Intentional Interviewing and Counseling: Facilitating Client Development in a Multicultural Society 7th Edition Allen E. Ivey University of Massachusetts Mary Bradford Ivey Microtraining Associates Carlos P. Zalaquett University of South Florida Copyright © 2009 Chapter 10 Focusing the Interview Exploring the Story from Multiple Perspectives One very important aspect of motivation is the willingness to stop and to look at things that no one else has bothered to look at. This simple process of focusing on things that are normally taken for granted is a powerful source of creativity...” Edward de Bono Chapter goals ▲ Focusing is a skill that enables multiple telling of the story and will help you and clients think of creative new possibilities for restorying. ▲ Client issues are often complex, and the systematic framework of focusing can help in reconstructing problems, concerns, issues, and challenges. ▲ Being-in-relation: We all live in a system of relationships. Focusing solely on the individual is incomplete. Competency objectives ▲ Increase client cognitive and emotional complexity. Too often issues are considered from only one frame of reference. ▲ Better understand the viewpoints of others with an accompanying increase in empathic understanding and cultural intentionality. ▲ Incorporate family and cultural issues, particularly through family and community genograms. ▲ Be aware of the role of advocacy and social change as part of the focus of your interviewing practice. The Case of Vanessa Vanessa walks swiftly into the office and starts talking even before she sits down: I’m really glad to see you. I need help. My sister and I just had an argument. She won’t come home for the holidays and help me with Mom’s illness. My last set of exams was a mess and I can’t study. I just broke up with the guy I was going with three years. And, now I’m not even sure where I’m going to live next term. And my car wouldn’t start this morning . . . (She continues with her list of issues and begins repeating stories almost randomly, but always with energy and considerable emotion.) The Case of Vanessa Reflection Questions ▲ Vanessa is clearly upset with the many stressors she is facing. How would you feel if you were Vanessa’s counselor? ▲ The client seems to jump from topic to topic. How would this affect the way you work with her? ▲ She seems to be eager to be helped, how would you assist her? INTRODUCTION TO FOCUSING ▲ Vanessa has many stressors acting on her, which could tear her apart emotionally. ▲ She is in a high state of incongruence. ▲ Focusing will help identify the areas of conflict and discrepancy. ▲ Supportive confrontations will help her clarify her situation and move to problem solution. Focusing Skill If you use focusing skills as defined below, you can predict how clients respond Focusing: Use selective attention Predicted result: Clients will focus and focus the interview on the their conversation or story on client, problem/concern, the dimensions selected by the significant others interviewer. As the interviewer (partner/spouse, family, brings in new foci, the story is friends), a mutual “we” focus, elaborated from multiple the interviewer, or the cultural/ perspectives. environmental/ context. You may also focus on what is going on in the here and now of the interview. INTRODUCTION TO FOCUSING FOCUSING SKILL FUNCTION ▲ Reframe and reconstruct problems, concerns, issues, and challenges. ▲ Discover new narratives and new ways to think about an issue. ▲ Enlarge client story telling. ▲ Increase client cognitive and emotional complexity. ▲ Better understand the viewpoints of others. ▲ More completely involve family and cultural issues. HOW DO YOU FOCUS ▲ Therapy is for the individual client. ▲ Focus begins with the client. ▲ Focus on the client’s problem or concern. ▲ Focus on the client as being-in-relation. ▲ Clients focus on what the interviewer selects as a topic. HOW DO YOU FOCUS 1. Individual Perspective ▲ Begin with the individual client. ▲ Personal pronouns and the client name place focus on the client. ▲ “What are these things doing to you, Vanessa?” HOW DO YOU FOCUS 2. Main Theme or Problem Focus ▲ Listen to clients concerns issues. ▲ Draw out client’s story. ▲ Dual focus of client and their story may appear frequently. ▲ “Which issue would you like to focus on first?” HOW DO YOU FOCUS 3. Other Focus ▲ The session is for the client. ▲ Clients tell about friends, family, supervisors, etc. ▲ May be important to focus on significant others. ▲ “What’s going on with your sister?” ▲ Beware of