DATE _3/18/02_
through rough ground plan with the cast.
through once without scripts. Director sat
Idown with cast and editted the script to make it
Iti~:htf:r and more flowing.
ITolmorrow, 3/19, in Strother at 7:00PM.
etc:
-
IA(lded coffee can of wonns (preferrably live, but
will work), coffee maker, and pen and
Ist~ltiomu"y set. Rehearsal props are needed ASAP.
Hickman will bring fishing poles after Easter.
DATE _3/19/02_
the two doors in the hallway be working
There is blocking that will require exits
enltrrunct'S from the "rooms."
through new opening sequence multiple times
Lucy rund Phil.
IT(lm)rr,OW
at 7:00PM in Strother.
etc:
we have a sound designer? There needs to be
Hush at the start of the show.
needs to have a belt rund comical boxers as
of his costume.
IPIIRI'OFtM.ANCE _Faulkner King
_ 7_
IWr.rlcp,j
Notes:
Act 1 Scene 1 and blocked the first few
IT()m.,rnnw at 7:00 PM in Strother. Will be
IW(lrking Act 1 Scene 1.
etc:
DATE _3120102 _
_Faulkner King
_3121102_
ATTENDANCE: Greg L., Morgan M., David H., Carly A., Taylor D., julie L.,
Alan G., Chip H., Kathryn G., Kip S., Katie H.
Scenery:
Notes:
IKattrryn sent out a mass email to the TComm dept. All new tlats have heen made. Fireplace will he
in blue ioam instead of just painting it.
find the crew. Hope to have a complete crew
by next Thursday.
Breakaway tlats will he bolted with wingnuts.
Back doors to the hedroom and bathroom will he
Iworlkin," doors. Cross-bracing of the staircase
Rehearsal Notes:
will get money to Carly to start purchasing
Im'or.< tomorrow, She will also he given a key to
prop box. Need book for rehearsal prop.
PM in Strother. Tonight will he blocking 1-1,
Itornonrow will he 1-2,
etc:
and Phil need to set up appt. to talk with Julie
will put together the sound effects for the live
I"'JU III their costumes.
laulditonc:e vlewmg.
ulie showed renderings of the costumes to David.
DATE _3121/02_
ITc.mo'ITOW, 5-7PM, in Strother. (1-2)
etc:
(
Ene B~S'5 ~ SCti-Ib)
,J-tI-\. Sth,dl~Y - SGef'\'<" f+r4.ls+-
( JlAllell 11~
'-'4/1:P6
?
7
- Cos f-t-twte.
-
L'j htrt17
- MJce.lA.p
- 50wui
b,( - i)"'J(d f~)i1! ifc'lI
- Tc«~
L,( Lr..:-Lu
Ab - b( /0r-eH"2
eli ,ter
[ (i
C
eu;"'..<:
--v_., r--:
"j-J .A)t!L<)qC,
tu~ (W,1u"1 ODU tJoble..
Mtik( ~) c. +c:. -) l ro.il f I-If.n YL\ J
At,k
I),b/)l~t-
~
II
r
5f~,:1
__ h
_ '1
n.
(1
f~!lo..d I~unffr
Dv)t-1n WI nebrennf:f
J;r'1
7
I
/
5h45kj
~DJO,cr
)f1\ifh
J<2S~ Gy-~ltld
7=(0111
~
i.f
CO 1'1\ ey- d (
Dud,))
Dud,'o
d
2 ~)J)
i('(~,'(
•
I
':;rl
f)-f1'?S
3 fupe.
f(ooy
._-_._----- '-,---_.
----_._.
tJp5
Mo.t1(li~(X
J
~+- d~S$(r
des~rJer
l ) )
,
j
1
I '
I
!
,
,. I
- f (1\ '.' 1(,
)
;l '.
i i
Li}
/'~
~ ----~-------.-
I
'----'-r- -- -------- -----4<,,1.
r
i ______ -'
I
I
1(1
~~cbr~~44J4
i .-
/t~
')~,
j~~_~ diaf-i& :Us WG'~c ..
lJ,j- ~ vf (~{6J tf -t S- .- ~ cw ~ ~
~~-~ ~
~ ~- ~ ~
~
J)~
.--:hrn,d
cit-
~
+
~
A'VlClJ-e.
tc-
-«)
lAlCpR
u
~ ~cd- LO/VY~ + /YVlh--dJ ((~) 1:0-
vV\.
Tc.,./k +0 dip l-kt\s, o~o,(+ i(ow nl""e/1 +t17l~
~w rv:C\l\j rCop Ie do jDU. n eed ~
How M-en :}101}J (( c~c ~ct ve (l rod
\ee H/1.95
(1
cv.L
~
\
I
I
-,
I'f{;\
I~
,
-
-
t
I
\
I
_.1.
,..,
\
0$
~t7
N "
d--. ~
\Aj~
~~
O-!
D~J
, ~~o~ 01
11>
-----
O!
.
-I
~
0]:
Iv
j
I
-
---(hip
l-l 1-0
S"K-t
-
~.--
..
1 A11 - b Prj
9 lin - bF"1
)
Ned
L/- b
peopl~
lNi I(h~ve.
~ - I::; peofl<...
Page 1 of 1
Hotinail Message
MSN Home
I
Hotmail
My MSN
Web Search
Home fijlnboX ,t.eompose
I
Shopping
I
rttddress BOOk]
I
Money
Options
-
People Ir. Chat
Help
shmathryn@hotmall.com
Calendar
[5;;;e ~AclcI~~~)IIBI~kl
I C~
Previous Next
Free Newsletters
Special Offers
pop Mall
Find Message
Reminders
Directories
From : "Daniel Gooding" <dannybobtheman@hotmail.com>
To : shmathryn@hotmall.com
Subject: Ughting Report 032102
Date : Wed. 20 Mar 2002 20:25:44 -0500
Attachment: UghtingReoort0321.0U!QC (15k)
i Delete I p':':ut:;ln~F=-o""lde-r-.. .....
-
IReply II Reply All I [fOiWard]
•
•
•
GJ
•
[
•
Printer FriendlY .Versll!I!
;'1
flicker box for fireplace - Derek is researching getting one for free posSibly, Indy Stage rents one for $50
perweek ._- '10+ nece$5cwcl
we need to think of a way to reducethe glare from picture frames on the set - nv C;
we need to think about the blocking of the actors on the office part of the set as this will affect how we
light that set
Derek and I are planning on hanging lights on Thursday and Friday, April 4th and 5th
someone (and it can be Derek or me if needed) should ask Alan Gordon if we can hang later on Thursday
as I will be in class from 1030-1145 and 1200-200
I need a set of the latest ground plans, drawings, etc.
-JaJ
k9
+0 b< '+allnd
1(\
the.
I,f+
J
sef
Hotmail Services
Cll\
••otice: Attachments are automatically scanned for viruses using
Clfft &.:'/
-t
5e.
i-
Explore MSN
Free Games
~~~:c~: Deals
Share Photos
Send cash
Chat Rooms
Upgrade your career
Find Old Friends
Shop AT&T Wireless
More ...
D",nle.( -+ Alo.l1
I
C\.
I?t
('
\Yl>Yl'j
-b
k;lj lilq
I)ollj f
Ch,p
J
J
ur
D~~Vk!~S~I~:hOI !.:"Jd Q~et-Ho~
Si\,,\c.
MSN Home
I
My MSN
I
Hotmail
I
Web Search
I
Shopping
I
Money
I
h me
People Ir. Chat
© 2002 Microsoft Corporation. All rights reserved. TERMS OF USE Advertise TRUSTe Approved Privacy Statement
GetNetWise
http://lw9fd.law9.hotmail.msn.comlcgi-binigetmsg?cunnbox=FOOOOOOOO 1&a=49 1b4ee403b596a20713 7f5d... 3121/02
ifo
cW ~~'f\ ~
\,t1vn
()
l
, I
Co-J!,Y,' ~,.z~VI'kJ cki
uJ'<.
(~
cYJ ,
~\,f1
Props List for Faulkner King
ACTl
Iu Robbie's apartment:
'cU!.~ \~ - Paperwads to lay around Robbie's apartment
'-l
Books laying around Robbie's apartment
Bee Ink Pen
Yellow Pad of Paper
White Handkerchief
2 Fishing Poles
Beer - 3 (; 1)C.c_~'-::/) - ,_" Coli}..}
Robbie's Book - Ucc,
C0i11paet (7) FS. 9
IJt.t1=1Bobby's Small Poetry Notebook
Phone '- chl./zd
W",,+e\:.>uJ.:,c+
In Ms. Grayven's Office:
-
Several copies of classic novels
Book of Gar~eltl cpmics
Wastebasket €CA~U:\S
Apple juice bottle -'iV1 ; C'..J<., J~ ,wl.' \
j
Paper cup - ,J:.,if,W..
Pad of paper - 'i;:0vJ~ :~" [.<,l-d
Pencil
'
Can ofLysoVdisinfectant
\'h"',.... - Li~" Ju;iYut..ACT II \).}
,
The Living Room:
Notepad -:(,2.l.A;
Paperwads laying around
Fishing pole
Laptop computer
Pen
Paper
-
---------
~' '-7!~~/
r--..zJ i...tJL...'
[1i';!:F
~
;IE:- Cult
CJ-<!v n
r~714- ~
v~mJ
Kdlut.
liJ~~\
zfl4
W-(
-
Everything a designer could want to know abQut Faulkner
~ng:
1) Where (geographically) does this take place? (General locale,
as
>well as a more specific one such as,on a lake, in the:woods, in
a
>city, etc.) --Bloomington, IN on a lake.
