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Name: ___
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Points: _______/100
Night Final Exam
Night – pgs. 93-96
Directions: Read the following passage and answer the multiple-choice questions that follow. As
students read, they are to annotate for literary elements (6 points)
Reader’s Note: The following passage is taken from the beginning of Chapter 9 and describes when
Wiesel’s block is transferred by cattle-car to Buchenwald …
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Pressed up against the others in an effort to keep out of the cold, head empty and heavy at the
same time, brain a whirlpool of decaying memories. Indifference deadened the spirit. Here or elsewhere
– what difference did it make? To die today or tomorrow, or later? The night was long and never ending.
When at last a gray glimmer of light appeared on the horizon, it revealed a tangle of human
shapes, head sunk upon shoulders, crouched, piled one on top of the other, like a field of dust-covered
tombstones in the first light of the dawn. I tried to distinguish those who were still alive from those who
had gone. But there was no difference. My gaze was held for a long time by one who lay with his eyes
open, staring into the void. His livid face was covered with a layer of frost and snow.
My father was huddled near me, wrapped in his blanket, his shoulders covered with snow. And
was he dead, too? I called him. No answer. I would have cried out if I could have done so. He did not
move.
My mind was invaded suddenly by this realization – there was no more reason to live, no more
reason to struggle.
The train stopped in the middle of a deserted field. The suddenness of the halt woke some of
those who were asleep. They straightened themselves up, throwing startled looks around them.
Outside, the SS went by, shouting:
“Throw out all the dead! All corpses outside!”
The living rejoiced. There would be more room. Volunteers set to work. They felt those who
were still crouching.
“Here’s one! Take him!”
They undressed him, the survivors avidly sharing out his clothes, then two “gravediggers” took
him, one by the head and one by the feet, and threw him out of the wagon like a sack of flour.
From all directions came cries:
“Come on! Here’s one! This man next to me. He doesn’t move.”
I woke from my apathy just at the moment when two men came up to my father. I threw myself
on top of his body. He was cold. I slapped him. I rubbed his hands, crying:
“Father! Father! Wake up. They’re trying to throw you out of the carriage….”
His body remained inert.
The two gravediggers seized me by the collar.
“Leave him. You can see perfectly well that he’s dead.”
“No!” I cried. “He isn’t dead! Not yet!”
I set to work to slap him as hard as I could. After a moment my father’s eyelids moved slightly
over his glazed eyes. He was breathing weakly.
“You see,” I cried.
The two men moved away.
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Twenty bodies were thrown out of our wagon. Then the train resumed its journey, leaving
behind it a few hundred naked dead, deprived of burial, in the deep snow of a field in Poland.
We were given no food. We lived on snow; it took the place of bread. The days were like nights,
and the nights left the dregs of their darkness in our souls. The train was traveling slowly, often stopping
for several hours and then setting off again. It never ceased snowing. All through these days and nights
we stayed crouching, one on top of the other, never speaking a word. We were no more than frozen
bodies. Our eyes closed, we waited merely for the next stop, so that we could unload our dead.
Ten days, ten nights of traveling. Sometimes we would pass through German townships. Very
early in the morning, usually. The workmen were going to work. They stopped and stared after us, but
otherwise showed no surprise.
One day when we had stopped, a workman took a piece of bread out of his bag and threw it into
a wagon. There was a stampede. Dozens of starving men fought each other to the death for a few
crumbs. The German workmen took a lively interest in this spectacle.
Some years later, I watched the same kind of scene at Aden. The passengers on our boat were
amusing themselves by throwing coins to the “natives,” who were diving in to get them. An attractive
aristocratic Parisienne was deriving special pleasure from the game. I suddenly noticed that two children
were engaged in a death struggle, trying to strangle each other. I turned to the lady.
“Please,” I begged, “don’t throw any more money in!”
“Why not?” she said. “I like to give charity….”
In the wagon where the bread had fallen, a real battle had broken out. Men threw themselves
on top of each other, stamping on each other, tearing at each other, biting each other. Wild beasts of
prey, with animal hatred in their eyes; an extraordinary vitality had seized them, sharpening their teeth
and nails.
A crowd of workmen and curious spectators had collected along the train. They had probably
never seen a train with such a cargo. Soon, nearly everywhere, pieces of bread were being dropped into
the wagons. The audience stared at these skeletons of men, fighting one another to the death for a
mouthful.
A piece fell into our wagon. I decided that I would not move. Anyway, I knew that I would never
have the strength to fight with a dozen savage men! Not far away I noticed an old man dragging himself
on all fours. He was trying to disengage himself from the struggle. He held one hand to his heart. I
thought at first he had received a blow in the chest. Then I understood; he had a bit of bread under his
shirt. With remarkable speed he drew it out and put it to his mouth. His eyes gleamed; a smile, like a
grimace, lit up his dead face. And was immediately extinguished. A shadow had just loomed up near
him. The shadow threw itself upon him. Felled to the ground, stunned with blows, the old man cried:
“Meir. Meir, my boy! Don’t you recognize me? I’m your father… you’re hurting me… you’re
killing your father! I’ve got some bread… for you too… for you too….”
He collapsed. His fist was still clenched around a small piece. He tried to carry it to his mouth.
But the other one threw himself upon him and snatched it. The old man again whispered something, let
out a rattle, and died amid the general indifference. His son searched him, took the bread, and began to
devour it. He was not able to get very far. Two men had seen and hurled themselves upon him. Others
joined in. When they withdrew, next to me were two corpses, side by side, the father and the son.
I was fifteen years old.
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Literary Element Identification (10 points)
Use the literary element bank below in order to identify the correct literary element (s) (1 point each)
for each underlined passage and explain your reasoning (1 point each) in the space provided.