sessions where all the talk is about absent people. HOW DO YOU FOCUS 4. Family Focus ▲ Help clients see themselves in relation to their present and past families. ▲ Be flexible in your definition of family. Nuclear Extended Single-parent Close living or friendship group ▲ “Sounds like your mother is the most important issue. Have I heard correctly? HOW DO YOU FOCUS 5. Mutuality Focus ▲ How the client reacts to the interviewer can indicate how the client develops in relation to other people. ▲ Puts client and interviewer on an equal level. ▲ Can be quite powerful. ▲ Use infrequently. ▲ “Right now I can almost feel your hurt. We can work through your issues together.” HOW DO YOU FOCUS 6. Interviewer Focus ▲ Interviewer may provide feedback, opinions, or advice from her or his perspective. ▲ Use only occasionally. ▲ Immediately bring focus back to the client. ▲ “It happened to me last week, and I didn’t know what to do.” HOW DO YOU FOCUS 7. Cultural / Environmental / Context Focus ▲ We are deeply affected by our family and how we grew up in our community(ies) of origin. ▲ Help clients see themselves in relation to their present and past families. ▲ Focus can be expanded to include many things. E.g., Gender, race / ethnicity, sexual orientation, spirituality / religion, socioeconomic status, multiple contextual issues ▲ “What are some strengths you gain from your spiritual orientation?” EXAMPLE INTERVIEW: IT’S ALL MY FAULT—HELPING THE CLIENT UNDERSTAND SELF-IN-RELATION Reflection Questions ▲ In which way did Samantha helped Janet? ▲ Explain the role of focusing in this session? ▲ How was Janet’s genogram used in this session? ▲ What do we mean when we say that Janet reached level 3 in the CCS? ▲ How would you help Janet reach CCS level 5 over time? Self-in-Relation vs. Autonomy ▲ Family and community experiences are integral to who we become. ▲ Contemporary theorists challenge concept of totally autonomous self with new terminology. Self-in-relation Being-in-relation Person-in-community ▲ Genograms may help clients find new perspectives on themselves-in-relation. INSTRUCTIONAL READING: MULTIPLE CONTEXTUAL PERSPECTIVES ON CLIENT CONCERNS ▲ Each person we interview or counsel is unique. ▲ The person’s name and the word you are central to every interview. ▲ The use of a genogram helps us discover client uniqueness and understand his or her broader context (friends, family, community). Community Genogram ▲ Free-form activity where the client uses their own style to present community. ▲ Helps the client generate a sense of connection and how we all develop in a community/cultural context. ▲ Helps the therapist more completely understand the client’s cultural background. ▲ Allows searching for positives within the community context. The Community Genogram Janet’s Example Community Genogram ▲ Reminds client that we all exist in a web of interpersonal relationships. ▲ Helps the client see the nature and impact of their family. ▲ Family can be viewed and discussed from many different view points. ▲ Reminds the client that we are not alone. ▲ Consider family genograms as strength inventories and diagnostic instruments. Building your community genogram 1. List important cultural / environmental / contextual issues. Include ethnic identity, religion, economic, and social class considerations; significant life events such as trauma or environmental issues. 2. Find your own way to represent these influencers in your life via your own visual representation system. Make it your own approach—be creative Building your community genogram 2. Select the community in which you were primarily raised. 3. Choose significant symbols to represent key items in relation. Yourself/Client Family(ies) Influential Community Groups Items from RESPECTFUL Model Building your community genogram 4. Use the basic listening sequence to draw out information, thoughts, and feelings. The genogram provides considerable insight into one’s personal life issues. Family in the community genogram 1. List the names of family members for at least 3 generations (4 preferred). Include ages and dates of birth and death; occupations, significant illnesses and causes of death; and issues with alcoholism or drugs. 