>
>2) What time of day is this episod~? Season? --Friday afternoon
in March for Act I, Saturday afterno'on (the next day) for Act II
>
>3) What is the time span from beginning to end? (Does it take
place
>in one or two days? How are they determined?) --Two days
determined by act
>
>4) How does Robby afford his place? Grandparents left it to him
when they died.
>
>5) Is it a spacious shanty cabin in the woods or an apartment
in a
>small town? (We're assuming since he's up and coming that he's
not
>very affluent, or if he is, how did he get his money and how
does
>that affect his home?) .--small house that his grandparents had
owned, nothing fancy
-I
>
,-
>6) Do Shelia and Robby live together? (If so, who's place is it
>figuratively and realistically?) --No, it's Robbie's house.
>
>7) How long have Bobby and Earl known Robby? How long have
Shelia
>and Robby been together? How long has Shelia known Bobby and
Earl?
> Bobby, Earl, and Robbie have known each other since childhood.
Sheila has known them for three years, ever since she met Robbie
at college.
>8) What are the Educational and Occupational backgrounds on
>Bobby/Robby/Earl? Earl is a taxidermist--nocollege. Bobby is a
mechanic--no college. Robbie attend IU as an English major.
Sheila attended IU medical school and is a paramedic.
>
>9) Do the two settings have windows and doors to the outside?
What
>is outside of each set? What could be seen when windows and
doors
-
-.
>are open? --Ms. Grayven's office does not have windows.
Robbie's house has windows and a door to the outside.
>
>10) ·How important is fishing really·to Robby? What is true
passion?
>(fishing, writing, his relationship with friends/girlfriend,
>hobbies, etc.) --Robbie's true passion. is writing. Fishing is a
hobby and a way of life for he and his friends. Sheila is very
important to him. She's his sanity.
11
iA c~ e."U. <'" i2..J:')
0" J\
~h~-::'Vl
. !~;
0. /',
~
,,1
()
<4 .. '.
/\j ~,; '.1
'j',
'.'/'U
~,
)
,...
'-t
!
"
1
•
I
('r .'
.,
d
~
I.)
)
:1
!.
-
.,
jl;
)<)11':'
vQJ
{h'l~
.-
f
+,
" "
;(
:t:~,y. ~
,-
U"
.-~... ",
r
~,ec
~,
;,
\)t1~i~ Is ;:ciledL{/e +",C)V' !i\l.{($ -t- (:'1'.:('
'i '. ';0- JO: -/{; .. r:J -.J
I"
,,1/ +
;? lY\,QJ
7jJ
Tco!"'1 -+ T)/€/iT !J'c.J--
')I'\,-l
jJ
(CI,', ~
e.
7
-.--------------~-,----,-------------------
.
If•
I~/'
,
\b
CJ::-wJL
/'
"
',.,'\-:":t",("
~, I
J>
~
5111 U
4.
ilk
~<~ ;t.P"'l -t,,J.{J)'t
(MALt--/ 0\u"'f
l;~ -~. eJu vII A9'C;~'\
'*
--.:f
A(I\V\ ~
c-Jd( £JO.ss;bl~
No
CO-"\e\"~5
-if f"'~ il~
Oy,
s-h-;k(
"A* ,..
5.,..), -
i-:'\'" (,,\J 'itf
c\ ~I\ '+
+11(.'
(~o.,r"
-+ 5ia.tk
61'\
n5~cs
PRODUCTION SCHEDULE-FAULKNER KING
Date:
REHEARSALS
March 4-7
7-10
March 18-22
7-10
March 24-28
7-10
March 31-April 4
7-10
April 5
7-10
*REHEARSAL WITH CAMERAS,
April 6-7
7-10
f'1.\
~
~o,'"
10 ..
P.M.
Strother
P.M.
Strother
P. M.
Strother
P. M.
Strother
P. M.
..lslefjle,{ ~er
DIRECTOR, and ACTORS
P.M.
Te1ep1ex
SET LOAD-IN
April 1-2
9 A.M.-6 P.M.
Teleplex
LIGHTS
April
9 A.M.-6 P.M.
Teleplex
¥-5
FILMING
April /11-11
(Without Audience)
-..
Location:
Time:
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
5-7 P.M.
Actor Call
6 P.M.
E'i J m 7 11]' ..M.
'\....L.
,s:;3
I
do
Ff"" iz\
~'1~tJ.;(l3
(All'+S:<{<;'- r;,: 3D
April 12-13
(Wi th Audience)
-------
------_.
C(('lYIe.fas:
;fAt:rew:
Apn 1
1,-7
April
:2
j~Jt. !ifni
3
~3
R~~(",'(sC\..1
7-
fOPM
S+ro-th.~r
5-tr-dAer fhe",'i-re....
Hee+i Y1Cj
>v-f Me,,+m--s)
7 :OD--/: ij,,- PJJ\
Te{efle.x
~fiDn
ESU 5"-7f'1
)::,1"1 7- II PfV\
\I,e <-0
"3 - I [
A?f'll ~
Te1ep1ex
7: 00-7:'-15 Pf1
(~euj
CreLt.!
1
Teleplex
Fi I'"
Aw:\ ("'1 te
'FIlM
+-
u,<t,;",
t4'
A-w:j,en <.~
ESV
~-IPJV\
Tdeplex
Teleplex
Fi 11"'\ 7-1/f'M
[50
Film
6-1f'M
~-IOp~
Te/eplf:)<
PRODUCTION SCHEDULE-FAULKNER KING
Date:
Location:
Time:
REHEARSALS
4-7
18-22
24-28
31-April 4
5
March
March
March
March
April.
7-10
7-10
7-10
7-10
7-10
*REHEARSAL WITH CAMERAS,
7-10
~April 6-7
P.M.
P.M.
P.M.
P.M.
P.M.
Strother
Strother
Strother
Strother
'l'elefjlelf
DIRECTOR, and ACTORS
P. M.
Teleplex
SET LOAD-IN
April 1-2
9 A.M.-6 P.M.
Teleplex
-6 P.M.
Te1ep1ex
LIGHTS
April
'1-;;
9 FL
,~.
FILMING
3+'1
1/
(iI\
wi
April 8-11
(Without Audience)
April 12-13
(With Audience)
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
5-7 P.M.
Actor Call
6 P.M.
Film 7-11 P.M.
Teleplex
Teleplex
Sfro-{Ae.
PRODUCTION SCHEDULE-FAULKNER KING
Date:
Time:
REHEARSALS
March 4-7
7-10
March 18-22
7-10
7-10
March 24-28
March 31-April 4
7-10
April 5
7-10
*REHEARSAL WITH CAMERAS,
April 6-7
7-10
-
Location:
Strother
P.M.
P. M.
Strother
P. M.
Strother
P.M.
Strother
P. M.
Te1ep1ex
DIRECTOR, and ACTORS
P. M.
Te1ep1ex
SET LOAD-IN
April 1-2
9 A.M.-6 P.M.
Te1ep1ex
LIGHTS
April 3-5
9 A.M.-6 P.M.
Te1eplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
5-7 P.M.
Actor Call
6 P.M.
Film 7-11 P.M.
Teleplex
Teleplex
PRODUCTION SCHEDULE-FAULKNER KING
Date:
Time:
Location:
REHEARSALS
March 4-7
7-10
7-10
March 18-22
March 24-28
7-10
March 31-April 4
7-10
April 5
7-10
*REHEARSAL WITH CAMERAS,
April 6-7
7-10
P.M.
P.M.
P.M.
P.M.
P.M.
Strother
Strother
Strother
Strother
Telep1ex
DIRECTOR, and ACTORS
P.M.
Teleplex
SET LOAD-IN
April 1-2
9 A.M.-6 P.M.
Teleplex
9 A.M.-6 P.M.
Teleplex
LIGHTS
April 3-5
FILMING
-
April 8-11
(Without Audience)
April 12-13
(With Audience)
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
5-7 P.M.
Actor Call
6 P.M.
Film 7-11 P.M.
Teleplex
Teleplex
PRODUCTION SCHEDULE-FAULKNER KING
Date:
Time:
REHEARSALS
March 4-7
7-10
March 18-22
7-10
March 24-28
7-10
March 31-April 4
7-10
April 5
7-10
*REHEARSAL WITH CAMERAS,
April 6-7
7-10
-
Location:
P.M.
Strother
Strother
P.M.
P. M.
Strother
P. M.
Strother
P.M.
Teleplex
DIRECTOR, and ACTORS
Teleplex
P.M.
SET LOAD-IN
April 1-2
9 A.M.-6 P.M.
Teleplex
LIGHTS
April 3-5
9 A.M.-6 P.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
5-7 P.M.
Actor Call
6 P.M.
Film 7-11 P.M.
Teleplex
Teleplex
PRODUCTION SCHEDULE-FAULKNER KING
Date:
Time:
Location:
7-10
7-10
7-10
7-10
7-10
Strother
Strother
Strother
Strother
Teleplex
REHEARSALS
March
March
March
March
April
4-7
18-22
24-28
31-April 4
5
P. M.
P.M.
P.M.
P. M.
P.M.
*REHEARSAL WITH CAMERAS, DIRECTOR, and ACTORS
-
April 6-7
7-10 P. M.
Teleplex
SET LOAD-IN
April 1-2
9 A.M.-6 P.M.
Teleplex
LIGHTS
April 3-5
9 A.M.-6 P.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
5-7 P.M.
Actor Call
6 P.M.
Film 7-11 P.M.
