1 HEATHER WARREN-­‐CROW, Ph.D. Holden Hall 103H College of Visual and Performing Arts Texas Tech University heather.warrencrow-­‐crow@ttu.edu POSITION Assistant Professor, College of Visual and Performing Arts, Texas Tech University RESEARCH AND TEACHING SPECIALIZATIONS digital aesthetics; animation studies; performance studies; technology and the arts; performance art; video and new media art; sound art; sound studies; cinema and media studies; theories of corporeality; girlhood studies; childhood and adolescent studies; gender studies; disability studies; design studies; media archaeology; dance film; photography theory; puppetry and performing objects; Czech art and film EDUCATION Dec. 2006 Ph.D. University of California at Berkeley Performance Studies with a Designated Emphasis in Film Studies Dissertation POSSESSIONS: Animated Bodies in Mediated Performance (animation and bodily movement) Committee: Shannon Jackson (Performance Studies and Rhetoric), Anne Nesbet (Film and Slavic Studies), Kaja Silverman (Film and Rhetoric), W.B. Worthen (Performance Studies) June 1998 POSITIONS HELD Fall 2013-­‐present Texas Tech University: Assistant Professor of Interdisciplinary Arts, College of Visual and Performing Arts Summer 2009-­‐Spring 2013 B.A. University of Texas at Austin English and Plan II Honors Liberal Arts, graduated Summa et Magna cum Laude Fall 2007-­‐Spring 2009 Spring 2007 University of Wisconsin at Milwaukee: Assistant Professor, Department of Art and Design, and Affiliated Faculty in Women’s Studies * change in home department University of Wisconsin at Milwaukee: Assistant Professor, Department of Film, and Affiliated Faculty in Women’s Studies University of California at Berkeley: Adjunct Instructor of Performance Studies, Department of Theater, Dance, and Performance Studies Spring 2000-­‐Fall 2006 University of California at Berkeley: Graduate Student Instructor, Department of Theater, Dance, and Performance Studies 2 HONORS, AWARDS, AND GRANTS GRANTS 2012 University of Wisconsin, Milwaukee, Center for 21st Century Studies Amount: $200,000 for collaborative research investigating issues of identity and affect in digital speech synthesis 2011 Arizona State University’s Division of Humanities, Arts, and Cultural Studies amount: $4291 to mount a collaborative solo exhibition investigating the cultural circulation of Peter Pan University of Wisconsin, Milwaukee Graduate School Faculty Arts and Humanities Travel Award amount: $500 to travel to the International Center for the History of Electronic Games in Rochester, NY 2003 University of California at Berkeley Graduate Division Summer Research Grant Departmental Research Grant FELLOWSHIPS AND SCHOLARSHIPS 2011-­‐2012 University of Wisconsin at Milwaukee Center for 21st Century Studies Fellowship 2007 Stanford University Institute for the Humanities Post-­‐Doctoral Fellowship (declined) 2005 2003 2002 2001 1999-­‐2001 1994-­‐1998 1994-­‐1998 University of California at Berkeley Hickman Fellowship Hickman Fellowship Dean’s Normative Time Fellowship Hickman Fellowship Regents-­‐Intern Fellowship University of Texas at Austin National Merit Scholarship Dedman Scholarship University of California at Berkeley Outstanding Graduate Student Instructor Eisner Prize for Continuing Creative Achievement: UC Berkeley’s most prestigious award for the arts Mark Goodson Prize for Distinguished Theatrical Talent Hickman Fellowship American College Theatre Festival, John F. Kennedy Center for the Performing Arts, Washington, D.C. Kate Drain Lawson Award for Design Excellence in Performance Meritorious Achievement Award in Design for Performance Meritorious Achievement Award in Performance AWARDS 2006
2003 2001 2001
