Name:__________________________________ English 7-8 Short Story Club Project This year in English 7-8 we will be studying a variety of world literature. We will be looking at literature from around the world in order to gain an historical and social perspective of mankind throughout the centuries. Each quarter, you will select 3 short stories from the list below to read and study. The expectation is that you will become an expert on these stories. Your goal is to participate in an ongoing short story club in which you will engage in academic discourse on your stories of choice. Your stories of choice must engage with the theme of “pushing limits” in some way. Part One: Choosing your stories and preparing a timeline Your group will create a timeline for your stories. You will write out your group members’ names, each group member’s strengths, and the stories your group has picked. You will write out your timeline for reading the stories and preparing for your discussions. There will be 2-3 short story club meetings each quarter. This proposal should be typed, double spaced, 12 pt. font, and 1 to 2 pages in length. Part Two: Dialectical notes You will keep a triple-entry journal as you read, keeping track of important quotes. (See sample.) You will be responsible for a weekly notebook and/or annotation check. You must obtain a printed copy of the short stories and annotate the text. Every group member must complete dialectical journal entries for the text. Each week, every person in your group, will be expected to have a minimum of eight entries. We will discuss what your dialectical notes must contain. Part Three: Group short story background analysis As you begin reading, your group will conduct research on your stories. The research should be divided among the group with a clear indication of each group member’s contributions included. Your group will write a 3 page summary-analysis detailing the following: Brief information on the authors and their backgrounds (1 pg.) The social aspects of each story and the time period in which it was written(1 pg.) The stories’ theme/s, main characters, and author purpose (1 pg.) Any major literary devices the authors use throughout the stories (1 pg.) Background should be typed, 12pt. font, double-spaced, and approx. 3 pages in length. (Approx. 1 page per short story) Please use headings to label each section. Remember to cite your research in MLA format. Include intext citations when necessary as well as a works cited page. Refer to Purdue Owl. https://owl.english.purdue.edu/owl/resource/747/01/ Part Four: Book club and text-dependent questions Your group will also be responsible for creating text-dependent questions for your stories (4-5 per person) before each meeting (See handout on creating text-dependent questions.) Your journal and textdependent questions will drive your meetings, so BE PREPARED! Short story clubs that are unprepared will earn a 0 for that club meeting. Short Story Clubs will begin the week of September 14th . You must be prepared and have your first story read on that date. Most of these stories are available online for free. If you are unable to locate and print one of these stories, please let me know and I will obtain it for you. Short Story List: 1. A Rose for Emily by William Faulkner 2. The Jilting of Granny Weatherall by Katherine Anne Porter 3. Paul’s Case by Willa Cather 4. The Open Boat by Stephen Crane 5. The Death of Ivan Ilych by Leo Tolstoy 6. The Birthmark by Nathaniel Hawthorne 7. The Garden-Party by Katherine Mansfield 8. A Hunger Artist by Franz Kafka 9. The Rocking-horse Winner by D.H. Lawrence 10. A Worn Path by Eudora Welty 11. The Night of the Curlews by Gabriel Garcia Marquez 12. A Very Old Man with Enormous Wings by Gabriel Garcia Marquez 13. I Stand Here Ironing by Tillie Olsen 14. Hands by Sherwood Anderson 15. The Open Boat by Stephen Crane 16. The Yellow Wallpaper by Charlotte Perkins Gilman 17. Hills Like White Elephants by Ernest Hemingway 18. The Dead by James Joyce 19. Bartleby, the Scrivener by Herman Melville 20. The Ones Who Walk Away from Omelas by Ursula Le Guin 21. Saboteur by Ha Jin 22. Love in the Night by F. Scott Fitzgerald Or student choice (you can research popular classic short stories and propose your own texts.) You must select something you have NOT read. Project Calendar Assignment Description Due Date Part One: Timeline Proposal 1-2 page typed proposal Covering group members’, selected texts and plans to complete the project Quotes (proper citations) and connections/response to the literature as you’re reading the stories (8 per week) 4-page typed essay detailing the composition of the stories using MLA format. Minimum of 4 text-dependent questions per person. Engaging discussion on the stories’ themes, characters, structure, form, writer’s effect, etc… 8-26-15 Part Two: Dialectical Notes Part Three: Group Background Summary/Analysis Essay Part Four: Book club/textdependent questions Completed weekly 9-9-15 9-16-15 (initial impressions) 9-30-15 (digging deeper) 10-14-15 (final thoughts!) Name:_______________________________ English 7-8 Short Story Club Project Rubric Key Ideas and Details (Parts 2, 3, 4) Integration of knowledge and ideas (Part 2) Range of reading and text complexity (Part 3 and 4) Craft and structure (Parts 2, 3, 4) Score of 4 Conveys deep, insightful knowledge of the text and is able to cite strong, thorough evidence to support a fresh analysis. Is able to connect two or more themes and convey how the author’s choices develop (literary devices) these elements. Conveys a clear, critical understanding of the text and its historical and social context. Situates the text within relevant context and relates the themes and author’s choices to these elements. Conveys reading comprehension at an extremely high level, independently and proficiently without the use of scaffolding Conveys a clear, critical understanding of writer’s effect and how authors intentionally use diction, tone, and structural elements for impact. Thoroughly analyzes language that is fresh, engaging, or beautiful. Score of 3 Conveys knowledge of the text and is able to cite strong evidence to support analysis. Is able to convey how author’s choices help develop at least one theme. Conveys a clear understanding of the text and some of its historical and social context. May or may not relate the themes and author’s choices to these elements. Conveys reading comprehension at an independent level with minimal scaffolding. Conveys an understanding of writer’s effect and how author use diction, tone, and structural elements for impact. Score of 2 Conveys minimal knowledge of the text. Shows minimal awareness and some understanding of the text and some of its historical and social context. Conveys some evidence of independent reading comprehension with use of moderate scaffolding. Conveys some understanding of writer’s effect and how author use diction and tone for impact. Score of 1 Conveys little to no knowledge of text. Shows little to no awareness and understanding of text and social/historical context. Conveys very little or no evidence of independent reading comprehension. Conveys very little to no understanding of writer’s effect. Score of 0 Product is absent. Product is absent. Product is absent. Overall Score Earned: ______________ 4=100% Comments: 3=85% 2=65% 1=50% Product is absent.