2. But, also only one or two people will be sufficient. Family emphasis will vary. Building your family genogram 3. Basic symbols for the genogram: Close Enmeshed MALE deceased Estranged Distant Conflictual Separated living FEMALE living deceased Drawing The Community Genogram 1. Select the community where the client was primarily raised, but any other community, past or present, may be used. Consider a large piece of paper as representing the broad culture or community. Drawing The Community Genogram 2. Use a star, circle or other significant symbol to represent yourself or your client. Place the symbol in that community at the most appropriate place. Drawing The Community Genogram 3. Use appropriate symbols to represent the family members and place them on the paper in relationship to the first symbol. Family can include nuclear, extended, or both. Drawing The Community Genogram 4. Place other important and influential groups on the community genogram: School Family Neighborhood Peer groups Work groups Spiritual groups Other special groups Drawing The Community Genogram 5. Connect the groups to the focus individual. Draw heavier lines to indicate most influential groups. Drawing The Community Genogram Janet’s Example Community Positive Asset Search Focus on one single community, group or family. ▲ Start with positive stories. ▲ Maintain a solid image of positives before you begin with negative stories. Community Positive Asset Search Develop a sensorimotor visual, auditory, or kinesthetic image representing a positive. ▲ Note the positive feelings that occur with the image. ▲ Full experience of these feelings may result in rapid breathing or increased heart rate. ▲ These body experiences represent positive strengths to call on during difficult issues. Community Positive Asset Search Develop at least two more positives. ▲ Choose images from different groups within the community; one family, one spiritual, and one cultural. ▲ Hold to the search for positives before you begin with negatives. Community Positive Asset Search Summarize the positive images in client’s words and reflect on them. ▲ Encourage the clients to summarize their learning, thoughts, and feelings in their own words. ▲ Record the responses as the client thinks back. ▲ Draw on these responses in many sessions or in the daily life of the client. How to use the community genogram ▲ Post the genogram on the wall during sessions. ▲ Focus on one dimension at a time. ▲ Emphasize positive stories even if the client wants to begin from a negative perspective. The Family Genogram ▲ The community genogram provides a way to see the client in social and cultural context. ▲ The family genogram brings additional information about all-important family history. ▲ We use both strategies with clients and hang the genograms on the wall during the session, to indicate to client they are not alone. Example Family Genogram Using Focusing to Examine Your Own Beliefs As an interviewer, counselor, or psychotherapist, you will encounter controversial cases and work with clients who have made different decisions than perhaps you would. There are deeply felt beliefs and emotions around abortion. ▲ What is your personal position around this challenging issue? take time to write your response. ▲ Review the multiple dimensions of focus. What does your family, friends, close relationships think about abortion? What does your community and church say and think? How does your understanding of state laws and the media affect your thinking? ▲ From a contextual point of view, what has influenced your thinking on this issue; record what you discover. Using Focusing to Examine Your Own Beliefs ▲ It is vital that you understand the situations, thoughts, and feelings of those who take varying positions around abortion or any other controversial issue, whether you agree with them or not. Can you identify some of the thoughts and feelings of those who have a different position from your own? Counseling is not teaching clients how to live or what to believe. It is helping clients make their own decisions. Regardless of your personal position, you may find yourself using the interview to further that position. Most would agree that counselors should avoid bias in counseling. ▲ The art and mastery of effective counseling merges awareness of and respect for beliefs with unbiased probing in the interest of client self-discovery, autonomy, and growth. Applying Focusing with a Challenging Issue Focus Dimensions ▲ Focus on Client ▲ Focus on main theme or problem ▲ Focus on Others ▲ Focus on Family ▲ Mutuality Focus ▲ Interviewer Focus ▲ Cultural/Environmental/Contextual Focus Applying Focusing with a Challenging Issue Identify the specific focus of the following: ▲ What would be your reaction when Teresa tell you that she just had an abortion? ▲ How might you focus on the family response to her abortion? How would you search for others