Modernism 1890-1945 Modernism • An early twentieth-century movement in the arts responding to the fragmented world created by mass society and industrialism Characteristics • A new objectivity or impersonality, in which a work is built from images and allusions, not direct statements of thoughts and feelings • A rejection of realistic depiction of life in favor of the use of images for the artistic effect • Critical attention to the spiritual troubles of modern life Commitment to Creating • Perhaps the most important artistic movement of the 20th Century • Many modernists used images as symbols, leading to indirect, evocative work • Often presented experiences in fragments, rather than a coherent whole Modernism in Poetry • Stressed the use of precise visual images and unadorned, concise language • William Butler Yeats was a leading poet during the Modernism using directness and drama • T.S. Eliot – preeminent Modernist poet – American who lived in England – Wrote about the despair after WWI , while linking the present with the past Edwardian Age • Named after King Edward VII, this period lasted from 1901-1910 • A period of drastic change • Changes that were undermining the customs and assumptions of the Victorian Age – Ranges from use of electricity, to protests on woman’s rights Focus on Internal Conflict • A struggle that takes place in a character's mind is called internal conflict. For example, a character may have to decide between right and wrong or between two solutions to a problem. Sometimes, a character must deal with his or her own mixed feelings or emotions. – Man against himself • Joseph Conrad – Lord Jim Importance of Internal Conflict • In short stories, there is usually one major conflict. In longer stories, there could be several conflicts. • Conflict adds excitement and suspense to a story. The conflict usually becomes clear to the beginning of a story. As the plot unfolds, the reader starts to wonder what will happen next and how the characters will handle the situation. • The excitement usually builds to a high point, or climax. Stream of Consciousness • The technique of immersing readers in the associational, disjointed flow of one or more characters’ thoughts • The plot line may weave in and out of time and place, carrying the reader through the life span of a character or further along a timeline to incorporate the lives (and thoughts) of characters from other time periods • James Joyce was a pioneer in this type of writing Images of Modernism • Modernism can be thought of as a complex response to what photographs imply • Ezra Pound (American) and T.S. Eliot wrote poetry as if they were taking snapshots of the world and then cutting and pasting them into collages • Reliance on images to encapsulate a feeling or perspective Images of Modernism • Novelist Virginia Woolf, on the other hand, perfected techniques for conveying an individual’s moment-by-moment experience • Her writing records what the moment looks like to the individual – What the world looks like depends on who is looking Short Story • A brief work of fiction that usually features a plot with a distinct beginning, middle, and end • Build up to a suspenseful climax with a dramatic twist at the end Elements of the Short Story • • • • • • Plot Conflict Setting Character Theme Point of View (see nest slide) • Flashback: a scene that interrupts the sequence of events in a narrative to reveal events that occurred in the past • Foreshadowing: clues hinting at events likely to occur later in the plot Narrative Point of View • There are three types of narrative point of view in a story. – 1st PPOV – main character is the narrator….subjective narration based on POV of this main character. – 3rd PPOV (limited) – external narrator (not a character in the story); connects with one main character and reveals only the thoughts and feelings of that character. – 3rd PPOV (omniscient) – external narrator (not a character in the story); reveals the thoughts and feelings of all characters….all knowing Elements of the Modern British Short Story • Characters represent everyday people with everyday conflicts • Conflicts tend to be internal and psychological • Many times the resolution of the conflict results in characters experiencing a sudden, intuitive insight or perception into the reality or experience of a particular situation. • “Epiphany”