3 RESIDENCIES July 2011 International Center for the History of Electronic Games Artist/Researcher-­‐in-­‐Residence Book Manuscript: Girlhood and the Plastic Image in press, University Press of New England, series Interfaces: Studies in Visual Culture SCHOLARSHIP PUBLICATIONS Early 2014 Fall 2013 (forthcoming) Refereed Journals “Gossip Girl Goes to the Gallery: Bernadette Corporation and Digitextuality.” Performance Research 18:5 Fall/Winter 2012 Kelly Rafferty and Heather Warren-­‐Crow, “The Wendy House.” Women’s Studies Quarterly 40:3: 244-­‐50. Sept. 2011 “Sounding Off: Performance, Dyssynchrony, and Participatory Media.” Performance Research 16:3: 123-­‐8. July 2009 “Soft Body Dynamics after 9/11.” Animation: An Interdisciplinary Journal 4.2: 131-­‐152. Winter 2009 Journals—Special Issues “The Young Pretenders.” Canadian Theatre Review 137: 24-­‐29. Edited Volumes (invitational) “Gesturing toward Olympia.” Animated ‘Worlds.’ Ed. Suzanne Buchan. London: John Libbey and Co. Press, 49-­‐62. 2006
Forthcoming Edited Volumes (refereed) “Before and After Ghostcatching.” The Theory, Practice and Art of Movement Capture. Ed. Grethe Mitchell. (forthcoming from Cambridge Scholars Publishing) “Praise Be Our Ancestors.” Emergency Index 2012. Yelena Gluzman and Matvei Yankelevich. New York: Ugly Duckling Presse. Forthcoming Fall 2013 (forthcoming) “Acquired Community: Leigh Bowery and Hail the New Puritan’s Mise-­‐en-­‐ Scène of AIDS.” Different Bodies: Disability in Film and Television. Ed. Marja Mogk. (forthcoming from McFarland) 2012 2012
2012 “4-­‐Hour Confession.” Emergency Index 2011. Eds. Yelena Gluzman and Matvei Yankelevich. New York: Ugly Duckling Presse, 178-­‐9. Exhibition Catalogs “Event Scores for Neanderthal Time,” The Hairy Blob of History, 6 June 2012 <http://www.hairyblob.net/> catalog essay for the Hyde Park Art Center’s exhibition The Hairy Blog of History (international exhibition); curator: Adelheid Mers “Well That Was A Small Triumph.” Peoples Microphony Camerata: A 4 Collection of Scores. unpaginated INVITED LECTURES Sept. 2013 “The Multimodal Scholar,” Musicology Colloquium, Texas Tech Univ. Feb. 2012
“Dots for Ever,” Library Speaker series, UW Milwaukee April 2009 “On Befores and Afters,” Department of Theatre, Dance, and Performance Studies, UC Berkeley March 2009 March 2009
“Like a Virgin: Identifying Girlhood in Huyghe and Parreno’s No Ghost Just a Shell,” Lund University (Sweden) Cultural Norms and Values International Scholar Lecture Series Sept. 2008
“Exporting Girlhood,” Anime Milwaukee anime convention “Clark/Bowery/Atlas: Queer Networks of Desire in Hail the New Puritan,” Milwaukee LBGT Film Festival March 2004 “Vera Chytilová’s Daisies and the Work of Pipilotti Rist,” San Francisco Museum of Modern Art Aug. 2002 “Jan Švankmajer’s Alice,” San Francisco Museum of Modern Art CONFERENCE PRESENTATIONS March 2013 “The Phonetics of Early Video Art,” Society for Cinema and Media Studies conference, Chicago, IL Sept. 2012 “Formatting Girlhood,” Society for Literature, Science, and the Arts, Milwaukee, WI Feb. 2011 Oct. 2010 June 2010 March 2010 Oct. 2008 March 2008 March 2008 Nov. 2007 “Sharing Girlhood,” College Art Association conference, New York City “Performing Girl,” Reimagining Girlhood conference, SUNY Cortland “Public Access Identity and Mouchette.org,” Performance Studies International conference, Toronto, Canada “Forever Under Construction: Girling the Past and the Future on Mouchette.org,” Society for Cinema and Media Studies conference, Los Angeles “Whose Ghost is in My Shell?: Exporting Girlhood,” Film and History conference, Chicago “Morphing Manhattan,” Popular Culture Association conference, San Francisco “Soft Body Dynamics after 9/11,” Society for Cinema and Media Studies conference “Design in the Age of AIDS,” Performance Studies International Conference Oct. 2006 “Alice in Cartoonland: Transformation and the (In)Animate Body,” Trans: A Visual Culture Conference, University of Wisconsin at Madison 5 June 2006 “Gesturing toward Olympia,” Performance Studies International conference, Queen Mary, University of London March 2005 “Animating Manhattan,” Performance Studies International conference, Brown University July 2003 “Hysteric Gesture and Puppet Doubles,” Animated ‘Worlds’ conference, Farnham, UK March 2003 “The Cardoso Flea