The Literary Elements
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Metaphor
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Simile
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Personification
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Hyperbole
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Foreshadowing
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Irony
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Symbolism
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Theme
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Imagery
EXEMPLAR –
“And so he left, as he had come! A shadow swept away by the wind.”
The literary element(s) is (are) metaphor
Explain your selection further: Wiesel draws a comparison between two things without using like or
as. In this metaphor, Wiesel compares the Rabbi and a shadow in order to express the man’s
insignificance to Wiesel.
1. “The night was long and never ending.”
The literary element(s) is (are) ____________________________________________________________
Explain your selection further: ____________________________________________________________
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2. “They undressed him, the survivors avidly sharing out his clothes, then two “gravediggers”
took him, one by the head and one by the feet, and threw him out of the wagon like a sack
of flour.”
The literary element(s) is (are) ____________________________________________________________
Explain your selection further: ____________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
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3. “Twenty bodies were thrown out of our wagon. Then the train resumed its journey, leaving
behind it a few hundred, naked dead, deprived of burial, in the eep snow of a filed in
Poland.”
The literary element(s) is (are) ____________________________________________________________
Explain your selection further: ____________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
4. “Men threw themselves on top of each other, stamping on each other, tearing at each
other, biting each other. Wild beasts of prey, with animal hatred in their eyes; an
extraordinary vitality had seized them, sharpening their teeth and nails.”
The literary element(s) is (are) ____________________________________________________________
Explain your selection further: ____________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
5. “The old man whispered something, let out a rattle, and died amid the general indifference.
His son searched him, took the bread, and began to devour it. He was not able to get very
far. Two men had seen and hurled themselves upon him. Others joined in. When they
withdrew, next to me were two corpses, side by side, the father and the son.”
The literary element(s) is (are) ____________________________________________________________
Explain your selection further: ____________________________________________________________
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Regent-style multiple choice questions
Directions order to receive full credit, make sure you do each step below in answering the multiple
choice question (56 points)
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Annotate the text – Specific lines are underlined to prove the correct answer (with question #
next to them)
Circle key words in the question and Underline the question (Such as why, how, or to
whom/what the question refers)
Take a guess (make a prediction) – Before looking at your multiple choice options, predict your
answer alongside the question
Eliminate incorrect options – Lose the answers that do not make sense based on your guess
EXEMPLAR –
“Their” (line 39) refers to
a) the prisoners
b) the people killed
c) the neighbors left behind
d) the guards
Annotated Text Circled/Underlined
(1)
Key Words (1)
Take A Guess
(1)
Eliminated
Responses (1)
6. The fragments in lines 4-6 emphasize the
a.
b.
c.
d.
Annotated Text
(1)
the author’s use of personification
the narrator’s state of mind
the description of the setting
the shift in tone
Circled/Underlined
Take A Guess
Key Words (1)
(1)
Eliminated
Responses (1)
7. The purpose of the description found in lines 7-11 is to
a.
b.
c.
d.
Annotated Text
(1)
reveal symbolism
describe the setting
introduce Wiesel’s feelings
explain how the Jews died
Circled/Underlined
Take A Guess
Key Words (1)
(1)
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Eliminated
Responses (1)
8. In line 11, the word “livid” emphasizes the contrast between
a.
b.
c.
d.
Annotated Text
(1)
caring and indifference
pain and death
light and dark
happiness and anger
Circled/Underlined
Take A Guess
Key Words (1)
(1)
Eliminated
Responses (1)
9. “Void” (line 11) refers to
a.
b.
c.
d.
Annotated Text
(1)
nature
the deceased
death
Wiesel
Circled/Underlined
Key Words (1)
Take A Guess
(1)
Eliminated
Responses (1)
10. The term “avidly” (line 24) emphasizes the survivors
a.
b.
c.
d.
Annotated Text
(1)
egotism
self-preservation
spirituality
mourning
Circled/Underlined
Key Words (1)
Take A Guess
(1)
Eliminated
Responses (1)
11. The narrator uses simile “like a sack of flour” in order to emphasize the prisoners’
a.
b.
c.
d.
Annotated Text
(1)
lack of empathy for the dead
extreme sense of hunger
anger at the death of others
denial of the finality of death
Circled/Underlined
Take A Guess
Key Words (1)
(1)
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Eliminated
Responses (1)
12. The term “dead face” (line 73) indicates
a.
b.
c.
d.
Annotated Text
(1)
metaphor
foreshadowing
irony
imagery
Circled/Underlined
Key Words (1)
Take A Guess
(1)
Eliminated
Responses (1)
13. The purpose of the description found on lines 72 to 81 is to
a.
b.
c.
d.
Annotated Text
(1)
provide a parallel characterization
show that Wiesel has more humanity
introduce the other prisoners’ stories
contrast from the earlier setting
Circled/Underlined
Take A Guess
Key Words (1)
(1)
Eliminated
Responses (1)
MC Total: _____/64
Annotated Text
(8)
Circled/Underlined
Key Words (8)
Take A Guess
(8)
8
Eliminated
Responses (8)
Correct
Answer (32)
FIRST SCAFFOLD CRITICAL LENS: Write the FIRST TWO paragraphs of a critical lens essay using Night as
your example. (20 points)
Paragraph 1: Introduction: (10 points)
 Give the quote
 Interpret the quote and say whether you agree or disagree
 Write a thesis statement (it is ok to mention only Night, though in the real Regents you’d need
two books)
Paragraph 2: Paragraph about Night: (10 points)
 Discuss how Night supports your interpretation of the quote
 Discuss literary elements (e.g. theme, P.o.V., characterization, tone, mood, setting, etc.)
 Give at least one quote from Night to support your interpretation (in the real Regents you would
not give quotes).
“Men are cruel, but Man is kind.”
~Rabindranath Tagore
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