‐168. “‘In Your Dreams’: Deb Margolin’s Fantasy/Drama.” Staging a Cultural Paradigm: The Political and the Personal in American Drama. Ed. Barbara Ozieblo and Miriam López-­‐
Rodríguez. New York: Peter Lang, 2002. 273-­‐286. “Mrs. Dalloway and Performance Theory.” English Language Notes 40.2 (2002): 57-­‐68. “‘Revengeance is gold mine, sweet’: Alchemy and Archetypes in Caryl Churchill’s The Skriker.” Essays in Theatre/Études théâtrales 19.1 (2000): 45-­‐57. “Phyllis Nagy’s Fatal Women.” Winner of the Burger Theatre Essay National Competition. Modern Drama 42.1 (1999): 28-­‐44. “Twice ‘Unmarked’: Jane Martin’s Drama of Identity.” Essays in Theatre/Études théâtrales 17.2 (1999): 129-­‐138. “A Prison of Object Relations: Adrienne Kennedy’s Funnyhouse of a Negro.” Modern Drama 40.3 (1997): 374-­‐384. Rpt. Drama for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas. Vol. 9. Ed. David Galens. Detroit: Gale, 2000 and 2009. 115-­‐120. “Adrienne Kennedy and Shakespeare’s Sister.” American Drama 5.2 (1996): 44-­‐56. “‘This Fundamental Challenge to Identity’: Reproduction and Representation in the Drama of Adrienne Kennedy.” Theatre Journal 48.2 (1996): 141-­‐155. “The Death of Graffiti: Postmodernism and the New York City Subway.” Studies in Popular Culture 16.2 (1994): 25-­‐38. “Baudriflora: Celebrating History in the Heart of Simulation,” with Robert L. Davis. The American Journal of Semiotics 10.1-­‐2 (1993): 245-­‐269. “The Metadramatic Prison of Betrayal.” The Pinter Review: Annual Essays (1992-­‐93): 69-­‐
72. Scholarship: Book (editor) Wendy Wasserstein: A Casebook. New York: Garland, 1998. Scholarship: Book Review Review of Hrotsvit of Gandersheim: Contexts, Identities, Affinities, and Performances, ed. Phyllis R. Brown, Linda A. McMillin, and Katharina M. Wilson. TDR: The Drama Review 49.3 (2005): 193-­‐94. Scholarship: Theatre Reviews Rev. of Things of Dry Hours by Naomi Wallace. O’Reilly Theater, Pittsburgh Public Theatre, 22 Apr. 2004. Theatre Journal 56.4 (2004). 670-­‐672. Barnett 3
Rev. of Three Seconds in the Key by Deb Margolin, Performance Space 122, New York, 24 Feb. 2001. Theatre Journal 53.3 (2001): 501-­‐503. Rev. of Mr. Bundy by Jane Martin, Actors Theatre of Louisville Bingham Theatre, 14 Mar. 1998. Theatre Journal 50.3 (1998): 379-­‐80. Rev. of An American Daughter by Wendy Wasserstein, Lincoln Center’s Cort Theatre, New York, 17 Apr. 1997. Theatre Journal 49.4 (1997): 520-­‐21. Academic Fellowships and Awards Outstanding Honors Faculty Award, University Honors College, MTSU, 2013. Distinguished Creative Activity Award, MTSU, 2012. Bob Womack Distinguished Faculty Award, MTSU Student Government Association, 2006. Distinguished Research Award, MTSU, 2003. Andrew W. Mellon Foundation Fellowship, Harry Ransom Humanities Research Center, University of Texas at Austin, 2002. Burger Theatre Essay Prize, University of Wyoming, 1997.