Circus as Border Crosser,” Contamination: Sites of Contagion, Transgression, Transformation conference, University of Southern California Nov. 2002 “Playing with Dolls: The Female Child in Švankmajer’s Alice,” American Society for Theatre Research conference, Philadelphia ROUNDTABLES AND SYMPOSIA March 2012 panelist, feminist roundtable after screening of film Dirty Girl, Union Art Gallery March 2010 panelist, Kate Brandt Pink exhibition panel discussion, Union Art Gallery April 2009 panelist, Multimedia and Performance Symposium sponsored by Institute of Visual Arts, UWM CHAIRING OR ORGANIZATION OF CONFERENCE PANELS March 2013 chair of Speech, Music, and the Sound of Film and Media panel at the Society for Cinema and Media Studies conference in Chicago chair of Physical Activity, Beyond the Body panel at the Performance Studies International conference in Toronto organizer of Animating Performance panel at the Performance Studies International conference in Copenhagen June 2010 August 2008 PRACTICE-­‐BASED RESEARCH COLLABORATIVE/PARTICIPATORY LIVE ART & LIVE VIDEO 2013 “The Most Delicious Little House for Beginners (Clip Her Small to Fit the Boards)” (with Kelly Rafferty), Sketchbook Performance Festival, Collaboraction, Chicago, IL 2012 Song Books, John Cage celebration, Woodland Pattern Gallery, Milwaukee, WI (regional exhibition); curator: Thomas Gaudynski MadLib Confession, MAD-­‐LIB[RARY] exhibition, Independent Curators International curatorial hub, New York, NY (national exhibition); curator: collective Limited Time Only Totes Likable, A Manifesto (written with Charlotte Frost), Annual Group Show, Spread Art Gallery, Brooklyn, NY (national exhibition); curators: Thomas Bell and Christina deRoos 6 139 Assisted Confessions, Emergency Index exhibition, The Kitchen, New York City (international exhibition); curators: Yelena Gluzman and Matvei Yankelevich Song Books (collaboration with vocalist/composer Amanda Schoofs and dancer Laura Murphy), Unruly Music Festival: A Celebration of John Cage’s 100th Birthday, Marcus Center for the Performing Arts, Milwaukee, WI (regional exhibition) The Wendy House (collaboration with performer Kelly Rafferty), Artspace West, Arizona State University 2011 139 Assisted Confessions, Not for Sale exhibition, Fictilis Gallery, Seattle, WA (international exhibition); curator: Isabel Blue 139 Assisted Confessions, UW Milwaukee Faculty exhibition, Cedarburg Culture Center, Cedarburg, WI (local exhibition) 4-­‐Hour Confession (After 1984 After 1984, or Confession is the Princess of Evidence), Daisy Chain exhibition, Antena Gallery, Chicago, IL (national exhibition); curators: Adam Trowbridge and Jessica Westbrook 2010
Grayface (collaboration with sound artist Seth Warren-­‐Crow), Non-­‐
Cochlear Sound group show, Diapason Gallery, Brooklyn, NY (international exhibition); curator: Dr. Seth Kim-­‐Cohen What You’re Thinking (dance-­‐theatre collaboration with choreographer Elizabeth Johnson and student dancers), UW Milwaukee Hands on a Harder Body, NEXT international art fair, HungryMan Gallery showcase, Chicago, IL (national exhibition); curators: Robin Juan and Olivia Swider 2009 Untitled Virgin (girls girls girls yeah I dig them) (collaboration with Seth Warren-­‐Crow), Soundwalk 09 group show, Hellada Art Center, Long Beach, CA (international exhibition); curator: FLOOD collective (Kamran Assadi, Frauke von der Horst, Shelley Rugg Thorp, Shea M Gauer, and Marco Schindelmann) Untitled Virgin (girls girls girls yeah I dig them) (collaboration with Seth Warren-­‐Crow), Landlocked group show, HungryMan Gallery, Chicago, IL (regional exhibition); curator: Olivia Swider 2004 2001 Infanta Division (collaboration with K. Hagstrom), 21 Grand Gallery, Oakland, CA Prayers Answered, Bodies Offered (collaboration with Gretchen Case), Practice-­‐as-­‐Research Performance, University of Mainz, Germany SOLO LIVE ART & LIVE VIDEO/SOUND 2012 General Equivalence, or Pillow Talk for the Olfactorily Impaired Worker, Electric Nights festival, Beton 