Teleplex
Te1ep1ex
PRODUCTION SCHEDULE-FAULKNER KING
Date:
Time:
REHEARSALS
March 4-7
7-10
March 18-22
7-10
March 24-28
7-10
March 31-April 4
7-10
7-10
April 5
*REHEARSAL WITH CAMERAS,
April 6-7
7-10
-
Location:
Strother
P. M.
Strother
P. M.
Strother
P.M.
P. M.
Strother
P.M.
Teleplex
DIRECTOR, and ACTORS
P. M.
Teleplex
SET LOAD-IN
April 1-2
9 A.M.-6 P.M.
Teleplex
LIGHTS
April 3-5
9 A.M.-6 P.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
5-7 P.M.
Actor Call
6 P.M.
Film 7-11 P.M.
Teleplex
Teleplex
PRODUCTION SCHEDULE-FAULKNER KING
DATE:
TIME:
REHEARSALS
7-11 P.M.
April 1
April 2 (Crew View) 7-11 P.M.
LOCATION:
WHO:
Strother
Strother
Cast
Cast/
Crew
Cast
7-11 P.M.
Strother
April 3-5
*REHEARSALS WITH CAMERAS, DIRECTOR, and ACTORS ONLY
7-10 P.M.
April 6-7
Teleplex
SET LOAD-IN
April 2-3
8 A.M.-6 P.M.
Teleplex
LIGHT SET-UP
April 4-5
9 A.M.-6 P.M.
Teleplex
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
6-8 P.M.
Actors Call
7 P.M.
Film
8-10 P.M.
Strike
10P.M.-12 A.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Cast/
Cameras
Crew
Cast
Teleplex
Crew
Cast
Cast/
Crew
** All Crew need to be present on April 2, 3, and 8-13.
Camera crew need to be present on those dates PLUS April 67.
PRODUCTION SCHEDULE-FAULKNER KING
DATE:
TIME:
REHEARSALS
7-11 P.M.
April 1
April 2 (Crew View) 7-11 P.M.
LOCATION:
WHO:
Strother
Strother
Cast
Cast/
Crew
Cast
Strother
7-11 P.M.
April 3-5
*REHEARSALS WITH CAMERAS, DIRECTOR, and ACTORS ONLY
7-10 P.M.
Te1ep1ex
April 6-7
SET LOAD-IN
April 2-3
8 A.M.-6 P.M.
Te1ep1ex
LIGHT SET-UP
April 4-5
9 A.M.-6 P.M.
Te1ep1ex
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
6-8 P.M.
Actors Call
7 P.M.
Film
8-10 P.M.
Strike
10P.M.-12 A.M.
Te1ep1ex
FILMING
April 8-11
(Without Audience)
April 12-13
(Wi th Audience)
Cast/
Cameras
Crew
Cast
Te1ep1ex
Crew
Cast
Cast/
Crew
** All Crew need to be present on April 2, 3, and 8-13.
Camera crew need to be present on those dates PLUS April 67.
PRODUCTION SCHEDULE-FAULKNER KING
DATE:
TIME:
REHEARSALS
7-11 P.M.
April 1
April 2 (Crew View) 7-11 P.M.
LOCATION:
WHO:
Strother
Strother
Cast
Cast!
Crew
Cast
Strother
7-11 P.M.
April 3-5
*REHEARSALS WITH CAMERAS, DIRECTOR, and ACTORS ONLY
7-10 P.M.
Teleplex
April 6-7
SET LOAD-IN
April 2-3
8 A.M.-6 P.M.
Teleplex
LIGHT SET-UP
April 4-5
9 A.M.-6 P.M.
Teleplex
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
6-8 P.M.
Actors Call
7 P.M.
Film
8-10 P.M.
Strike
10P.M.-12 A.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Cast!
Cameras
Crew
Cast
Teleplex
Crew
Cast
Cast/
Crew
** All Crew need to be present on April 2, 3, and 8-13.
Camera crew need to be present on those dates PLUS April 67.
PRODUCTION SCHEDULE-FAULKNER KING
DATE:
TIME:
REHEARSALS
7-11 P.M.
April 1
View)
7-11 P.M.
2
(Crew
April
LOCATION:
WHO:
Strother
Strother
Cast
Cast/
Crew
Cast
Strother
7-11 P.M.
April 3-5
*REHEARSALS WITH CAMERAS, DIRECTOR, and ACTORS ONLY
7-10 P.M.
Teleplex
April 6-7
SET LOAD-IN
April 2-3
8 A.M.-6 P.M.
Teleplex
LIGHT SET-UP
April 4-5
9 A.M.-6 P.M.
Teleplex
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
6-8 P.M.
Actors Call
7 P.M.
Film
8-10 P.M.
Strike
10P.M.-12 A.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Cast/
Cameras
Crew
Cast
Crew
Teleplex
Cast
Cast/
Crew
** All Crew need to be present on April 2, 3, and 8-13.
Camera crew need to be present on those dates PLUS April 67•
PRODUCTION SCHEDULE-FAULKNER KING
DATE:
TIME:
REHEARSALS
7-11 P.M.
April 1
April 2 (Crew View) 7-11 P.M.
LOCATION:
WHO:
Strother
Strother
Cast
Cast/
Crew
Cast
Strother
7-11 P.M.
April 3-5
*REHEARSALS WITH CAMERAS, DIRECTOR, and ACTORS ONLY
7-10 P.M.
Teleplex
April 6-7
SET LOAD-IN
April 2-3
8 A.M.-6 P.M.
Teleplex
LIGHT SET-UP
April 4-5
9 A.M.-6 P.M.
Teleplex
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
6-8 P.M.
Actors Call
7 P.M.
Film
8-10 P.M.
Strike
10P.M.-12 A.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Cast/
Cameras
Crew
Cast
Crew
Teleplex
Cast
Cast/
Crew
** All Crew need to be present on April 2, 3, and 8-13.
Camera crew need to be present on those dates PLUS April 67.
-
PRODUCTION SCHEDULE-FAULKNER KING
DATE:
TIME:
REHEARSALS
7-11 P.M.
April 1
April 2 (Crew View) 7-11 P.M.
LOCATION:
WHO:
Strother
Strother
Cast
Cast/
Crew
Cast
7-11 P.M.
Strother
April 3-5
*REHEARSALS WITH CAMERAS, DIRECTOR, and ACTORS ONLY
7-10 P.M.
Teleplex
April 6-7
SET LOAD-IN
April 2-3
8 A.M.-6 P.M.
Teleplex
LIGHT SET-UP
April 4-5
9 A.M.-6 P.M.
Teleplex
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
6-8 P.M.
Actors Call
7 P.M.
Film
8-10 P.M.
Strike
10P.M.-12 A.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Cast/
Cameras
Crew
Cast
Crew
Teleplex
Cast
Cast/
Crew
** All Crew need to be present on April 2, 3, and 8-13.
Camera crew need to be present on those dates PLUS April 67.
-
PRODUCTION SCHEDULE-FAULKNER KING
DATE:
TIME:
LOCATION:
WHO:
REHEARSALS
April 1
April 2 (Crew View)
7-11 P.M.
7-11 P.M.
Strother
Strother
Cast
Cast!
Crew
Cast
Strother
7-11 P.M.
April 3-5
*REHEARSALS WITH CAMERAS, DIRECTOR, and ACTORS ONLY
7-10 P.M.
Teleplex
April 6-7
SET LOAD-IN
April 2-3
8 A.M.-6 P.M.
Teleplex
LIGHT SET-UP
April 4-5
9 A.M.-6 P.M.
Teleplex
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
6-8 P.M.
Actors Call
7 P.M.
Film
8-10 P.M.
Strike
10P.M.-12 A.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Cast!
Cameras
Crew
Cast
Teleplex
Crew
Cast
Cast!
Crew
** All Crew need to be present on April 2, 3, and 8-13.
Camera crew need to be present on those dates PLUS April 67•
-
PRODUCTION SCHEDULE-FAULKNER KING
DATE:
TIME:
REHEARSALS
7-11 P.M.
April 1
View)
7-11 P.M.
2
(Crew
April
LOCATION:
WHO:
Strother
Strother
Cast
Cast/
Crew
Cast
7-11 P.M.
Strother
April 3-5
*REHEARSALS WITH CAMERAS, DIRECTOR, and ACTORS ONLY
7-10 P.M.
Teleplex
April 6-7
SET LOAD-IN
April 2-3
8 A.M.-6 P.M.
Teleplex
LIGHT SET-UP
April 4-5
9 A.M.-6 P.M.
Teleplex
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
6-8 P.M.
Actors Call
7 P.M.
Film
8-10 P.M.
Strike
10P.M.-12 A.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Cast/
Cameras
Crew
Cast
Teleplex
Crew
Cast
Cast/
Crew
** All Crew need to be present on April 2, 3, and 8-13.
Camera crew need to be present on those dates PLUS April 67.
PRODUCTION SCHEDULE-FAULKNER KING
DATE:
TIME:
REHEARSALS
7-11 P.M.
April 1
April 2 (Crew View) 7-11 P.M.
LOCATION:
WHO:
Strother
Strother
Cast
Cast/
Crew
Cast
Strother
7-11 P.M.
April 3-5
*REHEARSALS WITH CAMERAS, DIRECTOR, and ACTORS ONLY
7-10 P.M.
Teleplex
April 6-7
SET LOAD-IN
April 2-3
8 A.M.-6 P.M.
Teleplex
LIGHT SET-UP
April 4-5
9 A.M.-6 P.M.
Teleplex
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
6-8 P.M.