in the family who might be helpful or supportive? ▲ How could you use the mutuality focus to support Teresa? ▲ How would you respond if Teresa asks you what do you think about what I did? Or, what should I do? ▲ What would you say to bring in broader cultural / environmental / contextual issues into the session? ADVOCACY AND SOCIAL JUSTICE What is the interviewer’s role in advocacy and social justice? ▲ Your session efforts may be insufficient to help clients move on with their lives. ▲ Social contexts may leave clients in a situation they are powerless to resolve. ▲ Therapists with a social justice orientation, take action for their clients. ADVOCACY AND SOCIAL JUSTICE Reflection Questions ▲ What would you do if… As an elementary school counselor, you counsel a child who is being bullied on the playground. You are a high school counselor and work with a 10th grader who is teased and harassed about being gay while the classroom teacher quietly watches and says nothing. As a personnel officer, you discover systematic bias against promotion for women and minorities. ADVOCACY AND SOCIAL JUSTICE Reflection Questions ▲ What would you do if… Working in a community agency, a client speaks of abuse in the home and fears leaving because she sees no future financial support. You are working with an African American client who has dangerous hypertension and reports being discriminated by his or her coworkers at the office. The client has left home in fear and cannot go home. SUMMARY: BEING IN RELATION ▲ Focusing helps the client see issues and concerns in a broader setting. ▲ “I” focus remains central but being-in-relation is added. ▲ We can help clients expand their horizons. ▲ Connection and interdependence are as important as are independence and autonomy. SUMMARY: BEING IN RELATION ▲ Family and community genograms remind us of the selfin-relation and the need to take multiple perspectives on any issue. ▲ The imaging of stories about community brings cultural strengths which are important resources. ▲ Whether you generate a genograms with client or not, it is important to be aware that for any client issue, there may be multiple explanations and multiple new stories. Key Points Draw out stories with multiple focusing ▲ Client stories and issues have many dimensions. It is tempting to accept problems as presented and to oversimplify the complexity of life. ▲ Focusing helps interviewer and client to develop an awareness of the many factors related to an issue as well as to organize thinking. ▲ Focusing can help a confused client zero in on important dimensions. Thus, focusing can be used to either open or tighten discussion. Key Points Seven focus dimensions ▲ There are seven types of focuses. The one you select determines what the client is likely to talk about next, but each offers considerable room for further examination of client issues: 1. Focus on client 2. Focus on the main theme or problem 3. Focus on others 4. Focus on family 5. Focus on mutual issues or group 6. Focus on interviewer 7. Focus on cultural/environmental/contextual issues Key Points Focusing and other skills ▲ Focusing can be consciously added to the basic microskills of attending, questioning, paraphrasing, and so on. Careful observation of clients will lead to the most appropriate focus. In assessment and problem definition it is often helpful to consciously and deliberately assist the client to explore issues by focusing on all dimensions, one at a time. Key Points Advocacy and social action ▲ Advocacy and social action may be necessary when you discover that the client’s issues cannot be resolved through the interview alone. Counseling could be described as a social justice profession. ▲ This is a major move from traditional counseling where the helper is required to neutral and help the client deal with the situation as “it is.” ▲ Advocacy means moving appropriately out of the office into the community. Key Points Multicultural issues ▲ Focusing will be useful with all clients. ▲ With most clients the goal is often to help them focus on themselves (client focus), but with many other people, particularly those of a Southern European or African American background, the family and community focuses may at times be more appropriate. ▲ The goal of much North American counseling and therapy is individual self-actualization whereas among other cultures it may be the development of harmony with others—self-in-relation. Key Points Multicultural issues ▲ Deliberate focusing is especially helpful in problem definition and assessment, where