7, Athens, Greece (international exhibition); curators: Alexandros Drymonitis and Tim Ward 7 Bedtime Ritual for Suffragettes (At Any Given Time, Someone in the World is Taking to Her Bed), ISEA (International Symposium on Electronic Art), National Hispanic Cultural Center, Albuquerque, NM (international exhibition); curator: Jorge Rojas Chatter Marks, Nature Fetish, Grace Exhibition Space (international exhibition); curator: Esther Neff I’m Sawwy, So Sawwy, solo show of all of my performance-­‐based videos from 2011-­‐12, Microscope Gallery, Brooklyn, NY Bedtime Ritual for Suffragettes (At Any Given Time, Someone in the World is Taking to Her Bed), Anima/Animus, KuLe Theatre;(international exhibition); curator: Melanie Jame Walsh For Good or Very Very Bad, the Tongue is a Tool at Hand (Info Object #1), Tool at Hand Milwaukee exhibition, Sweetwater Organics, Milwaukee, WI (local exhibition); curator: Claudia Mooney Praise Be Our Ancestors Who Fucked Upright (Funeral Poem For 2 Men Whose Hearts Were the 1%), Low Lives Occupy! Festival of Live-­‐
Networked Performance (international exhibition); curator: Jorge Rojas live-­‐networked performance screened simultaneously at galleries and in performance spaces in Argentina, Brazil, Colombia, El Salvador, France, Mexico, Northern Ireland, and the United States. International Venues: GT Gallery (Belfast, NIR), Antena Mutante (Bogotá, CO), Casa Brandon—
Ciudad Autónoma (Buenos Aires, AR), Museo de Arte Efimero de Cartago, MAEC (Cartago, CO), Nau Còclea (Girona, ES), Zona de Tolerancia (Hidalgo, MX), Guerrero Project (Mexico City, MX), La Casa de la Cultura Comunitaria “Guuze´ Benda” (Oaxaca, MX), Dimanche Rouge (Paris, FR), Kaxinawá Occupy. Som, Música e Poesia (Greater Rio de Janeiro, BR) National Venues: Co-­‐Lab (Austin, TX, US), 99% Bat Signal -­‐ The Illuminator (NYC, US), Performance Exchange at the School of the Art Institute of Chicago SAIC (IL, US), Hemispheric Institute of Performance and Politics (New York City) 2011 Bedtime Ritual for Suffragettes: At Any Given Time, Someone in the World is Taking to Her Bed, University of Virginia Bedtime Ritual for Suffragettes (At Any Given Time, Someone in the World is Taking to Her Bed), Low Lives 3 exhibition (international exhibition); curator: Jorge Rojas live-­‐networked performance screened simultaneously at galleries and in performance spaces in Austria, Germany, India, Japan, Mexico, Spain, Tanzania, Trinidad and Tobago, and the United States. International Venues: Alice Yard (Port of Spain, Trinidad & Tobago), Attakalari Centre for Movement Arts (Bangalore, India), Headspace (Nara, Japan), Konic Thtr 8 (Barcelona, Spain), Mindpirates (Berlin, Germany), Museo de Arte Contemporaneo (Oaxaca, Mexico), La Periferia (Mérida, Yucatán, México) La Perrera (Oaxaca, Mexico), Simba Theatre Art International at Village Museum (Dar es Salaam City, Tanzania), WORM Vienna (Vienna, Austria) Domestic Venues: AE District (Miami, Florida), Aljira, A Center for Contemporary Art (Newark, New Jersey), Box 13 Artspace (Houston, TX), Center for Performance Research (Brooklyn, New York), Crossing Art Gallery (Queens, NY), Co-­‐Lab (Austin, Texas), Elon University Department of Art & Art History (Elon, North Carolina), Living Arts (Tulsa, Oklahoma), Mascher Space Co-­‐op (Philadelphia, Pennsylvania), Obsidian Arts (Minneapolis, Minnesota), On the Boards (Seattle, Washington), Portland Institute for Contemporary Art (Portland, Oregon), Queens Media Art Development (Queens, NY), Real Art Ways (Hartford, Connecticut), SOMArts (San Francisco, California), Utah Museum of Fine Arts (Salt Lake City, Utah) Bedtime Ritual for Suffragettes (At Any Given Time, Someone in the World is Taking to Her Bed), Sum Total Faculty Show INOVA Arts Center gallery, UW Milwaukee (local exhibition) 2010 i m on vacay muthahfuckah, Verge Art Fair Miami Beach, FL Forensics E (bad boys), Kate Brandt Pink show, Union Art Gallery, UW Milwaukee (international exhibition); curators: Kate Brandt and Andrea Avery Forensics C (speak/don’t speak), Artists and Models: Stimulus exhibition at Rock Harbor Yard, Buffalo, NY (national exhibition); curators: John Massier, Carolyn Tennant, and Polly Little from Hallwalls Contemporary Art Center 2009
