The Diary of Anne Frank By Frances Goodrich and Albert Hacket Ms. Dudley 2015 Common Core Objectives: RL 2 Determine a theme of a text and analyze its development, including its relationship to the characters, setting, and plot. RL 10 Read and comprehend dramas. L 4 Determine and clarify the meaning of unknown and multiplemeaning words or phrases Directions: Use this packet to help you organize your reading experience of The Diary of Anne Frank Step 1-Start a New Google Document Step 2-Select one partner to work on analyzing The Diary of Anne Frank ACT ONE Scenes 1-5 Step 3- Copy and paste the charts to your Google Document/Complete the requirements. Share all finished work with me at: Kenchetta.Dudley@gse.rutgers.edu THE DIARY OF ANNE FRANK Summary THE DIARY OF ANNE FRANK Frances Goodrich and Albert Hackett Setting: Amsterdam, 1942–1945 When Act One begins, it is November of 1945. World War II has ended and Otto Frank returns to the rooms in Amsterdam where he, his family, and some friends hid from the Nazis for two years. Sad and bitter over the events of the war, Frank plans to leave Amsterdam for good. Before he leaves, he finds the diary that his daughter Anne wrote during their two years in hiding. As he begins to read, the point of view shifts, and we see the events of the Franks’ time in hiding through the eyes of thirteen-year-old Anne. In July of 1942, Mr. and Mrs. Frank and their daughters Anne and Margot, along with Mr. and Mrs. Van Daan and their son Peter, move into hidden rooms in Mr. Frank’s former office building. Miep Gies and Mr. Kraler, former employees of Mr. Frank, bring food and supplies to the families and protect them from discovery. In the cramped quarters, the families set rules for their daily activities. Eventually the families are joined by Jan Dussel, a friend of Miep’s fiancé. Anne often quarrels with her mother, but she remains close to her father. One night, a thief breaks into the building, and the families know that he has heard them moving about upstairs. As Act Two begins, it is January of 1944 and the families have been in hiding for seventeen months. Anne and Peter have become friends. It has become more difficult to get food, and a man in the warehouse suspects something and asks for blackmail money to keep quiet. Fear and boredom cause unhappiness and tension in the secret annex. News that the allies have landed in Normandy and the war might soon be over brings some hope, however. Everyone apologizes for past bad behavior, and Anne begins to make plans for returning to normal life. But she never sees this normal life. In August 1944, the inhabitants of the secret annex are arrested and sent off to concentration camps. Anne leaves her diary behind in the hope that someone will find it and keep it safe. The last scene shifts back to November 1945. Mr. Frank concludes his story. He is the only member of the group to have survived the concentration camps. Reading a Drama: What is the best way to go about reading dramatic literature? At first, the student might feel as if she is reading a set of instructions. Most plays contain dialogue along with cold, calculating stage directions. Yet, a play can be a moving literary experience. Dramatic literature presents several challenges to a student, making the reading experience different than poetry or fiction. Here are some tips for students to make the most out of reading a play. Visualize the Characters Unlike fiction, a play does not usually offer a lot of vivid detail. Typically, a playwright will briefly describe a character as he or she enters the stage. After that point, the characters might never be described again. Therefore, it is up to the reader to create a lasting mental image. What does this person look like? How do they sound? How do they deliver each line? Contemplate the Setting Because many classic dramas are set in a wide range of different eras, it will behoove students to have a clear understanding of the story’s time and place. For one, readers should try to imagine the sets and costumes as they read. They should consider whether or not the historical context is important to the story. Research the Historical Context If the time and place is an essential component, students should learn more about the historic details. Some plays can only be understood when the context is evaluated. The play adaptation of To Kill a Mockingbird takes place in the tumultuous deep South during the 1930s. Tom Stoppard's The Invention of Love deals with the social constraints and academic struggles during England's Victorian Period. Without knowledge of the historical context, much of the story’s significance could be lost. With a little bit of research into the past, students can generate a new level of appreciation for the play they are studying. (And the internet makes this easier than ever before!) Sit in the Director’s Chair Here comes the truly fun part. To visualize the play, the student should think like a director. Some playwrights provide a great deal of specific movement. However, most writers leave that business to the cast and crew. It begs the question: What are those characters doing? Students should imagine the different possibilities. Does the protagonist rant and rave? Or does she remain eerily calm, delivering the lines with an icy gaze? The reader makes those interpretive choices. So, get comfortable in that director’s chair. Remember, to appreciate the dramatic literature, a student must imagine the cast, the set, and the movements. That is what makes reading dramatic literature a challenging yet invigorating experience. Elements of a Drama Literary Term Plot Costuming Sets Lighting Protagonist Antagonist Definition The story line of a play. A plot must include a complication, rising action, climax, and a resolution. Props or clothing used to create a character’s wardrobe. Costuming usually fits the personality of the character. The physical location and description of the play. There are usually many backgrounds used on a set. The effects of light on a stage or set of a play The leading character of a drama or play whose rival is the antagonist. The character in conflict with another main character in a drama or play. The antagonist is usually considered the villain. Textual Examples of how it is used in The Diary of Anne Frank Elements of a Drama Literary Term Conflict