the full complexity of the problem is brought to light. ▲ Moving from focus to focus can help increase your clients’ cognitive complexity and their awareness of the many interconnecting issues in making important decisions. ▲ With some clients who may be scattered in their thinking, a single focus may be wise. Key Points The importance of the individualistic I-focus ▲ Recall that counseling is for the client. ▲ Though expanding awareness of context and self-inrelation and understanding alternative stories of a situation are obviously useful, ultimately the unique client before you will be making decisions and acting. ▲ The bottom line is to assist that client in writing her or his own new story and plan of action. COMPETENCY PRACTICE EXERCISE AND SELF-ASSESSMENT Chapter 10 Individual Practice Group practice Self-assessment Individual Practice Exercise 1: Writing Alternative Focus Statements IIC For the following vignettes write the client’s main issue as you see it A 35-year-old client comes to you to talk about an impending divorce hearing. He says the following: I’m really lost right now. I can’t get along with Elle, and I miss the kids terribly. My lawyer is demanding an arm and a leg for his fee, and I don’t feel I can trust him. I resent what has happened over the years, and my work with a men’s group at the church has helped, but only a bit. How can I get through the next 2 weeks? Individual Practice Exercise 1: Writing Alternative Focus Statements IIC For the following vignettes write the client’s main issue as you see it Main issue as presented: •Client focus •Problem/main theme focus •Others focus •Family focus •Mutual, group, “we” focus •Interviewer focus •Cultural/environmental/contextual focus Individual Practice Exercise 1: Writing Alternative Focus Statements IIC Write several alternative focus statements •Reflection of feeling focusing on the client •Open question focusing on the problem/main theme •Closed question focusing on others •Open question focusing on the family •Reassurance statement focusing on “we •Self-disclosure statement focusing on yourself, the interviewer •Paraphrase focusing on a cultural/environmental/contextual issue •An imaginary confrontative summary (assuming a longer interview) in which you demonstrate a mixed focus, pointing out a major client discrepancy Individual Practice Exercise 2: Developing a Family Genogram IIC Use the information and illustrations from the chapter to develop a family genogram with a volunteer client or classmate. After you have created the genogram, ask the client the following questions and note the impact of each. Change the wording and the sequence to fit the needs and interests of the volunteer. Individual Practice Exercise 2: Developing a Family Genogram IIC What does this genogram mean to you? (individual focus) As you view your family genogram, what main theme, problem, or set of issues stands out? (main theme, problem focus) Who are some significant others, such as friends, neighbors, teachers, or even enemies who may have affected your own development and your family’s? (others focus) How would other members of your family interpret this genogram? (family, others focus) Individual Practice Exercise 2: Developing a Family Genogram IIC What impact do your ethnicity, race, religion, and other cultural/environmental/contextual factors have on your own development and your family’s? (C/E/C focus) What I have learned as an interviewer working with you on this genogram is (state your own observations). How do you react to my observations? (interviewer focus) What did you learn from this exercise. What questions did you find most helpful? Individual Practice. Exercise 3: Developing a Community Genogram IIC Use the step-by-step instructions for developing a community genogram presented in this chapter. Use your own personal experience in your community of origin. As an alternative, work through the process with a class member and each of you practice drawing out the data. Present the completed genogram and briefly summarize what you learned. Group Practice. Exercise 4: Practice Focusing the Interview in a Group IIC Separate into groups of four. Select a group leader. Assign roles for the first practice session. Interviewer Client Observer 1 Observer 2 Group Practice. Exercise 4: Practice Focusing the Interview in a Group IIC Select and plan a topic. Establish clear goals Interviewer to cover all types of focus Aid client in seeing broader perspective Conduct a practice session with focus on: Use all types of focus Group Practice. Exercise 