Actors Call
7 P.M.
Film
8-10 P.M.
Strike
10P.M.-12 A.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Cast/
Cameras
Crew
Cast
Teleplex
Crew
Cast
Cast/
Crew
** All Crew need to be present .on April 2, 3, and 8-13.
Camera crew need to be present on those dates PLUS April 67•
PRODUCTION SCHEDULE-FAULKNER KING
DATE:
TIME:
REHEARSALS
7-11 P.M.
April 1
April 2 (Crew View) 7-11 P.M.
LOCATION:
WHO:
Strother
Strother
Cast
Cast/
Crew
Cast
Strother
7-11 P.M.
April 3-5
*REHEARSALS WITH CAMERAS, DIRECTOR, and ACTORS ONLY
7-10 P.M.
Te1ep1ex
April 6-7
SET LOAD-IN
April 2-3
8 A.M.-6 P.M.
Teleplex
LIGHT SET-UP
April 4-5
9 A.M.-6 P.M.
Teleplex
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
6-8 P.M.
Actors Call
7 P.M.
Film
8-10 P.M.
Strike
10P.M.-12 A.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Cast/
Cameras
Crew
Cast
Teleplex
Crew
Cast
Cast/
Crew
** All Crew need to be present on April 2, 3, and 8-13.
Camera crew need to be present on those dates PLUS April 67•
-
PRODUCTION SCHEDULE-FAULKNER KING
DATE:
TIME:
REHEARSALS
7-11 P.M.
April 1
Aoril 2 (Crew View) 7-11 P.M.
LOCATION:
WHO:
Strother
Strother
Cast
Cast/
Crew
Cast
Strother
7-11 P.M.
April 3-5
*REHEARSALS WITH CAMERAS, DIRECTOR, and ACTORS ONLY
Teleplex
7-10 P.M.
April 6-7
SET LOAD-IN
April 2-3
8 A.M.-6 P.M.
Teleplex
LIGHT SET-UP
April 4-5
9 A.M.-6 P.M.
Teleplex
Engineer Set-Up
5-7 P.M.
Actors Call
6 P.M.
Film
7-11 P.M.
Engineer Set-Up
6-8 P.M.
Actors Call
7 P.M.
Film
8-10 P.M.
Strike
10P.M.-12 A.M.
Teleplex
FILMING
April 8-11
(Without Audience)
April 12-13
(With Audience)
Cast/
Cameras
Crew
Cast
Teleplex
Crew
Cast
Cast/
Crew
** All Crew need to be present on April 2, 3, and 8-13.
Camera crew need to be present on those dates PLUS April 67.
-
January 2002
-
2001-2002 Production Calendar
S
M
Dee 1001
T W T
F
S
1
2 3
4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29
30 31
6
10
7
11
12
Spring CIIlsse6
begin
14
13
Garbo's Innatable
Theatre Company
(Emens) 3 p.m.
15
19
16
Faculty MIg -
Reh he&in:
Radicals
11
a.m.
Reh. resume:
CAT
1
2
3
4
8
9
30
31
5
Muncie
Symphony-
2:30p.m.
27
Cleveland
Ballet:
lecture/demo
Cleveland Ballet
- Master Class
11 a.m.
Cleveland Ballet
(Emens) 7:30
p.m.
loa.m.
Printed by Calendar Creator for Windows on 1fTI2OO2
S
M
Feb 2002
T W T
F
S
1 2
3 4 5 6
7 8 9
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28
•
February 2002
2001-2002 Production Calendar
MarlOOZ
JanZOOl
S M T W T
F
S
SMTWTFS
1
8
15
22
4
11
18
25
5
12
19
26
1 2
3456789
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28 29 30
31
6
13
20
27
7
14
21
28
2
9
16
23
29 30
3
10
17
24
31
9
7
Shakespeare's
Family
2:30p.m.
12
11
10
Alpha Night CAT7p.m.
Reh begin:
LNM
13
14
FacuHy Mlg11 a.m.
15
16
New Student
Auditions
Ragtime (Emens)
7:30 p.m.
17
18
19
CBt•••Roof
Retreat (all
2:30p.m.
day)
20
3
St. Petersburg
State Ice Ballet
(Emens) 2&7:30
p.m
Muncie
Symphony2:30p.m.
US/IT
24
5
7
28
Closer Than
Ever- 2:30 p.m.
I Isadora Duncan I
Printed by Calendar Creator for Windows on 1f712OO2
March 2002
2001-2002 Production Calendar
Feb 2002
S M T W T
3
10
17
24
456
11 12 13
18 19 20
15 26 27
F
Apr 2002
SMTWTFS
S
1 2
789
14 15 16
21 22 23
28
7
14
21
28
123456
8 9 10 11 1l 13
15 16 17 18 19 20
22 23 24 25 26 27
29 30
3
6
7
8
9
13
14
15
16
r.R:-:-:i<-als;-:"2
::::30'"'&"
ad
8p.rn.
10
11
12
17
18
19
21
Penn & Teller
(Emens) 7:30
p.m.
Alpha Night LNM7p.m.
3
FacuHy Mlg-
118.m.
Buddy (Emens)
7:30 p.m.
Indiana
SpriDg Break
24
25
7
6
Junior
Art (Emens) 7:30
Choreography
p.m.
28
Showcase 2:30
p.m.
31
Printed by Calendar Creator for Windows on 1nl2OO2
9
30
Apri12002
2001-2002 Production Calendar
Monday
Sunday
1
Tuesday
2
FOTWAD
6 p.m.
7
Night Music
2:30p.m.
I
8
4
3
I
Friday
Thursday
Wednesday
Saturday
5
6
I
9
NAST - Minne.poHs
I
ALitil Night Music (U1 8p.m.
12
11
10
I
I
I
I
13
Re"ex 11p.m.Strother
Faculty MIg 11 a.m.
Shakespeare
Auditions
lp.m.
I
NAST-
14
Workshop 116
2:30p.m.
I
I
I
J
15
TelevisionIVi eo Production
17
16
I
Work.hop S ot#6 8 p.m.
19
18
School Per£
101l.m.
I
'-
20
Laramie
Auditions
Ro"ex 11p.m. Strother
I
'21
22
Fest/viii of
Dllnce2:30
p.m.
Laramie
Auditions
23
24
25
Cabaret
Workshop
10B.rn.
Cllisses end
La VIe En Rose
- Strother
7&10p.m.
I Musical Theatre W
!
I
Banquet
27
Cabaret
Workshop
1&7p.m.
7:30p.m.
I
Department
26
Cabaret (Emens)
I
'28
FestivlI ofDllnce 2002 (U )8p.m.
J
29
30
Mar 2002
S M T W T F
3
10
17
24
31
I
I
FiDM/ O:Zuu
ri<shop: Cave Pert.
4
11
18
25
5
12
19
26
6
13
20
27
7
14
21
28
1
8
15
22
29
I
Printed by Calendar Creator for Windows on lf712OO2
S
2
9
16
2J
30
I
May 1002
S M T W T F
5
12
19
26
6
13
20
27
7
14
21
28
1
8
15
22
29
2
9
16
23
30
3
10
17
24
31
S
4
11
18
25
l-
May 2002
2001-2002 Production Calendar
Apr 2002
SMTWTFS
123456
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30
-
12
JunlOOl
SMTWTFS
I
COlIJIIIellCement
1
2
9
16
23
30
3
10
17
24
4
11
18
25
5
12
19
26
6
13
20
27
7
14
21
28
8
15
22
29
6
7
8
9
10
11
13
14
15
16
17
18
21
22
23
24
5
8
9
30
31
SSJ begin.
i
I
I:
i NYC Showca.e I
; 19
20
Memorial
Day
Reb. begin:
R&j
--,
Printed by Calendar Creator for Windows on 1fll2OO2
I
('f\ -
'T -
'rCOJ1 Y( ,
:)- ~'I{'
/ J.-lfJ
(2'~ ! -3 r
31..{
P~ObU(T ION
SCHEbULt
. MoN
'--'~-"'-'"
---------
Dvs h VI uJlV"\e bH~,Y)t')t.r
-
Clet'S",;
M
d'
~\
0D
g ;00 -- J ,'00
l.J
I2
rh
2>,' 00-
: 00 - () : 00
9: 00
- II ' 0
F l o 00 - :2
-
C)
,~ 0
tv'lCI\J
iUE;,
0 3 10--1<:;'
°-
u. \J C'd \c,b k)
( V\c-t
i
/- ~7
\A). LL
rc
l.J
A""-.e
bE
I:::S·
1-
5 Itef
11.-1
,f'c ICJ5
k
1_
*(
.r
i2.1
c\ \ ''-(
h,w,
1../ -s
~
:.:;
tioLQ25
WO iLLII\Jq
I~·
T~hA Ii''::''
1(1-~
\1-12
~
\;1.120
1-\ N i)
It
01v
r kCM JAN
CAT ON A (tor
1'-1 -
r L t3 I 3
II
TIN QcUf
). :XJ- & :/.)- KJl~Tt·~e~..s
S--7 eJ"~~c:r, "d.,J
e
0/-1 >-
. W,l/ /Iff i.e.
(0.,
\j197,;1~ -
~
c/~->
T~
F~6
- ?
Ib
I r:oo-- j;(!O
9 ; 3[. - IC'1 j-
N\\VF
CIG>seS
Tlf
loe,roc .- Xop/\eJ
tee,! dGf
L'v(I\'I~~)
Jer ACT F I,l,·,,-
1+
I)h
(d,'Y J,:1/
6aS:5
e.Veh'~J
;
(Jr her
(c"cttl- ;lL"rc, I
\,1,
lie . I' Ir-,
;".d;vlde,c,/
J //
\1/,'1
er·[ try
\'.vt'ht
ry
i.{
/'Yl. v '-c,'h,ed
bOer!