2008 2005 Forensics E (bad boys) (documentation), The Ouxpo Project online exhibition (international exhibition); curator: Jacquelyn Davis of Valeveil (Stockholm-­‐based curatorial node devoted to strengthening connections between America and Scandinavia). 14 March 2011 <http://www.valeveil.se/project/ouxpo> Forensics D (next time we hang out i will redeem myself), UC Berkeley Forensics C (speak/ don’t speak), Sum Total Faculty Show, INOVA Arts Center gallery, UW Milwaukee (local exhibition) Forensics F (im gonna lalalove you), 9/9/09 group show, Milwaukee Institute of Art and Design, WI (regional exhibition); curator: Pegi Christiansen My Trip to the Beach, or Making Me into You 9 Times Over, Carousel: The Second Revolution group show, Woodland Pattern Gallery, Milwaukee (national exhibition); curators: Naomi Shersty and Carl Bogner LEASH, Warren-­‐Crow + Edwards 2 Person show, Iron Gate Studios Gallery, Austin, TX 9 2003 2001 Arson, Lab Run: An Evening of Experimental Performance, UC Berkeley (local exhibition) The Color of Blood, Lab Run: An Evening of Experimental Performance, UC Berkeley (local exhibition) PRE-­‐RECORDED SOUND ART & VIDEO ART 2013 General Equivalence, or Pillow Talk for the Olfactorily Impaired Worker, Resound Festival of Sound Art, Exchange Gallery, Penzance, UK (international exhibition); curator: Ian Whitford Another General Equivalence, or Pillow Talk for the Olfactorily Impaired Worker, Works for Prepared Library, Public Library of Cincinnati and Hamilton County (national exhibition); curator: Steve Kemple 2012 HashtagConfession (8.3.2011 & 8.4.2011), Synthetic Zero, BronxArtSpace, New York (international exhibition); curators: Jo Q. Nelson and Mitsu Hadeishi Listen 2 Me Work, Chartier Arts, Derby, CT (international exhibition); curator: Russell Chartier HashtagConfession (8.3.2011 & 8.4.2011), airing on basic.fm, a Broadcast Art, Sound, and Independent Culture project by Pixel Palace in Newcastle upon Tyne, UK Listen 2 Me Work, Inside is Not The Opposite of Outside, Bronxartspace, NY (international exhibition); curators: Emily Roberts-­‐Negron and Mitsu Hadeishi Listen 2 Me Work, Around 30 exhibition, Turner Hall, Milwaukee (local exhibition) HashtagConfession (8.3.2011 & 8.4.2011), Interlife Crisis exhibition, Fictilis Gallery, Seattle, Washington 2011 Listen 2 Me Work, This is a Recording exhibition, Conrad Wilde Gallery, Tucson, Arizona (international exhibition); curators: Sama Alshaibi and Gary Setzer HashtagConfession (8.3.2011 & 8.4.2011), aired on KChung, an art micro-­‐radio intervention project in Chinatown, Los Angeles, CA; curator: Solomon Bothwell HashtagConfession (8.3.2011 & 8.4.2011), Behind Closed Doors exhibition, Stian [Con]Temporary Gallery, Kölleröd, Sweden (international exhibition); curator: Anders Weberg DESIGN FOR PERFORMANCE 2006 The Resonance Project (object design consultant), tele-­‐immersive multimedia dance performance sponsored by HASTAC (Humanities, Arts, Science, and Technology Advanced Collaboratory) and UC Berkeley’s Center for Information Technology Research in the Interest of Society 10 2004 2003 Tooth and Nail (puppet designer), UC Berkeley, dir. Laura Levin As Beauty Subsides (object designer), Fowler Museum of Natural History, Los Angeles, Joe Goode Performance Group, dir. Joe Goode Funnyhouse of a Negro (puppet and scenic designer), UC Berkeley, dir. Jhana Wheekes 2000 The Caucasian Chalk Circle (puppet designer), UC Berkeley, dir. Lura Dolas The House of Bernarda Alba (puppet designer), UC Berkeley, dir. Nadia Mehti A Midsummer Night’s Dream (puppet designer), La Val’s Subterranean, Berkeley, dir. Yuval Sharon COMMISSIONS Spring 2013 “To Be Small is To Be Weak at the Dawn of Man,” text score created for ensemble of undergraduate/graduate music students, UW Milwaukee COURSES TAUGHT