Enhancements in cooperative catalogue ESTER Kadri Steinbach Estonian Academy of Music and Theatre Library Nordic IUG October 2008, Tartu Main points: getting most of the field 856 • eBooks on-demand (EOD) in National Library • Video archive of Tartu University Library is accessible through ESTER • Naxos Music Library integrated into ESTER in Estonian Academy of Music and Theatre Library eBooks on-demand (EOD) through ESTER EOD: eBooks on-demand • Cooperation between European libraries to make old and rare books accessible for end-user digitally • 13 libraries from 8 countries, from Estonia, the partner is Estonian National Library • offers possibility to order digital copies of the books from the years 1500-1900 (authorship rights!) • http://www.books2ebooks.eu EOD: more basic info • It is possible to order only full copies of the book, no single sheets • User gets digital file in PDF format, the file is searchable, user can download it within 60 days after payment • There are now ca 89 000 links in the ESTER catalogue • Links are on the field 856 EOD: ordering • You can order as a registered customer or choose not to register • In case of incomplete data, the price of the order can’t be calculated automatically EOD: statistics • Within 16 months there have been 176 orders • 20 refusals due to the autorship rights • About 26 000 pages of digitised material Tartu University Library video archive accessible through ESTER TUL: video archive in ESTER • In 2004 decision to start digitise the movie archive • Old material was on VHS tapes, new material (since 2004) on DVD and also in multi-media server • There are 264 videos now accessible online TUL video archive: how it works? • Videos are stored in Tartu University digital repository http://dspace.utlib.ee and in Tartu University video server • Link to the file is on the field 856 • For the user, the video starts to run right after you open the full record • You can also watch the video in a full screen Naxos Music Library database accessible through ESTER Process description • Testing sample records in our catalogue • Buying MARC21 records from Naxos • Uploading batch into our system • Customizing records with Global Update function • Ready for using Time and human resource • First test samples received in September 2006 • The whole batch in December 2006 • Press release at January 31st 2007 The whole process took 5 months, but maybe 3 weeks of real-time work • 3 persons: 2 from our library, 1 from ELNET consortium MARC21 records received • • • • • • • • • • • • • • • • =LDR 01610nmm 2200373 a 4500 =006 m\\\\\\\\h\\\\\\\\ =007 cr\nnannnu\uuu =008 060911s2006\\\\hk\\\\\\\\\u\\\\\\\\eng\d =028 \\$aSMCD5211$bNaxos Digital Services Ltd =035 \\$a.b1532378x$bint $c=040 \\$aHkLN =245 00$aMOZART :$bExsultate, jubilate / HAYDN: Symphony No. 104$h[electronic resource] =246 30$aExsultate, jubilate / HAYDN: Symphony No. 104$h[electronic resource] =260 \\$aHong Kong :$bNaxos Digital Services Ltd.,$c[2006] =440 \0$aCBC. =500 \\$aStreaming audio. =506 \\$aAccess restricted to Ligip{232}a{232}asetav ainult EMTA arvutiv{228}orgus users. =511 0\$aWORKS OF: Mozart, Wolfgang Amadeus / Schubert, Franz. =511 0\$aPERFORMERS: Labadie, Bernard (conductor) ; CBC Radio Orchestra ; Gauvin, Karina (soprano) =538 \\$aMinimum system requirements: MS Windows 98SE, 2000, XP with MS IE 6.0 / Mozilla 1.7.1 / FireFox 1PR / Netscape 7.1 / Putting the records into our system • ELNET consortium’s technical specialist Anneli Sepp added the MARC records into our system Customizing • From Naxos, we had field 856 customized: =856 40$zConnect to Naxos Music Library$uhttp://ema.edu.ee=http://ema.naxosmusiclibrary.co m/streamcat.asp?s=40970%2femanml02&item_code=SMCD 5211 We decided to customize the records as much as possible to make them look like ordinary records in the catalogue. Fields we translated • • • • • • 245 |h[electronic resource] / Helisalvestis 511: Composers / Helilooja(d) 538: Minimum system requirements.. 856: |zConnect to Naxos Music Library All the instruments from the field 5XX All the functions of person’s we use in our catalogue (e.g. performer, composer..) • We decided to identify the records as sound recordings, not as electronic resources ALSO: unifying • Very different ways to present composer’s names, we tried to unify it • With the help of Global Update function we unified 210 performer’s and composer’s name Example of unifying process (with Global Update) Variants of one name Minimizing the number of duplicates • Listing duplicates: • Deleting NML records and adding links to the “real” records Results: From that kind of record... • =245 00$aMOZART :$bExsultate, jubilate / HAYDN: Symphony No. 104$h[electronic resource] • =246 30$aExsultate, jubilate / HAYDN: Symphony No. 104$h[electronic resource] • =260 \\$aHong Kong :$bNaxos Digital Services Ltd.,$c[2006] • =440 \0$aCBC. • =500 \\$aStreaming audio. • =506 \\$aAccess restricted to Ligip{232}a{232}asetav ainult EMTA arvutiv{228}orgus users. • =511 0\$aWORKS OF: Mozart, Wolfgang Amadeus / Schubert, Franz. • =511 0\$aPERFORMERS: Labadie, Bernard (conductor) ; CBC Radio Orchestra ; Gauvin, Karina (soprano) • =538 \\$aMinimum system requirements: MS ...into this: Why all this? Positive and negative sides Positive: Negative: • 12830 recordings are • They can’t be searchable via OPAC searched with general rules (except authors) • Users can access more recordings than • Sometimes the we have on the number of licences is shelves easily and increased and the quickly account blocked • The recordings are often found by the users, who don’t know how to search Usage statistics of NML in EAMTL 80 72 68 70 57 60 50 40 30 28 31 35 15 20 10 0 5 April April May May June June July July 2006 2007 2006 2007 2006 2007 2006 2007 Thank you! kadri@ema.edu.ee