,i-
~
a
elvie,s. L'/)
/V1"'IC/.?
va'! c hie v"d,e e.ver,
up 0hd CCh~l,f5
tl,,,,,
h,
v/,I/'
0
Ihect-I'::.>/
M
/it'-4ro
1Joo-lif l'
;flofl- /1{ !il)
-r
QJidfJ'l'f
l'o<'-r.H'j
IN
----ryr
(OM-lifO
ql()/, 'I,
(iMO-tf;O
/f P d-I){Tj
/IfPf,-lq'!c
rlOt)
-/7)1)
{l-/tJp-/b{'iO
\
T
- 3-0'
w
R
1/
:g .. .s-
F
- ;/{)I:)--
00
/'Ob
8 3CJ --:=\'\,'0.
\~~\ -
I/-IL -
v"''"''''"-
Ft<.c"l-l'-f
M\'\
\ d. : '0=
4'·=
---------
\ ~ .. 4-S
- "'S:oo
\ -\ i-\-
-"T\-t
~Ll~t ~~n~
(v\WF
\\Q...L~
~
"
rR
l\
(.L.-"v''v\.
\ \:l""Y'"
~~
C\
~
J
-J'" .
,-
l
A./'i"~'"-'-
\.;).w'.
/
-----------_._
.....
_- .. _-
-
-
INT. - ROBBIE'S LIVING ROOM
ROBBIE is sitting in his living room/study. There are papers and books everywhere.
It's a cluttered mess. Balls of paper appear to have been thrown haphazardly across the
room and there is a wastebasket full of them. ROBBIE sits on the couch looking pretty
frazzled. He hasn't shaved in a few days and he's wearing a rumpled flannel shirt and
blue jeans. He has a pen in one hand and he is pulling his other hand through his hair
trying to calm himself. He has ink marks on his hands and face. With a sudden
movement, he starts to scribble something on the yellow pad of paper he has before him.
He stops and holds the notebook up to read what he just wrote, studying it intently. He
yells and flings the notebook across the room. A door is heard bursting open as SHEILA
hurriedly enters the room with a look of concern.
SHEILA
Are you okay, honey?
ROBBIE
(melodramatically, as if he were announcing a terminal illness)
I have ... writer's block.
SHEILA
(concern disappearing from her face and somewhat curtly)
Oh, so you're fine then. Good. You can help me then. You would not
the day I had. I really need you to listen to me right now or I'll just
explodeROBBIE
What do you mean fine?! Fine?!!! I'm not fine! I have writer's block.
Didn't you hear me? I would be fine if a car had ran over my foot this
morning. I would be fine if I had gotten bit by a rabid raccoon. I might
even be fine if my house burned down. But this?! This is not fine.
SHEILA
Sometimes you can be so inconsiderate.
ROBBIE
Me? Inconsiderate? Sheila, what the hell are you talking about?
SHEILA
I come over to your house, just looking for someone to listen to my
stressful day at work and all you can do is whine about your stupid
writer's block.
ROBBIE
(angrily)
You're an EMT. Just how stressful couId your day possibly be?
INT. - ROBBIE'S LIVING ROOM
ROBBIE is sitting in his living room/study. There are papers and books everywhere.
It's a cluttered mess. Balls of paper appear to have been thrown haphazardly across the
room and there is a wastebasket full of them. ROBBIE sits on the couch looking pretty
frazzled. He hasn't shaved in a few days and he's wearing a rumpled flannel shirt and
blue jeans. He has a pen in one hand and he is pulling his other hand through his hair
trying to caIrn himself. He has ink marks on his hands and face. With a sudden
movement, he starts to scribble something on the yellow pad of paper he has before him.
He stops and holds the notebook up to read what he just wrote, studying it intently. He
yells and flings the notebook across the room. A door is heard bursting open as SHEILA
hurriedly enters the room with a look of concern.
SHEILA
Are you okay, honey?
ROBBIE
(melodramatically, as ifhe were announcing a terminal illness)
I have ... writer's block.
SHEILA
(concern disappearing from her face and somewhat curtly)
Oh, so you're fine then. Good. You can help me then. You would not
the day I had. I really need you to listen to me right now or I'll just
explode-ROBBIE
What do you mean fine?! Fine?!!! I'm not fine! I have writer's block.
Didn't you hear me? I would be fine if a car had ran over my foot this
morning. I would be fine if I had gotten bit by a rabid raccoon. I might
even be fine ifmy house burned down. But this?! This is not fine.
SHEILA
Sometimes you can be so inconsiderate.
ROBBIE
Me? Inconsiderate? Sheila, what the hell are you talking about?
SHEILA
I come over to your house, just looking for someone to listen to my
stressful day at work and all you can do is whine about your stupid
writer's block.
ROBBIE
(angrily)
You're an EMT. Just how stressful could your day possibly be?
-
INT. - ROBBIE'S LIVING ROOM
ROBBIE is sitting in his living room/study. There are papers and books everywhere.
It's a cluttered mess. Balls of paper appear to have been thrown haphazardly across the
room and there is a wastebasket full of them. ROBBIE sits on the couch looking pretty
frazzled. He hasn't shaved in a few days and he's wearing a rumpled flannel shirt and
blue jeans. He has a pen in one hand and he is pulling his other hand through his hair
trying to calm himself He has ink marks on his hands and face. With a sudden
movement, he starts to scnbble something on the yellow pad of paper he has before him.
He stops and holds the notebook up to read what he just wrote, studying it intently. He
yells and flings the notebook across the room A door is heard bursting open as SHEILA
hurriedly enters the room with a look of concern.
SHEILA
Are you okay, honey?
ROBBIE
(melodramatically, as ifhe were announcing a tenninal illness)
I have ... writer's block.
SHEILA
(concern disappearing from her face and somewhat curtly)
Oh, so you're fine then. Good. You can help me then. You would not
the day I had. I really need you to listen to me right now or I'll just
explode-ROBBIE
What do you mean fine?! Fine?!!! I'm not fine! I have writer's block.
Didn't you hear me? I would be fine ifa car had ran over my foot this
morning. I would be fine ifl had gotten bit by a rabid raccoon. I might
even be fine if my house burned down. But this?! This is not fine.
SHEILA
Sometimes you can be so inconsiderate.
ROBBIE
Me? Inconsiderate? Sheila, what the hell are you talking about?
SHEILA
I come over to your house, just looking for someone to listen to my
stressful day at work and all you can do is whine about your stupid
writer's block.
ROBBIE
(angrily)
You're an EMT. Just how stressful could your day possibly be?
-
INT. - ROBBIE'S LIVING ROOM
.
ROBBIE is sitting in his living room/study. There are papers and books everywhere.
It's a cluttered mess. Balls of paper appear to have been thrown haphazardly across the
room and there is a wastebasket full of them. ROBBIE sits on the couch looking pretty
frazzled. He hasn't shaved in a few days and he's wearing a rumpled flannel shirt and
blue jeans. HI: has a pen in one hand and he is pulling his other hand through his hair
trying to calm himself He has ink marks on his hands and face. With a sudden
movement, he starts to scribble something on the yellow pad of paper he has before him.
He stops and holds the notebook up to read what he just wrote, studying it intently. He
yells and flings the notebook across the room. A door is heard bursting open as SHEILA
hurriedly enters the room with a look of concern.
SHEILA
Are you okay, honey?
ROBBIE
(melodramatically, as ifhe were announcing a terminal illness)
I have ... writer's block.
SHEILA
(concern disappearing from her face and somewhat curtly)
Oh, so you're fine then. Good. You can help me then. You would not
the day I had. I really need you to listen to me right now or I'll just
explodeROBBIE
What do you mean fine?! Fine?!!! I'm not fine! I have writer's block.
Didn't you hear me? I would be fine if a car had ran over my foot this
morning. I would be fine if I had gotten bit by a rabid raccoon. I might
even be fine if my house burned down. But this?! This is not fine.
SHEILA
Sometimes you can be so inconsiderate.
ROBBIE
Me? Inconsiderate? Sheila, what the hell are you talking about?
SHEILA
I come over to your house, just looking for someone to listen to my
stressful day at work and all you can do is whine about your stupid
writer's block.
ROBBIE
(angrily)
You're an EMT. Just how stressful could your day possibly be?
-
ROBBIE
I know. I can't even write a clothing tag worth a crap. What am I going
to do, Sheila?
SHEILA
I'm not sure. I never understood how a guy who considers his beer cap
collection his most prized possession could ever write avant-garde
romance in the first place.
ROBBIE
Thanks. You're helping so much. Is this how you talk to people on the
job?
(mimicking her)
"Looks like you're fulling unconscious, sir, but I never understood why a
man with a truck fender in his neck was walking around in the first place."
SHEILA
Don't get smart with me, mister. I'm trying to help here.
ROBBIE
Sorry, I'mjust not handling this very well.
SHEILA
Well, what did you do to break through your block before?
ROBBIE
That's the problem. I've never had a block before. I don't know what to
do.
SHEILA
(seductively)
So, this is your first time, big boy?
ROBBIE
Ha ha. Very funny. This is a serious problem here. This is how I make
my living, for crying out loud.
SHEILA
Don't worry. McDonald's is always hiring. And it would probably pay
about the same.
ROBBIE
You are helping so much.
