The Anthropology of Language: An Introduction to Linguistic Anthropology Chapter 3 The Sounds of Language 1 The Sounds of Language • • • • • • Phonology, Phonetics & Phonemics Producing and writing speech sounds Consonants, vowels & sound charts Phonemic analysis Etics and Emics Applications 2 Phonetics • Acoustic – Physical properties of sound, sound waves, • Auditory – Perception of sounds, psychological “reality” • Articulatory – Pronunciation of sounds, articulation – Also known as descriptive phonetics 3 Producing Speech Sounds • lungs • larynx & vocal cords – voicing • oral & nasal cavities • velum (soft palate) mouth closed: [m, n] mouth open = [õ] 4 Phones: The sounds of language • Language sound can be described in terms of the way that the sound is produced. • The most efficient way to do this is by describing each sound in terms of its place and manner of articulation. 5 Describing and transcribing • Place and manner of articulation – How can we think about place of articulation? – How can we think about manner of articulation? • The impact of categories/the usefulness of categories – We need uniform categories in order to do the sort of analysis which is central to Western science. – Those categories, like all linguistic categories, will shape our perception. – Sometimes, the categories can expand or improve your perception. 6 Consonants: Place • From front to back: bilabial [p, b, m] labiodental [f, v] (inter)dental [, ] alveolar [t, d, s, z, n, l, ] alveopalatal (palatal-alveolar; postalveolar) [ , , ñ] 7 Consonants: Place (continued) Front to back retroflex [, ] velar [k, g, x, , ] uvular [ ] (French ‘r’) pharyngeal [ (Arabic ‘ain’)] glottal [ , h] 8 Consonants: Manner • Stops (plosives) [t, d], [!, ] • Aspirated: [th, dh] • Fricatives [s, z] • Affricates [ʧ, ʤ] • Taps & Trills – Taps / flaps [ ] – Trills [ r ] • Nasals [ n ] • Approximants [ l, , j, w ] 9 A Word About Approximants • Sometimes called liquids & glides • Variously charted in different systems • IPA calls them approximants [ w, j, ] – And lateral approximants [ l ] • Pike calls some of them frictionless laterals [ l ] – He calls some of them semivowels [w, y] – And he calls some of them vowels [ r ] 10 Consonants: Review Different languages may use different sounds 11 Creating a Language: Consonants • • • • • Your language will need some consonants Begin by choosing 8 to 12 consonants to use These can be as complex as you wish Be sure you can pronounce each one Use phonetic symbols (use the I.P.A.) – do not use English spellings • Put your consonant symbols into chart form – Use the workbook charts as models 12 Phonetic Charting • Mapping the sounds of a language – Helps you to analyze and pronounce sounds – Helps you to analyze sound systems • And to see patterns – Guides you in understanding accents 13 Charting and Sounds • Shinzwani [ ] – voiceless – retroflex – stop • Czech [ ř ] – voiced – alveolar – fricative – AND trill 14 Charting and Sound Systems • Making predictions • Shinzwani –p t –b d ??? ??? – – s x ??? k x ??? 15 Charting and Accents: 1 • How would you pronounce Shinzwani [ona]? – Why did you make the choice you made? • Place? • Manner? 16 In-class review of practice with languages 17 Practice with languages (cont.) • Explain, in phonetic terms, why you made the choices that you made for the charts. • Use the sound charts and give a phonetic explanation for why the Maori, Luangiuan, and Rarotongan children did not say [θæŋk yu]. • Use the sound charts to explain why the Maori child said [fæŋk yu] and not [tæŋk yu]. 