THE SONNET Compiled from OED Defintion, poetryfoundation.org, and my experience with sonnets Sonnets or “little songs” are lyrical 14-line poems. They are small but mighty! They’ve been inspiring and stumping poets since the 13th century. Like all formal poems, sonnets have a set of rules to follow (though we will talk about following/not following rules). The two most common types of sonnets are: Italian/Petrarchan and English/Shakesperean Both have 14 lines Both are written in iambic pentameter (5 pairs of unstressed/stressed syllables) Both have rhyme schemes Both have a logical or rhetorical structure (an argument). Now for how they differ: Italian/Petrarchan: Is divided into two sections: the octave (8 lines) followed by sestet (6 lines) The poem lays out an “argument” o If ….. then ….. o When this ….. then that ….. o Conflict /problem….. Resolution/relief1 The ‘space’ between the octave and the sestet is a volta and marks where the poems turns from the “if” to the “then” of the argument. The rhyme scheme: o Octave: abbaabba o Sestet: cdecde, cdccdc, or cdedce. English/Shakesperean Is divided into 3 quatrains (4 lines) and a couplet (two lines) The “argument” is a bit more like a traditional essay, with 3 pieces of ‘evidence’ or three examples of the issue in each quatrain and the final solution, thesis, or turn in the couplet. The rhyme Scheme is: abab cdcd efef gg. or for the Spenserian sonnet, a combination, abab bcbc cdcd ee.) Why the Sonnet? Challenges your skill and hones your craft Teaches musicality Requires precision and economy of words Moves you to think outside your normal tropes and language patterns. On this twofold division of the Italian sonnet Charles Gayley notes: "The octave bears the burden; a doubt, a problem, a reflection, a query, an historical statement, a cry of indignation or desire, a Vision of the ideal. The sestet eases the load, resolves the problem or doubt, answers the query, solaces the yearning, realizes the vision." 1