-
ROBBIE
I know. I can't even write a clothing tag worth a crap. What am I going
to do, Sheila?
SHEILA
I'm not sure. I never understood how a guy who considers his beer cap
collection his most prized possession could ever write avant-garde
romance in the first place.
ROBBIE
Thanks. You're helping so much. Is this how you talk to people on the
job?
(mimicking her)
"Looks like you're falling unconscious, sir, but I never understood why a
man with a truck fender in his neck was walking around in the first place."
SHEILA
Don't get smart with me, mister. I'm trying to help here.
ROBBIE
Sorry, I'mjust not handling this very well.
SHEILA
Well, what did you do to break through your block before?
ROBBIE
That's the problem. I've never had a block before. I don't know what to
do.
SHEILA
(seductively)
So, this is your first time, big boy?
ROBBIE
Ha ha. Very funny. This is a serious problem here. This is how I make
my living, for crying out loud.
SHEILA
Don't worry. McDonald's is always hiring. And it would probably pay
about the same.
ROBBIE
You are helping so much.
SITCOM SCRIPT PACKET
Congratulations on being selected to submit a script for
the sitcom next Spring! We're looking forward to reading
your literary brilliance. Please remember these deadlines
and tips during your preparation:
-
1. Your final script is due OCTOBER 30.
Rodger wrote
the wrong deadline in your initial email, so please
pay attention to this correction.
2. Please follow the same script format as the sample
script we have included in this packet.
3. Use your mentors!
4. We realize that this is not a lot of time to
prepare a script. Once we have selected a script,
the writer will have ample time to work with the
Producer on rewrites and revisions during t:he
months before production begins.
If you have questions, contact Kathryn Gilbert at:
(H) 289-4043
(W) 285-8740 (9-11 A.M. MWF)
(W) 287-0227 (1-4 P.M. MTWRF)
shmathryn@hotmail.com
-
www.bsu.edu/news
ur@bsu.edu
STUDENTS PERFORM NEW TV SITCOM FOR STUDIO AUDIENCE
MUNCIE, Ind. -- Friends try to inspire, scare and seduce a
romance novelist struggling with writer's block in an original
television comedy staged April 12-13 at Ball State University.
MFaulkner King," Ball State's first completely studentwritten and student-produced TV sitcom, will be performed and
taped in front of a studio audience at 8 p.m. both days in the
Teleplex, located in the Ball Communication Building.
Ball State's Reflex improvisational comedy troupe will
provide pre-show entertainment at 7:30 p.m. each day.
Tickets are $5 for students and $7 for the general public,
available at the University Theatre Box Office or at the door.
Seating is limited.
Proceeds from the sitcom performances will benefit Ball
State's New York and Los Angeles theater showcases in early May.
The showcases will give nearly a dozen senior theater majors an
opportunity to perform for professional producers, agents and
casting directors.
MFaulkner King" is a half-hour situation comedy written,
designed, directed and produced by Ball State theater and
telecommunications students with assistance from the Teleplex.
After the taping, the show will be edited and will air on
local television next fall, said executive producer Kathryn
Gilbert, a theater major and telecommunications minor.
The comedy was written by student Taylor Dasher, winner of
an on-campus script-writing contest last fall. The production
will be submitted for the regional Emmy Awards.
MIt's about an avant-garde romance writer with a terrible
case of writer's block that his girlfriend and neighbors can't
break," said director David Hamilton, a telecommunications major.
MHis agent calls and needs a book soon. They try to inspire,
scare and seduce him."
-moreUniversity Relations
2000 W. University Ave.
Muncie. IN 47306
(765) 285·1560
fax (765) 285-5442
add/l
The audience will get a chance to see what happens behind
the scenes during the production of a television show.
All of the actors are theater majors with on-camera
experience, Hamilton said. The production has blended theater and
telecommunications crews.
"It's hard to coordinate three different departments and
keep the lines of communication open," Gilbert said. Theater and
telecommunications crews use different terminology and have
different ways of operating a production, she explained.
The student cast includes Phil Brooks as the romance writer,
Robbie; Lucy Bansley as his girlfriend, Sheila; Grant Cheney and
Matt Hickman as the friendly neighbors, Earl and Bobby; and Jen
Koch as Robbie's agent, Ms. Grayven.
University Theatre Box Office hours are from 1 to 5 p.m.
Monday to Friday and an hour before shows. Phone:
(765) 285-8749.
-30(Note to Editors: A print-quality photo can be downloaded from
the Ball State University News Center on the World Wide Web. Go
to www.bsu.edu/photoservices and follow the instructions.)
Ted Buck 4/10/02
SPRING 2002 SITCOM
____________CASTING CALL____________
The Departments of Theatre and Dance and
Telecommunications, in conjunction with WIPB studios will
be producing a sitcom pilot in the Spring of 2002.
This
production will be a live studio audience viewed sitcom
produced in the WIPB studios. The episode will then be
aired on Cardinal Stage and Screen.
All ACTORS interested in this production should turn in an
X 10 PICTURE and RESUME to AC 306 by November 2,
2001. All Department of Theatre and Dance Acting Option
and Scholarship students are required to submit a
8
heads hot and resume, as this sitcom is a part of the
regular theatre season. Actors will then be selected to
come in for interviews. Contact Kathryn Gilbert (287-0227
[w] or 289-4043 [h]) or Rodger Smith (287-0117) if you have
questions.
The spring sitcom production is seeking a student director. The
director will work with the student writer and producer to
create a pilot sitcom supported by the Departments of Theatre,
TCOM, and WIPB. The requirements are as follows:
Position: Television Director
for a joint TCOM/Theatre/WIPB Sitcom Production
In the Spring of 2002 the departments of Theatre and Dance and
Telecommunications in conjunction WIPB, will produce a
television style sitcom pilot. This production will be a live
studio audience viewed sitcom produced in the WIPB studios. The
episode will then be aired on Cardinal Stage and Screen.
Applications are requested from students interested in being the
show's Director.
1. Interested students should submit a resume outlining their
work as a director for either stage or camera or both. The
resume should be accompanied by a one-page cover letter
explaining why they should be selected to direct this
production:
--The resume with cover letter should be sent to the Department
of Theatre and Dance, AC 306, C/O Dr. Rodger Smith no later than
October 30, 2001.
--The envelope should state clearly that it is for "Student
Director, Sitcom 2002"
Students who do not submit a resume and cover letter will not be
considered. Additionally, but not required, students who have a
reel or would like to submit examples of their work are
encouraged to do so on VHS tape.
2. Three students will be interviewed for this opportunity and a
Director selected by November 30, 2001.
3. The director will receive a cash award of $250 and work with
faculty mentor Jim Shasky to create the final production.
For additional information or questions, please contact either
Dr. Rodger Smith (287-0117) or James Shasky (285-9070) .
..
-----
------
The spring sitcom production is seeking a student director. The
director will work with the student writer and producer to
create a pilot sitcom supported by the Departments of Theatre,
TCOM, and WIPB. The requirements are as follows:
Position: Television Director
for a joint TCOM/Theatre/WIPB Sitcom Production
In the Spring of 2002 the departments of Theatre and Dance and
Telecommunications in conjunction WIPB, will produce a
television style sitcom pilot. This production will be a live
studio audience viewed sitcom produced in the WIPB studios. The
episode will then be aired on Cardinal Stage and Screen.
App1ications are requested from students interested in being the
show's Director.
1. Interested students should submit a resume outlining their
work as a director for either stage or camera or both. The
resume should be accompanied by a one-page cover letter
explaining why they should be selected to direct this
production:
--The resume with cover letter should be sent to the Department
of Theatre and Dance, AC 306, C/O Dr. Rodger Smith no later than
October 30, 2001.
--The envelope should state clearly that it is for "Student
Director, Sitcom 2002"
Students who do not submit a resume and cover letter will not be
considered. Additionally, but not required, students who have a
reel or would like to submit examples of their work are
encouraged to do so on VHS tape.
2. Three students will be interviewed for this opportunity and a
Director selected by November 30, 2001.
3. The director will receive a cash award of $250 and work with
faculty mentor Jim Shasky to create the final production.
For additional information or questions, please contact either
Dr. Rodger Smith (287-0117) or James Shasky (285-9070).
To:
From:
Subject:
<RWSMITH1@BSU.EDU>
<RWSMITH1@bsu.edu>
Director Sought for Sitcom
cc:
Date Sent: Wednesday, October 3, 2001 4:32 PM
The spring sitcom production is seeking a student director. The director
will work with the student writer and producer to create a pilot sitcom
supported by the Departments of Theatre, TCOM, and WIPB. The requirements
are as follows:
Position: Television Director
for a joint TCOMfTheatrelWlPB Sitcom Production
In the Spring of 2002 the departments of Theatre & Dance and
Telecommunication, in conjunction with WIPB, will produce a television
style sitcom pilot. This production will be a live studio audience viewed
sitcom produced in the WIPB studios. The episode will then be aired on
Cardinal Stage and Screen.
Applications are requested from students interested in being the show's
Director.
1. Interested students should submit a resume outlining their work as a
director for either stage or camera or both. The resume should be
accompanied by a one-page cover letter explaining why they should be
selected to direct this production:
--The resume with cover letter should be sent to the Department of Theatre
& Dance, AC 306, cIa Dr. Rodger Smith NLT 30 October 2001.
--The envelope should state clearly it is for "Student Director, Sitcom
2002."