Internal Conflict External Conflict Complications Climax Motivation Definition A struggle between opposing forces: usually internal or external conflict. A struggle within the character A struggle against another character, idea, organization, etc. Things that the character must consider before solving or dealing with a conflict A high point of the story, such as where a character must make a big decision The reason characters behave in a certain way. Textual Examples of how it is used in The Diary of Anne Frank Name Date THE DIARY OF ANNE FRANK Reading Strategy Questioning QAR READING A DRAMA Directions: Use the QAR reading strategy to develop questions The Diary of Anne Frank Type of Question Copy the passage from the text “RIGHT THERE”- Copy the passage from the text “Think and Search”- Copy the passage from the text “Author and you” Copy the passage from the text “On your own” Cast of Characters Anne Frank: The central character, a girl in her early teenage years Otto Frank: Anne and Margot's father Edith Frank: Anne and Margot’s mother Margot Frank: Anne's older sister, in her late teens Miep Gies: A former employee of Otto Frank, who is the annex resident‟s link to the outside world Peter Van Daan: The son of Mr. and Mrs. Van Dann, Anne’s eventual love interest. Mr. Kraler: A former employee of Mr. Frank Mr. Van Daan: Father of Peter Mrs Van Dann: Mother of Peter. Mr. Dussel: An irritable former dentist Characterization: Dynamic: a literary or dramatic character that undergoes an important inner change, as a change in personality or attitude: Ebeneezer Scrooge is a dynamic character. Static: a literary or dramatic character who undergoes little or no inner change; a character who does not grow or develop. Round: a character in fiction whose personality, background, motives, and other features are fully delineated by the author. Flat: an easily recognized character type in fiction who may not be fully delineated but is useful in carrying out some narrative purpose of the author. Character Analysis: The Diary of Anne Frank Character Anne Frank Mr. Frank Mrs. Frank Margot Frank Peter Van Daan Mr. Van Daan Mrs. Van Daan Mr. Dussel Miep Gies Mr. Kraler Textual Evidence/Quotation describing character and page number Impact that this character has on the novel. In this section name whether the character is a Dynamic or Static Character. Characterization: Would you consider this character a Round or Flat character? What evidence can you provide that leads you to this conclusion? Name Date THE DIARY OF ANNE FRANK TEXT ANALYSIS For questions 1–3, see page 545 of the Student Edition. Directions: Answer each question. 4. Interpret a Character’s Words Complete the following sentence. Anne thinks “paper is more patient than people” because ___________________________ 5. Understand Conflicts Name one external conflict and one internal conflict in Act One. External Conflict: __________________________________________________________ Internal Conflict: __________________________________________________________ 6. Identify Subplot The main plot of the drama concerns the experiences of the eight inhabitants of the secret annex as they struggle to live together and avoid detection by the Nazis. A subplot is an additional, or secondary, plot with its own conflict. Describe a subplot that is introduced in Act One. 7. Analyze Theme Complete each sentence. One character who helps to develop the theme that people are good at heart is . (He/She) helps to develop the theme because One character who does not support the theme that people are good at heart is . (He/She) does not support the theme because 8. Analyze a Drama Based on what you’ve learned through dialogue and stage directions, describe Anne’s personality. What effect has the Nazi occupation had on her family’s life? Day 1 Name Date THE DIARY OF ANNE FRANK Vocabulary Study VOCABULARY IN CONTEXT Vocabulary Word 1. Bustle 2. Scoffing 3. Pantomime 4. Faltering 5. indignant 6. Ostentatious 7. Portly 8. Capitulation Meaning Easy or hard Use in a Sentence Part of Speech Name Date THE DIARY OF ANNE FRANK Text Analysis THEME A theme is the message about life or human nature that a literary work communicates. When the playwrights adapted Anne Frank’s diary, they used her belief in the essential goodness of people as one of the work’s themes. Directions: In the chart, make notes to show how Anne’s thoughts and feelings as well as the characters’ relationships with each other support the theme. Anne’s thoughts and feelings Characters’ relationships Name Date THE DIARY OF ANNE FRANK Reading Check Directions: Recall all characters and events in the selection. Then answer each question in sentences or phrases. 1. How do you learn about the events that took place in the Secret Annex from July 1942 through August 1944? 2. Why do the Franks go into hiding in July 1942? 3. Who shares the Secret Annex with the Franks? 4. Describe Anne’s relationship with each of the following people: her mother, her father, Peter Van Daan. Does her relationship with each of these people change or stay the same? Explain your answer. 5. What happens to the inhabitants of the Secret Annex in August 1944? What happens to them after this time? Name Date THE DIARY OF ANNE FRANK Question Support (Act 2) TEXT ANALYSIS For questions 1–2, see page 566 of the Student Edition. Directions: Answer each question. 3. Make Inferences Why does Mrs. Van Daan react so strongly when Mr. Van Daan wants to sell her fur coat? 4. Analyze Plot The climax is the point of highest action in the plot. The climax of this drama occurs when __________________________________________ 5. Interpret a Drama Review the chart you made as you read. Anne grew up under the Nazi occupation. In your opinion, how did life in the attic affect her personality? How did life in the attic affect the personality of Mr. Van Daan? 6. Evaluate a Drama Reread lines 73–118 in Act One and 1308–1330 in Act Two. According to the stage directions, what is taking place on the stage at these times? How does this staging allow the playwrights to convey information that might not be revealed if all dialogue occurred only between characters? 7. Evaluate Theme Complete the following sentence on the back of this paper. Anne’s idea that the world may be “going through a phase” that will pass illustrates the theme of the play because