TEXAS TECH UNIVERSITY Fall 2013 Technology and the Arts (doctoral seminar) Critical Issues in Arts and Culture (undergraduate lecture) UNIVERSITY OF WISCONSIN AT MILWAUKEE Spring 2013 Animation Aesthetics (undergraduate seminar) *reduced teaching load due to Transdisciplinary Challenge grant Photography as Performance (undergraduate/graduate seminar) *reduced teaching load due to Transdisciplinary Challenge grant Animation Aesthetics (undergraduate seminar) Guided MA Thesis Research (independent graduate study) Photography and the Gaze (independent graduate study) *reduced teaching load due to Center for 21st Century Studies Fellowship Fall 2012 Spring 2012 Fall 2011
Spring 2011
Fall 2010
Digital Art and Culture (undergraduate lecture) Guided MA Thesis Research (independent graduate study) *reduced teaching load due to Center for 21st Century Studies Fellowship Social Media as Art Practice (undergraduate media production) Digital Arts: Culture and Theory (undergraduate lecture) Animation Aesthetics (undergraduate seminar) Body Art (independent undergraduate study) Guided MA Thesis Research (independent graduate study) Digital Arts: Culture and Theory (undergraduate lecture) Photography as Performance (undergraduate seminar) Imag(in)ing Youth: Childhood and Adolescence in Visual Culture (graduate seminar) 11 Spring 2010 Digital Arts: Culture and Theory (undergraduate lecture) Body Art (undergraduate art studio) Animation Aesthetics (undergraduate seminar) Fall 2009 Media Art and Performance (undergraduate/graduate seminar) Introduction to Film Studies (undergraduate discussion), co-­‐taught Animation Aesthetics (undergraduate seminar) Performance and the Object (independent graduate study) Spring 2009 Animation Aesthetics (undergraduate seminar) Body/Object/Audience (graduate/undergraduate theory and media production course), co-­‐taught with Colleen Ludwig Performance Art (independent graduate study) Transgender Performance and Media (independent undergraduate study) Media Archaeology (undergraduate lecture) Photography as Performance (graduate/undergraduate seminar) Writing, Media, Performance (independent graduate study) Summer 2008 Photography as Performance (undergraduate seminar) Media Archaeology (undergraduate lecture) Animation Aesthetics (undergraduate seminar) Animation Aesthetics (undergraduate seminar) Fall 2008 Spring 2008 Fall 2007 UNIVERSITY OF CALIFORNIA AT BERKELEY SOLE INSTRUCTOR Spring 2007 Fall 2006 Summer 2006 Spring 2006 Fall 2005 Spring 2005 Summer 2004 Fall 2003 Summer 2002 Fall 2001 Performance and the Screen (freshman composition) Beginning Acting (undergraduate technique course) Performing Childhood: Childhood Innocence and Other Modern Myths (freshman composition) Beginning Acting (undergraduate technique course) Intermediate Acting (undergraduate technique course) Beginning Acting (undergraduate technique course) Intermediate Acting (undergraduate technique course) Beginning Acting (undergraduate technique course) Issues in World Performance (undergraduate lecture) Beginning Acting (undergraduate technique course) Beginning Acting (undergraduate technique course) TEACHING ASSISTANT Spring 2002 Spring 2000 The Drama of American Cultures (undergraduate discussion) Modern Drama DIRECTION OF GRADUATE STUDENT RESEARCH MEMBER OF PHD DISSERTATION COMMITTEE 2010-­‐11 Defne Tuzun, Department of English Dissertation: 12 Uncontainable within the Frame: Abjection Re-­‐valorized through Contemporary Cinema CHAIRING OF MFA THESIS COMMITTEES 2009-­‐2011 Anna Helgeson, Department of Art and Design (thesis work: photography, installation, and performance) MEMBER OF MFA THESIS COMMITTEES 2008-­‐2010 2008-­‐2010 2009-­‐2010 2008-­‐2009 Kate Brandt, Department of Film (thesis work: video-­‐based performance) Laura Bennett, Department of Film (thesis work: experimental film) Megan Hessenthaler, Department of Film (thesis work: animation, experimental film) 2007-­‐2009 2013 Eric Beining, Department of Art and Design (thesis work: photography and the queer