Students who do not submit a resume and cover letter will not be
considered. Additionally, but not required, students who have a reel or
would like to submit examples of their work are encouraged to do so on VHS
tape;
2. Three students will be interviewed for this opportunity and a
Director selected by 30 November 2001 ;
3. The director will receive a cash award of $250 and work with faculty
mentor Jim Shasky to create the final production.
For additional information or questions, please contact either Dr. Rodger
Smith (287-0117) or James Shasky (285-9079).
"-
0oYl1
Ccris-h
S-/'-f93
6c .').17
Page 1
To:
From:
Subject:
Linda Smith; Rodger Smith; William Kovacsik; Lee Papa; Nancy Carlson; Bill Kovacsik;
Rodger Smith
Sitcom Treatments Chosen
cc:
Date Sent: Thursday, October 4, 2001 6:45 PM
All,
The following student treatments have been chosen to go to script. Students will now
write scripts. Final drafts for selection are due 30 MOvemBer and first drafts should be
completed NLT 20-Noverllber.
0, -
oJ
Each script will have a mentor, but that mentor is not to help write the piece, only to
advise after a draft has been completed. Let me make that clear for students and
faculty alike: Mentors review full scripts only, they do not help write scripts. Time
doesn't allow for the kinds of faculty student relationships that would support a truly
intense mentoring. Accordingly, each student is asked to bring only completed drafts to
the mentor, as many as you like.... but completed drafts. You may call and ask for
information, but please respect the mentor's time.
Student treatments chosen and their mentors are as follows:
1.
2
3.
4.
Morgan Mead and David Hamilton's THE REAL US -- faculty mentor, Dr. Lee Papa
Alonso Miller's BS@BSU.EDU -- faculty mentor, Nancy Carlson
Brad Gunter's WIRED -- faculty mentor, Dr. Rodger Smith
Taylor Dasher's FAULKNER KING -- faculty mentor, Dr. William Kovacsik
Students will be contacted by the student Executive Producer, Kathryn Gilbert,
regarding submission of final draft and format. If chosen, the student writer should be
prepared to enroll in 2 hours of honors or practicum credit and to work with a show
mentor after selection in developing a final shooting script. Writers, directors, and
producers of this project will be submitted for EMMY consideration.
Congratulations to all those who submitted treatments and in particular to those
selected. This should be great fun. Also, special thanks to the selection committee for
their work and responses.
Any questions please contact either Rodger Smith or Kathryn Gilbert at 287-0117.
I,
v,).
poetA':" - J.,f-,/1
j ,
Qpy•.
o..;p 1.•- -/(
KJ.
T-i::O"1
- d~.,clu14
#)J[¥v\ Wfd.:t
BAl~
TATE
U NIVERSITY
VIR(j!:-':IA B. BALL CENTE.R FOR CREATIVE IN(~UIRY
Muncie, Indiana 47306-0222
Phone: 765-287-0117
November 6, 2001
Dear Ms. Gilbert,
Congratulations! You have been selected to act as Producer for the 2002 Sitcom
produced by the Departments of Theatre and Dance and Telecommunications in
conjunction with WIPB Studios.
Please contact Dr. Rodger Smith so that you may meet with him and begin discussing
casting, crew selection, script details, and scheduling.
Congratulations again!
Dr. Rodger Smi#l
Jim Shasky S~
VIR(;[~IA B. BALL CE:-.lTER FOR CREATIVE INQL'IRY
B
A L
u
NIVERSITY
TAT E
Muncie. Indiana 47306~0222
Phon" 765-287-0117
November 6, 2001
Dear Mr. Dasher,
Congratulations! Your script Faulkner King I=> ~I " " " " ' ' ' ' ' ' IVI un; ...vv2 Sitcom
produced by the Departments of Theatre and Dance and Telecommunications in
conjunction with WIPB Studios.
The final script for production will be written by you and a team of writers, of which you
will be given the title of Head Writer. The first draft will be due January 15th and the
second on January 31 st, 2002. Your producer, Kathryn Gilbert, will be setting up a
meeting with you soon to meet the other writers and to begin revising your script. Your
cash award of $250 will be awarded at the completion of this project.
Congratulations again!
snu~
Dr. Rodger
Jim Shasky :f".-5
B l lmS
A
TAT'
UNIVERSITY
VIRGINIA B. BAll CENTER FOR CREATIVE INQL'IRY
Muncie, Indiana 47306-0222
Phon" 765-287-0117
November 6, 2001
Dear Ms. Gilbert,
Congratulations! You have been selected to act as Producer for the 2002 Sitcom
produced by the Departments of Theatre and Dance and Telecommunications in
conjunction with WIPB Studios.
Please contact Dr. Rodger Smith so that you may meet with him and begin discussing
casting, crew selection, script details, and scheduling.
Congratulations again!
Dr. Rodger S m i A
Jim Shasky S-->
BA
L
TAT E
U N ! VERS!TY
VIRG!:-.lIA B. BALL CENTER FOR CREATIVE INQUIRY
Muncie, Indiana 47306-0222
Phone: 765-287-01l7
November 6, 2001
Dear Mr. Hamilton,
Congratulations! You have been selected to Direct the 2002 Sitcom produced by the
Departments of Theatre and Dance and Telecommunications in conjunction with WIPB
Studios.
Your producer, Kathryn Gilbert, will be in contact with you soon to discuss casting. You
will receive the cash award of $250 at the completion of this project.
Congratulations again!
Dr.ROdgerSnll~
Jim ShaskYS S
Exec. Ploci.
~11 f\ ~·16e.rt
7
I
PRobUCITON
TECH
Asst. Prod.
birec.toy-
K'o.ii e.. I-kn
tJ6L'ld ~Y11ilhY)
WIPB
q~
~
r-~-
~
u;
r- •
;;"\
<"
r,'
CD
.$-
""Z)
,...
f f f
...c:
vJ
I-.J
[t
~
~:n
\~
-0
q "\
CT
=+:.
~
r-
[§
F
~V\
s
, 2.
~f"'
~
[E.
~~
~
H
.V
~l
('
?t>
C>
c:
~c:
PRODUcTION FLOIA/ CHART
Exec. Prod.
~11(\ 6ilbert
7
PRobULITOA/
TECH
Asst. Prod.
birec.tty
J(oJi e. fie;,
tJ 6JJd i-la.YI1 i1~ Y)
•
WIP/3
q~
~
{
r-
ei:> -
s:u;
"
<
H
_
4
~
("'l
.'""t7
w
~
f.
-
-0
""!:>
7-'
~-
f
vol
..J;::
f
t-..J
[t
!7.
g..:n
\~
}
t:)
!H
5:
r-
l~
'4-'"
~t
lE
g~
C7
c.
~V)
C>
-- §('
(I>
"\
17
0
~t
..t;.-
~nf
~S-
....c::
?":e
""i
-&
VI
~~
\1\
"\
-
C>
q "\
~ f"
~
;g
~
~
PRObUCTIOAi FLOIN' CHART
Exec. .Prod.
~11(\. blberf
PRotlJCTTOAf
TECH
Asst. Prod.
re etc¥'
tJ6.l1id i-kfflilhy)
KoJ; e.. Hen
\::>i
•
wrPB
<"
H
.V
CD
Pf<oDuCTIOAi FLOiN'. CHART
Exec. .Prod.
rGl11f\ blbert
PRohlJCITOA/
TECH
Asst. Prod.
birec..fty-
K'o..ti e.. Jib,
tJ6.11id i-ta.111i1bYj
•
WIPB
~ni
~s~
~
-c
""i
-&
V'
-j
"\
0
""t>
1-J
•
if
~~
-
PRODUCTION FLOIA/ CHART
Exec. Prod.
~11 (\. b Ibu+
PRohUCITOA!
TECH
!/-sst. Prod.
birec.toY'
Ko-ti e. J-kn
tJ6.Vld I-/a.YI1i1hy)
•
wrp/3
9.~
~
rJ;i
f.
u;
6
z
H
V
['.
W
:;).
Cti
r-;
"\
~
-.;>
-
-z:>
J..I
Ffl
5 lEg~
~
-
('
!H
5:
r-
q "'\
l~
~,....
[fr
f f- f
~
vJ
--C:
~
g..:n
~
(1)
"\
\~
~
~
-&
(I>
-%
V'
-
•
0
C7
c.
~
c:
~$-
-j
~
C>
~~
-t
-0
"\
PRObUCTION FLOIA! CHART
Exec. Prod.
fG{IYjtl. 61lbert
PRohlJCITOAJ
TECH
.4ss+.
t>irec.roytJ6-liid 1-kr11i1hY)
Prod.
Ko.:1i e.. /-kJ,
WIP6
4
•
Z
H
.\1
W
4
•
PRODUcTION FLOlA/ CHART
Exec. Prod.
~11~ blbert
7
PRobUCITOAi
TECH
WIPe,
Asst. Prod.
\:)i re dt>y
KoJi e.. Jien
tJ6lf(d
•
f.klYlilfD'l
•
PRaDucTION FLOIA! CHART
Exec. .Plod.
~11(\. 61lber+
I
PRoblJCTTOA/
TECH
.4ss+. Prod.
/(oJi e.. He.n
birec.foy-
tJ6l1id Ita.Yl1i/hy)
•
q~
r
J;; -
~
~
~~
C' •
6
<
H
"\
_v
g:--
W
I-'
f f- f
l-J
vJ
-C.
[)
~
("'I
.$-
""D
4
~l
}
ly
rf
~
~<t
=+:.
2:.
H
.£
r-
"'
[§
l~
('
'!\-"
r::7
"\
~:n
\~
q,-=>
~f
,
('>
i~
"\
~~
tf~
~
-t
"l
..c:
-&
VI
~ ~
~~
-t
~
~
-
"\
~
0
C7
c
~
0;
~
PRODUCT.I:O!\J FLO&v CHART
Exec. Prod.