18 Vowels: Place • part of tongue raised i u e o – front, center, back • height of tongue – high, mid, low a 19 Vowels: Manner • rounded [u, o] - back (e.g., most English back vowels) [y, ø] - front (e.g., French, German, Danish) • unrounded [ i, e] - front (e.g., all English front vowels) [ , ] - back (e.g., Turkish, Native American languages) • tense/lax (close/open) – [i] vs [I] 20 Charting Vowels 21 Diphthongs to front [ii] seen [ai] sign [ i] boid to back to center [i] beer [e] bear [a] bar [ ] bore [uu] sue [ou] hoe [au] how 22 Change over time – vowels in American English • Mary, merry, marry • Older form: /meri/, /mεri/, /mæri/ • Shift moves all to /mεri/ • Makes possible bad jokes: – Why is Joe wearing a dress? – Sometimes he just likes to eat, drink, and be Mary. 23 Creating a Language: Vowels • Your language will also need some vowels • Choose between 4 and 6 vowels to use – Be sure you can pronounce them • These should be simple vowels – Although you can use them to make diphthongs • Use phonetic symbols (use the I.P.A.) – Do not use English spellings • Put your vowel symbols into chart form – Use the workbook charts as models • Diphthongs should go on a separate chart 24 Suprasegmental features 25 Suprasegmentals • Additional pronunciation – [o] as segment • Marked with diacritics – [ ] as suprasegmental (nasalization) • [o] = nasalized segment 26 Phones and Phonemes • Phone – Smallest identifiable unit of sound in a language – More easily identified by outsiders • Phoneme – Smallest contrastive unit of sound in a language – Heard as a single sound by insiders – Contrasts are not predictable 27 Phonology • Sounds and their arrangements – Phonetics & Phonemics • Phonetics: – identify & describe sounds in detail (phones) • Phonemics – analyze arrangements of sounds – identify groupings of sounds (phonemes) • Examples: – English “pill” vs “spill -- [ph] + [p] = /p/ – Hindi “ph l” (fruit) vs “p l” (minute) -- [ph] + [p] = /ph / + /p/ . 28 Phonemes • Defined by difference • Belonging to a particular language • Sounds which affect meaning – “minimal pairs” are used to determine if two sounds are different phonemes • We use / / to indicate a phoneme, while [ ] indicates a phone – – – – – [b] and [bh] both /b/ in English, but in Thai they are /b/ and /bh/ A minimal pair which supports this claim is [ba] – to be crazy, mad, insane and; [bha]– elder sister of my parent, Auntie 29 Identifying Phonemes • Minimal pairs – reveal contrasts in sounds • ‘pin’ ‘tin’ ‘kin’ ‘bin’ ‘din’ ‘gin’ • Examples for practice (W/R p. 52) – 3.2a Shinzwani – 3.2b Hindi – 3.2c Czech – 3.2d French – 3.2e Chatino 30 Variations • A phoneme can be a single sound/phone • Or it can be a group of sounds/phones – Members of a group are usually similar • They are close on the phonetic chart • They sound like ‘variations’ of one another – Members of a group are non-contrastive • They don’t mark differences in meaning – When such variations exist, they are called: 31 Allophones • Sounds which differ according to rules of complimentary distribution, and which are therefore NOT phonemes but instead aspects of the same phoneme. • Are heard as the same sound by speakers of the language. • Allophones are about position and relationship – where in a word does the sound occur, and what other sounds are before and after it. 32 Allophones (cont.) • The rules for the production of sound in relationship are powerful. – In English, [ŋ] cannot occur in word-initial position, while in Thai and Lahu it often does • Because the variation is usually ‘conditioned’ by neighboring sounds, we can also call this ‘conditioned variation.’ • [p] and [ph] are allophones of /p/ in English • Complimentary distribution is evident when you have a clear difference but CANNOT come up with minimal pairs. 33 Allophones From American English • An allophone of a plosive may be created by aspiration, lack of aspiration, or being unrealized in certain positions. • An allophone of a vowel may be created by nasalizing it before nasal consonant (compare sand/sad, tend/ted) • Vowels from the front and back of the mouth may move toward the middle in rapid speech (you can make this into a context rule in your language) • [n] in English becomes dental [ ̺n] when it comes before a dental fricative (tenth, month) 34 Some allophones from Lahu • Bilabials are affricated before /u/ – [p, ph, b, m] – [pf, phf, bv, mv] – So you can say /pe/ but not /pu/, it becomes /pfu/, and you can’t say /mu/, so it becomes /mvu/ • /n/ becomes palatal before /i/ – So you can have /nu/, but you don’t find /ni/, instead you find /nʲi/ 35 Writing the rules – Lahu /n/ • Descriptive statement: – /n/ has allophones [n, nʲ] • [n] in all cases except • [nʲ] before [i] • Rule: – /n/ • --- [nʲ] #____ [i] • --- [n] #_____all V except [i] – Note: Lahu words are generally one syllable, CV format 36 Some allophones in Pirahã (10-13 phonemes) • /b/ [b, ʙ, m]: the nasal [m] after a pause, the trill [ʙ] before /o/. • /g/ [g, n, ɺɺ̼͡ ]: the nasal [n] after a pause, the ͡ lateral alveolar-lingualabial double-flap [ɺɺ] only in special types of speech • Vowels are nasalized after the glottal consonants /h/ and /ʔ/ 37 Making your allophones • Vowels may be nasalized, or even change to other positions in the mouth. • Consonants may take on additional sound qualities, or they may change to different consonants entirely. • Rules may involve position in word or relationship between phones. You might want to have one of each type of rule. 38 Allophone Conditioning • is usually: – patterned – predictable – discoverable – describable 39 Practice with Allophones: English /t/ • • • • See W/R p. 49 [t ] (aspirated) [t k] [t] (unaspirated) [s t k ] [t ] (unreleased) [k t ] /t/ [t ] / #___ [t ] / s___ [t ] / ___# What about ‘p’ and ‘k’ in English? (See W/R p. 50 (3.3a English)) 40 More Practice with Allophones • See pages 51–45 in Workbook/Reader – 3.3b KiSwahili – 3.3c German – 3.3d Korean – 3.3e Japanese – 3.3f English – 3.3g isiZulu – 3.3h Totonac – 3.3i Farsi 41 Phonemes vs. Allophones: Review • allophones – non-contrastive – predictable distribution • [p n] and [spn] • phonemes – contrastive – non-predictable distribution • [p n] vs [t n] 42 Etics vs. Emics • Ken Pike, 1950s • A core concept in anthropology • Etics – Outside, cross-cultural /comparative – Absolute, objective – A step to emic analysis • Emics – Inside, culture-specific – Relative, subjective – A goal of emic analysis 43 Using Phonetics & Phonemics • Working with your conversation partners: – Map phonemic contrasts – Compare phonological systems – Use your understanding of phonemes & allophones to assist with accent reduction (or to pronounce your CP’s language better) • See Workbook/Reader p. 66 44 Using Phonetics & Phonemics • Creating your language: – Assume each of your sounds is a phoneme – Now create a pair of allophones for one phoneme: • Choose one phoneme and create a variant – OR • Convert two phonemes into allophones of one – Your allophones should resemble each other • e.g., same manner or place of production – Create a rule to describe the distribution of the two allophones • Beginning vs. end of a word? • Following certain sounds? • Preceding certain sounds? 45 Doing Phonological Research • Descriptive vs. prescriptive approaches – Transcription vs. spelling • Avoid using your own categories – Find out how the system operates on its own terms • Describe the patterns you find – Identify the units – Identify relationships between the units. 46 Beyond Phonology: Prosody • Sounds that “accompany” speech, but aren’t words themselves – Paralanguage—coined by George Trager (1950s) – Voice qualities • Loudness, tone of voice • Pitch, speed, rhythm • Vocal modifications: – whispering, cooing, breathy voice, rising intonation – Vocal segregates (or vocal gestures) • Stand on their own – uh-huh, mhmm, shhhh, throat-clearing – Ideophones? • Bam, pow, slurp! 47 Next: • Words and Sentences – Read: • Textbook Chapter 4 • Workbook/Reader: – Adams (p. 67) – Prepare to do: • • • • Writing/Discussion Exercises (W/R pp. 61–62) Practice with Languages (pp. 63–82) Language Creating (p. 85) Conversation Partnering (p. 86). 48 Lagniappe: Distinctive Features • Another way to describe phonemes – Phonemes as ‘bundles of features’ – Binary nature of features • +/- voice – Focus on features rather than phones • Place of production – anterior – coronal • Manner of production – consonantal – obstruent 49 More Lagniappe: Comparative Phonology • How many phonemes in a language? – From a few dozen to 100+ – Average figures: • Vowels: 8.7 – English has 14 • Consonants: 22.8 – English has 24 • Your conversation partner’s language? • The language you are creating? 50