body) 2012 Katherine Egan, Masters of Liberal Studies Program (thesis work: scholarship on graffiti and identity in Milwaukee) Donna Neal, Masters of Liberal Studies Program (thesis work: scholarship on outsider artist Henry Darger and the spaces of childhood) Evan McDoniels, Masters of Liberal Studies Program (thesis work: multimedia poetry practice) Heidi Spencer, Department of Film (thesis work: experimental film) Dayna Moses, Department of Film (thesis work: video, performance, and installation) CHAIRING OF MA THESIS COMMITTEES 2011 MEMBER OF MA COMMITTEE 2008-­‐2009 Rachel Vander Weit, Department of Art History (thesis work: curating a photography exhibition and writing a catalog essay) Anna Helgeson, Department of Art and Design (photography) MEMBER OF MA FIRST YEAR REVIEW COMMITTEE Spring 2012 Fall 2011 Julie Rogers, Department of Art and Design (sculpture and installation) Corbett Toomsen, Department of Art and Design (printmaking and photography) Richard Mutz, Department of Art and Design (video art) Spring 2009 13 SERVICE TEXAS TECH UNIVERSITY Fall 2013 Dept. of Theatre and Dance Search Committee CVPA Fine Arts Doctoral Program Committee School of Art Fine Arts Doctoral Program Committee Tedx Texas Tech Organizing Committee Reviewer, Graduate School Arts and Humanities Research Conference manuscript reviewer for the Arts Future book series GYLPHI PRESS Spring 2012 UNIVERSITY OF WISCONSIN AT MILWAUKEE Spring 2013 *service load reduced due to Transdisciplinary Challenge grant *service load reduced due to Transdisciplinary Challenge grant Global Studies Advisory Committee Digital Arts and Culture Committee *service load reduced due to Center for 21st Century Studies Fellowship Global Studies Advisory Committee Digital Arts and Culture Committee member of focus group for Digital Futures Initiative *service load reduced due to Center for 21st Century Studies Fellowship Spring 2011 co-­‐chair, Public Programming Committee Institute of Visual Art Planning Committee Global Studies Advisory Committee Digital Arts and Culture Committee host and contact person for visiting video artist Public Programming Committee Global Studies Advisory Committee Digital Arts and Culture Committee host and contact person for visiting video artist participant in University Open House recruitment event co-­‐chair, Public Programming Committee Public Programming Committee participant in University Open House recruitment event Conceptual Studies Curriculum Committee Departmental Curriculum Committee Departmental Curriculum Committee member of Conceptual Studies Curriculum Committee participant in University Open House recruitment event recruiting of high school students by phone Digital Animation Faculty Search Committee Fall 2012 Spring 2012 Fall 2011 Summer 2011 Fall 2010 Spring 2010 Institute of Visual Art Planning Committee Fall 2009 Spring 2009 Fall 2008 Spring 2008 14 Inter-­‐arts Black and Gold Committee Black and Gold Committee Conceptual Studies Curriculum Committee respondent to "The Atlas Effect: Image Collection and Circulation in Contemporary Art," public lecture by Melbourne-­‐based scholar/artist Charles Green (sponsored by the College of Letters and Sciences, Department of Art History, and the UWM Libraries) Digital Animation Faculty Search Committee Conceptual Studies Curriculum Committee Inter-­‐arts Black and Gold Committee juror for student photography show Fall 2007 UNIVERSITY OF CALIFORNIA AT BERKELEY Spring 2007 2005-­‐2007 2006 Summer 2006 2001-­‐2002 workshop leader: movement for animators, Department of Electrical Engineering and Computer Sciences Dance Studies Working Group Visual Culture Writing Group Graduate Research Assistant to Assistant Professor Lisa Wymore Production Committee Representative LOCAL COMMUNITY Fall 2012 Fall 2011 discussion leader for Milwaukee Film Festival discussion leader for Milwaukee Film Festival MEMBERSHIP IN PROFESSIONAL ORGANIZATIONS College Art Association Performance Studies International Society for Cinema and Media Studies