4: Practice Focusing the Interview in a Group IIC Review the session. Observers use Focusing Feedback Form. (next slides) Observer 1 pinpoint client focus statements. Observer 2 pinpoint interviewer focus statements. Client uses Client Feedback Form. Rotate roles and repeat. CLIENT FEEDBACK FORM IIC (from Ch. 1) In practice sessions, it is very helpful to get immediate feedback. As you practice the microskills, use the Client Feedback Form. FORM IIC Focus Feedback Form (in this Ch.) In practice sessions, it is very helpful to get immediate feedback. As you practice the microskills, we encourage you to use the feedback forms provided. We provide feedback forms for each specific skill. Those providing feedback… Remember: ▲ Receiver is in charge. ▲ Feedback is for receiver’s development ▲ Focus on what receiver can change. ▲ Check out how feedback was received. Your feedback should be: ▲ Concrete ▲ Specific ▲ Lean ▲ Precise ▲ Non-Judgmental PORTFOLIO OF COMPETENCE What Is Your Level of Mastery of this Skill? IIC Active listening is one of the core competencies of intentional interviewing and counseling. Use the following as a checklist to evaluate your present level of mastery. Check those dimensions that you currently are able to do. Those that remain unchecked can serve as future goals. PORTFOLIO OF COMPETENCE IIC SELF-ASSESSMENT The history of counseling and therapy has provided the field with a primary “I” focus in which the client is considered and treated within a totally individualistic framework. The microskill of focusing is key to the future of interviewing, counseling, and psychotherapy as it broadens the way both interviewers and clients think about the world. This does not deny the importance of the “I” focus. Rather, the multiple narratives made possible by the use of microskills actually strengthen the individual, for we all live as selves-in-relation. We are not alone. The collective strengthens the individual. PORTFOLIO OF COMPETENCE IIC SELF-ASSESSMENT At the same time, the previous paragraph represents a critical theoretical point. Some might disagree with the emphasis of this chapter and argue that only the individual and problem focus are appropriate. What are your thoughts and feelings on this important point? Can you help others focusing? Can you work with all seven dimensions of focus? SELF-ASSESSMENT Exercise: Self-Evaluation of Focus Competencies IIC Go to Chapter 10 for a full description of these levels Level 1: Identification and classification. Level 2: Basic competence. Level 3: Intentional competence. Level 4: Psychoeducational teaching competence. SELF-ASSESSMENT Exercise: Self-Evaluation of Focus Competencies IIC Level 1. Identification and Classification Identify focus statements of the interviewer. Note the impact of focus statements in terms of client conversational flow. Write alternative focus responses to a single client statement. SELF-ASSESSMENT Exercise: Self-Evaluation of Focus Competencies IIC Level 2. Basic Competence Demonstrate use of focus types and draw out multiple stories in role-play interview. Use focusing in daily life situations. SELF-ASSESSMENT Exercise: Self-Evaluation of Focus Competencies IIC Level 3. Intentional Competence Clients can tell multiple stories about their issues. Maintain the same focus as client. Observe when clients shift focus, and return focus back to the original topic when beneficial. Combine this skill with earlier skills. Use multiple-focus strategies for complex client issues. SELF-ASSESSMENT Exercise: Self-Evaluation of Focus Competencies IIC Level 4. Psychoeducational Teaching Competence Teach focusing skills: Teach focusing to clients and small groups. Measure results by the achievement of students/learners. DETERMINING YOUR OWN STYLE AND THEORY: CRITICAL SELF-REFLECTION ON FOCUSING CRITICAL SELF-REFLECTION ON FOCUSING This chapter asks you to think about the interview in a new way. The ideas of self-in-relation, person-in-relation, and the family and community genograms all suggest a more contextual approach. These and other focus dimensions may not be accepted by all theoretical orientations to helping. What are your thoughts? What single idea stood out for you among all those presented in this chapter, in class, or through informal learning? What are your thoughts on multicultural issues and the use of the focusing skill? What other points in this chapter struck you as important? How might you use ideas in this chapter to begin the process of establishing your own style and theory? Write your ideas in your journal.