~11(\. 6i Iber+
r
PRoblJCITOA/
Asst. Prod.
Ko--H e.. J-kn
-
TECH
WIPB
birec-toy
AI a.t'\
tJ6lJid fb.Yl1iihY)
Gov-c1o n
qa=-
r
-. - .
c..P
f-
u;
•
~~.
;;('
"\
<"
H
.v
§:'.
-v
,...
CD
[f
f f f
-
-Co
vJ
~
•
.!~
~:n
\~
Eft
i5:
~cr
~
0
'
!H
£
r-
iV\s
, ~.
'4-'"'
"'\
~CI\
_. §
('
-0
~
0
C7
c.
~
C>
c:
~Lo.lA/
PRODUCTION
Exec. Ploci.
~11('. bJberf
PRobUCITOA!
TECH
Asst. Prod.
bi re c:ft>y-
KoJi e.. /-kJ,
t) ().lJid
•
1-krt1iltD Y)
CHART
<"
H
.V
W
.
Jennifer Koch
Permanent Address
Current Address
1425 South Park Dr.
New Haven, IN 46774
(219)493-4645
Cell: (765)749-5904
501 N. Wheeling Ave
Muncie, IN 47303
(765)284·5069
jenkoch79@hotmail.com
Weight: 110
D.D.B. 12113179
Honesty ...
Lead: Kate
En Passant
Garners
Phantoms
Lead: Marie
Lead: Frankie
Muncie, In
Dir. By Andy Burt
Ball State University
BaIl State University
BaIl State University
Height: 5'3"
Film Experience
Supporting: Kiki
2001
200 1
2001
2000
Stage Experience
Surfacing
Erin
Original Cast
BaIl State University 2000
En Vino Veritas
Aerobics Instructor
Ball State University 2000
Annie
A Christmas Carol
David and Lisa
Original Cast
Pepper
Kate
New HavenH.S.
New Haven H.S.
New Haven H.S.
Guildenstern
BaIl State University 2000
Eliza Dolittle
Conservatory Project
New Haven H.S.
1998
English Department
Children of a Lesser God
Orpheus and the
Underworld
Androcles and the Lion
Dance! Dance! Dance!
Stage Manager
Costume Crew
BaIl State University 2001
BaIl State University 2001
Assistant Dir./Props Crew
WCRH, Campus News 43
WCRH, Campus News 43
Health AnchorlReporter
Entertainment Anchor
Ball State University
Ball State University
Ball State University
Ball State University
Tiny Tim
1998
1997
1996
Training
Hamlet
Pygmalion
Related Experience
Light Board Operator
2000
1998
2000
2000
...
e
--
.
Matthew Hickman
Klipple Hall Box #68
Phone #: 214-7501
E-mail: Mehickman@bsu.edu
Profile
Height: 5' 10"
Eyes: brown
Hair: dirty blonde
Weight: 150 lbs.
Experience
Theatrical
You can't take it With You: Mr. Kirby
Charlotte's Web: Mr. Zuckerman
Bye Bye Birdie: Conrad Birdie
Flowers for Algernon: Joe the baker
Fiddler on the Roof: Chorus, bottle dancer.
Androcles and the Lion: Roman Soldier, Call Boy
Last Night of Ballyhoo: Peachy
You Can't Take it With You: Ed Charrnichael
Film
Gateway: Kevin. Written, directed, and edited by David Hamilton and
Morgan Mead
-----.~--~--------------
Space Aces: Whip. Written, edited, and directed by Morgan Mead
Charlie: Friend (an extra with a couple of lines). Written, directed, and
edited by David Hamilton
GRANT H. CHENEY
DancerlActorlSinger
GrantCheney@yahoo,com
2806 Lazy Ct.
Lafayette, IN 47904
(765) 448-4411
14 DeMotte Hall
Muncie, IN 47306
(765) 2 I 4-5995
5'10" 1551bs.
Eyes: Brown
Hair: Dark Brown
DancerlSwingIHost
Master of Ceremonies
Joe Vegas
Gee-tar
Dancer
Dancer
Dancer
Dancer
Paramount's Kings Island
Ball State University
Muncie Center of Performing Arts
University Theater - BSU
University Theater - BSU
University Theater - BSU
KDS Dance Studio - BSU
KDS Dance Studio - BSU
DancerlStudent
Instructional Performer
Show Host
Show Host
Ron Pearson Advertising Corp.
Riverside Productions
wwm 91.3 fM Muncie, IN
WJEf 91.9 fM Lafayette, IN
Selected Performance Experience
Nicktoons Summer Jam
Royalty Fashion Show
FAME
West Side Story
festival of Dance 2001
Dance! Dance! Dance!
Senior Choreography Showcase
Junior Choreography Showcase
Film & Radio
Ball State Television Commercials
English Country Dances for Children
Thursday Morning Radio Show
Tuesday Afternoon Radio Show
Training
Dance - Michael Worcel (Tap, Jazz, Musical Theater), Katie Teuchtler (Ballet, Modem), Lou Ann Young (Ballet),
Greg Lund (folk), Brent Holland (Hip-Hop)
Acting - Don LaCasse, Bill Jenkins, Rodger Smith, Mandy fox, Beth Turcotte, Thomas Prill, Judith Buchman
Vocal- Jeffrey Carter, Mandy fox, Jumi Kim, Rene Anderson, Eric VanCleave, Cecil Shoemaker
Awards & Honors
Ball State University:
Alpha Psi Omega: Professional Theater Fraternity
Department of Theater and Dance Upperclassmen Scholarship
Alpha Lambda Delta: National Honors Society & Excellence in Leadership Program Completion
John R. and Aline B Emens Scholarship Award and Sarah Pershing President's Fund Scholarship
Special Skills
Drive a Stick Shift, Motorcycle License, Swimming, Scuba Diving, Skiing (water and snow), Snowboarding,
Rollerblading, Golf, Tennis, Play the Trumpet, Run Sound and Light Board, Set Design, Stage Management,
Green Slime and Gak Pie Connoisseur
Contacts
Available on Request
---
LUCY BANSLEY
-LUCY BANSLEY
(765)749-3957
THEATRE
The Taming of the Shrew
Biondella
Minetrista Center
Les Belles Soeurs
Lisette
Auditorium Theatre
Wit
Ensemble
ACTF
Much Ado About Nothing
Gentlewoman
University Theatre
Cousin Tom the Writer
Diane O'Donnell
idream
The confrontation
Janie Jalupa
idream
Obsessed
Writer/Director
idream
En Passant
Allison
Ball State University
The Seance
Mary McKenna
Ball State University
Ford
Shopper
Columbus, IN
Galyan's Sporting Goods
Dancer
Indianapolis
Ball State Recruitment
Principal
Ball State University
INDEPENDENT FILMS
COMMERCIALS
EDUCATION
1998-2002
Ball State University, B.S. Theatre - Acting O!)tion
TRAINING
Acting:
Dancing:
Singing:
Workshops:
Cold Reading: Bridget O'Shaunassey, The Audition Studio
Acting for the Camera: Dr. Rodger Smith
Voice for the Actor: Mandy Fox
Performance Shakespeare: Dr. Judy E. Yordon
Jazz: Lou Conte Dance StudiO
Alto: 3 Years of Advanced Chorus
Rachael Patterson & Molly Glynn Hammond, The Audition Studio
Deb Borilski, L.A. Casting Director
Rachel Rothman, L.A. Personal Agent
Cynda Williams, Professional Actress
SPECIAL AWARDS
Grand prize winner of uThe A&E Great American Student Screen Test"
Won Best Actress Award for "En Passant" at Ball State University
LUCY BANSLEY
-
LUCY BANSLEY
Height:
Weight:
Hair:
Eyes:
5'6"
115
Brown
Brown
(765)749-3957
Bust: 34
Waist: 26
Hips: 36
Dress: 4
Shoe: 8
Wit
Ensemble
ACTF
The Taming of the Shrew
Biondella
Minetrista Center
Much Ado About Nothing
Gentlewoman
University Theatre
Les Belles Soeurs
Lisette
Auditorium Theatre
Alky
Wyn
Illinois Theatre Festival
A Piece of My Heart
Sissy
Auditorium Theatre
En Passant
Allison
Ball State University
The Window-Pane
Mary McKenna
Ball State University
Phantoms
Julie
Ball State University
Ford
Shopper
Columbus, IN
Galyan's Sporting Goods
Dancer
Indianapolis
Ball State Recruitment
Principal
Ball State University
THEATRE
(American College Theatre Festival)
FILM
COMMERCIALS
EDUCATION
1998-2002
Ball State University, B.S. Theatre - Acting Option
TRAINING
Acting:
Dancing:
Singing:
Workshops:
Cold Reading: Bridget O'Shaunassey, Audition Studio
Acting for the Camera: Dr. Rodger Smith
Voice for the Actor: Mandy Fox
Performance Shakespeare: Dr. Judy E. Yordon
Intro to Luigi: Michael Worcel;
Jazz I & II: Lou Conte Dance Studio
3 Years of Advanced Chorus
Rachael Patterson & Molly Glynn Hammond, Audition Studio
Deb Borilski, L.A. casting Director
Rachel Rothman, L.A. Personal Agent
Cynda Williams, Professional Actor
SPECIAL AWARDS
Grand prize winner of "The A&E Great American Screen Test"
Won Best Actress for performance in "En Passant"