Daily Schedule
June 12 – 18, 2016
Sunday
9:00 –
10:30
Registration
Orientation
(9:00 – 10:00)
11:00 –
12:30
10:15 – 11:00:
Welcome - Ronis,
Introduction - Patton
Le Carnaval Mascarade
11:15 – 12:30
Scenes: Read-through
-Dance rehearsal
1:30 –
2:45
Lecture: 17th c. vocal
Ornamentaion
Baird
Dance instruction
Olsson
Dance rehearsal Olsson
3:00 7:00
Scenes:Read-through
Patton, Ahn
OP E N
Monday
Tuesday
Wednesday
Thursday
Friday
Commedia dell’Arte
Characters, their
Masques and Gestures
Antonio Fava
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Vocal masterclass----Continuo instructionString instruction----Harpsichord & Lute
instruction -----------Dance instruction----
“Musical System of the
17th century”
Patton
Dance instruction:
Olsson
String rehearsal: Ahn
Dance rehearsal: Olsson
Scene Rehearsals
Music: Patton
Staging: Fava
Diction: Ronis
C O A C H I N G S
C O F F E E
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Scene rehearsals
Scene rehearsals
1:30-5:30
L U N C H
Vocal 17th c.
Ornamentation
Baird
Dance instruction
Dance instruction
Dance instruction
B R E A K
String rehearsal
Dance rehearsal
String rehearsal
Dance rehearsal
String rehearsal
Dance rehearsal
Scene Rehearsals
Scene Rehearsals
Scene Rehearsals
W I T H
J ULIANNE
BAIRD
Le Carnaval
Mascarade
Run-through
with strings and
dancers
Saturday
Le Carnaval
Mascarade
Dress
Rehearsal
9:30 – 11:30
Performance:
Le Carnaval
Mascarade
1:00 LeFrak
( 3 : 00 - 4 : 30)
D i n n e r
Dinner in Flushing
Faculty
Concert
8:00 p.m. Le Frak
Lecture
First Morning Session: (9:00–10:30) Open to all participants • Commedia dell’Arte – with Antonio Fava, master teacher of Commedia dell’Arte Gestures, improvisation skills, and the use of masks as seen in 16th and 17th century Commedia sources Second Morning Session: Baroque technique classes (11:00–12:30) • Baroque Vocal Technique masterclass – With Julianne Baird, specialist in technique and repertoire of early vocal styles • Continuo skills  Use of 17th century treatises by composers such as Agazzari, Bianciardi, Penna, and repertoire as a source for improvised early baroque vocal and instrumental accompaniment – with Christa Patton, Edoardo Bellotti, and Deborah Fox • Baroque string technique and repertoire – Dongmyung Ahn • Harpsichord Instruction – Bellotti • Lute Instruction – Fox • Historical Dance instruction – Dorothy Olsson First Afternoon Session: (1:30 – 2:45 Monday –Wednesday) • Sourcework – through the examination of 17th century treatises, letters and repertoire  Developing practical skills in ornamentation - Baird  The musical system of the early 17th century as applied to the preparation and performance of repertoire - Patton  Sessions in Italian language and diction, Italian rhetoric and prosody, times to be announced - Ronis  Historical Dance instruction - Olsson Second Afternoon Session: (3:00–7:00) • Musical rehearsals – Patton • Staging rehearsals – Fava • Diction coaching – Ronis
• Historical Dance rehearsals - Olsson • Vocal coaching – Baird All lessons, classes and rehearsals take place at the Aaron Copland School of Music
Queens College C.U.N.Y.
65-30 Kissena Blvd.
Queens, NY 11367-1597
(Tel) 718-997-3800